Huldah was not a Prophet inspired by God to define the
new REST or New Creation as the Church both inclusively and
exclusively
WHY HULDAH AS THE ONLY ONE WITH A COPY OF THE "BOOK OF THE LAW"
AND "THE BOOK OF THE COVENANT" is called a "prophetesses" or A
Teacher of the Written The Book of The Law which governed Civil
Society and The Book of the Covenant which governed the
Abrahamic or faithful Israelites.
First, a female "Prophesier" claimed, like the Mad Women
of Corinth, that her "out of her mind" state was proof that the
gods wanted you to pay her money for false teaching and a sexual
experience still taught as pert of our SALVATION.
Second, when a godly king "stumbled across" the historic
documents, Huldah told Him about the JUDGMENT which has brought
the nation back to burning Goats and Infants after Hezekiah has
cleansed the temple and burned down all of the pagan "church
houses."
Why RULERS still hide away THE BOOK OF THE COVENANT (Abrahamic)
and the PROPHETS.
Acts
13:27 For they that dwell at Jerusalem,
and their RULERS,
because
they knew him not,
nor yet
the voices of the prophets
which are
read every sabbath day,
they have
fulfilled them in condemning him
Acts 15:21 For Moses of old
time hath in every city them
that preach him, being read
in the synagogues every sabbath day.
Luke 4:16 And he came to
Nazareth, where he had been brought up:
and, as his
custom was,
he went
into the synagogue on the sabbath day,
and stood up for to READ.
Acts 13:15 And after the READING of the law
and the prophets the rulers of the
synagogue sent unto them, saying,
Ye men and
brethren, if ye have any word of
exhortation for the people, say on.
Whatever Huldah did under the curse of the Monarchy,
Augustine had read his bible
50.
From this, therefore, let them understand that the
matter is not left obscure or doubtful even to the slowest
and dullest minds: from this, I say, let these
perverse applauders of Christ and execrators of the
Christian religion understand that the disciples of
Christ have learned and taught, in opposition to their
gods, precisely what the doctrine of Christ contains.
For the God of Israel is found to have
enjoined in the books of the prophets that all
these objects which those men are minded to worship
should be held in abomination and be destroyed,
while He Himself is now named the God of the whole earth,
through the instrumentality of Christ and the Church
of Christ, exactly as He promised so long time ago.
2 Chronicles 28 speaks of the idolatrous worship by
the Assyrians which carried "Instruments" into the holy
places. The temple was so polluted that the priests
left town. Ahaz made images and burned his children in
the fires.
2 Chronicles 29 is a plague stopping animal sacrifice. God
DID NOT command sacrifices OR the instruments. Only when the
GOATS were substituted for INFANTS did the Levites
make instrumental noise by the COMMAND OF DAVID.
2 Chronicles 33 has Manassah restoring the Demonish: the
words for singing and playing instruments proves that it was
demonism.
AS SOON AS HEZEKIAH DIED: Don't be ignorant of the context
2Chr 33:1 Manasseh was twelve years old when he began to reign,
and he reigned fifty and five years in Jerusalem:
2Chr 33:2 But did that which was evil in the
sight of the LORD,
like unto the
abominations of the heathen,
whom the LORD had cast
out before the children of Israel.
2Chr 33:3 For he built again [con-verto ] the high
places which Hezekiah his father had broken down,
and he reared up altars
for Baalim, and made groves,
and worshipped all
the host of heaven, and served them.
Acts 7:42 Then God turned, and
gave them up to worship the host of heaven; as it is written
in the book of the prophets, O ye house of Israel, have ye
offered to me slain beasts and sacrifices by the space of
forty years in the wilderness?
Acts 7:43 Yea, ye
took up the tabernacle of Moloch, and the star of your god
Remphan,
figures which
ye made to worship them: and I
will carry you away beyond Babylon.
God had turned the Jews over to worship the
Starry Host and Apollon under various names was the SUN god or
even SATURN god.
