Abilene Christian University Musical Worship Ministers
Tares.are.the.Children.of.the.Wicked.One
REAPERS are the Angels Musicians or Locust led by Apollyon Fore Ordained Jude
Music is defined as Sorcery or Witchcraft. Christians attend School, not WORSHIP SERVICES.
worship ministers and Apollyon
Monterey.Church.of.Christ.Elders.Instrumental.Apostasy Brian.Starr.Lubbock.Christian.University.Instrumental.Music.WorshipJesus Christ in his STATE of Holy Spirit inspired Paul to warn about the Cunning Craftsmen or Sophists. Sophist are the WISE from whom God HIDES. Sophists are speakers, singers, instrument players or Actors. Most despicable in the Ancient world were those who taught any skill to the next generation FOR HIRE. Miriam and Levites PROPHESYING with instruments is defined as Soothsaying as well as Sorcery.
Monterey.Church.of.Christ.Lubbock.Instrumental.worship.
Sam.Souder.Apollyon.Worship.Minister Monterey NOT a Church of Christ.
Branddon.Fredenburg.The.Gospel.Inside.Out
The Godly Jews were never gathered to engage in group singing with or without instruments: this was outlawed for the SYNAGOGUE as A School--only of the Word-only.
Any one who actively works to introduce "musical worship teams with or without instruments" have NO Scriptural bases and therefore are called SORCERERS. Here are the practices which use ANY kind of metrical or musical MEASURE cannot speak from the Holy Spirit OF God which is not another God..
Abomination, Witchcraft, the BEASTS, Demon worship, Viper worship, Sorcery, Charming, Soothsaying, enchantment, harlots, beguilers, serpents, vipers, Serpo, Herpo, inducing wine-drinking, Cunning Craftsmen or Sophists, Rhetoricians, Dogs or Catamites, magic, Voodoo in primitive America, Melodies to deceive, Deceiver, Techne. religious craftsmen, Lucifer, Locusts, Apollyon, Levi-Leviathan
Plato, Euthydemus
[289d] On what proof do you rely? I asked.I see, he said, certain speech-writers who do not know how to use the special arguments composed by themselves, just as lyre-makers in regard to their lyres: in the former case also there are other persons able to use what the makers produced, while being themselves unable to make the written speech. Hence it is clear that in speech likewise there are two distinct arts, one of making and one of using.
I think you give sufficient proof, I said, that this art of the speech-writers cannot be that whose acquisition would make one happy. And yet I fancied that somewhere about this point would appear the knowledge which we have been seeking all this while.
[289e] For not only do these speech-writers themselves, when I am in their company, impress me as prodigiously clever, Cleinias, but their art itself seems so exalted as to be almost inspired. However, this is not surprising; for it is a part of the SORCERER'S art, epōdōn tekhnēs
Latin 289e:Plat. Euthyd. 290a and only slightly inferior to that. The sorcerer's art is the charming of snakes and tarantulas and scorpions and other beasts and diseases, while the other is just the charming and soothing of juries, assemblies [Ekklesia or church], crowds, and so forth. Or does it strike you differently? I asked.
kai mentoi ouden thaumaston: esti gar tēs tōn epōdōn tekhnēs morion mikrō te ekeinēs hupodeestera.
Thaumaston Is a Lying wonder which claims that your rituals are ordained by God.
-epōdē , Ion. and poet. epa^oidē , hē, A.song sung to or over: hence, enchantment, spell, LADEN BURDEN
ou pros iatrou sophou thrēnein epōdas pros tomōnti pēmati
of the Magi, Hdt.1.132
oute pharmaka..oud' au epōdai” Pl.R. 426b ; thusiai kai e. ib.364b ;
charm for or against.., “toutōn epōdas ouk epoiēsen patēr” A.Eu.649.
epōd-os , on, （epadō）A.singing to or over, using songs or charms to heal wounds, “epōdoi muthoi”
c. c. dat., assisting, profitable, 2. Pass., sung to music, “phōnai” Plu.2.622d ; fit for singing, “poiētikēn e. parekhein
b. Subst., enchanter, “e. kai goēs” E.Hipp. 1038 (but “goēs e.” Ba.234): c. gen., a charm for or against, “ethusen hautou paida epōdon Thrēkiōn aēmatōn” A.Ag.1418 ; e. tōn toioutōn one to charm away such fears, Pl.Phd.78a.
