Barry.Stephens.Instrumental.Music.and.Apollyon

The BEAST from the EARTH exerciseth all the POWER of the first BEAST before him,
        and causeth the earth and them which dwell therein
        to worship the first BEAST, whose deadly wound was healed.
Rev. 13:12

CONTRARY AND ANTITHETICAL to the worship of God, THE WORSHIP OF THE BEAST is--

Thera^p-euō   II.   do service to the gods, athanatous, theous th., Hes.Op.135, Hdt.2.37, X.Mem.1.4.13, etc.; daimonaPi.P.3.109; Dionuson, Mousas, E.Ba.82 (lyr.), IT1105(lyr.); th. Phoibou [
Apollon] naous serve them, Id.Ion111 (anap.): abs., worship, Lys.6.51; do service or honour to one's parents, E.Ion183 (lyr.), Pl.R.467a, Men.91a; serve, wait upon a master, Id.Euthphr.13d, cf. Ar.Eq.59, 1261, etc.; th. tas thēkas reverence men's graves, Pl.R.469a.
APOLLYON- Phoebus , i, m., = Phoibos (the radiant), I. a poetical appellation of Apollon as the god of light: “quae mihi Phoebus Apollon, Val. Fl. 1, 228: “Circe,” [CHURCH AS WORSHIP CENTER] daughter of Sol, Petr. 135.—
Phoebus , i, m., = Phoibos (the radiant), I.a poetical appellation of Apollo as the god of light: “quae mihi Phoebus Apollo, Val. Fl. 1, 228: “Circe,daughter of Sol, Petr. 135.—
B. Phoe-bēus , a, um, adj., Phœbean, Apollinean: “carmina,Lucr. 2, 504: “lampas,the sun, Verg. A. 4, 6: “virgo,Daphne, Ov. P. 2, 2, 82: “laurus,id. Tr. 4, 2, 51: “Rhodos,where the worship of Apollo prevailed, id. M. 7, 365: “lyra,id. H. 16, 180: “sortes,oracle, id. M. 3, 130: “tripodes,id. A. A. 3, 789: “Phoebeā morbos pellere arte,id. F. 3, 827.—
Female Worship Leater C. Phoebas , ădis, f., a PRIESTESS of Apollo; hence the inspired one, the PROPHETESS Ov. Am. 2, 8, 12; id. Tr. 2, 400; Luc. 5, 128; 165.

-therap-ōn  henchman, attendant [1] Mousaōn [2] therapontes

[1]   Mousa music, song [3 below]  stu^ger-os , Mousa kanakhan .       theias antiluron mousas
        II. mousa, as Appellat., music, song, “m. stugeraA.Eu.308   
        Muses as:   moisan pherein      LADED BURDEN
        Muses as:   adokim-os , disreputable, discredited, reprobate,
       Muses as:   kanakhan . . theias antiluron mousas 
                         clanging and harp-players   
Apollyon Leader of the Muses OR LOCUSTS to SEPARATE for BURNING.

Here is a short list of PERFORMANCE and PERFORMING Enabled by rhetoric, singing or any kind of instruments which CLAIMS that God is ignorant.

An Abomination, Witchcraft, the BEASTS, Sorcery, Charming, Soothsaying,  enchantment, harlots, beguile, serpents, vipers, Serpo, Herpo, inducing wine-dranking, Cunning Craftsmen or Sophists, Rhetoricians, Dogs or Catamites, magic, Voodoo in primitive America, Melodies to deceive, Deceiver, Cunning Crafts, Techne, religious craftsmen, Lucifer, Voodoo, Locusts, Apollyon, Levi-LeviathanI

Amos 5:26 But ye have borne the tabernacle of your Moloch and Chiun your images,
        the STAR of your god, which ye made to yourselves.

Acts 7:41 And they made a calf in those days,
        and offered sacrifice unto the idol,
        and rejoiced in the works of their own hands
Moloch.harp.drum.flute.gif


The practice in the wilderness, tyre and Jerusalem

Acts 7:42 Then God turned,
        and gave them up to worship the HOST of heaven; 
        as it is written in the book of the prophets,
        O ye house of Israel,  have ye offered to me slain beasts and sacrifices
        by the space of forty years in the wilderness?

Amos 5:27 Therefore will I cause you to go into
        captivity beyond Damascus,
        saith the LORD, whose name is The God of hosts.
Acts 7:43 Yea, ye took up the tabernacle of Moloch, 
        and the star of your god Remphan, 
        figures which ye made to worship them: 
        and I will carry you away beyond Babylon.

Mark.10.They.Shall.Mock.Him.With.Music

Trumpet, drums, flute, cymbals and castinets with buffoons
Psallo permits ONLY smiting a string with your FINGERS: not a plectrum
Psallo and SOP have the same root meaning.

Mock.Jesus.Half.size.jpg

Revelation 18F: they are all called Sorcerers who HAD once deceived the whole world.
They WILL BE CAST ALIVE INTO THE LAKE OF FIRE.

