Many Laws Outlawing Women who TEACH (their own words)
in a religious sense in Scripture, Babylonian Clay Tablets and
the RESULTS of women who call God, Paul and Holy Scripture are
DESTRUCTIVE to familly and offspring.
Feminist fit the PATTERN of those Paul asks? "Did Truth Begin
With You" and the world wide destruction are the
prophesied results.
Lauren.White.The.Holy.Spirit.in.Pauls.Letters.html
John T. Willis and all Theologians (Apollyon' dogma) lie to
the women
John.T.Willis.Miriam.Prophetess.Church.Pattern.html
Leonard Allen Denying Scriptur
C.Leonard.Allen.Lipscomb.University.Theology
Jackie Halstead Divination
Earl.Lavender.Christian.Spiritual.Formation.html
We will examin Eve, Inanna or Ishtar as example in Scripture.
Miriam, Rebekah, Sarah, Jezebe and Paul's proof of the TINEY FEW
uspers, the example o Church history and theBabylonian Mother of
Harlots end-time prophecyy
Gal. 4:21 Tell me, ye that
desire to be under the law, do ye not hear the law?
Gal. 4:22 For it is written, that Abraham had two sons, the
one by a bondmaid, the other by a freewoman.
Gal. 4:23 But he who was of the bondwoman was born after the
flesh; but he of the freewoman was by promise.
Gal. 4:24 Which things are an allegory: for these are the two
covenants; the one from the mount Sinai, which gendereth to
bondage, which is Agar.
Gal. 4:25 For this Agar is mount Sinai in Arabia, and
answereth to Jerusalem which now is, and is in bondage with
her children.
FIRST CORINTHIANS 14
FIRST CORINTHIANS FOURTEEN
Again note that to be A Church of Christ is to be a school of
Christ: Paul's only worship concept was to give heed to the
Words of God in Christ. Peter agrees that that there are
two VENUES:
If you SPEAK in the assembly you had BETTER speak that
which has been taught. However, if you have the TALENT
of playing a guitar and singing there are many places where
you can minister the other 167 hours of the week. In the
Apocalyptic literature it is an unredeemable sin to pretend to
MAKE MUSIC as being from God. God has ten thousands of His
saints ready to go.
If any man speak,
..........let him speak as the oracles
of God;
if any man minister,
.......... let him do it as of the ability which God giveth:
that God in all things may be glorified through Jesus
Christ,
to whom be praise and dominion for ever and ever. Amen.
1Pe.4:11
There were no revealing prophets in Corinth: prophesying was
speaking the Word of God. Paul silenced the pretend prophesiers
who by definition would almost always be women who sang their
own songs in their own "inspired" tongue or minor dialect. If
people sang or spoke in Thracian in an assembly where eveyone
understood Koine Paul said that they would APPEAR mad which
defines the uncovered prophesying outside of the assembly in 1
Corinthians 15:5
In Romans 15 Paul commanded THAT WHICH
IS WRITTEN for learning and comfort.
The MAD
WOMEN in and around
Corinth went into a charismatic
fit and just confused
things for a PROFIT.
And the spirits of the PROPHETS are subject to the PROPHETS 1 Cor. 14:32
For God is not the author of confusion, but of peace,
as in ALL CHURCHES of the
saints. 1 Cor. 14:33
Because the UNCOVERED PROPHESIERS were
women or perverted males, Paul issued a direct command:
Let your WOMEN keep SILENCE
in the churches: for it is NOT PERMITTED unto them to SPEAK; but they are
COMMANDED to be UNDER OBEDIENCE, as also saith the law. 1 Cor. 14:34
And if they will LEARN any thing, let them ask their husbands at home: for
it is a SHAME for WOMAN to speak IN THE CHURCH. 1 Cor.
14:35
God's Law SILENCED Miriam for one
example:
Miriam means:
Miryam (h4813) meer-yawm'; from 4805; rebelliously; Mirjam, the name of two
Israelitesses: - Miriam.
Meriy (h4805) mer-ee'; from 4784; bitterness, i. e. (fig.) rebellion;
concr. bitter, or rebellious: - bitter, rebellion, rebellious).
Marah (h4784) maw-raw'; a prim.
root; to be (caus. make) bitter (or unpleasant); (fig.) to
rebel (or resist; causat. to
provoke): - bitter, change, be disobedient, disobey, grievously, provocation, provoke (- ing), (be) rebel
(against, -lious).
