II. of
persons, unmusical, Id.Sph.253b,
al.
Max.Lucado.The.Mark.of.The.Beast
prosku^n-eō
make obeisance to the gods or their images, fall down and worship,
LXX Ge.24.26, al., Ev.Matt.2.2, 11, Ev.Jo.4.23, Worship in Scripture is Falling on your face in Reverence and Godly fearIt is a STRONG DELUSION that God ever commanded a DAY for worship.
It is the DEFINITION of a CULT to operate a center of SANCTITY with command authority, controlling the member's life several days during the week.
It is a STRONG DELUSION that God ever commanded any action by the hands of men as worship.
It is a STRONG DELUSION to claim that Jesus died in vain unable to "supply all that applies to life and godliness."
It is a STRONG DELUSION that God ever authorized ANY FUNDING for any funded STAFF to ride on the backs of widows
It is a STRONG DELUSION to claim that God commanded SINGING with or without a Mechanical Device.
It is a STRONG DELUSION and a LIE that there is a Law of Tithing or a Law of Giving
Acts.17.25.God.Not.Worshipped.Mens.Hands.html
Nor in houses built by human hands. In fact the dust people are called ABORIGINES: God hids from them.
HOWEVER OF PAGANISM p. tina hōs hieron kai thaumaston
I. filled with or manifesting divine power, supernatural Kirkēs 'faery II. of divine things, holy, hierois en dōmasi Kirkēs The Holy Harlot pattern of John's equated it to Babylonia. hiero-doulos Strab. 8.6.20 esp. of templecourtesans [prostitutes] at Corinth and elsewhere, Str.8.6.20, 6.2.6; also of men, Id.11.4.7, al. thaumastos A.wonderful, marvellous LYING WONDER
Plat. Rep. 398a who was capable by his cunning of assuming every kind of shape and imitating all things should arrive in our city, bringing with himself the poems which he wished to exhibit, we should fall down and worship him as a holy and wondrous and delightful creature, but should say to him that there is no man of that kind among us in our city, nor is it lawful for such a man to arise among us, and we should send him away to another city, after pouring myrrh down over his head
and crowning him with fillets of wool,
Strab. 8.6.20 And the temple of Aphrodite was so rich that it owned more than a thousand temple slaves, courtesans, whom both men and women had dedicated to the goddess. And therefore it was also on account of these women that the city was crowded with people and grew rich; for instance, the ship captains freely squandered their money, and hence the proverb, "Not for every man is the voyage to Corinth."Source unknown Moreover, it is recorded that a certain courtesan said to the woman who reproached her with the charge that she did not like to work or touch wool: "Yet, such as I am, in this short time I have taken down three webs."4 debauched three ship captains."
Rev. 13:12 And he exerciseth all the power of the first beast before him,
and causeth the earth and them which dwell therein
to WORSHIP the first BEAST, whose deadly wound was healed.
BEAST upon which the dragon or serpent rides
Thērion A sudden new style of MUSIC and Satyric (perverted) Drama
Revelation 13 12 kai tēn exousian tou prōtou thēriou pasan poiei enōpion autou. kai poiei tēn gēn kai tous en autē katoikountas hina proskunēsousin to thērion to prōton, hou etherapeuthē hē plēgē tou thanatou autou.
God the Father has given Jesus all exousian in heaven and earth.
