A. exciting
desire, lovely, charming, in Hom.
always of things, “himeroenta
. . erga
gamoio”
Il.5.429,
etc.; “khroos
himeroentos”
14.170;
aoidē,
epea,
Od.1.421,
17.519;
goos
(cf. himeros)
10.398;
“Kharitōn [GRACE] khoron
himeroenta”
18.194,
cf. Il.18.603;
himeroen
kitharize
ib.570; so later “kissos”
D.P.947; “erōtes”
AP5.277 (Agath.); of persons, Pi.Fr.87 (Sup.), Thgn.1365 (Sup.), Theoc.7.118;
“numphē” Coluth.295.
Jude 16 These are fore ordained murmurers complainers, walking after their own lusts
Rick.Atchley.Acts.17.25.God.Not.Worshipped.Mens.Hand.htmlGoês A.SORCERER , WIZARDS, Phoronis 2, Hdt.2.33,4.105, Pl.R. 380d, epôidos Ludias apo chthonos E.Ba.234Hipp.1038; prob. f.l. for boêisiHdt.7.191.
Epôidos [epaidô]I.singing to or over: as Subst. an enchanter, Eur.: c. gen. acting as a charm for or against, Aesch., Plat. 2. pass. sung or said after, morphês epôidonc alled after this form,
II. in metre, epôidos, ho, a verse or passage returning at intervals, a chorus, burden, refrain, as in Theocr.2. juggler, cheat, deinos g. kai pharmakeus kai sophistês Pl.Smp.203d ; deinonkai g. kai sophistên . . onomazôn D.18.276 ; apistos g. ponêrosId.19.109 ; magoskai g. Aeschin.3.137 : 'incantare'.)
Sophis-tês , ou, ho,
A.master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, meletan sophistais prosbalon Pi.I.5(4).28 , cf. Cratin.2; of musicians, sophistês . . parapaiôn chelun sophistêiThrêiki (sc. Thamyris) E.Rh.924, cf. Ath.14.632c: with modal words added, hoi s. tônhierônmelôn
Kevin Pendergrass: Given the fact that there is no biblical, historical, or linguistic evidence that the words used for sing would ever forbid using instrumental music,
Kevin.Pendergrass.Jerome.Approves.Instrumental.Worship.html
No, lying ignores the context.
Lexicons do not define but list the ways that a word is used. Literature uses a compound word or sing AND play a named instrument.
Not included by Paul: PsalmOidia singing TO a harp.
Not included by Paul: PsaltOideo sing to the harp
2 Chron 5:[13] it happened, when the trumpeters and singers were as one, to make one sound to be heard [one tuned note all in unison]
Not included by Paul: Kat-auleō , A. charm by flute-playing, tinos Pl.Lg.790e, cf. R.411a; tinaAlciphr.2.1: metaph., se . . -ēsō phobō I will flute to you on a ghastly flute, E.HF871 (troch.):—Pass., of persons, methuōn kai katauloumenos drinking wine to the strains of the flute, Pl.R.561c; k. pros khelōnidos psophon to be played to on the flute with lyre accompaniment, “ta mētrōa” , to have played to one as an accompaniment on the flute, -“oumenoi pros tōn hepomenōn ta mētrōa melē”
carmen
I. a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation
Carmen ALWAYS INCLUDES an instrument when one INTENDS to list one.
A Tuba: carmen tuba ista peregit ( = sonus),
A Guitar: “carmine vocali clarus citharāque USED OF APOLLO, ABADDON, APOLLYON “per me (sc. Apollinem) concordant carmina nervis,
A Lyre : “lyrae carmen,”
A Flute:“harundineum
http://www.pineycom.com/Strong.Delusions.Lying.Wonders.html
A Disciple-Christian-Student of Christ doesn't challenge the WORD, Logos or Regulative. Principle.
First, no word for SING INCLUDES a musical instrument. Therefore, adding to SING what is not FORBIDDEN does violence to language and God.
Second, Scripture singing for an assembly of people. Therefore, you have to IMPOSE the command to SING when Scripture always commands SPEAK or READ the Holy Scripture.
SPEAK and READ, based on the Classics and Scripture are GENDER-FILTERS and SON of God versus SON of the DEBIL.
Third, the assembly "uses one mind and one mouth" to "speak that which is written for our LEARNING" or "Scripture for our Comfort. [Romans 15]. Neither Synagogue or Ekklesia is to READ and understand instructions handed down from a higher authority. Anyone singing or playing an instrument when God through Christ in Scripture is the ONLY Teacher would be ejected from the class room.
and given the fact that there is not a single case where “sing”
forbids playing,
and given the fact that the words for sing oftentimes
are seen as even encompassing instrumental praise,
Then an argument cannot be made based upon the words.
Ex. 15:1 Then sang Moses and the children of Israel this song unto the LORD, and spake, saying, I will
There is no LYRICAL poetry in Scripture. LYRIC includes sing TO the Lyre. Ephesians 5 demands SPEAKING to one another and noot SINGING Psalms, hymns and spiritual songs. The PURPOSE is TEACHING and LEARNING: Simple Simon would not be caught blowing his flute when the teacher is speaking.
Amos 5:26 But ye have borne the tabernacle of your Moloch and Chiun your images,
the STAR of your god, which ye made to yourselves.
Acts 7:41 And they made a calf in those days,
and offered sacrifice unto the idol,
and rejoiced in the works of their own hands
The practice in the wilderness, tyre and Jerusalem
Acts 7:42 Then God turned,
and gave them up to worship the HOST of heaven;
as it is written in the book of the prophets,
O ye house of Israel, have ye offered to me slain beasts and sacrifices
by the space of forty years in the wilderness?
Amos 5:27 Therefore will I cause you to go into
captivity beyond Damascus,
saith the LORD, whose name is The God of hosts.
Acts 7:43 Yea, ye took up the tabernacle of Moloch,
and the star of your god Remphan,
figures which ye made to worship them:
and I will carry you away beyond Babylon.
Mark.10.They.Shall.Mock.Him.With.Music
Trumpet, drums, flute, cymbals and castinets with buffoons
Psallo permits ONLY smiting a string with your FINGERS: not a plectrum
Psallo and SOP have the same root meaning.
Revelation 18F: they are all called Sorcerers who HAD once deceived the whole world.
They WILL BE CAST ALIVE INTO THE LAKE OF FIRE.
Kevin Pendergrass: and given the fact that there is not a single case
where “sing” forbids playing,
and given the fact that the words for sing oftentimes are seen as even
encompassing instrumental praise, then an argument cannot be made based upon the words.
As in Psalm 150, instruments WITHOUT BREATH are excluded.
ALL WORDS ARE INCLUSIVE AND EXCLUSIVE. Scripture if filled with MARKING any kind of performance as mentally disturbing and making LEARNING impossible. Paul never commanded the SINGING of Psalms, hymns and Spiritual songs: he commanded the word SPEAK
SING never includes INSTRUMENT. Where an instrument is included everyone uses a COMPOUND WORD or the NAME of the instrument is defined. If you just say PLUCK you never know just what is going to get plucked. It often means pubic hair for your boy friend. Guitar Pluckers somehow causes up too half of the OWNERS flee for their life.
http://www.pineycom.com/Xenophon.Symposium.Lying.Wonders.Music.html
Now the tables were removed, and in due order they had poured out the libation, and had sung the hymn. [1] To promote the revelry [Komos], there entered now a Syracusan, with a trio of assistants: the first, a flute-girl, perfect in her art; and next, a dancing-girl, skilled to perform all kinds of wonders; lastly, in the bloom of beauty, a boy, who played the harp and danced with infinite grace. This Syracusan went about exhibiting his troupe, whose wonderful performance was a source of income to him.
