John.York.1.Corinthians.10.Musical.Idolatry

1Cor. 10:7 Neither be ye idolaters, as were some of them; as it is written, The people sat down to eat and drink, and rose up to play.
1Cor. 10:20 But I say, that the things which the Gentiles sacrifice,
        they sacrifice to devils, and not to God:
        and I would not that ye should have fellowship with devils.
1Cor. 10:21 Ye cannot drink the cup of the Lord, and the cup of devils:
         ye cannot be partakers of the Lord’s table, and of the table of devils.

1Cor. 10:1 Moreover, brethren, I would not that ye should be ignorant,
        how that all our fathers were under the cloud, and all passed through the sea;

THE ONE PIECE PATTERN FOR THE CHURCH DEMANDED OF THE LORD'S SUPPER

The Church in the Wilderness or Synagogue for READING and REMEMBERING the Word of God was held on the FIRST and EIGHTH days of the national gatherings. When settled, the "Jews" were restricted to their isolated settlements and NEVER attended "worship" at the Temple. The PATTERN;

Acts 15:21 For Moses of old time hath in every city them that preach him, being read in the synagogues every sabbath day.

The RULERS in Israel and a church near you were IGNORANT because the established their own PATTERN.

Acts 13:27 For they that dwell at Jerusalem, and their RULERS,
        because they knew him not,
        nor yet the VOICES  of the PROPHETS
        which are READ every sabbath day,
        they have fulfilled them in condemning him

THE PATTERN OF JESUS

Luke 4:16 And he came to Nazareth, where he had been brought up:
         and, as his custom was,
         he went into the synagogue on the sabbath day, and stood up for to read.

Acts 13:15 And after the
        READING of the law and the prophets the rulers of the synagogue sent unto them,
        saying, Ye men and brethren, if ye have any word of exhortation for the people, say on. 

Acts 13[15] post lectionem autem legis et prophetarum miserunt principes synagogae ad eos dicentes viri fratres si quis est in vobis sermo exhortationis ad plebem dicite

EXHORTATIO   exhorting, exhortation, encouraging. 
“studiorum,” Quint. 12, 11, 25.

A. LECTIO B. DIVINA GOD'S PATTERN

A.  LECTIO  , ōnis, f. lego.I. A gathering, collecting. A reading, perusal; a reading out, reading aloud.
that which is read, reading, text (post-class.): “lectio tamen docet, 
“juris lectiones,” passages of the laws,

dŏcĕo   know; strengthened, dak-; Gr. didaskō; Lat. disco,

Rom. 15:4 For whatsoever things were WRITTEN AFORETIME
        were written for our LEARNING, that we through patience and COMFORT of the SCRIPTURES might have hope.

A.  DIVINUS  I. of or belonging to a deity, divine “divina studia colere  divina facta, i. e., religious exercise, divine worship, sacrifice, etc Divine ORIGIN.
B.  2. The divine, that which comes from God, nihil est divino divinius, Sen. Ep. 66, 11.— 3. That which is under the sanction of a god; a. By divine inspiration, prophetically: “plura divine praesensa et praedicta reperiri
    Divine stŭdĭum , I. a busying one's self about or application to a thing; assiduity, zeal, eagerness, fondness, inclination, desire, exertion, endeavor, study: (b). A place for study, a study, school (late Lat.): “philosophum (se egit) in omnibus studiis, templis, locis,”

Sen. Ep. 66.11     For right reason is single and of but one kind. Nothing is more divine than the divine, or more heavenly than the heavenly

Heb. 5:12 For when for the time ye ought to be teachers,
        ye have need that one teach you again which be the
        first principles of the ORACLES of God;   [LOGOS]
        and are become such as have need of milk, and not of strong meat.
1Pet. 4:11 If any man SPEAK,
        let him speak as the oracles of God;
        if any man minister, let him do it as of the ability which God giveth:
        that God in all things may be glorified through Jesus Christ,
        to whom be praise and dominion for ever and ever. Amen

THE DIRECT COMMAND IS TO SPEAK THE ORACLES OR LOGOS OF GOD.