thera^p-euō
II. do service to the gods, athanatous, theous th., Hes.Op.135, Hdt.2.37, X.Mem.1.4.13, etc.; daimona Pi.P.3.109; Dionuson, Mousas, E.Ba.82 (lyr.), IT1105(lyr.); th. Phoibou naous serve them, Id.Ion111 (anap.): abs., worship, Lys.6.51; do service or honour to one's parents, E.Ion183 (lyr.), Pl.R.467a, Men.91a; serve, wait upon a master, Id.Euthphr.13d, cf. Ar.Eq.59, 1261,
The Muses or Locusts were Apollyon's worship team. They were known to be adulteressess but also the SHEPHERDESSES. Mousas A.Olumpiades M., Dios aigiokhoio thugateres daughters whatever the sex. kanakhan . . theias antiluron mousas clanging brass and lyre or guitar pickers
THE GOD WORSHIPPED BY RHETORIC, SINGING, PLAYING INSTRUMENTS AND PAY-TO-PLAY
Phoebus , i, m., = Phoibos (the radiant), I.a poetical appellation of Apollo as the god of light: quae mihi Phoebus Apollo , Val. Fl. 1, 228: Circe, daughter of Sol, Petr. 135.THE ABSOLUTE DIRECT COMMANDB. Phoe-bēus , a, um, adj., Phbean, Apollinean: carmina, Lucr. 2, 504: lampas, the sun, Verg. A. 4, 6: virgo, Daphne, Ov. P. 2, 2, 82: laurus, id. Tr. 4, 2, 51: Rhodos, where the worship of Apollo prevailed, id. M. 7, 365: LYRA, id. H. 16, 180: sortes, oracle, id. M. 3, 130: tripodes, id. A. A. 3, 789: Phoebeā morbos pellere arte,[rhetoric, singing, instruments]C. Phoebas .moongoddess a priestess of Apollo; hence the inspired one, the prophetess, Ov. Am. 2, 8, 12; id. Tr. 2, 400; Luc. 5, 128; 165. LOCUSTS are Apollyon's Prostitute Worship Team
Lyra I.a lute, lyre, a stringed instrument resembling the cithara, fabled to have been invented by Mercury and presented to Apollo [Apollon, Apollyon]
carmina I.a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation
also versus, numeri, modi): carmen tuba ista peregit ( = sonus), carmine vocali clarus citharāque Philammon, (sc. Apollinem) concordant carmina 5. A magic formula, an incantation:
Luc. 5.11 Henceforth a prophet. Which of all the gods
Has left heaven's light in this dark cave to hide?
What spirit that knows the secrets of the world
And things to come, here condescends to dwell,
Divine, omnipotent? bear the touch of man,
And at his bidding deigns to lift the veil?
Perchance he sings the fates; perchance his song,
1Pet. 4:11 If any man speak, let him speak as the oracles of God; if any man minister, let him do it as of the ability which God giveth: that God in all things may be glorified through Jesus Christ, to whom be praise and dominion for ever and ever. Amen.
Lynn.Anderson.Oak.Hills.Church Women and Instrumental Sorcery
1.Timothy.2.Women.Produce.Wrath
Debbie.Anderson.Boggs.Women.Learn.in.Silence.html To Silence Sorcerers
Debbie.Boggs.Psallo.Instrumental.Music.in.Worship.html
To Eleminate Apollyon's Locusts or Musical Worship SHEPHERDESSES
http://www.pineycom.com/John.T.Willis.and.Jo.Bass.The.Holy.Spirit.html
http://www.pineycom.com/Jackie.Halstead.Lectio-Divina.Sorcerers.html
A Spiral is not a Lebyrinth intended to get peophe slaughtered physically. A Spiral is a symbol of Satan.
Max Lucado Come Thristy Spirit poured out informs Max.
SPIRIT is figurative or a parable to trip Max. God puts His Word into the Mouth of the Prophets and Jesus for the Last time.
ALL of the Active Verbs such as come upon, fell, poured out produces WORDS ONLY. Peter outlaws private interpretation or further expounding which would blaspheme God's Spirit Which empowered Him to to define Holy Scripture as "The prophets and other prophecies CONCERNING ME."
Why no one who writes or speaks beyond the WORD of God is NOT a Christian-Disciple-Student. The Word, Logos or Regulative outlaws any human ENHANCEMENT such as rhetoric, listening, singing, playing an instrument, acting or Pay for Play.
John 8:31 Then said Jesus to those Jews which believed on him,
IF ye continue in my WORD, THEN are ye my disciples indeed;THE DIRECT COMMAND AND EXAMPLE OF JESUS.
John 8:26 I have many things to say and to judge of you:
but he that sent me is true;
and I SPEAK to the world those things which I have HEARD of him.
John 8:27 They understood not that he spake to them of the Father.
John 8:28 Then said Jesus unto them,
When ye have lifted up the Son of man,
then shall ye know that I am he,
and that I do nothing of myself;
but as my Father hath taught me,
I speak these things.
John 8:29 And he that sent me is with me:
the Father hath not left me alone;
for I DO always those things that PLEASE him.
John 8:30 As he spake these WORDS, many believed on him.
WHY NO HONEST CHRISTIAN TEACHER CAN BE RICH AND FAMOUS: THEY WILL BE POOR AND HATED
John 7:18 He that speaketh of himself seeketh his own glory:
but he that seeketh his glory that sent him,
the same is true, and no unrighteousness is in him.