As a princess, Miriam would have been a
Prophetess of Hathor: the female companion of Apis the
golden Calf. We have a historical record of how these women
PROPHESIED by singing, chanting, dancing and playing
instruments.
And they said, Hath the
Lord indeed spoken only by Moses? hath he not spoken also by us? And the Lord heard
it.
Numbers 12:2
And the Lord spake
suddenly unto Moses, and unto Aaron, and unto Miriam,
Come out ye three unto the tabernacle of the
congregation. And they three came out. Numbers 12:4
And the Lord came down
in the pillar of the cloud, and stood in the door of the
tabernacle, and called Aaron and Miriam: and they both
came forth. Numbers 12:5
And he said, Hear now
my words: If there be a prophet (male) among you, I the Lord
will make myself known unto him in a vision, and will speak unto him
in a dream. Numbers 12:6 However, of Moses
With him will I speak
mouth to mouth, even apparently, and not in dark speeches
(riddles); and the similitude (shape or phantom) of
the Lord shall he behold: wherefore then were ye not
afraid to speak against my servant Moses? Numbers 12:8
"She was "the sister of Moses, was the eldest of
that sacred family; and she first appears, probably as a
young girl, watching her infant brother's cradle in the
Nile, (Exodus 2:4) and suggesting her mother as a nurse.
ver. 7. After the crossing of the Red Sea "Miriam the prophetess"
is her acknowledged title. ch. (Exodus 15:20) The
prophetic power showed itself in her under the same form
as that which it assumed in the days of Samuel and David,
poetry, accompanied with music and
processions. ch. (Exodus
15:1-19)
"She took
the lead, with Aaron, in
the complaint against Moses
for his marriage with a
Cushite, (Numbers 12:1,2) and for this was attacked with
leprosy. This stroke and its removal, which took place at
Hazeroth, form the last
public event of Miriam's life. ch. (Numbers 12:1-15) She died toward the
close of the wanderings at Kadesh, and was buried there.
ch. (Numbers 20:1) (B.C. about 1452.) (Smith's Bible
Dictionary)
This is why Paul asked whether they
THOUGHT that they were speaking FOR God:
What came
the
word of God out from you?
or came it unto you only? 1 Cor. 14:36
When Paul used the word AUTHENTIA to
prove that there WERE no women prophesiers in Corinth and
the "word could NOT have come from them."
Authent-ikos loqui make an authoritative
statement Authenticus
1. that comes from the author,
There were no MALE prophets in Corinth
AND therefore they were left with READING what Paul had
delivered or some one else had delivered. Many would
speak minor dialects but Paul outlawed this unless they
could PROVE themselves a prophet which non could. It
would be the women who connected wine or music-induced
madness with "prophesying" which is to make music.
If any
MAN think himself to be a
PROPHETS, or spiritual,
.......... let him acknowledge that the things that I write unto you
.......... are the commandments of the Lord. 1 Cor.
14:37
But if any man be ignorant, let him
be ignorant. 1 Cor. 14:38
THE MEANING OF SILENCE:
Sigao Hush, keep still, keep
secret. There
is no absolute command for silence.
The REASON for
the ritual-prone women and and effeminate are to
be silent is in order to LEARN!
Eido 1. see,
perceive,
behold, 3. see mentally, to see
in the mind's eye, to examine, investigate,
Everyone but the READER was to keep
SINENCE in order to UNDERSTAND which is the function of
CHURCH.
But ye
have not so learned Christ; Eph 4:20
But that isn't the way Christ
taught you! Eph 4:20LIV
If so be
that ye have heard him,
and have been taught
by him,
as the truth is in Jesus: Eph 4:21
Heard
is what you do when you keep silent as a disciple.
Akouo (g191)
ak-oo'-o; a prim. verb; to hear (in various
senses): - give (in the) audience (of), come (to the
ears), (shall]) hear (-er, - ken), be noised, be reported,
understand.
Now
when they heard this,
they were pricked in their heart, and said unto Peter
and to the rest of the apostles, Men and brethren,
what shall we do? Ac.2:37
Taught
Didasko
(g1321) . verb dao, (to learn); to teach (in the same
broad application): - teach
Matt. 11:28
Come unto me, all ye that labour and are heavy
laden, and I will give you rest.
