7.20.14 Jesus fed Judas the SOP and the Devil came into him. Some Judas outed the PSALLO word with the long-standing urge to sow massive discord. Of the "unity in diversity" in Ephesians 4 Paul said that Christ gifted APT elders will by definition CAST OUT the cunning craftsmen or sophists. God HIDES from the sophists who are speakers for hire, singers, instrument players or actors. Eject them as Jesus ejected the musical minstrels because THEY ARE LYING IN WAIT to Deceive. It simply is not possible for any reader of the Bible and recorded history to find or even image (idol) a God of the Universe Who could be seduced by music or who would impose the LADED BURDEN which is spiritual anxiety created by religious rituals of songs and sermons. Jesus called the Scribes and Pharisees, hypocrites. Christ in Ezekiel 33 apparently not available at the universities named speakers for hire, singers and instrument players: these were the MARKS of people who did not intend to HEAR the Word (Logos or regulative principle) or obey it.
Luke 11:43 Woe unto you, Pharisees! for ye love the uppermost seats in the synagogues, and greetings in the markets.
Universities SELL and false preachers BUY something like Spirit Power and that defines SIMONY. As "senior pulpit ministers" we have noted that one product of ACU claims that while he has elders he is the Authoratative Teacher: that means that he claims the role Jesus died to get.
In going on 84 have never met a preacher willing to discuss the Bible or to respond to the REST of the passage which refutes false teaching. They are "god's anointeds" and you dare not question them: they speak EXCathedra.
Luke 11:44 Woe unto you, scribes and Pharisees, hypocrites!
for ye are as graves which appear not,
and the men that walk over them are not aware of them.
Luke 11:45 Then answered one of the lawyers, and said unto him,
Master, thus saying thou reproachest us also.
False teachers who are Purpose Driven would define Jesus as a legalistic, sectarian, hypocrite for reproaching. A godly person WILL be happy to give an answer.
Lawyers and legalists are those who use rhetoric, singing and playing instruments to silence the LOGOS. All of the performing arts and crafts MUST follow rigid laws in learning, rehearsing and performing.
Nom-ikos , ē, on,Luke 11:45 Then answered one of the lawyers, and said unto him,A.relating to laws, aitia, title of work by Democritus; resting on law, “ēthē” Pl.Lg.625a; conventional, n. dikaion, phusikon,
Opposite phusikon, [A.natural, produced or caused by nature, inborn, native,]
2. forensic, “makhai” Ep.Tit.3.9; agōnes, OPPOSITE logikoi, ēthikoi, Philostr.VS1.22.1; relating to points of law (Opposite matters of fact), II. possessed of reason, intellectual, “meros”Agōn A.“agōnoir” GDI1172.26: (agō):—gathering, assembly, contest in which the chorus was composed of men,
OPPOSITE
Logi^k-os , ē, on, (logos)A.of or for speaking or speech, merē l. the organs of speech, Plu.Cor.38: logikē, hē, speech, OPPOSITE mousikē, D.H. Comp. 11; “l. phantasia” expressed in speech, Stoic.2.61.
LOGOS speak words such as LEXIS is the opposite of ODE. Logos is God's Regulative Principle which is opposite of self-speaking form money, singing or playing instruments. All religious "hypocrites" or performers were called parasites and prostitutes. You can only give away the WORD of God in the Prophets and Apostles by preaching it by reading it for COMFORT and doctrine.
Master, thus saying thou reproachest us also.
Luke 11:46 And he said, Woe unto you also, ye lawyers!
for ye lade men with burdens grievous to be borne,
and ye yourselves touch not the burdens with one of your fingers.
ŏnusIn Revelation 18 the cunning craftsmen, singers and instrument players are called SORCERERS. John said that they HAD DECEIVED the world once. That was when "in the beginning the elohim cast down the heavens and earth as profane." Christ called Lucifer the singing and harp-playing prostitute in the garden of Eden. The Chalal or Halal word means that Lucifer was cast down as profane.
1. Of goods, baggage, etc., a load, lading, freight, cargo
A. A burden, in respect of property, i. e. a tax or an expense
B. A load, burden, weight, charge, trouble, difficulty , molestia
“epici carminis onera lyrā sustinere,” Quint. 10, 1, 62.—
C. (Eccl. Lat.) The burden of a prophecy, the woes predicted against any one: “Babylonis,” Vulg. Isa. 13, 1: “Tyri,” id. ib. 23, 1.—With subj.gen.: “Domini,” Vulg. Jer. 23, 33: “verbi Domini,” id. Zach. 12, 1.
That is why you can quote all of the Bible and historic literature to prove that imposing instrumental sounds in the School of Christ is defined as the BEAST. The beast is "A sudden new-style of music and Satyric drama." The Pan's or Satyrs were CAPPELLAs or he or she goats. A Cappella speaks of the Sistine Capella as a private SHRINE. The STYLE of singing by the castrated French Opra singers is called ORGANUM and began with just tow voicing singing as one voice.