JESUS SAID THAT THOSE WHO SPEAK THEIR OWN WORDS ARE THE SONS OF THE DEVIL.
John 8:37 I know that ye are Abrahams seed;
but ye seek to kill me, because my WORD hath no place in you.
John 8:38 I SPEAK that which I have seen with my Father:
and ye DO that which ye have seen with your father.
Warning about the repeat of the Instrumental-Trinitarian-Perverted "play" at Mount Sinai, Jude says that leaving the ONCE DELIVERED WORD is the mark that they were FOREORDAINED. They really have no choice.
Devil Do: poiētai 4. after Hom., of Poets, compose, write, p. dithurambon, epea, Hdt.1.23, 4.14; p. theogoniēn
Epos joined with muthos, 1. song or lay accompanied by music, 8.91,17.519.
2. fiction (opp. logos, historic truth), THE REGULATIVE PRINCIPLEDevil Do: LATIN: făcĭo , to make in all senses, to do, perform, accomplish, prepare, produce, bring to pass, cause, effect, create, commit, perpetrate, form, fashion, operor Lying Wonder, poλma, to compose, id. Pis. 29, 70: carmina, Juv. 7, 28: versus, id. 7, 38: sermonem, Cic. Fam. 9, 8, 1; cf. litteram, id. Ac. 2, 2, 6: ludos, to celebrate, exhibit, admirationem alicujus rei alicui, to excite [the Laded Burden],Hdt. 1.23 Periander, who disclosed the oracle's answer to Thrasybulus, was the son of Cypselus, and sovereign of Corinth. The Corinthians say (and the Lesbians agree) that the most marvellous thing [Lying Wonders] that happened to him in his life was the landing on Taenarus of Arion of Methymna, brought there by a dolphin. This Arion was a lyre-player second to none in that age; he was the first man whom we know to compose and name the dithyramb1 which he afterwards taught at Corinth.
1 The dithyramb was a kind of dance-music particularly associated with the cult of Dionysus.
Devil Do: carmen
I.a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation (cf.: cano, cantus, and canto). note, sound, both vocal and instrumental also versus, numeri, modi): carmen tuba ista peregit ( = sonus), Enn. Ann. 508 Vahl.: carmine vocali clarus citharāque Philammon, Ov. M. 11, 317; cf. vocum, id. ib. 12, 157: per me (sc. Apollinem) concordant carmina nervis
barbaricum, id. M. 11, 163.With allusion to playing on the cithara: The Moher o Harlots in John 17 Carminibus Circe socios mutavit Ulixi,
Devil Do: Commercium sermonis, 7 In mercant. lang., to practise, exercise, follow any trade or profession: 8. In relig. lang., like the Gr. rhezein, to perform or celebrate a religious rite; to offer sacrifice, make an offering, to sacrifice:
Devil Do: Mousa II. mousa, as Appellat., music, song, m. stugera A.Eu.308 (anap.); euphamos Id.Supp.695
Kanakhan .Clanging Brass
Theias as many as made them hope by divinations, Madness caused by Ritual
worship as divine, Puthagoran [Of the Cosmos, the Ecumenical, Kingdom of the Devil."
Antiluron mousas S.Tr.643 (lyr.); PLAYING THE LYRE
Aiakō moisan phereinI. bear or carry a load, A Laded Burden
Why would WOMEN want to engage in WRATH or ORGIES? So that no one can come to a knowledge of the truth and be SAFE.
Livy defines the Bacchus or New Wineskin worshipers in Rome
First, then, a great part of them are women, and this was the source of the evil; the rest are males, but nearly resembling women; actors and pathics in the vilest lewdness; night revelers, driven frantic by wine, noises of instruments, and clamors.
she disclosed what ought not to be revealed) that "when in service, she had gone into that place of worship, as an attendant on her mistress;but that, since she had obtained her liberty, she had never once gone near it: that she knew it to be the receptacle of all kinds of debaucheries; that it was well known that, for two years past, no one older than twenty had been initiated.
When any person was introduced he was delivered as a victim to the priests, who led him away to a place
resounding with shouts, the sound of music, and the beating of cymbals and drums, lest his cries, while suffering violation, should be heard abroad."
She then entreated and besought him to put an end to that matter in some way or other; and not to plunge himself into a situation, where he must first suffer, and afterwards commit, every thing that was abominable. Nor did she quit him until the young man gave her his promise to keep himself clear of those rites.
