Michael Ross The Only Pattern For Christians

DISCUSS a massive Rebuttal of Aaron Howards LIPSCOMB unity based on Black Gospel proven to be from VOODOO
Tabrets and Tophet have the same meaning because drums are used to drive the simple into hell.

https://www.instagram.com/aaronhowardphd/reel/C3LjDM2uPgK/

antitumpa^nizō ,
A.beat drums in rivalry with, brontais prob. cj. in Anon. Vat.42.
peritumpa^nizomai , Pass., A.to be MADDENED BY DRUMS Plu.2.144d, 167c.

tumpa^n-ismos , ho, A.beating of drums, drumming, as the Galli did in the worship of Cybele, Ar.Lys.388; in the Dionysus-cult, Str.15.1.8; as a superstitious practice  tumpanizesthai kata tas exodousmarch out to the sound of drums,
; coupled with anaskolopizesthai in Luc.JTr.19; cf. “tumpanon11

anaskolop-izō
: BEATING OF DRUMS CONNECTING WITH
fix on a pole or stake, impale, Hdt.1.128, 3.159
Aristoph. Lys. 388  Have the luxurious rites of the women glittered
Their libertine show, their drumming tapped out crowds,
The Sabazian Mysteries summoned their mob,
Adonis been wept to death on the terraces,
As I could hear the last day in the Assembly?
For Demostratus—let bad luck befoul him—
Was roaring, “We must sail for Sicily,”
While a woman, throwing herself about in a dance
Lopsided with drink, was shrilling out “Adonis,
Woe for Adonis.” Then Demostratus shouted,
“We must levy hoplites at Zacynthus,”
And there the woman, up to the ears in wine,
Was screaming “Weep for Adonis” on the house-top,
The scoundrelly politician, that lunatic ox,
Bellowing bad advice through tipsy shrieks:
Such are the follies wantoning in them.

Strab. 15.1.8 They say, also, that the Sydracæ (Oxydracæ) are descendants of Bacchus, because the vine grows in their country,
        and because their kings display great pomp in setting out on their warlike expeditions, after the Bacchie manner;
        whenever they appear in public, it is with beating of drums, and are dressed in flowered robes,
        which is the common custom among the other Indians

Hebrews 11.[35] Women received their dead by resurrection. Others were TORTURED, not accepting their deliverance, that they might obtain a better resurrection.
g5178. τυμπανίζω tumpanizo, toom-pan-id´-zo; from a derivative of 5180 (meaning a drum, “tympanum”); to stretch on an instrument of torture resembling a drum, and thus beat to death: — torture.
dis-tendo  2. (Causa pro effectu.) To torture by distention: “tormento aliquem,Suet. Tib. 62; cf. Vulg. Heb. 11, 35.—
animos,to distract, perplex,

Heb. 11:36 And others had trial of cruel mockings and scourgings, yea, moreover of bonds and imprisonment:

John.Mark.Hicks.Mark.10.They.Shall.Mock.Him.With.Music.html
Mocking.Jesus.Full.gif
Hdt. 1.128. Thus the Median army was shamefully scattered. As soon as Astyages heard, he sent a threatening message to Cyrus: “Nevertheless, Cyrus shall not rejoice”; [2] and with that he took the Magi who interpreted dreams, who had persuaded him to let Cyrus go free, and impaled them; then he armed the Medes who were left in the city, the very young and very old men. [3] Leading these out, and engaging the Persians, he was beaten: Astyages himself was taken prisoner, and lost the Median army which he led.

Hdt. 3.159
Thus Babylon was taken a second time, and when Darius was master of the Babylonians, he destroyed their walls and tore away all their gates, neither of which Cyrus had done at the first taking of Babylon; moreover he impaled about three thousand men that were prominent among them; as for the rest, he gave them back their city to live in. [2] Further, as the Babylonians, fearing for their food, had strangled their own women,
anastaur-oō , = foreg., Hdt.3.125, 6.30, al.; identical with anaskolopizō, 9.78:—Pass., Th. 1.110, Pl.Grg.473c.
II. in Rom. times, affix to a cross, crucify, Plb. 1.11.5, al., Plu.Fab.6, al.
2. crucify afresh, Ep.Hebr.6.6.
Heb. 6:4 For it is impossible for those who were once enlightened,
        and have tasted of the heavenly gift, and were made partakers of the Holy Ghost,
Heb. 6:5 And have tasted the good word of God, and the powers of the world to come,
Heb. 6:6 If they shall fall away, to renew them again unto repentance;
        seeing they crucify to themselves the Son of God afresh, and put him to an open shame.
Heb. 6:7 For the earth which drinketh in the rain that cometh oft upon it,
        and bringeth forth herbs meet for them by whom it is dressed, receiveth blessing from God:
Heb. 6:8 But that which beareth thorns and briers is rejected, and is nigh unto cursing; whose end is to be burned.

THEY SAY THAT DEMONS CANNOT BLUSH. They say that those whom the gods hate, they first drive mad.  The Holy God promises strong delusions to those who do not love Holy Scripture. I would say that fabricating your own SINGING to keep from SPEAKING that which is written for our LEARNING, will  prove that you do not comprehend that HE is God and those who STAND in their holy place has and will continue to drive the "little people" away.