Matt. 11:29
Take my yoke upon you, and learn of me; for I am
meek and lowly in heart:
and ye shall find rest unto your souls.
Matt. 11:30
For my yoke is easy, and my burden is light
Manthano (g3129)
man-than'-o; prol. from a prim. verb, another form of
which, matheo, is used as an alt. in cert. tenses; to learn
(in any way): - learn, understand
Rest:
372. anapausis, an-ap´-ow-sis; from
373; intermission; by implication, recreation: — rest.
373. anapano, an-ap-ow´-o; from 303 and 3973;
(reflexively) to repose (literally or figuratively
(be exempt), remain); by implication, to refresh:
take ease, refresh, (give, take) rest.
Latin:
Discipulus ; Engl., foal,
a learner, scholar, pupil, disciple.
II. A learner in
an art or trade, an apprentice,
III. (Eccl.
Lat.) A disciple of Christ, .
Auditor I.a hearer,
an audito, listen or read a book
Mathetes a learning or
pupil,
It is a Biblical and
historical fact that it was only WOMEN who played
instruments before the time of David! David didn't follow
the Law: he led the worship of the starry host.
Therefore, the ways for the only JUMPITY people to be
SILENCED is to silence that which they are prone to
INTRODUCE when they gain power to "rule over you."
Sigao 2.
metaph. of things, sigôn d'olethros kai mega phônount' . Pthengoma --utter a
sound or voice, esp. speak loud and clear,
Sign of Destruction with Loud Sounds which silences
all of the rhetoricians defined by Jesus as hypocrites.
[A] Sigon [B]
Olethros and [C] Mega [D] Pthengoma
[B] Olethros
Destruction, death, destruction of property (tithes
and offerings), in the ekklesia
Grammateus a pestilent
scribe, of Aeschines, Id.18.127 used with
Hypocrites
Demosthenes 18. [127] Why,
if my calumniator had been Aeacus, or Rhadamanthus, or
Minos, instead of a mere scandalmonger, a
market-place loafer, a poor devil of a clerk, he
could hardly have used such language, or equipped
himself with such offensive expressions. Hark to his melodramatic
bombast: “Oh, Earth! Oh, Sun! Oh, Virtue,” and all
that vaporing; his appeals to “intelligence and
education, whereby we discriminate between things of
good and evil report”--for that was the sort of rubbish
you heard him spouting.
Commentary: 3. spermologos:
originally a
little bird which picked up seed from newly
sown fields (Ar.
Av. 232, 579); then a man
who lives by picking up what he can in the
market and other places of trade, a vagabond,
and generally a worthless fellow; sometimes one who
picks up and retails small scraps of gossip, a
babbler or prater, as applied to St
Paul in Acts xvii. 18.
Acts [17] So
he reasoned in the synagogue with Jews and the devout
persons, and in the marketplace every day with those
who met him. [18]
Some of the Epicurean and Stoic philosophers also
encountered him. Some said, "What does this babbler
want to say?" Others said, "He seems to be advocating
foreign demons," because he preached Jesus and the
resurrection.
5. epachtheis,
ponderous, offensively
pompous: provide
one's self with, bring out: cf. XIX. 186, XXXV. 41.--hôsper en tragôidiai:
see note on §
13.6.
"Winning" a goat (cappella) by singing the goat song.
Acting, exaggerated speech, outward grandeur, pomp.
6. To "play" morally
shameful,
Aristophanes When the
take over the ekklesia (church) to
destroy
Servant --is going to construct the framework of a
drama. He is rounding fresh poetical forms,
[55] he is polishing them in the lathe and is
welding them; he is hammering out sentences and metaphors;
he is working up his subject like soft wax. First he
models it and then he casts it in bronze--
Euripides That is precisely what makes me
tremble; the women have plotted my ruin, and to-day they
are to gather in the Temple of Demeter to execute their
decision.
