John Mark Hicks Mark 10 They Shall Mock Him
With Music
John Mark Hicks Earl Lavender Lipscomb University and
Woodmont Hills EX-church of Christ. Musical Instruments
were known on clay tablets to induce mental arousal (laden
burden) to intimidate lamb owners that the gods were speaking
to and through them. There are TWO RACES on the earth:
those OF the World (Aborigines), Kosmos or Ecumenical are the
Kingdom of the Devil. They cannot tolerate the MAN
Jesus who came in the FLESH 30 years before God made him to be
both Lord and Christ of His new Creation which is RESERVED UNTO FIRE.
John Mark Hicks has been the Spark Plug to start the end of
Musical Delusion as Sorcery and "BEING CAST ALIVE INTO THE
LAKE OF FIRE." His dream has come true along with Earl
Lavender representing the fall of Lipscomb into the hands of
the Instrumental Sectarians which began with Jubilee 1989 a
few years after the last Hostile takeover attempt by the
Disciples-Christians by the invention of the PSALLO
word as singular authority to deliberately sow discord.
It is IMPOSSIBLE for a Christian, Disciple or
Student-only to even hallucinate any MUSICAL connection to
what is always identified as a day of rest as SCHOOL.
Paul said that the cunning Craftsmen or Sophists as
speakers, singers or instrument players are LYING IN WAIT TO
DECEIVE. Otherwise you cannot "use one mind and one
mouth to SPEAK that which is WRITTEN for our LEARNING.
ANY kind of tuneful singing or speaking is the Field boss'
Labor-Inducing work-song. Without the music which is,
in the Greek, an inducer of KOMA the false teachers
understand that you would, as Paul commands in Ephesians 4
Eph. 4:14 That we henceforth be no more children, tossed to
and fro,
and carried about with
every wind of doctrine, by the sleight of men,
and cunning craftiness, whereby they lie in wait to deceive;
Eph. 4:15 But SPEAKING the TRUTH in love,
may grow up into him
in all things, which is the head, even Christ:
- There is NOTHING we would call
MUSIC in the entire Body of Scriptures.
- The Spirit OF Christ (God putting His
WORDS into the MOUTH) of Inspired persons Identified
Lucifer as the singing and harp-playing prostitute in the
garden.
- The word for singing speaks of a traveling
merchant including harlots. This
singing was and is a high pitched, unnatural sound.
- After the "Jews" fell into instrumental-trinitarian-perverted
"play" meaning singing and playing instruments the eternal
mark of those who "play" with one another. ROMANS CHAPTER ONE. Moses
wrote Genesis 49 which cursed Levi and commanded that
people never enter into covenant with them or attend their
"synagogues.
- Genesis.49.Levi.Cursed.Wait.for.Shiloh
- The Doctors of the Law Jesus said "who
take away the key to knowledge." That KEY is having A
personal holy spirit without which "scholars" prove that
they cannot read BLACK text on BROWN paper. Jesus
also called them Hypocrites by reference to Isaiah 29 or
Ezekiel 33. Those who CONCEIVE TO DECEIVE do not
know that the Spirit OF God which later informed Jesus are
"performance preachers for HIRE, singers or instrument
players.
Shiloh is Messiah and literally means REST.
The Greek PAUO has the same meaning as SABBATH
or REST. Contrary to your Theological Serf
Leaders, Those who SANG and PLAYED were "turned over to
worship the starry host" and the Levites made NOISE to "Make
the Lambs dumb before the slaughter" (still works,
huh?). That warned any GODLY person who had NOT been
abandoned to Hard Bondage (worship) that if they even came
near they would be executed by the never-musical noise makers.
Neither God the Father nor the MAN Jesus of Nazareth in the
STATE of Holy Spirit (never a person) ever called people out
of their rest to engage in group singing with or without
instruments. HE cannot be so insulted without imposing
some BURNING always connected with singers, instrument players
or any craftsman whose LEGALISTIC WORK claiming money was
always called SORCERY.
So, you have heard it straight from
Jesus:"Go enjoy an ice cream cone, sleep late, go for a long
walk in the forest or along the beach, and just relax."