REMEMBER THE OPINION HELD BY NERO AS HE PLAYED HIS "FIDDLE" WHILE ROME BURNED?

THE SAME THING  AND OPINION IS HELD OF THOSE WHO OOZED OUT RADICAL HARMONY, WHICH IS SOUL AFFLICTING, AND PREPARING THE PAYING AUDIENCE FOR BURNING.

THE PATTERN OF THE BABYLONIAN MOTHER OF HARLOTS AS WELL AS APOLLYON THE LEADER AND GUIDING SPIRIT OF THE LOCUSTS OR HIS MUSICAL WORSHIP TEAMS. PEOPLE WHO SOLD THEIR OWN MUSIC WHICH HAD NO VALUE WERE CALL PROSTITUTES IN A MORE CIVILIZED SOCIETY.

FIRST,
there is not one person in holy scripture evers said to worship by any kind of "music." Clay tablets inform the reader that any kind of repeating musical sounds (the laded burden) was intended to induce "KOMA" in order to deceive.  Moderm medicine affirms.  Jesus died to give us REST as we LEARN OF ME in silent and sect places. The kingdom does not come with religious observations.

ALL MUSIC AS "TUNEFUL" IS OUTLAWED BECAUSE IT HAS THE SAME EFFECT:  DEFACTO VISUAL AND AUDIBLE REFUSING TO LET JESUS AS THE "HEAD" OR ONLY TEACHER TO GET A WORD IN EDGEWISE.

1Cor. 10:5 But with many of them God was not well pleased: for they were overthrown in the wilderness

1 Cor. 10:7 Neither be ye idolaters, as were some of them; as it is written,
The people
sat down to eat and drink, and rose up to play.

1 Corinthians 10.7
7 mēde eidōlolatrai ginesthe, kathōs tines autōn: hōsper gegraptaiEkathisen ho laos phagein kai pein, kai anestēsan paizein.
paizein.” alla pepaistai metriōs hēmin, of the chorus, Ar.
4. play on a musical instrument, h.Ap.206: c. acc., “Pan ho kalamophthogga paizōnAr.Ra.230; DANCE and sing, Pi. O.1.16. 5. play amorously,

CLOSE OR ALMOST PERFECT COMPLEX HARMONY AFFLICTS THE VERY BRAIN CELLS. THOSE MAKING OBSERATION, CLAIM THAT "PERFORMERS" KNOW THEIR POWER AND INTENTIONALLY INDUCE PANIC ATTACKS.
1Corinthians 10:20 But I say, that the things which the Gentiles [Gens] [ sacrifice,
         they sacrifice to devils, and not to God:
         and I would not that ye should have fellowship with devils.

Greek: Daimonios , II. from Hdt. and Pi. downwds. (Trag. in lyr.), heaven-sent, miraculous, marvellous,bōlaxPi.P.4.37; “terasB.15.35, S.Ant.376
2. of persons, “ d. hōs alēthōs kai thaumastōId.Smp.219b; ho peri toiauta sophos d. anēr ib.203a; “daimonios tēn sophianLuc.Philops.32: Comp. “-ōterosD.C.53.8.

Sophos , ē, on, mostly of poets and musicians, Pi.O.1.9, P.1.42, 3.113; en kithara s. E.IT1238 (lyr.),

Sophia A. cleverness or skill in handicraft and art, in music and singing, tekhnē kai s. h.Merc.483, cf. 511; in poetry, in divination,

Hebrews.Shaken.Moveo.2.jpg

Heb. 12:28 Wherefore we receiving a kingdom which cannot be moved,
       let us have grace, whereby we may serve God acceptably
       with reverence and godly fear:

REVERENCE: g127. αἰδώς aidos, ahee-doce´; perhaps from 1 (as a negative particle) and 1492 (through the idea of downcast eyes); bashfulness, i.e. (towards men), modesty or (towards God) awe: — reverence, shamefacedness.

GODLY FEAR: g2124. εὐλάβεια eulabeia, yoo-lab´-i-ah; from 2126; properly, caution, i.e. (religiously) reverence (piety); by implication, dread (concretely): — fear(-ed).
    g2126. εὐλαβής eulabes, yoo-lab-ace´; from 2095 and 2983; taking well (carefully), i.e. circumspect (religiously, pious): — devout.

1Tim. 2:9 In like manner also, that women adorn themselves in modest apparel, with shamefacedness and sobriety; not with broided hair, or gold, or pearls, or costly array;

Heb. 12:29 For our God is a consuming fire.

Consuming.jpg


WHY DOES WATCHING THIS PERFORMANCE MAKE THE HAIR STAND UP ON YOUR NECK? AND THE AUDIENCE SHOW UP AS "EMPTY PEWS."

John 7:17 If any man will do his will,
        he shall know of the doctrine,
        whether it be of God, or whether I speak of myself.


John 7:18 He that speaketh of himself seeketh his own glory:
         but he that seeketh his glory that sent him,
         the same is true, and no unrighteousness is in him.