ăd-ōro All pagan
worship intends to get something from their gods: "to
speak to one in order to obtain something of him; “Junonis
prece
numen
“Auctoremque
viae
Phoebum
[Apollon] taciturnus
adorat,
Janus
adorandus
Of adulation to the
rabble, to pay court to
When used of the True God: He does not live in houses
built by human hands nor by the works of human hands.
"Altars for Baalim"
- The SUN and MOON. And made groves, twr�a Asheroth,
Astarte, VENUS; the host
of heaven,
all the PLANETS and STARS.
Stephen says that because of musical idolatry God turned them
over to worship the starry host: Therefore, when people use the
sacrificial system as a PATTERN that means that God hasabandoned
you.
2Chr 33:4 Also he built altars IN the house of the LORD,
whereof the LORD had said,
In Jerusalem shall my
name be for ever.
2Chr 33:5 And he built altars for all
the HOST OF HEAVEN in the two
courts of the house of the LORD.
2Chr 33:6 And he caused his children to pass
through the fire in the valley of the son of Hinnom:
also he observed times,
and used enchantments, and used witchcraft,
and dealt with a
familiar spirit, and with wizards: he wrought much
evil in the sight of the LORD,
to provoke him to
anger.
ignis , Charis A.
(Mostly poet.) The fire or glow of passion,
in a good or bad sense; of anger, rage, fury:
“exarsere ignes animo,” Verg. A. 2, 575:
“saevos irarum concipit ignes,” Val. Fl. 1, 748
“quae simul aethereos animo conceperat ignes, ore dabat pleno carmina vera dei,” “(Dido) caeco carpitur igni,” the secret fire
of love, Verg. A. 4, 2
ars ,
artis, f. v. arma,
(a). Rhetorical : “quam multa non solum praecepta in artibus, sed etiam exempla in orationibus bene dicendi reliquerunt!” Cic. Fin. 4, 3, 5:
“ipsae rhetorum artes, quae sunt totae forenses atque populares,” id. ib. 3, 1, 4: neque eo dico,
quod ejus (Hermagorae) ars mihi mendosissime scripta
videatur; nam satis in eā videtur ex antiquis artibus (from
the ancient works on rhetoric) ingeniose et diligenter
electas res collocāsse, id. Inv. 1, 6 fin.:
“illi verbis et artibus aluerunt naturae principia, hi autem institutis et legibus,” id. Rep. 3, 4, 7:
“artem scindens Theodori,” Juv. 7, 177.—
MAGUS Incantations carmen 1.
In gen., a tune, song, air, lay,
strain, note, sound, both vocal and instrumental
sc. Apollinem [Apollo, Abaddon]
concordant carmina nervis, “barbaricum, “citharae
liquidum
carmen,
“barbaricum,”
id. M. 11, 163.—With
allusion to playing on the cithara
Augŭrātrix , īcis, f.
id.,I. a female soothsayer or diviner
(post-class.), Vulg. Isa. 57, 3
(as transl. of the Heb. ; but in Paul. ex Fest.
p. 117, the correct reading is argutatrix;
v. Müll. ad h. l.).
augurium salutis, an augury instituted in time of peace,
for the inquiry whether one could supplicate the Deity for
the prosperity of the state
C. The art of the augur, augury:
“cui laetus Apollo Augurium citharamque dabat,” Verg. A. 12, 394
(v. Apollo and augur): “Rex idero et regi Turno gratissimus augur,” id.
ib. 9, 327; Flor. 1, 5, 2.
The
Art used by Apollo (Abaddon, Apollon) was the
cĭthăra , ae, f. kithara, I. the cithara,
cithern, guitar, or lute
Molech . . . Chiun--"Molech" means "king" answering to Mars [BENGEL]; the Sun [JABLONSKI]; Saturn, the same as "Chiun" [MAURER].