The Latin ways in which PSALLO is used and agrees with the NACC's proof text where it marks men plucking the harp skillful in order to seduce young boys whose hairs had been plucked (psalloed)
Outward Command:
SPEAK "that which is written for our Learning"
ODE and PSALLO IN the heart. Meaning Keep it Silent
BECAUSE: LEXIS or LOGOS is the OPPOSITE of ODE which means to enchant.
Psallo is a word often connected to Apollo, Abaddon or Apollyon. He carried his bow and made the string "twang" to send forth a sinning arrow into the literal heart of enemies. He also carried the Lyre which he "plucked" intending to send forth a Love Arrow into his male of female frieds.
Abaddon or Apollyon has been unleased from the pit and is the leader of the LOCUSTS which we understand to be the MUSES as his musical worship team. The muses are known in the literature as dirty adulteresses who become SHEPHERDESSES at Apollo's Worship Center at Delphi and Corinth.
Psallo is USED primarily as:
psallō pluck, pull, twitch,ps. etheiran pluck the hair: esp. of the bow-string, toxōn kheri psallousi neuras twang them, E.Ba.784; “kenon kroton” Lyc.1453; ek keraos ps. belossend a shaft twanging from the bow,
When used of musical instruments Psallo means play or pluck II. mostly of the strings of musical instruments, play a stringed instrument with the fingers, and not with the plectron:
Jesus said MY WORDS are SPIRIT and LIFE. As the antithesis to the "spirit" as a person or people
Ventus , B. personified as deities, the winds: te, Apollo sancte, omnipotens Neptune, invoco; Vosque adeo, Venti! Turpil. ap. Cic. Tusc. 4, 34, 73 Lucr. 5, 1230 (1228); cf. Ov. H. 17 (18), 37.—The Spirit OF God is the BREATH of God and not a "people."
Spīrĭtus The air: imber et ignis, The BREATH of a god, inspiration: “ spiritum Phoebus [Apollo, Abaddon, Apollyon] mihi, Phoebus artem Carminis Carmen , dedit, poetic spirit or inspiration,
Mark 6.7 He called to himself the twelve, and began to send them out two by two; and he gave them authority over the unclean spirits.Hor. C. 1, 7, 23;Q. Horatius Flaccus, Odes (ed. John Conington)
Let others Rhodes or Mytilene sing,
Or Ephesus, or Corinth, set between
Two seas, or [Baccho] Thebes, or [Apollo] Delphi, for its king
Each famous, or Thessalian Tempe green;
There are who make chaste Pallas' virgin tower
The daily burden of unending song,
And search for wreaths the olive's rifled bower:
The praise of Juno sounds from many a tongue,
Telling of Argos' steeds, Mycenae's gold.
Luke 8:2 and certain women who had been healed of evil spirits and infirmities: Mary who was called Magdalene, from whom seven demons had gone out;
Psallo marks as Lawless those who used a "guitar pick", beat on a drum or blew a flute.
The Phrase: psallere saltare elegantius,ē-lēgo , āvi, 1, v. a., I.to convey away (from the family) by bequest, to bequeath away,The Phrase: “cantare et psallere jucunde,”
pulso I. Lucr. 4, 931), to push, strike, beat (cf.: tundo, ferio, pello).
Of musical instruments: “chordas digitis et pectine eburno,” to strike, play upon, Verg. A. 6, 647: “chelyn,” (harp) Val. Fl. 1, 139: “pectine nervos,” Sil. 5, 463: “cymbala,” Juv. 9, 62.
A. In gen., to urge or drive on, to impel, to set in violent motion, to move, agitate, disturb, disquiet:
C. To drive away, remove, put out of the way
Psalmus , = psalmos,
I. In gen., to play [psalmus] upon a stringed instrument; esp., to play upon the cithara, to sing to the cithara: “psallere saltare elegantius,” Sall. C. 25,
Elego I. to convey away (from the family) by bequest, to bequeath away,
Sal. Cat. 25 In the number of those ladies was Sempronia, a woman who had committed many crimes with the spirit of a man. In birth and beauty, in her husband and her children, she was extremely fortunate; she was skilled in Greek and Roman literature; she could sing, play, and dance, with greater elegance than became a woman of virtue, and possessed many other accomplishments that tend to excite the passions. But nothing was ever less valued by her than honor or chastity.
jūcundus (jōcundus ), a, um, adj. jocus, I. pleasant, agreeable, delightful, pleasing (syn.: gratus, blandus; “class.): est mihi jucunda in malis et grata in dolore vestra erga me voluntas, “verba ad audiendumThe Graces as Muses were "blue-eyed blond musical prostitutes." They were Abaddon-Apollyon's Praise Team.
mălus , evil, wicked, injurious, destructive, mischievous, hurtful : carmen, i. e. an incantation, Leg. XII. Tab. ap. Plin. 28, 2, 4, § 17: “abi in malam rem,” go and be hanged! burdensome, plagis
“male tibi esse malo quam molliter,” I would rather you should be unfortunate than effeminate, Sen. Ep. 82, 1: “cantare et psallere,” Suet. Tit. 3:
The Phrase: gratus, blandus; The New Hermeneutics or the Kairos Time"Philodemus considered it paradoxical that music should be regarded as veneration of the gods while musicians were paid for performing this so-called veneration. Again, Philodemus held as self deceptive the view that music mediated religious ecstasy. He saw the entire condition induced by the noise of cymbals and tambourines as a disturbance of the spirit.
