Instrumental Music as Religious Sorcery

John.T.Willis.Feminists.Roots.of.Apostasy.html

See Malachi chapter 4
Malachi 4:1 For, behold, the day cometh, that shall burn as an oven; and all the proud, yea, and all that do wickedly,
shall be stubble: and the day that cometh shall burn them up, saith the LORD of hosts,that it shall leave them neither root nor branch.

Inflamo    II. Trop., of the mind, to inflame, kindle, rouse, excite: I. [select] Trop., of the mind, to inflame, kindle, rouse, excite: “contionibus et legibus invidiam senatus,” Cic. Verr. 1, 1:“inflammari cupiditate honorum, glory, fame
cŭpĭdĭtas , II. In a bad sense, a passionate desire, lust, passion, cupidity.
(a). With gen.: “pecuniae,” Caes. B. G. 6, 22; Quint. 7, 2, 30 al.: booty, spoil, gain, profit
To take property praeda cervi luporum praeda rapacium,” Hor. C. 4, 4, 50
   “praeda canum lepus est,
        Canis Dog2. As the regular designation of the hangers-on or parasites of an eminent or rich Roman;
        a follower, dog, creature: “D. A Cynic philosopher: “Diogenes cum choro canum suorum,”

Bill.Lawrence.Instrumental.Music.in.Worship Apollyon is the gender-conflicted Leader of the Locusts which were prostitute musical worship team. Corrupting the Word is selling the Word at retail: Adultery.

http://pineycom.com/MailSerLucian.html
Milton Jones IOCC excuse for Infiltrating and Diverting a pioneer church into Instrumental Apostasy.

David.Young.Ephesians.5.and.Dionysus.Sorcery.html

Any one who actively works to introduce "musical worship teams with or without instruments" have NO Scriptural bases and therefore are called SORCERERS. Here are the practices which use ANY kind of metrical or musical MEASURE cannot speak from the Holy Spirit OF God which is not another God..

Abomination, Witchcraft, the BEASTS, Demon worship, Viper worship, Sorcery, Charming, Soothsaying, enchantment, harlots, beguilers, serpents, vipers, Serpo, Herpo, inducing wine-drinking, Cunning Craftsmen or Sophists, Rhetoricians, Dogs or Catamites, magic, Voodoo in primitive America, Melodies to deceive, Deceiver, Techne. religious craftsmen, Lucifer, Locusts, Apollyon, Levi-Leviathan

DEUTERONOMY 18 THE ABOMINATION OF THOSE NATIONS

Deut. 18:10 There shall not be found among you any one that maketh his son or his daughter to pass through the fire, or that useth divination, or an observer of times, or an enchanter, or a witch,

hărĭŏlus soothsayer, prophet, prophetess
somnĭo , to dream; to dream of or see in a dream, to dream, i. e. to think idly or vainly, to talk foolishly:
psaltrĭa , ae, f., = psaltria, . a female player on the cithara, a lutist, “ineptias,” Col. 1, 8, 2: “ah stulte! tu de Psaltriā me somnias Agere,” Ter. Ad. 4, 7, 6; Plaut. Pers. 2, 3, 5.—Absol.: “vigilans somniat
“portenta non disserentium philosophorum sed somniantium,” Cic. N. D. 1, 8, 18.

Deut. 18:11 Or a charmer, or a consulter with familiar spirits, or a wizard, or a necromancer

A Charmer is an Abomination
incantātor , ōris, m. incanto, I. an enchanter, wizard (post-class.), Tert. Idol. 9; Isid. 8, 9, 15; Mos. et Rom. Leg. Coll. 15, 1, 2.

consŭlo (a). In the lang. of religion, to consult a deity, an oracle, omens, etc.: “Apollinem de re,” Cic. Leg. 2, 16, 40: “deum consuluit auguriis, quae suscipienda essent,” Liv. 1, 20, 7: “deos hominum fibris,” Tac. A. 14, 30 fin.: “Phoebi oracula,” Ov. M. 3, 9; Suet. Vesp. 5: “Tiresiam conjectorem,” Plaut. Am. 5, 1, 76:

Cantus A. Prophetic or oracular song: “veridicos Parcae coeperunt edere cantus,” Cat. 63 cf. Tib.

