The BEAST from the EARTH
exerciseth all the POWER
of the first BEAST
before him,
and causeth the
earth and them which dwell therein
to worship the first BEAST,
whose deadly wound was healed. Rev. 13:12
CONTRARY AND ANTITHETICAL to the
worship of God, THE WORSHIP OF THE BEAST is--
Thera^p-euō
II.
do service to the gods,
athanatous,
theous th., Hes.Op.135, Hdt.2.37, X.Mem.1.4.13,
etc.; “daimona” Pi.P.3.109;
Dionuson, Mousas, E.Ba.82 (lyr.), IT1105(lyr.); th. Phoibou
[“Apollon”] naous serve
them, Id.Ion111 (anap.):
abs., worship, Lys.6.51;
do service or honour
to one's parents, E.Ion183 (lyr.), Pl.R.467a,
Men.91a;
serve, wait upon a master, Id.Euthphr.13d,
cf. Ar.Eq.59,
1261,
etc.; th. tas thēkas reverence
men's graves, Pl.R.469a.
APOLLYON-
Phoebus , i, m., = Phoibos (the
radiant), I. a poetical
appellation of Apollon as the god of light:
“quae mihi Phoebus Apollon, Val. Fl. 1, 228: “Circe,” [CHURCH
AS WORSHIP CENTER] daughter of Sol, Petr. 135.—
Phoebus , i, m., = Phoibos
(the radiant), I.a poetical appellation of
Apollo as the god of light: “quae
mihi
Phoebus
Apollo,
Val.
Fl. 1, 228: “Circe,”
daughter of Sol, Petr. 135.—
B. Phoe-bēus
, a, um, adj.,
Phœbean, Apollinean: “
carmina,”
Lucr. 2, 504:
“
lampas,”
the sun,
Verg. A. 4, 6:
“
virgo,”
Daphne,
Ov. P.
2, 2, 82: “
laurus,”
id. Tr.
4, 2, 51: “
Rhodos,”
where the worship of Apollo prevailed,
id. M. 7,
365: “
lyra,”
id. H.
16, 180: “
sortes,”
oracle,
id. M. 3,
130: “
tripodes,”
id. A. A.
3, 789: “
Phoebeā
morbos
pellere
arte,”
id. F.
3, 827.—
Gordon Ferguson Forced to Take the Mark
and Lie about Holy Scripture
While "scholars" gain fame and fortune in
religionism, and write and publish learned books, lectures and
sermons, it is finally revealed that those who attempt to
TRAFFIC on the Free Water of the WORD, ARE----
2Pet. 2:1 But there were false
prophets also among the people,
even as there shall
be false teachers among you,
who privily shall
bring in damnable heresies,
even denying the
Lord that bought them, and bring upon themselves swift
destruction.
2Pet. 2:2
And many shall follow their pernicious ways;
by reason of whom the
WAY of truth shall be evil spoken of.
THAT WAY
HODOS
2.a
way of doing, speaking, etc., têsd'aph'hodoudizêsios Parm.1.33
, cf. 8.18 ; triphasiasallasho. logônways of
telling the story, Hdt.1.95,
cf. 2.20,22
; but triphasiasho. trepetai turns into
three forms,Id.6.119
; adikonho. ienaiTh.3.64
; ho. hêntin'iôn by what course
of action,Ar.Pl.506,
cf. Nu.75
; ênechomenho. logônId.Pax733
; miadêleipetai . . ho. Pl.Smp.184b
.
3 . method, system,
“hodō”
methodically, systematically ,Pl.R.533b,
Stoic.2.39, etc. ;
so “kath'
hodon”
Pl.R.435a
; “tēn
dia
tou
stoikheiou
ho.
ekhōn
egraphen”
Id.Tht.208b
(cf. “diexodon”
208a).
4. of the Christian Faith and its
followers, Act.Ap.9.2,
22.4, 24.14.
4. of the Christian Faith and its followers,
Act.Ap.9.2, 22.4, 24.14. (Root sed- 'go', in Skt. sad-,
ā-sad- 'come to', 'reach', OSlav. choditi
'go'.)
Plat.
Theaet. 208b Socrates Yes, but with his
opinion he has rational explanation; for
he wrote with the method in terms of letters in his
mind, and we agreed that that was rational
explanation.
There is, then, my friend, a
combination of right opinion with rational [logon] explanation,
which cannot as yet properly be called knowledge?
THE ONLY PURPOSE
Method-os , hē,
(meta,
hodos)
Pattern II. pursuit of knowledge,
investigation, Pl.Sph.218d,
235c, al.; m.
poieisthai
to pursue one's inquiry,
ib.243d; “en
tē
prōtē
m.”
Arist.Pol.1289a26:
hence, treatise, Dam.Pr.451.
2. mode of prosecuting
such inquiry, method, system, Pl.Phdr.270c,
Arist.EN1129a6,
Pol.1252a18,
etc.; “hē
dialektikē
m.”
Pl.R.533c,
2Pet. 2:3 And through covetousness
shall they with feigned words make merchandise
of you:
whose judgment now
of a long time lingereth not, and their damnation
slumbereth not.
This is anyone who fabricates sermons or songs when Jesus did
all of the expounding free of charge.
Empor-euomai, 2.
to be a merchant, traffic, Th.7.13, X.Vect.3.3,
etc.; “logoisin” Com.Adesp.269:
c. acc., trade in, “gēn” LXX Ge.34.21.
b. metaph., diaitan hēntin' emporeuetai what manner of lite
he leads, E.Fr.812.6;
e. tēn philosophian to make a trade
of it
Philosoph-ia
2. systematic, methodical treatment of a
subject, “empeiria metithi kai philosophia” Isoc.2.35; hē peri tas eridas ph. scientific treatment
of argumentation, Id.10.6; hē peri tous logous ph. the study of
oratory, Id.4.10:
pl., “hoi en tais ph. polun khronon diatripsantes” Pl.Tht.172c;
“tekhnai kai ph.” Isoc.10.67.
when an Adj. or some qualifying word is added to “hē theia ph.” Pl.Phdr.239b;
2Pet. 2:17 These are wells without water,
clouds that are
carried with a tempest;
to whom the mist of
darkness is reserved for ever.
2Pet. 2:18 For when they speak great swelling words of
vanity,
they allure through
the lusts of the flesh,
through much
wantonness,
those that were clean
escaped from them who live in error.
2Pet. 2:19 While they promise them liberty,
they themselves are
the servants of corruption:
for of whom a man is
overcome, of the same is he brought in bondage.
2Pet. 2:20 For if after they have escaped the pollutions of
the world
through the knowledge
of the Lord and Saviour Jesus Christ,
they are again
entangled therein, and overcome,
the latter end is
worse with them than the beginning.
2Pet. 2:21 For it had been better for them not to have known
the way of righteousness,
than, after they
have known it, to turn from the holy commandment delivered
unto them.
2Pet. 2:22 But it is happened unto them according to the
true proverb,
The dog is turned to
his own vomit again; and the sow that was washed to her
wallowing in the mire.
In fact, Revelation is parallel to Amos 8: when
you HEAR the self-speakers, Muses and Instrument players it is
the sound of God removing the "lamps" or the seven spirits OF
Christ.
do--In a physical sense,
anything but---
2Chr. 20:18 And
Jehoshaphat bowed his head with his face to the ground:
and all Judah and the
inhabitants of Jerusalem FELL BEFORE THE LORD
WORSHIPING THE LORD.
1Cor. 14:25 And thus are the secrets of his heart made
manifest;
and so FALLING DOWN ON HIS FACE
will WORSHIP God, and report
that God is in you of a truth.
Rev. 7:11 And all the angels stood round about the throne,
and about the elders
and the four beasts,
and FELL before the throne on
their faces,
and WORSHIPPED God,
Rev. 11:16 And the four and twenty elders, which sat
before God on their seats,
FELL UPON
THEIR FACES and WORSHIPPED God,
BRANDON SCOTT OR HIGHLAND
IS CHRISTIAN OR A CHURCH OF CHRIST
PROOF ONE: WHY
RICK ATCHLEY AND THE POST-BIBLICAL THEOLOGIANS
CANNOT BE CHRISTIANS.
John 8:26 I have many
things to say and to judge of you:
but he that
sent me is true;
and I SPEAK to the world
those things which I have HEARD
of him.
John 8:27 They understood not that he spake to them
of the Father.
John 8:28 Then said Jesus unto them,
When ye have
lifted up the Son of man,
then shall ye
know that I am he,
and that I do
nothing of myself;
but as my
Father hath TAUGHT
me,
I SPEAK these things.
GOD as masculine never taught
Jesus to SING any of His Words.