He found it significant that, on the whole, only women and effeminate men fell into this folly.
Accordingly, nothing of value could be attributed to music; it was no more than a slave of the sensation of pleasure, which satisfied much in the same way that food and drink did.
Grātus or kharis religion beloved, dear, acceptable, pleasing, agreeable “Herophile Phoebo grata and: “superis deorum gratus (Mercurius) et imis, “carmina,” id. C. 1, 15, 14; 3, 11, 23: “artes,” id. ib. 4, 13, 22: “error mentis, favorite, darling: deserving or procuring thanks Grata testudo Jovis,” [G1361 Diotrephes]Grata or GRACE in the sense of the Graces and Muses who were musicians under Apollo or Abaddon at Delphi where the Phythian serpent was worshipped. Other forms are:testūdo Hermes made the first lute or lyre from a tortoise-shell while still in his crib. He is a type of Jubal. 1. Of any stringed instrument of music of an arched shape, a lyre, lute, cithern
Mercŭrĭus , ii, m., = Hermēs, as a herald, the god of dexterity; in speaking, of eloquence; the bestower of prosperity; the god of traders and thieves; the presider over roads, and conductor of departed souls to the Lower World:
Mercury or Hermes (Kairos) while still in his cradle scouped out a turtle and made the first lyre: the turtle should be graceful that it would be worshipped even today for its contribution Diotrephes
He gave this harp to Apollo, Abaddon or Apollyon who is YOUR musical worship leader even today.
G1361 Diotrephes dee-ot-ref-ace' From the alternate of G2203 and G5142; Jove nourished; Diotrephes, an opponent of Christianity: From:.
Trepho (g5142) tref'-o; a prim. verb (prop. threpho, but perh. strength. from the base of 5157 through the idea of convolution); prop. to stiffen, i.e. fatten (by impl. to cherish [with food, etc.], pamper, rear): - bring up, feed, nourish trephô similar words mean that the was RAISED UP by Zeus.
Hor. Ars 395 Orpheus, the priest and interpreter of the gods, deterred the savage race of men from slaughters and inhuman diet; hence said to tame tigers and furious lions: Amphion too, the builder of the Theban wall, was said to give the stones motion with the sound of his lyre, and to lead them whithersoever he would, by engaging persuasion
“Pythia cantica” Hor. Ars 414, songs like the hymns which were sung in honor of Apollo, by the chorus in some comedies. A player, called Pythaules, played during the intervals when the chorus left off singing.
khairō1. c. dat. rei, rejoice at, take pleasure in a thing, “nikē”Il.7.312; “phēmē” Od.2.35; “dōrō” Hes.Op.358; “molpa [sing and dance], hē, (melpō)A.dance or rhythmic movement with song, 2. more freq. song, suriggos ekhōnthe note, klagg-ēklagg-ē twang of the bow howling of wolves and lions, baying of dogs, also, of musical instruments of song k. aēdoneios
07.03.14 Read and Discuss anonymously--if you wish--Whether Doctors of the Law whom Jesus said "take away the key to knowledge" as well as those who dispense authority are involved in Simony.
General postings of false teachers and false teachers
Doctors of the Law, Universities and Staff the Cycle of Simony
12.31.13 See David Young Minister North Boulevard Church of Christ in Murfreesboro, Tennessee
If you say that Churches of Christ which did not use INSTRUMENTS during the School of the Word from the Wilderness onwwars was just and evil tradition.
- And from Genesis to Revelation musical machines are said to have been brought by Lucifer (ZOE) into the garden of Eden and resulted in some sexual hanky panky to REVELATION when the Babylon mother of harlot rises again and ALL of her religious STAFF are called sorcerers and will be cast alive into the Lake of Fire.
- Then Christ in Jeremiah 23 says that you despise the Word and the Latin word is BLASPHEME
THIS PAPER WILL HELP YOU FLEE BABYLON whose Mother of Harlots (Revelation 17) uses "lusted after fruits" (Same as in Isaiah 8) as self-speakers, singers, instrument players and ALL religious craftsmen who were called PARASITES.
LINKS TO A FEW STEPS TO THE LAKE OF FIRE; FIXED LINKS 12.30
"RELIGION" REPLACING "SCHOOL OF CHRIST" AND: WORSHIP ANDROGYNY THE PAGAN SEXUAL IDEAL
TRIBULATION PROMISED FROM WITHIN: BUT, DAVID YOUNG AND THE ELDERS SAY------
THE COMMAND IS TO SPEAK: THERE IS NO COMMAND TO SING AS PERFORMANCE
HOW RECORDED HISTORY NOTES THAT SINGING AS AN ACT WAS IMPOSED AFTER CONSTANTINE AND WAS DIVISIVE
THE COMMAND: SPEAK THAT WHICH IS WRITTEN. NOTHING WRITTEN BY THE SPIRIT IS METRICAL OR TUNEFUL
ISAIAH 3 CHRIST'S PROPHETIC TYPE: CLICK BELOW FOR CHRIST'S WARNING ISAIAH 3: RELIGION" REPLACING "SCHOOL OF CHRIST" AND: WORSHIP ANDROGYNY THE PAGAN SEXUAL IDEA
ISAIAH 8 WHEN EMMANUEL COMES TO YOUR SCHOOL OF CHRIST YOU WILL NOT--CANNOT--PEEP AND MUTTER
CHRIST'S PURPOSE DRIVEN CHURCH DOES NOT BOAST ABOUT ITSELF.