John 8:37 I know that ye are Abraham’s seed;
        but ye seek to kill me, because my WORD hath NO place in you.
John 8:38  I SPEAK that which I have SEEN with my Father:
         and ye DO that which ye have seen with your father.


Devil Do: poiētai 4. after Hom., of Poets, compose, write, p. dithurambon, epea, Hdt.1.23, 4.14; “p. theogoniēn 
Epos  joined with muthos,     1. song or lay accompanied by music, 8.91,17.519.
2. fiction (opp. logos, historic truth),  THE REGULATIVE PRINCIPLE

Hdt. 1.23 Periander, who disclosed the oracle's answer to Thrasybulus, was the son of Cypselus, and sovereign of Corinth.
        The Corinthians say (and the Lesbians agree) that the most marvellous thing [Lying Wonders]
        that happened to him in his life was the landing on Taenarus of Arion of Methymna, brought there by a dolphin.
This Arion was a lyre-player second to none in that age; he was the first man whom we know to compose and name the dithyramb1
         which he afterwards taught at Corinth.

1 The dithyramb was a kind of dance-music particularly associated with the cult of Dionysus.

Devil Do: LATIN:   făcĭo ,  to make in all senses, to do, perform, accomplish, prepare, produce, bring to pass, cause, effect, create, commit, perpetrate, form, fashion operor Lying Wonder,  poëma,to compose, id. Pis. 29, 70: “carmina,Juv. 7, 28: “versus,id. 7, 38: “sermonem,Cic. Fam. 9, 8, 1; cf. “litteram, id. Ac. 2, 2, 6: ludos, to celebrate, exhibit, admirationem alicujus rei alicui,to excite [the Laded Burden],

Devil Do: carmen
 I.a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation (cf.: cano, cantus, and canto). note, sound, both vocal and instrumental “also versus, numeri, modi): carmen tuba ista peregit ( = sonus),Enn. Ann. 508 Vahl.: “carmine vocali clarus citharāque Philammon,Ov. M. 11, 317; cf. “vocum,id. ib. 12, 157: “per me (sc. Apollinem) concordant carmina nervis
barbaricum, id. M. 11, 163.—With allusion to playing on the cithara: The Mother o Harlots in John 17 Carminibus Circe socios mutavit Ulixi,
Devil Do:   Commercium sermonis,  7  In mercant. lang., to practise, exercise, follow any trade or profession:  8. In relig. lang., like the Gr. rhezein, to perform or celebrate a religious rite; to offer sacrifice, make an offering, to sacrifice:

Devil Do: Mousa   II. mousa, as Appellat., music, song, m. stugeraA.Eu.308 (anap.); “euphamosId.Supp.695 
Kanakhan .Clanging Brass
 Theias 
as many as made them hope by divinations, Madness caused by Ritual
       
worship as divine, Puthagoran  [Of the Cosmos, the Ecumenical, Kingdom of the Devil."
Antiluron mousas
S.Tr.643 (lyr.);  PLAYING THE LYRE
Aiakō moisan pherein
I. bear or carry a load,  A Laded Burden

Count yourself blessed if you are one of the few who can read BLACK text on BROWN paper.


Come unto me all ye that labor and are heavy laden, and I will give you REST. Matthew 11:28

Take my yoke upon you, and learn of me; for I am meek and lowly in heart:and ye shall find rest unto your souls. Matthew 11:29

For my yoke is easy, and my burden is light. Matthew 11:30

NEITHER SABBATH OR THE GREEK PAU0 PERMITS PROFESSIONAL ENTERTAINMENT.

Pauo means stop the polemos or battle, fight, war: stop levying war against another, anaireisthai or airô egeirein, kathistanai, epagein to begin a war; p. poieisthai to make war, -- opp. to p. anapauein, kataluesthai to put an end to it, make peace, all in attic

The singing which is to PAUSE to give rest is b. mostly of things, make an end of, stop, abate

Stop the:  Melōd-eō ,A. chant, sing, Ar.Av.226, 1381, Th.99:—Pass., to be chanted, “ta rhēthenta ē melōdēthentaPl.Lg.655d, cf. Chamael. ap. Ath. 14.620c; to be set to music, Cleanth. ap. Phld.Mus.p.98 K.; ta melōdoumena diastēmata used in music, Plu.2.1019a. II. chant, choral song, melôidias poiêtês, lullaby, generally, musispauō , Il.19.67, etc. ;

Stop the: lupas ōdais p. E.Med.197 (anap.), etc. ; p. toxon let the bow rest, Od.21.279
Stop the: 2. c. acc. pers. et gen. rei, hinder, keep back, or give one rest, from a thing, p. Hektora makhēs, ponoio Akhilēa, Thamurin aoidēs,

