Behold, the Lord cometh with ten
thousands of his saints To Judge Musical Subverters? We all love
music but "church" is not a worship center but a synagogue or school.
It seems self-evident that when the "school" is replaced with a
musical performance we do not intend to do much
"schooling."
Jesus
warned that He spoke in
parables "from the foundation of the world" to hide the truth from
those who have no love for truth. Peter warned that Paul's writings
can be perverted and actually become destructive to those who don't
have the "keys." Jude sends a clear message about God judging people
who have no respect for the revealed Word of God. His point is that
God doesn't need to speak over and over for every generation. By
pointing to Enoch Jude further informs those who are interested, that
only humans have the power to refuse to obey the commands of their
Creator -- and then only with supernatural help from the
demons.
The
poetic material of the
Bible and all writers whom you decided to HONOR was recited very
carefully. It is claimed that the LESBOS singers sang and played
instruments to the works of Homer. All such "threskia" forms of
worship was by a UNIVERSALLY-PERVERTED priesthood worshipping
homosexual gods and goddesses.
When
one went from SAYING or as
Paul commanded, SPEAKING, the MARK was of homosexuality and the
RESULT was growing homosexuality among the 'worshipers.'
The
Book of
Enoch is quoted by Jude and the story is repeated several times. Only
by reading Enoch do we grasp what is being quoted. Someone has
estimated that the book of Enoch is quoted at least 128 times in the
New Testament.
Amazingly,
Enoch connects the coming of
ten thousand angels to
judge, and his example is of the fallen angels who taught mankind how
to use
music
and other sense-appeal
devices to totally shut
down the rational part of our God-created brain. The goal was to get
the worship owed to God directed to some of his human "agents." Jude
calls them wandering
stars or planets, empty
clouds without any water just blowing around.
While
"closed eyes" pick
bits and pieces of out-of-context Biblical text to deceive people
into attempting to worship a Spirit God with what Paul called "carnal
weapons" or "lifeless instruments," the history of the world --
including the Bible -- knows better:
"In
pagan
traditions, musical instruments are invented by gods or demi-gods, such as titans.
In the Bible, credit is assigned to antediluvian patriarchs, for
example, the descendants of Cain in
Genesis 4:21. There is
no other biblical tradition about the invention of
musical instruments."
(Freedman, David Noel, Bible Review, Summer 1985, p. 51). (Proof Here).
First,
Jude begins with the
Biblical Stand On Authority:
Jude
3 Beloved,
when I gave all diligence to write unto you of the common salvation,
it was needful for me to write unto you, and exhort you that ye
should earnestly contend for the faith which was once delivered unto
the saints.
Jude
is commentary on The
Book of Enoch. Enoch
and three other similar documents I have collected proves absolutely
that Satan caused all of the FALLS recorded in the Old Testament: not
for our dogmatizing and commercializing but for TRAINING. They are
mostly spoken in Parables to make fools of those who adulterate the
word meaning to HAWK IT ABOUT with no concern for the truth.
The
UNIVERSAL comparison is the
Rest of God's nature which OBEYS LAWS and humans who can be SEDUCED
by the Satan, Lucifer, Zoe (Eve) figure. The WEAPONS of this carnal
warfare are mixed sex choirs, players of instruments, wine (real or
virtual ala New Wineskins), and seductive dress and
ornamentation.
There is NO
OTHER TRADITION
known to mankind but that music in religionism was INDUCED into the
YOUTH as a way to SEDUCE people in a religious sense where the word
THRESKIA meant impure or sexual worship.
Jude
is a commentary on the Book of Enoch.
In
the book of Enoch which was
held to be inspired by the early church, Enoch visits the heavens and
is told things which should have been taught to his children. A
primary message is that everything God created in the universe obeys His
laws
without murmuring or complaint.
Man,
however, has been invaded
by Satan himself as in the case of Judas and the temptation to be
God-like is their supernatural sign of indwelling. Paul will call it
madness.
The
story of Jubal (or Genun)
is the world's oldest evidence to ascribe music as worship to Satan
who used youth or the immature as his agents: women and children rule
over them.
Enoch tells part of this
musical story after
warning about the ten-thousand judges.