ISAIAH 14 CHRIST'S WARNING OF THE SINGING AND HARP-PLAYING PROSTIITUTES CAST INTO "HELL"
A HUNDRED YEARS OF ATTACKS AGAINST CHURCHES OF CHRIST WHICH WILL NEVER IMPOSE INSTRUMENTAL IDOLATRY.
PROOF THAT ALL INSTRUMENTALISTS ATTACKS ARE BASED ON LIES OR IGNORANCE.
NUMBERS 11 THE REST OF THE STORY ABOUT MUTTERING AND MURMURING: Violates Christ's outlawing vocal or instrument rejoicing or speaing your own words in Numbers 10
DAVID YOUNG STILL SAYS THAT ALL THINGS ARE LAWFUL?
THE "LEADERSHIP" IS PURPOSE-DRIVEN TO SOW MASSIVE DISCORD WHICH GOD HATES.
ELDERS AND DEACONS ARE THE ONLY VOCATIONAL "STAFF" IN A CHURCH OF CHRIST
The role of PREACHER as SENT Evangelist
ISAIAH 8: THOSE WHO DON'T PREACH THAT WHICH HAS BEEN PROVIDED ARE MARKED AS BEING WITHOUT LIGHT.
THE MARKS OF THE FINAL SHAKING AND THE END-TIME SHAKER.
The MARKS of the BEASTS (Zoe) and the INSECTS-PARASITES (LOCUSTS or musical worship teams)
THE FIREY DESTINY OF THOSE WHO SOW MUSICAL OR RHETORICAL DISCORDJohn T. Willis of ACU or Abilene Christian University sees godliness as a means of financial gain. Believeth Not is the Greek Apistos which means betrayal, treachery, saying "I will not teach that which is written by the Prophets and Apostles. Willis promotes ROLES for women for which there are no ROLES. He also promotes the introduction what what they call "instrumental worship." This is a culmination of two decades of Mike Cope paving the way. He is now at Pepperdine working to REEDUCATE young preachers trained as "traditional" church of Christ preacher. That means to multiply the legalism and sectarianism by claiming that a "spirit" gives them authority to--what Bible readers know-is contradictiory to the LOGOS or Regulative Principle where God gets the right to speak and everyone who grasps the meaning of God gets the blessed opportunity to sit down and listen and learn. These restructurers are trained as singers, actors, philosophers or stand-up comic.
The Christian Standard which began to sow discord flaunts their small winnings by letting false teachers to show how to TRANSISTION other people's property into Instrumentalists property.
John T. Willis has actively worked to PROMOTE the use Instrumental Music and Female Worship leaders. Jesus said that "Doctors of the Law take away the key to knowledge" because nothing in the KEY is for sale. No level of scholarship allows merchants of the Word to read the text. Paul warned the MALES against practices which would bring on WRATH. Wrath would be a buffoon or jester as preacher, singers, players, actors BOASTING about bringing people into a frenzy (madness) which the merchandise as WORSHIP: leading you into the presence of God.
12.22.13 Lucifer is Venus or ZOE and among the matriarchal "mother of harlots" she-he is EVE or EVAH meaning an Abomination. Lucifer is well documented in the Greek literature. Christ said that when Lucifer was Cast as Profane (Chalal or Halal the "praise" word) into the Garden of Eden She-He was the "singing and harp-playing prostitute."
The Beginning Mother of Beasts and the End-Time Babylon Mother of Harlots are identical. Paul said that Eve was wholly SEDUCED as a new bride is SEDUCED just before her husband. That is why Cain (from a musical note or mark) was OF that Wicked one.
Eve is mentioned only twice in the New Testament and because Jesus spoke in parables to HIDE the truth from the WISE (sophists=rhetoricians, singers, musicians, actors). Moses was writing an INVERTED version of Babylon Myths AFTER the nation fell from grace BECAUSE of instrumental idolatry at Mount Sinai. Therefore, those who mock Paul do not understand that Paul knew all about Eve and scholars know nothing. While not necessarily true, Paul understood that women especially looked to EVE (Zoe, Mary) as THEIR Mediatrix.
The serpents, however, of the magicians-(that is,) the gods of destruction-withstood the power of Moses in Egypt, but the rod of Moses reduced them all to subjection and slew them. This universal serpent is, he says, the wise discourse of Eve. This, he says, is the mystery of Edem, this the river of Edem;this the mark that was set upon Cain,
that any one who findeth him might not kill him. This, he says, is Cain, [Gen. iv. 15] whose sacrifice [Gen. iv. 5. ] the god of this world did not accept.