2. epōdos, ho, verse or passage returning at intervals, in Alcaics and Sapphics, D.H.Comp.19 ; chorus, BURDED, refrain,
Pl.Lg.903b Athenian
Let us persuade the young man by our discourse that all things are ordered systematically by Him who cares for the World—all with a view to the preservation and excellence of the Whole, whereof also each part, so far as it can, does and suffers what is proper to it. To each of these parts, down to the smallest fraction, rulers of their action and passion are appointed to bring about fulfillment even to the uttermost
No, it appears to me, he replied, to be as you say.
kēl-ēsis , eōs, hē, *A. bewitching, charming, ekheōn, nosōn, Pl.Euthd. 290a: enchantment by eloquence, dikastōn k. te kai paramuthia ibid.; by music and sweet sounds, Id.R.601b, Stoic.3.97.Jesus said that Doctors of the Law take away the key to knowledge. These were the wise or SOPHISTS from whom GOD HIDES. Better flee because these Sophists are Speakers, Singers, Instrument players or ANY thing but SPEAKING or READING the Word, Logos or Regulative Principle.
Plat. Rep. 601b whether he speak in rhythm, meter [melos] and harmony [rhuthmon] about cobbling or generalship or anything whatever. So mighty is the spell1 that these adornments naturally exercise; though when they are stripped bare of their musical coloring [metron] and taken by themselves,2 I think you know what sort of a showing these sayings of the poets make. For you, I believe, have observed them.” “I have,” he said. “Do they not,” said I, “resemble the faces of adolescents, young but not really beautiful, when the bloom of youth abandons them?3” “By all means,” he said. “Come, then,” said I, “consider this point: The creator of the phantom, the imitator, we say, knows nothing of the reality but only the appearance.
hōraios , fruits ripe for plucking or rippe for death.
BAPTISM SAVES says 1 Peter 3 because that is the SPIRITS method of REQUESTING A God conscience or A holy spirit. Unless you have obeyed, been converted or been baptized, You will not be able to READ the Word nor will you be able to HEAR the word when it is PREACHED by being READ in the assembly ONCE each week.
Matt. 11:25 At that time Jesus answered and said, I thank thee, O Father, Lord of heaven and earth, because thou hast HID these things from the WISE and PRUDENT, and hast revealed them unto BABES.If you debate the Spirit in Isaiah 1, Jesus and all of the New Testament about Baptism
[Disciples are STUDENTS of the Word-Logos Regulative Principle
Jesus said to worship or PRAY in their PRIVATE places
Matt. 13:15 For this people’s heart is waxed gross,
and their ears are dull of hearing,
and their eyes they have closed;
lest at any time they should see with their eyes,
and hear with their ears,
and should understand with their heart,
and should be converted,
and I should heal them.
IF YOU TRAIN TO TAKE OVER CHURCHES FOR THE "MUSICATORS":
2 Peter 3 Marks of the End Time Mockers
Luke 18:32 For he shall be delivered unto the Gentiles,
and shall be mocked, and spitefully entreated, and spitted on:
herpeton II. creeping thing, reptile, esp. snake, kinad-os , eos, hence, cunning rogue, dog, catamite.Paizo dance, play a game, 4. play on a musical instrument, h.Ap.206: c. acc., Pan ho kalamo phthongapaizôn [played on a reed] Ar.Ra.230 ; dance and sing, Pi. O.1.16.
5. play amorously, prosallêlous X.Smp.9.2
Xen. Sym. 9.2 “Gentlemen, Ariadne will now enter the chamber set apart for her and Dionysus; after that, Dionysus, a little flushed with wine drunk at a banquet of the gods, will come to join her; and then they will disport themselves together.”
epi-triptos thērion, psōmo-kolax , a^kos, ho, A .flatterer for morsels of bread, parasite
2. hē nun e. kai kateaguia mousikē the disreputable and effeminate music of to-day, oulomenos
II. ruined, lost: hence, unhappy, wretched: pharmakon preachers, singers,
instrument players SORCERERS to be cast alive int the lake of fire.
thērion The BEAST is a new style of music or drama including satyric dramas. THE MARK of the beast is to PLAY or mock Jesus
III. as a term of reproach, beast, creature, “ō deilotaton su thērion” Ar.Pl.439, cf. Eq.273; “kolaki, [LISPERS] deinō thēriō” Pl.Phdr.240b; “Krētes, kaka th.” Epimenid.1; dusnouthetēton th., of poverty, Men. Georg.78; “hē mousikē aei ti kainon thērion tiktei” Anaxil.27, cf. Eup.132; ti de, ei autou tou thēriou ēkousate; said by Aeschines of Demosthenes, Plin.Ep.2.3.10; th. sunestiōmenon, of woman,Hebrews 12 warns of the Instrumental-Trinitarian-Perverted "play" at Mount Sinai. The ANTITHESIS of all paganism concentrated on mind-altering music, dance or drink is the Assembly of Jesus Christ is defined as Synagogue or Ekklesia. Even Simple Simon would understand these assemblies as READING and discussing material from a HIGHER AUTHORITY.