[1] See Plat. "Symp." 176 A; Athen. ix. 408.
[176] Socrates took his place on the couch, and supped with the rest; and then libations were offered,
and after a hymn had been sung to the god, and there had been the usual ceremonies,
they were about to commence drinking, when Pausanias said, And now, my friends, how can we drink with least injury to ourselves?
I can assure you that I feel severely the effect of yesterday's potations,
and must have time to recover;
and I suspect that most of you are in the same predicament, f
or you were of the party yesterday.
Consider then: How can the drinking be made easiest?Wonders Thauma puppetshow, theater, montebank-gambols, juggler, mimic, mechanical devices, astonishment, poetry, oratory, sophist
Teras III. in colloquial language, “teras legeis kai thaumaston” III. to be worshipped, “oudeis m' areskei nukti thaumastos theōn” E.Hipp.106.
Plat. Hipp. Maj. 283c Socrates
That is a prodigious marvel that you tell, Hippias; and say now: is not your wisdom such as to make those who are in contact with it and learn it, better men in respect to virtue?2Th. 2:7 For the mystery of iniquity doth already work: only he who now letteth will let,
until he be taken out of the way.
2Th. 2:8 And then shall that Wicked be revealed,
whom the [1] Lord shall consume with the [2] SPIRIT of his [3] mouth, [the only trias]
and shall destroy with the brightness of his coming:
2Th. 2:9 Even him, whose coming
is after the working of Satan with all power and signs and lying wonders,
2Th. 2:10 And with all deceivableness of unrighteousness in them that perish;
because they received not the love of the truth,
that they might be saved.
2Th. 2:11 And for this cause God shall send them strong delusion,
that they should believe a lie:
2Th. 2:12 That they all might be damned who believed not the truth,
but had pleasure in unrighteousness.Harp Kitharizo Hom. Il. 18.561
phorm-igx , iggos, A. lyre, freq. in Hom., esp. as the instrument of APOLLON, “phormiggos perikalleos hēn ekh' Apollōn” Il.1.603,
Aristoph. Birds 219
Epops
From within; singing.
Chase off drowsy sleep, dear companion. [210]
Let the sacred hymn gush from thy divine throat in melodious strains;
roll forth in soft cadence your refreshing melodies to bewail the fate of Itys,
which has been the cause of so many tears to us both.
[215] Your pure notes rise through the thick leaves of the yew-tree right up to the throne of Zeus, where Phoebus [APOLLON] listens to you, Phoebus with his golden hair.
And his ivory lyre responds to your plaintive accents; [220]
he gathers the choir of the gods and from their immortal lips
pours forth a sacred chant of blessed voices.HH 4 423 Very easily he softened the son of all-glorious Leto as he would,
stern though the Far-shooter was.
He took the lyre upon his left arm and tried each string in turn with the key, so that at his touch[psallo] [420] it sounded awesomely. And Phoebus Apollo laughed for joy;
for the sweet throb of the marvellous music went to his heart,
and a soft longing took hold on his soul as he listened.
Then the son of Maia, harping sweetly upon his lyre, took courage and stood at the left hand [425] of Phoebus Apollno; and soon, while he played shrilly on his lyre, he lifted up his voice and sang, and lovely was the sound of his voice that followed. He sang the story of the deathless gods and of the dark earth, how at the first they came to be, and how each one received his portion.
First among the gods he honored Mnemosyne, [430] mother of the Muses, in his song; for the son of Maia was of her following. And next the goodly son of Zeus hymned the rest of the immortals according to their order in age, and told how each was born, mentioning all in order as he struck the lyre upon his arm. But Apollon was seized with a longing not to be allayed, [435] and he opened his mouth and spoke winged words to Hermes:“Slayer of oxen, trickster, busy one, comrade of the feast, this song of yours is worth fifty cows, and I believe that presently we shall settle our quarrel peacefully. But come now, tell me this, resourceful son of Maia: [440] has this marvellous thing been with you from your birth, or did some god or mortal man give it you —a noble gift —and teach you heavenly song? For wonderful is this new-uttered sound I hear, the like of which I vow that no man [445] nor god dwelling on Olympus ever yet has known but you,O thievish son of Maia.
Himero-eis , essa, en, (himeros)Simple Simon knew the difference between SING and "PLUCK A STRING WITH YOUR FINGERS-ONLY.
The ODE carries with it the idea of enchantment or SORCERY. Psallo never speaks of musical melody and is therefore IN the heart or silent.
lexis ta lexei dēloumena orders given by word of mouth, Arr.Tact.27.2 2. diction, style, hē enthade l. the style used here (in courts of justice), 4. text of an author, OPPOSITE. exegesis,
ōdē , hē, contr. for aoidē, 2. = epōdos, magic song, spell, Longus 2.7. SINGING
WHEN an ODE adds an instrument both Scripture and other texts NAME that instrument.
“ō. kitharōdikē” Lg.722d; “kitharizein pros tēn ō.”
Plat. Laws 722d yet it is only recently that we have begun, as it seems, to utter laws, and what went before was all simply preludes to laws. What is my object in saying this? It is to explain thatTHERE IS NO SCRIPTURE WHICH IS WRITTEN IN METER AND THEREFORE NOTHING SUITABLE FOR INSTRUMENTAL PLAYING.
all utterances and vocal expressions
have preludes and tunings-up (as one might call them),
which provide a kind of artistic preparation which assists towards the further development of the subject. Indeed, we have examples before us of preludes, admirably elaborated,
kai dē pou kitharōdikēs ōdēs legomenōn nomōn kai pasēs mousēs prooimia thaumastōs
ki^tha^rōd-ikos , ē, on, A.of or for cithara-playing, “nomoi” Ar.Ra.1282; “ōdē” Pl.Lg.722d; “hē hupodōristi -ōtatē tōn harmoniōn” Arist.Pr.922b15: hē -kē (sc. tekhnē), = kitharōdia, Pl.Grg.502a. Adv. -“kōs”
cĭthăroedus , i, m., = kitharōdos, I.one who plays on the cithara, accompanying it with the voice (diff. from citharista by the accompanying singing)
Cic. Mur. 13.29 Just as men say, when talking of Greek practitioners, that those men are flute-players who cannot become harp-players, so we see some men, who have not been able to make orators, turn to the study of the law. There is great labour in the practice of oratory.
Suet. Dom. 4 There was also a public performance in elocution, both Greek and Latin; and besides the musicians who sung to the harp, there were others who played concerted pieces or solos, without vocal accompaniment
Not included by Paul: PsalmOidia singing TO a harp.
Not included by Paul: PsaltOideo sing to the harp
2 Chron 5:[13] it happened, when the trumpeters and singers were as one, to make one sound to be heard [one tuned note all in unison]
Not included by Paul: Psaltos sung to the harp, sung OF Translated sing in Psalm 119:54
Not included by Paul: BarbitOidos singing to the barbiton Barbitos , v. H. 15, 8; barbiton -os), a lyre, a lute Latinum, Barbite, carmen,Psalm 119WEB.[52] I remember your ordinances of old, Yahweh, And have comforted myself.[53] Indignation has taken hold
Psa. 119:54KJV Thy statutes have been my songs in the house of my pilgrimage.