How often in the ages of our fathers was it given in charge to the magistrates,
to prohibit the performance of any foreign religious rites;
to banish strolling sacrificers and soothsayers from the forum, the circus, and the city;
to search for, and burn, books of divination; and to abolish every mode of sacrificing that was not conformable to the Roman practice!For they, completely versed in every divine and human law, maintained that nothing tended so strongly to the subversion of religion as sacrifice, when we offered it not after the institutions of our forefathers, but after foreign customs.
God put His Words into the MOUTH of the Prophets. The TESTIMONY OF JESUS was that SPIRIT made morecertain. That same Spirit or BREATH was put into the mouth of EZEKIEL 8 and made more certain in Romans 14 where Paul outlawed anything which did not edify or TEACH THE WORD.
Women Lamenting for Tammuz in Ezekiel abandoned to BABYLONIANISM.
http://www.pineycom.com/MuTammuz.html
The Babylonian Mother of Harlots (Revelation 17) uses CLERGY as "Lusted after fruits" (as in Amos 8) as speakers, singers, instrument players, brides-bridegrooms, grinders or prostitutes.
SEE Sara.Barton.Chaplin.Pepperdine.The.Song.of.Solomon for more notes on the Hieros Gamos. Timothy commanded that BOTH be silent and sedentary so that "We might all be SAFE and come to a knowledge of the Truth. All of Scriptures and the Campbells makes this the One Piece Pattern with no Roles and no Dole. Selling the Word or corrupting it is called adultery by Paul and Civil Greek Society.
MY pastoral impulse this week is to proclaim the message of the Song of Songs. And heres why: We desperately need public, communal language about sex, and we have an oft-overlooked resource in the Bible. Song of Songs is unique in several ways, one of which is the fact that its the only place in Scripture where a womans voice leads the conversation (the woman speaks 61 of 117 verses). In light of what weve heard lately, it seems like a good time to let a wise woman speak about sexual activity thats right and good, a woman who not only speaks but sings and shouts about intimate, sensual, erotic passion. And in all her talk about kissing, touching, tasting, and smelling, she does not offend with crass or vulgar language. She exemplifies how its possible to speak about sex and intimacy appropriately. We might do well to let her teach us a thing or two.
Laura Buffington: With sex playing such a prominent role in the art and life of OUR culture, the church would be wise to reclaim the metaphor of sex AS salvation. Making the whole story of our lives about the salvation found in physical intimacy is to miss the grander picture of intimate salvation promised to Beloved Humanity by God the Lover.THIS IS DEFINED AS THE COURTSHIP OF INANNA AND DUMIZI (Tammuz, ANTI CHRIST..
All literate historic scholars understand how women claim the power of the EARTH MOTHER. The FEMALE usurpers almost by definition will try to restore the Goddess or "Mary the Mother of God" by the Ignatian Meditations.
http://www.pineycom.comJeanene.P.Reese.Theology.of.Women.Teachers.html
http://www.pineycom.com/Tertullian-Heresy-Appendix.html/Chapter II.-Ophites, Cainites, Sethites.
That Aeon, however, out of which Ialdaboath had proceeded, moved to the heart with envy, had injected into man as he lay a certain spark; excited whereby, he was through prudence to grow wise, and be able to understand the things above.
So, again, the Ialdaboath aforesaid, turning indignant, had emitted out of himself the Virtue and similitude of the serpent; and this had been the Virtue in paradise-that is, this had been the serpent-whom Eve had believed as if he had been God the Son. 35 He 36 plucked, say they, from the fruit of the tree, and thus conferred on mankind the knowledge of things good and evil. 37 Christ, moreover, existed not in substance of flesh: salvation of the flesh is not to be hoped for at all.
Moreover, also, there has broken out another heresy also, which is called that of the Cainites. 38 And the reason is, that they magnify Cain as if he had been conceived of some potent Virtue which operated in him; for Abel had been procreated after being conceived of an inferior Virtue, and accordingly had been found inferior.
They who assert this likewise defend the traitor Judas, telling us that he is admirable and great, because of the advantages he is vaunted to have conferred on mankind; for some of them think that thanksgiving is to be rendered to Judas on this account: viz.,
The little box on the spotted flute case is to hold the Mouthpieces of Wind Instruments. These reeds were the TONGUES of the KOSMOKRATOR. The Oax Goads hold up the always-drunk and perverted musicians. This is the NEW WINESKINS PATTERN
All trinities of persons and "instrumental worship" which Paul called WRATH or religious ORGIES have emasculated most once Christian Colleges of the Bible and "progressive" congregations. Paul warns against the concision, dogs or men EMASCULATED by a small band of women restoring the Matriarchy. The Tripple Goddess is REFUSTED when a voice pronounced Jesus the SON of a FATHER..
