I.relating
or belonging to Apollo (only poet.):
urbs,
i. e. Delos, where Apollo was born and
specially honored, Ov. M. 13, 631:
proles,
i. e. Ζsculapius, id. ib. 15, 533:
mater,
i. e. Latona, Stat. Th. 11, 12:
vates,
i. e. Orpheus, Ov. M. 11, 8:
ars, both the art of soothsaying,
id. Ib. 264,
and that of healing, id. Tr. 3, 3, 10:
cantus,
id. M. 11, 155
et saep.
NACC Transitioning Jeff Walling from Traditional to Contemporary "worship"
Reaping Angles use Instrumental Music to Winnow the Chaff for burning.
CLICK FOR NEW PROOF
Matt. 13:38 The field is the WORLD; [kosmos, mundus, points to MUSIC and the EFFEMINATE]
the good SEED are the children of the kingdom;
but the TARES are the children of the WICKED ONE
THESE ANGELS ARE MUSICAL PERFORMERS. APOLLYON IS LEADER OF THE MUSES ADULTERERS BECOME SHEPHERDESS
CLICK FOR PROOF THAT MESICIANS ARE NOW REMOVING THE CHAFF.
Matt. 13:39 The enemy that sowed them is the DEVIL [Jesus said BENEATH or TARTARUS];
the harvest is the end of the world; [Aion messianic Age]
and the REAPERS are the ANGELS [musicians]
Where so called Musical Worship has been imposed with the help of the NACC up to half of the congregation is offended and flee and counting the loss of their property to the instrumental sect a gain.
The LOCUST are the MUSES of Apollyon's Musical Worship Team: Their task is to collectivize those with the MARK OF THE BEAST. Beasts are Theiron meaning "A new form of music and Satyric (perverted) Drama."
God sends forth MUSICIANS meaning to make the lambs dumb before the slaughter
The BEAST from the EARTH exerciseth all the POWER of the first BEAST before him,
and causeth the earth and them which dwell therein
to worship the first BEAST, whose deadly wound was healed. Rev. 13:12
CONTRARY AND ANTITHETICAL to the worship of God, THE WORSHIP OF THE BEAST is--
Thera^p-euō II. do service to the gods, athanatous, theous th., Hes.Op.135, Hdt.2.37, X.Mem.1.4.13, etc.; daimona Pi.P.3.109; Dionuson, Mousas, E.Ba.82 (lyr.), IT1105(lyr.); th. Phoibou [Apollon] naous serve them, Id.Ion111 (anap.): abs., worship, Lys.6.51; do service or honour to one's parents, E.Ion183 (lyr.), Pl.R.467a, Men.91a; serve, wait upon a master, Id.Euthphr.13d, cf. Ar.Eq.59, 1261, etc.; th. tas thēkas reverence men's graves, Pl.R.469a.
APOLLYON- Phoebus , i, m., = Phoibos (the radiant), I. a poetical appellation of Apollon as the god of light: [As Lucifer the FEMALE WORSHIP MUNISTER: LOCUSTS: "singing and harp playing harlot{ quae mihi Phoebus Apollon, Val. Fl. 1, 228: Circe, [CHURCH AS WORSHIP CENTER] daughter of Sol, Petr. 135.
Holy Scripture contains not a SINGLE example of God's people said to worship by Preaching, listening, singing, playing an instrument, acting or PAY TO PLAY
Phoebus , i, m., = Phoibos (the radiant), I.a poetical appellation of Apollo as the god of light: quae mihi Phoebus Apollo, Val. Fl. 1, 228: Circe, daughter of Sol, Petr. 135.B. Phoe-bēus , a, um, adj., Phbean, Apollinean: carmina, Lucr. 2, 504: lampas, the sun, Verg. A. 4, 6: virgo, Daphne, Ov. P. 2, 2, 82: laurus, id. Tr. 4, 2, 51: Rhodos, where the worship of Apollo prevailed, id. M. 7, 365: lyra, id. H. 16, 180: sortes, oracle, id. M. 3, 130: tripodes, id. A. A. 3, 789: Phoebeā morbos pellere arte, id. F. 3, 827.Female Worship Leater C. Phoebas , ădis, f., a PRIESTESS of Apollo; hence the inspired one, the PROPHETESS Ov. Am. 2, 8, 12; id. Tr. 2, 400; Luc. 5, 128; 165.
-therap-ōn henchman, attendant [1] Mousaōn [2] therapontes
[1] Mousa music, song [3 below] stu^ger-os , Mousa kanakhan . (clanging brass]
theias antiluron mousas [lyre or guitar added to music]
II. mousa, as Appellat., music, song, m. stugera A.Eu.308
Muses as: moisan pherein LADED BURDEN
Muses as: adokim-os , disreputable, discredited, reprobate,
Muses as: kanakhan . . theias antiluron mousas
clanging and harp-playersHowever Rick.Atchley.Acts.17.25.God.Not.Worshipped.Mens.Hand.html
Rev. 17:5 And upon her forehead was a name written,
MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.
Rev. 17:6 And I saw the woman drunken with the blood of the saints,
and with the blood of the martyrs of Jesus: and when I saw her,
I wondered with great admiration.
Rev. 18:21 And a mighty angel took up a stone like a great millstone, and cast it into the sea, saying,
Thus with violence shall that great city Babylon be thrown down, and shall be found no more at all.
Rev. 18:22 And the VOICE of harpers, and musicians, and of pipers, and trumpeters,
shall be heard no more at all in thee; and no craftsman, [religious parasite] of whatsoever craft he be,
shall be found any more in thee; and the sound [piping] of a millstone shall be heard no more at all in thee;
ISAIAH 11 IDENTIFIES THE SEVEN SPIRITS (the Menorah WHICH WOULD REST ON MESSIAH.
Rev. 18:23 And the light of a candle shall shine no more at all in thee;
and the voice of the bridegroom and of the bride shall be heard no more at all in thee:
for thy MERCHANTS were the great men of the earth;
for by thy SORCERERS were all nations deceived.
Rev. 18:24 And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth.
Rev. 19:1 And after these things I heard a great voice of much people in heaven,
saying, Alleluia; Salvation, and glory, and honour, and power, unto the Lord our God:
Rev. 19:2 For true and righteous are his judgments:
for he hath judged the great whore,
which did corrupt the earth with her fornication,
and hath avenged the blood of his servants at her hand.
Rev. 19:3 And again they said, Alleluia. And her smoke rose up for ever and ever.
Is. 23:15 And it shall come to pass in that day,It always takes three words to Sing, Play a NAMED instrument and Psallo which is an evil wordl
that Tyre shall be forgotten seventy years, according to the days of one king:
after the end of seventy years shall Tyre SING AS AN HARLOT
How does a Harlot sing?
Is. 23:16 Take an [1] harp, go about the city, thou harlot that hast been forgotten; make sweet [2] melody, [3] sing many songs, that thou mayest be remembered.
Amos 5:26 But ye have borne the tabernacle of your Moloch and Chiun your images,
the STAR of your god, which ye made to yourselves.
Acts 7:41 And they made a calf in those days,
and offered sacrifice unto the idol,
and rejoiced in the works of their own hands
Amos 5:27 Therefore will I cause you to go into
captivity beyond Damascus,
saith the LORD, whose name is The God of hosts.
Acts 7:43 Yea, ye took up the tabernacle of Moloch,
and the star of your god Remphan,
figures which ye made to worship them:
and I will carry you away beyond Babylon
Mark.10.They.Shall.Mock.Him.With.Music
Trumpet, drums, flute, cymbals and castinets with buffoons
Psallo permits ONLY smiting a string with your FINGERS: not a plectrum
Psallo and SOP have the same root meaning.
Revelation 18F: they are all called Sorcerers who HAD once deceived the whole world.
They WILL BE CAST ALIVE INTO THE LAKE OF FIRE.It was understood that the Mother of Harlot including Jerusalem could be MALE. The clergy of the Mother of Harlots were Lusted After fruits (same as in Amos 8). As singers, instrument players or craftsman they are called SORCERERS using the same word that identified Semiramis in the BEGINNING BABYLONIASM. All religious WORSHIP performers were identified as SORCERERS. Anyone so dedicated are declared ANATHEMA: they cannot be redeemed and must be burned.
Worship.Androgyny.The.Pagan.Sexual.Ideal.html
Thuc. 8.1 with the soothsayers, and prophets, and all who by the influence of religion had at the time inspired them with the belief that they would conquer Sicily
khrēsmologois te kai mantesi
It is a STRONG DELUSION that God ever commanded a DAY for worship.
It is the DEFINITION of a CULT to operate a center of SANCTITY with command authority, controlling the member's life several days during the week.
It is a STRONG DELUSION that God ever commanded any action by the hands of men as worship.
It is a STRONG DELUSION to claim that Jesus died in vain unable to "supply all that applies to life and godliness."
It is a STRONG DELUSION that God ever authorized ANY FUNDING for any funded STAFF to ride on the backs of widows
It is a STRONG DELUSION to claim that God commanded SINGING with or without a Mechanical Device.
It is a STRONG DELUSION and a LIE that there is a Law of Tithing or a Law of Giving
http://www.pineycom.com/Isaiah.4.The.Branch.of.the.Lord.html
TIME IS SHORT: TELL SOMEONE! THE PATTERN IS REPEATED OVER AND OVER: YOURS IS APOSTASY.
[1 of 6] THE HOLY SPIRIT MEANING "GOD PUTS HIS WORD INTO THE MOUTH OF THE PROPHETS AND JESUS FOR THE LAST TIME and defines the PATTERN for assembly.
Isaiah.4.The.Branch.of.the.Lord Theology Repudiates.
Is. 4:2 In that day shall the branch of the LORD be beautiful and glorious,
and the FRUIT of the EARTH shall be excellent and comely for them that are escaped of Israel.
magnĭfĭcentĭa greatness in action or in sentiment, nobleness, distinction, eminence, high-mindedness, magnanimity;
IN A BAD SENSE , boasting, bragging, etc.2. In a bad sense: verborum magnificentia, pomposity of language, bombast,
Christian fruit: for my mental enjoyment, gloria est fructus verae virtutis honestissimus, id. Pis. 24, 57: laboris, Quint. 6 praef. § 2: studiorum,NOT the enjoyment derived from riches
pecuniae fructus maximus, id. ib. 2, 18, 64: animi fructus, qui in te videndo est, id. Fam. 15, 14, 3: vitae fructus,
voluptatum, id. Lael. 23, 87: jucunditatis, id. Mur. 19, 40: graviore sono tibi Musa loquetur Nostra, dabunt cum maturos mihi tempora fructus,Is. 4:3 And it shall come to pass, that he that is left in Zion,
and he that remaineth in Jerusalem, shall be called holy,
even every one that is written among the living in Jerusalem:
Is. 4:4 When the Lord shall have washed away the filth of the daughters of Zion,
and shall have purged the blood of Jerusalem from the midst thereof
by the SPIRIT of judgment, and by the SPIRIT of burning.