Theophilus to AutolycusThis Eve, on account of her having been in the beginning deceived by the serpent, and become the author of sin, the wicked demon, who also is called Satan, who then spoke to her through the serpent, and who works even to this day in those men that are possessed by him, invokes as Eve.58 And he is called "demon" and "dragon," on account of his revolting from God. For at first he was an angel. And concerning his history there is a great deal to be said; wherefore I at present omit the relation of it, for I have also given an account of him in another place.
58 Referring to the bacchanalian orgies in which " Eva " was shouted, and which the Fathers professed to believe was an unintentional invocation of Eve, the authoress of all sin.
The word "abomination" is also key to understanding the context. In Hebrew, the word "to 'evah," (abomination) is almost invariably linked to idolatry. In the passages from which both verses are taken, God tells Moses to tell the people not to follow the idolatrous practices of the people around them, people who sacrificed their children to Molech, or who masturbated into the fire to offer their semen to Molech, for example. Chapter 20 starts off with the same warning.
"To 'evah" also means "something which is ritually unclean."
But also, concerning music, some have fabled that Apollo [Abaddon, Apollyon] was the inventor, and others say that Orpheus discovered the art of music from the sweet voices of the birds. Their story is shown to be empty and vain, for these inventors lived many years after the flood. And what relates to Noah, who is called by some Deucalion, has been explained by us in the book before mentioned, and which, if you wish it, you are at liberty to read.Genesis 1 is exactly parallel to John 1: after Israel fell into instrumental idolatry of their Egyptian gods, God abandoned the later Civil-Military-Clergy complex to worship the same "gods" that appear as Abaddon or Apollyon in Revelation. The LOCUSTS or MUSES are unleashed from "hell" and Abaddon is the Musical Worship leader. This happened exactly 4000 years after Moses defined the same conflict between LIGHT and DARK. That was launched by the most virulent, hostile attack against the ANTI-instrumental Churches of Christ mounted exactly 100 years after the first brutal attack. This convinced Churches of Christ that even friendly fellowship meant that their flock would be Purpose Driven by the boast of "Infiltrating and diverting the church homes of widows and honest workers into A Theater for Holy Entertainment."
Armageddon is not a war of the world but a war of words: a polemic war with shock and awe as the meaning of mechanical Organon used by Jubal's family to bring on the first destruction.
Great tribulation flaunting "the holiness of sin" has accompanied the loss of faith at the end of each DAY period.
Matthew 24:21 For then shall be great tribulation,A million Jews were cast into Tophet (tabret, tambourine) at the first fulfilment. Not one DISCIPLE of Christ was "burned" and the Jews are still looking for their Levites and the tens of thousands of HARPS which according to the Babylonian Prophetic type were "cast alive with their harps along with the king"
such as was not since the beginning of the world to this time, no, nor ever shall be.
Matthew 24:22 And except those days should be shortened, there should no flesh be saved:
but for the elect’s sake those days shall be shortened.
Matthew 24:23 Then if any man shall say unto you, Lo, here is Christ, or there; believe it not.
Matthew 24:24 For there shall arise false Christs, and false prophets,
and shall shew great signs and wonders;
insomuch that, if it were possible, they shall deceive the very elect.
sēmeion , 3. sign or signal to do a thing, made by flags, anedexe sēmēion toisi alloisi anagesthai he made signal for the rest to put to sea, Hdt.7.128; signal for battle, ta s. ērthē, katespasthē, Th.1.49,63, etc.; kathairein to s. to take it down, strike the flag, as a sign of dissolving an assembly, And.1.36; to tēs ekklēsias s. Ar.Th.278;
8. watchword, war-cry, Plb.5.69.8; “apo s. henos epistrephein tas naus” Th.2.90, cf.X.HG6.2.28.
Lying Wonders teras III. in colloquial language, “teras legeis kai thaumaston” Pl.Hp.Ma.283c, cf. Tht.163d; “teras legeis, ei . . ” Id.Men.91d
The Spirit OF (preposition) Christ defines the Church in the Wilderness and the future REST after the Jew's Covenant with Death and Hell had been annulled with only a tiny remnant of faithful Jews:
Isaiah 14:9 Hell from beneath is moved for thee to meet thee at thy coming:
it stirreth up the dead for thee, even all the chief ones of the earth;
it hath raised up from their thrones all the kings of the nations.
Isaiah 14:10 All they shall speak and say unto thee, Art thou also become weak as we? art thou become like unto us?
Isaiah 14:11 Thy pomp is brought down to the grave, and the noise of thy viols:
the worm is spread under thee, and the worms [Maggots] cover thee.
-Sublīmis , B. In partic., of language, lofty, elevated, sublime (freq. in Quint.): “sublimia carmina,” Juv. 7, 28: “verbum,” Quint. 8, 3, 18: “oratio,
of orators, poets, etc.: “natura sublimis et acer,” Hor. Ep. 2, 1, 165: “sublimis et gravis et grandiloquus (Aeschylus),
carmen , ĭnis, n. (old form cas-men , Varr. L. L. p. 86 Bip.) [Sanscr. çasto declaim, praise; cf.: camilla, censeo],I. a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation (cf.: cano, cantus, and canto).