The Septuagint translates "Chiun" into Remphan, as Stephen quotes it (Ac
7:42,43). The same god often had different names.
Molech is the Ammonite name; Chiun, the Arabic and Persian
name, written also Chevan. In an Arabic lexicon Chiun means "austere"; so
astrologers represented Saturn as a planet baleful in his
influence. Hence the Phoenicians offered human sacrifices to him, children especially;
so idolatrous
Israel also.
Rimmon was the Syrian name
(2Ki 5:18); pronounced as Remvan, or "Remphan," just as Chiun was also Chevan. Molech had the form of a king; Chevan, or Chiun, of a star [GROTIUS]. Remphan was the Egyptian
name for Saturn: hence the Septuagint translator of Amos gave the
Egyptian name for the Hebrew, being an Egyptian. [HODIUS II, De Bibliorum Textibus
Originalibus. 4.115].
"Moloch
was represented under the figure of a man with the head of
a calf erected upon an immense oven, which [see Note 1
below] [page 54] was lighted to consume at once the seven
kinds of offerings. During this holocaust,
the priests of Moloch kept up a terrible music, with sistrums and tambours, in
order to stifle the cries of the victims. Then
took place that infamy cursed by the God of Israel: the Molochites
abandoned themselves to practices worthy of the land of
Onan (masturbation] and, inspired by the rhythmic
sound of the musical instruments, writhed
about the incandescent statue, which appeared red thru the
smoke; and they gave forth frenzied cries as, in
accordance with the Biblical expression, they gave
their seed to Moloch." ("History of Prostitution,"
by Paul LaCroix, French author and historian; 1806-84)
Note 1: At the time referred to by Flaubert, Carthage was
under siege from unpaid Barbarians enlisted by Carthage in its war with
Rome, as mercenaries, and they were out of funds, water.
etc. at the time.
"First, Moloch,
horrid King, besmeared with blood
Of human sacrifice, and parents' tears;
Though, for the noise of drums and timbrels loud,
Their children's cries unheard that passed through fire
To his grim idol. Him the Ammonite
Worshiped in Rabba and her watery plain,
In Argob and in Basan, to the stream
Of utmost Arnon.
Nor content with such
Audacious neighbourhood, the wisest heart
Of Solomon he led by fraud to build
His temple right against the temple of God
On that opprobrious hill, and made his grove
The pleasant valley of Hinnom, Tophet thence
And black Gehenna called, the type of Hell."
- Paradise Lost, i. 391-405
King
Solomon was a great purveyor of the existence of Moloch.
He even erected a temple for worship on a hill overlooking
Jerusalem. A typical worship session, at any one of
hundreds of sites throughout the middle east, would
include copious amounts of food and drink. There would
be singing and dancing.All the while
the hordes would be dancing around the
statue singing, playing flutes and tambourines to drown out
the screams of the dying child. (“History of
Prostitution,” by Paul LaCroix, French author and
historian; 1806-84) Discussion Forum
THE STORY OF HULDAH: LIBRARIAN WHO READ THE CURSES.
2 Chron 34:1 JOSIAH was eight years old
when he began to reign, and he reigned in Jerusalem one and
thirty years.
2 Chron 34:2 And he did that which was right
in the sight of the Lord,
and
walked in the ways of David his father,
and
declined neither to the right hand, nor to the left.
2 Chron 34:3 For in the eighth year of his
reign, while he was yet young,
he
began to seek after the God of David his father:
and
in the twelfth year he began to purge
Judah and Jerusalem from the high places,
and
the groves, and the carved images, and the
molten images.
g842. asherah, from 833; happy; Asherah (or Astarte)
a Phoenician goddess; also an image of the same:—grove.
Compare 6253.
g6253. Ashtoreth, ash-toЂreth; probably for 6251; Ashtoreth,
the Phoenician goddess of love (and increase):—Ashtoreth.
|
The
original bread of life.