And they shall make a spoil of thy riches, and make a prey of thy merchandise: and they shall break down thy walls, and destroy thy pleasant houses: and they shall lay thy stones and thy timber and thy dust in the midst of the water. Ezek 26:12
 

And I will cause the noise of thy SONGS to cease;
        and the sound of thy HARPS shall be no more heard.
         Ezek 26:13
And I will make thee like the top of a rock: thou shalt be a place to spread nets uponthou shalt be built no more: for I the Lord have spoken it, saith the Lord God. Ezek 26:14

Thus saith the Lord God to Tyrus; Shall not the isles shake at the sound of thy fall,  when the wounded cry, when the slaughter is made in the midst of thee? Ezek 26:15

Sono:  to make a noise, to sound, resound: aes sonit, the trumpet sounds plectra,Prop. 4 (5), 7, 62. tympana,

Then all the princes of the sea shall come down from their thrones,
        and lay away their robes, and put off their broidered garments:
        they shall clothe themselves with trembling; they shall sit upon the ground,
        and shall tremble at every moment, and be astonished at thee. Ezek 26:16
Ezek. 33:4 Then whosoever heareth the sound of the trumpet, and taketh not warning; if the sword come, and take him away, his blood shall be upon his own head.

Ezek. 33:30 Also, thou son of man, the children of thy people still are talking against thee by the walls and in the doors of the houses, and speak one to another, every one to his brother, saying, Come, I pray you, and hear what is the word that cometh forth from the Lord.

Ezek. 33:31 And they come unto thee AS the people cometh,
      and they sit before thee
AS my people,
      and they hear thy WORDS,
           but they will not do them:
for with their MOUTH they shew much love,
          BUT their heart goeth after their covetousness.

WHICH IS COMPARED TO SOMETHING ELSE HYPOCRITICAL
Ezek. 33:32 And, lo, thou art UNTO them
         as a very lovely SONG
         of one that hath a pleasant VOICE,
         and can PLAY WELL on an INSTRUMENT:
                 for they hear thy words,
                 but they do them not.

Monterey’s decision to include an instrumental worship assembly was the culmination of years of Bible study and discernment, Stephens said.

Numerous Scriptures, like those in 2 Chronicles 7 and 29, Psalms 33, 92 and 150, affirmed instrumental worship, the leaders decided.

The children gather wood, and the fathers kindle the fire, and the women knead their dough,
       to make cakes to the queen of heaven,
       and to pour out drink offerings unto other gods,
       that they may provoke me to anger. Jeremiah 7:18

Do they provoke me to anger? saith the Lord:
       do they not provoke themselves to the confusion of their own faces? Jeremiah 7:19

Therefore thus saith the Lord God; Behold, mine anger and my fury shall be poured out upon this place, upon man, and upon beast, and upon the trees of the field, and upon the fruit of the ground; and it shall burn, and shall not be quenched. Jeremiah 7:20

> Thus saith the Lord of hosts, the God of Israel;
       Put your burnt offerings unto your sacrifices, and eat flesh. Jeremiah 7:21 

21. Put ... burnt offerings unto ... sacrifices ... eat flesh--Add the former (which the law required to be wholly burnt) to the latter (which were burnt only in part), and "eat flesh" even off the holocausts or burnt offerings. As far as I am concerned, saith Jehovah, you may do with one and the other alike. I will have neither (Isa 1:11 Ho 8:13 Am 5:21,22).

Except the Lord of hosts had left unto us a very small remnant, we should have been as Sodom, and we should have been like unto Gomorrah. Isaiah 1:9

Hear the word of the Lord, ye rulers of Sodom; give ear unto the law of our God, ye people of Gomorrah. Isaiah 1:10

To what purpose is the multitude of your sacrifices unto me? saith the Lord:
        I am full of the burnt offerings of rams, and the
fat of fed beasts;
        and I delight not in the blood of bullocks, or of lambs, or of he goats. Isaiah 1:11

When ye come to appear before me,
        who hath required
this at your hand, to tread my courts? Isaiah 1:12

Bring no more vain oblations;
        incense
is an abomination unto me; the new moons and sabbaths,
        the calling of assemblies, I cannot away with;
        it is iniquity, even the solemn meeting. Isaiah 1:13

> For I spake NOT unto your fathers, nor commanded them
        in the day that I brought them out of the land of Egypt,
       concerning burnt offerings or sacrifices: Jeremiah 7:22

Hebrews 9:10 Which stood only in meats and drinks, and divers washings,
        and carnal ordinances, imposed on them until the time of reformation.