[B] Megas of great sounds
Alaletos shout of victory
(David's Halal) sound of the aulon or flute. Alale Mania Pauls "mad" word
to the Corinthians. eleleu , doubled
eleleu eleleu
[C] Silence
Phthengomai, Od.10.228,
of inanimate things, of a
door, creak of thunder; of trumpets,
of the flute, of the lyre, [of a
melody claimed to be from god using Apollo's lyre]
of an earthen pot, whether it rings
sound or cracked, Pl.Tht.179d;
ph. to clap with the hands, III. c. acc. pers., sing,
or celebrate one aloud , Pi.O.1.36;
Clearly identifying
CIRCE from whom we get Church and the Holy Whore:
--Homer,
Odyssey. 10.[220] So they stood in
the gateway of the fair-tressed goddess, and
within they heard Circe singing with sweet voice,
as she went to and fro before a great imperishable web,
such as is the handiwork of goddesses, finely-woven and
beautiful, and glorious. Then among them spoke Polites,
a leader of men, [225] dearest
to
me of my comrades, and trustiest: “‘Friends, within
someone goes to and fro before a great web, singing
sweetly, so that all the floor echoes; some goddess
it is, or some woman. Come, let us quickly call to her.’
“So he spoke, and they cried aloud, and called to her. [230] And she straightway
came forth and opened the bright doors, and bade them in;
and all went with her in their folly.
Sound of the Trumpet:-- Xenophon,
Anabasis 4.2
[7] At this place, then, they passed the
night, and when day was beginning to break, they took up
their march silently in battle array against the
enemy; for there was a mist, and consequently they got
close up to them without being observed. When they did
catch sight of one another, the trumpet sounded and the Greeks raised
the battle cry and rushed upon the enemy. And the
Carduchians did not meet their attack, but abandoned the
road and took to flight; only a few of them, however, were
killed, for they were agile fellows
Sound of the Flute: Xenophon,
Socrates, Symposium 6.3-
“Why, don't you see that a person could not insert even a
hair in the interstices of your talk, much less a word?”
[3] “Callias,” said Socrates, appealing to him,
“could you come to the rescue of a man hard put to it for
an answer?”
“Yes, indeed,” said he: “we
are absolutely quiet every time the flute is played.”
Hermogenes retorted, “Is it your wish that I should
converse with you to the accompaniment of a flute,
the way the actor Nicostratus used to recite tetrameter
verses?”
[4]
“In Heaven's name, do so, Hermogenes,” urged
Socrates. “For I believe that precisely as a song is more
agreeable when accompanied on the flute, so your
discourse would be embellished somewhat by the music,
especially if you were to gesticulate and pose,
like the flute-girl, to point your words.”
aul-ētris
,
idos,
hē,
A
flute-girl, Simon.178,
Ar.Ach.551,
X.HG2.2.23,
Pl.Prt.347d,
BCH6.24 (Delos, ii
B. C.), etc.
Aristoph.
Ach. 551 wine-skins,
oar-leathers, garlic, olives, onions in nets;
everywhere are chaplets,
sprats, flute-girls, black eyes; in the arsenal
bolts are being
noisily driven home, sweeps are being made and
fitted with leathers;
we hear nothing but the sound of whistles, of
flutes and fifes to
encourage the work-folk.
Xen. Hell. 2.2.23
After this Lysander sailed into Piraeus,
the exiles returned, and the Peloponnesians with
great enthusiasm began to tear down the walls to
the music of flute-girls, thinking that that day
was the beginning of freedom for Greece.
Plat.
Prot. 347d such is their lack of
education—put a premium on flute-girls by hiring
the extraneous voice of the flute at a high price,
and carry on their intercourse by means of its
utterance. But where the party consists of
thorough gentlemen who have had a proper
education, you will see neither flute-girls nor
dancing-girls nor harp-girls, but only the company
contenting themselves with their own conversation,
and none of these fooleries and frolics—each
speaking and listening decently in his turn,
[5] “What is the tune to be,” asked Callias, “when
Antisthenes here gets some one at the banquet cornered in
an argument?”
“For the discomfited disputant,” said Antisthenes, “I think
the appropriate music would be a hissing.”
Pindar, Olympian 1
so
that they loudly sing [10] the
son of Cronus, when they arrive at the rich and
blessed hearth of Hieron, [12] who wields the
scepter of law in Sicily of many flocks, reaping every
excellence at its peak, and is glorified [15] by the choicest
music,lyre down from its peg, if the
splendor of Pisa and of Pherenicus placed your mind
under the influence of sweetest thoughts,
which we men often play around his hospitable table.