La^l-eō  in LXX, Ge.12.4, al.; “basileōs  [King] enantion” [OPPOSITE] Ezek.Exag.118; “pros tina” Act.Ap.3.22, cf. Luc.Vit.Auct.3, etc.; “peri tēs lexeōs”

Aesch. Ag. 40
Opposite

The case now stands where it stands—it moves to fulfilment at its destined end. Not by offerings burned in secret, not by secret libations, [70] not by tears, shall man soften the stubborn wrath of unsanctified sacrifices.²

2 “Unsanctified,” literally “fireless,” “that will not burn.”

But we, incapable of service by reason of our aged frame, discarded from that martial mustering of long ago, wait here at home,

BUT PRO: Acts 3.22  For Moses indeed said to the fathers, 'The Lord God will raise up a prophet to you from among your brothers, like me. You shall listen to him in all things whatever he says to you.

“peri tēs lexeōs”

lexis , eōs, hē, (legō B)

A.speech, OPPOSITE. ōdē, Pl.Lg.816d; l. ē praxis speech or action,
4. text of an author, opp. exegesis,
the very words, Ath.7.275b,

Pl.Lg.816d The actions of ugly bodies and ugly ideas and of the men engaged in ludicrous comic-acting, in regard to both speech and dance, and the representations given by all these comedians—all this subject we must necessarily consider and estimate. For it is impossible to learn the serious without the comic,

Plat. Rep. 396c  the really good and true man would narrate anything that he had to say, and another form unlike this to which the man of the opposite birth and breeding would cleave and which he would tell his story.

OPPOSITE 

ōdē , hē, contr. for aoidē, 
“oxutonous ō. thrēnēsei” Id.Aj.631    but also of joyful songs, songs of praise, “kallinikos”

THE FEMINIST THEOLOGY HEARS A VOICE TELLING THEM TO----

La^l-eō  III.   of musical sounds, “aulō laleō” Theoc.20.29; of trees, v.supr.1.2; “di'aulou ē salpiggos l.” Arist. Aud.801a29; of Echo, D.C.74.14: also c.acc. cogn., magadin lalein sound the magadis, Anaxandr.35.

1Cor. 10:2 And were all baptized unto Moses in the cloud and in the sea;

1Cor. 10:3 And did all eat the same spiritual meat;

1Cor. 10:4 And did all drink the same spiritual drink:
        for they drank of that spiritual Rock that followed them:
        and that Rock was Christ.

1Cor. 10:5 But with many of them God was not well pleased:
        for they were overthrown in the wilderness.

1Cor. 10:6 Now these things were our examples,
        to the intent we should not lust after evil things, as they also lusted.

tup-oō , A.form by impress, receive a form, be modelled,
III. ordain, decree,
IV. execute in due form,

epistol-ē , hē, (epistellō) A.anything sent by a messenger, message, order, commission, whether verbal or in writing ex epistolēs by command, like grammata,

Tup-os u^, ho, (tuptō) IX. prescribed form, model to be imitated, 2. general instruction, b. rule of life, religion,

1 Pet. 3:21 The like figure (Antitupon or Antitype counterpart) whereunto
        even BAPTISM DOETH ALSONOW SAVE US
        (not the putting away of the filth of the flesh,
        but the answer of [Appeal FOR] a good conscience toward God,)
        by the resurrection of Jesus Christ:

But God be thanked, that ye were the servants of sin,
        but ye have obeyed from the heart that form (tupos a model for imitation) of doctrine
        which was delivered you. Ro 6:17
But now being
        made free from sin, and
        become servants to God, ye
        have your fruit unto holiness, and
        the end everlasting life. Ro 6:22

2 Thess 3:9 Not because we have not power,
but to make ourselves an ensample unto you to follow us.

Anti (g473) an-tee'; a prim. particle; opposite, i.e. INSTEAD or because of (rarely in addition to): - for, in the room of. Often used in composition to denote contrast, requital, SUBSTITUTION, correspondence, etc.