Hebrews 9:11 But Christ being come an high priest of good things to come,
        by a greater and more perfect tabernacle, not made with hands,
        that is to say, not of this building;
Hebrews 9:12 Neither by the blood of goats and calves,
         but by his own blood he entered in once into the holy place, [in heaven]
        having obtained eternal redemption for us.
Hebrews 9:13 For if the blood of bulls and of goats,
        and the ashes of an heifer sprinkling the unclean,
         sanctifieth to the purifying of the flesh:
Hebrews 9:14 How much more shall the blood of Christ, w
        ho through the eternal Spirit offered himself without spot to God,
        purge your conscience from dead works to serve the living God?
Hebrews 9:15 And for this cause he is the mediator of the new testament,
        t
hat by means of death, for the redemption of the transgressions
        that were under the first testament,
        they which are called might receive the promise of eternal inheritance.
 
Hebrews 10:1 For the law having a shadow of good things to come,
        and not the very image of the things,
       can never with those sacrifices which they offered year by year
        continually make the comers thereunto perfect.
The Jews had a Covenant with Death and Hell
umbra  2. A shade, ghost of a dead person (poet. and in post-Aug. prose; cf.: “Manes, Lemures)
3. Like the Greek skia an uninvited guest, whom an invited one brings with him (cf. parasitus), Hor. S. 2, 8, 22; id. Ep. 1, 5, 28; Plaut. Pers. 2, 4, 27; so, of an attendant: “luxuriae,Cic. Mur. 6, 13.—

> But THIS  thing commanded I them, saying,
       Obey my voice, and I will be your God, and ye shall be my people:
       and walk ye in all the ways that I have commanded you,
       that it may be well unto you. Jeremiah 7:23

God hath not said, thou shalt not sing and play instruments and pretend that you are worshiping Me.

> But they HEARKENED NOT, nor inclined their ear,
       but walked in the counsels and in the imagination of their evil heart,
       and went backward, and not forward. Jeremiah 7:24

Destroy thou them, O God; let them fall by their own counsels; cast them out in the multitude of their transgressions; for they have rebelled against thee. Psa 5:10

I am the Lord thy God, which brought thee out of the land of Egypt: open thy mouth wide, and I will fill it. Psa 81:10
But my people would not HEARKEN to my voice; and Israel would none of me. Psa 81:11

So I gave them up unto their OWN HEARTS LUST:
and they walked in their OWN COUNSELS. Psa 81:12 

Rom. 1:21 Because that, when they knew God, they glorified him not as God, neither were thankful; but became vain in their imaginations, and their foolish heart was darkened.

2Cor. 10:5 Casting down imaginations, and every high thing that exalteth itself against the knowledge of God, and bringing into captivity every thought to the obedience of Christ;

Destroy thou them, O God; let them fall by their own counsels; cast them out in the multitude of their transgressions; for they have rebelled against thee. Psa 5:10

When the prophets were sent to warn them it was the Spirit OF Christ 

Since the day that your fathers came forth out of the land of Egypt unto this day,
        I have even sent unto you all my servants the PROPHETS,
        daily rising up early and sending them: Jeremiah 7:25

Yet they HEARKENED NOT unto me, nor inclined their ear, but hardened their neck: they did worse than their fathers. Jeremiah 7:26

 At Mount Sinai the faithless Hebrews Rose up to Play and Profaned the REST DAY.  This was Instrumental.Trinitarian.Perverted Idolatry.  This was a sin beyond redemption.  Dedicating your own "talent" replaces the Word, Logos or Regulative Principle.  This is the meaning of ANATHEMA and such presumptious dedication Cannot be REDEEMED and must be BURNED.

The Synagogue or Ekklesia was the Church of Christ (whomever God anointed) the Rock in the Wilderness was defined:

Genesis.49.Levi.Cursed.Wait.for.Shiloh

Exclusive:  Vocal or Instrumental Rejoicing The Synagogue
Inclusive:  Rest, Reading and Rehearsing the Spiritual Scriptures

But when the congregation is to be gathered together, ye shall blow, but ye shall not sound an alarm. Num 10:7
he Alarm which was OUTLAWED for the Church in the wilderness is the same PSALLO or Bow-Twanging noise outlawed in the gathering of Jesus Christ.

External Alarm

EXCLUDED from the QAHAL

External Melody

EXCLUDED from the episunagoge

Ruwa (h7321) roo-ah'; a prim. root; to mar (espec. by breaking); fig. to split the ears (with sound), i. e. shout for alarm or joy: - blow an alarm, cry (alarm, aloud, out), destroy, make a joyful noise, smart, shout (for joy), sound an alarm, triumph.
Psallo (g5567) psal'-lo; prob. strengthened from psao, (to rub or touch the surface; comp. 5597); to twitch or twang, i.e. to play on a stringed instrument (celebrate the divine worship with music and accompanying odes): - make melody, sing (psalms)
Ruwph (h7322) roof; a prim. root; prop. to triturate (in a mortar), i. e. (fig.) to agitate (by concussion): - tremble.
Psocho (g5597) pso'-kho; prol. from the same base as 5567; to triturate, i.e. (by anal.) to rub out (kernels from husks with the fingers or hand): - rub.

