Ω Instrumental Music in Worship

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Olan Hicks Instrumental Music in Worship
Olan Hicks The Law of Silence
Olan Hicks Ray Downen The Law of Silence

Olan Hicks: Non-Instrumentalists and Pharisees

David Young Minister North Boulevard Church of Christ  David claims that the Psalms command instrumental Music. He further uses the "awakenings" as the thesis for a new beginning to build 60,000 churches.  From Genesis to Revelation this noise in the name of the SPIRIT is proven to be by the spirit of Demons. As a result of these manipulated mental derangements, people go away unchanged and so shamed by their being so duped that they commit suicide.

THE GOD AND MUSICAL WORSHIP LEADER HAS A NAME FROM THE LEVITE'S SERVICE ONWARD.

APOLLO, ABADDON, APOLLYON IS THE LEADERS OF THE MUSICIANS.

Mousagetēs 1 doric for Mousēgetēs leader of the Muses, Lat. Musagetes, of Apollo, Plat.

Strabo Geography [-10.3.10] And on this account Plato, and even before his time
        the
Pythagoreians, called philosophy music 

andthey say that the universe is constituted in accordance with harmony,
assuming that every form of music is the work of the gods.
And in this sense, also, the
Muses are goddesses,
and
Apollo is leader of the Muses,
and
poetry as a whole is laudatory of the gods.

And by the same course of reasoning they also attribute to music the upbuilding of morals, believing that everything which tends to correct the mind is close to the gods.

Now most of the Greeks assigned to Dionysus, Apollo, Hecate, the Muses (9 women team), and above all to Demeter, everything of an orgiastic or Bacchic or choral nature, as well as the mystic element in initiations; and they give the name "Iacchus" not only to Dionysus but also to the leader-in-chief of the mysteries, who is the genius of Demeter.

Now most of the Greeks assigned to Dionysus, Apollo, Hecate, the Muses (9 women team), and above all to Demeter, everything of an orgiastic or Bacchic or choral nature, as well as the mystic element in initiations; and they give the name "Iacchus" not only to Dionysus but also to the leader-in-chief of the mysteries, who is the genius of Demeter.

And branch-bearing, choral dancing, and initiations are common elements in the worship of these gods.

As for the Muses and Apollo the Muses (female pastors) preside over the choruses,whereas Apollo presides both over these and the rites of divination.

But all educated men, and especially the musicians, are ministers of the Muses;

and both these and those who have to do with divination are ministers of Apollo;
and the
initiated and torch-bearers and hierophants, of Demeter; and the Sileni and Satyri and Bacchae, and also the Lenae and Thyiae and Mimallones and Naďdes and Nymphae and the beings called Tityri, of Dionysus.
[10.3.11] In Crete, not only these rites, but in particular those sacred to Zeus, were performed

along with orgiastic worship and
with the
kind of ministers who were in the service of Dionysus, (Coroi, youth) mean the Satyri (Gender-bent musical Pan types).

Strabo 14.2.[26] Alabanda is also situated at the foot of hills, two hills that are joined together in such a way that they present the appearance of an ass laden with panniers. And indeed Apollonius Malacus, in ridiculing the city both in regard to this and in regard to the large number of scorpions there, said that it was an "ass laden with panniers of scorpions." Both this city and Mylasa are full of these creatures, and so is the whole of the mountainous country between them. Alabanda is a city of people who live in luxury and debauchery, containing many girls who play the harp.

Plato Protagoras: Socrates [347d] such is their lack of education--put a premium on flute-girls by hiring the extraneous voice of the flute at a high price, and carry on their intercourse by means of its utterance.

But where the party consists of thorough gentlemen who have had a proper education, you will see neither flute-girls [aulętridas] nor dancing-girls [orchęstridas] nor harp-girls,

but only the company contenting themselves with their own conversation, and none of these fooleries and frolics--each speaking and listening decently in his turn,

Pi.P.6.9 Listen! for we are again ploughing the field of dark-eyed Aphrodite, or of the Graces, as we approach the sacred navel of the loud-roaring land; [5] where, for the prosperous Emmenids and Acragas on the river, and especially for Xenocrates, a Pythian victor's treasure-house of songs has been built and is ready in the glen of Apollo, rich in gold.