Pauo means: Stop worshipping the MUSES

Stop the: 3. c. pres. part., stop a person from  leave off doing . . , hoth' hupnos heloi, pausaito te nēpiakheuōn when he stopped playing
Stop the: later paēsomai ana-) Apoc.14.13
Stop the: of one singing or speaking, 17.359, Hdt.7.8.d : generally, Med. denotes willing, Pass. forced, cessation.
Stop the rhapsōd-os , o(, A. reciter of Epic poems, sts. applied to the bard who recited his own poem, professional reciters, esp. of the poems of Homer, Hdt.5.67, Pl.Ion 530c, etc.: also rh. kuōn, ironically, of the Sphinx who chanted her riddle, S.OT391
(Prob. from rhaptō, aoidē; Hes.Fr. 265 speaks of himself and Homer as en nearois humnois rhapsantes aoidēn, and Pi.N.2.2 calls Epic poets rhaptōn epeōn aoidoi:
Stop the orkheomai , 2. represent by dancing or pantomime,
III. Act. orkheō , make to dance (v. Pl.Cra.407a), is used by Ion Trag.50, ek tōn aelptōn mallon ōrkhēsen phrenas made my heart leap


SECOND, Ezekiel 33 (by the holy spirit) has God saying that He is treated like a lover and the example of DEITY is those who singing with a beautiful or play instruments skilfullly.  I tried, at Donnie Cruz's suggestion, that I listen to Nov 12 service.  Anthony continues the shrill complex harmony which drives me to shut. it down even on the computer. I must say that your skillful rhetoric, according to historical documents, is intended to shut down the rational mind.

THIRD, musical instruments or the ACAPPELA (goat singing) legalistic end run are also connected to BURNING. Music is intended to deceive and is defined as witchcraft or sorcery.  Revelation 17 warns about the return of the Instrumental-Trinitarian-Perverted idolatry which was beyond redemption. Revelation 18 defines her clergy as Lusted After "Fruits" the same as in Amos 8.  For long too long the world (your empty pews) have been digusted by the ANDROGYNOUSE WORSHIP LEADER and all the world laughs.

Isaiah 3:12 As for my people, children are their oppressors, and women rule over them.
        O my people,
they that lead thee cause thee to err,
        and destroy the way of thy paths.

mŭlĭer as a term of reproach, a woman, i. e. a coward, poltroon: arbĭtror to make a decision,
give judgment or sentence: OR mŭlĭĕro, to make womanish, render effeminate

Boys: -Effeminoto make womanish, effeminate, to enervate: “fortitudinis praeceptailla elocutio
res ipsas effeminat,”  “mollis, luxuriosus, dissolutus): ne quid effeminatum aut molle sit,
Cic. Off. 1, 35, 129; cf. id. Tusc. 4, 30: “intolerabile est servire impuro, impudico, effeminato, 
On the whole, only women and effeminate men fell into this folly of musical worship
Worship Leaders Make the Sons FROM God who are taught BY God as Jesus meets us in silent and secret places. Jesus invited only small groups.

Worship.Androgyny.The.Pagan.Sexual.Ideal.html

"Philodemus considered it paradoxical that music should be regarded as veneration of the gods while musicians were paid for performing this so-called veneration. Again, Philodemus held as self deceptive the view that music mediated religious ecstasy. He saw the entire condition induced by the noise of cymbals and tambourines as a disturbance of the spirit.

He found it significant that, on the whole, only women and effeminate men fell into this folly.

Accordingly, nothing of value could be attributed to music; it was no more than a slave of the sensation of pleasure, which satisfied much in the same way that food and drink did.

"Hebrew music... was used in the luxurious times of the later monarchy the effeminate gallants of israel, reeking with perfumes, and stretched upon their couches of ivory, were wont at their banquets to accompany the song with the tinkling of the psaltery or guitar (Am. v1. 4-6), and amused themselves with devising musical instruments while their nation was perishing... music was the legitimate expression of mirth and gladness, and the indication of peace and prosperity." (Smith's Bible Dictionary, Music, p. 590).

Pi.N.7.81 Pindar, Nemean Odes 7

The rich man and the poor man alike travel together to the boundary of death. [20] And I expect that the story of Odysseus came to exceed his experiences,
        through the sweet songs of Homer
[22] since there is a certain solemnity in his lies
and winged artfulness,
        and poetic skill deceives, seducing us with stories,
     and the heart of the mass of men is blind.
For if [25] they had been able to see the truth, then mighty Aias, in anger over the arms, would never have planted in his chest the smooth sword—Aias, who was the most powerful in battle

Mousa = “Montia, Monsa”, from root “men”, ‘to think.’ In l. 10 the muse is called “thugater Dios”, as in Il. 2. 491Olumpiades Mousai, Dios aigiokhoio thugateres” . They are represented as nine in number in Od. 24. 607, but their names are first given in Hesiod.
G2126 eulabïs yoo-lab-ace' From G2095 and G2983 ; taking well (carefully), that is, circumspect (religiously, pious):-- devout.

Reverentia , ae, f. [revereor]  I. timidity arising from high respect or (more rarely) from fear, respect, regard, fear, awe, reverence, the deference or veneration due to you, your dignity,
-sōphrones sōphrosunē u soundmind, prudence, discretion, temperance,
   
ma^nia ( II. enthusiasm, inspired frenzy, “m. Dionusou paraE.Ba.305; “apo Mousōn katokōkhē te kai m. III. passion, “erōtikē m.Id.Phdr.265b;

MUSICIANS ARE 
[1] ADOKIM-OS   From clay tablets onward religious musicians were disruputable and rebrobate.disreputable, “lakismat' adokim' olbiois ekheinE.Tr.497; “mousaPl.Lg.829d, cf. D. 25.36,Ep.Rom.1.28.