Not included by Paul:HupAuleo to play on the flute in accompaniment, melody (melos never psallo)
Not included by Paul: HupoKitharizo play an accompaniment on the harp
Not commanded by Paul: KitharOidesis singing to the cithra
Often INCLUDED including David: Lusioidos one who played women's characters in male attire, Auloi flutes that accompany such songs.Not included by Paul: Kat-auleō , A. charm by flute-playing, tinos Pl.Lg.790e, cf. R.411a; tinaAlciphr.2.1: metaph., se . . -ēsō phobō I will flute to you on a ghastly flute, E.HF871 (troch.):—Pass., of persons, methuōn kai katauloumenos drinking wine to the strains of the flute, Pl.R.561c; k. pros khelōnidos psophon to be played to on the flute with lyre accompaniment, “ta mētrōa” , to have played to one as an accompaniment on the flute, -“oumenoi pros tōn hepomenōn ta mētrōa melē”
Eur. Her. 871 nor can he control his panting breath, like a fearful bull in act to charge; he bellows, [870] calling on the goddesses of nether hell. Soon will I rouse you to yet wilder dancing and pipe a note of terror in your ear. Soar away, O Iris, to Olympus on your honored course; while I unseen will steal into the halls of HeraclesPlat. Rep. 561c that some pleasures arise from honorable and good desires, and others from those that are base,1 and that we ought to practise and esteem the one and control and subdue the others; but he shakes his head2 at all such admonitions and avers that they are all alike and to be equally esteemed.” “Such is indeed his state of mind and his conduct.” “And does he not,”
said I, “also live out his life in this fashion, day by day indulging the appetite of the day,
now wine-bibbing and abandoning himself to the lascivious pleasing of the flute3
and again drinking only water and dieting;
Plat. Rep. 8.561d and at one time exercising his body, and sometimes idling and neglecting all things, and at another time seeming to occupy himself with philosophy. And frequently he goes in for politics and bounces up1 and says and does whatever enters his head.2 And if military men excite his emulation, thither he rushes, and if moneyed men, to that he turns, and there is no order or compulsion in his existence, but he calls this life of his the life of pleasure and freedom and happiness and
Not included by Paul: Epi-psallō , A. play the lyre, S.Fr.60, Poll.4.58（Pass.); “melesi kai rhuthmois” Plu.2.713b ; sing, “tous humnous” LXX 2 Ma.1.30:—Pass., Ph.1.626.
Psalmus i, m., = psalmos, i. q. psalma, I. a psalm (eccl. Lat.; cf.: “carmen, hymnus),” Tert. adv. Prax. 11; Lact. 4, 8, 14; 4, 12, 7; Vulg. Isa. 38, 20.—Esp., the Psalms of David, Vulg. Luc. 20, 42; id. Act. 13, 33 et saep.
Isaiah 38.20 Yahweh is [ready] to save me: Therefore we will sing my songs with stringed instruments All the days of our life in the house of Yahweh.carmen
I. a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation
Carmen ALWAYS INCLUDES an instrument when one INTENDS to list one.
A Tuba: carmen tuba ista peregit ( = sonus),
A Guitar: “carmine vocali clarus citharāque USED OF APOLLO, ABADDON, APOLLYON “per me (sc. Apollinem) concordant carmina nervis,
A Lyre : “lyrae carmen,”
A Flute:“harundineum
God provided no DAY OF WORSHIP but of REST: Sabbath or PAUO in Greek means STOP everything beyond being quaranteened to local assemblies. The Synagogue was permitted for READING the Word only.
God provided no ACTS of Worship. No one in Scripture included David is ever said the WORSHIP by singing or playing an instruments.
God and Jesus provided NO FUNDING for anyone to hold Worship Services. Worship includes FALLING ON YOUR FACE in Reverence and Godly Fear.
The WORD or LOGOS is God's Regulative Principle: it outlaws rhetoric, singing, playing instruments or acting which disable the One-Piece Pattern for the church of Christ (the Rock) in the wilderness and never changed.
Jesus calls the Scribes and Pharisees, Hypocrites. In Isaiah 29 and Ezekiel 33 The Spirit OF Christ MARK performance preachers for hire, singers and instrument players.
Jesus said that God HIDES from the wise or Sophists: Sophists are rhetoricians, singers or instrument players especially in a "holy place. Sophia or wisdom points to performing artists enhanced by pederasty as part of the wrath or orgia.
In Ephesians 4 the Jesus as HOLY SPIRIT gives only APT elders to teach that which has been taught. They are to silence the cunning craftsmen or sophists: speakers, singers or instrument players. Paul said that these are marks of men LYING IN WAIT TO DECEIVE.
There is no command, example or remote inference of group singing with or without instruments when the assembly is called outlawing the alarm of "vocal or instrumental rejoicing or rhetoric."
Music is derived from mystery and the musical performers were tasked to "make the lambs dumb before the slaughter." They were called PARASITES and the Priest was called a Heretic because the "lifted up the lambs to cut their throats."
If you think that Scripture does not radically condemn the use of instruments used to derange the simple people then strong delusions have brought about lying wonders: lying wonders are rhetoric, singing, playing instruments, acting, dancing or any OUT OF THE SPIRIT worship claiming that they are acting for a god.
STEPHEN REFUTES THE TEMPLE. Because of instrumental-trinitarian idolatry at Mount Sinai God turned them over to worship the starry host and sentenced them to Assyria and Babylon to captivity and death..
Acts 7:41 And they made a calf in those days,
and offered sacrifice unto the idol,
and rejoiced in the works of their own hands.
Euphrainō , Ep. euphr-, fut. Att.155.12, Pi.I.7(6).3
II. Pass., make merry, enjoy oneself, Xen. Sym. 7.5 hekelos
hekelos of persons feasting and enjoying themselves, ye will plunder them at your ease, i.e. without let or hindrance, terpō delight, gladden, cheer, “ho ken terpēsin aeidōn” singing with phorm-igx [APOLLON'S LYRE] A.lyre, freq. in Hom., esp. as the instrument of Apollo, Apollōn” 2. ph. akhordos, metaph. for a bow,
Acts 7:42 Then God turned,
and gave them up to worship the host of heaven;
as it is written in the book of the prophets,
O ye house of Israel, have ye offered to me slain beasts
and sacrifices by the space of forty years in the wilderness?
If you think that David or any one under the Laws of the Monarchy are your PATTERN then God has turned you over to worship the starry host.
Jesus defines Holy Scripture as the Prophets and other documents which PROPHESIED OF HIM. Psalm 41 prophesied of Judas who would try to TRIUMPH OVER HIM: that means to sing and play instruments which intended to SPOOK him as it does in every group making MUSICAL performance a replacement for what all of Scripture and the Campbells called A SCHOOL OF CHRIST.
HERE IS THE PATTERN FOR THOSE DAMNED OR ABANDONED.
Jacob cursed the Levites and God abandoned them after they executed 3,000 of the musical-trinitarian idolaters at Mount Sinai. They were commanded to STAND IN RANKS and execute any civillian who or even a Levitte not on duty who came near the never commanded animal slaughter along with infant sacrifices.