1. We are baptized by GRACE instead of having to build an Ark or drown
2. We are baptized by GRACE instead of having to cross the Red Sea or be destroyed by FAITH ONLY when God said "Quit whining, lift up your arm and MOVE into the jaws of death.
3. We are baptized by GRACE instead of having to be pinned on a stake and shed OUR blood.

THEY FOLLOWED THE JAY GUIN PATTERN FOR THE LAW OF SILENCE AND INSTRUMENTAL WORSHIP:

1Cor. 10:7 Neither be ye idolaters, as were some of them; as it is written, The people sat down to eat and drink, and rose up to play.

paizō ,   2. esp. dance, “paisate” Od.8.251; “dōma peristenakhizeto possin andrōn paizontōn” 23.147, cf. Hes.Sc.277; “p. te kai khoreuein” Ar.Ra.409, cf. 390; “enoplia khalkōtheis epaizen” Pi.O.13.86:—Pass., alla pepaistai metriōs hēmin, of the chorus, Ar. Th.1227.

See Jay Guin's use of the PATTERN in dancing in worship.

Their rising up AGAINST god and dancing included:

4. play on a musical instrument, h.Ap.206: c. acc., “Pan ho kalamophthogga paizōn” Ar.Ra.230; dance and sing, Pi. O.1.16

Ar.Ra.230 Mousai 230kai kerobatas Pan ho kalamophthogga paizōn: prosepiterpetai d' ho phormiktas Apollōn,

Aristoph. Frogs 225 Rightly so, you busybody. the Muses of the fine lyre love us And so does horn-crested Pan, playing his reed pipe. And the harpist Apollo delights in us as well, On account of the reed, which as a bridge for his lyre Apollōn , ho, Apollo: Abaddon, Apollyon The name of a NUMBER phorm-iktēs , ou, Dor. phorm-miktas , ho, A. lyre-player, of Orpheus, Pi.P.4.176 phorm-iktos , ē, on, A. sung TO the phormigx, kai peza kai ph. (sc. melē) S.Fr.16. Melos , eos, to, 2. music to which a song is set, tune, Arist.Po.1450a14; 3. melody of an instrument, “phormigx d' au phtheggoith' hieron m. ēde kai aulos” ; “aulōn pamphōnon m.” Pi.P.12.19;

.

They worshipped the Stary Host and that is why God turned them over to worship the HOST of heaven including Abaddon or Apollon leader of the MUSES.

5. play amorously, “pros allēlous” X.Smp.9.2; “meta tinos” LXX Ge.26.8; of mares, Arist.HA572a30.

Paul wrote Romans 1 to define the MARK and CAUSE of sexual perversion stimulated by music.

6. hunt, pursue game, “p. kat' alsos” S. El.567.

Ludo —Esp., to play on an instrument of music, to make or compose music or song: “ludere quae vellem calamo permisit agresti,” Verg. E. 1, 10: “talia fumosi luduntur mense Decembri,” Ov. Tr. 2, 491: “quod tenerae cantent, lusit tua musa, puellae,” id. Am. 3, 1, 27: “coloni Versibus incomptis ludunt,” Verg. G. 2, 386: “carmina pastorum,” id. ib. 4, 565; Suet. Ner. 3: “si quid vacui sub umbra Lusimus tecum,” Hor. C. 1, 22, 2.—

B. To sport, dally, wanton (cf. "amorous play," Milton, P. L. 9, 1045): “scis solere illam aetatem tali ludo ludere,” Plaut. Most. 5, 2, 36: affatim edi, bibi, lusi, Liv. Andron. ap. Paul. ex Fest. s. v. affatim, p. 11 Müll.; cf.: “lusisti satis, edisti satis, atque bibisti,” Hor. Ep. 2, 2, 214; Ov. A. A. 2, 389; Cat. 61, 207; Suet. Tib. 44; Mart. 11, 104, 5.—

The triumphal hymn of Moses had unquestionably a religious character about it; but the employment of music in religious services, though idolatrous, is more distinctly marked in the festivities which attended the erection of the golden calf." (Smith's Bible Dictionary, Music)

 "We know that all of the Israelites brought Egyptian gods and practices with them and it is not far-fetched to think that Miriam, who had not yet been exposed to the Covenant, was part of the consciousness-altering rhythms and which was part of a priestly myth-play brought to destructive consummation at Mount Sinai as the golden calf was called back into action.