John 8:29 And he that sent me is with me:
the Father
hath not left me alone;
for I DO
always those things that PLEASE him.
John 8:30 As he spake these WORDS, many
believed on him.
John 8:31 Then said Jesus to those Jews which
believed on him,
IF ye
continue in my WORD,
THEN are ye my
disciples indeed
Brandon Scott Thomas: Our
main hope in the Highland Worship Ministry is that Jesus
would be magnified by the things we D0 and that we
could infuse our gatherings with creativity
and beauty as we honor the Living God.
John
8:38 speak that which I have seen with my Father:
and ye DO that which ye have seen with your father.
Devil Do: poiētai
4. after
Hom., of Poets, compose,
write, p.
dithurambon,
epea,
Hdt.1.23,
4.14; “p.
theogoniēn
Epos joined with
muthos,
1. song or lay accompanied by music,
8.91,17.519.
2. fiction (opp. logos,
historic truth), THE REGULATIVE PRINCIPLE
Hdt. 1.23 Periander, who
disclosed the oracle's answer to Thrasybulus, was the son
of Cypselus, and sovereign of Corinth.
The Corinthians say (and the Lesbians agree) that the most
marvellous thing [Lying Wonders] that happened to
him in his life was the landing on Taenarus of
Arion of Methymna,
brought there by a dolphin. This Arion was a lyre-player
second to none in that age; he was the first man whom we
know to compose and name the dithyramb1
which he afterwards taught at Corinth.
Devil Do: LATIN:
făcĭo , to make in
all senses, to do, perform, accomplish,
prepare, produce, bring to pass,
cause, effect, create, commit,
perpetrate, form, fashion, operor
Lying Wonder, “poëma,” to compose,
id. Pis. 29, 70:
“carmina,” Juv. 7, 28:
“versus,” id. 7, 38:
“sermonem,” Cic. Fam. 9, 8, 1;
cf. “litteram,” id. Ac. 2, 2, 6: ludos, to
celebrate, exhibit,
admirationem alicujus rei alicui,” to excite
[the Laded Burden],
Devil Do: carmen
I.a tune, song; poem, verse;
an oracular response, a prophecy; a form of
incantation (cf.: cano, cantus, and canto). note,
sound, both vocal and instrumental “also
versus,
numeri,
modi):
carmen
tuba
ista
peregit
( = sonus),”
Enn. Ann. 508 Vahl.: “carmine
vocali
clarus
citharāque
Philammon,”
Ov. M. 11, 317;
cf. “vocum,”
id. ib. 12, 157:
“per
me
(sc.
Apollinem)
concordant
carmina
nervis
“barbaricum,”
id. M. 11, 163.—With
allusion to playing on the cithara: The Moher o Harlots in
John 17 “Carminibus
Circe
socios
mutavit
Ulixi,
Devil Do: Commercium
sermonis,”
7 In
mercant. lang., to practise, exercise,
follow any trade or
profession: 8. In relig.
lang., like the Gr. rhezein, to
perform or celebrate a
religious rite; to offer sacrifice,
make an offering, to sacrifice:
Devil Do: Mousa
II. mousa,
as Appellat., music, song, “m.
stugera”
A.Eu.308
(anap.); “euphamos”
Id.Supp.695
“Kanakhan
.Clanging Brass
Theias
as
many as made them hope by divinations, Madness
caused by Ritual
worship as divine,
“Puthagoran
[Of the Cosmos, the Ecumenical, Kingdom of the Devil."
Antiluron
mousas”
S.Tr.643
(lyr.); PLAYING THE LYRE
“Aiakō
moisan
pherein”I. bear or carry a
load, A Laded Burden
The Spirit OF Christ defined the reign of Messiah both
inclusively and exclusively: first the Jewish system had to be
put down. They had a covenant with death and hell and the
Jacob-cursed and God-abandoned levites were Sorcerers with
Instruments. This was Christ's Prophet Type which needed
to be fulfilled at the end of the "6th day" of symbolic
destruction of Death and Hell which speaks of Abaddon or
Apollyon as the Prince Over the Muses or musical worship
team.
The Highland Church of Christ Staff has been courted by the NACC
as a repeating cycle of the 1890-2000 attack against those who
would not join the Organ and Society party. Paul says that
heresy or sectarianism or deliberate sowing of discord MUST
happen and the Y2K has been the most virulent and false teacher
cycle.
CHRIST DEFINED THE CHURCH OF CHRIST INCLUSIVELY AND
EXCLUSIVELY: THE UNIVERSITIES WHICH MANUFCTURE "DOCTORS OF THE
LAW" ARE PURPOSE DRIVEN TO KEEP LAMBS DUMB BEFORE THE
SLAUGHTER.
Jeremiah 15:18 Why is
my pain perpetual, and my wound incurable, which refuseth
to be healed? wilt thou be altogether unto me as a liar,
and as waters that fail?
Jer 15:16 Thy words were found,
and I did eat them; and
thy word
was unto me the joy
sermo prose
as opposed to poetry, verba inculcantes to
impress
Verba
translation
of logos,
|
Eph. 5:17
Wherefore be ye not unwise,
but understanding
what the will of the Lord is.
Eph. 5:19 Speaking to yourselves in
psalms and hymns and spiritual songs, lŏquor tone
of conversation
logos,
Vulg. Joan.
1, 1; id. 1 Joan.
5, 7; id. Apoc. 19,
13. [Opposite of poetry
or music]
|
and
rejoicing [ludo]
of mine heart:
[Cor, Corde |
singing and making
melody
in your heart to the
Lord;
|
for
I am called
by thy name,
O Lord God of hosts. |
Eph. 5:20 Giving
thanks always for all things unto God and
the Father
in the name of our Lord Jesus Christ |
Jer
15:17 I sat not
in the assembly [to
procure favor]
of the mockers, [to
play on an instrument of
music, to make or compose music
or song:]
nor rejoiced; [boast,
take glory]
|
Eph. 5:6 Let no man
deceive you with vain words:
for because of these things cometh the wrath [orgy]
of God upon the children of disobedience.
Eph. 5:7 Be not ye therefore partakers with
them.
|
I
sat alone because of thy hand:
for thou
hast filled me with indignation.
|
Eph. 5:8 For ye were
sometimes darkness, but now are ye light
in the Lord: walk as children of light:
|
Jeremiah 15:18 Why is my pain perpetual,
and my wound incurable, [plaga]
which refuseth to be healed? wilt thou be
altogether unto me as a liar,
Mendacium lie, untruth,
falsehood, a fable, fiction opposite historic
truth Poet a maker,
contriver, trickster, scenā performer
oratores versĭfĭcātor
,
and as waters that fail?
in-fĭdēlĭter
, faithlessly,
perfidiously, infidel, NOT “Christiani,
|
Eph.
5:9 (For the fruit of the Spirit
is in all goodness and righteousness
and truth;)
Ephesians 5:10 Proving [inspect, judge] what
is acceptable unto the Lord.
Ephesians 5:11 And have no fellowship [share]
with the unfruitful works [cultūra , 2.
Of religious worship]
of darkness, [tĕnē^brae
“occultare et dissimulare appetitum voluptatis,” măgus carmen [music] artes [craftsman]
but rather reprove them.
Rĕd-argŭo
to disprove, refute, confute,
contradict
Ephesians 5:12 For it is a shame turpis effeminato viro? rĕ-lĭgo
to bind to external things
even to speak of those things which
are done of them in secret. occŭlo
|
The Church of the Mockers:-Concilium Sullogue Ecclesia
Mockers -Ludo A.
To sport, play with any thing,
to practise as a pastime, amuse one's self with
any thing: erg. E. 6, 1.—Esp.,
to play on an instrument of music, to
make or compose music or song:
“ludere quae vellem calamo [flute]“quod tenerae cantent, lusit tua musa, puellae,” “carmina pastorum,” B.
To sport, dally, wanton
(cf. "amorous play, bibi, lusi, “lusisti satis, edisti satis, atque bibisti,”
-Ludus lūdĭus A stageplayer,
pantomimist: barbari,” spectator, sed actor pulsat humum,” Ov. A. A. 1, 112:
“triviales ex Circo ludios interponebat,” Suet. Aug. 74;
cf. ludio.—Ludĭus
, ĭi, m. ludus. 2. Stage-plays
“Dionysius
Corinthi
dicitur
ludum
aperuisse,”
id. Fam. 9, 18,
BRANDON SCOTT THOMAS has been a major AGENT in restoring the
MOCKING OF JESUS as the Levites did up to the Old Rugged
Cross. Fittingly, his is the ZOE GROUP.
Zoe is Eve or Venus or Lucifer who was in the garden of Eden as
the "singing and harp-playing prostitute."