Spiritual Formation, Centering Prayer, Lectio Divina, Ignatian Retreats where the females drag men off to monasteries and walking the Labyrinth where the Minataur [Bull stuff preaching] is, int the words of Rick Atchley who boasts of using MUSIC (sorcery) to TEACH YOUR YOUTH TO LEAVE YOUR MOVEMENT. However, they Rob the Temple and YOU get over it or get out.
BOTH MALE AND FEMALE ARE TO BE SILLENT SO THAT WE MIGHT BE SAVE AND COME TO A KNOWLEDGE OF THE TRUTH.
When either male or FEMALE introduce orgies (Rock and Roll) the role is TO MAKE THE LAMBS (Jesus) DUMB BEFORE THE SLAUGHTERS.
Jesus said that the MEN had become BOYS and they PIPED hoping that He would bow down and be initiated into the Diionysian Mysteries. He refused to BOW and lament or SING and DANCE and cast them into the MARKET PLACE where they could buyy and sell radishes and young boys.
In ancient Greek religion, an orgion (ὄργιον, more commonly in the plural orgia) was an ecstatic form of worship characteristic of some mystery cults.[1] The orgion is in particular a cult ceremony of Dionysos (or Zagreus), celebrated widely in Arcadia, featuring "unrestrained" masked dances by torchlight and animal sacrifice by means of random slashing that evoked the god's own rending and suffering at the hands of the Titans. [2][3] The orgia that explained the role of the Titans in Dionysos's dismemberment were said to have been composed by Onomacritus.[4] Greek art and literature, as well as some patristic texts, indicate that the orgia involved snake handling.[5]
Orgia may have been earlier manifestations of cult than the formal mysteries, as suggested by the violently ecstatic rites described in myth as celebrated by Attis in honor of Cybele and reflected in the willing self-castration of her priests the Galli in the historical period. The orgia of both Dionysian worship and the cult of Cybele aim at breaking down barriers between the celebrants and the divinity through a state of mystic exaltation:[6]
GOD ABANDONED THE JEWS TO WORSHIP THE STARRY HOST BECAUSE OF INSTRUMENTAL AND PERVERTED "PLAY." APOLLLON OR ABADDON WAS THE GOD OF THE JEWS.
They usually begin with an invocation to the Muses for inspiration. Plato even wanted to exclude the myths from his ideal state described in the Republic because of their low moral tone.
A Cappella as Revelation.16.The.Mark.of.the.Beast.Signs musical idolatry of the singing and harp playing prostitute Christ defined as lucifer or the worship at Tyre. 2 Peter 2:12 But these, as natural brute beasts, [Zoon, Zao, Zoe căprīlis , e, of or pertaining to the goat: semen, i. e. capellae,
A Cappella Singing is an end-time deception: it has become a power merchandising plot and the BEASTS or Goat-Singers are the Scape-Goats. A person or thing so dedicated to adorn the Word of God is declared anathema: he she or it cannot be redeemed and must be burned. The Cappella was the Sistine Chapel where the castrated Opry singers aided or replaced the "falsetto" voices served. The singing style was ORGANUM with no more than two notes sounded on the same syllable.
Nothing will so upset the commercial religions than seeing the musicians as always prophesied to be cast alive into the lake of fire. Without the androgynouse worship style no one would pay to listen to sermons of men who reject the Word they have betrayed.
Rev. 16:1 And I heard a great voice out of the temple saying to the seven angels,
Go your ways, and pour out the vials of the wrath of God upon the earth.
Rev. 16:2 And the first went, and poured out his vial upon the earth;
Revelation.16.The.Mark.of.the.Beast.Signs and there fell a noisome and grievous sore upon the men which had the mark of the beast, and upon them which worshipped his image.
WHAT IS A PLAGUE: PLESSO 3. strike or stamp as one does a coin, Kuprios kharaktēr . .
en gunaikeiois tupois peplēktai Strike a string with a key,
4. of musical sounds, houtτsi plκgenta houtτs ephthenxato ta phτnκentaPsallo has NO musical content: it means to STRIKE a string or hair with your FINERS and never with a plecktron or key. Psallo excludes wind instruments, percussion instruments or a guitar pick.