Isaiah 4: 5 And the Lord will create upon
every dwelling place of mount Zion,
and upon her assemblies [Invoco called], a cloud and smoke by day,
and the shining of a flaming fire by night:
for upon all the glory shall be a defence.
Isaiah 4:6 And there shall be a tabernacle for a shadow in the daytime from the heat,
and for a place of refuge,
and for a covert from storm and from rain.
Umbrācŭlum , I. any thing that furnishes shade). I Lit., a shady place, bower, arbor,Verg. E. 9, 42. B. Transf., a school: in solem et pulverem, ut e Theophrasti doctissimi hominis umbraculis, Cic. Brut. 9, 37: ex umbraculis eruditorum in solem atque in pulverem, id. Leg. 3, 6, 14.II. A sunshade, parasol, umbrella, Ov. F. 2, 311; id. A. A. 2, 209; Mart. 14, 28, 1;
First: A solitary place [Angle: cornerstorn: to protect the vines against the sun to dŏcĕo to speak to instruct a subject to moral humans in the umbrācŭlum
Second: eruditorum to eduate, instruct, opposite popular orato, in a solem or solitary place, and where "vines" are protected from the sun. in his (scholis) Leisure given to learning, a learned conversation or debate, a disputation, lecture, dissertation, 1. A place for learned conversation or instruction, a place of learning, a school . The disciples or followers of a teacher, a school, sect:
schŏla (scŏla ), ae, f., = skholē (spare time, leisure; hence, in partic.),
Leisure given to learning, a learned conversation or debate, a disputation, lecture, dissertation
2. The disciples or followers of a teacher, a school, sect
skholē , hē, A.leisure, rest, ease, skholēn agein to be at leisure, enjoy ease, keep quiet
2. c. gen., leisure, rest from a thing, en tini skholē kakou
2. at one's leisure, i.e. scarcely, hardly, not at all
A covert sēcūrĭtas FROM perturbatione, securitas inaffectatae orationis, quietness,
tranquillĭtas , ātis, f. tranquillus, I.quietness, stillness, tranquillity. Tac. Agr. 40 fin.
REST FROM Operosus , [Lying Wonders] costs much trouble, troublesome, toilsome, laborious, difficult, elaborate , costly, sumptuous Temple, from carmina, [vocal or instrumental music] elaborate, Hor. C. 4, 2, 31 artes, skill in constructing, profession as music, FROM rhetorica, Quint. 2, 17, 4: musica, poetry, Ter. Hec. prol. 23: musica, music, ars oratoris, oratoris autem omnis actio opinionibus,
REST FROM mūsĭca , ae, and mūsĭcē , ēs, f., = mousikē,I.the art of music, music; acc. to the notions of the ancients, also every higher kind of artistic or scientific culture or pursuit: musicam Damone aut Aristoxeno tractante? etc., Cic. de Or. 3, 33, 132: socci et cothurni, i. e. comic and dramatic poetry, Aus. Ep. 10, 43: musice antiquis temporibus tantum venerationis habuit, ut, Quint. 1, 10, 9.
Ăristoxĕnus , i, m., = Aristoxenos,I.a philosopher and musician, pupil of Aristotle, Cic. Tusc. 1, 10, 20; id. de Or. 3, 33, 132 al.
Quint. Inst. 1 10.9 Who is ignorant of the fact that music, of which I will speak first, was in ancient times the object not merely of intense study but of veneration: in fact Orpheus [Romans 14 from Synagogue From Babylon]
http://www.pineycom.com/MuTammuz.htmland Linus, to mention no others,
were regarded as uniting the roles of musician, poet and philosopher.
Both were of divine origin, while the former, because by the marvel [lying wonder] of his music he soothed the savage breast, is recorded to have drawn after him not merely beasts
Quint. Inst. 1 10.10 So too Timagenes asserts that music is the oldest of the arts related to literature, a statement which is confirmed by the testimony of the greatest of poets in whose songs we read that the praise of heroes and of gods were sung to the music of the lyre at the feasts of kings. Does not lopas, the Vergilian bard, singThe wandering moon and labours of the SunAen. i. 742.
and the like? whereby the supreme poet manifests most clearly that music is united with the knowledge even of things divine.REST FROM Musica , mūsĭcus . a, um, adj., = mousikos.
I. Of or belonging to music, musical (class.).A. Adj.: leges musicae, the rules of music, Cic. Leg. 2, 15, 39: sonus citharae, Phaedr. 4, 18, 20: pedes, Plin. 29, 1, 5, § 6.
REST FROM 1. mūsĭcus , i, m., a musician: musicorum aures, Cic. Off. 1, 41, 146.
2. mūsĭ-ca , ōrum, n., music: in musicis numeri, et voces, et modi, Cic. de Or. 1, 42, 187: dedere se musicis, id. ib. 1, 3, 10: et omnia musicorum organa, Vulg. 1 Par. 16, 42. [Of hydraulic engines, an organ, water-organ: organa hydraulica, Suet. Ner. 41]
mousikōs: musice hercle agitis aetatem,
REST FROM you are in clover, i. e. living luxuriously at another's expense, Plaut. Most. 3, 2, 40.
12.14.20
Rom. 2:21 Thou therefore which teachest another, teachest thou not thyself? thou that preachest a man should not steal, dost thou steal?
Rom. 2:22 Thou that sayest a man should not commit adultery, dost thou commit adultery? thou that abhorrest idols, dost thou commit sacrilege? Rob Temples
Billy Bob TRANSITIONS my best hunting dog. Sheriff tells Billy Bob that Ken would be happy if His hunting dog shows up in his pen tonight.
When you TRANSITION a church or Rob a Synagogue of Christ (School only) to YOURSELF so you can perform, Revelation 18 calls them SORCERERS. God TRANSITIONS Sorceriers and those who LIE about His Word INTO A LAKE OF FIRE.
Musical Instrument MARK
Abomination, Witchcraft, the BEASTS, Demon worship, Viper worship, Sorcery, Charming, Soothsaying, enchantment, harlots, beguilers, serpents, vipers, Serpo, Herpo, inducing wine-drinking, Cunning Craftsmen or Sophists, Rhetoricians, Dogs or Catamites, magic, Voodoo in primitive America, Melodies to deceive, Deceiver, Techne. religious craftsmen, Lucifer, Locusts, Apollyon, Levi-LeviathanThe Israelites rose up in PLAY or musical idolatry at Mount Sinai: the trinity was Osiris, Isis and Hathor: The Priests were:
-Gallus , i, m., = Gallos Strab., 2. (Acc. to II. A., of or belonging to the priests of Cybele; hence, transf.) Of or belonging to the priests of Isis, Gallic: turma, the troop of the priests of Isis, Ov. Am. 2, 13, 18.
-turma Iliae, id. C. S. 38: cristatae exercitus. Claud. III. Cons. Hon. 133; id. in Ruf. 2, 343: Alexan dri, Plin. 34, 8, 19, § 64: feminea, Ov. P. 4, 10, 51: Gallica, i. e. of priests of Isis, id. Am. 2, 13, 18.
-Fēmĭnĕus , a, um, adj. id., II. Transf., with an accessory notion of contempt, womanish, effeminate, unmanly: vox, Quint, 1, 11, 1; cf. Ov. A. A. 3, 286: pectus, Ov. M. 13, 693: amor praedae, Verg. A. 11, 782: lunae femineum et molle sidus, Plin. 2, 101, 104, § 223.
God made them into a LAUGHINGSTOCK at Mount Sinai and at an apostate religious enterprise near you.
Jude 3 Beloved, when I gave all diligence to write unto you of the common salvation,
it was needful for me to write unto you,
and exhort you that ye should earnestly contend
for the faith [THE WORD] which was once delivered unto the saints.
Jude uses the PATTERN of the Instrumental-Trinitarian-Perverted PLAY (See Romans 1) to warn of those FOREORDAINED to repeat the same idolatry.
Jude 4 For there are certain men CREPT [really creepy] in unawares,
who were before of old ordained to this condemnation,
ungodly men, turning the grace of our God into lasciviousness, [(oratione)
http://pineycom.com/Romans.1.html
and denying the only Lord God, AND our Lord Jesus Christ. Trinitarians]
Jude 5 I will therefore put you in remembrance,
though ye once knew this, how that the Lord,
having saved the people out of the land of Egypt,
afterward destroyed them that believed not.
Jude 6 And the angels which kept not their first estate,
but left their own habitation,
he hath reserved in everlasting chains under darkness unto the judgment of the great day.
Jude 7 Even as Sodom and Gomorrha, and the cities about them in like manner,
giving themselves over to fornication, and going after strange flesh, [literal or persona]
are set forth for an example [pattern], suffering the vengeance of eternal fire.
"Now, many a man from the false religions, which are not ashamed of criticising what is noble, will ask: how can there be a feast without carousing and overeating, without the pleasant company of hosts and guests, without quantities of unmixed wine, without richly set tables and highly stacked provisions of everything that pertains to a banquet, without pageantry and jokes,
bantering and merry-making to the accompaniment of flutes and citharas, the sound of drums and cymbals and other effeminate and frivolous music of every king, enkindling unbridled lusts with the help of the sense of hearing. For in and through the same [pleasures] those persons openly seek their joy, for what true joy is their they do not know.
THE A CAPPELLA WORSHIP LEADER: THE GOAT SINGERS OR CASTRATOS.
Worship.Androgyny.The.Pagan.Sexual.Ideal.htmlIn all the parallel passages in the Talmud, the opinion of Samuel b. Naḥman alone prevails, for we find regularly Adam
ANDROGYNOS (Hermaphrodite): By: Moses Gaster(bifrons, double-fronted), as, for example: 'Er. 18a, Ber. 61a, etc. (Jastrow, "Dict." s.v., p. 304, 1).
The opinion expressed by Jeremiah is, however, very old and wide-spread, for we find the fathers of the Christian Church at pains to refute this "Jewish fable "The papacy also continued the practice of creating castratos (boys castrated before puberty to keep their singing voices high-pitched) for their own entertainment, long after it had fallen in disfavor throughout Italy."