Paul warned about Eve and Jesus said that truth had been hidden
from the clergy from the foundation of the World. Paul
said that Eve was WHOLLY SEDUCED in asexual sense. Cain
was OF THAT WICKED ONE and Jubal handled musical instruments
meaning in a sexual sense and without authority.
Hyppolytus Book V Satan
Worship The Naasseni:
Mystery of the "Great Mother; " See The Hypostasis of the Archons
They rashly assume in this manner, that
whatsoever things have
been said and done by all men, (may be made to harmonize) with their own particular
mental view,
alleging that ALL things become spiritual. Whence likewise they assert,
that those exhibiting
themselves
in theatres,not even these say or do anything without
premeditation.
Therefore, he says, when, on
the people assembling in the theatres, any one enters clad in a remarkable robe, carrying a harp and playing a tune (upon it, accompanying it) with a
song of the great
mysteries, he speaks as follows, not knowing what he says:
"Whether
(thou art) the race of Saturn (Satans) or happy Jupiter, or
mighty Rhea
(ZOE, Eve), Hail, Attis, gloomy mutilation of Rhea. Assyrians style
thee thrice-longed-for Adonis, and the whole of Egypt
(calls thee) Osiris, celestial horn of the moon; [The bull, Apis, at Sinai] Greeks
denominate (thee) Wisdom; Samothracians, venerable Adam; Haemonians, Corybas; and
them Phrygians (name thee) at one time Papa, at another time Corpse, or God, or Fruitless, or
Aipolos, or green Ear of Corn that has been reaped, or
whom the very fertile Amygdalus produced-a man, a musician."
This,
he says, is multiform
Attis, whom while they
celebrate in a hymn, they utter these words:
"I will hymn
Attis, son of Rhea, not with the buzzing sounds of trumpets, or of Idaean pipers, which accord with (the
voices of) the Curetes; but I will mingle (my song) with Apollo's music of harps, evoe, evan, ' inasmuch as thou art Pan, as thou art Bacchus, as thou art shepherd of
brilliant stars."
On
account of these and such like reasons, these constantly
attend the mysteries
called those of the "Great
Mother,"supposing especially that they behold by
means of the ceremonies performed there the entire
mystery. [Moved into the presence of the gods with
music]
For these have nothing more than the ceremonies that are
performed there, except that they are not emasculated:they merely complete the work of the emasculated.
For with the utmost severity and
vigilance they enjoin (on their votaries) to abstain, as if they
were emasculated, from intercourse with
a woman. The rest, however, of the proceeding
(observed in these mysteries), as we have declared at
some length, (they follow) just as (if they were)
emasculated persons.
And they do not worship any other
object but Naas, (from thence) being styled Naasseni.
But Naas is the serpent from whom, i.e., from the word Naas, (the
Naassene) says, are all that under heaven are
denominated temples (Naos). And (he
states) that to him alone-that is, Naas-is dedicated every shrine and every initiatory
rite, and every mystery;
and, in general, that a
religious ceremony could not be discovered under heaven, in which a
temple (Naos) has no existence; and in the temple
itself is Naas, from whom it has received its
denomination of temple (Naos)
Eve is mentioned only twice in the New Testament and
because Jesus spoke in parables to HIDE the truth
from the WISE (sophists=rhetoricians, singers, musicians,
actors). Moses was writing an INVERTED version of
Babylon Myths AFTER the nation fell from grace
BECAUSE of instrumental idolatry at Mount Sinai.
Therefore, those who mock Paul do not understand that Paul knew
all about Eve and scholars know nothing. While not necessarily
true, Paul understood that women especially looked to EVE
(Zoe, Mary) as THEIR Mediatrix.
The serpents, however, of the magicians-(that is,) the
gods of destruction-withstood the power of Moses in Egypt,
but the rod of Moses reduced them all to subjection and
slew them. This
universal serpent is, he says, the wise discourse of Eve. This, he says, is the mystery of Edem, this the river of Edem;
this the mark that was set upon Cain,
that any one who findeth
him might not kill him.
This, he says, is Cain, [Gen. iv. 15] whose sacrifice
[Gen. iv. 5. ] the god of this world did not accept.
Theophilus
to Autolycus
This Eve, on account of her
having been in the beginning deceived by the serpent,
and become the author of sin, the wicked demon, who
also is called Satan, who then spoke to her through
the serpent, and who works even to this day in those men
that are possessed by him, invokes as Eve.58
And he is called "demon" and "dragon," on
account of his revolting from God. For at first he
was an angel. And concerning his history there is a great
deal to be said; wherefore I at present omit the relation of
it, for I have also given an account of him in another
place.
58 Referring to
the bacchanalian orgies [WRATH]
in which " Eva " was shouted, and which the Fathers
professed to believe was an unintentional invocation
of Eve, the authoress of all sin.
The word "abomination" is also key to understanding the
context. In Hebrew, the word "to 'evah,"
(abomination) is almost invariably linked to idolatry.
In the passages from which both verses are taken, God
tells Moses to tell the people not to follow the
idolatrous practices of the people around them, people
who sacrificed their children to Molech, or who masturbated into the fire to offer
their semen to Molech,
for example. Chapter 20 starts off with the same
warning.
"To 'evah" also means "something which is ritually unclean."
But
also, concerning music, some have fabled that Apollo
[Abaddon, Apollyon] was the inventor,
and others say that Orpheus discovered the art of
music from the sweet voices of the birds. Their story is
shown to be empty and vain, for these inventors lived many
years after the flood. And what relates to Noah, who is
called by some Deucalion, has been explained by us in the
book before mentioned, and which, if you wish it, you are
at liberty to read.
Apollo, Abaddon or Apollyon is the Leaders of
the Muses who seem to have been UNLEASHED from
the PIT at the right time. As LOCUSTS their job is
to DRIVE OUT the godly members of Highland Church of Christ and
HOLD CAPTIVE those with the MARK of the BEAST (A sudden New
Style of worship music and drama)
The end time self-preachers, singers and instrument players are
called SORCERERS: this is the same word that identified the
Babylonian mother of Harlots who uses "lusted after
fruits." John said that they HAD deceived the whole world
and finally they will be cast alive into the lake of Fire.
All of the instrumental passages speak of BURNING.
THE PROPHETIC TYPE AND THE MARKS IN SIGHT AND SOUND OF GOD
FINALLY DRIVING HIS ENEMIES INTO HELL.
And his breath [SPIRIT], as rushing water in a valley, reach reach as
far as the neck, and be divided, to confound the nations for their vain error; error also shall pursue them
and overtake
them. Isaiah
30:28 LXX
Must ye always rejoice, and go into my holy places continually, as
they that keep
a feast? and
must ye go with a pipe, as those that rejoice into the mountain of
the Lord, to the God of Israel Isaiah 30:29 LXX
and the Lord shall make
his glorious
voice to be heard and the wrath of his arm, to make a display with wrath and anger and devouring flame: he shall lighten terribly, and his wrath shall be as water and violent hail. Isaiah 30:30 LXX
For by the voice of the
Lord the Assyrians [the enemy of God's
people at Jerusalem and a church near you..] shall be
overcome, even by
the
stroke where
with he shall smite them. Isaiah 30:31 LXX
And it shall happen to him
from every side, that they from whom their hope of
assistance was, in which he trusted, themselves shall war against him in turn with drums and with harp. Isaiah 30:32 LXX
For thou shalt be required
before thy time: has it been prepared
for thee also to reign? nay, God has prepared for thee a deep trench, wood piled fire and much wood: the wrath of the Lord shall be as a trench kindled with sulphur. Isaiah 30:33 LXX
OTHER LUCIFER-EVE-ZOE-VENUS PATTERNS
Isaiah 14:9 Hell
from beneath is moved for thee to meet thee at thy
coming:
it stirreth up the dead
for thee, even all the chief ones of the earth;
it hath raised up from
their thrones all the kings of the nations. [Senior pastor persons]
Isaiah 14:10 All they shall speak and say unto thee,
Art thou also become weak as we? art thou become like
unto us?
Isaiah 14:11 Thy pomp is brought down to the grave,
and the noise of
thy viols: the worm is spread under thee, and
the maggots cover
thee.
-sublīmis , B.
In partic., of language, lofty, elevated, sublime
(freq. in Quint.): “sublimia carmina,” Juv. 7, 28:
“verbum,” Quint. 8, 3, 18:
carmen , ĭnis, n. (old
form cas-men , Varr. L. L. p. 86 Bip.) [Sanscr.
çasto declaim, praise; cf.: camilla, censeo],
I. a tune,
song; poem,
verse; an oracular response,
a
prophecy; a form of incantation (cf.: cano, cantus,
and canto).