EPHTHENXATO--trumpet (thunder), flute, lyre, Phormigx (ABADDON'S instrument), melody in a holy place, CLAPPING HANDS
The SOP Jesus fed Judas to invite the Devil to come into him has the same root meaning as PSALLO.
A.Supp.283 Kharakter includes one's personal nature shared with others of the groupPLAGUE: The Muses or sorcerers (Rev 18:23) were known as dirty adulterers (selling at retail) were the "musical worship team" of Apollo (Abaddon, Apollyon). They were sentenced underground as LOCUSTS and have been UNLEASHED out of their SMOKEY exile for these end times.
Sting of a Skorpion (John's code word for the Muses: Apollyon's musical worship team)
2. to be smitten emotionally, himerō peplēgmenoi Struck by bribes, smitten emotionally.
Erotes,
Plat. Sym. 218a Now I have been bitten by a more painful creature, in the most painful way that one can be bitten: in my heart, or my soul, or whatever one is to call it I am stricken and stung by his philosophic discourses, which adhere more fiercely than any adder when once they lay hold of a young and not ungifted soul, and force it to do or say whatever they will
A Lying Wonder: The phrase recals 182 E thaumasta erga...tolmōē poiein:God HIDES from the wise or SOPHISTS: rhetoricians, singers, instrument players or actors.
PLAGUE: b. sting, plκgeisa hupo skorpiou Plato, Euthydemus S. Fr.37, V. an engine of war for discharging arrow
EXAMPLE: Plato, Euthydemus
Rev. 19:20 And the beast was taken,
[289e] For not only do these speech-writers themselves, when I am in their company, impress me as prodigiously clever, Cleinias, but their art itself seems so exalted as to be almost inspired. However, this is not surprising; for it is a part of the sorcerer's art,
and with him the false prophet that wrought miracles before him,
with which he deceived them that had received the mark of the beast,
and them that worshipped his image.
These both were cast alive into a lake of fire burning with brimstone.
BEAST: Thērion ,
to (in form Dim. of thēr), A. wild animal, esp. of such as are hunted, mala gar mega thērion ēen, of a stag, Od.10.171, 180 (never in Il.); in Trag. only in Satyric drama
Sikinnis
sikinn-i^s si^, or siki_nis (E.Cyc.37), idos,
A. Sikinnin D.H.7.72:Sicinnis, a dance of Satyrs used in the Satyric drama, S.Fr.772, E. l.c., D.H. l.c., Luc.Salt.22: named from its inventor Sicinnus, Ath.1.20e, cf. Scamon 1; or from Sicinnis, a nymph of Cybele, although originally danced in honour of Sabazios, Arr.Fr.106J. Also written Sikinnon , to/, Suid.; Sikinna ,
Sa^bazios , ho, (Sabos) a Phrygian deity, whose mysteries resembled the teletai of Dionysus, Thphr.Char.27.8 (but Sabadion [acc.] ib.16.4, cf. Dessau Inscr.Lat.Sel.2189), Nymphis 11; hence afterwards taken as a name of Dionysus himself, Ar.V.9, Av.875, Lys.388; A.theō Sabaziō pagkoiranō CIG3791 (Bithynia), cf. IG12(5).27 (Sicinus); Di SabaziōCybele or Kubebes:CII. Kubκbκs. The Great Mother goddess of the Phrygians worshipped at Pessinus, the mκtκr Dindumκnκ of i. 80. 1. For the Anatolian Great Mother cf. App. I. 2, Frazer, G. B. iv, Bk. II, Attis, &c.; Ramsay, in Hastings' Bible Dictionary, extra vol., p. 120 f. The Atys myth which involved her cult is connected with Sardis by H.'s story of the son of Croesus (i. 34. 2 n.). The Great Mother was worshipped at Athens in the days of Sophocles (Phil. 391), and identified by the Greeks with Rhea, mother of the gods (cf. iv. 76; Strabo 469), with Aphrodite, with Demeter, and with Artemis as the lady of the wild woods. But here she is regarded as a foreign goddess.She is the facilitator or organon a musical instrument of Rhea (Eve, Zoe)anthrōpos pantōn th. theeidestaton
pas , A.= patēr pasa, pan, Aeol. pais , ;pasa alētheiē all the truth, pan kratos the whole power, sovereign power,
2. panta gignomenos becoming all things, i. e. assuming every shape, Od.4.417. 3. panta einai tini to be everything to one, ēn hoi . . ta panta hē Kunō Hdt.1.122;
ku^n-ō , ous, hē, A.bitch: hence, = anaidestatē, Hdt. 1.110; title of Hecate,III. as a term of reproach, beast, creature, , cf. Eq.273; kolaki, deinō thēriō Pl.Phdr.240b;
Deilos cowardly, vile, worthless, lowborn, mean
Plat. Phaedrus 240b has mingled with most of them some temporary pleasure; so, for instance, a flatterer is a horrid creature and does great harm, yet Nature has combined with him a kind of pleasure that is not without charm, and one might find fault with a courtesan as an injurious thing, and there are many other such creatures and practices which are yet for the time being very pleasant; but a lover is not only harmful to his beloved.
