Magos [a^, ou, ho, Magian, one of a Median tribe, Hdt.1.101, Str. 15.3.1: hence, as belonging to this tribe,2. one of the priests and wise men in Persia who interpreted dreams, Hdt.7.37, al., Arist.Fr. 36, Phoen.1.5, Ev.Matt.2.1.3. enchanter, wizard, esp. in bad sense, impostor, charlatan, Heraclit.14, S.OT387, E.Or.1498 (lyr.), Pl.R.572e, Act.Ap.13.6, Vett. Val.74.17: also fem., Luc.Asin.4, AP 5.15 (Marc. Arg.).II. magos, on, as Adj., magical, “magps tekhnē prattein ti” Philostr.VA1.2; “kestou phōneusa magōtera” AP5.120 (Phld.). (Opers. maguš 'Magian'.)
phōn-eō , (phōnē) A.produce a sound or tone: 4. of a musical instrument, sound, E.Or.146 (lyr.); of sounds, hēdu phōnein sound sweetly, Plu.2.1021b; but brontē ph. it has a voice, is significant, X.Ap.12. of a singer, “aoidos . . aiola phōneōn” Theoc.16.44:—
Matthew 11 Come to Me I Will Give you Rest
The Prophets, Jesus, Apostles all taught
the Gospel OF the Kingdom or His Church. The
kingdom is a Spiritual place to REST as STUDENTS
and as a Safe House from the "christianism] of the World,
the Kosmos, the Ecumenical or the Kingdom of Satan making
war against the Kingdom of God and His anointed
Christ.
Churches of Christ who practice
"congregational singing" were once very quiet and
reverent. even if in my life time never Sang
"psalms, hymns and spiritual songs" even when Paul
commanded that we SPEAK. The Greek and Latin
literature is careful, both inclusively and exclusively,
that "Lexis (speak) is the OPPOSITE of ODE
(singing)
The quiet piano or organ has widely been
replaced by a small band and worship team which sings
nonsense and rapidly degenerates into what they call "Soft
Rock." I am in contact with a wide variety of clergy
and "Teaching and Admonishing" has given way to what they
call "musical worship." My worship is in MY
spirit or mind and however powerful a high priced
usually bad praise singer just forces everyone to worship
(give their attention) to them.
While most elders were
asleep, someone broke in, removed his song leader and
became "God standing in the holy places of Church
Architecture." Sam is typical of those boasting
about "infiltrating and diverting" your old happy place
into "a theater for holy entertainment." And they
did it to me--three times. According to research,
that makes me dumber than an earthworm!
A very sudden invasion
by profession musicians--at the right time. Jesus said
"could you not wait for me for one hour." Jesus just asks
for a short time to READ and mutually confess the songs
and sermons of God. Most people have 168 hours a
week to entertain and be entertained.
SAM: Our
role as worship leaders is to MINISTER
to the HEART of God
Himself
our worship is
about HIM and Him alone.
We also serve
to BLESS those who
gather for worship in OUR
services,
not so that they
can walk away “satisfied” or “FILLED”
by the MUSIC,
but so that SPACE
is created for THEM to
encounter the living God
SAM claims to be God standing in
his holy place.
1. God is not worshipped in HOUSES built by human
hands.
2. God is not worshipped by the WORKS of human
hands. [pointing, clapping, picking and grinning]
3. First
Corinthians 1 explaining Isaiah 33 denies that there
will be any podiums or counters of shekals
Most of us grew up with preachers who never got rich or famous who made certain that he fed only the Word of God. However, when pitiful music takes the church captive Scripture and all of history marks the imposer is a sorcerer.
Clement.of.Alexandria.Exhortation.to.the.Heathen
Again, the
same writer of comedy, expressing his dissatisfaction with
the common usages, tries to expose the impious arrogance of
the prevailing error in the drama of the Priestess, sagely
declaring:-
- "If a man drags the Deity
- Whither he will by the sound of cymbals,
- He that does this is greater than the Deity;
- But these are the instruments of audacity and means of living
- Invented by men."
Ephesians 5 says be filled with the WILL
of the Lord or SPIRIT.
Galatians 3 says be filled with the WORD of Christ.