The stars are Enoch's example of
faithful obedience. However,
the wandering stars or planets
are the visible signs which upset the picture to the human eye. The
planets traversed the heavenly spheres of the superstitious who, in Babylonia,
believed that they were set into
"musical spheres." The priests as "the world's oldest profession"
could use music to ascend
and descend
the Tower of Babel to make literal contact with the gods or angels.
They sold this contact at a high price:
"All
early
civilizations saw their ideal music as an image (idol) of cosmic order and its practice in temple ritual and court ceremonial as a means of helping to maintain or reflect universal
harmony.
From
such a philosophy stem the
age-old concepts of the efficacy of numerical proportions in musical
sound;
the ethos
(magical effect) of particular
modes; the music of the spheres; and the musical foundation of the state. Such
ideas steadfastly maintained
throughout the ages, made for very conservative traditions of music
whose fundamental patterns changed little over long periods of time."
(Britannica, 1965, Music, p. 1091)
Fittingly, the "Judas Bag"
was for carrying the
mouthpieces of wind instruments. This word is made up of "speaking in
tongues" and "of the Cosmos." Judas as the agent of Satan would not,
according to Psalm 41, "triumph over" Jesus. Triumph over means to
"blow the trumpets and make a rejoicing noise."
"Speculation
on
number and proportion led to an intuitive feeling of the harmonia
("fitting together") of the kosmos
("the beautiful order of things"); and the application of the
tetraktys to the theory
of music revealed a
hidden order in the range of sound. Pythagoras may have
referred, vaguely, to the
"music
of the
heavens," which he alone seemed able to
hear;
and later
Pythagoreans seem to have assumed that the distances of the heavenly
bodies from the Earth somehow correspond to musical intervals--a
theory that, under the influence of Platonic conceptions, resulted in
the famous idea of the "harmony of the spheres." Britannica Online
"By
laying stress on certain inner
experiences and intuitive
truths revealed only to
the initiated,
Pythagoreanism
seems to have represented a soul-directed
subjectivism alien to the mainstream of Pre-Socratic Greek
thought centring on the Ionian
coast of Asia Minor (Thales, Anaximander, Anaxagoras, and others),
which was preoccupied with determining what the basic cosmic
substance is.
"In
contrast with such Ionian
naturalism, Pythagoreanism was akin to trends seen in mystery religions and emotional movements, such as Orphism,
which
often claimed
to achieve through intoxication a spiritual insight
into the divine origin and nature of the soul.
Yet
there are also aspects of
it that appear to have owed much to the more sober, "Homeric"
philosophy of the Ionians. The Pythagoreans, for example, displayed
an interest in metaphysics (the nature of Being), as did their
naturalistic predecessors, though they claimed to find its key in
mathematical form rather than in any substance. Britannica Online
"In
the Timaeus, which is an exposition
of his theory of the
universe, Plato also developed his theory of the soul. The earth is
surrounded by the spheres of the seven planets; the eighth sphere is that of
the fixed
stars.
Beyond the
eighth sphere is the realm of the divine.
The sphere of the fixed stars, moved by the divine, continuously
turns to the right at an even speed. This clockwise rotation affects
the spheres of the planets, although they have their proper movement,
which runs to the left, or counterclockwise.
The
sphere
of mortality begins with the planets. The original
home
of each
soul
is in one of the fixed stars.
As
a result of the
movement of the spheres, the soul falls through the planetary
spheres to earth, where it is united
with the body.
The
soul must then try to liberate
itself from the body
and ascend
to the fixed star from which it fell. In later generations this
picture was vividly worked out.
The
soul, in the course of its
fall through the planetary spheres, was thought to acquire
the qualities of the
planets: sloth from
Saturn, combativeness
from Mars, lust for power from Jupiter, voluptuousness from Venus,
greed from Mercury.
After
death, when
the soul returned to the fixed star, it discarded these qualities,
just as the mystes,
in certain initiations, discarded his everyday garment before
entering the sacred place. (See cosmology, "Timaeus".)
"Many
other traditional
religious images were taken over by Plato, including the music of the spheres, the
migration of the
soul, the soul's remembrance of its celestial origin, and the idea of
rewards for the righteous and punishment for the wicked. Later
mystery associations adopted these concepts, which Plato had
expressed so beautifully, and were deeply influenced by Plato's
explanations. Britannica Online
Therefore,
Jude is one of God's final warnings to show how to identify
the agents who have no higher goal
than to elevate themselves in order to get the glory which belongs to God
alone. Revelation
18 will further identify the end-time Babylonian religion as a
mixture of commerce and religion with music being the primary "carnal
weapon" against God's people.