Sam.Souder.Musical.Worship.Minister
SamSouder Claims to be Chief Shepherd: more powerful than God.
SAM: Our role as worship leaders is to MINISTER to the heart of God Himself
our worship is about HIM and Him alone.
We also serve to BLESS those who gather for worship in OUR services,
not so that they can walk away “satisfied” or “FILLED” by the music,
but so that SPACE is created for THEM to encounter the living God.
Clement.of.Alexandria.Exhortation.to.the.Heathen
Again, the same writer of comedy, expressing his dissatisfaction with the common usages, tries to expose the impious arrogance of the prevailing error in the drama of the Priestess, sagely declaring:-
The voice like a "trumpet" has sounded in any and all religious institutions which have suddenly hired the Muses as the adulterous worship team of Apollo or Abaddon. At the right time around the year 2000. SPIRIT is never a person: God always puts His WORD into the MOUTH of A Moses, the Prophets and LASTLY the MAN Jesus of Nazareth. SPIRIT produces WORDS. This is to warn against the Latin
- "If a man drags the Deity
- Whither he will by the sound of cymbals,
- He that does this is greater than the Deity;
- But these are the instruments of audacity and means of living
- Invented by men."
Spīrĭtus , . 1 breathing or gentle blowing of air, a breath, breeze (syn.: aura, flatus).The air: imber et IGNIS, spiritus et gravis terra, Enn. : “proximum (igni)
2. An exhalation, smell, odor: Gell. 9, 4, 10: “sulfuris,”
3. Breathed air, a breath: “quojus tu legiones difflavisti spiritu,
1. In abstr., a breathing: “
2. The BREATH of a god, inspiration:
II. Trop. Sing.: “quoslibet occupat artus Spiritus,” Ov. M. 15, 167; Tac. A. 16, 34: spiritum Phoebus [APOLLON] mihi, Phoebus artem Carminis [MUSIC] dedit, poetic spirit or inspiration, Hor. C. 4, 6, 29;
carmen I.a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation
In gen., a tune, song, air, lay, strain, note, sound, both vocal and instrumental ( carmen tuba
citharāque
Sweet tuner of the Grecian lyre,
'Tis Phoebus, Phoebus gifts my tongue
Whose locks are laved in Xanthus' dews,
Blooming Agyieus! help, inspire
My Daunian Muse!
With minstrel art and minstrel fires:
Come, noble youths and maidens sprung
From noble sires,
spiritum Phoebus, mihi Phoebus artem
carminis nomenque dedit poetae.
virginum primae puerique claris
patribus orti,
Jesus said that "doctors of the law take away the key to knowledge: there is no reason that any "scholar" should be able to read BLACK text on BROWN paper.
GOD'S DEFINITION TO MARK THOSE OF THE WORLD, THE KOSMOS, THE ECUMENICAL OR THE KINGDOM OF THE DEVIL
Gen. 24:26 And the man bowed down his head, and worshipped the Lord.WORSHIP IS NOT VISIBLE OR AUDIBLE. The Kingdom is Within and worship is IN THE SPIRIT
h812. shachah, shaw-khaw´; a primitive root; to depress, i.e. prostrate (especially reflexive, in homage to royalty or God):—bow (self) down, crouch, fall down (flat), humbly beseech, do (make) obeisance, do reverence, make to stoop, worship.Matt. 15:9 But in vain they do worship me, teaching for doctrines the commandments of men.
4576. sebomai, seb´-om-ahee; middle voice of an apparently primary verb; to revere, i.e. adore: — devout, religious, worship.John 4:21 Jesus saith unto her, Woman, believe me, the hour cometh, when ye shall neither in this mountain, nor yet at Jerusalem, worship the Father.
4352.proskuneo, pros-koo-neh´-o; from 4314 and a probable derivative of 2965 (meaning to kiss, like a dog licking his master’s hand); to fawn or crouch to, i.e. (literally or figuratively) prostrate oneself in homage (do reverence to, adore): — worship.
John 4:22 Ye worship ye know not what:
we know what we worship: for salvation is of the Jews.