[2]
4.
of persons, Pl.R.618b; discredited, reprobate, X.Lac.3.3, 2 Ep.Tim.3.8, etc
Stu^ger-os musicians are. A. hated, ABOMINATED, loathed, or hateful, ABOMINABLE loathsome, freq. in Ep. and Trag., both of persons and things; “s. Aidēs”  daimōn, polemos, gamos, penthos,  dat., hateful to one, Il. 14.158; latha Pierisi s. S.Fr.568 (lyr.).
2. hateful, wretched, “biosgetting livelihood, means of living. to make one's living off, to live by a thing]
katokōkh-ē , ,
A.= katokhē, possession, “tēs khōrasAnon. ap. Suid.; mental grasp, “tōn eirēmenōnZeno Stoic.1.58.
II. being possessed, inspiration, “theia moira kai katokōkhēPl.Ion536c; “apo Mousōn k.
erōt-ikos  A.of or caused by love, orgē, lupē, Th.6.57,59 ; e. xuntukhia agunaikas erōtikois enokhose. melos a love song
melos , eos, to, en melei poieein to write in lyric strain 
melē, ta, lyric poetry, choral songs, opp. Epic
THERE IS NO LYRIC POETRY GIVEN BY A FATHER GOD
2. music to which a song is set, tune, 3. melody of an instrument, “phormigx [APOLLYON'S HARP]
MELODY in Scripture is breaking up HOLY SCRIPTURE into syllables and speaking or chanting in a one or two not melody
Phaedrus [245a] ills is found. And a third kind of possession and madness comes from the Muses. This takes hold upon a gentle and pure soul, arouses it and inspires it to songs and other poetry, and thus by adorning countless deeds of the ancients educates later generations.
         But he who without the divine madness comes to the doors of the Muses, confident that he will be a good poet by art, meets with no success, and the poetry of the sane man vanishes into nothingness before that of the inspired madmen.

Plato Ion
[536c] and you have plenty to say: for it is not by art or knowledge about Homer that you say what you say, but by divine dispensation and possession; just as the Corybantian worshippers are keenly sensible of that strain alone which belongs to the god whose possession is on them, and have plenty of gestures and phrases for that tune, but do not heed any other. And so you, Ion, when the subject of Homer is mentioned, have plenty to say, but nothing on any of the others.  
Poetic Skill:  sophia , Ion. -, , prop. A.cleverness or skill in handicraft and art  in music and singing, tekhnē kai s. h.Merc.483, cf. 511; in poetry, in divination, dēmēgorikos from dēmēgoros

Deceives: kleptō , thievish
disguise, diabolais neais   do secretly or treacherously. doloisi k. sphagas execute slaughter by secret frauds,

Diabolais  remove, create prejudice against an antagonist
III. (“diaballō v111) legal obligation(
IV. fraud, Sch.Ar.Pl. 373Chremylus   Ah! I know the tune you are playing now; you think I have stolen, [370] and want your share.

But to you, Thearion, she gives a due measure of prosperity [Theariōn, tin d' eoikota kairon olbou]
didōsi, , and while you have gained a bold spirit for fine deeds, [60] she does not impair the wisdom of your mind. I am your friend; averting the dark shadow of abuse, and bringing genuine glory, like streams of water, to the man who is dear to me, I shall praise him. This wage is worthy of good men.
didōsi, , and while you have gained a bold spirit for fine deeds, [60] she does not impair the wisdom of your mind. I am your friend; averting the dark shadow of abuse, and bringing genuine glory, like streams of water, to the man who is dear to me, I shall praise him. This wage is worthy of good men.,
-Theariōn father of Sogenes of Aigina. 1  pais ho TheariōnosSōgenēsN. 7.7Theariōn, tin d' eoikota KAIROS olbou  [bliss] didōsi [bind, fetter]  N. 7.58

-Thearion [a_, to, Dor. for theōrion (q.v.),
A. meeting-place of theōroi, Pi. N.3.70.
II. thearios  Doric epith. of Apollo as god of oracles, IG4.748.16 (Troezen, iv B.C.), Paus.2.31.6.
Theoria Spectator at the theater, see the world,

-Kairos II. of Place, vital part of the body (cf. “kairios1), “es kairon tupeisE.Andr.1120.
III. more freq. of Time, exact or critical time, season, opportunity, Khronou co-operate with the occurrence of a storm, ; epi kairou also means on the spur of the moment
polemon”  IV. advantage, profit, tinos of or from a thing, Pi.O.2.54, P.1.57; ei toi es k. estai tauta teleomena to his advantage

AFTER THE INSTRUMENTAL-TRINITARIAN-PERVERTED "PLAY" AT MOUNT SINA-BEYOND REDEMPTION.

Because the Hebrews were condemned to return to Mesopotamia where they had been robbers of caravans, Moses wrote an INVERTED version of the Babylonian Theology and Cosmology.  Moses warned them and later gave them Kings to cause them to go into captivity.