Hebrew and Canaanite women molded loaves
of this figure which were blessed and
ritually eaten, the precursor of the
communion wafer (sun god image). Her
idols were found under every green tree,
were carved from living trees, or erected
as poles or pillars
beside roadside altars. Crude clay images
of her as tree
of life
later evolved into the more refined Syrian
Artemis.
Ancient sexual rites (dismissed to this
day by male scholars as cult prostitution)
associated with worship of Asherah insured
that matrilineal descent patterns, with
their partnership
rather than dominator
values, would continue. Hebrew priestly
iconoclasts finally uprooted Asherah,
supplanting matrifocal culture with
patriarchy.
Then
he brought me to the door of the gate of
the Lords house which was toward the
north; and, behold, there sat women weeping for
Tammuz.
Ezekiel 8:14
Then
said he unto me, Hast thou seen this, O son of
man? turn thee yet again, and thou shalt see
greater abominations than these. Ezekiel 8:15
And he
brought me into the inner court of the
Lords house, and, behold, at the door of
the temple of the Lord, between the porch
and the altar, were about five and twenty
men, with their backs toward the temple of
the Lord, and their faces toward the east;
and they worshipped
the sun
toward the east. Ezekiel 8:16
Sara
Barton: my pastoral impulse
this week is to proclaim the message
of the Song of Songs. And here’s
why: We desperately need public, communal
language about sex, and
we have an oft-overlooked resource in
the Bible.
Song
of Songs is unique in several ways, one of
which is the fact that it’s the only place
in Scripture where
a woman’s voice leads the conversation
(the woman speaks 61 of 117 verses). In
light of what we’ve heard lately, it seems
like a good time to let a wise woman speak
about sexual activity that’s right and good,
a woman who not
only speaks but sings and shouts about
intimate, sensual, erotic passion. And in all her
talk about kissing, touching, tasting, and
smelling, she does not offend with crass or
vulgar language. She exemplifies how it’s
possible to speak about sex and intimacy
appropriately. We might do well to let
her teach us a thing or two.
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THE ABRAHAMIC COVENANT AND THE BOOK OF THE LAW WERE IN THE
ARK OF THE COVENANT. When God abandoned the Jews we
know from Amos, Stephen and others that the "gods" they
worshipped was not the I AM the Lord God of Abraham.
2 Chron 34:14 And when they brought out the
money that was brought into the house of the Lord,
Hilkiah
the priest found a book of the law of the Lord
given by Moses.
and Abdon the son of Micah, and
Shaphan the scribe,
and
Asaiah a servant of the kings, saying,
THE BOOK OF THE LAW WAS
ADDED BECAUSE OF INSTRUMENTAL-TRINITARIAN-PERVERTED
IDOLATRY
God
turned the Civil-Military-Clergy
over to Worship the Starry host.
2 Chron 34:21 Go, enquire of the Lord for me,
and
for them that are left in Israel and in Judah,
concerning
the words of the book that is found:
for great is the wrath of the Lord that is
poured out upon us,
because our fathers
have not kept the WORD of the
Lord,
to do after ALL THAT IS WRITTEN IN THIS BOOK
2 Chron 34:22 And Hilkiah, and they that
the king had appointed,
went
to Huldah the prophetess, [neviyah]
the wife of Shallum the son of
Tikvath, the son of Hasrah,
keeper
of the wardrobe; (now she dwelt in Jerusalem in the
college;)
and
they spake to her to that effect.
Huldah was a Prophetess in the sense of reading,
understanding and teaching the Sinai Documents: she was never
a preacher in a synagogue.
Huldah was NOT a prophetess in the Miriam or Jacob-cursed and
God-abandoned Levite sense:
prŏphēta
and
prŏphētes
, ae, m., =
prophētēs,
I. a foreteller,
soothsayer,
prophet (post-class.; cf. “
vates):
prophetas
in
Adrasto
Julius
nominat
antistites
fanorum
oraculorumque
interpretes,”
Fest. p. 229 Müll. (Trag.
