After Israel fell into
Instrumental-Trinitarian-Perverted Idolatry at Mount
Sinai God abandoned the people back to Babylonianism and
sentenced them to captivity and death. The FIRST Babylon
Mother of Harlots is restored in Revelation 17.
She/he uses "lusted after fruits" (as in Amos 8) as
speakers, singers, instrument players and grinders or
prostitutes. A prostitute according to Paul corrupts the
WORD or Regulative Principle by selling the FREE WATER
OF THE WORD at retail but polluting it with personal
opinions or self-exhibition. John calls them
sorcerers and promises that THEY
WILL BE CAST ALIVE INTO THE LAKE OF FIRE.
Musical Instruments to induce KOMA or make the lambs
dumb before the slaughter are not the primary fatal sin
but the MARK that Jesus has been there and will not pass
by again as in Amos 8. Jesus removes the instruments,
instrumentalists and the LAMPS or Seven Spirits which
rested on Christ Alone. BY HIS DRIVING PURPOSE
He removes HIS NAME from the public confession so that
it is not polluted.
Jude 4 For there are
certain men crept in unawares, who were before
of old ordained to this condemnation, ungodly
men, turning the grace of our God into
lasciviousness, and denying the only Lord God,
and our Lord Jesus Christ.
Moses wrote a 7 DAY PLAN: Jesus' News Creation is
RESERVED UNTO FIRE. The Two days of judgment have
ended with the SOUNDS of God casting His enemies into
hell to the sound of Wind, String and Percussion
instruments: these are the instruments Lucifer the
singing and harp-playing prostitute brought into the
garden of Eden.
Hos. 6:1 Come, and let us return unto the
LORD:
for he hath
torn, and he will heal us;
he hath smitten,
and he will bind us up.
Isaiah
50 Christ Smitten and Plucked.
Isa 50:6 I gave my back to the smiters, and
my cheeks to them that plucked off the
hair: [KAIROS]
I hid not my
face from shame and spitting.
-per-cŭtĭo To strike through and through,
to thrust or pierce through (syn.:
percello, transfigo).
In Particular b. To
strike, play a musical instrument (poet.):
lyram, Ov. Am. 3, 12, 40;
Val. Fl. 5, 100.
ANATHEMATE PLAGUE
PLUCKERS: A plucked play-actor -Gallus A. Galli , ōrum, m.,
the priests of Cybele, Effeminate
Hos. 6:2 After two days will he revive
us:
in the third
day he will raise us up, and
we shall live in his sight.
The BEAST
or THERION is "A New Style of Music or Satyric
Drama."
Aphrahat 4th century who
introduced singing as an ACT
This is the faith
of the Church
of God. And (it is necessary) that a man
should separate himself from the
observance of hours and Sabbaths and moons and seasons,
and divinations and sorceries and Chaldaean arts and
magic,
from fornication and from festive music, from vain doctrines, which are instruments of the
Evil One, from the blandishment of honeyed
words, from blasphemy and from adultery.
And that a man should
not bear false witness, and that a man
should not speak with double tongue. These then are the
works of the faith which is based on the true
Stone which is Christ, on Whom the whole
building is reared up.
HERMES.KAIROS.SATYR: the Beast or Therion in
Revelation is "A new style of music or Satyric
Drama. That is the meaning of cappella.
(Vol. I) Diodorus
Siculus 4
While he was in Ethiopia, their account continues,
the Satyr people were brought to him, who,
they say, have hair upon their loins. For Osiris
was laughter-loving and fond of music and
the dance; consequently he took with him a multitude
of musicians, among whom were nine maidens who
could sing and were trained in the other arts,
these maidens being those who among the Greeks are
called the Muses; and their leader (hegetes),
as the account goes, was Apollo, who was
for that reason also given the name Musegetes.
The Israelites brought this
abomination with them from Egypt along with the
Levites who were an old INFANT BURNING
priesthood. Anyone who claims that Jesus
authorized anything beyond PREACHING the word by
vocational elders READING the Word and who
introduce "religious observations" (to which the
kingdom does not come) are, as in Canaan, helping
their youth into the LAKE OF FIRE reserved for
SORCERERS who are speakers, singers, instrument
players or anything beyond both MALE AND FEMALE
being silent.
