Androgynous Musical Worship Minister

Worship.Androgyny.The.Pagan.Sexual.Ideal.html

Rubel Shelly Homosexuals and Women in the Temple of God

Jeanene.Reese.LGBT.MUST.be.Included.html


See Phaedrus by Plato
Zoe-Look-To-The-Hills.html

Praise and Worship Songs
See Lynn Anderson whose Navigating The Winds of Change
See the Precentor of music heresy.

See the church Fathers on the Encomiasts

Arnobius

Plato the Symposium for homosexual men with music
A Cappella Worship Leader

Aquinas, Thomas Praise Singing.
Praise Songs as Christian Voodoo
Ancient Pagan Praise Leader
Music as Brainwashing
Latter Rain, praise teams, praise singing, charismatic 
Praise Worship Ploughs the Ground Hosea 10:ll
Rubel Shelly Praise and Thanksgiving
Rubel Shelly Psalm 106
See how CHARISMATIC music was born of sodomy preferably in the form of Pederasty.
See that ZOE is Eos or Helios or Aphrodite or Lucifer: the singing and harp-playing prostitute.
See how it works out when the "children and effeminate rule over you."
See more notes on a cappella.
See Edward Fudge on A Cappella
The ME, Inanna - Ea - Gift of Wisdom and Music

 
He gave me the art of lovemaking.
He gave me the art of kissing the phallus.
He gave me the art of prostitution.
He gave me the resounding musical instrument.
He gave me the art of song.
He gave me the art of the elder.
He gave me the kindling of strife

Women and girls from the different ranks of society were proud to enter the service of the gods as singers and musicians. The understanding of this service was universal: these singers constituted the 'harem of the gods'." "The Catholic Johannes Quasten in Pagan and Christian Music tells it like it is)

"Philodemus considered it paradoxical that music should be regarded as veneration of the gods while musicians were paid for performing this so-called veneration. Again, Philodemus held as self deceptive the view that music mediated religious ecstasy.
..........He saw the entire condition induced by the noise of cymbals and tambourines
..........[tabering with one's hands or upon one's breast]
..........as a disturbance of the spirit.
..........He found it significant that, on the whole,
..........only women and effeminate men fell into this folly.

Accordingly, nothing of value could be attributed to music;
.......... it was no more than a slave of the sensation of pleasure,
.......... which satisfied much in the same way that food and drink did.

Schopenhauer This process, at once IRRATIONAL and SHAMFUL, takes place on the margins of truth,
        and thus borders more on magic than on empirical science.
The magical induction becomes a seduction and thus trickery,
        and an ADULT refuses to be captivated,
        resisting the beliefs suggested to him by the auletic. [piper?]

A woman who persuades solely by means of her presence and its perfumes,
        that is, by the magical exhalations of her being,
        the night that envelops us, MUSIC, which secures our allegiance
        solely through the Charm engendered by a TRILL or an ARPEGGIO,
        will therefore be the object of a  deep suspicion.
Being BEWITCHED is not worthy of a rational person.
        Just as a MASCULINE
                Will insists that its decisions are made on concrete grounds

              
and will never admit a preference founded in emotion
               
so MASCULINE Reason will never admit itself prone to seduction.
What is science for if not to sustain us against the intoxications of night
        and the TEMPTATIONS exercised by the ENCHANTRESS appearance?



https://churchfront.com/blog-churchfront/2017/10/4/why-men-dont-sing-in-church


I’m not sure if you have noticed, but men are not singing during worship. Sure, some men sing, but a vast majority do not. While the vitality of congregational singing often correlates with the spiritual health of a congregation, even at churches one would consider “healthy,” men are not singing. I have seen this as a worship leader and congregant at growing churches.

Despite these advantages, there are a few barriers for men engaging in contemporary worship. Murrow points out that before contemporary worship came on the scene in the 70’s and 80’s, most worship songs in the church were written about God rather than to God. He writes, “With hymns, God is out there. He’s big. Powerful. Dangerous. He’s a leader. With Praise and Worship, God is at my side. He’s close. Intimate. Safe. He’s a lover.”

“Picture two male hunters sitting in a duck blind, shotguns resting across their laps. One hunter decides to express his affection for the other, using the words of a popular praise song. He turns to his friend and says, “Hey, buddy…”

Your love is extravagant
Your friendship, it is intimate
I feel I’m moving to the rhythm of your grace
Your fragrance is intoxicating in this secret place

Those are the lyrics to a worship song. Murrow goes on to write, “I cannot imagine saying these words to another man - especially one carrying a loaded shotgun.”

Although most church leaders are men, most Christian men feel like the church is feminized and it’s the last place they want to spend Sunday mornings.







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