5. A magic formula, an incantation:
6. On account of the very ancient practice of composing forms of religion and law in Saturnian verse, also a formula in religion or law, a form:
“barbaricum,” id. M. 11, 163.—With allusion to playing on the cithara:
Apollinem) concordant carmina nervis,
APOLLO and since he communicated oracles in verse, god of poetry and music,
presiding over the Muses
Opposite to: sum-mitto ” to moderate his efforts, restrain himself , accommodating his instructions to the capacity, speak humbly,
grandĭlŏquus , i, m. grandis-loquor,I. speaking grandly or loftily: “et grandiloqui, ut ita dicam, fuerunt cum ampla et sententiarum gravitate et majestate verborum,” Cic. Or. 5, 20; cf. Quint. 10, 1, 66: grandiloquent: “isti grandiloqui (i. e. Stoici),” boasters, Cic. Tusc. 5, 31, 89.
Lucifer is Venus or ZOE and among the matriarchal "mother of harlots" she-he is EVE or EVAH meaning an Abomination. Lucifer is well documented in the Greek literature. Christ said that when Lucifer was Cast as Profane (Chalal or Halal the "praise" word) into the Garden of Eden She-He was the "singing and harp-playing prostitute."
Isaiah 14:12 How art thou fallen from heaven, O Lucifer, son of the morning!
how art thou cut down to the ground, which didst weaken the nations!Most Jews of the "viper race" replaced most godly Jews who would not let their boys "wear the hat of Hermes" and serve as singers, dancers and prostitutes in Herod's Temple. See Second Maccabees and notes from the Pink Swastika.-infernus , a, um, adj. infer,IN THE LXX FROM WHICH JESUS QUOTED:
I. lower, that which lies beneath
Thy glory has come down to Hades, and thy great mirth: under thee they shall spread corruption and the worm shall be thy covering. Isaiah 14:11 LXX
[11] detracta est ad inferos superbia tua concidit cadaver tuum subter te sternetur tinea et operimentum tuum erunt vermes
-Superbĭa I. In a bad sense, loftiness, haughtiness, pride, arrogance
2. Conceit, vanity: “legatos, velut ad ludibrium stolidae superbiae in senatum vocatos esse,” Liv. 45, 3, 3.—3. Rudeness, discourtesy: “superbiam tuam accusant, quod negent te percontantibus respondere,” Cic. Fam. 7, 16, 3.— *-ludībrĭum I. a mockery, derision, wantonness. . A laughing-stock, butt, jest, sport B. A scoff, jest, sport: to reproach jestingly, scoff, such a drunkard as to be a standing jest, C. Abuse, violence done to a woman: in corporum ludibria deflere, Ex-tollo II. Trop., to raise, elevate, exalt: “orationem amplificationibus,” Quint. 12, 10, 62; cf.Dan 3:5 That at what time ye hear the sound of the cornet, flute, harp, sackbut, psaltery, dulcimer,
and all kinds of music, ye fall down and worship the golden image that Nebuchadnezzar the king hath set up:
Dan 3:6And whoso falleth not down and worshippeth shall the same hour be cast into the midst of a burning fiery furnace.
ōrātĭo , ōnis, f. oro, E. A prayer, an address to the Deity (eccl. Lat.): “respice ad orationem servi tui,” Vulg. 3 Reg. 8, 28: “per orationes Dominum rogantes,” id. 2 Macc. 10, 16: “pernoctans in oratione Dei,” id. Luc. 6, 12.—Also absol., prayer, the habit or practice of prayer: “perseverantes in oratione,” Vulg. Act. 1, 14: “orationi instate,” id. Col. 4, 2; cf. Gell. 13, 22, 1.
Madison as the result of the "Jubilee" intending to restructure ALL Churches of Christ was attacked by the Purpose Driven Cult and it appears that the godly elect were "raptured." This is the end of the road for the Vision 20/20s in most of the assaulted churches of Christ. Before the Jubilee "frog-boiling" process began Madison boasted that they had over 5000 members and lost only "50": These numbers did and may include 300 members in jail.2 Maccabees 1
1 - The Jewish brethren in Jerusalem and those in the land of Judea, To their Jewish brethren in Egypt, Greeting, and good peace.
2 - May God do good to you, and may he remember his covenant with Abraham and Isaac and Jacob, his faithful servants.
3 - May he give you all a heart to worship him and to do his will with a strong heart and a willing spirit
THE KINGDOM OF GOD DOES NOT COME WITH RELIGIOUS "OBSERVATIONS" AND THE WARNING IS STILL IN EFFECT
Matthew 24:25 Behold, I have told you before.ALL of the SOUNDS-LIKE INSTRUMENT PASSAGES war of JUDGMENT and commands the godly--be they ever so scare--to GO and preach the gospel to ALL nations.
Matthew 24:26 Wherefore if they shall say unto you,
Behold, he is in the desert; go not forth:
behold, he is in the secret chambers; believe it not.
Matthew 24:27 For as the lightning cometh out of the east, and shineth even unto the west;
so shall also the coming of the Son of man be.
Matthew 24:28 For wheresoever the carcase is, there will the eagles be gathered together.