Come, take the Dorian
Yes, there are many
marvels, and yet I suppose the speech of mortals
beyond the true account can be deceptive,
stories adorned with embroidered lies; [30] and
Grace, who fashions all gentle things for men,
confers esteem and often contrives to make
believable the unbelievable. But the days to
come are the wisest witnesses.
Silence
epilēkeō
, A. to clap with
the hands, palm of the hand: hence, generally, hand,
esp. as used in grasping, 2. hand as used
in deeds of violence, the works of human hands,
cunning, art, device, device for one's livlihood, of the
gods.
.clap the
hands in applause, or beat time to the
dancers, Od.8.379.
Silence the
Surinx
a shepherds pipe, whistle or hiss in the theater,
mouthpieces of the flute, anything with a hole
in it making noise. The Phorminx
which is the property of Apollo or Abaddon.
--Homer,
Iliad 1 So he spoke, and the goddess,
white-armed Hera, smiled, [595] and
smiling
took in her hand the cup from her son. Then he
poured wine for all the other gods from left to right,
drawing forth sweet nectar from the bowl. And
unquenchable laughter arose among the blessed gods, as
they saw Hephaestus puffing through the palace. [600] Thus the whole day
long till the setting of the sun they feasted, nor did
their heart lack anything of the equal feast, nor of the
beauteous lyre, that Apollo held, nor yet of the
Muses, who sang, replying one to the other
with sweet voices.
--Silence Melos
B. esp. musical member, phrase: hence, song,
strain, meter, 2. music to which a
song is set, tune, 3. melody
of an instrument, 3. melody of
an instrument, “phormigx
d'
au
phtheggoith'
hieron
m.
ēde
kai
aulos”
Thgn.761; “aulōn
pamphōnon
m.”
Pi.P.12.19;
“pēktidōn
melē”
S.Fr.241:
generally, tone, “m.
boēs
phorminx d'au phthengoith' hieron
Phorminx Pthengoma Hieron
Phorminx
., esp. as
the instrument of Apollo, “phormiggos
perikalleos
hēn
ekh'
Apollōn”
2. ph.
akhordos,
metaph. for a bow,
Hes. Sh. 203
There, too, was the daughter of Zeus, Tritogeneia who
drives the spoil.1She
was like as if she would array a battle, with a spear in
her hand, and a golden helmet, [200] and the aegis about
her shoulders. And she was going towards the awful
strife.
And there was the holy company of the deathless gods:
and in the midst the son of Zeus and Leto played sweetly
on a golden lyre. There also was the abode of the gods,
pure Olympus,
and their assembly, and infinite riches were spread
around [205] in the gathering of the deathless gods.
Also the goddesses, the Muses of Pieria
were beginning a song like clear-voiced singers.
And on the shield was a harbor with a safe haven from
the irresistible sea, made of refined tin wrought in a
circle, and it seemed to heave with waves. In the middle
of it were
Tri_to-geneia
, hē, (gignomai) A.
[select] Trito-born, a name of
Athena, Il.4.515,
8.39, Od.3.378,
Hes.Th.895,924,
--Homer
Iliad 1.Then he poured wine for all the
other gods from left to right, drawing forth sweet
nectar from the bowl. And unquenchable laughter arose
among the blessed gods, as they saw Hephaestus puffing
through the palace. [600] Thus
the whole day long till the setting of the sun they
feasted, nor did their heart lack anything of the
equal feast, nor of the beauteous lyre, that Apollo
held, nor yet of the Muses, who sang, replying one to
the other with sweet voices. But when the bright light
of the sun was set, [605] they
went each to his own house to take their rest, where
for each one a palace had been built with cunning
skill by the famedHephaestus, the limping god; and
Zeus, the Olympian, lord of the lightning, went to his
couch, where of old he took his rest, whenever sweet
sleep came upon him. [610] There
went he up and slept, and beside him lay Hera of the
golden throne.
Hieros I.
illed with or manifesting divine power,
supernatural, II. of divine things, holy,
holy war, Nomos law of sacrifice Hierodoulos A temple
slave, Nethinim, Especially of temple courtesans
at Corintho and elsewhere and also of men.
http://www.pineycom.com/Sara.Barton.The.Song.of.Solomon.html
Tamar and Judah.
Jeanene.Reese.LGBT.MUST.be.Included.html.html
Jeanene.P.Reese.Theology.of.Women.Teachers.html
Laura Buffington SEX and
SALVATION: the Song of Solomon or the Hieros Gamos.