5 As for the Satyrs,
they were taken along in the campaign because they
were proficient in dancing and singing
and every kind of relaxation and pastime;
for Osiris was not warlike, nor did he have to
organize pitched battles or engagements, since
every people received him as a god because of his
benefactions. 6 In Ethiopia he
instructed the inhabitants in agriculture and
founded some notable cities, and then left behind
him men to govern the country and collect the
tribute. .....
9 It is for this reason that even to this day each
group of priests supposes that Osiris lies buried
in their district, pays honours to the animals
which were originally consecrated to him, and,
when these die, renews in the funeral rites
for them the mourning for Osiris. 10
The consecration to Osiris, however, of the sacred
bulls, which are given the names Apis and
Mnevis, and worship of them as gods were
introduced generally among all the Egyptians, 11
since these animals had, more than any others,
rendered aid to those who discovered the fruit of
the grain, in connection with both the sowing of
the seed and with every agricultural labour from
which mankind profits.
16 It was by Hermes
[KAIROS], for instance, according to them,
that the common language of mankind was first
further articulated, and that many objects
which were still nameless received an appellation,
that the alphabet was invented, and that ordinances
regarding the honours and offerings due to the
gods were duly established; he was the first
also to observe the orderly arrangement of the
stars and the harmony of the musical sounds and
their nature, to establish a wrestling school,
and to give thought to the rhythmical
movement of the human body and its proper
development. He also made a lyre and gave
it three strings, imitating the seasons of
the year; for he adopted three tones, a
high, a low, and a medium; the high from the summer,
the low from the winter, and the medium from the
spring.The Greeks also were taught by him
how to expound (hermeneia)
their thoughts, and it was for this reasonthat he
was given the name Hermes. In a word, Osiris,
taking him for his priestly scribe,
communicated with him on every matter and used his
counsel above that of all others. The olive tree
also, they claim, was his discovery, not Athena's,
as the Greeks say.
Hermes or Kairos is the god of traders, thieves and
merchants.
BEAST: Thērion
,
to (in form Dim.
of thēr), A.
wild animal, esp. of such as are hunted, mala gar mega thērion ēen, of a stag, Od.10.171,
180
(never in Il.); in
Trag. only in Satyric drama
Sikinnis
sikinn-i^s si^, or siki_nis (E.Cyc.37),
idos,
A. Sikinnin D.H.7.72:Sicinnis,
a dance of Satyrs used in the Satyric
drama,
Cybele or Kubebes: CII.
Kubκbκs. The
Great Mother goddess
hē mousikē aei ti kainon thērion tiktei
A. Mousikos, musical, agτnes m. kai
gumnikoi choroi te kai agτnes ta mousika music,
II. of persons, skilled in
music, kuknos [minstrel] kai alla zτia;
peri aulous - professional
musicians,
mousikos kai melτn poκtκs, use
with singing, skilled in speaking before a
mob. Melody,
B. aei always
C. kainos , esp. of new dramas, the
representation of the new tragedies,
(Aphrodisias dedicated to Aphrodite (ZOE); comedy,
sexual love, pleasure, a woman's form of oath, Aster
or Venus or ZOE Lucifer
D. Therion
E. Tikto mostly of the mother of
Rhea [EVE] one of the zoogonic or
vivific principles
Needing: sunestiōmenon,
of woman
Sunesti^-aō , A. help to entertain,
live or feast along with or together,
Lys.Fr.53.2, Is.3.70, D.19.190,
[theois]
meta
tinōn
IG22.12
Stan Grandberg (knew as a child) works with Maury Hills
[Taking part of my last "investment" with the Lord]
claims a NEW DAY requires existing congregations
be replaced by the prophesied revival of
Apollon-Abaddon. The "Beast" in Revelation is "a
new style of music and satyric (cappella) drama: Jesus
called the speakers, singers or instrument players
hypocrites
ISAIAH 33 AND 1 CORINTHIANS 1 DENIES PODIUMS AND
TAKERS OF SHEKALS IN THE CHURCH OF CHRIST.
|
Russ
Adcox: 1) Why
did you include the senior minister
position with the elders? The reason
I included this position as a restriction
is because in many churches
(including Maury Hills) the senior
minister operates in a very
similar capacity as an elder in that
he provides authoritative
teaching and oversees the
affairs of the church.