5. A magic formula,
an
incantation:
6. On account of the very ancient practice of
composing forms of religion and law in Saturnian verse,
also
a formula in religion or
law,
a
form:
“
barbaricum,”
id. M. 11, 163.—With
allusion
to playing on the cithara:
Apollinem) concordant carmina nervis,
APOLLO
and since he communicated oracles in verse, god of poetry
and music,
presiding over the Muses
-infernus
, a, um, adj. infer,
I. lower, that which lies beneath (mostly poet. and
postAug.)
superbia 2. Conceit,
vanity: “legatos,
velut
ad
ludibrium
stolidae
superbiae
in
senatum
vocatos
esse,”
Liv. 45, 3, 3.—
lūdī^brĭum , ii, n. ludus “et
vultus
et
vox
ludibrio
sun
Vox
“inclinata
ululantique
voce
canere,”
theatrum
ita
resonans,
Lūdo I.
Lit., to play, play at a game
of some kind
B. To play, sport, frisk, frolic:
“dum se exornat, nos volo Ludere inter nos,” have some fun,
A. To sport, play with any thing, to
practise as a pastime, amuse one's
self with any thing
Especially,
to play on an instrument of music, to
make or compose music or song:
“ludere quae vellem calamo permisit agresti,” Verg. E. 1, 10:
A. vŏlo Self Will
expressing any exercise of volition, and corresponding,
(g). Transf., of things: fabula quae posci
vult et spectata reponi, a comedy which wishes (i.
e. is meant) to be in demand, etc., Hor. A. P. 190:
b. Of the
wishes of those that have a right to command, the
gods, masters, parents, commanders, etc., I want, wish,
will, am resolved, it is my will:
B. Călămus , A.
For objects made of reeds 2. A
reed-pipe, reed (cf. Lucr. 5, 1380 sq
arrow, fishing rod.
C. per-mitto
, a. To send away, b.
To let fly, cast,
D. ā^grestis
A. Rustic, in opp. to the refined citizen (urbanus,
as agrios is opp. to asteios), boorish,
clownish, rude, uncultivated,
coarse, wild, savage, barbarous,
of persons and things: Mūsa , ae, f., = Mousa, I. a muse,
one of the goddesses of poetry, music, and
the other liberal arts. in a plainer, clearer manner,
without too much refinement,
Verg.
A. 1.8
O Muse, the causes tell! What sacrilege,
or vengeful sorrow, moved the heavenly Queen
to thrust on dangers dark and endless toil
a man whose largest honor in men's eyes
was serving Heaven? Can gods such anger feel?
Isaiah 14:12 How art
thou fallen from heaven,
O Lucifer, son of the
morning! how art thou cut down to the ground, which
didst weaken the nations!
Lucifer can use music to Lead you into the Presence of God:
Jesus died to be the ONLY mediator.
Isaiah 14:13 For thou
hast said in thine heart,
I will ascend
into heaven, I will exalt my throne above the stars of
God:
I will sit also upon the
mount of the congregation, in the sides of the north:
Isaiah 14:14 I will ascend above the heights
of the clouds;
I will be like the
most High.
Isaiah 14:15 Yet thou shalt be brought down to hell,
to the sides of the pit.
Amos 5:23 Take thou away from me the noise of thy
songs; for I will not hear the melody of thy viols.
Brandon Scott Thomas: If you
are interested in participating in this ministry as
a praise team singer, choir member, instrumentalist,
actor, reader, artist, or in any
other creative way, please contact Brandon Scott
Thomas at Brandon@highlandchurch.org
for ways to get involved.
The LOGOS is the WORD of God or the REGULATIVE
PRINCIPLE which the Highland Preachers and ACU have been
mocking in preparation for the battle: an Organ or musical
instrument is a machine for doing hard work mostly in making war
and in creating the shock and awe of the Scribes and Pharisees
Jesus called HYPOCRITES. In Ezekiel 33 Christ defined the
hypocrites as Preachers, singers and instrument players. The
MARK was that of the CORRUPTER or people who Sell Learning at
retail. The meaning of people who sell the free water of
the Word are called PROSTITUTES because they disobey the command
to PREACH the Word by READING the Word for comfort and doctrine.
Brandon Scott Thomas: Worship is contagious.
When it breaks out, none of us are in the
spotlight…there is only one audience and that is God.
Our goal is to lift up the name of Jesus…to make ourselves
less so that He may increase! Our teams pray for YOU
each week, in heartfelt ways, to be drawn by the Spirit
into deep worship each time we gather.
This is what Paul called WRATH or ORGY when both
men and women are not SILENT so that "everyone might be saved
and come to a knowledge of the TRUTH." Any concept of
music in the School of Christ set up for Students (only) of
Christ (only) through the prophets and apostles is
ANTI-TRUTH. It is a LIE and what is being proposed is THE
meaning of the performance of LYING WONDERS to prevent those who
have fallen from ever repenting.
Amos 8:1 THUS hath the Lord God shewed unto me:
and behold a basket of summer fruit.
A basket:
Keluwb (h3619) kel-oob'; from the
same as 3611; a bird-trap (as furnished with a
clap-stick or treadle to spring it); hence a basket (as
resembling a wicker cage): - basket, cage.
As a cage is full of birds, so are
their houses full of deceit: therefore they are become
great, and waxen rich. Je.5:27
Keleb (h3611) keh'leb; from an
unused root mean. to yelp, or else to attack; a dog; hence
(by euphemism) a male prostitute: - dog.
For dogs have compassed me: the assembly [multitude, swarm] of the wicked have inclosed me: they pierced my hands
and my feet. Ps.22:16
Yea, they are greedy
dogs which can never have enough, and they are shepherds
that cannot understand: they all look to
their own way, every one for his gain, from his quarter.
Is.56:11
And I will appoint over
them four kinds, saith the Lord: the sword to slay, and the dogs to tear, and the fowls of the heaven, and the beasts of the earth, to devour and destroy. Je.15:3
Amos 8:2 And he said, Amos, what seest thou? And I
said, A basket of summer fruit. Then said the LORD
unto me, The end is come upon my people of Israel; I will
not again pass by them any more.
Aristophanes Archarnians
DICAEOPOLIS
Peace, profane men! Let the basket-bearer come
forward, and thou Xanthias, hold the phallus well
upright.
- The maiden who carried the basket filled with fruits at
the Dionysia in honour of Bacchus.
kanēphoros: [pherô] carrying
a basket:-- Kanêphoroi, hai, Basket-bearers,
at Athens, maidens who carried on their heads
baskets containing the sacred things used at the feasts
of Demeter, Bacchus and Athena, Ar. title of priestess,
“k.
theas
Artemidos”
- The emblem of the fecundity of nature; it consisted of a
representation, generally grotesquely exaggerated, of the
male genital organs; the phallophori crowned with violets
and ivy and their faces shaded with green foliage, sang
improvised airs, call `Phallics,' full of obscenity
and suggestive `double entendres.'
DICAEOPOLIS
Xanthias, walk behind
the basket-bearer and hold the phallus well erect; I will
follow, singing the Phallic hymn; thou, wife, look on
from the top of the terrace.Forward!
DICAEOPOLIS
Oh, Phales,
[god of generation, worshipped in the
form of a phallus] companion of the orgies of Bacchus,
night reveller, god of adultery, friend of
young men, these past six years I have not been able
to invoke thee.
CHORUS
Here is a man truly happy. See how everything succeeds to
his wish. Peacefully seated in his market, he will
earn his living; ....without being accosted on the public
place by any importunate fellow,
neither by Cratinus, shaven in the
fashion of the debauchees, nor by this musician,
who plagues us with his silly improvisations,
Artemo, with his arm-pits stinking as foul as a
goat, like his father before him. You will not be
the butt of the villainous Pauson's jeers, nor
of Lysistratus, the disgrace of the Cholargian deme, who
is the incarnation of all the vices, and endures
cold and hunger more than thirty days in the month.
A BOEOTIAN By
Heracles! my shoulder is quite black and blue. Ismenias,
put the penny-royal down there very gently, and all of
you, musicians from Thebes, pipe with your bone flutes
Amos 8:3 And the songs
of the temple shall be howlings in that day,
saith the Lord GOD:
there shall be many dead bodies in every place;
they shall cast them
forth with silence.
Amos 8:4 Hear this, O ye that swallow up the needy,
even to make the poor of the land to fail,
Amos 8:5 Saying, When will the new moon be gone, that
we may sell corn? and the sabbath, that we may set
forth wheat, making the ephah small, and the shekel
great, and falsifying the balances by deceit?