hēdonē , Dor. hadona to speak so as to please another, dēmēgorein D.4.38; ou pros hē. hoi ēn ta aggellomena Hdt.3.126; 3. Pl., desires after pleasure, pleasant lusts, X.Mem.1.2.23, Ep.Tit.3.3, al.
Kolax , [Philippians 3 Dogs or Catamites] A. flatterer, fawner, Ar.Pax756, Lys.28.4, Pl.Phdr. 240b, etc.; tukhēs kolakes ; parasite, D.L.6.4.2. Att. goēs, Moer. p.113 P.II. lisping pronunciation of korax, Ar.V.45.
NEVERamous-os , on, A. without song, of fishes, Emp. 74; but usu. without the Muses, i.e. without taste or refinement, rude, E.Ion526, Ar.V.1074; a. kai aphilosophos Pl.Sph.259e; a. hēdonē, hamartēmata, gross pleasure, faults, Pl.Phdr.240b, Lg.863c; a. esti, c. inf., it is incongruous, Ar.Th.159; tōn Leibēthriōn amousoteros, PROVERB. for lowest degree of mental cultivation, Zen.1.79: Sup., glōtta -otatē Agath.2.28. Adv. -ōs Pl.Hp.Ma.292c.Goēs , ētos, ho, A. sorcerer, wizard epōdos Ludias apo khthonos E.Ba.234hē mousikē aei ti kainon thērion tiktei
2. juggler, cheat, deinos g. kai pharmakeus kai sophistēs Pl.Smp.203d; deinon kai g. kai sophistēn . . onomazōn D.18.276; apistos g. ponēros Id.19.109; magos kai g
Sophis-tēs , ou, ho, A. master of one's craft, adept, expert, of diviners, with modal words added, hoi s. tōn hierōnmelōn [MELODY IN THE HOLY PLACE]
3. later of the rhētores, Professors of Rhetoric, and prose writers of the Empire, such as Philostratus and Libanius, Suid.; Apollōnidē sophistē [Abaddon, Apollyon]
PHARMAKIA identifies the speakers, singers and instrument players in Revelation 18: John called them sorcerers and says they will be (are) cast alive into the lake of fire.
sunestiōmenon, of womanmousikκ aei ti kainon thκrion tiktei
A. Mousikos, musical, agτnes m. kai gumnikoi choroi te kai agτnes ta mousika music,II. of persons, skilled in music, kuknos [minstrel] kai alla zτia; peri aulous - professional musicians, mousikos kai melτn poκtκs, use with singing, skilled in speaking before a mob. Melody,
B. aei always
C. kainos , esp. of new dramas, the representation of the new tragedies, (Aphrodisias dedicated to Aphrodite (ZOE); comedy, sexual love, pleasure, a woman's form of oath, Aster or Venus or ZOE Lucifer
D. Therion
E. Tikto mostly of the mother of Rhea one of the zoogonic or vivific principles
Sunesti^-aō , A. help to entertain, AP4.3.24 (Agath.):Pass., live or feast along with or together, Lys.Fr.53.2, Is.3.70, D.19.190, etc.; [theois] Plu.2.121f; meta tinōn IG22.122 Peter 2:12 But these, as natural brute beasts, [Zoon, Zao, Zoe căprīlis , e, of or pertaining to the goat: semen, i. e. capellae,
made to be taken and destroyed,
speak evil of the things that they understand not;
and shall utterly perish in their own corruption;
THE IMAGE is "turning the Word of God into a song[
Imāgo , ĭnis, f. cf. imitor, I.an imitation, copy of a thing, Juv. 7, 29: hoc tibi sub nostra breve carmen imagine vivat, epistula atque imago me certum fecit, i. e. the image on the seal, the signet,The command is to SPEAK that which is written for our learning
I. Transf., a reverberation of sound, an echo (mostly poet.): (mellaria facere oportet) potissimum ubi non resonent imagines, 2. With the idea predominating of mere imitation, in OPPOSITION to what is original or real, a mere form, image, semblance, appearance, shadow:
Logos or Lexis is OPPOSITE to an ODE and ODE is the opposite of LEXUS.