In our context, the elders have delegated
a good deal of authority to me
in regards to preaching/teaching, leading
the staff, overseeing the daily
operations/ministry of the church, having
a vote in key decisions, etc.
A Church OF Christ is a SCHOOL of Christ from
the Church of Christ (the Rock) in the
wilderness. The NEW DAY is a day of REST or
PAUO which like Sabbath stops everything but
PREACHING the WORD by READING the WORD once
each week needing no Hirelings.
Acts 15:21 For Moses of old time hath in
every city
them
that PREACH him,
being
READ in the synagogues every sabbath
day.
Neither the synagogue (Paul's defining word)
or the Civil ekklesia HAD any STAFF.
Paul gives those who PREACH the WORD the same
right as a Levite when on duty IN the CARNAL
temple for two weeks during the year which was
a living OR A DAILY DOLE OF FOOD. EVEN
THEN they are defined by the Greek PARASITE.
Jesus "synagogued" with the Disciples two
first days of the Week: He returned with the
promise or ROLE as Holy Spirit on a first day
of the week.
Plat.
Laws 936c There
shall be no beggar in our State;
and if anyone attempts to beg, and
to collect [synagogue]
a livelihood by ceaseless
[making Poieo meter,
hymns] prayers, the
market-stewards shall expel him
from the market, and
the Board of city-stewards from the city,
and from any other district he shall
be driven across the border by the
country-stewards, to the end that
the land may be wholly purged of such
a creature. If a slave, male or
female, do any injury to another man's
goods,
Plato:
And therefore when any one of
these pantomimic gentlemen, who are so clever that
they can imitate anything, comes to
us, and makes a proposal to exhibit
himself and his poetry,
we will fall down and
worship
him as a sweet and holy and wonderful
being; but we must also inform him
that in our State such as he are not
permitted to exist; the law will not allow
them. And so
when we have anointed him with myrrh, and set a garland of wool upon his head, we shall send him away
to another city. For we mean to employ for
our souls' health the rougher
and severer poet or story-teller, who
will imitate the style of the virtuous
only, and
will follow those models which we
prescribed at first when we began
the education of our soldiers
Parasites claim that their Musical Worship
Band can lead you into the presence of God:
That is the meaning of an ABOMINATION
standing in their "holy" places. Rejoice and
be glad.
-Commentary
Epideik-nu_mi -nuō
2.
. more freq. in Med., show off
or display for oneself or what
is one's own, mousikan
orthan e. give
a specimen of his art. of a
rhetorician lecturing, Id.Phdr.235a;
polla kai kala Id.Grg.447a;
of epideictic orators, Arist.Rh.1391b26;
of a musician, e. hupertheōn
Pl.Lg.648d.
Muron -- stepsantes.
The idea suggested by proskunoimen
and hieron,
that the poet is a sort of theos
or theios anēr, is
now elaborated with ironical
politeness.
hupertheos
, on, A.
more than God, mē phroneith' huperthea
(huper theous)
Hdt.
2.37 Their religious observances
are, one may say, innumerable.
[4] But also they
receive many benefits: they do
not consume or spend anything of their
own;
sacred
food is cooked for them, beef and goose
are brought in great abundance to each man
every day, and wine of grapes is given
to them, too... One of these is the high
priest; and when a high
priest dies, his son succeeds to his office.
They believe that bulls belong to Epaphus. Epaphus is the Greek form
of Apis or Hapi, the
bull-god of Memphis;
Hdt.
2.42
For no gods are worshipped by all
Egyptians in common except Isis and Osiris,
who they say is Dionysus; 2.44 I took
ship for Tyre
in Phoenicia,
where I had learned by inquiry that there
was a holy temple of Heracles. [The
Tyrian god Melkart.] [2] There I saw it,
richly equipped with many other offerings,
besides two pillars, one of refined gold,
one of emerald: Hdt. 2.46 This
is why the Egyptians of whom I have spoken
sacrifice no goats, male or female: the
Mendesians reckon Pan
among the eight gods who, they say, were
before the twelve gods.