Amos 8:9 And it shall come to pass in that day, saith
the Lord GOD,
that I will cause the
sun to go down at noon,
and I will darken the
earth in the clear day:
Amos 8:10 And I will turn your feasts into mourning,
and all your songs into lamentation; and I will bring up
sackcloth upon all loins, and baldness upon every
head; and I will make it as the mourning of an only
son, and the end thereof as a bitter day.
Matthew.11.html
Iamblichus They
accordingly not only turn aside from evil action, but
through the words, it is manifest in its forms and
changes the impulse to a contrary direction. 6
6. These opinions were anciently
entertained, the universe itself being regarded not
as a fabric but as a birth, a creation or genesis,
and evolution. But the philosophers generally
disapproved of the doleful rites and immodest speech. Plutarch enumerates the
various practices, such as the eating of raw flesh, the
days of fasting and mourning for the slain divinity,
(Matthew
XI, 16; Amos VIII, 10) and the uttering of
filthy and unseemly language. He explains that they were
"not in honor of the gods, but rather to avert, mollify
and appease the wrath of evil dæmons." The Emperor Julian,
however, forbade the using of words that should not be
spoken or heard.
CHRIST'S PROPHETIC TYPE OF WOMEN AND BOYS RULING OVER YOU
Those who are Purpose Driven to infiltrate and divert
Word-Schools into "performance theaters" KNOW the facts and
gloat about it. However, if you have not taken the MARK of the
BEAST (a net style of music and drama: Satyric Drama defines an
effeminate worship team)
Isaiah 3:4 And I will give children
to be their princes, and babes shall rule
over them.
Isaiah
3:4 et dabo pueros principes eorum et effeminati dominabuntur eis
dominabuntur Ruler, MARK
Women or the Effeminate as oratio,
MARK Women or effeminate who
are consilium the
person who forms the purpose,
MARK Women or the effeminate who Teach Over
aedĭfĭco
in
a religious
sense, to build up, instruct, edify.
Isaiah 3:12 As for my people,
children are their oppressors, and women rule over
them.
O my people, they
that lead thee cause thee to err, and destroy the way of
thy paths.
mŭlĭer
as a term of reproach, a woman, i. e. a coward,
poltroon: arbĭtror
to make a decision, give judgment or sentence:
OR mŭlĭĕro,
to make womanish, render effeminate
Boys: -Effemino
II. Trop., to make womanish,
effeminate, to enervate: “fortitudinis
praecepta
“illa
elocutio
res
ipsas
effeminat,”
Quint. 8 prooëm. § 20.—
A. Womanish, effeminate (cf.: “mollis,
luxuriosus,
dissolutus):
ne
quid
effeminatum
aut
molle
sit,”
Cic. Off. 1, 35, 129;
cf. id. Tusc. 4, 30:
“intolerabile
est
servire
impuro,
impudico,
effeminato,
“furialis
illa
vox,
religiosis
altaribus
effeminata,”
Cic. Planc. 35, 86
—B. In mal. part., that submits to unnatural
lust: “pathicus,”
Suet. Aug. 68;
Cic.
Planc. 35.86 When no one knew what were the
feelings of those men who by means of their armies, and
their arms, and their riches, were the most powerful
men in the state, then that voice,
rendered insane
by its infamous debaucheries,
made
effeminate by its
attendance on holy altars,
kept crying
out [carmen]
in a most ferocious
manner
that both
these men
and the
consuls were acting
in concert with him.
Needy men were armed against
the rich, abandoned men against the good,
slaves against their masters.
--rĕlĭgĭōsus Eccl.
Lat., of or belonging to the clergy,
clerical (opp. saecularis)
--per-sŏno
A. To sound through and through, to resound:
“cum
domus
cantu et
cymbalis personaret,”
Cic. Pis. 10, 22:
“ut
cotidiano
cantu vocum
et
nervorum
et
tibiarum nocturnisque
conviviis
tota
vicinitas
personet,”
A. To fill with sound
or noise, to make resound
B. To make a sound on a musical
instrument, to sound, play:
“citharā
Iopas
Personat,”
Verg. A. 1, 741:
“cymbalis,”
Vulg. 1 Par. 16, 5:
“buccinis,”
id. Jos. 6, 13.—
C.
To sound or blow
upon an instrument (post-class.): “personavit
classicum,”
gave the signal for attack,
Histrio, stage-player, actor,
mimus, II. Transf., a boaster:
“histrionis
est
parvam
rem
attollere,”
ragoediarum
histrionis, Hilarus
comoediarum
histrio,
Scaena, 1. Of a place
like a scene of a theatre Verg. A. 1, 164.—,
display of eloquence.
Brandon Scott Thomas invented the ZOE group which used the
ACappella term pretending to be vocal only. A cappella
identifies the Popes castrated worship team singing FALSETTO or
organum meaning after the Pipe Organ. Eve or Zoe was
called the Boeast or female instructing principle: her goal was
to defeat the LOGOS or the Word of God. She unleashes the
Locusts (Muses) leend by Apollo, Abaddon or Apollyon who is the
Leader of the Muses.
Revelation 17:7 And the angel said unto me, Wherefore didst thou
marvel?
I will tell thee the
mystery of the woman,
and of the beast
that carrieth her, which hath the seven heads
and ten horns.
Revelation 17:8 The beast that thou sawest was, and is not;
and shall ascend out of
the bottomless pit, and go into perdition:
and they that dwell on the
earth shall wonder,
whose names were not
written in the book of life from the foundation of the world,
when they behold the beast
that was, and is not, and yet is.
The BEAST is an unleashed New Style of Music or Drama:
that's so those with A holy spirit able to read BLACK text on
BROWN paper can flee Babylon and not look back.
thērion , to (in form Dim. of thēr), A. wild animal, esp. of
such as are hunted, mala gar mega thērion ēen, of a stag, Od.10.171,
180
(never in Il.); in Trag.
only in Satyric drama
Sikinnis
sikinn-i^s
si^,
or siki_nis
(E.Cyc.37),
idos,
A. “Sikinnin”
D.H.7.72:—Sicinnis, a
dance of Satyrs used in the Satyric drama,
S.Fr.772,
E. l.c., D.H.
l.c., Luc.Salt.22:
named from its inventor Sicinnus, Ath.1.20e, cf. Scamon 1; or from Sicinnis,
a nymph of Cybele, although originally danced in
honour of Sabazios,
Arr.Fr.106J.— Also
written Sikinnon
, to/, Suid.; Sikinna
,
Sa^bazios
, ho,
(Sabos)
a Phrygian deity, whose mysteries resembled the teletai
of Dionysus, Thphr.Char.27.8
(but Sabadion
[acc.] ib.16.4,
cf. Dessau Inscr.Lat.Sel.2189),
Nymphis 11; hence
afterwards taken as a name of Dionysus himself, Ar.V.9,
Av.875,
Lys.388;
A.“theō
Sabaziō
pagkoiranō”
CIG3791 (Bithynia),
cf. IG12(5).27
(Sicinus); “Di
Sabaziō”
Cybele or Kubebes: CII.
Kubêbês.
The ‘Great Mother’ goddess of the Phrygians worshipped at Pessinus, the mêtêr Dindumênê of i. 80. 1.
For the Anatolian ‘Great Mother’ cf. App. I. 2, Frazer, G. B.
iv, Bk. II, Attis, &c.; Ramsay, in Hastings' Bible
Dictionary, extra vol., p. 120 f. The Atys myth which involved her cult is
connected with Sardis by H.'s story of the son of Croesus (i. 34. 2 n.). The Great Mother was worshipped at Athens in the days of Sophocles (Phil. 391), and identified by the Greeks with Rhea, mother of the gods (cf.
iv. 76; Strabo 469), with Aphrodite, with Demeter, and with Artemis as the lady of the wild woods. But
here she is regarded as a foreign goddess.
She is the facilitator or organon a musical
instrument of Rhea (Eve, or Zoe)
Deilos cowardly, vile,
worthless, lowborn, mean
Plat.
Phaedrus 240b has mingled with most of them
some
temporary pleasure; so, for instance,
a
flatterer is a horrid creature and does great
harm, yet Nature has combined with him a kind of
pleasure that is not
without
charm, and one might find fault with a
courtesan
as an injurious thing, and there are many other such
creatures and practices which are yet for the time being
very pleasant; but a
lover is not only harmful to
his beloved.
hēdonē
, Dor. hadona
to speak so as to please another,
“dēmēgorein”
D.4.38;
“ou
pros
hē.
hoi
ēn
ta
aggellomena”
Hdt.3.126;
3. Pl., desires
after pleasure, pleasant lusts, X.Mem.1.2.23,
Ep.Tit.3.3,
al.