"How can we hear their music today, since we have no more castratos to listen to? Well, during the current renaissance in Baroque music, some castrato roles have been carefully recreated by counter-tenors also known as male altos or sopranos. Other musicial parts are sung by women who use a natural alto or soprano range,
but adopt a style which attempts to make the music sound appropriately 'masculine', at least for male roles"Philodemus considered it paradoxical that music should be regarded as veneration of the gods while musicians were paid for performing this so-called veneration. Again, Philodemus held as self deceptive the view that music mediated religious ecstasy. He saw the entire condition induced by the noise of cymbals and tambourines as a disturbance of the spirit.
He found it significant that, on the whole, only women and effeminate men fell into this folly.
Accordingly, nothing of value could be attributed to music; it was no more than a slave of the sensation of pleasure, which satisfied much in the same way that food and drink did.
In the Gnostic world musical worship teams would mean that Zoe or Sophia-Zoe or Eve-Zoe as the Lucifer figure had replaced the Word. Zoe is identified as the Beast.
"An androgynous human being was produced, whom the Greeks call Hermaphrodites; and whose mother the Hebrews call
Eve of Life (Eve-Zoe), namely, the female instructor of life.
"Her offspring is the creature that is lord.
Afterwards, the authorities called it "Beast", so that it might lead astray their modeled creatures.
Why Godly DISCIPLES flee the MARK of vocal or instrumental REJOICING which was outlawed (Numbers 10) when the ASSEMBLY was called.
Debbie Boggs Max Lucado uses the Greek Psallo to contradict Our Lord God, Scripture and common knowledge.
http://www.pineycom.com/Debbie.Boggs.Psallo.Instrumental.Music.in.Worship.html
A Theology Degree from ACU, by the mandate of Jesus, learn, practice and destroy as agents of Apollo as the head of the Babylonian gods has the number of 666. Apollo worship was brought by the Hebrews into the Wilderness and rose up to PLAY musical instruments and with one another. This was a sin beyond redemption. No "scholar" knows or needs to know how to read BLACK text on BROWN paper. Jude says of those who go beyond the ONCE delivered faith repeat the Mount Sinai Instrumental-Trinitarian-Perverted idolatry. Jude says that they were-are FORE ORDAINED.
Ephesians 5 commands SPEAKING and in Romans 15 "using one mind and one mouth" to "speak that which is written for our LEARNING. There is no evidence that people who Sow Discord and steal the churches of widows HAVE or evne NEED to understand what they so savagely teach with the command authority of WOLVES. Paul would have understood that the "psalms" or Mizmors in the Book of Psalms are 50 used by their private devotion but never in a Worship Assembly. Furthermore, both ODE and PSALLO are silenced. All "singing" or "names" of instruments are the Carnal Weapons of Sorcerers or Witches.
Ov. Met. 11.146
When Pan had doone, the sacred Tmole to Phebus turnd his looke,
And with the turning of his head his busshye heare he shooke.
Then Phebus [Apollineos] with a crowne of Bay uppon his golden heare
Did sweepe the ground with scarlet robe. In left hand he did beare
His VIOL made of precious stones [ gemma] and Ivorye intermixt.
Ăpollĭnĕus , a, um, adj. id.,
gemma multas in digitis, plures in carmine gemmas Invenies, Mart. 5, 11, 3:
My friend Stella, Severus, wears on his fingers sardonyxes, emeralds, diamonds, jaspers. Though there are many gems on his fingers, there are more in his verses, whence, I conclude, his hand is so decorated. 3 See Ep. 8.
carmen , also versus, numeri, modi): carmen tuba ista peregit ( = sonus), Enn. Ann. 508 Vahl.: carmine vocali clarus citharāque Philammon, Ov. M. 11, 317; cf. vocum, id. ib. 12, 157: per me (sc. Apollinem) concordant carmina nervis
5. A magic formula, an incantation: incantamenta carminum, Carminibus Circe socios mutavit Ulixi
http://www.pineycom.com/Isa30LXX.htmlOvid: And in his right hand for to strike,
Is. 30:32 And in every place where the grounded staff shall pass,
which the Lord shall lay upon him,
it shall be with tabrets and harps: and in battles of shaking will he fight with it.
Ezek. 28:13 Thou hast been in Eden the garden of God;
every precious stone was thy covering, the sardius, topaz,
and the diamond, the beryl, the onyx, and the jasper, the sapphire,
the emerald, and the carbuncle, and gold:
the workmanship of thy tabrets and of thy pipes
was prepared in thee in the day that thou wast created. [Cast as Profane]
his bowe was redy fixt.
He was the verrye paterne of a good Musician ryght
Anon he gan with conning hand
the tuned strings to smyght.
Ovid: The sweetenesse of the which did so the judge of them delyght,plectrum The PSALLO foundation of the musicators OUTLAWS the plectrum. It only permits striking a bow or lyre string with the FINGERS.
artĭfex artificibus eos auloedos esse, qui citharoedi artifices scaenici,
A maker, originator, author, contriver: Also for a sly, cunning contriver, inventor of a thing (cf
That Pan was willed for to put his Reede pype in his cace,
And not to fiddle nor to sing where viols were in place.
pello , 4. Of a musical instrument, to strike the chords, play: nervi pulsi, struck, Cic. Brut. 54, 199: lyra pulsa manu, Ov. M. 10, 205;
1. To drive out or away, to banish, expel: Phoebeā morbos arte,
2. To beat, conquer, overcome
morbus B. Grief, sorrow, distress: nomen insaniae significat mentis
4. Of a musical instrument, to strike the chords, play: nervi pulsi, struck, Cic. Brut. 54, 199: lyra pulsa manu, Ov. M. 10, 205; cf.: classica pulsa, i. e. blown,NO LAW OF GIVINGONE EXAMPLE OF THE UNIVERSAL MARK OF ANY MUSICAL SOUNDS WHICH MARK SORCERERS
Plato, Euthydemus [289d] On what proof do you rely? I asked.I see, he said, certain speech-writers who do not know how to use the special arguments composed by themselves, just as lyre-makers in regard to their lyres: in the former case also there are other persons able to use what the makers produced, while being themselves unable to make the written speech. Hence it is clear that in speech likewise there are two distinct arts, one of making and one of using.
I think you give sufficient proof, I said, that this art of the speech-writers cannot be that whose acquisition would make one happy. And yet I fancied that somewhere about this point would appear the knowledge which we have been seeking all this while.
[289e] For not only do these speech-writers themselves, when I am in their company, impress me as prodigiously clever, Cleinias, but their art itself seems so exalted as to be almost inspired. However, this is not surprising; for it is a part of the SORCERER'S art, epōdōn tekhnēs
Latin 289e:Plat. Euthyd. 290a and only slightly inferior to that. The sorcerer's art is the charming of snakes and tarantulas and scorpions and other beasts and diseases, while the other is just the charming and soothing of juries, assemblies [Ekklesia or church], crowds, and so forth. Or does it strike you differently? I asked.
kai mentoi ouden thaumaston: esti gar tēs tōn epōdōn tekhnēs morion mikrō te ekeinēs hupodeestera.
Thaumaston Is a Lying wonder which claims that your rituals are ordained by God.
-epōdē , Ion. and poet. epa^oidē , hē, A.song sung to or over: hence, enchantment, spell, LADEN BURDEN
ou pros iatrou sophou thrēnein epōdas pros tomōnti pēmati
of the Magi, Hdt.1.132
oute pharmaka..oud' au epōdai Pl.R. 426b ; thusiai kai e. ib.364b ;
charm for or against.., toutōn epōdas ouk epoiēsen patēr A.Eu.649.
Rev. 18:22 And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee;epōd-os , on, （epadō）
Rev. 18:23 And the light of a candle shall shine no more at all in thee; and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived.
A.singing to or over, using songs or charms to heal wounds, epōdoi muthoi
c. c. dat., assisting, profitable, 2. Pass., sung to music, phōnai Plu.2.622d ; fit for singing, poiētikēn e. parekhein
b. Subst., enchanter, e. kai goēs E.Hipp. 1038 (but goēs e. Ba.234): c. gen., a charm for or against, ethusen hautou paida epōdon Thrēkiōn aēmatōn A.Ag.1418 ; e. tōn toioutōn one to charm away such fears, Pl.Phd.78a.
2. epōdos, ho, verse or passage returning at intervals, in Alcaics and Sapphics, D.H.Comp.19 ; chorus, BURDED, refrain,
Pl.Lg.903b Athenian
Let us persuade the young man by our discourse that all things are ordered systematically by Him who cares for the Worldall with a view to the preservation and excellence of the Whole, whereof also each part, so far as it can, does and suffers what is proper to it. To each of these parts, down to the smallest fraction, rulers of their action and passion are appointed to bring about fulfillment even to the uttermost
No, it appears to me, he replied, to be as you say.
kēl-ēsis , eōs, hē, *A. bewitching, charming, ekheōn, nosōn, Pl.Euthd. 290a: enchantment by eloquence, dikastōn k. te kai paramuthia ibid.; by music and sweet sounds, Id.R.601b, Stoic.3.97.
Plat. Rep. 601b whether he speak in rhythm, meter [melos] and harmony [rhuthmon] about cobbling or generalship or anything whatever. So mighty is the spell1 that these adornments naturally exercise; though when they are stripped bare of their musical coloring [metron] and taken by themselves,2 I think you know what sort of a showing these sayings of the poets make. For you, I believe, have observed them. I have, he said. Do they not, said I, resemble the faces of adolescents, young but not really beautiful, when the bloom of youth abandons them?3 By all means, he said. Come, then, said I, consider this point: The creator of the phantom, the imitator, we say, knows nothing of the reality but only the appearance.The Word or Logos is God's Creative. and Regulative Principle. All of O. E.Payne's PLUCKING passage MARKS the effeminate or perverted. Rarely performed by Mals.
hōraios , fruits ripe for plucking or rippe for death.
Plut. Per. 1 You may use your time for MUSIC or LEARNING
Nay, many times, on the contrary, while we delight in the work,
we despise the workman, as, for instance,
in the case of perfumes and dyes;
we take a delight in them, but dyers and perfumers
we regard as illiberal and vulgar folk.
[5] Therefore it was a fine saying of Antisthenes,
when he heard that Ismenias was an excellent piper:
But he's a worthless man, said he,
otherwise he wouldn't be so good a piper.
And so Philip2 once said to his son, who, as the wine went round,
plucked the strings charmingly and skilfully,
Art not ashamed to pluck the strings so well?
It is enough, surely, if a king have leisure to hear others pluck the strings,
and he pays great deference to the Muses if he be but a spectator of such contests.