John 4:23 But the hour cometh, and now is,
when the true worshippers shall worship the Father
in spirit and in truth:
for the Father seeketh such to worship him.
John 4:24 God is a Spirit:
and they that worship him must worship him in SPIRIT (a PLACE] and in truth.
Musical Worship Teams - Effeminate Worship - I
Musical Worship Teams - Effeminate Worship - II
How to use music to make men into women: Heredotus
Rev. 9:10 And they had tails like unto scorpions, and there were stings in their tails: and their power was to hurt men five months.
Rev. 9:11 And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon.
Rev. 8:10 And the third angel sounded, and there fell a great star from heaven,Apollo is considered to have dominion over plague, light, healing, colonists, medicine, archery, poetry, prophecy, dance, reason, intellectualism, Shamans, and as the patron defender of herds and flocks. Apollo had a famous oracle in Crete and other notable ones in Clarus and Branchidae.
Apollo is known as the leader of the Muses ("musagetes") and director of their choir. His attributes include: swans, wolves, dolphins, bows and arrows, a laurel crown, the cithara (or lyre) and plectrum. The sacrificial tripod is another attribute, representative of his prophetic powers.
The swan and grasshopper symbolize music and song; the hawk, raven, crow and snake have reference to his functions as the god of prophecy.The chief festivals held in honour of Apollo were the Carneia, Daphnephoria, Delia, Hyacinthia, Pyanepsia, Pythia and Thargelia.
-Apollo Apollo exercises an elevating and inspiring influence on the mind as god of MUSIC, which, though not belonging to him alone any more than ATONEMENT and PROPHECY, was yet pre-eminently his province.Thalrgelia in Greek religion, one of the chief festivals of Apollo at Athens, celebrated on the sixth and seventh days of Thargelion (May-June). Basically a vegetation ritual upon which an expiatory rite was grafted, the festival was named after the first fruits, or the first bread from the new wheat.
On the first day of the festival, one or two men (or a man and a woman), representing the deity but also acting as scapegoats for community guilt, were first led through the city and then driven out. Occasionally, as in times of heavy calamity, they were sacrificed, being either thrown into the sea or burned on a funeral pyre. On the second day of the festival, there were a thanks offering, a procession, and the official registration of adopted persons.
In Homer he is represented only as a player on the lyre,
while song is the province of the Muses;
but in course of time he grows to be the god, as they are the goddesses, of song and poetry,
and is therefore Mousagetês (leader of the Muses) as well as master of the choral dance,
which goes with music and song. And as the friend of all that beautifies life he is intimately
associated with the Graces [Graces meaning CHARIS meaning Charismatic
meaning the MARK of homosexual "worship"]Mousagetês 1 [doric for Mousêgetês] leader of the Muses, Lat. Musagetes, of Apollo, Plat.
burning as it were a lamp,
and it fell upon the third part of the rivers, and upon the fountains of waters;
Aster Greek II. etaph. of illustrious persons, etc., “phanerōtaton aster' Athēnas” E.Hipp.1122 (lyr.); “Mousaōn astera kai Kharitōn”
Mousa Muses
Thugater Moisan thugateres, of Odes, Pi.N.4.3; plastigx hē khalkou th. Critias 1.9D.; th. Seilēnou, of the vineGraces Kharis : the foregoing personified, as wife of Hephaestus, Il. 18.382.—Pl., Kharites, the Graces, handmaids of Aphrodīte, Il. 5.338, Il. 14.267, Il. 17.51, Od. 6.18, Od. 18.194.
Stella Summoning with voco summon into court, before a tribunalThe fountains of waters are those who once carried the Spirit Word to all of the nations. Lampas is the SUN god connected with SABBATH and music.