Eph. 5:17 Wherefore be ye not unwise,
        but understanding what the WILL of the Lord is.

The Word or Logos is EXCLUSIVE of Personal opinions, personal experiences, rhetoric, singing, playing instruments, acting or anything beyond READ or SPEAK that which is written for our LEARNING.

Eph. 5:18KJV And be not drunk with wine, wherein is excess;
        BUT be filled with the SPIRIT;
Eph. 5:19 SpeakING  to YOURSELVES [PLACE] in psalms and hymns and spiritual songs,  [SCRIPTURE ONLY]
        
BUT singING and makING melody in [PLACE]your heart TO THE LORD

Lexis.Ode.gif
John 6:63 It is the SPIRIT that quickeneth; the flesh profiteth nothing:  [Jesus: sons of Devil speak on their own]
        the WORDS that I SPEAK unto you, they are SPIRIT, and they are life.

 Col. 3:16 Let the WORD of Christ dwell in you richly in all wisdom;
        teachING and
       [PLACE] admonishing one another
                   in psalms and hymns and spiritual songs,
         singiING with grace in your hearts [PLACE] to the Lord.

SPIRIT is figurative or a PARABLE to hide from the wise or sophists: rhetoricians, singers or instrument players.

Is. 59:21 As for me, this is my covenant with them, saith the Lord;
        My SPIRIT that is upon thee,
        and my WORD which I HAVE put in thy MOUTH,
        shall not depart out of thy mouth, nor out of the mouth of thy seed,
        nor out of the mouth of thy seed’s seed, saith the Lord, from henceforth and for ever.

SORCERY is claiming that singing your own words can cause a SPIRIT to enter into you

SPEAK OR READ is God's Way to mark His Enemies Who try to try to SILENCE the Word or Regulative Principle.  They are universally marked as OF this WORLD, The Ecumenical or the Kingdom of the Devil.  God makes them into a laughingstock by exposing the effeminate or perverted persona.

SPIRIT is the Word put into the Mouth of the Prophets.  The Testimony of Jesus is that SPIRIT put into Audible WORDS John 6:63.

THE HOLY SPIRIT MARKS THEM WITH A BRAND.  The Mark of Cain was a Musical Note.

WIZARDS or WITCHES or SORCERERS are those Jesus defined as BENEATH or Tartarus.  The Mark is compared to Speaking in tongues so that no one who is FROM ABOVE with Jesus will FLEE the Babylon Mother of Harlots.

Isa 8:19 And when they shall say unto you,
        Seek unto them that have familiar spirits,
        and unto wizards that peep, and that mutter:
                should not a people seek unto their God?
                for the living to the dead

[19] et cum dixerint ad vos quaerite a pythonibus et a divinis qui stridunt in incantationibus suis numquid non populus a Deo suo requirit pro vivis a mortuis

-strīdō    to make a shrill noise, sound harshly, creak, hiss, grate, whiz, whistle, rattle, buzz: stridentia tinguunt Aera lacu, V.: cruor stridit, hisses, O.: belua Lernae Horrendum stridens, V.: horrendā nocte (striges), O.: mare refluentibus undis, V.: aquilone rudentes, O.: videres Stridere secretā aure susurros, buzz, H.
H7442 rânan raw-nan' A primitive root; properly to creak (or emit a stridulous sound), 2. tremulous sound of a mast or pole "Shaken by the wind" also the sound of a torrent. Vibrate the voice TRILL which is the WOMEN'S sound of Halal above.

-cantus , ūs, m. id., 2. With instruments, a playing, music: “in nervorum vocumque cantibus,Cic. Tusc. 1, 2, 4; id. Rosc. Am. 46, 134: “citharae,Hor. C. 3, 1, 20: “horribili stridebat tibia cantu,Cat. 64, 264: “querulae tibiae,Hor. C. 3, 7, 30:
B. An incantation, CHARM, magic song, etc.: cantusque artesque magorum. Ov. M. 7, 195; 7, 201: “at cantu commotae Erebi de sedibus imis Umbrae ibant,Verg. G. 4, 471: “magici,

The Wizzard is one who thinks that they can hear the Word of God "beyond the sacred page."  John called them sorcerers because they used rhetoric, singers and instrumentalists to STEAL the Word and money from others Yiddeoniy (h3049) yid-deh-o-nee'; from 3045; prop. a knowing one; spec. a conjurer; (by impl.) a ghost: - wizard.