Jesus said in John 6:63 "My WORDS which I SPEAK
are SPIRIT and LIFE.
All words translated SPIRIT mean WIND and
figurative or as a PARABLE a BREATH
With no exception God puts His WORDS into the MOUTH of a
Moses, the Prophets and Lastly Jesus of Nazareth.
SAM etal is not a Prophet or Jesus. Jesus put His
WORDS or SPIRIT into the ears of the APOSTLES ONLY.
Men are increasingly claiming and silencing Elders who must
go because they keep on "firing us." WE must be Apostles and
Prophets because WE hear A spirit. The only
personified SPIRITUS is Apollyon.
SAM speaking for men who have been
trained and IMPOSED by universities:
But you, worship
leader—you know (or at least you ought to know) where
you are LEADING them.
Ours is not a role of “forcing worship” upon OUR people.
It is merely PROMPTING them out of the sheep pen
and into a space where the kingdom of God does
its transformative work within them.
Sam wants you out of the
SheepFold of Jesus by claiming that his "works of human
hands" now has the right to lead you into the World, the
Kosmos, the Ecumenical or the Kingdom of Satan.
Be aware that there is nothing in
Scripture which we would call tuneful "music. There
is no example of an assembly of the Godly Jews-which were
quarantined from the Civil-Military-Clergy at the
Temple--engaging in group singing with or without
instrumets.
Ex. 15:1 Then SANG
[h7791 strolling minstrelsy, h7788 travel
about as a harlot or merchant
CANO kanassō,
kanakhē,
konabos;
Clanging sound, gnashing of
teeth, like a frog “si absurde
canat,
Moses and the children of Israel this SONG [h7792 a Wall] unto the
Lord,
SPAKE [h559 Amar] dīco
speak something for your cogitationes
this song
unto the Lord, and
SAYING, I will sing unto the Lord,
for he hath triumphed gloriously: the
horse and his rider hath he thrown into the sea.
Ex. 15:2 for he hath TRIUMPHED
gloriously: the horse and his rider hath he thrown into the
sea.
All Scripture can be sung to a one or two note melody if the text is broken into syllables. The castrated opera singers the pope brought to the Sistine Chapel (Cappella) began chanting to the same note.
A cappella In the 19th century, a renewed interest in Renaissance polyphony coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists led to the term coming to mean unaccompanied vocal music. Gregorian chant is an example of a cappella singing, as is the majority of secular vocal music from the Renaissance.
The polyphony of Christian a cappella music began to develop in Europe around the late 15th century AD, with compositions by Josquin des Prez.[4] The early a cappella polyphonies may have had an accompanying instrument, although this instrument would merely double the singers' parts and was not independent. By the 16th century, a cappella polyphony had further developed,
Music.
Cantillation signs guide the READER in
applying a chant to Biblical READINGS. This
chant is technically regarded as a ritualized form of
SPEECH intonation rather than as a
musical exercise like the singing of metrical hymns:
for this reason Jews always speak of saying or
reading a passage rather than of singing
it. (In Yiddish
the word is leynen 'read', derived from Latin
legere, giving rise to the Jewish English
verb "to leyn".)
http://www.pineycom.com/Cantillation.2.html
Feel
Free to E Mail Me in Confidence
Theology among the Greeks was the religion
of Apollo, Apollon, Apollyon or Abaddon: This was the
SERVICE of the Jacob-Cursed and God-Abandoned Levites and
a church near you.
THE FULFILLMENT OF THE GOSPEL
Matthew 11:28 Come
unto me, all ye that labour and are heavy laden,
and I will give you rest.
Jesus called the Scribes and Pharisees, hypocrites. In the Ezekiel 33 example Christ named speakers, singers and instrument players. Almost always they performed for the burden or "a tax not in time of war." Christ in Isaiah 55 says that we should not be burdened by using our food money for the free water of the Word. Now, all theatrical and musical performers feel a bit inspired and they think that we should put the same value on them. However, religious performers especially sacrificial musicians were called parasites.
Isaiah.55.Word.Spirit
Restoring the Old Paths: Isaiah 58 is referenced by Paul in Romans 15: it outlaws seeking your own pleasure or SPEAKING your own words.