Pauo means stop the polemos or battle, fight, war: stop levying war against another, anaireisthai or airô egeirein, kathistanai, epagein to begin a war; p. poieisthai to make war, --
opp. to p. anapauein, kataluesthai to put an end to it, make
peace, all in attic
The singing which is to
PAUSE to give rest is b. mostly of things, make an end of,
stop, abate
Stop
the: Melōd-eō ,A. chant,
sing, Ar.Av.226,
1381, Th.99:—Pass.,
to be chanted, “ta rhēthenta ē melōdēthenta” Pl.Lg.655d,
cf. Chamael. ap. Ath. 14.620c; to be set to
music, Cleanth. ap. Phld.Mus.p.98
K.; ta melōdoumena diastēmata used in music,
Plu.2.1019a. II.
chant, choral
song, melôidias poiętęs, lullaby, generally, musispauō , Il.19.67,
etc. ;
Stop the: lupas ōdais p. E.Med.197
(anap.), etc. ; p. toxon let the bow rest,
Od.21.279
Stop
the: 2.
c. acc. pers. et gen. rei, hinder, keep back, or give
one rest, from a thing, p. Hektora makhēs, ponoio Akhilēa, Thamurin aoidēs,
Pauo means: Stop
worshipping the MUSES
Stop
the: 3. c. pres. part., stop
a person from leave off doing . . , hoth' hupnos heloi, pausaito te nēpiakheuōn when he
stopped playing
Stop
the: later paēsomai （ana-) Apoc.14.13
Stop
the: of one singing
or speaking, 17.359, Hdt.7.8.d : generally, Med. denotes willing,
Pass. forced, cessation.
Stop
the rhapsōd-os , o(, A.
reciter of Epic poems, sts. applied to the
bard who recited his own poem, professional
reciters, esp. of the poems of Homer, Hdt.5.67,
Pl.Ion 530c,
etc.: also rh. kuōn, ironically, of the
Sphinx who chanted her riddle, S.OT391
(Prob. from rhaptō, aoidē; Hes.Fr. 265 speaks of
himself and Homer as en nearois humnois rhapsantes aoidēn, and Pi.N.2.2
calls Epic poets rhaptōn epeōn aoidoi:
Stop
the orkheomai , 2.
represent by dancing or pantomime,
III. Act. orkheō , make to
dance (v. Pl.Cra.407a),
is used by Ion Trag.50, ek tōn aelptōn mallon ōrkhēsen phrenas made my
heart leap
kata-pauô put an end
to, stop
3. depose from power, k. tina
tęs archęs, tęs basilęďęs, Hdt.4.1, 6.64; tous turannous
Id.5.38 , cf. 2.144, 7.105; Mousas depose them from their honours, cease
to worship them, E. HF685 (lyr.):--Pass., tęs
basilęďęs katepausthę Hdt. 1.130 , cf. 6.71.
The little flock God sent Jesus to rescue are Lost Spirits,
not OF the World, Pilgrims and
sojourners. People whose purpose is to Steal the church
houses of widows and honest workers are Scribes (writers) and
Pharisees (preachers of their own songs and sermons."
Those who Rob Temples or Churches always claim that A spirit
is leading them. That is true, SPIRITUS in the latin
literature points to Apollon, Apollyon or Abaddon: He is the
leader of the now-unleashed LOCUSTS who are His
Musical Worshp Team.
The Babylonian Mother of Harlots uses Lusted after Fruits
as speakers, singers or instrument players. The Mill
Stone soundd is "piping" and locates the prostitutes.
All professional religionists are called Parasites, Cunning
Craftsmen or Sophist (Ephesians 4). They are not
Biblically Illiterate as it appears of the "scholars" but Paul
said that they are LYING IN WAIT TO DECEIVE. Of those
who go beyond the Once Delivered Truth, Jude speaking of the
Exodus Instrumental-Trinitarian-Perverted PLAY which was
BEYOND REDEMPTION as FORE ORDAINED.
Musical Worship Teams are more to be pitied and held in
contempt than "worshipped." Such self-exhibition is
Purpose Driven to Divert everyone's attention to utterly false
preaching. It may look like Biblically Illiteracy but in
Ephesians 4 Paul said of the Cunning Craftsmen or
Sophists--speakers, singers or instrument players--that they
are LYING IN WAIT TO DECEIVE.