Robert Ballard and the NACC: and to refuse to permit that which God Himslef has (P93) SAID TO USE. To forbid their use, where God has  SAID TO USE THEM, as in Eph. 5:19 and Col. 3:16 is flagrant sin (Rev 22:18:19)

Tom Moulder Heritage Church of Christ Traditionalism

Johnny Miles Heritage Church of Christ Authority for Instrumental Music

George Cunningham Heritage Church of Christ Colossians Justifies Instruments

Anathema and Musical Worship

Heritage Church of Christ and Instrumental Music.

Jim Hackney Instrumental Musiic in Worship

REVISED 7.15.13
  North American Christian Convention BONDS with Pepperdine University I have posted some of the MULTITUDE of passages which condemns Instrumental Music (God calls it noise) in a spiritual sense: that it because musical idolatry at Mount Sinai was the MARK that the WORLD (for which Jesus does not pray) will listen to performance preachers, singers and instrument players because they know that no one intends to obey the Word of God.  Nothing could be more insulting to Jesus Christ when He comes to be our only Teacher and we greet Him with making noise while He teaches.

Those who use Instruments in the "worship services" are founded on the Law of the Civil-Military-Clergy complex.  These were imposed as parasites when Israel rose up in musical idolatry at Mount Sinai.  Instrumental prophesying is called "soothsaying" or "sorcery" as exorcism in their abandonment to worship the starry host.

Those refuse to use instruments in A School of Christ build the church on the foundation of the Prophets and Apostles.  Christ in the prophets denounces all hypocritic arts as proof that people had no interest in the Word of God.


Instrumental Music In Worship
The Mark of the Beast
It is absolutely certain that the BEAST is a parable word to fool the merchant class. Disciples of Christ will have the urge to define words. They will find out that the beast is not a serpent or other kind of beast but a musical enchanter(ess). 

The FATAL BITE or mark is that all musical terms and names of instruments point directy to soothsaying (Miriam and the Levites) or Sorcery (the speakers, singers and instrument players in Revelation 18)

John T. Willis 2. "Sing" is vocal; "make melody" is instrumental. Psalms 33:2-3; 144:9; 149:1, 3 make this crystal clear. Amos 5:23 further verifies this reality.  People forget that God turned Israel over to worship the starry host because of musical idolatry at Mount Sinai. The Levites were under the KING and the COMMANDERS of the army: they made war and not worship. We will examine these passages in context.

Many of David's Psalms are not for "singing" just to being doing an ACT.  They are describes as teaching Psalms:  there is no true meter in Hebrew poetry it is free as prosody accented to make it impossible to change the meaning of the text even by the tone of the voice.

3.11.11
Logos versus Mythos: Word versus Music Logos (modern) is rational of the word and STRAIGHT: Mythos and Sophia (postmodern) are irrational and Gender-Confused. Mythos Nomoi (traditional law)
(a) Eros is approved, and its excesses condoned, when directed towards superior youths approaching manhood.
(b) It appears to be condemned, in so far as parents forbid their boys to hold converse with “erastae.” The explanation of this ambiguous attitude must be sought in the principle laid down above, that the moral quality of an act depends upon the conditions of its performance.
GRACE is Kharizo 2. gratify or indulge a humour or passion, 3. in erotic sense, grant favours to a man,
give up as a favour by dropping a law aimed at him,
Those who willingly infiltrate and impose musical instruments into a peaceable church justify the deliberate sowing of discord based on false teachings of all of the "instrument" passages also preach that GRACE will cover them.

Grace Centered Magazine:  3.06.11.
This forum has a Church of Christ thread dedicated to abusing those who do not deliberately reject the clear teaching of the Word and recorded history. A common lie is that the Church Fathers had nothing bad to say about the use of instruments based on Scripture. We have refuted that to prove that NO ONE used instruments in the churches but refute the Jews who did because they had been abandoned to Canaanite Baalism or the worship of the starry host.

See Jay Guin Review for the list of New Wineskins papers.

Rev 6.02.07 1934  2.18.2611 9.08.08 14727  1.25.13 37182

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