Titus 1:7 For a
bishop must be blameless, as the steward
of God;
not
selfwilled, not soon angry, not
given to wine, no striker,
not
given to filthy lucre;
Anegkletos
giving no grounds for dispute
Titus 1:8 But a
lover of hospitality, a lover of good men,
sober, just, holy, temperate;
Rom
15: 4 For whatsoever
things were written aforetime were
written for our learning, that we
through patience and comfort of the
scriptures might have hope.
Dēmēgoreō
dēmēgoros
I. to speak in the
assembly, Lat. concionari,
Ar., etc.: Pass., ta dedēmēgorēmena
public speeches,
II. to make popular
speeches, to speak rhetorically,
use clap-trap.
Hdt.1.24
[4]
Abandoned to this extremity, Arion asked
that, since they had made up their minds,
they would let him stand on the half-deck in
all his regalia and sing; and he promised
that after he had sung he would do himself
in. [5] The
men, pleased at the thought of hearing
the best singer in the world, drew
away toward the waist of the vessel from the
stern. Arion, putting on all his regalia and
taking his lyre, stood up on the half-deck
and sang the Stirring Song,2
and when the song was finished he threw
himself into the sea, as he was with all his
regalia.
2
The orthios nomos
[Traditional Law] was a high-pitched
(and apparently very well-known) song or
hymn in honor of Apollo. [Abaddon,
Apollyon]
Titus 1:9 Holding
fast the faithful word
AS
HE HAS BEEN TAUGHT (CENI)
that
he may be able by sound doctrine
both
to exhort and to convince
the gainsayers.
Paul defined the ekklesia as identical to
the synagogue as a school of the Word of
God.
Acts 15:21 For Moses of old
time hath in every city
them
that preach him,
being read in the synagogues every
sabbath day.
2Tim. 4:2 Preach the WORD; be instant in
season, out of season; reprove, rebuke,
exhort
with all longsuffering and doctrine.
1651. ejleχgcw elegcho,
el-eng΄-kho; of uncertain affinity; to
confute, admonish: convict, convince, tell
a fault, rebuke, reprove.
2Th. 2:15 Therefore, brethren, stand fast,
and hold the traditions which ye have been
taught, whether by WORD, or our EPISTLE.
|
Matt. 23:7 And greetings in the markets, and
to be called of men, Rabbi, Rabbi.
Matt. 23:8 But be not ye called Rabbi: for one is your
Master, even Christ; and all ye are brethren.
Matt. 23:9 And call no man your father upon
the earth: for one is your Father, which is in heaven
Master is 2233.
hegeomai, hayg-eh΄-om-ahee; middle voice of a
(presumed) strengthened form of 71; to lead, i.e.
command (with official authority); figuratively,
to deem, i.e. consider: account, (be) chief,
count, esteem, governor, judge, have the rule over,
suppose, think.
ASSUMES THE ROLE OF THE ALWAYS-PAGAN FATHER, SPIRIT
(MOTHER) SON OF THE ONE GOD THE FATHER
Matt. 28:18 And Jesus came and
spake unto them, saying, All power is given unto
me in heaven and in earth.
Matt. 28:19 Go ye therefore, and teach all
nations,
baptizing them
in the name [singular] of the Father, and of the Son,
and of the Holy Ghost:
Matt. 28:20 Teaching them to observe all things whatsoever
I have commanded you:
and, lo, I am
with you alway, even unto the end of the world. Amen
ANTICHRISTS DENY:
John 1:49 Nathanael answered and saith unto him,
Rabbi,
thou art the Son of God; thou art the King
of Israel.
The only personified Spiritus II.B. The "spritt" of Phoebus or
Carmenae (the Muses), spirit of a loud tone, a
tempest, of the tympana horrificis,
runinis exciting terror of loud
thundering speech, thundererer, god of thunder, Saturn
as the sickle bearer. comedy, poetry,
Tympanum tambourine from Topheth
or hell. A. Esp., as beaten by the emasculated
priests of Cybele, Also by the
Bacchantine females B.Trop., a
timbrel, etc., as a figure of something
effeminate, enervating: tympana
eloquentiae,
Beaten by the Parthians as a signal in battle in place
of the tuba
Ov.
Met. 11.17
Behold (sayes shee) behold yoon same is he that
doth disdeineUs women.