This "rising up to play" involved eating, drinking, nakedness and musical worship. The goddess, Hathor, is the best candidate for the Mother Goddess of the Mount Sinai idolatry. Here priestesses or prophetesses were highly trained with musical instruments, cultic songs and be able to join in the religious dance.

"Music and drugs were co-consiprators in religious ecstasy. They may have used some product of the sycamore fig which both intoxicated and induced an altered state of consciousness. The ergo of barley was well known. Anton Marks
 
"They sat down to eat and drink and rose up to play. They practiced rites in which they made themselves naked, perhaps similar to those which were carried out by naked Babylonian priests." (Woodrow, p. 158)
 
"In the New Testament there is nowhere any emphasis laid on the musical form of the hymns; and in particular none on instrumental accompaniment whereas this is significantly paganism." (Delling, Gerhard, Worship in the New Testament, trans. Percy Scott Phil. Westminster press, 1962, p. 86).

Jay Guin at Mount Sinai:  The word translated “overthrown” is translated in other versions as “laid low,” “cut down,” or “struck down.” It’s an unusual verb, used only here in the New Testament, but also found in —

(Num 14:15-16 ESV)  15 “Now if you kill this people as one man, then the nations who have heard your fame will say,  16 ‘It is because the LORD was not able to bring this people into the land that he swore to give to them that he has killed them in the wilderness.'”

They sinned through the musical worship of the Egyptian Trinity represented by Apis: God turned them over to worship the Starry Host including Abaddon or Apollyon.  The loud instrumental noise--not called music--was called sorcery or exorcism because they were mortally afraid that they would be executed for even stumbling into a "holy" place or thing. The Levites were warrior cheer leaders and Jacob in Genesis 49 warns us NOT to attend the synagogue of Levi because he was a WARRIOR

OVERTHROWN

prō-sterno , strāvi, strātum, 3, v. a., I.to strew in front of, to strew before one; also, to throw to the ground, throw down, overthrow, prostrate  “mores civitatis,” Plin. 36, 15, 24, § 113: “carminum studium,” Tac. Or 11: se prosternere, to demean or debase one's self, Cic. Par. 1, 14: “prostrata est Philisthaea omnis,” Vulg. Isa. 14, 31.—

Is. 14:31 Howl, O gate; cry, O city; thou, whole Palestina, art dissolved: for there shall come from the north a smoke, and none shall be alone in his appointed times

ŭlŭlo “ululanti voce canere,
B. [select] Transf., of places, to ring, resound, re-echo with howling: “penitusque cavae plangoribus aedes Femineis ululant,” Verg. A. 2, 488: “resonae ripae,” Sil. 6, 285: “Dindyma sanguineis Gallis,”

Gallus , i, m., = Gallos Strab.,  now Kadsha Su or Gökssu,
A. Galli , ōrum, m., the priests of Cybele, so called because of their raving,
satirically (on account of their emasculated condition),
Of or belonging to the priests of Isis, Gallic: “turma,” the troop of the priests of Isis, Ov. Am. 2, 13, 18.

Studium as an occupation 

Carmen  I.a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation (cf.: cano, cantus, and canto). “also versus, numeri, modi): carmen tuba ista peregit ( = sonus),” Enn. Ann. 508 Vahl.: “carmine vocali clarus citharāque Philammon,” Ov. M. 11, 317; cf. “vocum,” id. ib. 12, 157: “per me (sc. Apollinem) concordant carmina nervis,”
4. A response of an oracle, a prophecy, prediction: “ultima Cumaei venit jam carminis aetas,”
5. A magic formula, an incantation

Miriam and the Levites were instrumental prophesiers or sorcerers..