B. Transf., brightness, splendor, brilliancy, lustre, glow, redness (mostly poet.): “fronte curvatos imitatus ignes lunae,”
Carmen
I. a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation (cf.: cano, cantus, and canto).I. In gen., a tune, song, air, lay, strain, note, sound, both vocal and instrumental (mostly poet.; in prose, instead of it, cantus; cf. “also versus, numeri, modi): carmen tuba ista peregit ( = sonus), : “per me (sc. Apollinem) concordant carmina nervis,” “citharae liquidum carmen,” Lucr. 4, 981; cf. id. 2, 506; Hor. C. 1, 15, 15: “lyrae carmen,” Prop. 2, 1, 9 Hertzb.: “canere miserabile carmen,” Ov. M. 5, 118: “harundineum,” id. Tr. 4, 1, 12: “socialia carmina,” id. H. 12, 139: “barbaricum,” id. M. 11, 163.—With allusion to playing on the cithara: “hoc carmen hic tribunus plebis non vobis sed sibi intus canit,” Cic. Agr. 2, 26, 68; cf. Aspendius.—Also the sound of waves,
6. On account of the very ancient practice of composing forms of religion and law in Saturnian verse, also a formula in religion or law, a form: “diro quodam carmine jurare,
Ignis
A. (Mostly poet.) The fire or glow of passion, in a good or bad sense; of anger, rage, fury:
raving, inspiration, Stat. Ach. 1, 509: “quae simul aethereos animo conceperat ignes, ore dabat pleno carmina vera dei, B. Figuratively of that which brings destruction, fire, flame: “quem ille obrutum ignem (i. e. bellum) reliquerit,” Liv. 10, 24, 13:
Incentor, o-ris, m. [id.] , one who sets the tune or begins to sing, a precentor, singer (post-class.). I. Lit.: carminis, I. Lit.: “carminis,” Paul. Nol. Carm. 15, 32: “incentore canam Phoebo Musisque magistris,”Paul. Nol. Carm. 15, 32 : [1] incentore [2] canam [3] Phoebo [4] Musisque [5] magistris,
II. Trop., an inciter, exciter: “igneus turbarum,” Amm. 15, 1, 2: “civilis belli,” Oros. 5, 19: “rebellionis totius,” id. 6, 11. Phoebus Apollo as the god of light. B. Phoe-bēus , a, um, adj., Phœbean, Apollinean: “carmina,” Lucr. 2, 504: “lampas,” the sun, Verg. A. 4, 6: “virgo,” Daphne, Ov. P. 2, 2, 82: “laurus,” id. Tr. 4, 2, 51: “Rhodos,” where the worship of Apollo prevailed, Circe,” daughter of Sol,Rev. 9:10 And they had tails like unto scorpions, and there were stings in their tails: and their power was to hurt men five months.
Rev. 9:11 And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon
-Apollo Apollo exercises an elevating and inspiring influence on the mind as god of MUSIC, which, though not belonging to him alone any more than ATONEMENT and PROPHECY, was yet pre-eminently his province.Thalrgelia in Greek religion, one of the chief festivals of Apollo at Athens, celebrated on the sixth and seventh days of Thargelion (May-June). Basically a vegetation ritual upon which an expiatory rite was grafted, the festival was named after the first fruits, or the first bread from the new wheat.
Purification took place on the first day of the festival, so that the town and townspeople could make a fresh start. One or two human scapegoats were chosen for their ugliness (or other undesirable qualities). Those figures, known as pharmakoi (singular pharmakós, feminine pharmakis), were draped with figs, fed, led in procession through the city, whipped with vegetation (so as to transfer impurity to them), and driven out. Occasionally, as in times of heavy calamity, plague, or the like, the pharmakoi were sacrificed, usually either thrown into the sea or burned on a funeral pyre. Sometimes the pharmakoi were merely expelled from the city. On the second day of the festival, there was a thank offering, a procession, and the official registration of adopted persons.
In Homer he is represented only as a player on the lyre,
while song is the province of the Muses;
but in course of time he grows to be the god, as they are the goddesses, of song and poetry,
and is therefore Mousagetês (leader of the Muses) as well as master of the choral dance,
which goes with music and song. And as the friend of all that beautifies life he is intimately
associated with the Graces [Graces meaning CHARIS meaning Charismatic
meaning the MARK of homosexual "worship"]Mousagetês 1 [doric for Mousêgetês] leader of the Muses, Lat. Musagetes, of Apollo, Plat.
Apollo is considered to have dominion over plague, light, healing, colonists, medicine, archery, poetry, prophecy, dance, reason, intellectualism, Shamans, and as the patron defender of herds and flocks. Apollo had a famous oracle in Crete and other notable ones in Clarus and Branchidae.
Apollo is known as the leader of the Muses ("musagetes") and director of their choir. His attributes include: swans, wolves, dolphins, bows and arrows, a laurel crown, the cithara (or lyre) and plectrum. The sacrificial tripod is another attribute, representative of his prophetic powers.
The swan and grasshopper symbolize music and song; the hawk, raven, crow and snake have reference to his functions as the god of prophecy.The chief festivals held in honour of Apollo were the Carneia, Daphnephoria, Delia, Hyacinthia, Pyanepsia, Pythia and Thargelia.
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