Rel. p. 194 Rib.): “
prophetae
quidam,
deorum
majestate
completi,
effantur
ceteris,
quae
divino
beneficio
soli
vident,
App.
de
Mundo,
p.
56, 29: sacerdotes
Aegyptiorum,
quos
prophetas
vocant,”
Macr. S. 7, 13, 9: “
Aegyptius,
propheta
primarius,”
PHRASE: Aegyptius, propheta primarius
1. Aegyptius,
2. Prophetai
3. Primarius I.
one of the first, of the first rank, chief, principal,
excellent, remarkable,
primarius parasitus,
părăsītus
, i, m., = parasitos,
lit. one who eats with another; hence, parasitus Phoebi, a
player, actor, one who, by flattery and
buffoonery, manages to live at another's expense, a
sponger, toad-eater, parasite
The prophet Hulda gets a scant 9 lines in the Bible, and in
them we learn more about her husband than we do about her.
2Kings 22:14 So Hilkiah the
priest, and Ahikam, and Achbor, and Shaphan, and Asahiah,
went unto Huldah the prophetess, the wife of Shallum the son
of Tikvah, the son of Harhas, keeper of the wardrobe; (now
she dwelt in Jerusalem in the college;) and they communed
with her.
H4932 mishneh mish-neh' From
H8138 ; properly a repetition, that is, a duplicate
(copy of a document), or a double (in amount); by
implication a second (in order, rank, age, quality
or location):—college, copy, double, fatlings, next,
second (order), twice as much.
She was near, for she dwelt at Jerusalem, in a place called Mishneh,
the second rank of buildings from the royal palace.”Commentary on the
Whole Bible Volume II (Joshua to Esther)
II Kings 22: 14 has Huldah “living in Jerusalem in the Mishneh,”
which the Aramaic Targum renders as “study hall,” i.e.,
academy, a place of Torah.”Huldah, the
Prophet: Midrash and Aggadah.
"Mishneh
Torah" ("The Second Law") is the
name used in the Bible itself to designate the book of
Deuteronomy, which is a kind summary or review of the rest
of the Torah. Maimonides' Mishneh Torah was intended
to be a summary of the entire body of Jewish religious law.
The Mishneh Torah is sometimes referred
to as the Yad Ha-Hazaqah, "the mighty arm." This
is a play on the numerological value of the Hebrew word
for arm, "yad," which is 14, equal to the number of
volumes in this code.
2 Chron 34:23 And she answered them, Thus
saith the Lord God of Israel,
Tell ye the man that sent you
to me,
2 Chron 34:24 Thus saith the Lord, Behold,
I
will bring evil upon this place, and upon the inhabitants
thereof,
even all the curses that are written in
the book
which they have read before the king of Judah:
THE BOOK OF THE COVENANT WAS ABRAHAMIC AND INCLUDED NOT
CLERGY:
2 Chron 34:29 Then the king sent and
gathered together all the elders of Judah
and Jerusalem.
2 Chron 34:30 And the king went up
into the house of the Lord, and all the men of Judah,
and
the inhabitants of Jerusalem, and the priests,
and the Levites, and all the people, great and
small:
and
he read in their ears all the words of the book of
the covenant that was found in the house of the Lord.
2 Chron 34:31 And the king stood
in his place, and made a covenant before the Lord,
to walk after the Lord, and to keep his commandments, and
his testimonies, and his statutes, with all
his heart, and with all his soul, to perform the words
of the covenant which are written in this book.
HULDAH DID NOT "PROHESY" ANYTHING: SHE KEPT A COPY OF THE LAW
AND COVENANT AND THE MEN WERE IGNORANT.
Jesus warned about the "prophesiers" which included singing,
playing instruments and other efforts to drive them into MANIA
where the women claimed that they could hear the "gods" only as
the Mad Women of Corinth.