"In Isa 8:19 the
'obhoth and yidh'onim are spoken of those who 'chirp and mutter." These terms refer to the necromancers themselves who practiced ventriloquism in connection with their magical rites. In Isa 29:4 it is said 'Thy voice shall be as an 'obh, out of the ground.'... They are stamped in these passages, as in the Witch of Endor narrative, as deceivers practising a fraudulent art. By implication their power to evoke spirits with whom they were in familiar intercourse is denied." (Int Std Bible Ency., ency, p. 690)

Jesus called the Scribes and Pharisees Hypocrites.  In Isaiah 29

Is. 29:9  Stay yourselves, and wonder; cry ye out, and cry: ob-stupēscō  terror
    
      
ad-mīror  thaumazein; [Lying wonder]acc. to Pythagoras  mŏdus  Melody spectacula

Pȳthon ,, I. the serpent slain, according to the myth, near Delphi by Apollon, who was fabled to have been called Pythius in commemoration of this victory, Ov. M. 1, 4381. Pȳthĭa , ae, f., = Puthia, the priestess who uttered the responses of the Delphic Apollo, the Pythoness, Pythia, Cic. Div. 1, 19, 38; Nep. Milt. 1, 3. —

they are drunken, but not with wine; they stagger, but not with strong drink.
   
       
fluctŭo   rise in waves, undulate, are driven about by the waves, to be restless, unquiet
       
văcillo be untrustworthy, to vacillate, wavering in fidelity
       
mŏvĕo   et fila sonantia movit,struck, Ov. M. 10, 89:
            “citharam cum voce,id. ib. 5, 112: “tympana,id. H. 4, 48; to disturb

Is. 29:10 For the LORD hath poured out upon you the spirit  OF deep sleep
kata-nuxis
        and hath closed your eyes: the prophets and your rulers, the seers hath he covered.

Eph. 5:18 And be not drunk with wine, wherein is excess; but be filled with the Spirit; [The WORD]

kat-auleô   A. charm by flute-playing, I will flute to you on a ghastly flute, E.HF871 os drinking wine to the strains of the flute, Pl.R.561c played to on the flute with lyre accompaniment,

E.HF871 I call the sun-god to witness that here I am acting against my will; like a fearful bull in act to charge; he bellows...nor shall their murderer know that he is killing the children he begot, till he is released from my madness. ...[870] calling on the goddesses of nether hell. Soon will I rouse you to yet wilder dancing and pipe a note of terror in your ear. Soar away, O Iris,

kat-auleō  A.charm by flute-playing Pl.Lg.790e,, methuōn kai katauloumenos drinking wine to the strains of the flute, resound with flute-playing, “nēsos katēuleitoPlu.Ant.56. katauloumenon subdued by a flute accompaniment, Ptol.Harm.2.12: metaph., to be piped down, ridiculed
To the law and to the testimony:
        if they SPEAK not according to this WORD,
        it is because there is no light in them. Isa 8:20


THERE IS NOT EXCEPTION:

Here is a short list of PERFORMANCE and PERFORMING Enabled by rhetoric, singing or any kind of instruments which CLAIMS that God is ignorant.

An Abomination, Witchcraft, the BEASTS, Sorcery, Charming, Soothsaying,  enchantment, harlots, beguile, serpents, vipers, Serpo, Herpo, inducing wine-dranking, Cunning Craftsmen or Sophists, Rhetoricians, Dogs or Catamites, magic, Voodoo in primitive America, Melodies to deceive, Deceiver, Cunning Crafts, Techne, religious craftsmen, Lucifer, Voodoo, Locusts, Apollyon, Levi-Leviathan
The Greek and Latin overflows with identifying anyone who tried to control another's mind with anything but FACTS
Proof is one Infiltrates, builds a huge institution and then claims a VISION that God wants Him to "steal the church houses of widows" to, in the name of the Great Tribulators create A Theater for Holy Entertainment. 

Music.  Cantillation signs guide the reader in applying a chant to Biblical readings. This chant is technically regarded as a ritualized form of speech intonation rather than as a musical exercise like the singing of metrical hymns: for this reason Jews always speak of saying or reading a passage rather than of singing it. (In Yiddish the word is leynen 'read', derived from Latin legere, giving rise to the Jewish English verb "to leyn".)

http://www.pineycom.com/Cantillation.2.html

The Philipedium: In most western European languages, the word for “read” starts with the letter “L”. These languages can be divided into two main groups — those of Latin origin and those of Germanic origin. In each of the Latin languages (Italian, Spanish, French, etc.), the modern word is derived from legere, the Latin word for “read”. The Italian word is still leggere, essentially unchanged from the Latin. In the other Romance languages, the “g” sound was lost, and so we have leer in Spanish, ler in Portuguese, and lire in French.

(Note: The Old Testament understands that instrumental music--called NOISE--was authorized only in certain dedicatory or purification rituals associated with the temple and with Jerusalem. Without both there was never any rationale for instrument to make a great crashing sound during animal sacrifices.)

"At the dedication of the later edifice, the priests blew the trumpets at the same time that the Levites sang and played upon instruments of music,

so as 'to make one sound;' but it is evident that on that great occasion of rejoicing, what was aimed at was not musical harmony, but a powerful crash of jubilant sound. We are shut up to the conclusion that

there was nothing in the tabernacle-worship, as ordered by Moses, which could be justly characterized as instrumental music." (George Girardeau, Instrumental Music, p. 29 - a Presbyterian)

Paull commanded that we SPEAK the Text for our LEARNING.  Both Ode and Psallo are words marking SORCERERS and PERVERTS.