Enoch's
warning that God will come with ten-thousand
angels is directly and clearly based on the original "sinners" who
taught children musical arts to be used to deceive the holy Sethites
and draw them down into the valley of Cain.
Jude
says that they
are:
13
Raging waves
of the sea, foaming out their own shame; wandering
stars, to whom is
reserved the blackness of darkness for ever.
14
And Enoch also, the
seventh from Adam, prophesied of these, saying, Behold, the Lord
cometh with ten thousands of his saints,
15
To execute judgment upon
all, and to convince all that are ungodly among them of all their
ungodly deeds which they have ungodly committed, and of all their
hard speeches which ungodly sinners have spoken against him.
16
These are murmurers,
complainers, walking after their own lusts; and their mouth speaketh
great swelling words, having mens persons in admiration because of
advantage.
Enoch
describes a band of men
who pretend
godliness but they are
agents of Satan with the goal of changing the laws and worship practices of the few holy people
left on the earth. They bound
themselves with an oath to "change the old, decadent order" defined
by God. In the process, they separated themselves which means to
"found a new, musical party." The unfaithful stars is a strong theme
in Enoch.
Paul
to the
Thessalonians also speaks of the deluders:
And
then shall that Wicked be revealed, whom the
Lord shall
consume with the spirit
of his mouth, and shall
destroy with the brightness of his
coming: 2 Thess. 2:8
Even
him, whose
coming is after the working of Satan with all power and signs
and lying
wonders, 2 Thess. 2:9
And
with all deceivableness of unrighteousness in
them that perish;
because they received
not the love of the truth, that they might be saved. 2 Thess. 2:10
And
for this cause God shall
send
them strong
delusion (tramps,
erratic teachers, roving stars), that they should
believe a lie: 2
Thess. 2:11
Delusions always
come with deluders. These
are the wandering stars or "planets" which refuse to keep to their
order:
Plane
(g4106) plan'-ay; fem. of 4108 (as abstr.); obj. fraudulence; subj. a
straying from orthodoxy or piety: - deceit, to deceive, delusion,
error.
Planos
(g4108) plan'-os; of uncert. affin.; roving (as a tramp), i.e. (by
impl.) an impostor or misleader: - deceiver, seducing.
The roving tramps always
have the same goal: to
get people to reject the Word of truth:
That
they all might
be damned who believed
not the truth, but had
pleasure in unrighteousness. 2 Thess. 2:12
Enoch
7:1 It happened after the
sons of men had multiplied in those days, that daughters were born to them, elegant
and beautiful.
Enoch
7: 2 And when the angels,
(3) the sons of heaven, beheld them, they became enamoured of them,
saying to each other, Come, let us select for ourselves wives from
the progeny of men, and let us beget children.
(3)
An Aramaic text
reads "Watchers" here (J.T. Milik, Aramaic Fragments of
Qumran Cave 4 [Oxford: Clarendon Press, 1976], p.
167).
Enoch
7: 3 Then their leader Samyaza said to them; I fear
that you may
perhaps be indisposed to the performance of this enterprise;
Enoch
7: 4 And that I alone shall suffer for so
grievous a crime.
Enoch
7: 5 But they answered
him and said; We all swear;
Enoch
7: 6 And bind ourselves by mutual
execrations,
that
we
will not
change our intention, but
execute our projected
undertaking.
Enoch
7: 7 Then they swore
all
together, and all bound themselves by mutual execrations. Their whole number was
two hundred,
who descended upon Ardis,
(4) which is the top of
mount Armon.
(Hermon)
(4)
Upon
Ardis. Or, "in the days of Jared"
(R.H. Charles, ed. and trans., The Book of Enoch [Oxford: Clarendon
Press, 1893], p. 63).
See Second
Adam and Eve to see some history of this event confirmed by Enoch and
Jude.
Enoch 7: 8 That mountain therefore was called Armon, because they had sworn upon it, (5) and bound
themselves by mutual
execrations.
(5)
Mt. Armon, or
Mt. Hermon,
derives its name from the Hebrew word herem, a curse
(Charles, p. 63).