And with that same woord shee sent her lawnce amayne
At Orphyes singing mouth. The Lawnce armd round
about with leaves,
Did hit him, and without a wound a marke behynd it
leaves.
' Another threw a stone at him, which vanquisht with his
sweete
And most melodius harmonye, fell humbly at his
feete
As sorye for the furious act it purposed. But rash
And heady ryot out of frame all reason now did dash,
And frantik outrage reigned. Yit had the sweetenesse of
his song
Appeasd all weapons, saving that the noyse now
growing strong
With blowing shalmes, and beating drummes,
and bedlem howling out,
And clapping hands on every syde by
Bacchus drunken rout,
Did drowne the sownd of Orphyes harp. Then first
of all stones were
Made ruddy with the prophets blood, and could
not give him eare.
And first the flocke of Bacchus froes by violence brake
the ring
Of Serpents, birds, and savage beastes that for to heere
him sing
Sate gazing round about him there. And then with bluddy
hands
They ran uppon the prophet who among them singing
stands.
Bacchus
, of the new wineskins: one of the sects silenced in
Romans 14 the god of wine (as such also called
Liber, the deliverer, Lyζus care-dispeller; as
intoxicating and inspiring, he is god of poets,
esp. of the highly inspired, Bacchus, in the
most ancient times, is represented as a god of nature by
a Phallic Herma his attendants (a satyr
{BEAST}, Silenus, and the Bacchζ), carried the
thyrsus-shaken reed.
Bakkheios,
Bacchic: ululatus,[Halal
B. Transf., of places, to ring, resound,
re-echo with howling: penitusque
cavae
plangoribus
aedes
Femineis
ululant,
Verg. A. 2, 488:
resonae
ripae,
cornua
Instruments: machines for doing
hard work always AT THE CENTER
Still defended by the original Babylon Talmud
still teaching Jewish Fables.
All religious craftsmen: speakers,
singers, instrument players are called SORCERERS who
HAD ONCE deceived the whole world and they WILL BE
or are now being CAST
ALIVE INTO THE LAKE OF FIRE.
The Spirit of Christ in Isaiah
30 shows that people are punished by their own
errors: God cast His enemies into Hell to the
sound of wind, string and percussion instruments.
instruments. Lucifer as the singing and
harp-playing prostitute in the garden came
equipped with Wind, String and Percussion
instruments.
Lucifer plays the same role as Abaddon as the name
of the cursed-levites "service." In the ON TIME
(Kairos) he unleashes the LOCUSTS or MUSES as his
worship team. They were known as dirty
adulteresses and his SHEPHERDESS.
Is. 14:11 Thy pomp is brought
down to the grave, and the noise of thy
viols: the worm is spread under thee,
and the [maggots]
worms cover thee.
Is. 14:12 How art thou fallen from heaven, O
Lucifer, son of the morning!
how art
thou cut down to the ground, which didst weaken
the nations!
Is. 14:13 For thou hast said in thine heart,
I will ascend into heaven,
I
will exalt my throne above the stars
of God:
I will sit
also upon the mount of the congregation, in the
sides of the north:
Is. 14:14 I will ascend above the heights of
the clouds; I will be like the most High.
Is. 14:15 Yet thou shalt be brought down
to hell, to the sides of the pit.
1Tim. 3:6 Not a novice, lest being lifted up
with pride he fall into the condemnation of the
devil.
Russ
claims to provide authoritative teaching
and oversees the affairs of
the church.
However, the word KOMA or making the
lambs dumb before the slaughter is done by
musical instruments always connected to
enchantment or SORCERY.
I s. 30:32 And in every
place where the grounded staff shall pass,
which the Lord shall lay upon him,
it shall be with tabrets and
harps: and in battles of shaking will
he fight with it.
The only personified Spiritus
II.B. The "spritt"
of Phoebus or Carmenae (the Muses),
spirit of a loud tone, a tempest, of the
tympana horrificis, runinis
exciting terror
of loud thundering speech, thundererer,
god of thunder, Saturn as the sickle bearer. comedy, poetry,
tympănum
, i (collat. form typă-num , Cat. 63, 8
sq.), n., = τύμπανον,
I. a
drum, timbrel, tambour,
tambourine.