1 Chron 25:1 MOREOVER David and the Commanders of the Army separated to the service of the sons of Asaph, and of Heman, and of Jeduthun, who should prophesy with harps, with psalteries, and with cymbals: and the number of the workmen according to their service was:
Sē-cerno , crēvi, crētum, 3 (oldI. Lit., to put apart, to sunder, sever, separate (freq. and class.; not in Cæs.; cf.: sepono, sejungo, secludo)
“Juppiter illa piae secrevit litora genti,” hath set apart for the pious race, Hor. Epod. 16, 63:
C. To set aside, reject: “cum reus frugalissimum quemque secerneret,” Cic. Att. 1, 16, 3
2. That is removed from acquaintance (cf. abditus), hidden, concealed, secret: “secreta ducis pectora,” Mart. 5, 5, 4: “secretas advocat artes,” Ov. M. 7, 138:
“ars,” Petr. 3: “litterae (with familiares),” Quint. 1, 1, 29:
“carmina (the Sibylline odes),” Luc. 1, 599:
Outlawed WORK on the REST day included "sending out ministers of God."
-mĭnistĕrĭum , ii, n. minister, I.the office or functions of a minister, attendance, service, ministry, in a good or bad sense; an office, occupation, work, labor, employment, administration, “ministeria belli,” military service
Tac. A. 13, 27: “aulicum,” court-servants, Lampr. Alex. Sev. 41: “atratum coquinae ministerium,” the kitchen-servants,
--prŏphēta and prŏphētes , I.a foreteller, soothsayer, prophet oraculorumque interpretes,
sacerdotes Aegyptiorum, quos prophetas vocant,” Macr. S. 7, 13, 9: “Aegyptius, propheta primarius,”
prīmārĭus , a, um, adj. id., I.one of the first, of the first rank, chief, principal, excellent, remarkable (class.): “primarius parasitus,” Plaut. Mil. 3, 1, 73: “quoad primarius vir dicat,” the first speaker, he who has a right to be heard
-părăsītus , i, m., = parasitos, lit. one who eats with another; hence,I. In gen., a guest (pure Lat. conviva): parasiti Jovis, the gods, —Hence, parasitus Phoebi, [Apollon] a player, actor, Mart. 9, 29, 9.II. In partic., in a bad sense, one who, by flattery and buffoonery, manages to live at another's expense, a sponger, toad-eater, parasite (syn. scurra) : “parasitorum in comoediis assentatio,” The tutelar deity of parasites was Hercules
Sāturnus As the sun-god of the Phœnicians, = Baal, Curt. 4, 3, 15: “Saturni sacra dies,” i. e. Saturday, Tib. 1, 3, 18: “Saturni Stella,” the planet Saturn, Cic. N. D. 2, 20, 52; 2, 46, 119; id. Div. 1, 39, 85.—As subst.: Sāturnus , “also pater (sc. Superum),” Verg. A. 4, 372; Ov. M. 1, 163: versus, the Saturnian verse, the oldest kind of metre among the Romans, “carmen, “metrum,
2. Subst.: Sāturnālĭa also Bacchanalia, Compitalia, Vinalia, and the like), a general festival in honor of Saturn, beginning on the 17th of December and lasting several days; the Saturnalia, “verba,” Tib. 1, 3, 52: “tumultus,” Hor. C. 4, 4, 46: “clamor,
Tŭmultus A. Disturbance, disquietude, agitation, tumult of the mind or feelings: “tumultus Mentis,” Hor. C. 2, 16, 10; Luc. 7, 183: “pulsata tumultu pectora, Petr. poët. 123: sceleris tumultus,” Hor. S. 2, 3, 208.— B. Of speech, confusion, disorder: “sermonis,” Plin. 7, 12, 10, § 55: “criminum,” Q
cantuum truces war songs
WHAT IS THE ABOMINATION IN A HOLY PLACE:
Deut. 18:9 When thou art come into the land which the LORD thy God giveth thee, thou shalt not learn to do after the abominations of those nations.
Deut. 18:10 There shall not be found among you any one that maketh his son or his daughter to pass through the fire, or that useth divination, or an observer of times, or an enchanter, or a witch,
hărĭŏlus soothsayer, prophet, prophetessDeut. 18:11 Or a charmer, or a consulter with familiar spirits, or a wizard, or a necromancer
somnĭo , to dream; to dream of or see in a dream, to dream, i. e. to think idly or vainly, to talk foolishly:
psaltrĭa , ae, f., = psaltria, . a female player on the cithara, a lutist, “ineptias,” Col. 1, 8, 2: “ah stulte! tu de Psaltriā me somnias Agere,” Ter. Ad. 4, 7, 6; Plaut. Pers. 2, 3, 5.—Absol.: “vigilans somniat
“portenta non disserentium philosophorum sed somniantium,” Cic. N. D. 1, 8, 18.
A Charmer is an AbominationThis was outlawed for the Church of Christ (the Rock) in the wilderness
incantātor , ōris, m. incanto, I. an enchanter, wizard (post-class.), Tert. Idol. 9; Isid. 8, 9, 15; Mos. et Rom. Leg. Coll. 15, 1, 2.
consŭlo (a). In the lang. of religion, to consult a deity, an oracle, omens, etc.: “Apollinem de re,” Cic. Leg. 2, 16, 40: “deum consuluit auguriis, quae suscipienda essent,” Liv. 1, 20, 7: “deos hominum fibris,” Tac. A. 14, 30 fin.: “Phoebi oracula,” Ov. M. 3, 9; Suet. Vesp. 5: “Tiresiam conjectorem,” Plaut. Am. 5, 1, 76:
B. An incantation, charm, magic song, etc.: cantusque artesque magorum.
“cantus e curru Lunam deducere tentat,”
2. With instruments, a playing, music: “in nervorum vocumque cantibus,” Cic. Tusc. 1, 2, 4; id. Rosc. Am. 46, 134: “citharae,” Hor. C. 3, 1, 20: “horribili stridebat tibia cantu,” Cat. 64, 264: “querulae tibiae,”
These ăb-ōmĭnor are always MARKED “semimares,” Liv. 31, 12, 8Paul hoped that the concision's knife slipped.
Signs or wonders " Liv. 31, 12, 8 Along with "plundering" the temples, among the Sabines, a child of uncertain sex was born, while another was found whose sex, at the age of sixteen, could not be determined. All these disgusting and monstrous creatures seemed to be signs that nature was confusing species; but beyond all else the hermaphrodites caused terror,... In addition, they directed that a hymn be sung throughout the city by thrice nine maidens, and that an offering be made to Queen Juno.
Galli A form gallantes, as if from gallare, "to rave like a priest of Cybelé," is cited from Varro (ap. Non. p. 119Non., 5). In their wild, enthusiastic, and boisterous rites the Galli recalled the legends of the Corybantes (q.v.). According to an ancient custom, they were always castrated (spadones, semimares, semiviri, nec viri nec feminae), and it would seem that, impelled by religious enthusiasm, they performed this operation on themselves... Other names, however, are of distinctly Semitic affinities; Rhea perhaps=the Babylonian Ri (Mulita or Mylitta), and Nana more certainly=the Babylonian Nana, modern Syrian Nani. Nana motherof Attis
Paizo, 4. play on a musical instrument, h.Ap.206: c. acc., “Pan ho kalamophthogga paizōn” Ar.Ra.230; dance and sing, Pi. O.1.16. 5. play amorously, “pros allēlous” X.Smp.9.2
Chrysostom's Commentary on Galatians:
Galatians 5:1.-"With freedom did Christ set us free; stand fast therefore.115 ."
Ver. 12. "I would that they which unsettle you would even cut themselves off." And he says well "that unsettle you." "A man that is heretical after the first and second admonition refuse." (Tit. iii: 10) If they will, let them not only be circumcised, but mutilated. Where then are those who dare to mutilate themselves; seeing that they draw down the Apostolic curse, and accuse the workmanship of God, and take part with the Manichees?