Matthew 24:29 Immediately after the tribulation of those days
shall the sun be darkened,
and the moon shall not give her light, [Bible replaced by Theology fit for OUR CHANGED CULTURE.]
and the stars shall fall from heaven, [The lucifer or ZOE types]
and the powers of the heavens shall be shaken:
Matthew 24:30 And then shall appear the sign of the Son of man in heaven:
and then shall all the tribes of the earth mourn,
and they shall see the Son of man coming in the clouds of heaven with power and great glory.
Matthew 24:31 And he shall send his angels with a great sound of a trumpet,
and they shall gather together his elect from the four winds, from one end of heaven to the other.
The Purpose Driven Locusts or MUSES are to COLLECT all of those with the MARK into large Mega-Groups and the GODLY will evaporate as if by magic. Rick Atchleys boasted of 6400 shrank to about 3500 counting both the MOTHER church and the DAUGHTER churches. They have collected back up to about 4500 by SOUNDING THE TRUMPETS AND THE LOCUSTS-MUSES as Abaddon the Musical Worship Leader.CHRIST IN THE PROPHETS MARKS THOSE WHO SPEAK ON THEIR OWN OR USE WITCHCRAFT
Isa 8:19And when they shall say unto you,
Seek unto them that have familiar spirits,
and unto wizards that peep, and that mutter:
should not a people seek unto their God?
for the living to the dead?
[19] et cum dixerint ad vos quaerite a pythonibus et a divinis qui stridunt in incantationibus suis numquid non populus a Deo suo requirit pro vivis a mortuisTo the law and to the testimony:
-pŏētĭcus , a, um, adj., = poiētikos,-strīdō to make a shrill noise, sound harshly, creak, hiss, grate, whiz, whistle, rattle, buzz: stridentia tinguunt Aera lacu, V.: cruor stridit, hisses, O.: belua Lernae Horrendum stridens, V.: horrendā nocte (striges), O.: mare refluentibus undis, V.: aquilone rudentes, O.: videres Stridere secretā aure susurros, buzz, H.
H7442 rânan raw-nan' A primitive root; properly to creak (or emit a stridulous sound), 2. tremulous sound of a mast or pole "Shaken by the wind" also the sound of a torrent. Vibrate the voice TRILL which is the WOMEN'S sound of Halal above.
-cantus , ūs, m. id., 2. With instruments, a playing, music: “in nervorum vocumque cantibus,” Cic. Tusc. 1, 2, 4; id. Rosc. Am. 46, 134: “citharae,” Hor. C. 3, 1, 20: “horribili stridebat tibia cantu,” Cat. 64, 264: “querulae tibiae,” Hor. C. 3, 7, 30:
B. An incantation, charm, magic song, etc.: cantusque artesque magorum. Ov. M. 7, 195; 7, 201: “at cantu commotae Erebi de sedibus imis Umbrae ibant,” Verg. G. 4, 471: “magici,”
-măgĭcus , a, um, adj., = magikos,I.of or belonging to magic, magic, magical (poet. and in post-Aug. prose): “artes,” Verg. A. 4, 493: “magicis auxiliis uti,” Tib. 1, 8, 24: “arma movere,” Ov. M. 5, 197: “superstitiones,” Tac. A. 12, 59: “vanitates,” Plin. 30, 1, 1, § 1: “herbae,” id. 24, 17, 99, § 156: “aquae,” Prop. 4, 1, 102 (5, 1, 106): di magici, that were invoked by incantations (as Pluto, Hecate, Proserpine), Tib. 1, 2, 62; Luc. 6, 577: “linguae,” i. e. hieroglyphics, id. 3, 222; “but lingua,” skilled in incantations, Ov. M. 7, 330; Luc. 3, 224: “cantus,” Juv. 6, 610: “magicae resonant ubi Memnone chordae,” mysterious, id. 15, 5.
-rĕ-sŏno “qui (cornus) ad nervos resonant in cantibus, carmina resonantia chordis Romanis, to the strings, “in vocibus nostrorum oratorum
I.poetic, poetical: “verbum,” Cic. de Or. 3, 38, 153: “non poëtico sed quodam oratorio numero et modo,” id. ib. 1, 33, 151: “di,” represented by the poets,
Mŏdus , 2. The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode: “vocum,” Cic. Div. 2, 3, 9: “musici,” Quint. 1, 10, 14: “lyrici,” Ov. H. 15, 6: “fidibus Latinis Thebanos aptare modos,” Hor. Ep. 1, 3, 12: Bacchico exsultas (i. e. exsultans) modo, Enn. ap. Charis. p. 214 P. (Trag. v. 152 Vahl.): “flebilibus modis concinere,” Cic. Tusc. 1, 44, 106: saltare ad tibicinis modos, to the music or sound of the flute, Liv. 7, 2: “nectere canoris Eloquium vocale modis,” Juv. 7, 19.—Fig.: “verae numerosque modosque ediscere vitae,” moral harmonies, Hor. Ep. 2, 2, 144.—
if they speak not according to this word,
it is because there is no light in them. Isa 8:20
The women are commanded to be SILENT as the fulfillment of the Prophetic Type by Christ in Isaiah 57. The REASON that male and female are silent and reverent is so that "All might be saved and come to a knowledge of the TRUTH" or that commanded to be spoken with one mind and one mouth speaking that which is written for our learning.
