No one can be ignorant of
CHRIST'S THOUGHT which is the ONE-PIECE PATTERN
for the assembly. Jesus died to give us REST from
the laded burdens (music and collections) and
burden laders: all STAFF of religtious
institutions who performed legalistic ACTS were
called by Jesus, HYPOCRITES, and by the civil
Greeks as PARASITES. Their eating up the widows's
living hung around the market-places and would
sell ANYTHING to keep from holding a productive
job: If they will not work neither shall they eat.
In Ephesians 4 Paul says that the speakers, singers
and instrument players are LYING
IN WAIT TO DECEIVE and APT elders
will eject them so that the ONE-ANOTHER Bible Class
can take place. All historic pretenders to a
role between a god and man was devoted to boys as
the divine proof.
God limits His Word to SPEAK,
READ, LISTEN to as in Philippians 3, weed out
the concision and dogs. ALL of the psallo words
used by the Instrumental
Sectarians speak of men PLUCKING his harp to
seduce a younger male whose HAIRS have been plucked. That is why SPEAK is
opposite to ODE or sing and PSALLO is IN the
heart meaning SILENT.
Aristotle:
Melody Deceives: "Poets also make
use of this in inventing words, as a melody "without
strings" or "without the lyre"; for they employ
epithets from negations, a course which is
approved in proportional metaphors..
- The form of
diction should be neither metrical nor without rhythm.
- If
it is metrical, it lacks
persuasiveness, for it appears
artificial, and at the same time it distracts the
hearer's attention, since it sets
him on the watch for the recurrence of such and such a cadence..
According to
Philo, the gods of the pagans exploit this
weakness of men. For the sake of a better
effect, and with the intention of more
easily cheating their devotes, that they have set
their lies to melodies, rhythms and meters.." Click for more.
Education is the SOLE role in the church given
to APT elders as Pastor-Teachers: They are commanded
to teach that which has been taught.
1Cor. 14:2 For he that
speaketh in an unknown tongue speaketh not unto
men,
but unto
God: [god is a generic word]
for no
man understandeth him; howbeit in the [HIS]
spirit he speaketh mysteries.
SPEAKETH in the mysteries WOULD
involve musical instruments to "make the lambs dumb
before fleecing act. The Uncovered Prophesiers in 1
Corinthians 11:5
La^l-eō, Mark of the Locusts
II. chatter, Opposite.
articulate speech, as of locusts,
chirp, Theoc.5.34;
mesēmbrias lalein tettix (sc. eimi), LOCUST:
a very grasshopper to chirp at
midday, III. of musical
sounds, “aulō [flute] laleō” Theoc.20.29;
“di'aulou [flute]
ē salpiggos l.”[trumpet]
of Echo, magadin lalein sound
the magadis, [double
flute] tettix
III of musical sounds,
“aulō laleō” Theoc.20.29;
kheli_d-ōn the
twittering of the swallow was prov. used of
barbarous tongues by the Greeks. khelidonōn mouseia bowers
that ring with poetasters' twitterings,
ib.93
(parodied from aēdonōn mouseia
Tettix
[John's Locusts] when the male makes a chirping
or clicking noise by means of certain drums or
'tymbals' underneath the wings gunaixin phōnēs
[Female making
sounds phōnēs made
by inanimate objects, mostly Poet., “kerkidos S.Fr.595;
[tympanum,
aoidou” ph.” S.Fr.595;
“suriggōn”
E.Tr.127
“aulōn”rare
in early Prose, “organōn phōnai” Pl.R.397a;
“hē ph. tēs salpiggos
and Plato calls them hoi Mousōn prophētai,
but they also became a prov. for garrulity,
“lalein tettix”
Plat. Rep. 397a
“the other kind speaker, the more debased
he is the less will he shrink from imitating
anything and everything. He will think nothing
unworthy of himself, so that he will attempt,
seriously and in the presence of many, to
imitate all things, including those we just now
mentioned—claps of thunder, and the noise of wind
and hail and axles and pulleys, and the notes of
trumpets and flutes and pan-pipes,
and the sounds of all instruments, and
the cries of dogs, sheep, and birds; and so his
style will depend wholly on imitation
But
every woman
that prayeth or prophesieth with her head
uncovered dishonoureth her head: for that
is
even all one as if she were
shaven. 1 Corinthians 11:5 (That is, she would
be seen as a
prostitute prophetess)
Mystērĭum ,
Primarily: mysteries of Ceres, otherwise called
sacra Eleusinia, the festival of the
goddess Bona Dea. “mysteria Attica religionem,
sedadconiurationem
Pausanias
Attica [1.2.5] So if
the whole congregation is
assembled and all are using the 'strange
tongues' of ecstasy, and
some uninstructed persons or unbelievers
should enter, will they not
think you are mad? (1Corinthians
14:23, NEB)
Greeks
considered madness an important aspect of
worship. Women in particular responded to
Bacchus (also known as Dionysus),
the god of
madness; 'him of the orgiastic
[WRATH] cry, exciter of women, Dionysus,
glorified with mad honors'.