Genesis.49.Levi.Cursed.Wait.for.Shiloh.html

Gen. 49:2 Gather yourselves together,
        and hear, ye sons of Jacob;
        and hearken unto Israel your father.
Gen. 49:3 Reuben, thou art my firstborn, my might, and the beginning of my strength,
        the excellency of dignity, and the excellency of power:
Gen. 49:4 Unstable as water, thou shalt not excel;
        because thou wentest up to thy father’s bed;
        then defiledst thou it: he went up to my couch.

Defiled is g2490 translated "play the flute, steal people's inheritance, pollute or prostitute.
Genesis 49.5 Symeon et Levi fratres vasa iniquitatis bellantia
Gen. 49:5 Simeon and Levi are brethren;
        instruments (h3617 weapon, psaltery)
        of cruelty are in their habitations.
                 (stabbing, dig through furnace, for burning
                 Bellor fight,  carry on war,
Iniquitas B. Unfairness, injustice, unreasonableness: luxuria, praetoris, unreasonable demands in the shape of taxes,

luxŭrĭa , ae, and luxŭrĭēs
B. Poet., transf., of animals: wantonness, friskiness, frolicsomeness, Val. Fl. 7, 65.—
lascīvĭa , ae, f. lascivus, I. sportiveness, playfulness, frolicsomeness, jollity.
II. In a bad sense, wantonness, licentiousness, petulance, impudence, lewdness, lasciviousness
theatralis populi,Tac. A. 11, 13: lasciviae notae, of lewdness,
thĕātrālis , e, adj. theatrum, I. of or belonging to the theatre, theatrical: “theatrales gladiatoriique consessus,Cic. Sest. 54, 115: “operae,Tac. A. 1, 16: “lascivia populi,id. ib. 11, 13: “ad theatrales artes degeneravisse,id. ib. 14, 21: “licentia,Suet. Dom. 8: “lex,concerning the order of sitting in the theatre, Plin. 7, 30, 31, § 117; 33, 2, 8, § 32; Quint. 3, 6, 19: “humanitas,” i. e. feigned, spurious, id. 2, 2, 10: “sermones,” i. e. low, vulgar, Sid. Ep. 3, 13 fin.: “omnes (montes) theatrali modo inflexi,in the form of a theatre, Plin. 4, 8, 15, § 30.

praetōrĭum , ii, n. praetor.II. The imperial body - guard, the guards, whose commander was called praefectus praetorio or praetorii
Gen. 49:10 The sceptre shall not depart from Judah,
        nor a lawgiver from between his feet,
        until Shiloh come; and unto him shall the gathering of the people be. [Gentiles]

GEN 49.[10] non auferetur sceptrum de Iuda et dux de femoribus eius donec veniat qui mittendus est et ipse erit expectatio gentium

mitto , mīsi, missum I. inf. pass. mittier, Plaut. Capt. 2, 3, 78), v. a. etym. dub.; cf. Sanscr. math-, to set in motion, to cause to go, let go, send, to send off, despatch, etc. G. To let go, let loose, to quit, release, dismiss: mitte rudentem, sceleste

THE ABSOLUTE INCLUSIVE AND EXCLUSIVE PATTERN FOR "SONS FROM GOD WHO ARE TAUGHT BY GOD TO LISTEN AND SPEAK ONLY WHAT JESUS COMMANDED.

1Timothy 2:1  I exhort therefore, that, first of all, supplications, prayers, intercessions,
         and giving of thanks, be made for all men;
1Timothy 2:2 For kings, and for all that are in ;
        that we may lead a quiet and peaceable life in all godliness and honesty.

This is not an ACT of worship as a performance for which women  EQUALITY.  Paul will command the women to be quiet and sedentary because it was only women and effeminate males who could fall into the wrath or  ORGE of performance religion

SOME GREEK AND LATIN DEFINITIONS OF A QUIET AND PEACEABLE LIFE

HOW TO REST

Ana-pauō  make to cease, stop or hinder from a thing, 3. bring to a close,ton logon
Pauō ,
Stop Singingaoid-ē  spell, incantantations (arousal songs0
Stop the sorcery Pharmakon
A. poisoner, sorcerer, magician, LXXEx.7.11 (masc.), Ma.3.5 (fem.), Apoc.21.8, 22.15. when he stopped playing,
 

HOW TO BE QUIET

Quĭesco  4.  to make a pause in SPEAKING: quiescere, id est, hēsukhazein
A. To suffer or allow quietly, to peaceably permit a thing to be done
B.  Neutr., to cease, leave off, desist from any thing:quiesce hanc rem modo petere,

mŏdus  2. The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode: “vocum,Cic. Div. 2, 3, 9: “musici, Quint. 1, 10, 14: “lyrici,Ov. H. 15, 6: “fidibus Latinis Thebanos aptare modos,Hor. Ep. 1, 3, 12: Bacchico exsultas (i. e. exsultans) modo, Enn. ap. Charis. : “flebilibus modis concinere,Cic. Tusc. 1, 44, 106: saltare ad tibicinis modos, to the music or sound of the flute, Liv. 7, 2: “nectere canoris Eloquium vocale modis,Juv. 7, 19.—Fig.:

All of the Muses were female goddesses and dirty adulteresses

Mūsa , ae, f., = Mousa, I. a muse, one of the goddesses of poetry, music
HOW TO BE PEACABLE

Tranquillus
, I. quiet, calm, still, tranquil, Opposite to motion or excitement (syn. serenus).
perturbātĭo, I. confusion, disorder, disturbance. Mental or personal disturbance, disquiet, perturbation:
hēsukh-ios  still, quiet, at rest

Shiloh” means "the bringer of peace" and is speaking of Christ, who is the Bringer of Peace. Remember, Judah is the tribe through which Christ was to come. (Fulfilled in Luke 3:33). In order to know that Christ was the true Messiah, the tribal identity of Judah had to be in existence. The records of which tribe each Jew was a descendent from were kept in the temple at Jerusalem. These records were avail­able to anyone questioning Christ's authority as the Messiah. This prophecy (Genesis 49:10) states that these records identifying Judah and his descendents would be in existence until Shiloh (Christ) came. These records were in existence until they were de­stroyed in 70 A.D. by Titus, a general in the Roman army. He attacked Jerusalem, destroyed it and scattered the Jews world-wide.

The command was NOT to be "musical worship ministers"

Num 18:23 But the Levites shall do the service of the tabernacle of the congregation,
        and they shall bear their iniquity: it shall be a statute for ever throughout your generations,
        that among the children of Israel they have no inheritance.

The Synagogue or Church (Ekklesia) in the wilderness is defined and the PATTERN for the Churcch (ekklesia) was little changed. The Lord's Supper confessed the DEATH of JesusThis should SILENCE everyone but the Elders who READ and "taught that which has been taught."
How profane for male or female to TEACH OVER or make up their own songs and sermons!

1Tim. 2:4 who would have all men to be saved,
        and come to the knowledge of the truth.
1Tim. 2:4 who would have all men to be saved,
        and come to the knowledge of the truth. [That's THE Pattern]
1Tim. 2:5 For there is one God,
        and one mediator [Intercessor, Comforter] between God and men,
        the man Christ Jesus;
1Tim. 2:6 Who gave himself a ransom for all,
        to be testified in due time.

The Last Will and Testament is in effect after Jesus took His blood into the heavenly tabernacle.
God sent Apostles and SCRIBES who recorded and later collected their EYE-WITNESS testimony.
This Last Will was delivered to the HEIRS and the only function left is to READ IT.

THE SYNAGOGUE AFTER SCRIPTURE AND EDERSHEIM

The Synagogue by John Calvin
No instrumental noise Permitted: who would such mind-altering when Jesus is speaking?
synagogue, also spelled synagog, in Judaism, a community house of worship that serves as a place not only for liturgical services but also for assembly and study. Its traditional functions are reflected in three Hebrew synonyms for synagogue: bet ha-tefilla (“house of prayer”), bet ha-kneset (“house of assembly”), and bet ha-midrash (“house of study”). The term synagogue is of Greek origin (synagein, “to bring together”) and means “a place of assembly.” The Yiddish word shul (from German Schule, “school”) is also used to refer to the synagogue, and in modern times the word temple is common among some Reform and Conservative congregations.

THE PATTERN FOR THE SYNAGOGUE-CHURCH IN THE WILDERNESS FOR GODLY PEOPLE AFTER THE LEADERS FELL INTO INSTRUMENTAL-TRINITARIAN-PERVERTEDO IDOLATRY.

Acts 15:21 For Moses of old time hath in every city them that preach him, being read in the synagogues every sabbath day.

h4744.Miqra.gif

THE PATTERN OF JESUS.

Luke 4:16 And he came to Nazareth,
        where he had been brought up:
        and, as his custom was, [PATTERN]
        he went into the synagogue on the sabbath day, [ONCE EACH WEEK]
        and stood up for to READ.

THE PATTERN OF PAUL.

Acts 13:15 And after the READING of the law and the prophets
       the rulers of the synagogue sent unto them,
       saying, Ye men and brethren,
       if ye have any word of exhortation [comfort] for the people,
       SAY on.

NEVER "sing" or "preach" beyond translating or comments ON THE READ SCRIPTURES.

THE PROPHECY- PATTERN FOR THE "LEADERS" THEN AND NOW.

Acts 13:27 For they that dwell at Jerusalem, and their RULERS,
        because they knew him not,
        nor yet the VOICES of the PROPHETS
        which are READ every sabbath day,
        they have fulfilled them in condemning him

THE PATTERN IN ROMANS 15

http://www.pineycom.com/Romans.15.Unison.Scripture.html

http://www.pineycom.com/Romans.15.Pattern.for.Worship.html

Rom. 15:1 We then that are strong ought to bear the infirmities of the weak,
        and not to please ourselves.