Not
every one that saith
unto me, Lord, Lord,
shall enter into the kingdom of heaven; but he that
doeth the will of my Father which is in heaven.
Matthew 7:21
This practice ignored the Word and
repeated a word over and over. For instance, it has been
noted that repeating "hallelujah" is like chanting "Hey Yo!"
Jesus contrasted this with doing His will--
But when ye pray, use
not vain
repetitions, as the heathen do: for they think that they
shall be heard for their much speaking. Mt.6:7
Of vain repetitions like "Lord, Lord" or
"hallelujah, hallelujah, hallelujah, hallelujah,
hallelujah. The most common public use of halal, h1984, or
praise is to make self vile:
Many will
say to me in that day, Lord, Lord, have we not prophesied in
thy name? and in thy name have cast out devils?
and in thy name done many wonderful works?
Matthew 7:22
Prophēt-euō
one who speaks for a god and
interprets his wil
A. to
be aprophētēs
or interpreter of the gods, “manteueo,
Moisa,
prophateusō
d'
egō”
Pi. l.c.; tis
prophēteuei
theou;
who is his interpreter?E.Ion 413
IV. to be a quack doctor, hē
mania
. . prophēteusasawithoracular
power, Pl.Phdr.244d:
-Prophêtês interpreter,
expounder of the will of Zeus, of Tiresias, Pi.N.1.60;
Bakkhou
p.,
perh. of Orpheus, E.Rh.972;
[Dionusou
p.,
of the Bacchae, Id.Ba.551
Delphic Apollo, “Dios
p.
esti
Loxias
patros”
A.Eu.19;
of the minister [female] and interpreter
at Delphi, Hdt.8.36,37 Mousôn prophêtai interpreters
of the Muses, Plat.
Prophêtis [fem.
of prophêtês] of the Pythia, 2. prophet's wife, LXXIs. 8.3.
(Puthia). The priestess of Apollon at Delphi who pronounced the oracles.
See Delphi;
Oraculum.
Puthios [u_; i_ metri
gr. in h.Ap.373],
a, on, ( [Pu_thô] ) Pythian,
i.e. Delphian, epith. of Apollo, l.c., Pi.O.14.11,
etc. (P. alone is f.l. in E.
Ion 285); enPuthiou in
"Singing served as a means of inducing ecstatic
prophecy (speaking
in tongues). Thus the essential relationship
between music and prophecy can be clearly seen. This relationship also explains
why the expression for "making music" and "prophesying" was often identical in the
ancient tongues. origen contra celsum 8.67.
The Hebrew word Naba signifies not only "to prophesy" but also "to make music." (Quasten, Johannes, Music
and Worship in Pagan and Christian Antiquity, p. 39)
Dialog of Phaedrus and Socrates
notes:
- It might be so if madness were simply an evil;
- but there is also a madness which is a
divine gift,
- and the source of the
chiefest blessings granted to men.
- For prophecy is a madness,
- and the prophetess at Delphi and the priestesses at Dodona
- when out of their senses have conferred great
benefits on Hellas,
- both in public
and private life,
- but when in their
senses few or none.
And I might also tell
you how the Sibyl and other inspired persons
have given to many an one many an intimation of the future
which has saved them from falling. But it would be tedious
to speak of what every one knows.
There will be more
reason in appealing to the ancient inventors of names, who
would never have connected prophecy (mantike) which foretells the future
and is the noblest of arts,
And when the Muses came and
song appeared they were ravished with delight; and singing always, never thought of
eating and drinking, until at last in their forgetfulness they died.
and in thy name
done many wonderful works?
Matthew 7:22
Poieō
, Dor. poiweō
I4. after Hom., of Poets, compose,
write, p.
dithurambon,
epea,
Hdt.1.23, 4.14; “p.
theogoniēn
Hellēsi”
Id.2.53; p.