Chrysostom understood that the pagans used vocal or instrumental noise to stir up or create anxiety so that they could steal your food money. Christ outlawed this in Isaiah 55. Christ outlawed BLASPHEMY in the modern context of saying that God commanded instrumental distractions when He DID NOT.
But if you will not allow this, why do you not mutilate the tongue for blasphemy, the hands for rapine, the feet for their evil courses, in short, the whole body?
For the ear enchanted by the sound of a flute hath often enervated the soul;
and the perception of a sweet perfume by the nostrils hath bewitched the mind, and made it frantic for pleasure .
David's PRAISE word threatened the same sexual proof of superiority:
Ululo Ulŭlo I. Neutr., to howl, yell, shriek, utter a mournful cry. B.Transf., of places, to ring, resound, re-echo with howling: penitusque cavae plangoribus aedes Femineis ululant,Verg. A. 2, 488 : resonae ripae, Sil. 6, 285 : Dindyma sanguineis Gallis, Claud. Rapt. Pros. 2, 269 .--THE PROPHESIED END TIME: the Beast is A New Style of Music or Satyric (Cappella) drama.
WOE: for the devil is come down unto you, having great wrath, because he knoweth that he hath but a short TIME [kairon ekhei ETHOS.’] Rev. 12:12 diabolos
He comes at critical or dangerous momen Like Hermes [Who makes the thief, protector of thieves] , he has wings in his feet to fly with the wind.Caerus is sometimes considered a daimon spirit rather than a God due to his aggressive nature towards humans. He sought to drink their blood, killing many to do so. Kairos or Caerus is the yougest son of Zeus: as the new spawn pronounces Je-Zeus to foul you. But once he has passed by, no one can grasp him, the back of his head being bald. The Always "mother goddess" name is Occasio. As a sign to men that I am sharper than any sharp edg
Dt 18:9 When thou art come into the land which the LORD thy God giveth thee,
thou shalt not learn to do after the abominations of those nations.
Dt 18:10 There shall not be found among you any one that
maketh his son or his daughter to pass through the fire,
or that useth divination, or an observer of times, or an enchanter, or a witch,
hărĭŏlus soothsayer, prophet, prophetessDeut. 18:11 Or a charmer, or a consulter with familiar spirits, or a wizard, or a necromancer
somnĭo , to dream; to dream of or see in a dream, to dream, i. e. to think idly or vainly, to talk foolishly:
psaltrĭa , ae, f., = psaltria, . a female player on the cithara, a lutist, “ineptias,” Col. 1, 8, 2: “ah stulte! tu de Psaltriā me somnias Agere,” Ter. Ad. 4, 7, 6; Plaut. Pers. 2, 3, 5.—Absol.: “vigilans somniat
“portenta non disserentium philosophorum sed somniantium,” Cic. N. D. 1, 8, 18.
Amos 5:26 But ye have borne the tabernacle of your Moloch and Chiun your images,
the STAR of your god, which ye made to yourselves.
Acts 7:41 And they made a calf in those days,
and offered sacrifice unto the idol,
and rejoiced in the works of their own handsThe practice in the wilderness, tyre and Jerusalem
The Babylon Mother of Harlot rises again and uses lusted after fruits (Same as in Amos 8) as speakers, singers, instrument players and ANY religious craftsmen always called like the Levite's SORCERERS and PARASITES. In Revelation 18 John says that they are sorcerers who HAD once deceived the whole world. That is the justification for them to be CAST ALIVE INTO THE LAKE OF FIRE. Christ in Isaiah uses the practices of the Jews as their anticipated punishment.
Jude 3 Beloved, when I gave all diligence to write unto you of the common salvation,A Charmer is an Abomination: This was outlawed for the Church of Christ (the Rock) in the wilderness as "vocal or instrumental rejoicing or speaking your own words.
it was needful for me to write unto you, and exhort you
that ye should earnestly contend for the faith which was once delivered unto the saints.
Jude 4 For there are certain men crept in unawares, who were before of old ordained to this condemnation,
ungodly men, turning the grace of our God into lasciviousness,
and denying the ONLY Lord God, and our Lord Jesus Christ. [Trinitarians are called antichrists by John]
Jude 5 I will therefore put you in remembrance, though ye once knew this,
how that the Lord, having saved the people out of the land of Egypt,
afterward destroyed them that believed not.
Jude 6 And the angels which kept not their first estate,
but left their own habitation, he hath reserved in everlasting chains under darkness unto the judgment of the great day.
Jude 7 Even as Sodom [earthly Jerusalem] and Gomorrha,
and the cities about them in like manner, giving themselves over to fornication,
and going after strange flesh, are set forth for an example, suffering the vengeance of eternal fire.
What is never taught to those "among the scholars" or they deliberately lie about the music issue.incantātor , ōris, m. incanto, I. an enchanter, wizard (
consŭlo (a). In the lang. of religion, to consult a deity, an oracle, omens, etc.: “Apollinem de re,” Cic. Leg. 2, 16, 40: “deum consuluit auguriis, quae suscipienda essent,” Liv. 1, 20, 7: “deos hominum fibris,” Tac. A. 14, 30 fin.: “Phoebi oracula,” Ov. M. 3, 9; Suet. Vesp. 5: “Tiresiam conjectorem,” Plaut. Am. 5, 1, 76:
Cantus A. Prophetic or oracular song: “veridicos Parcae coeperunt edere cantus,” Cat. 64, 306; cf. Tib. 1, 8, 4.—B. An incantation, charm, magic song, etc.: cantusque artesque magorum.
“cantus e curru Lunam deducere tentat,”
2. With instruments, a playing, music: “in nervorum vocumque cantibus,” Cic. Tusc. 1, 2, 4; id. Rosc. Am. 46, 134: “citharae,” Hor. C. 3, 1, 20: “horribili stridebat tibia cantu,” Cat. 64, 264: “querulae tibiae,”
The practice in the wilderness, tyre and Jerusalem
Because their musical idolatry was the worship of the Astrial gods or Sabazianism (Dionysus-Apollo)
Acts 7:42 Then God turned,
and gave them up to worship the HOST of heaven;
as it is written in the book of the prophets,
O ye house of Israel, have ye offered to me slain beasts and sacrifices
by the space of forty years in the wilderness?
Amos 5:27 Therefore will I cause you to go into
captivity beyond Damascus,
saith the LORD, whose name is The God of hosts.
Acts 7:43 Yea, ye took up the tabernacle of Moloch,
and the star of your god Remphan,
figures which ye made to worship them:
and I will carry you away beyond Babylon.
Isaiah 30 has the Spirit OF Christ saying that the Jews and their Assyrian worship.
And his breath [SPIRIT], as rushing water [Free Word] in a valley, reach reach as far as the neck, and be divided, to confound the nations for their vain error; error also shall pursue them and overtake them. Isaiah 30:28 LXX
Must ye always rejoice, and go into my holy places continually, as they that keep a feast? and must ye go with a pipe, as those that rejoice into the mountain of the Lord, to the God of Israel Isaiah 30:29 LXX
and the Lord shall make his glorious voice to be heard and the wrath of his arm, to make a display with wrath and anger and devouring flame: he shall lighten terribly, and his wrath shall be as water and violent hail. Isaiah 30:30 LXX
For by the voice of the Lord the Assyrians shall be overcome, even by the stroke where with he shall smite them. Isaiah 30:31 LXX
And it shall happen to him from every side, that they from whom their hope of assistance was, in which he trusted, themselves shall war against him in turn with drums and with harp. Isaiah 30:32 LXX
For thou shalt be required before thy time: has it been prepared for thee also to reign? nay, God has prepared for thee a deep trench, wood piled fire and much wood: the wrath of the Lord shall be as a trench kindled with sulphur. Isaiah 30:33 LXXMark.10.They.Shall.Mock.Him.With.Music
Judas was a thief: his bag or box was
always attached to the spotted flute case.