We are all tired from making a living and need a day of REST. There is no role for an institution to consume all of your rest time and all of your "spare" money for which there is "no law of tithing or giving."
Everyone is Tired from Sunday Worship as
the hardest day of the week.Jesus called the Scribes and Pharisees, hypocrites. In the Ezekiel 33 example Christ named speakers, singers and instrument players. Almost always they performed for the burden or "a tax not in time of war." Christ in Isaiah 55 says that we should not be burdened by using our food money for the free water of the Word. Now, all theatrical and musical performers feel a bit inspired and they think that we should put the same value on them. However, religious performers especially sacrificial musicians were called parasites.
Isaiah.55.Word.Spirit
Restoring the Old Paths: Isaiah 58 is referenced by Paul in Romans 15: it outlaws seeking your own pleasure or SPEAKING your own words.
We are all tired from making a living and need a day of REST. There is no role for an institution to consume all of your rest time and all of your "spare" money for which there is "no law of tithing or giving."
Orkheomai , dōsō toi Tegeēn possikroton orkhēsasthai to DANCE in or on, Orac. ap. Hdt. 1.66, cf. Lakōnika skhēmatia orkheisthai dance Laconian steps, Id.6.129 ; “o. pros ton aulon [flute] skhēmata” Id.Smp.7.5
“tōn humnōn hoi men ōrkhounto hoi de ouk ōrkhounto” Ath.14.631d.
II. Work hard, toil Matt 6:28 Apoc 2:
Don't get drunk with wine before you SPEAK the Scriptures.
Ath.14.631d [626] First of all, Greeks, the comrades brave of Pelops,
Sang over their wine, in Phrygian melody,
The praises of the mighty Mountain Mother;
But others, striking the shrill strings of the lyre,
Gave forth a Lydian hymn."
And it is on this account that the Lacedaemonians, who are a most valiant nation, go to war to the music of the flute, and the Cretans to the strains of the lyre, and the Lydians to the sound of pipes and flutes, as Herodotus relates [ 1.17 ].
And, moreover, many of the barbarians make all their public proclamations
to the accompaniment of flutes and harps,
softening [Sorcery] the souls of their enemies by these means.
And Theopompus, in the forty-sixth book of his History,says - "
The Getae make all their proclamations
while holding harps in their hands and playing on them.
And it is perhaps on this account that Homer,
having due regard to the ancient institutions and customs of the Greeks, says [ Od_8.99 ] -
I hear, what graces every feast, the lyre ; - as if this art of music were welcome also to men feasting.
Thus the blest gods the genial day prolong
In feasts ambrosial and celestial song :
Apollon tuned the lyre, - the Muses round,
With voice alternate, aid the silver sound.
III. Act. orkheō , make to dance (v. Pl.Cra.407a), is used by Ion Trag.50, ek tōn aelptōn mallon ōrkhēsen phrenas made my heart leap (so codd. Ath., ōrkhēsai Nauck); but orkēsi in Ar.Th.1179 is a barbarism for orkhētai.Everyone is Tired of:
The man who was dying blessed me; I made the widow's heart sing. Jb.29:13
So my heart laments for Moab like a flute;
it laments like a flute for the men of Kir Hareseth. The wealth they acquired is gone. Je.48:36
My heart laments for Moab like a harp,
my inmost being for Kir Hareseth. Is.16:11
And my spirit hath rejoiced in God my Saviour.Lu.1:47
Therefore did my heart rejoice, and my tongue was glad; moreover also my flesh shall rest in hope: Ac.2:26
Phi^losophos , ho, A. lover of wisdom; Pythagoras called himself philosophos, T sophos, Cic Tusc.5.3.9, D.L.Prooem.12; “ton ph. sophias phēsomen epithumētēn einai pasēs” Pl.R.475b,2. philosopher, i. e. one who speculates on truth and reality, hoi alēthinoi ph., defined as hoi tēs alētheias philotheamones, Pl.R.475e;Everyone is Tired of:
God HIDES from the WISE or SOPHISTS:
sophos “mantis mostly of poets and musicians, glōssē s en kithara s.