Phaidran,
Saturous,
Ar.Th.153,
157; p.
kōmōdian,
tragōdian,
etc., Pl.Smp.223d;
“palinōdian”
Isoc.10.64,
Pl.Phdr.243b,
etc.; “poiēmata”
Id.Phd.60d:
abs., write poetry, write as a poet,
c. describe in verse, epoiēsa
muthous
tous
Aisōpou
put them into verse, Id.Phd. 61b;
“muthon
And then
will I profess unto them, I never knew
you: depart from me, ye that work iniquity.
Matthew 7:23
Matt. 10:32 Whosoever
therefore shall confess me before men,
him will I confess
also before my Father which is in heaven.
Matt. 10:33 But whosoever shall deny
me before men,
him will I also
deny before my Father which is in heaven.
Luke 7:30 But the Pharisees and lawyers rejected
the counsel of God against themselves,
being not baptized
of him
John 12:42 Nevertheless among the chief rulers also many
believed on him;
but because of the
Pharisees they did not confess him,
lest they should be
put out of the synagogue:
Working iniquity by the
musical prophesiers includes their poetry and songs:
Ergazomai
produces an effect,
II. trans., work at, make,
agalmata,
humnous,
Pi.N.5.1,I.2.46 ;
Agalma
2. pleasing
gift, esp. for the gods, “a.
theōn”
Od.8.509, of a
bull adorned for sacrifice generally, = anathēma,
To the Graces and Apollyon, Abaddon “Kharēs
eimi
. . a.
tou
Apollōnos”
5. generally, image, expressed by painting
or words,
You have been anathēmatized
If you have given your body and talent to ADORN the
Church of Christ.
khairō , 3.
on other occasions, as in comforting, be of good
cheer, “khaire
aoidē”
h.Hom.9.7.
V. Astrol., of a planet, occupy the
position appropriate to another of its own hairesis,
S
kha^ra
, hē:
(khairō):—; kertomos
theou
kh.
a joy sent by some mocking god, E.Alc.1125;
Iniquity is Anom-ia
A. lawlessness, lawless conduct, opp. dikaiosunē,
2. the negation of law,opp.
nomos,D.24.152.
Dem.
24 152 and if once decisions by
vote are repealed by a new law, where will be the
end of it? Can we justly call this thing a law? Is it not
rather the negation of law? Does not such a
lawgiver merit our strongest resentment?
1 Tim 1:3 As I besought thee to
abide still at Ephesus, when I went into Macedonia,
that
thou mightest charge some that they teach no other
doctrine,
1 Tim 1:4 Neither give heed to fables and endless genealogies,
which
minister questions, rather than godly edifying which is in
faith: so do.
Timothy 1:9 Knowing this, that the law is not made for
a righteous man,
but for the lawless
and disobedient,
for the ungodly and
for sinners,
for unholy
and profane,
for murderers of
fathers and murderers of mothers,
for manslayers,
2Timothy 4:1 I charge thee therefore
before God,
and the Lord Jesus
Christ,
who shall judge the
quick and the dead at his appearing and his kingdom;
The Judgment will be based on the Prophets and Apostles
which Christ taught as that which MUST be taught and
commanded. Jesus did not command rhetoricians, singers or
instrument players. Jesus called them Hypocrites by pointing
to Ezekiel 33.
John 12:48 He that rejecteth me,
and receiveth not my words,
hath one that judgeth
him:
the word that I
have spoken,
the same shall judge
him in the last day
PROPHESYING BEYOND THE WRITING PROPHETS
CONDEMNED BY THE GENDER POLICE.
Performing the Book: The Recital of
Epic in First-Century C.E. Rome
Donka D. MarkusClassical Antiquity
The distinction between
the serious and the popular recitation
of poetry was expressed by
the terms recitare and cantare. Cantare is the technical term for the performance of a
poetic work on the stage. The distinction between recitare and cantare can be
inferred from Servius' comment on Eclogue 6.11:
A recital/reading is debased when it takes on the features
of a performance.