B. An incantation, charm, magic song, etc.: cantusque artesque magorum.
“cantus e curru Lunam deducere tentat,”
2. With instruments, a playing, music: “in nervorum vocumque cantibus,” Cic. Tusc. 1, 2, 4; id. Rosc. Am. 46, 134: “citharae,” Hor. C. 3, 1, 20: “horribili stridebat tibia cantu,” Cat. 64, 264: “querulae tibiae,”

Is. 66:4 I also will choose their delusions, and will bring their fears upon them;
because when I called, none did answer; when I spake, they did not hear:
but they did evil before mine eyes, and chose that in which I delighted not.

Plato, Euthydemus

[289d] On what proof do you rely? I asked.

I see, he said, certain speech-writers who do not know how to use the special arguments composed by themselves, just as lyre-makers in regard to their lyres: in the former case also there are other persons able to use what the makers produced, while being themselves unable to make the written speech. Hence it is clear that in speech likewise there are two distinct arts, one of making and one of using.

I think you give sufficient proof, I said, that this art of the speech-writers cannot be that whose acquisition would make one happy. And yet I fancied that somewhere about this point would appear the knowledge which we have been seeking all this while.

[289e] For not only do these speech-writers themselves, when I am in their company, impress me as prodigiously clever, Cleinias, but their art itself seems so exalted as to be almost inspired. However, this is not surprising; for it is a part of the SORCERER'S art, epōdōn tekhnēs

Latin 289e:
kai mentoi ouden thaumaston: esti gar tēs tōn epōdōn tekhnēs morion mikrō te ekeinēs hupodeestera.

Thaumaston Is a Lying wonder which claims that your rituals are ordained by God.

-epōdē , Ion. and poet. epa^oidē , hē, A.song sung to or over: hence, enchantment, spell, LADEN BURDEN
ou pros iatrou sophou thrēnein epōdas pros tomōnti pēmati
of the Magi, Hdt.1.132
oute pharmaka..oud' au epōdai” Pl.R. 426b ; thusiai kai e. ib.364b ;
charm for or against.., “toutōn epōdas ouk epoiēsen patēr” A.Eu.649.

epōd-os , on, （epadō）
A.singing to or over, using songs or charms to heal wounds, “epōdoi muthoi”

b. Subst., enchanter, “e. kai goēs” E.Hipp. 1038 (but “goēs e.” Ba.234): c. gen., a charm for or against, “ethusen hautou paida epōdon Thrēkiōn aēmatōn” A.Ag.1418 ; e. tōn toioutōn one to charm away such fears, Pl.Phd.78a.
c. c. dat., assisting, profitable, 2. Pass., sung to music, “phōnai” Plu.2.622d ; fit for singing, “poiētikēn e. parekhein
2. epōdos, ho, verse or passage returning at intervals, in Alcaics and Sapphics, D.H.Comp.19 ; chorus, BURDED, refrain,

Pl.Lg.903b Athenian
Let us persuade the young man by our discourse that all things are ordered systematically by Him who cares for the World—all with a view to the preservation and excellence of the Whole, whereof also each part, so far as it can, does and suffers what is proper to it. To each of these parts, down to the smallest fraction, rulers of their action and passion are appointed to bring about fulfillment even to the uttermost

Plat. Euthyd. 290a and only slightly inferior to that. The sorcerer's art is the charming of snakes and tarantulas and scorpions and other beasts and diseases, while the other is just the charming and soothing of juries, assemblies [Ekklesia or church], crowds, and so forth. Or does it strike you differently? I asked.

No, it appears to me, he replied, to be as you say.

kēl-ēsis , eōs, hē, *A. bewitching, charming, ekheōn, nosōn, Pl.Euthd. 290a: enchantment by eloquence, dikastōn k. te kai paramuthia ibid.; by music and sweet sounds, Id.R.601b, Stoic.3.97.

Plat. Rep. 601b whether he speak in rhythm, meter [melos] and harmony [rhuthmon] about cobbling or generalship or anything whatever.
        So mighty is the spell¹ that these adornments naturally exercise;
        though when they are stripped bare of their musical coloring [metron] and taken by themselves,²
        I think you know what sort of a showing these sayings of the poets make.
For you, I believe, have observed them.” “I have,” he said.
        “Do they not,” said I, “resemble the faces of adolescents,
        young but not really beautiful, when the bloom of youth abandons them?³”
        “By all means,” he said. “Come, then,” said I, “consider this point:
        he creator of the phantom, the imitator, we say, knows nothing of the reality but only the appearance.

hōraios , fruits ripe for plucking or rippe for death.