If people confessed to be Purpose Driven to REpurpose your
church house and family to their own purposes (defines
Heresy) they will not hesitate to DIVERT your not
commanded Tithes and Offerings to someone else. All
that they preach and teach can be shown from Scripture as
telling God's Holy Spirit that He is a liar.
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Literature Psallo “psallere saltare ēlĕgans I.
In the ante-class. period in a bad sense, luxurious,
effeminate, fastidious,
nice: elegans homo non dicebatur cum laude
“mulier (Phryne—with formo : “nec magis compositum
elegans, quam oratorium
măgus ,
a, um, adj. 1. magus,
I.magic, magical
(poet.): “artes,”
Ov. Am.
1, 8, 5: “manus, id. Med. fac. 36: carmen,” Sen.
Herc. Oet. 467.
artes
“ars grammatica,”
grammar, Plin.
7, 39, 40, § 128: “rhetorica,”
Quint.
2, 17, 4: “musica,” poetry,
Ter.
Hec. prol. 23: “musica,” music,
“ars Apollinea
he used witchcraft “ars eloquentiae
Phrȳnē , ēs, f., =
Phrunē.
II. A Roman
courtesan, Hor. Epod.
14, 16.—
Quint.
Inst. 2 15.9 So
also according to general opinion Phryne was
saved not by the eloquence of
Hyperides, admirable as it was, but by the
sight of her exquisite body, which she further
revealed by drawing aside her tunic. And if
all these have power to persuade, the end of
oratory, which we are discussing, cannot
adequately be defined as persuasion.
componere
Plin. praef. § 25: carmen,”
Cic. Mur.
12, 26: “carmina,” Tac. Or. 12; id. A. 3,
49: “epistulas,
blanditias tremulā voce,” T
2.
In a bad sense, soft, effeminate,
unmanly, weak (syn. effeminatus):
“philosophus tam mollis, tam languidus, tam enervatus,” Cic. de Or.
1, 52, 226: “Sabaei,” Verg. G. 1,
57: “viri molles, i. e. pathici,”
Liv. 33, 28;
Sen. Ep. 87:
“disciplina,” effeminate,
pathicus. I.who
submits to unnatural lust, pathic;
of men: “Aureli pathice et cinaede Furi,”
extortioner in Tithes and Offerings
căno , cĕcĭni,
cantum (ancient I.imp. cante =
canite, “once canituri,” Vulg. Apoc. 8, 13),
3, v. n. and a. [cf. kanassō, kanakhē, konabos; Germ. Hahn;
Engl. chanticleer; kuknos, ciconice;
Sanscr. kōkas = DUCK; A. With
carmen, cantilenam, versus, verba, etc., to
sing, play, rehearse,
recite there is no occasion
for singing, i. e. for imagination, fiction
ad chordarum sonum
Tibia Prop. 4 (5), 9,
30.—C.
[select] Transf., of
instruments, to sound, resound: “pastoris bucina cantat,” Prop. 4 (5), 10,
30. “cantabat fanis, cantabat tibia ludis,” Ov. F. 6, 659 sq.
Prop. 4 (5), 9,
30.—
C.
Transf., of instruments, to
sound, resound: “pastoris bucina cantat,” Prop. 4 (5),
10, 30. “cantabat fanis, cantabat tibia ludis,” Ov. F. 6, 659
sq.
Artus "To make strait, narrow."
Aristotle:
Melody Deceives: "Poets also make
use of this in inventing words, as a melody "without
strings" or "without the lyre"; for they employ
epithets from negations, a course which is
approved in proportional metaphors..
- The form of
diction should be neither metrical nor without rhythm.
- If
it is metrical, it lacks
persuasiveness, for it appears
artificial, and at the same time it distracts the
hearer's attention, since it sets
him on the watch for the recurrence of such and such a cadence..
According to
Philo, the gods of the pagans exploit this weakness
of men. For the sake of a better effect, and with the
intention of more easily cheating
their devotes, that they have set
their lies to melodies, rhythms and meters.." Click for more.
"Philodemos considered it
paradoxical that music should be regarded as
veneration of the gods while musicians were paid for
performing this so-called
veneration. Again, Philodemus held as self-deceptive the view that music
mediated religious ecstasy. He saw the entire
condition induced by the noise of cymbals and
tambourines as a disturbance of the spirit. (Paul called it mad or insane) He found it significant that, on
the whole, only women and effeminate men
fell into this folly."