Kolax ,
[Philippians 3 Dogs or Catamites]
A. flatterer, fawner,
Ar.Pax756,
Lys.28.4, Pl.Phdr. 240b,
etc.; “tukhēs kolakes” ; parasite, D.L.6.4.
2. Att. goēs, Moer. p.113 P.
II. lisping pronunciation of
korax, Ar.V.45.
NEVER
amous-os ,
on,
A. without song, of fishes,
Emp. 74; but usu.
without
the Muses, i.e.
without taste or
refinement,
rude, E.Ion526,
Ar.V.1074;
“
a.
kai
aphilosophos”
Pl.Sph.259e;
a.
hēdonē,
hamartēmata,
gross pleasure, faults,
Pl.Phdr.240b,
Lg.863c;
a.
esti,
c. inf., it is
incongruous, Ar.Th.159;
tōn
Leibēthriōn
amousoteros,
PROVERB. for lowest degree of mental cultivation,
Zen.1.79: Sup., “
glōtta
-otatē”
Agath.2.28. Adv. “
-ōs”
Pl.Hp.Ma.292c.
Goēs , ētos, ho, A. sorcerer,
wizard epōdos Ludias apo khthonos” E.Ba.234
2. juggler, cheat, “deinos g. kai pharmakeus kai sophistēs”
Pl.Smp.203d;
“deinon kai g. kai sophistēn . . onomazōn” D.18.276;
“apistos g. ponēros” Id.19.109;
“magos kai g
Sophis-tēs , ou, ho, A. master of
one's craft, adept, expert, of diviners, with modal
words added, “hoi s. tōn hierōnmelōn ” [MELODY
IN THE HOLY PLACE]
3. later of the rhētores, Professors
of Rhetoric, and prose writers of the Empire,
such as Philostratus and Libanius, Suid.;
“Apollōnidē sophistē” [Abaddon, Apollyon]
PHARMAKIA identifies the speakers, singers and
instrument players in Revelation 18: John
called them sorcerers and says they will be (are) cast
alive into the lake of fire.
“hē mousikē aei ti kainon thērion tiktei”
mousikê aei ti kainon thêrion
tiktei
A. Mousikos, musical, agônes m. kai gumnikoi
choroi te kai agônes ta mousika
music,
II. of persons, skilled in music,
kuknos [minstrel] kai alla zôia;
peri aulous - professional
musicians, mousikos
kai melôn poêtês, use with singing, skilled in
speaking before a mob. Melody,
B.
aei always
C. kainos , esp. of new
dramas, the representation of the new
tragedies, (Aphrodisias dedicated to Aphrodite
(ZOE); comedy, sexual love, pleasure, a
woman's form of oath, Aster or Venus
or ZOE Lucifer
D. Therion
E. Tikto mostly of
the mother of Rhea
one of the zoogonic or vivific principles
Sunestiōmenon,
of woman Sunesti^-aō
, A. help to entertain,
AP4.3.24 (Agath.):—Pass., live or feast
along with or together, Lys.Fr.53.2,
Is.3.70, D.19.190,
etc.; [theois]
Plu.2.121f; “meta
tinōn”
IG22.1214
2 Peter 2:12
But these, as natural brute beasts, [Zoon, Zao, Zoe căprīlis , e, of
or pertaining to the goat: “semen, i. e. capellae,”
made to be
taken and destroyed,
speak evil
of the things that they understand not;
and shall
utterly perish in their own corruption;
WHO ARE THE PROSTITUTES FROM BABYLON ONWARD?
X.Mem.1.6.13
Xen. Mem. 1.6.13
To this Socrates
replied: “Antiphon, it is common opinion among us
in regard to beauty
and wisdom
that there is an honourable
and a shameful way of bestowing
them.
For to offer one's
beauty for money to all comers is called prostitution;
But
we think it virtuous to become friendly with
a lover who
is known to be a man of honour.
So is it with wisdom. Those who offer
it to all comers for money
are
known as sophists, prostitutors of wisdom,
But we think that he
who makes a friend of one whom he knows to be gifted
by
nature, and teaches him all the good he can,
fulfils the duty of a citizen and a gentleman.
Sophis-tēs , ou, o(, A. master
of one's craft, adept, expert, of diviners,
Hdt.2.49;
of poets, “meletan sophistais prosbalon” Pi.I.5(4).28,
cf. Cratin.2; of musicians,
“sophistēs . . parapaiōn khelun” A.Fr.314,
cf. Eup.447, Pl.Com. 140; sophistē Thrēki (sc. Thamyris) E.Rh.924,
cf. Ath.14.632c: with
modal words added, “hoi s. tōn hierōn melōn” [melody in the
holy place--a death sentence for any Levite]
WHO ARE THE PROSTITUTES ACCCORDING TO PAUL WHO GAVE HIS LIFE
AS "KNOWING ONLY CHRIST."
Nothing Christian is for sale and nothing for sale is Christian.
HO, every one that
thirsteth,
come ye to the waters,
and he that hath no money;
come ye, buy, and eat; yea,
come, buy wine and milk WITHOUT
MONEY
and WITHOUT PRICE. Isa
55:1
2 Cor. 2:17 For we are not as many,
............ which
corrupt the word of God:
............ but as
of sincerity, but as of God,
............ in the
sight of God speak we in Christ.
kapēl-euō, A. to
be a retail-dealer, drive a petty trade Hdt. 3.89 ta mathēmata sell
learning by retail, hawk it about, Pl. Prt.313d
, 2 Cor. 2:17, of prostitutes,
Plat. Prot. 313d For
among the provisions, you know, in which these men deal,
not only are they themselves ignorant what is good or bad
for the body, since in selling they commend them all, but
the people who buy from them are so too, unless one
happens to be a trainer or a doctor. And in the
same way, those who take their doctrines the round of
our cities, hawking them about to any odd purchaser
who desires them, commend everything that they sell, and
there may well be some of these too, my good sir, who are
ignorant which of their wares is
[313e]
good or bad for the soul;
and in just the same case are the people who buy from
them, unless one happens to have a doctor's knowledge here
also, but of the soul. So then, if you are well informed
as to what is good or bad among these wares, it will be
safe for you to buy doctrines from Protagoras or from
anyone else you please: but if not, take care, my dear
fellow, that you do not risk your greatest treasure on a
toss of the dice.
HOW THE MASCULINE ARE CONVERTED TO WOMEN: THE ONLY ONES WHO
WOULD MARKET THEIIR BODY?
Cyrus was told how to
NEUTER captives to keep them under
control. Power grabbing preachers
who want to be MASTERS
(Authoratative Teachers) have KEEPING THEM UNDER
CONTROL is absolutely necessary less they grasp that Jesus died to
pry the burden laders off our
backs: the Laded Burdens are types of repeating songs which perform
the act of WITCHCRAFT with a boiling pot of
frog yes.
Grant, then, forgiveness to the Lydians,
and to make sure of their never
rebelling against thee, or alarming thee
more,
send and forbid
them to keep any weapons of war,
Command them to wear tunics
under their cloaks,
and
to put buskins upon their legs,
and make them bring
up their sons to cithern-playing
(Kitharizein),
and singing (psallein),
and shop-keeping (Hucksterism). [Corrupting the Word]
So wilt
thou soon see them become WOMEN instead of men,
and there will be no more fear of their revolting from
thee."
Any
kind of performing music when Jesus told us to SPEAK
that which is written INTENDS to bring glory and more
"Authority" to THE Alpah Malel.
-[4] Ludoisi de sungnômên echôn tade autoisi epitaxon, hôs
mête aposteôsi mête deinoi toi eôsi: apeipe men sphi pempsas
hopla arêia mê ektêsthai, keleue de spheas kithônas -[khiton
David's garment] te hupodunein toisi heimasi kai kothornous
hupodeesthai, proeipe d' autoisi -kitharizein te kai psallein kai kapêleuein [prostitutes, petty trade,
playing tricks, corrupting] paideuein tous paidas. kai
tacheôs spheas ô basileu gunaikas ant' andrôn opseai
gegonotas, hôste ouden deinoi toi esontai mê aposteôsi."
The word kitharizo means
to PLAY THE CITHARA and does not include singing.
- -Kitharizô 1 [kitharis] to play the
cithara, phormingi [Apollo,
Abaddon, Apollyon] kitharize Il., Hes.; lurêi
eraton kitharizôn Hhymn. (so that there can have been no
great difference between the kithara, lura, and phorminx
); kitharizein ouk epistatai, of an uneducated person,
-
-Kithar-isis , eôs, hê, playing on the cithara,
Pl.Prt.325e; k. psilê, i.e. without the
voice, Id.Lg.669e, cf. Pae.Delph.15; aulêsis
kai k. Phld.Mus.p.23 K.