Charam (h2763) khaw-ram'; a
prim. root; to
seclude; spec. (by a ban) to devote to religious uses (espec. destruction); phys. and reflex. to
be blunt as to the nose: - make
accursed, consecrate,
(utterly)
destroy, devote,
forfeit, have a flat nose, utterly (slay, make away).
There
are about 120 pagan temples on Hermon including the "gates of hell" to
the temple of PAN. Jesus ascended from the High Mountain.
Enoch
7: 10 Then they took
wives, each choosing for himself; whom they began to approach, and
with whom they cohabited; teaching them sorcery, incantations, and the dividing
of roots and trees.
In
Revelation 17 the Babylon mother of harlots in Revelation 18 uses
"lusted after fruits" as speakers, singers andinstrument players John
calls sorcery.
-Epa^eidō , contr. Att.
epadō , fut.
2.
sing as an incantation, “
ha hai Seirēnes epēdon tō Odussei”
X.Mem.2.6.11; “
khrē ta toiauta hōsper epadein heautō”
Pl.Phd.114d, cf.
77e; “
e. hēmin autois touton ton logon”
Id.R.608a;
e. tini sing to one
so as to charm or
soothe him,
Id.Phdr.267d,
Lg.812c, al.:—Pass.,
Porph.Chr.35: abs.,
use charms or incantations, Pl.Tht.157c; “
epaeidōn”
by means of charms, A.Ag.1021 (lyr.), cf.
Pl.Lg.773d,
Tht.149d.
-Euripides, Electra 859 .
Set your step to the dance, my dear, [860]
like a fawn leaping high up to heaven with joy. Your brother is
victorious and has accomplished the wearing of a crown . . . beside the
streams of Alpheus . Come sing [865]
a glorious victory ode, to my dance.
2.
one of the priests and wise men in Persia who interpreted dreams,
Hdt.7.37, al.,
Arist.Fr. 36,
Phoen.1.5,
Ev.Matt.2.1.
3.
enchanter, wizard, esp. in bad sense,
impostor, charlatan,
Heraclit.14,
S.OT387,
E.Or.1498 (lyr.),
Pl.R.572e,
Act.Ap.13.6, Vett. Val.
74.17: also fem.,
Luc.Asin.4,
AP 5.15 (Marc. Arg.).
II.
magos, on, as Adj.,
magical, “
magps tekhnē prattein ti”
Philostr.VA1.2; “
kestou phōneusa magōtera”
THE
CUTTING OF ROOTS IS CONNECTED TO THE SORCERY OR PHARMAKON IN REVELATION
18
-Neuras (
nevras ), ădis, f., =
neuras,
Wormwood is Absinth:
It is a hallugen and was medicinal. Music makes the doctrine go
down and that is why God outlawed it as a MARK. God needs no drugs
which can also be used by Satan.
-Apsinth-ion , to,
A.
wormwood, Artemisia Absinthium, Hp.Morb.3.11,
Mul.1.74,
X.An. 1.5.1,
Thphr.HP1.12.1,
Dsc.3.23; “
apsinthiō katepasas Attikon meli”
Men.708:—also
apsinthos ,
hē,
Aret.CD1.13, but
ho,
Apoc.8.11; and
apsinthia ,
hē,
Alex. Trall.
1.10.
-Absinthĭum , i, n. (also
absinthĭus , i, m., ap. Varr. acc. to
Non. 190, 25), =
apsinthion,
I.
wormwood,
Plin. 27, 7, 28 sq.;
Cato, R. R. 159;
Varr. R. R. 1, 57;
Col. 12, 35;
Plaut. Trin. 4, 2, 90: “
tetrum,”
Lucr. 1, 936;
2, 400;
4, 11 al.—
Trop. for something bitter, but wholesome,
Quint. 3, 1, 5.
THE ASSERTION OF THE BIBLE IS THAT IT IS WHAT GOD WANTS
TO BE TAUGHT OFTEN IN GREAT EPICS: TO ENHANCE THAT WORD WITH SONGS AND
SERMONS SOUNDS SO HUMAN. Yet, as Peter makes clear in 2 Peter 1,
he left a memory of eye and ear witness teachings of Jesus Who made the
prophets more certain. The teaching of the Prophets and Apostles might
not satisfy the rhetorician, singer or instrument player Jesus marked
as hypocrites, it is both a MARK of a false teaching and the RESOURCE
for hearing the words of God without further enhancement.
|
THE INFINITY OF THE UNIVERSE
Lucr. 1.921
Refuting Anaxagoras unreasonable thoughts.