I. Lit.
A. Esp., as beaten by the
priests of CybeleAlso by the Bacchantine
females, Ov. M. 11,
17.Beaten by the Parthians
as a signal in battle in place of the tuba,
Just. 41, 2, 8.
B.
orop., a timbrel, etc.,
as a figure of something effeminate,
enervating: tympana eloquentiae,
Quint. 5,
12, 21: in manu tympanum est, Sen. Vit.
Beat. 13, 3.
Ov.
Met. 11.17
Behold (sayes shee) behold yoon
same is he that doth disdeineUs women.
And with that same woord shee sent her
lawnce amayne
At Orphyes singing mouth. The
Lawnce armd round about with leaves,
Did hit him, and without a wound a marke
behynd it leaves.
' Another threw a stone at him, which
vanquisht with his sweete
And most melodius harmonye, fell
humbly at his feete
As sorye for the furious act it purposed.
But rash
And heady ryot out of frame all reason now
did dash,
And frantik outrage reigned. Yit had the
sweetenesse of his song
Appeasd all weapons, saving that
the noyse now growing strong
With blowing shalmes, and
beating drummes, and bedlem
howling out,
And clapping hands on
every syde by Bacchus drunken rout,
Did drowne the sownd of Orphyes harp.
Then first of all stones were
Made ruddy with the prophets blood,
and could not give him eare.
And first the flocke of Bacchus froes by
violence brake the ring
Of Serpents, birds, and savage beastes
that for to heere him sing
Sate gazing round about him there. And
then with bluddy hands
They ran uppon the prophet who among
them singing stands.
Is. 30:33 For Tophet is ordained of old; yea,
for the king it is prepared; he hath made it
deep and large: the pile thereof is fire and
much wood; the breath of the Lord, like a
stream of brimstone, doth kindle it.
The pattern of Jesus was to stand up BEHIND
the pulpit which held up the SCRIPTURES.
He obeyed the universal command to PREACH
by READING the Word and then
decently and in order SAT DOWN.
Jude 6 And the angels which kept not their
first estate, but left their own habitation,
he hath
reserved in everlasting chains under darkness unto
the judgment of the great day.
Jude 7 Even as Sodom and Gomorrha, and the cities
about them in like manner,
giving themselves
over to fornication, and going after strange
flesh,
are set forth for
an example, suffering
the vengeance of eternal fire.
Goats were substituted for burning Infants
in 2 Chronicles 29 as the PATTERN for all musical
idolaters. Cappella or the Goat singers are ANATHEMA: they are
devoted to enhance a religious operation, cannot
be redeemed and must be burned. The JUBILEE
concept was an effort to REDEEM the historical
Church of Christ which never lied about
theatrical-musical rituals as SELF-EXHIBITION
Verg. G. 2.386
For no offence but this to Bacchus bleeds
The goat [caper, auriga,
capella ]
at every altar, and old plays [ludi]
Upon the stage find entrance;
therefore too
The sons of Theseus through the
country-side
Hamlet and crosswayset the prize of wit,
And on the smooth sward over oiled skins
Dance in their tipsy frolic.
Furthermore
The Ausonian swains, a race from Troy
derived,
Make merry with rough rhymes and
boisterous mirth,
Grim masks of hollowed bark assume, invoke
Thee with glad hymns, O Bacchus,
and to thee
Hang puppet-faces on tall pines to
swing.
Hence every vineyard teems with mellowing
fruit,
Till hollow vale o'erflows, and gorge
profound,
Where'er the god hath turned his comely
head.
Therefore to Bacchus duly will we sing
Meet honour with ancestral hymns,
and cates
And dishes bear him; and the doomed
goat
Led by the horn shall at the altar stand,
Whose entrails rich on hazel-spits
we'll roast. |
llūdo
2. to
sport or fool away a
thing, i. e. to destroy or waste
in sport; in mal. part., to
violate, abuse
Rhetoric
Cano
to
produce melodious sounds, whether
of men or animals; later, with a
designation of the subject-matter of the
melody, as v. a., to make something
the subject of one's singing
or playing, to sing of,
to celebrate, or make known
in song, etc.
I. Neutr.,
to utter melodious notes, to
sing, sound, play.
C. Transf.,
of the instruments by which, or (poet.)
of the places in which, the sounds are
produced, to sound, resound:
canentes tibiae,
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