The PSALLO word used to GRASP
POWER is an Abaddon word from
plucking the Bow String to kill you or
plucking the Lyre to mollest you.
-Arassô ,of any violent impact, with collat. notion of rattling, clanging,
as of horses, hoplais, pound in a
mortar, strike with
a shower of stones.
a). kitharēn strike the lyre,
Orph.A.382; humnon, melos, etc., Nonn.D.1.15,440,
etc.
2. c. dat. modi, arassein tina
oneidesi, kakois, assail
with reproaches
or threats,
II. Pass., to be dashed against, dash one against the
other
Pound in a mortar, “holmō a.” Nic. Th.508
Croesus thought the
Lydians would even so be better off than if
they were sold for slaves, and therefore gave the above advice to
Cyrus, knowing that, unless he brought forward some notable suggestion, he would not be able to persuade him to
alter his mind. He was likewise afraid lest,after escaping the danger which now pressed,
the Lydians at some future time
might revolt from the
Persians and so bring themselves
to ruin.
HIGHLAND SOUGHT TO GET ELDERS TO FORCE THEIR WIDOWS AND
WORKING PEOPLE TO PAY FOR THEIR PROGRAM
Highland Church of Christ was one of the "progressive" churches
in the early days. In 1971 the final disconnect
happened between the Disciples of Christ and the Christian
Church denominated the NACC. About that time Leroy Garrett
invented the Stone Campbell Movement under the false thesis that
churches of Christ sected out of the Christian Church in 1906.
In fact, the NACC as a separate denomination began in 1927 after
years of abortive efforts to use all of those RACA words against
those who would not join the Organ and Society party. Any
kind of friendly association ended when it was clear that
"unity" always meant WE want YOUR congregation and we will
"Infiltrate and Diver and blow your house down."
E. R. Harper was the victim of the thesis promoted by a Jo Bass
demoting baptism and promoting the Direct Guidance of the Holy
Spirit." As the Standard and the NACC used women as stalking
horses to try to "take Tennessee for the organ and society party
withing 5 years" the mortal attack against the Living WORD and
the WRITTEN Word is always led by a key female.
Paul said to pray that the WOMEN not teach over and the MEN not
bring on wrath (defined by Thomas below). The reason for
EVERYONE to be silent was so that "all might be saved and come
to a knowledge of the truth." The Word of Christ in the Prophets
and Apostles is THE TRUTH and both OUTLAW any of the hypocritiic
arts and crafts which were left--even for the Church of Christ
(the Rock) in the Wilderness as MARKS of the end-time Babylonian
Mother of Harlots. She uses "lusted after fruits" same as
in Amos 8. John called the speakers, singers and instrument
players SORCERERS: that was the same word defining the original
Mother of Harlots in Babylon who NEUTERED all of the males and
made them play instruments and build temples so that she could
TEAR THEM DOWN.
Mike Cope just left Highland and ACU to go go a job on
Pepperdine to divert the young preachers into musical idolatry
which is the mark of the mother of harlots.
Revelation 18:21 And a mighty angel took up a stone like a
great millstone,
and cast it into the sea,
saying, Thus with violence shall that great city Babylon be
thrown down,
and shall be found no more
at all.
Revelation 18:22 And the voice of harpers, and musicians,
and of pipers, and trumpeters,
shall be heard no more at
all in thee; and no craftsman, of whatsoever craft he
be,
shall be found any more in
thee;
and the sound of a
millstone shall be heard no more at all in thee;
Revelation 18:23 And the light of a candle shall shine no
more at all in thee; and the voice of the bridegroom and
of the bride shall be heard no more at all in thee: for thy
merchants were the great men of the earth; for by thy sorceries
were all nations deceived.
Revelation 18:24 And in her was found the blood of prophets,
and of saints, and of all that were slain upon the earth.
Brandon.Scott.Thomas.Highland.Church.htmlwo
Brandon Scott Thomas: Worship
is a verb. It requires action and investment.
Worship is one of the greatest ways we have of speaking
truth into the spiritual realm and reminding ourselves
of those same truths. Worship is adoration.
Worship calls for transparency. To be honest, all of
life should be a worship offering to our Father.
LITERAL WORSHIP MEANS TO FALL ON YOUR FACE IN REVERENCE AND
GODLY FEAR.
Look up Body Worship and you will find the ancient connection
between pagan musical rituals and sexuality and homosexuality.
Paul in Romans 10 and 1 Corinthians 10 warned about musical
idolatry as DEMON WORSHIP at Mount Sinai. In Romans 1
Paul defined the FRUITS which resulted from the instrumental
idolatry at Mount Sinai. Even the woman at the Well understood
the Purpose Driving the Messiah: He will TELL us all
things. Jesus said that worship is NOT in a Temple PLACE
but in the SPIRIT or MIND as a PLACE devoted to TRUTH which is
the Word of God.
in fact, Jesus said that the Kingdom
does not come with observation: that means
Religious Observations. What Brandon Scott Thomas is
speaking of is LEGALISM when Jesus died to free us FROM the
laded burden (arousal songs) and the burden laders: Scribes
and Pharisees, hypocrites Christ identified in Ezekiel 33 as
speakers, singers and instrument players. These were MARKS
of people who had no intention of GIVING HEED TO THE WORD
as the only worship concept for the School of Christ.
Religious observations are carefully crafted to take
control of all of one's attention. That is the worship
concept with is to be directed only to God.
Tendo: In the pagan
religions they gave lots of attention to tuning or playing
their musical instruments: cornu,” “barbiton,” to tune, “tympana tenta tonant palmis, stretching out their bow
strings. To shoot, to hurl.
(b). To exert one's
self, to strive, endeavor (mostly poet.
b. n partic., to exert one's
self in opposition, to strive, try,
endeavor, contend “adversus, etc.,” id. 34, 34, 1: “contra,
Lucr. 6, 1195: “tormento citharāque tensior,” [Tendo]
2. In partic.: “nervum tendere, in mal. part.,” Auct.
Priap. 70; cf. Mart. 11,
60, 3.—Hence, tentus, a lecherous man,
ēlŏquĭum , ii, n.
id..
I. In Aug.
poets, and their imitators among prose writers, for
eloquentia,
eloquence, *
Hor. A. P. 217;
*
Verg. A. 11, 383;
Ov. Tr. 1, 9, 46;
id. M. 13, 63;
322 al.;
Vell. 2, 68, 1;
Plin. 11, 17, 18, §
55.—
Lucr.
6.1195 Signs of death from lack
of water:
The heralds of old death. And in those months
Was given many another sign of death:
The intellect of mind by sorrow and dread
Deranged, the sad brow, the countenance
Fierce and delirious, the tormented ears
Beset with ringings, the breath quick and short
Chorda
II. Catgut, a string (of a musical
instrument),
B. A rope, cord, for binding a slave :
“tunc tibi actutum chorda tenditur,”
Plaut. Most. 3, 2, 55
TRANIO
I will inform you. My master has arrived from abroad.
SIMO
In that case, the cord will be stretched
for you; thence to the place where iron fetters clink;
after that, straight to the cross.
Ringing: Cĭthăra , ae, f., = kithara, I. the
cithara, cithern, guitar, or lute.
II. Meton., the music of the cithara,
or, in gen., of a stringed instrument,
the art of playing on the cithara
Ringing (guitar) I the ear would be equivalent to melody IN
the heart.
Brandon Scott Thomas: When a
large group of people gather to worship there are
likely many different perspectives and stories.
Only the Holy Spirit can
truly guide us in unity as we worship the Father.
In fact the LOGOS word outlawed personal opinions:
THE CHRISTIAN ANTITHESIS:
1Timothy 4:13 Till I come, give attendance [adtende] to reading,
to exhortation, to doctrine.
1Timothy 4:14 Neglect not the gift that is in thee,
which was given thee by
prophecy, [teaching]
with the laying on of
the hands of the presbytery.
1Timothy 4:15 Meditate upon these things; give thyself
wholly to them;
that thy profiting
may appear to all.
3191. meletao, mel-et-ah´-o; from a
presumed derivative of 3199; to take care of, i.e. (by
implication) revolve in the mind: — imagine,
(pre-)meditate.
Because never in recorded history did PSALLO relate in any sense
to MUSICAL MELODY Paul intends that we SPEAK the Word of God and
sing and meditate on the Word of God.