PLUTARCH ALEXANDER
Thus the despot Dionysius,1 as the story goes,
while listening to a celebrated harper, engaged to give him a talent.2
Next day, when the man asked for the fulfilment of the promise,
Dionysius said, Yesterday I was delighted with your performance,
and during the time that you were singing I also delighted you with hopes !
The result is that at that very time you were receiving full pay for the pleasure you gave
by having your pleasure too!
Alexander,3 the tyrant of Pherae (this last should be his only appellation ;
he should not be permitted to disgrace the name of Alexander),
as he watched a tragic actor, felt himself much moved to pity through enjoyment of the acting. He jumped up, therefore, and left the theatre at a rapid pace
Plut. Per. 1 [2] Since, then, our souls are by nature possessed of great fondness for learning and fondness for seeing, it is surely reasonable to chide those who abuse this fondness on objects all unworthy either of their eyes or ears, to the neglect of those which are good and serviceable.
Our outward sense, since it apprehends the objects which encounter it by virtue of their mere impact upon it, must the exercise of his mind every man, if he pleases, has the natural power to turn himself away in every case, and to change, without the least difficulty, [3] to that object upon which he himself determines. It is meet, therefore, that he pursue what is best, to the end that he may not merely regard it, but also be edified by regarding it.
In other cases, admiration of the deed is not immediately accompanied by an impulse to do it.
Nay, many times, on the contrary,
while we delight in the work,
we despise the workman, as, for instance, in the case of perfumes and dyes;
we take a delight in them, but dyers and perfumers we regard as illiberal and vulgar folk.
[5] Therefore it was a fine saying of Antisthenes,
when he heard that Ismenias was an excellent piper:
But he's a worthless man, said he, otherwise he wouldn't be so good a piper.
And so Philip once said to his son, who, as the wine went round,
plucked the strings charmingly and skilfully,
Art not ashamed to pluck the strings so well?
It is enough, surely, if a king have leisure to hear others pluck the strings,
and he pays great deference to the Muses if he be but a spectator of such contests.
Plut. Per. 2 Labour with one's own hands on lowly tasks gives witness,
in the toil thus expended on useless things,
to one's own indifference to higher things.
2 Philip of Macedon, to Alexander.
Plut. Per. 1 [2] LATIN 4ha kai zēlon tina kai prothumian agōgon eis mimēsin empoiei tois historēsasin:1 epei tōn g' allōn ouk euthus akolouthei tō thaumasai to prakhthen hormē pros to praxai: pollakis de kai tounantion khairontes tō ergō tou dēmiourgou kataphronoumen, hōs epi tōn murōn kai tōn halourgōn toutois men hēdometha, tous de bapheis kai murepsous aneleutherous hēgoumetha kai banausous. 5 dio kalōs men Antisthenēs akousas hoti spoudaios estin aulētēs Ismēnias, all' anthrōpos, ephē, mokhthēros: ou gar an houtō spoudaios ēn aulētēs: ho de Philippos pros ton huion epiterpōs en tini potō psēlanta kai tekhnikōs eipen: ouk aiskhunē kalōs houtō psallōn; arkei gar, an basileus akroasthai psallontōn skholazē, kai polu nemei tais Mousais heterōn agōnizomenōn ta toiauta theatēs gignomenos.
Neither Christian Church members not Churches of Christ are represented by institutions or wannabe institutions trying to speak where the Bible repudiates. For instance all of my retired life has witnessed the word SECTARIAN as a "IMAGE" to lie, cheat and steal congregations. Godly Bible Disciples could never do that. Scripture specificially marks those who were OF OLD and predestined to reject the LOGOS or Regulative Principle:
The Bad News for the "Progressive" Inclusives:
2Pet. 2:1 But there were false prophets also among the people,
even as there shall be false teachers among you,
who privily shall bring in damnable heresies,
even denying the Lord that bought them,
and bring upon themselves swift destruction.Paul outlawed self pleasure: Areskos or Placeo including all performing arts Jesus called hypocrites: speakers for hire (hirelings), singers or instrument players. They are the MARK of people who do not intend to speak "that which is written for our learning" and people who do not intend to obey the Word, Logos or Regulative Principle.
WHAT IS A HERETIC OR SECTARIAN? Doctors of the law, says Jesus "take away the key to knowledge" and "music means to make the lambs dumb before the slaughter." It certainly seems to work among the Latest Spawn of Doctors of the Law who lack reading ability and minimal ethics: selling learning at retail is corrupting the Word because God will not let His Word be sold: the same word defines prostitutes and fish mongers.
Who infiltrated and intends to lie, cheat and steal your property and flock? No one can find anything so vile and blasphemous in the historic church commanded not to engage in "vocal or instrumental rejoicing or self-speak" when the church (ekklesia) assembled (synagogued) to Rest (school), read and rehearse the Word of God. That is the ONE PIECE PATTERN because the Lord's Supper is a teaching activity which SHOULD cause men and women to sit down and be silent.
Pareis-agō lead in by one's side, bring forward, introduce, of persons brought into a public assembly,
2. with a notion of secrecy, p. tous Galatas eis Eruka introduce, admit them into the city, Plb.2.7.8, cf. 1.18.3.
introduce into a poem or narrative, kindunous [Catamite] introduce doctrines, customs,
haireseis 2 Ep.Pet. 2.1 :Pass., mousikēn pareisēkhthai tois anthrōpois
Heresy as Ariskos in Romans 15 means to plot to "Choose other people's property for your own." Doest thous Rob Temples? Go to it: Scripture says that strong delusions or religious performances claimed to be from or for God is the result of STRONG DELUSIONS. The REST Jesus giveth and the progressives Taketh away.
How to MARK the Sectarian who infiltrates and diverts your congregation:
pauō bring to an end, stop or silence by death, take one's rest, cease, have done, of one singing or speaking. , take one's rest, eni klisiē Il.24.17, cf. Hdt.9.52, etc.; cease, have done, Il.8.295, Od.4.103, etc.; of one singing or speaking, 17.359, Hdt.7.8.d
pausai pharmakopōlōn [Sorcery Reve 18:23] hinder, keep back, or give one rest, from a thing, p thamurin [Lying Wonders] aoidēs, tōn epithumiōn [Lust] rest or cease from a thing klaggēs [clanging brass]
pres. part., stop a person from leave off doing . . , hoth' hupnos heloi, pausaito te nēpiakheuōn when he stopped playing, Il.22.502, cf. A.Pr.615, Ag.1047, Hdt.1.133
Rick Atchley was the first one to boast that "we took our youth to hear the best "christian bands" (an oxymoron]: we taught our youth to LEAVE OUR MOVEMENT."
As a Purpose Driven Sectarians or Heretics they are INTENTIONAL DRIVEN (predestined says the text from old) in a frantic sense proven to because 'the devil knows that his KAIROS is short." Kairos is the demon son of Zeus and Khronos at just the right time.
Heresy-Sectarian Pareis-agō
History notes that "evil men set their lies to melodies to deceive the simple minded,"
Mousi^kos A.musical, agōnes m. kai gumnikoi
II. of persons, skilled in music, musical, professional musicians, mousikos kai melōn poētēs
III. of things, elegant, delicate, brōmata hēdion kuknōn Swan Metaphor , minstrel, bard, sacred to Apollon, Abaddon
melos , speaks of MUSICAL MELODY: it means to break a text "limb by limb" or dismember. Cantillation is breaking the text into syllables and the SPEAKING it which is the opposite of ODE. 2. music to which a song is set, tune, Arist.Po.1450a14; WITHOUT rhuthmos, WITHOUT metron
3. melody of an instrument, phormigx [ Apoollon's lyre] d' au phtheggoith' hieron m. ēde kai aulosThe Good News for the "Progressive" Inclusives:
2Pet. 2:2 And many [polus far the most, ecumenical] shall follow their pernicious ways; [aselgeia licetiousnes, jubris, insolence, demagogue]
by reason of whom the WAY [hodos pattern] of TRUTH shall be evil spoken of.[blasphemabitur]
The Bad News for the "Progressive" Inclusives:
2Pet. 2:3 And through covetousness shall they with feigned WORDS make merchandise of you:
whose judgment now of a long time lingereth not, and their damnation slumbereth not.Revelation 18 says that the craftsmen [staff-parasites], speakers, singers, instrument players are SORCERERS who HAD ONCE deceived the Whole World and they will finally be CAST ALIVE INTO THE LAKE OF FIRE.
OF THE SELF-PLEASURE PAUL OUTLAWED IN ROMANS 14-15 not related to that which is written for our LEARNING.
A SECTARIAN in a remote sense is one who has the power to choose what they will do and with whom they will do and what they will do. Christian liberty gives one the power to be a sectarian.
However, in the Greek language and real examples, a heretic is one WHO CHOOSES to take your property by force.
Pro-airesis , eτs, hκ, choosing one thing before another, wrongs done from malice prepense, contrary to one's purpose, 3. in political language, deliberate course of action, 5. political party, b. sect or school of music, philosophy
Hairesis I. a taking especially, esp. of a town, a taking for oneself,
4. a sect, school, etc.: esp. a religious sect, such as the Sadducees and Pharisees, NTest.5. a heresy,
Pharisaios 1 a Pharisee, Separatist (from pharash, to distinguish),Haireτ Il.; hair, tina kheiros to take one by the hand,
one of a sect who separated themselves from other Jews as affecting superior holiness.
Phrik-τdκs , es, attended with shivering, b. inspiring religious awe
Jesus identified them as HYPOCRITES by pointing to speakers, singers and instrument players.
And the audience who would be attracted just for the entertainment. A musical instrument is defined
as "a machine for inducing the shock and awe in battle or in RELIGION.
A. Act., take with the hand, grasp, seize, having taken up [the song], Od.8.500.
2. take away II. take, get into one's power, overpower, kill, of passions,
catch, take, zτon [ZOE: take away life] helein Il.21.102 ; take in hunting, get into one's power, entrap,
II. take, get into one's power, nēas ib.13.42; esp. take a city, 2.37, S.Ph.347,
freq. of passions, etc., come upon, seize,
B. Med., with pf. hērēmai (v. supr.), take for oneself, egkhos helesthai take one's spear,
II. take to oneself, choose,
I. that may be taken or conquered, Hdt.; that may be understood, Plat.
Homer, Odyssey The muses were taught by ApolloSo he spoke, and the minstrel, moved by the god, began, and let his song be heard, [500] taking up the tale where the Argives had embarked on their benched ships and were sailing away, after casting fire on their huts, while those others led by glorious Odysseus were now sitting in the place of assembly of the Trojans, hidden in the horse; for the Trojans had themselves dragged it to the citadel.