Sophis-tēs , ou, ho, A. master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, “meletan sophistais prosbalon” Pi.I.5(4).28, cf. Cratin.2; of musicians, “sophistēs . . parapaiōn khelun” [turtle harp] A.Fr.314, cf. Eup.447, Pl.Com. 140; sophistē Thrēki (sc. Thamyris) E.Rh.924, cf. Ath.14.632c: with modal words added, “hoi s. tōn hierōn melōn” (religious melody) “Apollōnidē sophistē”
Magga^n-eia , hē, A. trickery, esp. of magical arts, Pl.Lg.908d; magganeiai kai epōdai ib.933a; “periapta kai m.” Ph.2.267, Gal.11.792; “tēs Kirkēs [CHUIRCH] hē m.”
Acts 13:5 And when they were at Salamis,
they preached the WORD of God in the synagogues of the Jews:
and they had also John to their minister.
Acts 13:6 And when they had GONE through the isle unto Paphos, they found a certain sorcerer, a false prophet, a Jew, whose name was Bar-jesus:
The Church of Christ (the Rock) consisted of all of those Jacob warned away from the Qahal or synagogue of Levi. He warned that they not attend the Teaching School or enter into covenant with Levi. In Genesis 49 Jacob warned instead::
Gen. 49:8 Judah, thou art he whom thy brethren shall praise:JESUS CAME TO GIVE REST AFTER BEING TIRED BY ANY KIND OF CEREMONIAL LEGALISM CLAIMING SCRIPTURE AUTHORITY.
thy hand shall be in the neck of thine enemies;
thy father’s children shall bow down before thee.
Gen. 49:9 Judah is a lion’s whelp: from the prey, my son, thou art gone up: he stooped down,
he couched as a lion, and as an old lion; who shall rouse him up?
Gen. 49:10 The sceptre shall not depart from Judah, nor a lawgiver from between his feet,
until Shiloh come; and unto him shall the gathering of the people be.
Gen. 49:11 Binding his foal unto the vine, and his ass’s colt unto the choice vine;
he washed his garments in wine, and his clothes in the blood of grapes:
Paul silenced both male and female so that we might all be SAFE and come to a knowledge of The Truth or WordRest is:
Anapauo (g373) an-up-ow'-o; from 303 and 3973; (reflex.) to repose (lit. or fig. [be exempt], remain); by impl. to refresh:- take ease, refresh, (give, take) rest.
Anapausis (g372) an-ap'-ow-sis; from 373; intermission; by impl. recreation:- rest. When you hear people yelling for you to do this here religious program, it is not God. Believe me. I tell my folks that they are reloading me with the burden Jesus died to remove just by anouncing (and anouncing and anouncing) all of those "busy" programs. All good of course, but not added to our "to do list" by Jesus.
So, you have heard it straight from Jesus:"Go enjoy an ice cream cone, sleep late, go for a long walk in the forest or along the beach, and just relax."
Pauo means stop the polemos or battle, fight, war: stop levying war against another, anaireisthai or airô egeirein, kathistanai, epagein to begin a war; p. poieisthai to make war, -- opp. to p. anapauein, kataluesthai to put an end to it, make peace, all in attic
The singing which is to PAUSE to give rest is b. mostly of things, make an end of, stop, abate
Stop the: Melōd-eō ,A. chant, sing, Ar.Av.226, 1381, Th.99:—Pass., to be chanted, “ta rhēthenta ē melōdēthenta” Pl.Lg.655d, cf. Chamael. ap. Ath. 14.620c; to be set to music, Cleanth. ap. Phld.Mus.p.98 K.; ta melōdoumena diastēmata used in music, Plu.2.1019a. II. chant, choral song, melôidias poiêtês, lullaby, generally, musispauō , Il.19.67, etc. ;
Stop the: lupas ōdais p. E.Med.197 (anap.), etc. ; p. toxon let the bow rest, Od.21.279
Stop the: 2. c. acc. pers. et gen. rei, hinder, keep back, or give one rest, from a thing, p. Hektora makhēs, ponoio Akhilēa, Thamurin aoidēs,Pauo means: Stop worshipping the MUSES
Stop the: 3. c. pres. part., stop a person from leave off doing . . , hoth' hupnos heloi, pausaito te nēpiakheuōn when he stopped playing
Stop the: later paēsomai （ana-) Apoc.14.13
Stop the: of one singing or speaking, 17.359, Hdt.7.8.d : generally, Med. denotes willing, Pass. forced, cessation.