The Britannica  

Prophets were a common phenomenon in Syria-Palestine. In an Egyptian text (11th century BC), Wen-Amon (a temple official at Karnak) was sent by the pharaoh to Gebal (Byblos) to procure timber. While there, a young noble of that city was seized by his god and in frenzy gave a message to the king of Gebal that the request of Wen-Amon should be honoured. In another instance,

an Aramaic inscription from Syria records that the god Baal-shemain told King Zakir (8th century BC) through seers and diviners that he would save the king from his enemies.

These chapters reveal the close connection between sacrificial rites and divine inspiration. In the Old Testament book of Numbers, chapters 22-24, the Mesopotamian prophet Balaam (who may have been a mahhu) from Pethor, whom the Moabite king Balak had asked to curse the invading Israelites, is mentioned. In chapter 27, verse 9, of Jeremiah, another Old Testament book, it is said that prophets, diviners, and soothsayers were in the neighbouring countries of Judah: in Edom, Moab, Ammon, Tyre, and Sidon. Since so little is known about these prophets, the question of the uniqueness of Hebrew prophecy is difficult to assess (see also Middle Eastern religion).

Jeremiah 27:9 Therefore hearken not ye to your prophets, nor to your diviners, nor to your dreamers, nor to your enchanters, nor to your sorcerers, which speak unto you, saying, Ye shall not serve the king of Babylon:

pello  pallō, pelō, to beat, strike, knock any thing or at any thing; to push, drive, hurl, impel, propel.
1. To drive out or away, to thrust or turn out, expel, banish;

3. To strike, set in motion, impel: “inpello, sagitta pulsa manu,” Verg. A. 12, 320.—

4. Of a musical instrument, to strike the chords, play: “nervi pulsi,” struck, Cic. Brut. 54, 199: “lyra pulsa manu,” Ov. M. 10, 205; cf.: “classica pulsa,” i. e. blown, Tib. 1, 1, 4.—
A. In gen., to strike, touch, move, affect, impress, “of sound: Ille canit, pulsae referunt ad sidera valles,”
1. To drive out or away, to banish, expel:
Phoebeā morbos arte, Abaddon-Apollyon Ars or arts is the LEGALISM WORD: 1. With the idea extended, any physical or mental activity, so far as it is practically exhibited; a profession, art (music, poetry, “musica,” poetry,

AMOS AND STEPHEN EXPLAINS WHAT HAPPENED:

Amos 5:26 But ye have borne the tabernacle of your Moloch and Chiun your images,
        the star of your god, which ye made to yourselves.
Amos 5:27 Therefore will I cause you to go into captivity beyond Damascus,
        saith the LORD, whose name is The God of hosts. 

Amos 6:1 WOE to them that are at ease [opulenti] in Zion, and trust in the mountain of Samaria, which are named chief of the nations, to whom the house of Israel came

ŏpŭlentus  B. Of respectability or rank, respectable, powerful, noble: opulenti pariter atque ignobiles, “ludos opulentius instructiusque facere,” Liv. 1, 35, 7

lūdus A. In gen., a play, game, diversion, pastime, , spectacles, shows, exhibitions, which were given in honor of the gods, “hoc praetore ludos Apollini faciente,” Cic. Brut. 20, 78
  2. Stage-plays “Dionysius Corinthi dicitur ludum aperuisse,” făcĭo
....făcĭo  anything YOU make or do;
“poëma,” to compose, id. Pis. 29, 70: “carmina,” Juv. 7, 28: “versus,” id. 7, 38: “sermonem,” Cic. Fam. 9, 8, 1; cf. “litteram,” id. Ac. 2, 2, 6: ludos, to celebrate, exhibit “audientiam orationi

EXODUS 32 DEFINES THE MUSICAL IDOLATRY AT MOUNT SINAI WHICH WAS A SIN BEYOND REDEMPTION.

 

 
 

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