5.23.15 WHY NOT ONE SHOWN PARTIALITY CAN POSSIBLY BE LOYAL TO THE SCRIPTURES WITHOUT WHICH ONE IS A SCRIBE OR PHARISEE, HYPOCRITE MEANING POPULAR SPEAKING FOR HIRE, SINGERS, INSTRUMENT PLAYERS OR ANY AUDIENCE WHO WOULD NOT FLEE. Such organizations willing to sow discord to "wi" is the reason the Christian Churches sected out of the Disciples in 1927 to 1971. Looks like they are hooked again.
Jeff Walling Youth Leadership Initiative The COHORT is God's word as "a way of escape" because Pepperdine bonded with the NACC doesn''t bother to define words.
Instrumental worship of the always-pagan trinity at Mount Sinai was a MARK for burning: The women or effeminate are the only meaning of instrumental worship.
This is the Image a "spirit" told Rick Atchley etal to impose in assemblies to sow massive discord. Contrary to "unity in diversity" which is equally delusional Jesus the Spirit told Paul that THEY WERE LYING IN WAIT TO DECEIVE.Moloch Worshipped by the Jews while the Levites made the mother and child dumb before the slaughter.
DSS: All who have eaten my bread
.........have lifted their heel against me (cf John 13:18)
.........And all those joined to my Council
......have mocked me with wicked lips. (Children piping and chiding.)
- DSS: They have overtaken me in a narrow pass (gap) without escape
- .........And there is no rest for me in my trial.
- .........They sound my censure upon a harp
- .........and their murmuring and storming upon a zither." Ps.41:11
Malachi 3 Christ's Witnesses against Sorcerers ALL musical terms and names of instruments--machined for doing hard work--are connected to enchantment or sorcery.
Robert Ballard and the NACC: To refuse to PERMIT that which God Himself has (P93) SAID TO USE. To forbid their use, where God has SAID TO USE THEM, as in Eph. 5:19 and Col. 3:16 is flagrant sin (Rev 22:18:19)
This defines a TRIBULATION OF HISTORIC PROPORTIONS. The reason the Lake of Fire is justified is because all or the religious cunning craftsmen or sophists as self-speaking for hire (DEFINES A HIRELING), singers, instrument players and the piping sound of the millstone which marked the role of the GRINDER-PROSTITUTE located by "her" sound.
THE CHRISTIAN ANTITHESIS TO SOPHISTS: PREACHING FOR HIRE, SINGING, PLAYING INSTRUMENTS AND DENYING THE WORD OF GOD.The rest of us are tired of having burden laders rise again after Jesus put them on the unimployed role:
The Gospel liberates us FROM institutions like the NACC and other non-instrumental urges to ORGANIZE. Here is THE gospel from the Scripture while Jeff Walling insists that we be Led by the Lord.
Matthew 11:28 Come unto me, all ye that labour and are heavy laden, and I will give you rest.Can anyone not get burdened and tired of listening to a MADE UP sermon presented with buffonery and other self-reference. That singing just tirespeople out: Nimrod and medical science knew that you can induce a DRUG HIGH with instrumental music.
Everyone is Tired of Jeff Walling yearning and Daring to Dance with God?
Orkheomai , dōsō toi Tegeēn possikroton orkhēsasthai to dance in or on, Orac. ap. Hdt. 1.66, cf. Lakōnika skhēmatia orkheisthai dance Laconian steps, Id.6.129 ; o. pros ton aulon [flute] skhēmata Id.Smp.7.5
tōn humnōn hoi men ōrkhounto hoi de ouk ōrkhounto Ath.14.631d.
That's why Jesus SPOKE or DICTO A hymn and "went out."
That is why Paul commanded that we SPEAK that which is written.
Lexis is the opposite of ODE and
humnos , ho, A.hymn, ode, in praise of gods or heroes
hu. Haidou, of one whose songs are death
aphormiktos , on, A.without the lyre, of melancholy music, A.Eu.332
humn-eō
III. Act. orkheō , make to dance (v. Pl.Cra.407a), is used by Ion Trag.50, ek tōn aelptōn mallon ōrkhēsen phrenas made my heart leap (so codd. Ath., ōrkhēsai Nauck); but orkēsi in Ar.Th.1179 is a barbarism for orkhētai.
Everyone is Tired of: phi^losophos , ho, A. lover of wisdom; Pythagoras called himself philosophos, not sophos, Cic Tusc.5.3.9, D.L.Prooem.12; ton ph. sophias phēsomen epithumētēn einai pasēs Pl.R.475b,
2. philosopher, i. e. one who speculates on truth and reality,hoi alēthinoi ph., defined as hoi tēs alētheias philotheamones,Pl.R.475e;
Everyone is Tired of: Sophis-tēs , ou, ho, A. master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, meletan sophistais prosbalon Pi.I.5(4).28, cf. Cratin.2; of musicians, sophistēs . . parapaiōn khelun [turtle harp]A.Fr.314, cf. Eup.447, Pl.Com. 140; sophistē Thrēki (sc. Thamyris) E.Rh.924, cf. Ath.14.632c: with modal words added, hoi s. tōn hierōn melōn (religiousmelody) Apollōnidē sophistē
Magga^n-eia , hē, A. trickery, esp. of magical arts, Pl.Lg.908d; magganeiai kai epōdai ib.933a; periapta kai m. Ph.2.267, Gal.11.792; tēs Kirkēs [CHUIRCH] hē m.
Epτidκ , Ion. and poet. epaoidκ , hκ, A. song sung to or over [Laded Burden]: hence, enchantment, spell Od.19.457 Pi.P.4.217 ou pros iatrou sophou thrκnein epτidas pros tomτnti pκmati S.Aj. 582 ; of the Magi, Hdt.1.132,God HIDES from the wise or SOPHISTS: Why should we PAY theM
Everyone sick of people BURDENING when Jesus died to give them REST?
phort-izō , phortia ph. tinasloadthem with burdens, Ev.Luc.11.46; perissē dapanē ph. ta koina
hudatis -izousa ton ophthalmon encumbering,Hes.Op.690; phortioumenos melito carry away a load of honey,
Aenigma Sphingis (ap.Sch.E.Ph.50):
Now when the Sphinx was oppressing and ravaging our city, after my husband's death, my brother Creon proclaimed my marriage: that he would marry me to anyone who should guess the riddle of the crafty maiden. It happened somehow [50] that my son, Oedipus, guessed the Sphinx's song; [and so he became king of this land] and received the scepter of this land as his prize. He married his mother in ignorance, luckless wretch! nor did his mother know that she was sleeping with her son.Phortikoshapanta mimoumenē tekhnē phortikēart that imitates with a view to any and every man is vulgar, of an inflated rhetorical style, to discourse more like a clown than one of liberaleducation 2. philosopher, i. e. one who speculates on truth and reality, -ōtatē leitourgia most onerous, ; Epainos praise singing mim-eomai
Phort-i^kos , ē, on: (phortos)
II. of the nature of a burden: metaph. (cf. phortos 11), tiresome, wearisome, to legein . . ph. kai epakhthes D.5.4; tois sunousi ph. Plu.2.456e, cf. 44a, etc.; ph. akolouthōn okhlō because of the crowd . . , Luc.Nigr.13; -ōtatē leitourgia most onerous, POxy.904.9 (v A. D.).2. coarse, vulgar, common, andres Ar.Nu.524; opp. pepaideumenos, Arist.Pol. 1342a20; hoi polloi kai -ōtatoi, opp. hoi kharientes, Id.EN1095b16; bōmolokhoi kai ph. ib.1128a5; ph. kai neoploutos Plu.2.708c.b. of things, ph. kōmōdia a vulgar, low comedy, Ar.V.66, cf. Pl.Phdr.236c; ph. to khōrion Ar.Lys.1218; ph. gelōs Com.Adesp.644; diaita -ōtera kai aphilosophos Pl.Phdr.256b; hēdonē ph. Id.R.581d; ph. kai dēmēgorikabase, low arguments, ad captandum vulgus,
Everyone digusted with?Mim-eomai II. of the arts, represent, express by means of imitation, of an actor, Id.R.605c, cf.Ar.Pl.291 (lyr.); of painting and music, Pl.Plt.306d; tēn tōn melōn mimēsin tēn eu kai tēn kakōs memimēmenēn Id.Lg.812c; of poetry, Arist.Po.1447a17, al.; of mimoi, represent, act,
Rick Atchley refuted The Law of Silence by debating with some chairs and dancing back and forty.
Plat. Laws 812c regarding rhythms and harmonic compositions, in order that when dealing with musical representations of a good kind or a bad, by which the soul is emotionally affected, they may be able to pick out the reproductions of the good kind and of the bad, and having rejected the latter, may produce the other in public, and charm the souls of the children by singing them,
Aristot. Poet. 1447a Let us here deal with Poetry, its essence and its several species, with the characteristic function of each species and the way in which plots must be constructed if the poem is to be a success; and also with the number and character of the constituent parts of a poem, and similarly with all other matters proper to this same inquiry; and let us, as nature directs, begin first with first principles.
Rest From;
Rest From;ana-pauō , poet. and Ion. amp- , fut. Med. anapausomai: aor. anepausamēn
make to cease, stop or hinder from a thing, kheimōnos . . hos rha te ergōn anthrōpous anepausen Il.17.550; a. tina tou planou give him rest from wandering, S.OC1113; tous leitourgountas a. (sc. tōn analōmatōn) to relieve them from . . , D.42.25, cf. 42.
leitourg-eō , 2. perform religious service, minister, epi tōn hierōn D.H.2.22; t. (Written lit- in Rev.Et.Anc.32.5 (Athens, i B.C.), etc., cf. leitourgion, leitourgos.）If you want to perform liturgy for GOD then Jesus gives you a GO button. Jesus said that the Kingdom of god (within you) does NOT come with observation: that mean liturgy or so-called Worship Services when Jesus commanded A School (only) of His Words (only)
IV. Astrol., leitourgoi, hoi, astral gods subordinate to the dekanoi, Iamb.Myst.9.2
D.H. 2.22
ei de kai dia gunaikōn edei tina hiera sunteleisthai kai dia paidōn amphithalōn hetera, hina kai tauta genētai kata to kratiston, tas te gunaikas etaxe tōn hiereōn tois heautōn andrasi sunierasthai, kai ei ti mē themis ēn hup' andrōn orgiazesthai kata nomon ton epikhōrion, tautas epitelein kai paidas autōn ta kathēkonta leitourgein:
The Gospel liberates us FROM institutions like the NACC and other non-instrumental urges to ORGANIZE. Here is THE gospel from the Scripture while Jeff Walling insists that we be Led by the Lord.