Outlawed:  Placeo to please, to be pleasing or agreeable, to be welcome, acceptable, to satisfy (class.).
1. In
scenic lang., of players or pieces presented, to please, find favor, give satisfaction: scenico placenti
1.  o sustain, support, maintain, by food, money, or other means:

Outlawed: Scaenicus I. of or belonging to the stage, scenic, dramaticORGANA, theatrical
I. Lit.: poëtae, dramatic poets, ludi, stage-plays, theatrical representations, : fabula, a drama,  
2. Placere sibi, to be pleased or satisfied with one's self, to flatter one's self, to pride or plume one's self

I. Lit.: poëtae, dramatic poets, ludi, stage-plays, theatrical representations, : fabula, a drama, organa, Suet. Ner. 44 : coronae, id. ib. 53 : habitus, id. ib. 38 : gestus, Cic. de Or. 3, 59, 220 : modulatio Comedy. Orator

Poi-êtês II. composer of a poem, author, p. kômôidias Pl.Lg.935e ; p. kainôn dramatôn, b. composer of music, 2. author of a speech

Outlawed:  Organum Vitr. 10, 1.--Of musical instruments, a pipe,. Gen. 4, 21; id. 2 Par. 34, 12 et saep.--Of hydraulic engines, an organ, water-organ: organa hydraulica

Ro.15:2 Let every one of us please his neighbour for his good to edification.

Rom. 15:6 That ye may with ONE MIND
  
   and ONE MOUTH glorify God,
      even the Father of our Lord Jesus Christ.

Romans 15.6 hina homothumadon en heni stomati doxazēte ton theon kai patera tou kuriou hēmōn Iēsou Khristou.
homothu_m-a^don , Adv. A. with one accord,pantes ho.Pl.Lg.805a, etc. ; “ho. ek mias gnōmēsD.10.59 ; “ho. hapasin humin antilēpteonAr.Pax484, cf. Av.1015, X.HG2.4.17, LXXEx.19.8, Plb.1.45.4, al., SIG742.13 (Ephes., i B.C.), Act.Ap.15.25. .

THE DIRECT COMMAND AND EXAMPLE TO BE A CHRISTIAN

God sent Apostles and SCRIBES to record ALL that one needs to know in order to keep peace and Educate: that is the inclusive-exclusive PATTERN.

Eph. 2:16 And that he might RECONCILE both unto God
        in one body by the cross, having slain the enmity thereby:
Eph. 2:17 And came and preached PEACE to you which were afar off,
        and to them that were nigh.
Eph. 2:18 For through him we both have access
        by one Spirit unto the Father.
Eph. 2:19 Now therefore ye are no more strangers and foreigners,
        but fellowcitizens with the saints, and of the household of God;
Eph. 2:20 And are built upon [EDUCATED IN THE EKKLESIA]
        the foundation of the apostles and prophets,
        Jesus Christ himself being the chief [only Rabbi when we READ]
        corner stone; [Angelus: isolated, silent and secret]
Eph. 2:22 In whom ye also are builded together
        for an habitation of God through the Spiri
t.

John 14:23 Jesus answered and said unto him,
         IF a man love me, he will KEEP MY WORDS:
         and my Father will love him,
         and WE will come unto him, and make our abode with him

John 8:31 Then said Jesus to those Jews which believed on him,
        
IF ye continue in MY WORD
         THEN are ye my disciples indeed

The Father  Breathes {spirit} into the SON. SPIRIT is always seen as God puts His WORDS into the MOUTH of the SON.

John 6:63 It is the SPIRIT that quickeneth;
        the flesh profiteth nothing:
        the
WORDS that I speak unto you,
                 [Jesus is Masculine and ADULT: He does not SING]
        they are
SPIRIT, and they are life

THE PATTERN OF JUSTIN MARTYR AND OTHERS ON WEEKLY WORSHIP.

Justin Martyr Chapter LXVII.-Weekly Worship of the Christians.

"And we afterwards continually remind each other of these things. And the wealthy among us help the needy; and we always keep together; and for all things wherewith we are supplied, we bless the Maker of all through His Son Jesus Christ, and through the Holy Ghost.

JUSTIN: And on the day called Sunday, all who live in cities or in the country gather together to one place,
  and the
memoirs of the APOSTLES or the writings of PROPHETS the  are READ, as long as time permits;
then, when the reader has ceased,
   the
president verbally instructs,
   and EXHORTS
to the imitation of these good things.

Luke 4:16 And he came to Nazareth, where he had been brought up: and, as his custom was, he went into the synagogue on the sabbath day, and stood up for to read.

Acts 13:15 And after the
        READING of the law and the prophets
the rulers of the synagogue sent unto them, saying,
    Ye men and brethren, if ye have any word of EXHORTATION
    for the people, say on
.

AND IN THE CHURCH: GOD NEEDS NO HELPERS.


Eph. 2:20 And are built upon [Educated in the Ekklesia]
   the foundation of the APOSTLES and PROPHETS, Jesus Christ himself being the chief corner stone;

Acts 15:21 For Moses of old time hath
        In every city them that PREACH him,
        being READ in the synagogues every sabbath day.

SABBATH MEANS REST: QUARANTINED FROM JERUSALEM

`Acts 13:27 For they that dwell at Jerusalem, and their RULERS,
        because they knew him not,
        nor yet the VOICES of the PROPHETS
        which are READ every sabbath day,
        they have fulfilled them in condemning him


 
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