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QUEST | Room 205E | Earl Lavender. The Lipscomb Patternism
The Quest class
(formerly, Early Birds) meets every Sunday for an in-depth
look at scripture. It is a wonderful gathering of wisdom and
insight for all ages.
Current topic: Matthew
EXPLORING
THE WORD | Room 205E | Rob McRay & John Mark
Hicks
This is a group who loves to
study the biblical texts in depth. We are
seeking the meat of the WORD, and how
that shapes how we live in the present world.
Topic: Mark
Jesus marks Trinitarians as BLASPHEMERS.
John marks them as ANTICHRIST.
John also identifies the Another Comforter or Paraclete as
Jesus Christ the Righteous in His new STATE of Holy Spirit.
Never believe anyone who claims that a Holy Spirit God is
leading them. They are intimidating and this is psychologica
Violence.
He
was led as a sheep to the slaughter
so opened he not his
mouth:
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Psalm 41 defines Judas and is an ancient
part of the Dead Sea Scrolls. It defines how the
warrior musicians would Mock the future Messiah
to silence His voice and to prove their superiority over
him. KOMA is caused by Musical Instruments which dare
anyone to object.
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The end-times lying about and making the
School (only) of Christ (only) into a "worship ritual."
This is mocking the faithful "owners" and proving that
they DOMINATE as GOATS the tiny flock of lambs. As
Scribes and Pharisees they are marked by Jesus as
speakers for HIRE, singers or instrument players.
The MARK is defacto silencing the mouth of the Victim as
Sacred Violence and instruments are always the signs of
BURNING.
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Woodmont Hills
Family of God the SEED planted by John Mark Hicks
bears FRUITS.
The Seed also
planted by Rubel Shelly
Psalm 41 prophesied that Judas would not triumph
over Jesus. He did but not for very long. To
triumph over or alarm--outlawed for the Church in the
wilderness--is "vocal or instrumental rejoicing."
That was a RESERVED word to cause the DISCIPLES to flee.
DSS: "The priests shall blow the
trumpets of MASSACRE,
and the Levites and all the blowers of the ram's horn
shall sound a battle alarm,
and
the foot soldiers shall stretch out their hands against the
host...
and
at the sound of the alarm they shall begin to bring down the slain.
All
the people shall cease their clamor,
but the priests shall continue to blow the trumpets of massacre." -
War Scroll DSS:
But Thou, O
God, dost despise
all Satan's designs;
it is Thy purpose that they shall be done
and the design of Thy heart that shall be established for
ever.
As
for them, they dissemble,
they plan devilish schemes.
They
seek Thee with a double heart
and
are not
confirmed
in Thy truth.
DSS: They
come to inquire of Thee
from
the mouth of lying prophets deceived by error (Eze 13)
Who speak with strange lips to Thy people,
and an alien tongue,
That
they may CUNNINGLY turn all their work to folly.
DSS: For
Thou, O God, hast sheltered me from the children of men
And
hast hidden Thy Law within me
against
the time when Thou shoudst
reveal
Thy salvation to me. (Isaiah 11:1-3)
DSS: All who have eaten my bread
have
lifted their heel against me (cf John 13:18)
And
all those joined
to my Council
have
mocked me with wicked lips. (Children piping and chiding.)
DSS: Thy
members of my
Covenant
have
rebelled and
have murmured round about me;
They
have gone
as talebearers
before
the children of mischief
concerning
the mystery which Thou hast hidden in me..
DSS: They have overtaken me in a narrow pass (gap) without escape
And there is no rest for me in my trial.
They
sound my
censure upon a harp
and their murmuring and storming upon a zither." Ps.41:1 9
DSS: My strength has gone from my body
and my heart runs out like water;
my flesh is dissolved (melted) like wax
and the strength of my loins
is turned to fear.
DSS: My arm is
torn from its
socket
and
I can lift my hand no more;
My
foot is held by fetters
and
my knees slide
like water;
I can no longer walk
DSS: I cannot step forward
lightly,
For my legs and arms are
bound by shackl
which cause me to stumble.
The tongue is gone back which Thou didst
make marvelously mighty within my
mouth;
it can no longer give voice.