Now learn of what remains! More keenly hear!
And for myself, my mind is not deceived
How dark it is: But the large hope of praise
Hath strook with pointed thyrsus through my heart;
On the same hour hath strook into my breast
Sweet love of the Muses, wherewith now instinct,
I wander afield, thriving in sturdy thought,
Through unpathed haunts of the Pierides,
Trodden by step of none before. I joy
To come on undefiled fountains there,
To drain them deep; I joy to pluck new flowers,
To seek for this my head a signal crown
From regions where the Muses never yet
Have garlanded the temples of a man:
First, since I teach concerning mighty things,
And go right on to loose from round the mind
The tightened coils of dread religion;
Next, since, concerning themes so dark, I frame
Songs so pellucid, touching all throughout
Even with the Muses' charm- which, as 'twould seem,
Is not without a reasonable ground:
But as physicians, when they seek to give
Young boys the nauseous wormwood, first do touch
The brim around the cup with the sweet juice
And yellow of the honey, in order that
The thoughtless age of boyhood be cajoled
As far as the lips, and meanwhile swallow down
The wormwood's bitter draught, and, though befooled,
Be yet not merely duped, but rather thus
Grow strong again with recreated health:
So now I too (since this my doctrine seems
In general somewhat woeful unto those
Who've had it not in hand, and since the crowd
Starts back from it in horror) have desired
To expound our doctrine unto thee in song
Soft-speaking and Pierian, and, as 'twere,
To touch it with sweet honey of the Muse-
If by such method haply I might hold
The mind of thee upon these lines of ours,
Till thou see through the nature of all things,
And how exists the interwoven frame. |
Lucr. 4.11 PROEM
De Rerum Natura similar
Quint. Inst. 3 1.3 In other portions of this work I have attempted to
introduce a certain amount of ornateness, not, I may
say, to advertise my style (if I had wished to do that, I
could have chosen a more fertile theme),
but in order
that I might thus do something to lure our young
men to make themselves acquainted with those principles which I regarded as necessary to the study of
rhetoric: for I hoped that by giving them something
which was not unpleasant to read I might induce a
greater readiness to learn those rules which I feared
[p. 373]
might, by the dryness and aridity which must necessarily characterise their exposition, revolt their minds
and offend their ears which are nowadays grown
somewhat over-sensitive.
Quint. Inst. 3 1.4 Lucretilus has the same
object in mind when he states that he has set forth
his philosophical system in verse; for you will remember the well known simile which he uses
And as physicians when they seek to give
A draught of bitter wormwood to a child,
First smear along the edge that rims the cup
The liquid sweets of honey, golden-hued,
and the rest.
Quint. Inst. 3 1.5
But I fear that this book will have
too little honey and too much wormwood, and that
though the student may find it a healthy draught,
it will be far from agreeable.
I am also haunted by
the further fear that it will be all the less attractive
from the fact that most of the precepts which it contains are not original, but derived from others, and
because it is likely to rouse the opposition of certain
persons who do not share my views.
For there are
a large number of writers, who though they are all
moving toward the same goal, have constructed
different roads to it and each drawn their followers
into their own
|
Enoch
7: 11 And the women
conceiving brought forth giants,
(7)
(7)
The Greek texts
vary considerably from the Ethiopic text here. One Greek manuscript
adds to this section, "And they [the women] bore to them [the Watchers] three races: first, the great giants. The
giants brought forth [some
say "slew"] the Naphelim, and the Naphelim brought forth [or "slew"]
the Elioud. And they existed, increasing in power according to their
greatness." See
the account in the Book of Jubilees.
Enoch
7: 12 Whose stature was
each three hundred cubits. These devoured all which the labor of men produced; until it became
impossible to feed them;
This
may be
figurative of the clergy in the time of Jesus:
Woe
unto you, scribes and
Pharisees, hypocrites for ye devour widows houses, and for a pretence make long prayer: therefore ye shall
receive the greater damnation.
Matthew 23:14
Enoch
7: 13 When they turned themselves
against men, in order
to devour
them;
Enoch
7: 14 And began to injure
birds, beasts, reptiles, and fishes, to eat their flesh one after
another, (8) and to drink their blood.