Stop the rhapsōd-os , o(, A. reciter of Epic poems, sts. applied to the bard who recited his own poem, professional reciters, esp. of the poems of Homer, Hdt.5.67, Pl.Ion 530c, etc.: also rh. kuōn, ironically, of the Sphinx who chanted her riddle, S.OT391
(Prob. from rhaptō, aoidē; Hes.Fr. 265 speaks of himself and Homer as en nearois humnois rhapsantes aoidēn, and Pi.N.2.2 calls Epic poets rhaptōn epeōn aoidoi:
Stop the orkheomai , 2. represent by dancing or pantomime,
III. Act. orkheō , make to dance (v. Pl.Cra.407a), is used by Ion Trag.50, ek tōn aelptōn mallon ōrkhēsen phrenas made my heart leap
kata-pauô put an end to, stop
3. depose from power, k. tina tês archês, tês basilêïês, Hdt.4.1, 6.64; tous turannous Id.5.38 , cf. 2.144, 7.105; Mousas depose them from their honours, cease to worship them, E. HF685 (lyr.):--Pass., tês basilêïês katepausthê Hdt. 1.130 , cf. 6.71.
Euripides, Heracles (ed. E. P. Coleridge) Never will I cease to link in one the Graces and the Muses, [675] sweetest union. Never may I live among uneducated boors, but ever may I find a place among the crowned! [680] Yes, still the aged singer lifts up his voice of bygone memories: still is my song of the triumphs of Heracles, whether Bromius the giver of wine is near, or the strains of the seven-stringed lyre and the Libyan pipe are rising; [685] not yet will I cease to sing the Muses' praise, my patrons in the dance.
The Psalmist agreed:
THE Lord is my shepherd; I shall not want. Psalm 23:
He maketh me to lie down in green pastures: he leadeth me beside the still waters. Psalm 23:2
1Timothy 2:12 But I suffer not a woman
to teach, nor to usurp authority over the man,
but [einai what I mean is] to
be in silence.
1
Timothy 2.12 didaskein de gunaiki ouk epitrepō, oude authentein andros, all' einai en hēsukhia.
Si_gaō
, used by Hom.
only in imper. siga,
hush! be still! I 2.
metaph. of things, “sigōn
d' olethros
kai mega
phōnount'
. . amathunei”
A.Eu.935
(anap.); “surigges
ou sigōsin”
Id.Supp.181;
“
The command SILENCES: surigx , iggos, hē, A. shepherd's pipe, Panspipe, “aulōn suriggōn t' enopē” Il.10.13; “nomēes terpomenoi surigxi” 18.526; “suriggōn enopē” h.Merc.512; “hupo ligurōn suriggōn hiesan audēn” Hes.Sc.278; “ou molpan suriggos ekhōn” S.Ph.213 (lyr.); kalaminē s. Ar.Fr.719; “kat' agrous tois nomeusi surigx an tis eiē” Pl.R.399d.The command SILENCES: phōn-eō , (phōnē) Anaxarch.1: abs., cry aloud, as in joy, S.Tr.202; of a singer, “aoidos . . aiola phōneōn” Theoc.16.44:—Pass., ta phōnēthenta sounds or words uttered, Pl.Sph. 262c, Ti.72a, cf. Longin.39.4.
4. of a musical instrument, sound, E.Or.146 (lyr.); of sounds, hēdu phōnein sound sweetly, Plu.2.1021b; but brontē ph. it has a voice, is significant, X.Ap.12.
con-quĭesco , quĭēvi, quĭētum sync. conquiesti, Cic. Fam. 1, 1, 1: “conquierit,” Cels. 6, 6, n. 34; 7, 19 fin.; inf. conquiesse, Liv. 30, 13, 12), v. n., to be wholly at rest, to rest, take rest, to repose (in good prose; most freq. in Cic., esp. in the transf. and trop. signif.).
I. Lit.,
to rest, be at rest, to cease from exertion,
to be idle or inactive, to be in repose, etc.
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