The Evil Psallo  I. In gen., to play upon a stringed instrument; esp., to play upon the cithara, to sing to the cithara: “psallere saltare elegantius,Sall. C. 25, 2  canituri,”  SING and cantare marked as SORCERY.    saltare et cantare; Cic. Catil. 2.10.23   Suet. Tit. 3

Saltatio   Dancing was originally closely connected with religion. Plato thought all dancing should be based on religion, as it was, he says, among the Egyptians. It has been shown under Chorus that the chorus in the oldest times consisted of the whole population of a city, who met in a public place to offer up thanksgivings to the god of their country by singing hymns and performing dances. These dances, which, like all others, were accompanied by music, 

David's Dirty Dancing with the Camp following girls PATTERN

Phallic.Cross.Ephod.gif

ALWAYS MARKING WITCHES OR SORCERS


When you click on these resources, go to the Display Preferences, pick "Latin Translation." To the right you can display in English.

Plato, Euthydemus

[289d] On what proof do you rely? I asked.

I see, he said, certain speech-writers who do not know how to use the special arguments composed by themselves, just as lyre-makers in regard to their lyres: in the former case also there are other persons able to use what the makers produced, while being themselves unable to make the written speech. Hence it is clear that in speech likewise there are two distinct arts, one of making and one of using.

I think you give sufficient proof, I said, that this art of the speech-writers cannot be that whose acquisition would make one happy. And yet I fancied that somewhere about this point would appear the knowledge which we have been seeking all this while.

[289e] For not only do these speech-writers themselves, when I am in their company, impress me as prodigiously clever, Cleinias, but their art itself seems so exalted as to be almost inspired. However, this is not surprising; for it is a part of the SORCERER'S art, epōdōn tekhnēs
Latin 289e:
kai mentoi ouden thaumaston: esti gar tēs tōn epōdōn tekhnēs morion mikrō te ekeinēs hupodeestera.

Thaumaston Is a Lying wonder which claims that your rituals are ordained by God.

-epōdē
, Ion. and poet. epa^oidē , , A.song sung to or over: hence, enchantment, spell, LADEN BURDEN
ou pros iatrou sophou thrēnein epōdas pros tomōnti pēmati
of the Magi, Hdt.1.132
  oute pharmaka..oud' au epōdaiPl.R. 426b ; thusiai kai e. ib.364b ;
charm for or against..,toutōn epōdas ouk epoiēsen patērA.Eu.649.

epōd-os , on, (epadō
A.singing to or over, using songs or charms to heal wounds, “epōdoi muthoi

b.
Subst., enchanter,e. kai goēsE.Hipp. 1038 (but “goēs e.Ba.234): c. gen., a charm for or against,ethusen hautou paida epōdon Thrēkiōn aēmatōnA.Ag.1418 ; e. tōn toioutōn one to charm away such fears, Pl.Phd.78a.
c. c. dat., assisting, profitable, 2. Pass., sung to music,phōnaiPlu.2.622d ; fit for singing,poiētikēn e. parekhein
2. epōdos, ho, verse or passage returning at intervals, in Alcaics and Sapphics, D.H.Comp.19 ; chorus, BURDED, refrain,

Pl.Lg.903b    Athenian
Let us persuade the young man by our discourse that all things are ordered systematically by Him who cares for the World—all with a view to the preservation and excellence of the Whole, whereof also each part, so far as it can, does and suffers what is proper to it. To each of these parts, down to the smallest fraction, rulers of their action and passion are appointed to bring about fulfillment even to the uttermost

Plat. Euthyd. 290a and only slightly inferior to that. The sorcerer's art is the charming of snakes and tarantulas and scorpions and other beasts and diseases, while the other is just the charming and soothing of juries, assemblies [Ekklesia or church], crowds, and so forth. Or does it strike you differently? I asked.

No, it appears to me, he replied, to be as you say.

kēl-ēsis , eōs, , *A.  bewitching, charming, ekheōn, nosōn, Pl.Euthd. 290a: enchantment by eloquence, dikastōn k. te kai paramuthia ibid.; by music and sweet sounds, Id.R.601b, Stoic.3.97.
Plat. Rep. 601b whether he speak in rhythm, meter [melos] and harmony [rhuthmon about cobbling or generalship or anything whatever. So mighty is the spell1 that these adornments naturally exercise; though when they are stripped bare of their musical coloring [metron] and taken by themselves,2 I think you know what sort of a showing these sayings of the poets make. For you, I believe, have observed them.” “I have,” he said. “Do they not,” said I, “resemble the faces of adolescents, young but not really beautiful, when the bloom of youth abandons them?3” “By all means,” he said. “Come, then,” said I, “consider this point: The creator of the phantom, the imitator, we say, knows nothing of the reality but only the appearance.

hōraios , fruits ripe for plucking or rippe for death.