Horace uses cantare in a derogatory sense for a mimetic, grotesque, distorted and inappropriate style of performance when he satirizes a
character's recitals of Calvus and Catullus: quos neque
pulcher Hermogenes umquam legit neque simius iste nil
praeter Calvum et doctus cantare Catullum. (Sat. 1.10.17--19)
XXII. [What they attribute
to sermons only, and what we to reading also.]
15 12.
Enders (1997) 253--78. Such gendering of
aesthetic categories prevails not only in antiquity but
appears also in Kant's distinction between the passive feminine beautiful and the active masculine sublime
and in Rousseau's association of art
and the theater with the feminine. I have in mind Kant's "The Beautiful
and the Sublime"
15. In the context of declamation as
a school exercise, cantare is also a negative
term;
Cantare does not lose its more dignified association
with the prophesying
sacerdos (OLD 7c),
as used by Horace in Carmina 3.1.4 (virginibus puerisque canto).
Hor.
Od. 3.1
Bid the unhallow'd crowd avaunt!
Keep holy silence; strains unknown
Till now, the Muses' hierophant,
I sing to youths and maids alone.
Kings o'er their flocks the sceptre wield;
Hor.
Od. 3.1
Odi profanum volgus et arceo.
favete linguis: carmina non prius
audita Musarum sacerdos
virginibus puerisque canto.
sacerdos:
cf. Vergil's
pii
vates
and
Musae
quarum
sacra
fero
(G. 2.475); Milt., 'Smit with the love of
Sacred
Song'; Ov. Am. 3.8.23,
ille
ego
Musarum
purus
Phoebique
sacerdos;
Phoebus
, i, m., = Phoibos
(the radiant), I. a poetical appellation of
Apollo as the god of light: “quae
mihi
Phoebus
Apollo
Praedixit,”
for the sun:
Phœbean, Apollinean: “carmina,”
Lucr. 2, 504:
“lampas,”
the sun, “Rhodos,”
where the worship of Apollo prevailed, id. M. 7, 365:
“lyra,”
id. H. 16, 180:
“sortes,”
oracle,
C. Phoebas
, ădis, f., a priestess of Apollo; hence the
inspired one, the prophetess,
Cantus
,
2.
With
instruments,
a playing,
music:
“
in
nervorum
vocumque
cantibus,”
Cic. Tusc. 1, 2, 4;
id. Rosc. Am. 46, 134:
“
citharae,”
Hor. C. 3, 1, 20:
“
horribili
stridebat
tibia
cantu,”
Cat. 64, 264:
“
querulae
tibiae,”
Hor. C. 3, 7, 30:
“
dulcis
tibia
cantu,”
A. Prophetic or oracular song: “
veridicos
Parcae
coeperunt
edere
cantus,”
Cat. 64, 306;
cf.
Tib. 1, 8, 4.—
B.
An incantation,
charm,
magic
song, etc.: cantusque artesque magorum.
Ov. M. 7, 195;
7, 201: “
at
cantu
commotae
Erebi
de
sedibus
imis
Umbrae
ibant,”
Verg. G. 4, 471:
“
magici,”
Col. 10, 367:
“
Haemoniis
agitare
cantibus
umbras,”
Val. Fl. 6, 448:
“
amores
Cantibus
solvere,”
Tib. 1, 2, 60;
1, 2, 45;
1,
2, 53: “
cantus
e
curru
Lunam
deducere
tentat,”
id. 1, 8, 19;
4, 1, 63;
4,
4, 10;
Ov. H. 12, 167;
id. M. 4, 49.
Outside the sacred context,
however, canto has negative connotations both in regard to school declamations,
as noted by Quintilian (I.O. 11.1.56, cantare, quod
vitium pervasit), and in regard to public speeches. In
fact, according to Quintilian, both school exercises and public speeches
are equally susceptible to the flaw
of cantare:
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