In this view, the Mesopotamian vision of the marriage
between heaven (God) and earth (the salt-water
ocean) was inherited by the early Hebrews, who
participated in hieros gamos rituals
until at least the time of the Babylonian
exile. The story of Eve and the Serpent, according
to this theory, is an inverted version of
earlier mythologies in which the serpent diety was
originally the natural consort of the Mother Goddess. In
the biblical version, however, both Eve and the serpent
are cursed by the sovereign male deity, Yahweh. This reversal of roles is
thought to be the result of the patriarchal system of Israel
imposing itself on the older mythology of Canaan and
Egypt. Campbell points out that the serpent plays a
positive role in the old legends of Moses, who carries a powerful rod
which has the power to turn itself into a serpent (Ex.
4) and is commanded by God to create and uplift a brozne
serpent icon which heals the Israelites (Num. 21).
Strabo Geography 8.6. And
the temple of Aphrodite was so rich that it owned more
than a thousand temple slaves, courtesans,
whom both men and women had dedicated to the goddess.
And therefore it was also on account of these women
that the city was crowded with people and grew
rich; for instance, the ship captains freely
squandered their money, and hence the proverb, "Not
for every man is the voyage to Corinth."Source unknown
Moreover, it is recorded that a certain courtesan said
to the woman who reproached her with the charge that
she did not like to work or touch wool: "Yet,
such as I am, in this short time I have taken down three
webs."
Strabo 11.4. and also of
the temple slaves, many of whom are subject to
religious frenzy and utter prophecies. And any one of
those who, becoming violently possessed, wanders alone
in the forests, is by the priest arrested, bound with
sacred fetters, and sumptuously maintained during that
year, and then led forth to the sacrifice that is
performed in honor of the goddess, and, being
anointed, is sacrificed along with other victims.
Nethinims Probably
"Gibeonites who tricked Joshua into sparing them (cf.
Josh. 9). When their ruse was discovered it was
decreed (Josh. 9:27) that they serve as hewers of wood
and drawers of water for the community and the altar.
Ezra 8:20 mentions the Nethinim ‘whom David and his
officials had set apart to attend the Levites...At
Ugarit there was a class of cultic servitors
called ytnm, one of whom has a name that
appears in the list in Ezra 2:45-46. It is therefore
possible that the Nethinim were an international
guild skilled in cultic arts who attached
themselves to Israel in an early period. Similar also
to the Nethinim in function are the shirku,
known from Neo-Babylonian documents.
Josephus knew that the Levites had destroyed Israel
the first time and WERE READY to do it again:
6. Now as many of the Levites, (26) which is a tribe of ours, as were singers of hymns, persuaded the king to
assemble a sanhedrim, and to give them leave to wear linen garments, as well as the priests
for they said that
this would be a work worthy the times of
his government, that he might have a memorial of such
a novelty, as being his doing.
Nor did they fail
of obtaining their desire; for the king, with the
suffrages of those that came into the sanhedrim,
granted the singers of hymns this privilege, that
they might
lay aside their former garments,
and wear such a linen one as they desired;
and as a part of this tribe ministered in the
temple,
he also permitted
them to learn those hymns as they had besought
him for.
Now all this
was contrary to the laws of our country, which, whenever
they have been transgressed, we have never been
able to avoid the punishment of such
transgressions.
ytnm.qrt.l 'ly[ ]
Entregam nonra para [os]altissimo
The Ugaritic Drama of the Good Gods
Translated who set a city on high. ytnm would be
a plural participle with the gracious
gods as antecedent.