He is defined as the familiar friend of Jesus in Psalm 41. He would try to ALARM or TRIUMPH over Jesus: this is a MARK. It was outlawed in the Church of Christ in the Wilderness as vocal or instrumental rejoicing or any speaking beyond the Word
And God WATCHED the prophesied and fulfilled Musical Worship Team
Trumpet, drums, flute, cymbals and castinets with buffoons
Psallo permits ONLY smiting a string with your FINGERS: not a plectrum
Psallo and SOP have the same root meaning.
Jeremiah 11:18 And the LORD hath given me knowledge of it, and I know it: then thou shewedst me their doings.
Jeremiah 11:19 But I was like a lamb or an ox that is brought to the slaughter;
and I knew not that they had devised devices against me, saying,
Let us destroy the tree with the fruit thereof, and let us cut him off from the land of the living,
that his name may be no more remembered.
Those who get a vision to MOCK JESUS in fulfillment of prophecy ALSO rush to remove CHRIST from their public confession. The Levites were called soothsayer-sorcerers: they played loud instruments to make the lambs AND INFANTS dumb before the slaughter or burning.
Ex. 32:25 And when Moses saw that the people were naked; (for Aaron had made them naked unto their shame among their enemies:)
Ex. 32:25 Moses saw that the people were running wild and that Aaron had let them get out of control
and so become a laughingstock to their enemies
Lam. 3:14 I became the laughingstock of all my people; they mock me in song all day long.
mansŭesco ,
I. Act., to tame, to make tame B. Trop., to render mild, gentle, or peaceable: gentes mild, soft, gentle, quiet
“nam me jam ab orationibus dijungo fere, referoque ad mansuetiores Musas,” Cic. Fam. 1, 9, 23: “ira,” Ov. Tr. 3, 6, 23.—
dēlūbrum , i, n. de-luo, the place of expiation, cella [holy place as a house only for a god]“noctu audita ex delubro vox est, etc.,” Liv. 29, 18: “so coupled with templa,” id. 30, 20:
wickedly, profanely illūdo to play at or with any thing, to sport with, amuse one's self with (syn. colludo; cf. ludificor). 1. To make sport or game of, to jest, mock, or jeer at, to ridicule (class.).
1. To scoff or mock at, to make a laughing-stock of, to ridicule ipsa praecepta (rhetorum),” Cic. de Or. 1, 19, 87: “voces Neronis, quoties caneret,” Tac. A. 14, 52: verbis virtutem superbis, Verg. A. 9, 634.—Mūsa , ae, f., = Mousa, I.a muse, one of the goddesses of poetry, music,Dumb means the inability to MEDITATE on what is going on.
“Musarum delubra,” Cic. Arch. 11, 27: “hic Musarum parens domusque Pieria, Mela, 2, 3, 2: crassiore Musā,
A. A song, a poem: “musa procax,” Hor. C. 2, 1, 37
cōgĭto The command is to SPEAK the Word and MEDITATE in the heart: not to make music.
Cogitation in a rational sense can be stopped by (d). With de: “cogitavit etiam de Homeri carminibus abolendis,”
Matthew 27:28 And they stripped him, and put on him a scarlet robe.
Matthew 27:31 And after that they had mocked him, they took the robe off from him,
and put his own raiment on him, and led him away to crucify him.
Empaizō , fut. to be deluded II. sport in or on, “hōs nebros khloerais e. leimakos hēdonais” E.Ba. 866 (lyr.); tois khoroisin e. to sport in the dance, Ar.Th.975; “tō gumnasiō” Luc.Lex.5.Mark 10:34 And they shall mock him,
-Prospaizô , 2. abs., sport, jest, 3. laugh at, make fun or sport of, sing to the gods, sing in their praise or honour, 2. banter, tous rhêtoras
Latin Illudo as a female: Applied as a term of reproach, effeminate men, eloquence, rhētor but with idea of contempt, caneret,”
A. Of men: “si absurde canat, of the crooked race, a reed pipe, a guitar, crowing of a hen tibiae, tubae, Gallus , i, m., = Gallos Strab., A. Galli , the priests of Cybele, on account of their emasculated condition) Gallic: “turma,” the troop of the priests of Isis, Ov. Am. 2, 13, 18. “resupinati cessantia tympana Galli,”
Gallos , ho, A. priest of Cybele, gallazō , A. practise cult of Cybele, Galli. Eunuch priests of Cybele or the great mother: begun under the reign of Erichthonius, king of Attica, B.C. 1506;
Galli A form gallantes, as if from gallare, "to rave like a priest of Cybelé," is cited from Varro (ap. Non. p. 119Non., 5). In their wild, enthusiastic, and boisterous rites the Galli recalled the legends of the Corybantes (q.v.). According to an ancient custom, they were always castrated (spadones, semimares, semiviri, nec viri nec feminae), and it would seem that, impelled by religious enthusiasm, they performed this operation on themselves... Other names, however, are of distinctly Semitic affinities; Rhea perhaps=the Babylonian Ri (Mulita or Mylitta), and Nana more certainly=the Babylonian Nana, modern Syrian Nani. Nana motherof Attis2 Peter 3 Marks of the End Time Mockers
2 Peter 3:2 That ye may
be mindful of the words which were spoken before by the holy prophets,
and of the commandment of us the apostles of the Lord and Saviour:
That is the CURRICULUM for DISCIPLES who attend the School of the Word and not pagan ceremonial legalism
2 Peter 3:3 ¶ Knowing this first,
that there shall come in the last days scoffers,
walking after their own lusts,
Revelation 18F: they are all called Sorcerers who HAD once deceived the whole world.
They WILL BE CAST ALIVE INTO THE LAKE OF FIRE.9.26.15 Jesus said that Doctors of the Law Take away the Key to Knowledge: God hides from the wise or Sophists: speakers for hire, singers or instrument players. If you listen to the TRANSISTIONED Staff at the Once-Christian Colleges you will never be able to READ BLACK text on BROWN Paper as Paul says in 2 Corinthians 3. Any hint of God commanding ANY kind of Music in the School of Christ says Christ through Paul are men LYING IN WAIT TO DECEIVE.
That's why ANY religious craftsmen: speaker, singer, instrument player are called SORCERERS and they will bo or Are being CAST ALIVE INTO THE LAKE OF FIRE. They don't need to give an answer since they are said to be PREDESTINED and we don't expect any repenting so you better FLEE BABYLON run by the Mother Goddess.
Jude 1:4 For there are certain men crept in unawares,
[Rick Atchley boasts of taking about 12 years to
"teach our youth to leave our movement." Treachery most vile.
who were before of old ordained to this condemnation,
ungodly men, turning the grace of our God into lasciviousness,
and denying the only Lord God, and our Lord Jesus Christ.
Jude 1:11 Woe unto them! for they
have gone in the way of Cain, and [Cain is derived from a musical note or MARK]
ran greedily after the error of Balaam for reward, and
perished in the gainsaying of Core.
Jude 16 These are murmurers, complainers, walking after their own lusts; and their mouth speaketh great swelling words, having mens persons in admiration because of advantage.