If they do not SPEAK that which is Written THERE IS NO LIGHT IN THEM. Isaiah 8
Both ODE and PSALLO is IN (Eis) the HEART which means keep both SILENT.
1Corinthians 14:28 But if there be no interpreter, let him keep silence in the church;
and let him speak to himself, and to God.
Again, speaking in tongues is GIBBERISH or playing an instrument: you cannot INTERPRET either.
La^l-eō, Mark of the Locusts II. chatter, Opposite. articulate speech, as of locusts, chirp, Theoc.5.34; mesēmbrias lalein tettix (sc. eimi), a very grasshopper to chirp at midday, III. of musical sounds, aulō [flute] laleō Theoc.20.29; di'aulou [flute] ē salpiggos l.[trumpet] Arist. Aud.801a29; of Echo, magadin lalein sound the magadis, [double flute]
MARK:kharag-ma kha^, atos, to, (kharassō) A.any mark engraved, imprinted, or branded, kh. ekhidnēs the serpent's mark, i. e. its bite, sting, ekhein to kh. tou thēriou Apoc.16.2, cf. 13.16; to kh. tou thēriou the mark of the beast,3. metaph., mark, stamp, character, to tēs monados sēmantikon kh.
sēman-tikos , ē, on, ; rhēma . . phōnē sunthetē s. meta khronou Id.Po.1457a14Revelation 12:12 Therefore rejoice, ye heavens, and ye that dwell in them. Woe to the inhabiters of the earth and of the sea! for the devil is come down unto you, having great wrath,
phōn-ē , hē, A.sound, tone, prop., the sound of the voice, whether of men or animals with lungs and throat battle-cry, 15.686; of the battle-cry of an army,
4. of sounds made by inanimate objects, mostly Poet., kerkidos ph. S.Fr.595; suriggōn E.Tr.127 (lyr.); aulōn Mnesim.4.56 (anap.); rare in early Prose, organōn phōnai BOASTING
khronos , ho, 3. in Rhythmic and Music, time, diaireitai ho kh. hupo tōn rhuthmizomenōn
Khronos is TIME and the grandfather of KAIROS of the Church Planting Plot
because he knoweth that he hath but a short time. kairo
com-mŏvĕo (conm- ), A. To remove from a place, to carry away, displace, to start, set in motion, move: if I put my instruments (artifices, tricks, etc.) in motion.
frantic, crazed, Ludo .Especially, to play on an instrument of music, to make or compose music or song: ludere quae vellem calamo permisit agresti, Verg. E. 1, 10: talia fumosi luduntur mense Decembri, Ov. Tr. 2, 491: quod tenerae cantent, lusit tua musa, puellae, id. Am. 3, 1, 27: amorous play
G. To delude, deceive: auditis, an me ludit amabilis Insania?
THEY MUSICALLY MOCKED JESUS AND BEAT HIM WITH A FLUTE!
Gallus , i, m., = Gallos Strab., A. Galli , ōrum, m., the priests of Cybele, so called because of their raving, resupinati cessantia tympana Galli, Juv. 8, 176.And satirically (on account of their emasculated condition)
AT MOUNT SINAI: Of or belonging to the priests of Isis, Gallic: turma, the troop of the priests of Isis, Ov. Am. 2, 13, 18.
The DOGS or CONCISION were emasculated priests of the Mother Goddess..
Revelation 12:14 And to the woman were given two wings of a great eagle,
that she might fly into the wilderness, into her place,
where she is nourished for a time, and times, and half a time,
from the face of the serpent.
Revelation 14:15 And another angel came out of the temple,
crying with a loud voice to him that sat on the cloud,
Thrust in thy sickle, and reap: for the time is come for thee to reap;
for the harvest of the earth is ripe.
Pruning Hook 1.13.22 40
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Max.Lucado.The.Mark.of.The.Beast