The Vine-pruners prune him
the vine-binders bind him;
they cause his shoots to fall like a vine
Or
The pruners prune him like a vine
the binders bind him like a vine
Pindar,
Olympian
9. [1] The resounding strain of
Archilochus, the swelling thrice-repeated song of
triumph, sufficed to lead Epharmostus to the hill
of Cronus, in victory-procession with his dear
companions. [5] But now,
from the bow of the Muses who, shooting from afar, send
a shower of such arrows of song as these on Zeus
of the red lightning-bolt and on the sacred
height of Elis, which once the Lydian hero Pelops [10] won as the very fine
dowry of Hippodameia. [11] And
shoot a winged sweet arrow to Pytho; for your
words will not fall to the ground, short of the mark,
when you trill the lyre in honor of the
wrestling of the man from renowned Opus. Praise Opus and
her son;
The tomb of Iolaus bears
witness for him, and also Eleusis by the sea, for
his splendid achievements. [100] That
which
is inborn is always the best; but many men strive to win
glory with excellence that comes from training. Anything
in which a god has no part is none the worse for being
quelled in silence. For some roads [105] lead
farther than others, and a single occupation will not
nourish us all. The paths to skill are steep; but, while
offering this prize of song, boldly shout aloud [110] that this man, by the
blessing of the gods, was born with deftness of hand and litheness
of limb, and with valor in his eyes; and at the
banquet of Aias son of Oileus he laid his victorious
garland on the altar.
[C]. A SILENCE: the
dithramb metaphor
of
bombastic language,
Dithyrambus
(dithurambos). A hymn sung at the festivals of
Dionysus to the accompaniment of a flute
and a dance round the altar. (See Dionysia.)
The hymn celebrated
the sufferings and actions of the god
in a style corresponding to the passionate
character of his worship. In the course of time
it developed into a distinct kind of Greek lyric
poetry.
It was in Corinth
that it first received anything like a definite
artistic form, and this at the hands of Arion
, who was therefore credited by the ancients with its
actual invention. The truth probably is that he was
the first who divided the festal song of the
chorus into strophe and antistrophe, and
arrangement from which tragedy took its rise.
There was a very considerable number of dithyrambic
poets. The best known are Melanippides Melos (q.v.) of (about B.C. 415),
who is generally held responsible for the degeneracy
of the dithyramb and the excess of instrumental
music;
"This
cry of Zeus, the
Thunder-hurler, to the child, his son, Dionysos, sounds
the leitmotif of the Greek mysteries of the
initiatory second birth (Second Incarnation)..The
word 'Dithyrambos' itself,
as an epithet of the
killed and resurrected
Dionysos, was understood by the
Greeks to signify 'him of the double
door', him who had survived the awesome
miracle of the second
birth." - Joseph
Campbell, The Hero With a Thousand Faces
"A
fourth-century BC hymn in honor of dionysus contains
the invocation: 'Come to us, King Dithyramb,
Bacchus, god
of the holy chant.'"
Dithurambos,
Dithyramb "comes to be used of a Dionysiac song
which possessed some infectious
quality that led his votaries
to take it up as a ritual chant.
Later it became the subject for competition at Dionysiac festivals, and
with its formalization it lost any spontaneity
it may have possessed originally." "
"At
the beginning of the fifth century BC tragedy formed
part of the Great Dionysia, the Spring
festival of Dionysos
Eluethereus. Three poets completed, each
contributing three tragedies and one
satyric
play. The latter was performed by choruses of fifty
singers
in a circle,
dressed as satyrs, part human, part bestial, and
bearing before them huge
replicas of the erect
penis (i.e.
church steeples or columns or asherahs), as
they sang dithyrambs." -
John M. Allegro, The Sacred Mushroom
and the Cross
[C] B. Silence
the recitive of the chorus:
Xenophon, Socrates, Ec 8.
[3] My dear, there is nothing so convenient
or so good for human beings as order. Thus, a chorus
is a combination of human beings; but when the members
of it do as they choose, it becomes mere confusion,
and there is no pleasure in watching it; but when they
act and chant in an orderly fashion, then those
same men at once seem worth seeing and worth
hearing. [4] Again, my
dear, an army in disorder is a confused mass, an easy
prey to enemies, a disgusting sight to friends and
utterly useless,
Sige 2.
in an undertone, in a whisper, secretly
Homer 19: [250] rose
up, and Talthybius, whose voice was like a god's,
took his stand by the side of the shepherd of the people,
holding a boar in his hands. And the son of Atreus drew
forth with his hand the knife that ever hung beside the
great sheath of his sword, and cut the firstling hairs from
the boar, and lifting up his hands [255] made
prayer
to Zeus; and all the Argives sat thereby in silence,
hearkening as was meet unto the king. And he spake
in prayer, with a look up to the wide heaven: Be Zeus my
witness first, highest and best of gods, and Earth and Sun,
and the Erinyes, that under earth [260] take
vengeance
on men, whosoever hath sworn a false oath
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