THE WARNING OF JUDE.




The Jacob-Cursed Levites

Jude 3 Beloved, when I gave all diligence to write unto you of the common salvation,
        it was needful for me to write unto you, and exhort you that ye should earnestly contend f
        or the faith which was once delivered unto the saints.
Jude 4 For there are certain men crept in unawares,
        who were before of old ordained to this condemnation,
        ungodly men, turning the grace of our God into lasciviousness,
        and denying the only Lord God, and our Lord Jesus Christ.
Jude 5 I will therefore put you in remembrance, though ye once knew this,
        how that the Lord, having saved the people out of the land of Egypt, afterward destroyed them that believed not.
Jude 6 And the angels which kept not their first estate, but left their own habitation,
        he hath reserved in everlasting chains under darkness unto the judgment of the great day.
Jude 7 Even as Sodom and Gomorrha, and the cities about them in like manner,
        giving themselves over to fornication,
        and going after strange flesh, are set forth for an example, PATTERN
         suffering the vengeance of eternal fire.
Jude 8 Likewise also these filthy dreamers defile the flesh, despise dominion, and speak evil of dignities.

Jude 13 Raging waves of the sea, foaming out their own shame; wandering stars, to whom is reserved the blackness of darkness for ever.

Jude 14 And Enoch also, the seventh from Adam, prophesied of these, saying, Behold, the Lord cometh with ten thousands of his saints,

Jude 15 To execute judgment upon all, and to convince all that are ungodly among them of all their ungodly deeds which they have ungodly committed, and of all their hard speeches which ungodly sinners have spoken against him.

Jude 16 These are murmurers, complainers [blaming Fate], walking after their own lusts; and their mouth speaketh great swelling words, having mens persons in admiration because of advantage.

1113.  goggustes, gong-goos-tace´; from 1111; a grumbler: — murmurer.

1114.  goes, go´-ace; from goa¿w goao (to wail); properly, a wizard (as muttering spells), i.e. (by implication) an imposter: — seducer.

goês  A. sorcerer, wizard, Phoronis 2, Hdt.2.33,4.105, Pl.R. 380d, Phld.Ir.p.29 W.; g. epôidos Ludias apo chthonos E.Ba.234 , cf. Hipp.1038; prob. f.l. for boêisiHdt.7.191.

Epôidos [epaidô] I.singing to or over: as Subst. an enchanter, Eur.: c. gen. acting as a charm for or against, Aesch., Plat. 2. pass. sung or said after, morphês epôidonc alled after this form, 
II. in metre, epôidos, ho, a verse or passage returning at intervals, a chorus, burden, refrain, as in Theocr.

E.Ba.234 Euripides, BacchaePentheus

[215]  I happened to be at a distance from this land, when I heard of strange evils throughout this city, that the women have left our homes in contrived Bacchic rites, and rush about in the shadowy mountains, honoring with dances [220]  this new deity Dionysus, whoever he is. I hear that mixing-bowls stand full in the midst of their assemblies, and that they each creep off different ways into secrecy to serve the beds of men, on the pretext that they are Maenads worshipping; [225]  but they consider Aphrodite before Bacchus.

2. juggler, cheat, deinos g. kai pharmakeus kai sophistês Pl.Smp.203d ; deinonkai g. kai sophistên . . onomazôn D.18.276 ; apistos g. ponêrosId.19.109 ; magoskai g. Aeschin.3.137 : Comp. goêtoteros Ach.Tat.6.7 (s. v. l.). (Cf. Lith. žavēti 'incantare'.)

Sophis-tês , ou, ho, A.master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, meletan sophistais prosbalon Pi.I.5(4).28 , cf. Cratin.2; of musicians, sophistês . . parapaiôn chelun  sophistêiThrêiki (sc. Thamyris) E.Rh.924, cf. Ath.14.632c: with modal words added, hoi s. tônhierônmelôn

Pi.I.5(4).28 Pindar Isthmiah 5. But my heart [20] cannot taste songs without telling of the race of Aeacus. I have come with the Graces for the sons of Lampon [22] to this well-governed city. If Aegina turns her steps to the clear road of god-given deeds, then do not grudge [25] to mix for her in song a boast that is fitting recompense for toils. In heroic times, too, fine warriors gained fame, and they are celebrated with lyres and flutes in full-voiced harmonies [28] for time beyond reckoning. Heroes who are honored by the grace of Zeus provide a theme for skilled poets

Chelus  2.lyre (since Hermes made the first lyre by stretching strings on a tortoise's shell, which acted as a sounding-board), ib.25,153, Sapph.45, A.Fr.314; kath'heptatonon oreian ch. E.Alc.448 (lyr.), cf. HF683 (lyr.).