Isa 57:19 I create the fruit of the lips;
Peace, peace to him that is far off, and to him that is near,
saith the Lord; and I will heal him.
Isaiah 57:20 But the wicked are like the troubled sea,
Quĭesco ,
when it cannot rest, whose waters cast up mire and dirt.
Isaiah 57:20] impii autem quasi mare fervens quod quiescere non potest et redundant fluctus eius in conculcationem et lutum
“quiērunt Aequora,” the waves are at rest, do not rise, standing waters,
2. Act., to cause to cease, render quiet, stop, etc.: “laudes,” Sen. Herc. Oet. 1584.—Hence, quĭētus , a, um, P. a., at rest, calm, quiet
4. To make a pause in speaking: quiescere, id est, hēsukhazein, “ludendi est quidem modus
Silence: lūdo , B. To play, sport, frisk, frolic: “dum se exornat, nos volo Ludere inter nos,” have some fun, dance,Mŏdus 2. The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode: “vocum,” Cic. Div. 2, 3, 9: “musici,” Quint. 1, 10, 14: “lyrici,” Ov. H. 15, 6: “fidibus Latinis Thebanos aptare modos,” Hor. Ep. 1, 3, 12: Bacchico exsultas (i. e. exsultans) modo, Enn. ap. Charis [grace]. p. 214 P. (Trag. v. 152 Vahl.): “flebilibus modis concinere,” Cic. Tusc. 1, 44, 106: saltare [dance] ad tibicinis modos, to the music or sound of the flute, Liv. 7, 2: “nectere canoris Eloquium vocale modis,” Juv. 7, 19.—Fig.: “verae
Silence: A. go sport, play with any thing, to practise as a pastime, amuse one's self with any thing “carmina pastorum,
-cantus , ūs, m. id., 2. With instruments, a playing, music: “in nervorum vocumque cantibus,” Cic. Tusc. 1, 2, 4; id. Rosc. Am. 46, 134: “citharae,” Hor. C. 3, 1, 20: “horribili stridebat tibia cantu,” Cat. 64, 264: “querulae tibiae,” Hor. C. 3, 7, 30:Silence: B. to sport, dally, wanton (cf. "amorous play," Milton, P. L. 9, 1045): “scis solere illam aetatem tali ludo ludere,” Plaut. Most. 5,
B. An incantation, charm, magic song, etc.: cantusque artesque magorum. Ov. M. 7, 195; 7, 201: “at cantu commotae Erebi de sedibus imis Umbrae ibant,” Verg. G. 4, 471: “magici,”
Silence: C. Ludere aliquem or aliquid, to play, mock, imitate, mimic a person or thing imitate work, make believe work,HERE IS THE PATTERN FROM THE WILDERNESS ONWARD WITHOUT NEEDING TO PLOW THROUGH THE THEOLOGY WHICH IGNORES THE SCRIPTURES.
Acts 15:21 For Moses of old time
hath in every city
them that preach him,
being read in the synagogues every sabbath day.
The Latin Sermo B. A language, the speech of a nation. Sermonizing used a conversational style and not loquacious. Dialog hê, discourse, conversation,-Plato, Republic [590b] and irascibility when they foster and intensify disproportionately the element of the lion and the snake 1 (or chimaera) in us?" "By all means." "And do we not reprobate luxury and effeminacy for their loosening and relaxation of this same element when they engender cowardice in it?" "Surely." "And flattery and illiberality when they reduce this same high-spirited element under the rule of the mob-like beast and habituate it for the sake of wealth and the unbridled lusts of the beast to endure all manner of contumely from youth up and become an ape 2 instead of a lion?
Thērion , III. [select] as a term of reproach, beast, creature, “ō deilotaton su thērion” Ar.Pl.439, cf. Eq.273; “kolaki, deinō thēriō” marked by LISPING
III. [select] as a term of reproach, beast, creature,
“hē mousikē aei ti kainon thērion tiktei”
Meaing A New Style of Music or Drama: effeminate
[590c] "Yes, indeed," he said. "And why do you suppose that 'base mechanic' handicraft is a term of reproach? Shall we not say that it is solely when the best part is naturally weak in a man so that it cannot govern and control the brood of beasts within him but can only serve them and can learn nothing but the ways of flattering them?" "So it seems," he said. "Then is it not in order that such an one may have a like government with the best man that we say he ought to be the slave
[620c] [620c] After her, he said, he saw the soul of Epeius,1 the son of Panopeus,
entering into the nature of an arts and crafts woman.
Far off in the rear he saw the soul of the buffoon Thersites 2 clothing itself in the body of an ape.
John T. Willis has hired a CAFEINATED PREACHER: when God pours out His wrath He sends you buffoons and jester to make you look ridiculous.
gelōto-poios , on,
2. = batrakhion 11
The BUFFOON is really mocking those who HIRE HIM: Parasites take and take but despise the giver.
Friday, March 15, 2013