(8)
Their
flesh one after
another. Or, "one
another's flesh." R.H. Charles notes that this phrase may refer to
the destruction
of one
class of giants by another (Charles, p. 65).
This
may be the
"polemic" battle noted in Revelation 20. Or the divisive
organizations put
together by men to devour the resources of the "fellowship" but who
secretly try to decide who is the king of the mountain.
Enoch
7: 15 Then the earth
reproved the unrighteous.
Enoch
8:1 Moreover Azazyel taught men to make swords, knives,
shields, breastplates, the fabrication of mirrors, and the
workmanship of bracelets and ornaments, the use of paint,
the beautifying of the eyebrows, the use of stones
of every valuable and select kind, and all sorts of dyes, so that the world
became altered.
Azazel is
the name of the Scapegoat: after Nadab and Abihu went into the Holy
Places to burn incense, the Day of Atonement was imposed and virtual
sacrifice to the Devil in the form of the Scapegoat. After all, God had
already turned them over to worship the starry host.
Of
the King of Tyre as the
agent of Satan, Ezekiel spoke of his breastplate. It was about like
the one for a normal priest but the tabrets and pipes were
substituted:
Thou
hast been in
Eden the garden of God; every precious stone was thy covering, the
sardius, topaz, and the diamond, the beryl, the onyx, and the jasper,
the sapphire, the emerald, and the carbuncle, and gold: the workmanship of thy tabrets
and of thy pipes
was prepared in thee in the day that thou wast created. Ezekiel 28:13
Thou
art the
anointed cherub that covereth; and I have set thee so: thou wast upon
the holy mountain of God; thou hast walked up and down in the midst
of the stones of fire. Ezekiel 28:14
Thou
wast perfect in thy ways
from the day that thou wast created, till iniquity was found in thee.
Ezekiel 28:15
By
the multitude
of thy
merchandise they have
filled the midst of thee with violence, and thou hast sinned:
therefore I will cast thee as
profane out of the
mountain of God: and I will destroy thee, O covering cherub, from the
midst of the stones of fire. Ezekiel 28:16
Chalal (h2490) khaw-lal'; a
prim. root [comp.
2470]; prop. to bore, i. e. (by impl.) to wound, to dissolve; fig. to profane (a person, place or thing), to
break (one's word), to begin
(as if by an "opening wedge"); denom. (from 2485) to play (the flute): - begin (* men
began), defile, *
break, defile, * eat (as common things), * first, * gather the grape thereof, * take inheritance, pipe, player
on instruments, pollute, (cast as) profane (self), prostitute, slay (slain), sorrow,
stain, wound.
Commentary on Catullius, Poem 63
The self-mutilation and subsequent lament of Attis, a priest of
Cybele. The centre of the worship of the Phrygian Kubelē or Kubēbē, was in very ancient times the town of
Pessinus in
Galatian Phrygia, at the foot of Mt. Dindymus, from which the
goddess received the name Dindymene. Cybele had early become
identified with the Cretan divinity Rhea, the Mother of the Gods,
and to some extent with Demeter, the search of Cyhele for Attis
being compared with that of Demeter for Persephone. The especial
worship of Cybele was conducted by emasculated priests called
Galli (or, as in vv. 12 and 34, with reference to their physical
condition, Gallae). Their name was derived by the ancients from
that of the river Gallus, a tributary of the Sangarius, by
drinking from which men became inspired with frenzy (cf. Ov. Fast. 4.361ff.
The
worship was
orgiastic in the extreme, and was accompanied by the sound of such frenzy-producing instruments as the
tympana, cymbala, tibiae, and cornu, and
culminated in scourging, self-mutilation, syncope from
excitement (fainting from losss of
blood to the head). and even death from hemorrhage or heart-failure. The worship of the Magna Mater, or Mater
Idaea,
as she was often called (perhaps from
identification with Rhea of the Cretan Mt. Ida rather than from the
Trojan Mt. Ida),
was
introduced into
Rome in 205 B.C. in accordance with a Sibylline oracle which foretold
that only so couldâ foreign
enemy (i.e. Hannibal) be
driven from Italy. Livy
29.10, Livy 29.14)
See The
Emerging Church of Christ Fred
Peatross
Enoch
8:2 colouring tinctures.
And there arose much godlessness, and they committed fornication, and
they