Observātiō ōnis, observo, a watching, observance, investigation: observationes animadvertebant, your searches for evidence: siderum. Circumspection, care, exactness: summa in bello movendo.
Religious observations are carefully crafted to take control of all of one's attention. That is the worship concept with is to be directed only to God.
Tendo: In the pagan religions they gave lots of attention to tuning or playing their musical instruments: cornu, barbiton, to tune, tympana tenta tonant palmis, stretching out their bow strings. To shoot, to hurl.
(b). To exert one's self, to strive, endeavor (mostly poet.
b. n partic., to exert one's self in opposition,to strive, try, endeavor, contend adversus, etc., id. 34, 34, 1: contra,
Service under the cursed Civil-Military-Clergy complex was HARD BONDAGE.
THE ONLY LITURGY OPEN FOR ANY BIBLE TRAINED PERSON IS:
Acts 13:2 As they ministered to the Lord, and fasted, the Holy Ghost said,
Separate me Barnabas and Saul for the work whereunto I have called them.
Acts 13:3 And when they had fasted and prayed, and laid their hands on them, they sent them away.
leitourg-os , III. in religioussense, minister, [theou] ib.Ps.102(103).21, Ep.Rom.13.6, al.; tōn theōn D.H.2.22, cf. 73; tōn hagiōn l. Ep.Hebr.8.2; theois litourgoi
John 7:16 Jesus answered them, and said, My doctrine is not mine, but his that sent me.
John 7:17 If any man will do HIS will, he shall know of the doctrine,
whether it be OF God, or whether I speak of myself.
JEFF WALLING DENIES THE REGULATIVE PRINCIPLE WHICH IS THE WORD OF GOD OR LOGOS
PAGAN LOGOS: Hermes (new hermeneutic), Mercury or Kairos is the LEADER of those who do not teach that which has been taught.
Hermes (Mercury, Kairos), as in hermeneutic, is the in Homer's Hymn 4 to Hermes
The One God the Father has His own Thought, Breath (spirit) and articulated WORD with Him as the meaning of Father, Son and Spirit. God speaks THROUGH Jesus of Nazareth and Jesus commanded that people teach what HE commanded to be taught. A Christian is a Disciple and the RESOURCE for educating a church is the Prophets and Apostles. A Disciple of Christ would never tamper with the Word by saying that THEY have the authority to replace SPEAK with entertain. When God pours out His wrath He sends lying wonders or buffoons we love to watch.What skill is this? What song for desperate cares? What way of song? For verily here are three things to hand all at once from which to choose,
mirth, and love, and sweet sleep.
[450] And though I am a follower of the Olympian Muses who love dances and the bright path of song the full-toned chant and ravishing thrill of flutes yet I never cared for any of those feats of skill at young men's revying. But now, since you, though little, have such glorious skill, sit down, dear boy, and respect the words of your elders For now you shall have renown among the deathless gods, you and your mother also. This I will declare to you exactly:
See Mike Cope, Jeff Walling's New partner with the NACC The NACC does not speak for Christian Churches as Jeff Walling does not speak for churches of Christ. Buying and Selling is the game prophecies.
1 Ambubaiarum , "Women who played on the flute." [ambubajarum ministeria,] It is derived from a Syrian word; for the people of that country usually excelled in this instrument. Pharmacopolae is a general name for all who deal in spices, essence, and perfumes.
2 Mendici, mimae, balatrones . The priests of Isis and Cybele were beggars by profession, and under the vail of religion were often guilty of the most criminal excesses. Mimae were players of the most debauched and dissolute kind; and balatrones, in general, signifies all scoundrels, buffoons, and parasites, who had their name, according to the old commentator, from Servilius Balatro. Balatrones hoc genus omne, for omne hoc balatronum genus, is a remarkable sort of construction.AT THE UNIVERSALLY RIGHT TIME-KAIROS TIME:
Rev. 18:22 And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee;LOGOS IS WITHOUT introductions preludes or dancing.
Rev. 18:23 And the light of a candle shall shine no more at all in thee; and the voice of the bridegroom and of the bride shall be heard no more at all in thee:
for thy merchants were the great men of the earth;
for by thy sorceries were all nations deceived.
Rev. 18:24 And in her was found the blood of prophets,
G5331 pharmakeia, far-mak-i΄-ah; from 5332; medication (pharmacy), i.e. (by extension) magic (literally or figuratively): sorcery, witchcraft.
Without Prooimion A. opening, introduction; in Music, prelude, overture, Pi.P.1.4; in poems, proλm, preamble,BUT, JEFF WALLING, THE NACC AND ALL OF THOSE SPREADING HATE SAY THAT GOD APPROVED INSTRUMENTAL MUSIC, DANCING, ETAL.
Pind. P. 1 Golden lyre, rightful
joint possession of Apollo [Abaddon, Apollyon]
and the violet-haired Muses, [Filthy shepherds, sorcerers Rev 18]
to which the dance-step listens, the beginning of splendid festivity; and singers obey your notes, whenever, with your quivering strings, you prepare to strike up chorus-leading preludes.
[5] You quench even the warlike thunderbolt of everlasting fire. And the eagle sleeps on the scepter els [Lying Wonders], as I do now for this: [455] I am filled with wonder, O son of Zeus, at your sweet plaof Zeus, relaxing his swift wings on either side, the king of birds;
and you pour down a dark mist over his curved head,
a sweet seal on his eyelids. Slumbering, he ripples his liquid back,
[10] under the spell of your pulsing notes.
Even powerful Ares, setting aside the rough spear-point, warms his heart in repose; your shafts charm the minds even of the gods, by virtue of the skill of Leto's son and the deep-bosomed Muses.
But those whom Zeus does not love are stunned with terror when they hear the cry of the Pierian Muses, on earth or on the irresistible sea;
Skill Sophia cleverness or skill in handicraft and art, in music and singing, poetry. Divination. Sorcery says John in Revelation 18 always performed by the "lusted after fruits."
4.speech, delivered in court, assembly
VI. verbal expression or utterance, lego, lexis
-Lexis A.speech, OPPOSITE τidκ
-τidκ, 1.art of song 5. = eppsdκ, spell, incantation
4. text of an author, OPPOSITE exegesis [Peter's private interpretation outlaws exegesis]
Arist.En1142a262. common talk, report, tradition d. the talk one occasions, repute, mostly in good sense, good report, praise, honour,
3. discussion, debate, deliberation, c. dialogue, as a form of philosophical debate,
The meaning of the sunagogue or syllogimos or syllogism
Logos is the OPPOSITE emmetra, ib.1450b15 (pl Id.Rh.1404a31
There is NO meter in the Bible: you could not "sing" it tunefully if your life depended on it: that is PREDESTINED.
John 3:34 For he whom God hath sent SPEAKETH the words of God: for God giveth NOT the Spirit by measure unto him.
-Metron II. metre, Ar.Nu.638, 641, etc.; opp. melos (music) and rhuthmos (time), Pl.Grg.502c, etc.; logous psilous eis metra tithentes putting into verse, Id.Lg.669d; ta en metrō pepoiēmena epē X.Mem. 1.2.21.
Godly teachers of the WORD of God know that they will never get rich, famous and receive glory. It would be impossible for a non-instrumental preacher to seek foundation funding, rally once-christian colleges and DENOMINATIONAL organization to deliberately TRAIN more of the COHORT to tell the Spirit, Jesus and historical scholars that they are just LIARS.
John 7:18 He that speaketh OF himself seeketh his own glory:
but he that seeketh his glory that sent him,
the same is true, and no unrighteousness is in him.
Paul defined the ONLY Christ-ordained way to get the glory for GOD and HIS Word:
Stop the self-pleasure: speaking, singing, acting, DANCING
Then "use one mind and one mouth to SPEAK that which is written for our LEARNING.
Christ in Isaiah 58 outlawed seeking your own pleasure or SPEAKING YOUR OWN WORDS: Jesus said that the sons of the Devil speak ON THEIR OWN.
John 17:14 I have given them THY word; and the world hath hated them,
because they are not OF the world, even as I am not OF the world.
John 17:15 I pray not that thou shouldest take them out of the world,
but that thou shouldest keep them from the evil.
John 17:16 They are not of the world, even as I am not of the world.
Jesus seeks only a LITTLE FLOCK of lost spirits living in a hostile word. Jesus gives THEM the Word of God and He speaks parables to fool the foolish Scribes, Pharisees, Hypocrites, Rhetoricians, Singers, Instrument players. That's why those OF THE WORLD seek those who PREACH LIBERTY marking them as making them SLAVES.
The Word or LOGOS is God's Regulative Principle: it is opposite of the hypocritic arts of Rhetoric, singing, playing instruments, acting or dancing.
Isaiah 8 Christ says of those who do not SPEAK that word THERE IS NO TRUTH IN THEM.
Isaiah 30 Christ says that the sounds of wind, string and percussion instruments are God driving His enemies into HELL.
In Revelation 18 the cunning craftsmen, singers and instrument players are called SORCERERS and the will be CAST ALIVE INTO THE LAKE OF FIRE. This may already be happening because God promises that they will be consumed or burned by the spirit of their own mouth.
At just the right time (c. ad 2000 based on the rise of the Sumerian religious slave masters c. BC 4000) a smal band of men EMERGED bearing all of the marks causing "instrumentalists" and "a cappellas" to flee Babylon marked by the right to BUY AND SELL and be the Receptors of worship only due to God in Christ and the rare suffering servants.
1John 4:4 Ye are of God, little children, and have overcome them:
because greater is he that is in you, than he that is in the world.
1John 4:5 They are of the world:
therefore speak they of the world, and the world heareth them.
1John 4:6 We are of God: he that knoweth God heareth us;
he that is NOT OF God heareth not us.
Hereby know we the spirit OF truth, and the spirit OF error.
The spirit of Abaddon-Apollon is the Leader of the Muses or female SHEPHERDESSES marking them as not godly for violating the command for all to sit down and hear the Word PREACHED by being READ.
- There is not a singular command, example or remote inference or hint that God ever called people out on their REST day for group singing with or without instruments or "machines for doing hard work."
- The Bible is filled from the "singing and harp-playing prostitute" in the garden of Eden to the Babylon mother of harlots in Revelation 17 using "lusted after fruits" as singers, speakers or instrument players called sorcerers or MUSES (Locusts) with Abaddon-Apollyon as their "musical worship leader."
- If you say that contrary to recorded history before the Disciples in 1878 began steal the church houses of the "Christian Churches" there is authority beyond SPEAKING OF THEMSELVES then Jeremiah 23 Christ marks you as a sorcerer and a blaspmemer.