(Plutarch, Moralia 671c Ancient Corinth
was a center of Dionysiac worship, and Pausinius, world
traveler of the second century
of our era gives this description:
One of
the porticoes contains shrines
of gods, and a gymnasium
called that of
Hermes.[KAIROS]
In it is
the house of Pulytion, [Serpent as in the Garden: a singing and
harp-pplaying
prostitute]
at which it is
said that a mystic rite was performed by the most
notable Athenians, parodying
the Eleusinian mysteries.
But in my time it was devoted
to
the worship of Dionysus. This Dionysus they call
Melpomenus (Minstrel), on the same
principle as they call Apollo Musegetes (Leader of the Muses). Here there are images of
Athena Paeonia
(Healer), of Zeus, of Mnemosyne (Memory)
and of the Muses,
an Apollo, the votive offering and
work of Eubulides, and
Acratus, a daemon attendant upon Apollo; it is only a face
of him worked into the wall.
After
the precinct of Apollo is a
building that
contains earthen ware images, Amphictyon,
king of Athens, feasting
Dionysus and other gods.
[4] In
the third year of the forty-eighth
Olympiad, [586 B.C.] at which Glaucias of
Crotona was
victorious,
the
Amphictyons held
contests
for harping as from the beginning,
but added competitions for
flute-playing and for singing to the
flute.
The
conquerors proclaimed were Melampus, a Cephallenian,
for harping, and Echembrotus, an
Arcadian, for singing to the flute, with
Sacadas of Argos for flute-playing. This same
Sacadas won victories at the next two
Pythian festivals.
Jesus cast out the Pythian Demon from the
young girl and she was made SANE and could
no longer use instruments to induce MADNESS.
SPEAKETH in the mysteries WOULD involve
musical instruments to "make the lambs dumb
before fleecing act.
La^l-eō, Mark of the Locusts
II. chatter, Opposite.
articulate speech, as of locusts,
chirp, Theoc.5.34;
mesēmbrias lalein tettix (sc. eimi), LOCUST:
a very grasshopper to chirp at
midday, III. of musical
sounds, “aulō [flute] laleō” Theoc.20.29;
“di'aulou [flute]
ē salpiggos l.”[trumpet]
of Echo, magadin lalein sound
the magadis, [double
flute] tettix
III of musical sounds,
“aulō laleō” Theoc.20.29;
kheli_d-ōn the
twittering of the swallow was prov. used of
barbarous tongues by the Greeks. khelidonōn mouseia bowers
that ring with poetasters' twitterings,
ib.93
(parodied from aēdonōn mouseia
Tettix
[John's Locusts] when the male makes a chirping
or clicking noise by means of certain drums or
'tymbals' underneath the wings gunaixin phōnēs
[Female making
sounds phōnēs made
by inanimate objects, mostly Poet., “kerkidos S.Fr.595;
[tympanum,
aoidou” ph.” S.Fr.595;
“suriggōn”
E.Tr.127
“aulōn”rare
in early Prose, “organōn phōnai” Pl.R.397a;
“hē ph. tēs salpiggos
and Plato calls them hoi Mousōn prophētai,
but they also became a prov. for garrulity,
“lalein tettix”
Plat. Rep. 397a
“the other kind speaker, the more debased he is
the less will he shrink from imitating anything
and everything. He will think nothing unworthy
of himself, so that he will attempt, seriously
and in the presence of many, to imitate all
things, including those we just now
mentioned—claps of thunder, and the noise of wind
and hail and axles and pulleys, and the notes of
trumpets and flutes and pan-pipes,
and the sounds of all instruments, and
the cries of dogs, sheep, and birds; and so his
style will depend wholly on imitation
THE
LIFELESS OR INANIMATE PARABLE.
1Cor. 14:7
And even things without life giving
sound,
whether pipe
or harp, except they give a distinction in
the sounds,
how shall it
be known what is piped or harped?
1Cor. 14:8 For if the trumpet give an uncertain
sound, who shall prepare himself to the battle?
THEREFORE, THE ABSOLUTE,
WITHOUT EXCEPTION COMMAND, EXAMPLE
AND INFERENCE IS:
1Cor. 14:9 So
likewise ye, EXCEPT YE UTTER
[expressed
in talk]
BY
THE TONGUE
[lingua
organ of speech, a tongue, utterance,
speech, language
give
attention, "be silent that you
may hear ]
WORDS, [ logos:
Regulative Principle opposite of rhetoric,
singing, playing or
selling]
easy to
be UNDERSTOOD,
how shall it be KNOWN
what is SPOKEN?
for
ye shall speak into the air.
Jesus and the Apostles did not
SING A HYMN: The word in Latin is DICO
to say, tell, mention,
relate, affirm, declare, state; to mean, intend
LEARNING is the opposite of CELEBRATING
NOT: “laudes Phoebi et Dianae,” Phoebi
is Apollon the gender-tender source of the psallo or
PLUCKING concept and the only personified SPIRIT and
the Leader of the Muses or Musical Worship
Teams. John calls them SORCERERS and says that
they will be CAST ALIVE
INTO THE LAKE OF FIRE.
C.Phoebas , a priestess of
Apollo; hence the inspired one,
the prophetess [At a church
near you] |