-Goēs , ētos, ho, A. sorcerer, wizard, Phoronis 2, Hdt.2.33,4.105, Pl.R. 380d,; “g. epōdos Ludias apo khthonos” E.Ba.234, cf. Hipp.1038; prob. f.l. for boēsi Hdt.7.191.
-Epōd-os , on, （epadō）[THE LADED BURDEN]A. singing to or over, using songs or charms to heal wounds, “epōdoi muthoi” Pl.Lg.903b.b. Subst., enchanter, “e. kai goēs” E.Hipp. 1038 (but “goēs e.” Ba.234): c. gen., a charm for or against, “ethusen hautou paida epōdon Thrēkiōn aēmatōn” A.Ag.1418 ; e. tōn toioutōn one to charm away such fears, Pl.Phd.78a.
A HERETIC OR SECTARIAN IN GENERAL
A heretic or sectarian simply means a School of Thought.
haerĕsis (scanned hĕrĕsis , = hairesis.I. A (philosophical or religious) sect, a school of thought (=secta): Cato in ea est haeresi, quae nullum sequitur florem orationis, “as Greek,” “Pythagorae haeresim sequi,” Vitr. 5 praef.—2. Heretical religious doctrine, heresy, Tert. adv. Haer. 1 sq. et saep.: “Ariana,” the Arian heresy, Sid. Ep. 7, 6: “plurimae sectae et haereses,” Lact. 4, 30, 2.— Hĕrĕsis , — “Comically: joca tua plena facetiarum de haeresi Vestoriana ... risisse me satis,” i. e. craft, trade, Cic. Att. 14, 14, 1.—II. A calling, profession:
Jesus called the Scribes and Pharisees, hypocrites: In Isaiah 29 and Ezekiel 33 The Spirit OF Christ identified them as speakers for hire, singers or instrument players: these were Christ's MARK of those neither intending to SPEAK the Word (Logos or regulative principle) or to obey it. In Rome Paul silenced the sects of the Pythagoreans, Orphics or Dionysiacs and in Romans 15 defined the SECT that is called the WAY as exclusive of any hypocritic arts or crafts and inclusive of 'using one mind and one mouth to speak that which is written for our LEARNING." A group not PATTERN DRIVEN as a School of Christ is a SECT of CULT.
Jesus died to give us REST from organized Religious Sects NOT of the WAY. CHRIST ordained a School for the REST Day.
skholē , skholēn agein to be at leisure, enjoy ease, keep quiet, amphi heauton for one's own business, a work for leisure, i.e. requiring attention,Acts 19:9 But when divers were hardened, and believed not,
2. a group to whom lectures were given, school, Arist.Pol.1313b3, Phld.Ind.Sto.10, D.H.Isoc.1,
skhol-azō A.to have leisure or spare time, to be at leisure, have nothing to do, have leisure or time to do a thing
esp. of students, study, attend lectures, “epi Palladiō” Phld.Acad.Ind.p.88 M.; s. tini devote oneself to a master, attend his lectures, s. Karneadē, Isokratei,
3. abs., devote oneself to learning: hence, give lectures (cf. “skholē”
Individuals are free to go to the schools of School of philosophia, mousikē,
but spake evil of THAT WAY before the multitude,
he departed from them,
and SEPARATED the disciples, [ mathētas]
disputing daily in the school of one Tyrannus.
THAT WAY HODOS 3. method, system,Id.Sph.218d, Arist.APr.53a2, al.; “hodō” methodically, systematically,Pl.R.533b, Stoic.2.39, etc. ; so “kath' hodon” Pl.R.435a ; “tēn dia tou stoikheiou ho. ekhōn egraphen” Id.Tht.208b (cf. “diexodon” 208a).The WAY is the METHOD is the SYSTEM is the PATTERN is the PARADEIGMA of God--not the NEW one. The METHOD
4. of the Christian Faith and its followers,Act.Ap.9.2, 22.4, 24.14.
sē-grĕgo To set apart or separate from the flock khōr-izō
Hebrews 7:[26] For such a high priest was fitting for us: holy, guiltless, undefiled, separated from sinners, and made higher than the heavens;
Method-os , hē, (meta, hodos)A SECT WHICH IS NOT THE WAR OR PARADIGM OF CHRIST "INTRODUCES FAITH OR PRACTICES NOT COMMANDED BY CHRIST."
II. pursuit of knowledge, investigation, Pl.Sph.218d, 235c, al.; m. poieisthai to pursue one's inquiry, ib.243d; “en tē prōtē m.” Arist.Pol.1289a26: hence, treatise, Dam.Pr.451.2. mode of prosecuting such inquiry, method, system, Pl.Phdr.270c, Arist.EN1129a6, Pol.1252a18, etc.; “hē dialektikē m.” Pl.R.533c,
Paradeig-ma A.pattern, model: of an architect's model.
of the divine exemplars after which earthly things are made, “en ouranō isōs p. anakeitai” Pl.R.592b;
2. precedent, example, “paradeigmata labein para tinos”
3. lesson, warning, “ekhontes paradeigmata tōn ekei Hellēnōn” Th.6.77;
4. argument, proof from example, Th.1.2, etc., cf. Arist.APr.68b38, Rh.1356b3,
including parabolē and logos, Arist.Rh.1393a 27.
II. foil, contrast,
The Bad News for the "Progressive" Inclusives
2Pet. 2:1 But there were false prophets also among the people,
even as there shall be false teachers among you,
who privily shall bring in damnable heresies,
even denying the Lord that bought them,
and bring upon themselves swift destruction.Paul outlawed self pleasure: Areskos or Placeo including all performing arts Jesus called hypocrites: speakers for hire (hirelings), singers or instrument players. They are the MARK of people who do not intend to speak "that which is written for our learning" and people who do not intend to obey the Word, Logos or Regulative Principle.
WHAT IS A HERETIC OR SECTARIAN? Doctors of the law, says Jesus "take away the key to knowledge" and "music means to make the lambs dumb before the slaughter." It certainly seems to work among the Latest Spawn of Doctors of the Law who lack reading ability and minimal ethics: selling learning at retail is corrupting the Word because God will not let His Word be sold: the same word defines prostitutes and fish mongers.
Who infiltrated and intends to lie, cheat and steal your property and flock? No one can find anything so vile and blasphemous in the historic church commanded not to engage in "vocal or instrumental rejoicing or self-speak" when the church (ekklesia) assembled (synagogued) to Rest (school), read and rehearse the Word of God. That is the ONE PIECE PATTERN because the Lord's Supper is a teaching activity which SHOULD cause men and women to sit down and be silent.
Pareis-agō lead in by one's side, bring forward, introduce, of persons brought into a public assembly,
2. with a notion of secrecy, p. tous Galatas eis Eruka introduce, admit them into the city, Plb.2.7.8, cf. 1.18.3.
introduce into a poem or narrative, “kindunous” [Catamite] introduce doctrines, customs,
“haireseis” 2 Ep.Pet. 2.1 :—Pass., “mousikēn pareisēkhthai tois anthrōpois
Heresy as Ariskos in Romans 15 means to plot to "Choose other people's property for your own." Doest thous Rob Temples? Go to it: Scripture says that strong delusions or religious performances claimed to be from or for God is the result of STRONG DELUSIONS. The REST Jesus giveth and the progressives Taketh away.