- The command is to "use one mind and one mouth to SPEAK that which is written for our LEARNING (only).
- If you say that SPEAK or Lexis the Biblical text which is opposite to ODE REALLY means to SING the Fanny Crosby and make melody UPON a harp.
- Then you are blind and deaf and that is what caused Israel to fall into musical idolatry beyond redemption. Proof is Lying Wonders meaning religious OBSERVATIONS with rhetoric, singing, playing instruments, dancing or acting.
If you say that that God commands or authorizes from SILENCE tuneful melody (melos)
And there is no tuneful melody until the 19th century and Jesus SPOKE what God breathed (Spirit) without metron including musical meter. Then you therefore speak of the world, and the world heareth themJesus said that He does not even PRAY for the world (Kosmos or COSMIC WORSHIP) because the LITTLE FLOCK are not OF the WORLD.
WORLD Ecumenical, Kingdom of the Devil against Kingdom of Christ: law of music and deviants.
Matt. 13:38 The field is the WORLD
the good SEED are the children of the kingdom;
but the tares are the children of the wicked one; [Like Cain meaning a musical mark]
John 17:9 I pray for them: I pray not for the WORLD,
but for them which thou hast given me; for they are thine.
1 CORINTHIANS 4:[9] For, I think that God has displayed us, the apostles,
last of all, like men sentenced to death.
For we are made a spectacle to the world, both to angels and men.
--Mundus d. Euphemistically for the Lower World, the infernal regions. The opening into this mundus was at Rome, in the Comitium, and was kept covered with a stone (lapis manalis); three times in the year, on the 24th of August, the 5th of October, and the 8th of November, days sacred to the gods of the infernal regions,[9] ego pro eis rogo non pro mundo rogo sed pro his quos dedisti mihi quia tui sunt
the world as opposed to the church; this world, the realm of sin and death, as opposed to Christ's kingdom of holiness and life: non pro mundo rogo, Vulg. Johan. 17, 9: de mundo non sunt, id. ib. 17, 16: princeps hujus mundi (i. e. Satan), id. ib. 12, 31; 14, 30:
--mundus , neat, fine, elegant, smart, genteel A. Of speech, neat, fine, elegant princeps hujus mundi (i. e. Satan),--versus (vors- poetry, songkosmos , ho, of ornaments of speech, such as epithets, Id.9.9 (pl.), Arist.Rh.1408a14, Po.1457b2, 1458a33; hadumelē k. keladein to sing sweet songs of praise, Pi.O.11 (10).13 (s.v.l.).
IV. A kind of dance, or a turn, step, pas in a dance, Plaut. Stich. 5, 7, 2.
--Gallus , A. Galli , ōrum, m., the priests of Cybele, so called because of their raving, i, m., a priest of Cybele, Mart. 3, 81; 11, 74; cf. Quint. 7, 9, 2: resupinati cessantia tympana Galli, Juv. 8, 176.And satirically (on account of their emasculated condition),
Of or belonging to the priests of Isis, Gallic: turma, the troop of the priests of Isis,
--Turma in gen., a troop, crowd, throng, band, body: feminea, Ov. P. 4, 10, 51: Gallica, i. e. of priests of Isis, id. Am. 2, 13, 18.
The auxiliary cohors equitata was a mixed unit combining infantry and cavalry, and existed in two types: the cohors equitata quingenaria, with an infantry cohort of 480 men and 4 turmae of cavalry, and the reinforced cohors equitata milliaria, with 800 infantry and 8 turmae.
Rev. 9:7 And the shapes of the locusts were like unto horses prepared unto battle; and on their heads were as it were crowns like gold, and their faces were as the faces of men.
Rev. 9:8 And they had hair as the hair of women, and their teeth were as the teeth of lions.
THE ANGELS ARE MUSICAL PERFORMERS. APOLLYON IS LEADER OF THE MUSES ADULTERERS BECOME SHEPHERDESS
Matt. 13:39 The enemy that sowed them is the devil;
the harvest is the end of the world; [Aion messianic Age]
and the REAPERS are the ANGELS
God sends forth MUSICIANS meaning to make the lambs dumb before the slaughter.
aggelos Arabios a., of a loquacious person, 2. generally, one that announces or tells, e.g. of birds of augury, Il.24.292,296; Mousōn aggelos,a. kai arkhaggeloi
Mousōn Dios aigiokhoio thugateres Daughters whatever the sex led by Apollyon.
kanakhan . .gnashing of teeth, clanging brass, k. aulōn sound of flutes, of the lyre
HH 3 185 To Pythian Apollo, Apollyon: Leto's all-glorious son goes to rocky Pytho, playing upon his hollow lyre, clad in divine, perfumed garments;Mousōn [Locusts]
and his lyre, [185] at the TOUCH of the golden key, sings sweet.
Thence, swift as thought, he speeds from earth to Olympus, to the house of Zeus,
to join the gathering of the other gods:
then straightway the undying gods think only of the lyre and song, and all the Muses together,
voice sweetly answering voice, [190] hymn the unending gifts the
all that they endure at the hands of the deathless gods,
and how they live witless and helpless
and cannot find healing for death or defence against old age.
Meanwhile the rich-tressed GRACES and cheerful Seasons dance with [195] Harmonia and Hebe and Aphrodite, daughter of Zeus, holding each other by the wrist.
And among them SINGS ONE, not mean nor puny, but tall to look upon and enviable in mien, Artemis who delights in arrows, sister of APOLLYON. [200] Among them sport Ares and the keen-eyed Slayer of Argus, while Apollo plays his lyre stepping high and featly and a radiance shines around him, the gleaming of his feet and close-woven vest.
ka^na^kh-eō k. melos to let a song ring loud, A.R.4.907. There is no musical melos or melody in Scripture.
Od.6.82; odontōn men k. pele GNASHING OF TEETH, k. aulōn sound of flutes, Pi.P.10.39 (pl.), B.2.12, cf. S.Tr.642 (lyr.); ofthelyre, h.Ap.185.
THE KITHERA MYSTERIES: suddenly organised and pianists lost their role and the GUITAR PICKER AND FAT GIRLS invaded;
"The psaltery a triangular instrument similar to a harp, produced gentler sound and would be more suitable for somewhat restrained and low-key events, as would be the kithara, an instrument similar to the lyre.
Both were traditional instruments played in a variety of events, public and private, and were often accompanied by song, either by the performer him/herself or a singer. Aristotle attests that those musicians came from the lower social strata, and many of them, both men and women, were prostitutes hired to entertain guests in private parties.6
Aeschines, for example, attests that Misgolas, one of the alleged lovers of Timarchos, had a reputation for being very fond of kithara boys, while Antiphanes and Alexis confirm this with jokes about Misgolas and his kithara boys. In Xenophons Symposion the beautiful boy who could play the kithara and dance aroused enthusiasm among the guests and made his master a lot of money.
Xenophon.Symposium.Lying.Wonders.Music.html
theias antiluron mousas S.Tr.643 (lyr.);
A.to be inspired, frenzied, [WRATH] frenzy obtained inspiration through ritual,Mousōn [Locusts]
II. worship as divine, Id.59.27; Puthagoran kai Platōna
Aiakō moisan pherein Pi.N.3.28 [LADED BURDEN]adein adokimon m. Pl.Lg. 829d: i
The MUSES are adokimon 3. DISREPUTABLE lakismat' adokim' olbiois ekhein E.Tr.497; mousa Ep.Rom.1.28. 4. of persons, Pl.R.618b; discredited, reprobate, X.Lac.3.3, 2 Ep.Tim.3.8, etc.Mousōn [Locusts]
adein aeidō crow as cocks, Pl.Smp..223c; hoot as owls, Arat.1000; croak as frogs, a. pros aulon ē luran
sing to .sing of, chant, mēnin aeide Il.1.1; paiēona . A Song to 2. title of APOLLON (later as epith.,
Apollōni Paiani OPPOSITE . logos
Mousikos kai melōn poētēs 2. generally, votary of the Muses, The Muses were the LOCUSTS unleashed with Apollon their "musical worship leaders." The Greek and Latin literature identifies them as dirty adulteresses
http://www.pineycom.com/DocHesTheog.html
[25] the Muses of Olympus, daughters of Zeus who holds the aegis: Shepherds of the wilderness,
wretched things of SHAME, mere bellies,
we know how to speak many false things as though they were true;
but we know, when we will, to utter true things.
...and they bade me SING of the race of the blessed gods that are eternally,
but ever to SING OF THEMSELVES both first and last.
1Cor. 14:34 Let your women keep silence in the churches:la^l-eō I. chatter, OPPOSITE articulate speech, as of locusts, chirp, Theoc.5.34; mesēmbrias lalein tettix (sc. eimi), a very grasshopper to chirp at midday, Aristopho 10.6; anthrōpinōs
for it is not permitted unto them to speak;
but they are commanded to be under obedience,
as also saith the law.
1Cor. 14:35 And if they will LEARN any thing, let them ask their husbands at home:
for it is a SHAME for women to SPEAK in the church.
1Cor. 14:36 WHAT? came the WORD of God out from you? or came it unto you only?
III. of MUSICAL sounds, aulō laleō Theoc.20.29; of trees, v.supr.1.2; di'aulou ē salpiggos l. D.C.74.14: also c.acc. cogn., magadin lalein sound the magadis,
Logos computation, reckoning 2. statement of a theory, argument, ouk emeu alla tou l. akousantas prob. in Heraclit.50; logon ēde noēma amphis alētheiēs discourse and reflection on reality,
IV. inward debate of the soul, reflection, deliberation
Regulative and formative forces, derived from the intelligible and operative in the sensible universe,
Opposite to epithumia
A. desire, yearning, longing after a thing, desire of or for it, Theaomai :--gaze at, behold, mostly with a sense of wonder, 3. view as spectators
Opposite Pathos A. that which happens to a person or thing, incident, accident, Moralizing Rhetoric
Opposite Poiein to excite passion, Arist.Rh.1418a12; V. Rhet., emotional style or treatment,
Opposite Enthousi-astikos , ē, on, A. inspired, phusis Pl.Ti.71e; esp. by music,
Prose, OPPOSITE -poiκsis, Id.R.390a;
OPPOSITE -poiκtikκ, D.H.Comp.6; OPPOSITE poiκmata, onomatopoeic word
OPPOSITE emmetra Modus 2. The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode:Mūsĭcus a, um, adj., = mousikos.