Melet-aō , “tauta meleta” 1 Ep.Ti.4.15;
esp. practise speaking, con over a speech in
one's mind, “logaria dustēna meletēsas” D.19.255; “apologian” Id.46.1; also, deliver,
declaim (cf. 11.5 b), “logous”
Logos
2. generally, account, reckoning, mē phunai ton hapanta nika l. excel
Opposite. ek tēs epagōgēs
Opposite. muthos, as history to
legend, Ti.26e;
“poiein muthous all' ou logous”
Opposite. epilogos,
Opposite. prooimion,
Opposite. phōnē, Arist.Pol.1253a14;
prose, Opposite. poiēsis,
Opposite. emmetra, ib.1450b15 (
l. pezoi, Opposite.
poiētikē, D.H.Comp.6;
Opposite. poiēmata, ib.15; “koina kai poiēmatōn kai logōn”
1Timothy 4:16 Take heed unto thyself, and unto the doctrine;
continue in them: for in doing this thou shalt both save
thyself, and them that hear thee.
lectĭo , ōnis, f. lego.
I. A gathering,
collecting.
II. A reading,
perusal; a reading out, reading aloud.
B. Transf. (abstr. pro contr.),
that
which is read, reading, text
(post-class.)
“
juris lectiones,”
passages of
the laws,
3191.
meleta¿w meletao, mel-et-ah´-o; from a
presumed derivative of 3199; to take care of, i.e. (by
implication)
revolve in the mind: — imagine,
(pre-)
meditate.
Quint.
Inst. 10 1.16 But the advantages conferred by
reading and listening are not identical. The
speaker stimulates us by the
animation of his
delivery,
and kindles the imagination,
not by presenting us
with an elaborate
[p. 13] picture,
but by bringing us into actual touch with the things
themselves. Then all is
life and
movement,
and we receive the
new-born offspring of his
imagination with
enthusiastic approval. We
are moved not merely by the actual issue of the trial, but
by all that the
orator himself has at stake.
Quint.
Inst. 10 1.17 Moreover his voice, the
grace
of his gestures, the
adaptation of his delivery
(which is of supreme importance in oratory), and, in a
word, all his excellences in combination, have their
educative effect.
In
reading, on the other hand, the
critical faculty is a
surer guide, inasmuch as the listener's judgment is
often
swept away by his preference for a particular
speaker, or by the
applause
of an
enthusiastic
audience.
rătĭo , ōnis (abl.
rationi,
Lucr. 6, 66),
f. reor, ratus,
I. a
reckoning,
account,
calculation,
computation.
(b).
In rhet.,
a showing cause,
argument,
reasoning in support of a
proposition:
c. Reasonableness,
reason,
propriety,
law,
rule,
order,
conformity,
Quint. Inst. 10 1.18 For
we are ashamed to disagree with them, and an unconscious
modesty prevents us from ranking our own opinion above theirs,
though all the time the taste of the majority is vicious,
and the claque may praise even what does not really
deserve approval.
Opposite
plăcĕo , 1. In
scenic lang., of players or pieces presented, to
please, find favor, give satisfaction
2. Placere sibi, to be pleased or satisfied
with one's self, to flatter one's self, to
pride or plume one's self
A. plăcens , entis, P. a., pleasing,
charming, dear: self-willed, id. 2 Pet. 2, 10.—
Brandon Scott Thomas: The Holy
Spirit is the true worship leader.
Our job as
church worship leaders is to lean completely
into His leading. We cannot force anyone to
worship,
all we can do is stand
in the doorway and invite people into the presence of the
Living God.
What an honor! What a
joy! What a profound burden!
The command for BOTH males is to sit down and shut up so that
"we can be saved and come to a knowledge of the Truth."
The WRATH brought on by males is the charismatic music
promoted at Highland which intends as BST notes, lead you into
some kind of ecstacy.
1Timothy 2:5 For there is
one God,
and one mediator
between God and men,
the man Christ
Jesus;
The Holy Spirit as a continuing Comforter has a name: it is
Jesus Christ the Righteous. Christ defined true worship both
inclusively ind exclusively in the prophets. Jesus made
these prophecies more certain and the Apostles as eye-- and
ear-- witnesses left us a MEMORY. Peter says that if you
private interpret or further expound then the Scriptures are
there to MARK you as a false teacher.
You are watching something of BIBLICAL PROPORTIONS when you
see people standing in the Holy Places claiming that they are
God in Christ with the magicalpower of leading you into God's
presence. Like the ACU teachers who claim the role of Christ,
this is defined as the Abomination which makes desolate.
COMMERCE was marked by the phallic pillars like Jochin and
Boaz which says THE MARKET PLACE IS OPEN FOR FLEECING THE
LAMBS.
Brandon Scott Thomas: Our worship ministry participants
are challenged to view themselves as worship leaders…not
just back-up singers to the worship leader.
Therefore, we have a tremendous responsibility to come
prepared, to lead with great conviction and
feeling,
and to exhibit
lives that reflect the glory of the Lord. I’ve always said,
“The best way to be an
effective worship leader is to just be a devoted
worshipper.”
Brandon Scott Thomas: Worship
is contagious. When it breaks out, none of
us are in the spotlight…there is only one audience
and that is God. Our goal is to lift up the name of
Jesus…to make ourselves less so that He may increase! Our
teams pray for YOU each week, in heartfelt ways, to
be drawn by the Spirit into deep worship each time we
gather.
http://www.pineycom.com/MuIon.html "In the same manner also the Muse inspires
men herself, and then by means of these inspired
persons the inspiration
spreads to others, and holds them in a connected chain. For all the good epic poets utter all
those fine poems not from art, but as inspired
and possessed, and the good lyric poets likewise; [534a]
just as
.... the Corybantian worshippers
do not dance when in their senses,
... so the lyric poets
do not indite those fine songs in their senses, but when they have started on the melody and
rhythm they begin to be
frantic, and it is under
possession--as the bacchants are possessed, and not in their senses, when they draw
honey and milk from the rivers--that the soul of the lyric poets does the
same thing, by their own report.
For the poets tell us, I
believe, that the songs they bring us are the sweets they
cull from
honey-dropping founts
[534b] in certain gardens and glades of the Muses-- like
the bees, and winging the air as
these do, And what they tell is true. (Plato then explains a lot of musical
worship and even preaching) "For a poet is a light and winged and sacred
thing, and is unable
ever to indite until he has been inspired
and put out of his senses, and his
mind is no longer in him:
every man, whilst he retains possession of that,
is powerless to indite a verse or chant an oracle.
Seeing then that it is not by art that they compose and utter so many
fine things about the deeds of men--
Paul used the MAD
word or Mania. It is truly MADNESS or STRONG
DELUSIONS to pretend to be a Disciple (student) of Christ
and fabricate such insanity which is to DISPLAY the men
and women and this is called prostitution.
That's a lie of
course: the object is that you give all of your ATTENDANCE
to the hypocritic mockers at feasts. That is Purpose
Driven to "make the lambs dumbe beforee the slaughter" and
prevent people from worshiping in the PLACE of the spirit
as it gives attendance to the Words of Christ in the
Prophets and Apostles. That's why Highland USES
women and calling Paul a liar.
Entheos
,
on,
in later Prose contr.
enthous
Ph.2.542,
App.Hisp.18,
Aen.Gaz.Thphr.p.12 B.:—
A.full of the
god, inspired, possessed, e.
gunaikes,
of the
Bacchantes,
S.Ant.964
(lyr.);
e.
Arei
possessed by him,
A.Th.497;
“
ek
Panos”
E.Hipp.141;
“
hupo
tou
erōtos”
X.Smp.1.10:
c. gen. rei, “
tekhnēs
nin
Zeus
entheon
ktisas
phrena”
A.Eu.17;
also
e.
pros
aretēn
inspired with a love for it, Pl.Smp.179a:
Sup.
-ōtatē,
phusis,
of Homer,
Max. Tyr.
32.4.
II. of
divine
frenzy, inspired by the god, “
tekhnai”
A.Ag.1209;
“
mantikē”
Pl.Phdr.244b;
“
manteiai”
Id.Ti.72b;
“
entheon
hē
poiēsis”
Arist.Rh.1408b19;
“
e.
philia”
Plu.2.752c;
ta
e.
frenzied rites, prob.in
Herod.8.70.
Adv. “
entheōs”
Men.Mon.229,
App.Hisp.26,
Jul.Or.7.215b,
Iamb.VP32.216.
thuias
,
ados, hē:—written
thuas
Tim.Fr.3,
A.Th.498
cod. Med.: (
thuō):—
A.inspired,
possessed woman, esp.
Bacchante, ll. cc.,
cf.
A.Th. 836,
Supp.564
(both lyr.),
Plu.2.293f,
etc.; cf. foreg.
II. fem. Adj.,
frantic, mad for love,