Jude 14 And Enoch also, the seventh from Adam, prophesied of these, saying, Behold, the Lord cometh with ten thousands of his saints, 15 To execute judgment upon all, and to convince all that are ungodly among them of all their ungodly deeds which they have ungodly committed, and of all their hard speeches which ungodly sinners have spoken against him

Jude 16 These are murmurers, complainers, walking after their own lusts; and their mouth speaketh great swelling words, having mens persons in admiration because of advantage.

-Goēs , ētos, ho, A. SORCERER, wizard, Phoronis 2, Hdt.2.33,4.105, Pl.R. 380d, “g. epōdos Ludias apo khthonos” E.Ba.234, SPEAK is the OPPOSITE of SING or ODE.

-Epōd-os

https://onlineservices.ubs.com/wma/totalpicture/holdings A. singing to or over, using songs or charms to heal wounds, “epōdoi muthoi” Pl.Lg.903b.

b. Subst., enchanter, “e. kai goēs” E.Hipp. 1038 (but “goēs e.” Ba.234): c. gen., a charm for or against, “ethusen hautou paida epōdon Thrēkiōn aēmatōn” A.Ag.1418 ; e. tōn toioutōn one to charm away such fears, Pl.Phd.78a.

c. c. dat., assisting, profitable, “e. gignesthai neois pros aretēn” Id.Lg.671a ; “duspraxia lēphtheis e. esti tō peirōmenō” Trag.Adesp.364.4.

2. Pass., sung to music, “phōnai” Plu.2.622d ; fit for singing, “poiētikēn e. parekhein” S.E.M.6.16.

So far I have not found any evidence that music had any other motive but to manipulate people's minds for their own fun or profit. All of the "music' words in the Bible have bitter roots in Lucifer as the source, warriors, exorcists even in the temple, as a tool of the prostitute and Sodomite. Pure musical entertainment rarely existed but had a political or religious motive.

While proving that any reader must grasp that that the word SPEAK is commanded even in the Qahal, synagogue or church in the wilderness, it is almost universally perverted to meant singing and making music. If the word SPEAK is defined as "the opposite of poetry and music" that does not stop people who have an ulterior motive to "bleed off" worship for themselves--and pay them too. Non-instrumentalists are as likely to "restore" the Biblical and historic pattern as the instrumentalists will abandon their sectarianizing use of "machines for doing hard work mostly in making war and in creating the shock and awe" needed to drive people into what hisitory agreed was insanity.

The fact is, this mental derangement has always been the MARK of Apollyon in the Book of Revelation and the PROOF that the "mother goddess" worshipers have taken over. Here is a tidbit from a forum:

piney: "And I doubt that you can find any evidence that singing, clapping and doing complex harmony ever contributes to anything but mental illness."

Response: Gee, sorry Piney, but music is one of the tools used to bring calmness and peace and joy to people in the psychiatric wards of hospitals and to learning disabled children, esp. Down's children. It is better than medicine.

It is doubted that any evidence exists for using the charismatic form of 'music' the churches have found to be effective in filling the pews and colletion plates.

Before posting some modern validation for using music in treating mental illness, we should note that it is based on ancient theory which is defined as sorcery when used in a religious sense. The opening basis for using music in certain cases is that::

"Painting, dancing and music have been used for healing since the beginning of humanity. The first documentation of organized use of creative arts therapies comes from the catharic tradition in antiquity. Catharsis was the cleansings of the emotions through poetry, dance, drama and painting."

When we take a look at music in treating MENTAL ILLNESS mostly by and among women, we will prove my thesis that in each of these Hostile Takeovers there is a WOMEN acting as MOTHER facilitating the boylings. Therefore, I have to warn the "boys" that history is not going to treat them with respect:

"It is no accident that a high proportion of those who suddenly show symptoms of being bewitched (such as fainting or going into a semi-trance) at 'squaw dances' or other large gatherings are women or men who are somewhat neglected or who occupy low social status." (Goldschmidt, Walter, Exploring the Ways of Mankind, p. 518, Holt, Rinehart and Winston)

The Here are some ways revivalists have always done this healing. June G. Beltzer, Ph.D., defines various methods used to bypass the rational mind while emplanting the will of the speaker into your emotional being. This is so powerful and is therefore considered mystical or spiritual. Some of these terms are:

With the progression through each phase, the degree of conversion becomes more effective and complete. The way to achieve conversion are many and varied, but the usual first step in religious or political brainwashing is to work on the emotions of an individual or group until they reach an abnormal level of anger, fear, excitement, or nervous tension.