Oreios A.of or from the mountains,mountain-haunting,numphênoureiên

The Horae were among the mathematici 'learned mothers' who defined the Zodiac and the star movements marking the seasons, one translation of the word 'hora.' Another is 'hour,' and the Horae developed various means to mark time. Hence the word for time keeping, 'horology' and the French word for clock 'horlogue.'

The patriarchs became the most incensed over the sacred women of Agape. Among their symbols were the lotus, lily, and dove,

all representations of the vulva.
Among their mysteries
was ritual cunnilingus, which demands respect for female pleasure and the female body.

This aspect of the sacred feminine was among the first to be erased. The effort began early. Originally, the land of the 'Lotus Eaters' was in the Amazon territories of North Africa, then was moved further away still, to beyond the Southern Sea. Source

3. the constellation Lyra,

Magos  3.enchanter, wizard, esp. in bad sense, impostor, charlatan

Pharmak-eus    gnêsioi sophistaikai

Pharmakos sorcerer, Magician

Rev. 18:22 And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee;
Rev. 18:23 And the light of a candle shall shine no more at all in thee; and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived.
Rev. 18:24 And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth. 

Rev. 21:8 But the fearful, and unbelieving, and the abominable, and murderers, and whoremongers, and sorcerers, and idolaters, and all liars, shall have their part in the lake which burneth with fire and brimstone: which is the second death.

goêt-euô ,
A. bewitch, beguile, Pl.Grg.483e, etc.:--Pass., Id.R.412e, 413b, D.19.102, etc.; fascinate, as a snake, Plot.4.4.40.
2. abs., play the wizard, D.L.8.59

Jude 17 But, beloved, remember ye the words 
        which were spoken before of the apostles of our Lord Jesus Christ;
Jude 18 How that they told you there should be mockers in the last time,
        who should walk after their own ungodly lusts.
Jude 19 These be they who separate themselves, sensual, having not the Spirit.

Enoch 7: 10 Then they took wives, each choosing for himself; whom they began to approach, and with whom they cohabited; teaching them sorcery, incantations, and the dividing of roots and trees.

Epaeidô , contr. Att. epaidô , fut. A. -aisomai Ar.Ec.1153 , etc.; -aisô Ach.Tat.2.7 :--sing to or in accompaniment, Magos  2.sing as an incantation,  charms or incantations,Pl.Tht.157c; epaeidôn by means of charms,

Euripides, Electra. Set your step to the dance, my dear, [860]  like a fawn leaping high up to heaven with joy. Your brother is victorious and has accomplished the wearing of a crown . . . beside the streams of Alpheus. Come sing [865]  a glorious victory ode, to my dance.

Magos 3.enchanter, wizard, esp. in bad sense, impostor, charlatan, Heraclit.14, S.OT387, E.Or.1498 (lyr.), Pl.R.572e, Act.Ap.13.6, Vett. Val.74.17

Enoch 7: 11 And the women conceiving brought forth giants, (7) Enoch 7: 15 Then the earth reproved the unrighteous.

Enoch 8:1 Moreover Azazyel taught men to make swords, knives, shields, breastplates, the fabrication of mirrors, and the workmanship of bracelets and ornaments, the use of paint, the beautifying of the eyebrows, the use of stones of every valuable and select kind, and all sorts of dyes, so that the world became altered.

Enoch 8:2 colouring tinctures. And there arose much godlessness, and they committed fornication, and they

Enoch 8:3 were led astray, and became corrupt in all their ways. Semjaza taught enchantments, and root-cuttings, 'Armaros the resolving of enchantments, Baraqijal (taught) astrology, Kokabel the constellations, Ezeqeel the knowledge of the clouds, Araqiel the signs of the earth, Shamsiel the signs of the sun, and Sariel the course of the moon. And as men perished, they cried, and their cry went up to heaven.

"Jubal, who was born of the same mother with him, exercised himself in music; (7) and invented the psaltery and the harp. But Tubal, one of his children by the other wife, exceeded all men in strength, and was very expert and famous in martial performances. He procured what tended to the pleasures of the body by that method; and first of all invented the art of making brass. Lamech was also the father of a daughter, whose name was Naamah. And because he was so skillful in matters of divine revelation, that he knew he was to be punished for Cain's murder of his brother, he made that known to his wives.

"Nay, even while Adam was alive, it came to pass that the posterity of Cain became exceeding wicked, every one successively dying, one after another, more wicked than the former. They were intolerable in war, and vehement in robberies; and if any one were slow to murder people, yet was he bold in his profligate behavior, in acting unjustly, and doing injuries for gain. Josephus

"In pagan traditions, musical instruments are invented by gods or demi-gods, such as titans (Seitans). In the Bible, credit is assigned to antediluvian patriarchs, for example, the descendants of Cain in Genesis 4:21. There is no other biblical tradition about the invention of musical instruments." (Freedman, David Noel, Bible Review, Summer 1985, p. 51). (Proof Here).

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