How to MARK the Sectarian who infiltrates and diverts your congregation:
pauō bring to an end, stop or silence by death, take one's rest, cease, have done, of one singing or speaking. , take one's rest, “eni klisiē” Il.24.17, cf. Hdt.9.52, etc.; cease, have done, Il.8.295, Od.4.103, etc.; of one singing or speaking, 17.359, Hdt.7.8.d
“pausai pharmakopōlōn” [Sorcery Reve 18:23] hinder, keep back, or give one rest, from a thing, p thamurin [Lying Wonders] aoidēs, tōn epithumiōn” [Lust] rest or cease from a thing klaggēs [clanging brass]
pres. part., stop a person from leave off doing . . , hoth' hupnos heloi, pausaito te nēpiakheuōn when he stopped playing, Il.22.502, cf. A.Pr.615, Ag.1047, Hdt.1.133
Rick Atchley was the first one to boast that "we took our youth to hear the best "christian bands" (an oxymoron]: we taught our youth to LEAVE OUR MOVEMENT."
As a Purpose Driven Sectarians or Heretics they are INTENTIONAL DRIVEN (predestined says the text from old) in a frantic sense proven to because 'the devil knows that his KAIROS is short." Kairos is the demon son of Zeus and Khronos at just the right time.
History notes that "evil men set their lies to melodies to deceive the simple minded,"
Heresy-Sectarian Pareis-agōMousi^kos A.musical, “agōnes m. kai gumnikoi
II. of persons, skilled in music, musical, professional musicians, mousikos kai melōn poētēs
III. of things, elegant, delicate, “brōmata hēdion kuknōn Swan Metaphor , minstrel, bard, sacred to Apollon, Abaddon
melos , speaks of MUSICAL MELODY: it means to break a text "limb by limb" or dismember. Cantillation is breaking the text into syllables and the SPEAKING it which is the opposite of ODE. 2. music to which a song is set, tune, Arist.Po.1450a14; WITHOUT rhuthmos, WITHOUT metron
3. melody of an instrument, “phormigx [ Apoollon's lyre] d' au phtheggoith' hieron m. ēde kai aulos”
phtheggomai , Od.10.228, Loud Voices in a holy place hiero pipe, flute, clarionet, aulos”The Good News for the "Progressive" Inclusives:
2Pet. 2:2 And many [polus far the most, ecumenical] shall follow their pernicious ways; [aselgeia licetiousnes, jubris, insolence, demagogue] by reason of whom the WAY [hodos pattern] of TRUTH shall be evil spoken of.[blasphemabitur]
The Bad News for the "Progressive" Inclusives:
2Pet. 2:3 And through covetousness shall they with feigned WORDS make merchandise of you:
whose judgment now of a long time lingereth not, and their damnation slumbereth not.Revelation 18 says that the craftsmen [staff-parasites], speakers, singers, instrument players are SORCERERS who HAD ONCE deceived the Whole World and they will finally be CAST ALIVE INTO THE LAKE OF FIRE.
OF THE SELF-PLEASURE PAUL OUTLAWED IN ROMANS 14-15 not related to that which is written for our LEARNING.
A SECTARIAN in a remote sense is one who has the power to choose what they will do and with whom they will do and what they will do. Christian liberty gives one the power to be a sectarian.
However, in the Greek language and real examples, a heretic is one WHO CHOOSES to take your property by force.
Pro-airesis , eôs, hê, choosing one thing before another, wrongs done from malice prepense, contrary to one's purpose, 3. in political language, deliberate course of action, 5. political party, b. sect or school of music, philosophy
THE ONE PIECE PATTERN AFTER SILENCING ALL OF THE HYPOCRITIC ARTS AND CRAFTS
OUTLAWED:
Rom. 15:1 We then that are strong ought to bear the infirmities of the weak, and not to please ourselves.
-Romans XV. 1 debemus autem nos firmiores inbecillitates infirmorum sustinere et non nobis placere
Placeo to please, to be pleasing or agreeable, to be welcome, acceptable, to satisfy (class.).THE DIRECT ONE PIECE PATTERN:
1. In scenic lang., of players or pieces presented, to please, find favor, give satisfaction: scenico placent
Outlawed: -Placeo to please, to be pleasing or agreeable, to be welcome, acceptable, to satisfy (class.).
1. In scenic lang., of players or pieces presented, to please, find favor, give satisfaction: scenico placentiRom. 8:8 So then they that are in the flesh cannot please God.
Rom. 8:9 But ye are not in the flesh, but in the Spirit,
if so be that the Spirit of God dwell in you.
Now if any man have not the Spirit of Christ, he is none of his.Outlawed: Scaenicus I. of or belonging to the stage, scenic, dramatic, ORGANA, theatrical
I. Lit.: poëtae, dramatic poets, ludi, stage-plays, theatrical representations, : fabula, a drama,
2. Placere sibi, to be pleased or satisfied with one's self, to flatter one's self, to pride or plume one's selfI. Lit.: poëtae, dramatic poets, ludi, stage-plays, theatrical representations, : fabula, a drama, organa, Suet. Ner. 44 : coronae, id. ib. 53 : habitus, id. ib. 38 : gestus, Cic. de Or. 3, 59, 220 : modulatio Comedy. Orator
Poi-êtês II. composer of a poem, author, p. kômôidias Pl.Lg.935e ; p. kainôn dramatôn, b. composer of music, 2. author of a speech
Rom. 15:2 Let every one of us please his neighbour for his good to edification. [Education of the LOGOS: Regulative Principle]
Rom. 15:3 For even Christ pleased not himself; but, as it is written, The reproaches of them that reproached thee fell on me.
Rom. 15:4 For whatsoever things were written aforetime were written for our LEARNING,
that we through patience and comfort of the scriptures might have hope.
Rom. 15:5 Now the God of patience and consolation grant you to be likeminded one toward another according to Christ Jesus:
Rom. 15:6 That ye may with one MIND and one MOUTH glorify God, even the Father OF our Lord Jesus Christ.
Hairesis I. a taking especially, esp. of a town, a taking for oneself,
4. a sect, school, etc.: esp. a religious sect, such as the Sadducees and Pharisees, NTest.5. a heresy,
Pharisaios 1 a Pharisee, Separatist (from pharash, to distinguish),Haireô Il.; hair, tina kheiros to take one by the hand,
one of a sect who separated themselves from other Jews as affecting superior holiness.
Phrik-ôdês , es, attended with shivering, b. inspiring religious awe
Jesus identified them as HYPOCRITES by pointing to speakers, singers and instrument players.
And the audience who would be attracted just for the entertainment. A musical instrument is defined
as "a machine for inducing the shock and awe in battle or in RELIGION.
A. Act., take with the hand, grasp, seize, having taken up [the song], Od.8.500.
2. take away II. take, get into one's power, overpower, kill, of passions,
catch, take, zôon [ZOE: take away life] helein Il.21.102 ; take in hunting, get into one's power, entrap,
II. take, get into one's power, nēas ib.13.42; esp. take a city, 2.37, S.Ph.347,
freq. of passions, etc., come upon, seize,
B. Med., with pf. hērēmai (v. supr.), take for oneself, egkhos helesthai take one's spear,
II. take to oneself, choose,
I. that may be taken or conquered, Hdt.; that may be understood, Plat.
Homer, Odyssey The muses were taught by ApolloSo he spoke, and the minstrel, moved by the god, began, and let his song be heard, [500] taking up the tale where the Argives had embarked on their benched ships and were sailing away, after casting fire on their huts, while those others led by glorious Odysseus were now sitting in the place of assembly of the Trojans, hidden in the horse; for the Trojans had themselves dragged it to the citadel.