The progressive result of this mental condition is to impair judgment and increase suggestibility. The more this condition can be maintained or intensified, the more it compounds. Once catharsis, or the first brain phase, is reached, the complete mental takeover becomes easier. Existing mental programming can be replaced with new patterns of thinking and behavior

Other often-used physiological weapons to modify normal brain functions are fasting, radical or high sugar diets, physical discomforts, regulation of breathing, mantra chanting in meditation, the disclosure of awesome mysteries, special lighting and sound effects, programmed response to incense, or intoxicating drugs.

You need to read Fred Peatross define the Emerging Church of Christ.

This is also the VERBAGE coming out of Tulsa and Wade Hodges. However, the paradigm shift is just the New Age Movement by left over hippies:

Paradigm Shift;

Change agent;

Transformation;

New time;

New Order;

Enlightenment;

Personal development;

Self-actualization;

Synergy;

Contemplative;

Mystic;

Transformed life;

Meditation;

Spiritual disciplines;;

Assumptions of old and new paradigm

Awakening;

New consciousness

Wholeness.

When Jesus spoke of those who cried "lord lord" as musical prophesiers He said that God does not even know their names. Sure, they thought they "cast out demons" from the first recorded history.Premise: Painting, dance and music have been used for healing, probably since the beginnings of humanity. The first documentation of organized use of Creative Art Therapies comes from the cathartic tradition in antiquity. Catharsis was the cleansing of emotions through poetry, dance, drama, music and painting. It was continued by Hippocrates, Acslepios, and Synesios.

Psychologists do not use music to teach, admonish, glorify or praise God or to comfort one another or to "unison" to keep the "unity" of the church. These methods aim at DISSOCIATION which is the proclaimed goal of Promise Keepers, Jubilee or the Purpose Driven Cult. You have to dismantle people or in Shelly's words "burn down the old" in order to rebuild on the ashes of other people's properties.

With the DELIBERATE DISCORDERS plan to DISSOCIATE everyone to rebuild the ANTI-intrumental Church of Christ into Baptist or Christian Churches, came the "turn of the century" which has always caused mental illness among people who believe that the are called ot be THE CHRIST for your church. The "holiness of sin" saw the deliberate flaunting of violating "old traditionalism" and the rise of the MUSES who were Apollyon's musical worship team. The only problem is that the crooked generation calls them healers and MEDIATORS but John and all literate history called the SORCERERS under bondage to the Mother of Harlots (Rev 17-18). Now, this WASHING BY MUSIC without the WATER might have been on John's mind--and certainly on mine.

Socrates: "His name and nature are in harmony; Of Apollo Who is Abbadon or Apollyon:

Socrates: But this is the god who purifies and washes away (apaloouôn) and delivers (apoluôn) from such evils, is he not?

Socrates: With reference, then, to his acts of delivering and his washings, as being the physician of such diseases, he might properly be called Apoluon (apalouôn, the washer), and with reference to soothsaying and truth and simplicity--for the two are identical--he might most properly be called by the name the Thessalians use; for all Thessalians call the god Aplun. And because he is always by his archery controller of darts (bolôn) he is ever darting (aei ballôn).

And with reference to music we have to understand that alpha often signifies "together," and here it denotes moving together in the heavens about the poles, as we call them, and harmony in song, which is called concord; for, as the ingenious musicians and astronomers tell us, all these things move together by a kind of harmony.

And this god directs the harmony, making them all move together, among both gods and men; and so, just as we call the homokeleuthon (him who accompanies), and homokoitin (bedfellow), by changing the homo to alpha, akolouthon and akoitin, so also we called him Apollo who was Homopolo, and the second lambda was inserted, because without it the name sounded of disaster (apolô, apolôla, etc.)."

This is not completed and I will add more to prove that what John called SORCERY is the approved PATTERNISM for the end time churches.

Instrumental Music as Religious Sorcery

DEUTERONOMY 18 THE ABOMINATION OF THOSE NATIONS Deut. 18:10 There shall not be found among you any one that maketh his son or his daughter to pass through the fire, or that useth divination, or an observer of times, or an enchanter, or a witch,

Plato, Euthydemus [289d] On what proof do you rely? I asked.

DEUTERONOMY 18 THE ABOMINATION OF THOSE NATIONS

Deut. 18:10 There shall not be found among you any one that maketh his son or his daughter to pass through the fire, or that useth divination, or an observer of times, or an enchanter, or a witch,

Plato, Euthydemus

[289d] On what proof do you rely? I asked.