I have no word for my disciples
to
revive the spirit of those who stumble
and
to speak words of support to the weary.
My
circumcised lips are dumb.
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DSS: And at the beginning of
their weeks for the season of JUBILEE. All
my life the engraved Precept
shall be on MY
tongue
as the fruit of praise
and the portion of MY lips.
I will sing with
knowledge and all my music shall be for the glory
of God. (MY) lyre (and) my harp shall sound for His holy order and I will tune the pipe of MY
lips
to His right measure.
Heb 13:14
For here have we no continuing city, but
we seek one to come.
Heb 13:15 By him therefore let us offer the
sacrifice to
God continually, that is, the fruit of our lip giving thanks
to his name.
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XV. A Psalm. Of
Solomon. With a Song.
- 1 When I was in distress I called
upon the name of the Lord,
- I
hoped for the help of the God of Jacob and was
saved;
- 2 For the hope
and refuge of the poor art Thou, O God.
- 3 For who, O
God, is strong except to give thanks unto
- Thee in
truth?
- 4 And wherein
is a man powerful except in giving thanks to Thy name?
- 5 A new psalm
with song in gladness of heart,
-
The fruit of the lips with the
-
well-tuned instrument of the tongue,
- The firstfruits of the lips from a pious and
righteous heart
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Jeremiah
11:17 For the LORD of hosts, that planted thee, hath
pronounced evil against thee,
for the evil of the
house of Israel and of the house of Judah,
which they have done against themselves to provoke me to
anger in offering incense unto Baal.
Psa. 44:20 If we have forgotten the name of our God,
or stretched out our
hands to a strange god;
Jer. 23:25 I have heard what the prophets
said,
that prophesy
lies in my name,
saying, I have
dreamed, I have dreamed.
Jer. 23:26 How long shall this be in the heart of the
prophets that prophesy lies?
Yea, they are prophets
of the deceit of their own heart;
Jer. 23:27 Which think to cause my people to forget my
name
BY THEIR DREAMMS
which they tell every man to his neighbour,
as their fathers have
forgotten my name for Baal.
Out of several million Israelites who were sentenced
back to Babylon because of musical idolatry:
Rom. 11:4 But what saith the answer of God unto him?
I have reserved to
myself seven thousand men,
who have not bowed
the knee to the image of Baal.
Jeremiah 11:18 And the LORD hath given me knowledge of
it,
and I know it: then
thou shewedst me their doings.
Jeremiah 11:19 But I was like a
lamb or an ox that is brought to the slaughter;
and I knew not
that they had DEVISED DEVISES
against me,
saying, Let us destroy the
tree with the fruit thereof,
and let us cut him
off from the land of the living,
that his
name may be no more remembered.
Those who get a vision to MOCK JESUS in fulfillment of
prophecy ALSO rush to remove CHRIST from their
public confession. The Levites were called
soothsayer-sorcerers: they played loud instruments to make the
lambs AND INFANTS dumb before the slaughter or burning.
Ex. 32:25 And when Moses saw that the ople were NAKED
; (for Aaron had made them naked unto their shame
among their enemies:)
Ex. 32:25 Moses saw that the people were running wild
and that Aaron had let
them get out of control and so become a laughingstock to their
enemies
Lam. 3:14 I became the laughingstock of all my people;
THEY MOCK ME IN SONG ALL
DAY LONG
KOMA is caused by musical instruments because melody shuts
down the rational or spiritual brain.
mansŭesco
,
I.
Act., to tame, to make tame B. Trop.,
to render mild, gentle, or peaceable:
gentes mild, soft,
gentle, quiet
“nam me jam ab orationibus dijungo fere, referoque ad mansuetiores Musas,” Cic. Fam. 1, 9,
23: “ira,” Ov. Tr. 3, 6, 23.—
dēlūbrum
, i, n. de-luo, the place of expiation, cella [holy
place as a house only for a god]“noctu
audita
ex
delubro
vox
est,
etc.,”
Liv. 29, 18:
“so
coupled
with
templa,”
id. 30, 20:
wickedly, profanely illūdo
to play at or with any thing, to sport
with, amuse one's self with
(syn. colludo; cf. ludificor). 1. To
make sport or game of, to jest, mock,
or jeer at, to ridicule (class.).
1. To scoff or mock at, to
make a laughing-stock of, to
ridicule ipsa
praecepta
(rhetorum),”
Cic. de Or. 1, 19, 87:
“voces
Neronis,
quoties
caneret,”
Tac. A. 14, 52:
verbis virtutem superbis, Verg. A. 9, 634.—
Mūsa
, ae, f., = Mousa,
I.a muse, one of the goddesses of
poetry, music,
“Musarum
delubra,”
Cic. Arch. 11, 27:
“hic
Musarum
parens
domusque
Pieria,
Mela,
2, 3, 2: crassiore
Musā,
A. A song, a poem: “musa
procax,”
Hor. C. 2, 1, 37
Dumb means the inability to MEDITATE on
what is going on.
cōgĭto
The command is to SPEAK the Word and MEDITATE in the heart:
not to make music.
Cogitation in a rational sense can be stopped by (d).
With de: “cogitavit
etiam
de
Homeri
carminibus
abolendis,”
H2986 yâbal yaw-bal' A primitive
root; properly to flow; causatively to bring (especially
with pomp):—bring (forth), carry, lead (forth).
H4284machăshâbâh machăshebeth makh-ash-aw-baw',
makh-ash-eh'-beth From H2803 ; a contrivance, that is,
(concretely) a texture, machine, or (abstractly) intention,
plan (whether bad, a plot; or good, advice):—cunning (work),
curious work, device (-sed), imagination, invented,
means, purpose, thought.
H2803 châshab khaw-shab' A primitive root; properly to
plait or interpenetrate, that is, (literally) to
weave or (generally) to fabricate; figuratively to
plot or contrive (usually in a malicious sense); hence (from
the mental effort) to think, regard, value, compute:—(make)
account (of), conceive, consider, count, cunning (man, work,
workman), devise, esteem, find out, forecast, hold, imagine,
impute, invent, be like, mean, purpose, reckon (-ing be
made), regard, think.
It is not remotely possible that anyone who had simply read the
Bible could even hallucinate any "musical" content in the
assembly of the Godly people: Christ ordained the Church in the
Wilderness and the Holy Convocation is exclusive of vocal or
instrumental rejoicing or rhetoric as in self-speak songs and
sermons.
Paul said that Christ gave APT elders to first remove the
cunning craftsmen or Sophists: these are rhethoricians, singers,
instrument players, actors or STAFF since the word for Religious
Performers was PARASITE. Paul said that they must be REMOVED and
not allowed to train young men because THEY
LIE IN WAIT TO DECEIVE. They lie as a
burnable offense because the claim that God commanded
instruments: since He DID NOT that makes them deliberate
blasphemers. Second, the definition of the serpent or musical
enchanter in the garden of Eden is that he is slick, winding,
devious.
Their deliberate great tribulation will soon come to an end but
God sends strong delusions to liars and they PERFORM LYING
WONDERS. These are religious observations to which the kingdom
does not come and involve self-speakers and self glorifers,
singers, instrument players, actors or STAFF. The Spirit
OF Christ in the prophets called the NOT COMMANDED
Civil-military-clergy robbers and parasites.
Acts 8:32 The place of the scripture which he read was
this,
He was led as a
sheep to the slaughter;
and like a lamb dumb
before his shearer, so opened he not
his mouth:
Matthew 27:29 And when they had
platted a crown of thorns, they put it upon his head,
and a reed in his right hand: and they bowed the
knee before him,
and MOCKED him, saying, Hail, King of the Jews!
Matthew
27:28 And they STRIPPED him, and put on him a scarlet
robe.
Matthew
27:31 And after that they had MOCKED him, they
took the robe off from him,
and put his own raiment on
him, and led him away to crucify him.
Empaizō
, fut. to be deluded II. sport
in or on, “hōs
nebros
khloerais
e.
leimakos
hēdonais”
E.Ba. 866
(lyr.); tois
khoroisin
e.
to sport in the dance, Ar.Th.975;
“tō
gumnasiō”
Luc.Lex.5.
-Prospaizô , 2. abs., sport, jest, 3. laugh
at, make fun or sport of, sing to the gods, sing in their praise or honour, 2. banter, tous rhętoras
2
Peter 3 Marks of the End Time Mockers
2 Peter 3:2 That ye may
be mindful of the
words which were spoken before by the holy prophets,
and of the commandment
of us the apostles of the Lord and Saviour:
That is the CURRICULUM for DISCIPLES who
attend the School of the Word and not pagan
ceremonial legalism
2 Peter 3:3 Knowing this first,
that there shall come in
the last days SCOFFERS,
walking after their
own lusts,
LEADER OF THE CHORUS
-Aristoph. Thes.[947] Let us
now devote ourselves to the SPORTS which the women
are accustomed to celebrate here, when time has
again brought round the mighty Mysteries of the GREAT
GODDESSES sacred days which
Pauson himself honours by fasting and would wish feast to
succeed feast, that he might keep them all holy. Spring
forward with a light step, whirling in mazy
circles; let your hands interlace, let the eager and
rapid dancers sway to the MUSIC and
glance on every side as they move. -
Great Goddesses:
Paizo dance, play a game, 4. play
on a musical instrument, h.Ap.206:
c. acc., Pan ho kalamo phthongapaizôn [played on a reed]Ar.Ra.230
; dance and sing, Pi.
O.1.16.5. play amorously,
prosallęlous X.Smp.9.2
; metatinosLXX
Ge.26.8 ; of mares, Arist.HA572a30.
PAUL SILENCES
BOTH MALE AND FEMALE TO PREVENT AN OUTBREAK OF WRATH OR AN
ORGY.
-Orgia sacrifices to Aphrodite
A.secret
rites, secret worship, practised by the initiated, of the Cabeiri and Demeter
Achaia, most freq.
of the rites of Dionysus, Cogn erdō,
rhezō,
cf. ergon,
orgeōn.）
Kukleo whirl round and round,
encompass [959] Chorus Let the chorus sing
likewise and praise the Olympian gods in their pious
transport. It's wrong to suppose that, because I am a woman
and in this temple, I am going to speak ill of men; [966] but since we want something
fresh, we are going through the rhythmic
steps of the round dance for the first time.
Matthew 27:29 And when they had platted a crown of thorns,
they put it upon his head,
and a reed in his right hand: and they bowed the knee before
him,
and mocked him, saying, Hail, King of the Jews!
2 Peter 3 Marks of the End Time
Mockers
2 Peter 3:2 That ye may
be mindful of the
words which were spoken before by the holy prophets,
and of the commandment
of us the apostles of the Lord and Saviour:
That is the CURRICULUM for DISCIPLES who
attend the School of the Word and not pagan
ceremonial legalism
2 Peter 3:3 ¶ Knowing this first,
that there shall come in
the last days scoffers,
walking after their
own lusts,
LEADER OF THE CHORUS
-Aristoph. Thes.[947] Let us
now devote ourselves to the SPORTS which the women
are accustomed to celebrate here, when time has
again brought round the mighty Mysteries of the great
goddesses, the sacred days which Pauson himself
honours by fasting and would wish feast to succeed feast,
that he might keep them all holy. Spring forward
with a light step, whirling in mazy circles;
let your hands interlace, let the eager and rapid dancers
sway to the music and glance on every side as they
move. -
Great Goddesses:
Paizo dance, play a game, 4. play
on a musical instrument, h.Ap.206:
c. acc., Pan ho kalamo phthongapaizôn [played on a reed]Ar.Ra.230
; dance and sing, Pi.
O.1.16.5. play amorously,
prosallęlous X.Smp.9.2
; metatinosLXX
Ge.26.8 ; of mares, Arist.HA572a30.
-Orgia sacrifices to Aphrodite
A.secret
rites, secret worship, practised by the initiated, of the Cabeiri and Demeter
Achaia, most freq.
of the rites of Dionysus, Cogn erdō,
rhezō,
cf. ergon,
orgeōn.）
Kukleo whirl round and round,
encompass [959] Chorus Let the chorus sing
likewise and praise the Olympian gods in their pious
transport. It's wrong to suppose that, because I am a woman
and in this temple, I am going to speak ill of men; [966] but since we want something
fresh, we are going through the rhythmic
steps of the round dance for the first time.
The BEAST or Therion is "A new style of music or Satyric
Drama" (Pan, cappella fetish)