X. the Word or Wisdom of God, personified as his agent in creation and world-government,
Theologians are doomed to call God a liar or INCOMPETENT. If God had wanted any kind of music in the tuneful sense He was INTELLIGIBLE But denied by C. Leonard Allen.
mousikos kai melōn poētēs 2. generally, votary of the Muses, The Muses were the LOCUSTS unleashed with Apollon their "musical worship leaders." The Greek and Latin literature identifies them as dirty adulteresses
http://www.piney.com/DocHesTheog.html
[25] the Muses of Olympus, daughters of Zeus who holds the aegis: Shepherds of the wilderness,
wretched things of shame, mere bellies,
we know how to speak many false things as though they were true;
but we know, when we will, to utter true things.
...and they bade me sing of the race of the blessed gods that are eternally,
but ever to sing of themselves both first and last.
pharma^kon 3. enchanted potion, philtre: hence, charm, spell, Od.4.220 sq., Ar.Pl.302, [Circe, Church, Corinth mother of harlots] Theoc.2.15
The singers [Muses], instrument players and craftsmen as sorcerers in Revelation 18.
pharma^kon 3. enchanted potion, philtre: hence, charm, spell, Od.4.220 sq., Ar.Pl.302, [Circe, Church, Corinth mother of harlots] Theoc.2.15
10.07.14 Jeff Walling a very theatrical kind of guy Dares to Dance with God. To bad but that is the LADED BURDEN Jesus died to remove along with the professional BURDEN LADERS. Ancient civil societies never permitted a poet, song writer or actor to be a kerusso (herald preacher) because they couldn't resist opening the vital message from the king to the field commander and rewrite the instructions in his own image. Neither was this hypocritic band of speakers, singers or instrument players allowed to write TRUE history. Jesus said that God HIDES from the wise or sophists: speakers for hire, singers, instrument players, actors or dancers.
Psallo was used for the first time in history in 1878 to claim that God commanded Instrumental music: this claim commanded some to deliberately sow discord in trying to force people to conform.
- If you say that not using instruments in the School of the Word from the wilderness onward is just an evil, sectarian, patternist TRADITION imposed by churches of Chrit.
- And the Bible rejects any vocal or instrumental excitement in the synagogue--ekklesia and Al Maxey became instrumental sectarians as late as 1878.
- Then the Spirit OF Christ in Jeremiah 23 says that you despise the Word and people and that word is BLASPHEMY against the Holy Spirit OF Christ and missed prepositions 101aa
- Contrary to "unity in diversity" meaning WE take YOUR property, Paul said that the cunning craftsmen or sophists (speakers, singers, instrument player, actor merchants" are LYING IN WAIT TO DECEIVE.
7.22.14 Why would a SMAL BAND (COHORT) of men work so desperately hard to get their OWN discorded congregations and the Historic Churches of Christ to use all means fair and foul to force, intimidate, blaspheme and lie TO God and ABOUT God to demand that THEY use what Christ called the HYPOCRITIC and SOPHIST'S means where the Jacob-Cursed and God-Abandoned Levites as their pattern were call sorcerers and parasites to make the lambs dumb before the slaughter? The Second Assault a hundred years against the first Christian Standard boast that "we will take Tennessee for the organ and society party within 5 years." The 1906 lie is infamy that will live in history since Churches of Christ (the Rock) were commanded not to make such noise when God assembles His people ONLY for conducting the Campbell's School of Christ.
Psallo was used for the first time in history in 1878 to claim that God commanded Instrumental music: this claim commanded some to deliberately sow discord in trying to force people to conform. Based on the clear definition of Word in the Greek and Latin
WHAT IS A PLAGUE: PLESSO Mark of Character, a weeping sores, 4. of musical sounds, houtτsi plκgenta houtτs ephthenxato ta phτnκenta
WHAT IS THE BEAST: Thērion , term of reproach, beast, creature, hē mousikē aei ti kainon thērion tiktei A new style of music and a Satyric (Pan, Cappella) drama: debating with chairs, being a buffoon to lie to and about God.
WHAT IS AN IMAGE: "turning the Word of God into a song" LOGOS or Regulative Principle outlaws it. Imāgo hoc tibi sub nostra breve carmen imagine vivat, Mart. 9, 1: epistula atque imago me certum fecit, reverberation of sound, an echo, imitation, in OPPOSITION to what is original Logos or Lexis is OPPOSITE to an ODE and ODE is the opposite of LEXUS. lūdĭus
lūdĭus A stageplayer, pantomimist: actor ludii barbari, Mocking at Mount Sinai and the Levites musically mocking JesusWHAT IS THE MARK: character: imprinted, or branded, kh. ekhidnēs the serpent's mark, to tēs monados sēmantikon kh. Marking time (chronos, KAIROS) kerkidos ph. S.Fr.595; suriggōn E.Tr.127 (lyr.); aulōn Mnesim.4.56 (anap.); rare in early Prose, organōn phōnai BOASTING
inter-pōno To insert, interpose, introduce
kerkidos = phōnē kerkidos S.Fr.595; kerkidos humnois ib.890 (lyr.); kerkidos aoidou
suriggōn 2. cat-call, whistle, hiss, as in theatres, imitated the dying hisses of the serpent [WE CAN HOPE] the Mark of God driving His enemies into "hell" and the LAKE OF FIRE.
aulōn ho Bakkheios rhuthmos Bacchus or Dionysus the wineskins god, clergy hoped for Jewish perverted Messiah. They piped, he refused to bow down, be initiated and slng or lament and DANCE.
organōn musical instrument for making war: concrete, work or product, [Jubal WITHOUT AUTHORITY]
OPPOSITE to organ of sense or apprehension: HOLDING harps of God means APPEHENDING His voice.
JEFF WALLING AND THE TRIBULATION
Jeff Walling: Where the TENSION [DISCORD] level is zooming, as those who would call themselves part of the cutting edge,.
without losing my job? and making everyone else in the congregation really irritated with me...
you know there's like lots of people out in our brotherhood who would like to take a cutting edge to the cutting edge. Do you understand what I'm talkin about here? I mean we've got the most sacred of cows being trodded through butcher shops all over this country in churches of Christ How do I be cutting edge, and new WAVE avant garde (vanguard), and progressive,
I have to wonder if you're at a place in your ministry where you don't have to go to the church of Christ either.RICK ATCHLEY AND THE DAVID-FAUST TRIBULATION
Rick Atchley used by the NACC and "handled" by David Faust and the "white paper" confessed AFTER "transistioning" or subverting HIS church--after the new building like at Sand Creek, changes his solemn promise but all along:
Well, we discipled the children of those progressive churches
for a whole generation to grow past us Boomers.
They never heard the sermons we heard.
They never heard the rationale for a cappella music.
We took YOUR youth to hear Christian Bands to TEACH THEM TO LEAVE YOUR MOVEMENT.
We took your money, ha, ha, ha. But, we did not teach what we paid you to do. ha, ha, ha.W
DWAYNE E. DUNNING AND RAY DOWNEN TRIBULATION
Dwaine E. Dunning Ray Downen: There are at least three ways to kill a tree.You can poison it, or burn it. It might not survive if all the limbs were lopped off.
But men usually choose to kill a tree by cutting down its trunk.
We take an axe or saw to it not far above the roots and "fell" that tree.
God's Axe means: to break asunder [discord] to disrupt, lacerate; by impl. to convulse (with spasms); figurative to give vent to joyful emotions: - break (forth), burst, rend, tear
Robert Ballard and the NACC: To refuse to PERMIT that which God Himslef has (P93) SAID TO USE. To forbid their use, where God has SAID TO USE THEM, as in Eph. 5:19 and Col. 3:16 is flagrant sin (Rev 22:18:19)Likewise a system of doctrine may be destroyed in various ways. It might be poisoned (or sweetened in this case) by injecting a different spirit into those who hold the doctrine.
Or its various contentions may be individually or specifically refuted,
like lopping off a tree's branches one by one.
This defines a TRIBULATION OF HISTORIC PROPORTIONS. The reason the Lake of Fire is justified is because all or the religious cunning craftsmen or sophists as self-speaking for hire (DEFINES A HIRELING), singers, instrument players and the piping sound of the millstone which marked the role of the GRINDER-PROSTITUTE located by "her" sound.
J. CARROLL STARK GOD DEMANDS INSTRUMENTAL MUSIC" DEBATE TRIBULATION OF 1903.
Stark worship is the emotion of the soul and that it might "produce singing, shouting, praising, leaping, dancing, hand clapping, or thanksgiving and such should not be suppressed by man made rules."WARLICK, WALLING, ATCHLEY, COPE, NACC SAYS "WE DON'T NEED NO WORD."
That character Paul calls "the man of sin who opposseth and exalteth himself above all that is called God: The Doom of such is HELL. I need no authority for using it; for where there is no law, there is no transgression. [p.15]
Who put the twelfth commandment into God's law, saying, "Thou shalt not have an instrument of music in the congregation of the saints?" David [Lipscomb], the destructive critic, when, like the "man of sin," he sits in the temple of God, says: "Thou shalt not." That is the corner stone of his departure--the foundation of his schism. Their church is built upon it, and a few old fogies have made it a test of fellowship. God will shake their thunder out of them and put some lightning into them one of these days. [p.28]
The whole thing comes from a devilish, domineering spirit, which, instead of worshiping God, has taken God's seat in judgment to control the praise others might bring It is well enough to teach them: but "rebellion is as the sin of witchcraft and stubborness is as iniquity and idolatry." (1 Slam. 15:23) If taken as he is to the "city of gold," he would surely raise hell in heaven and make all "know and feel what it is to be there."
1 Samuel 15.23 quoniam quasi peccatum ariolandi est repugnare et quasi scelus idolatriae nolle adquiescere pro eo ergo quod abiecisti sermonem Domini abiecit te ne sis rex
Only in judgment does God "sing." The Word of God here is
WITCHCRAFT: See Galatians 5 for the Music as Witchcraft which RECRUCIFIES Jesus.
Sermo a speaking or talking with any one; talk, conversation, discourse: 2. Ordinary speech, speaking, talking, the language of conversation (opp. contentio): Of prose as opposed to poetry: comoedia verba inculcantes B. A language, the speech of a nation verbum as a translation of logos, See Table of LOGOS: opposite rhetoric, singing, playing, acting
+ "For rebellion [is as] the sin of witchcraft, and stubbornness [is as] iniquity and idolatry. Because thou hast rejected the WORD of the LORD, he hath also rejected thee from [being] king." {1Sm 15:23}
The Word as Dabar or LOGOS is the Regulative principle: it is opposite selling you rhetoric or buffoonery, singing, playing instruments, acting or dancing: if you reject the LOGOS Christ in Isaiah 8 says THERE IS NO LIGHT IN YOU.
SIMONY IS BUYING OR SELLING CERTIFICATES OF A SPIRITUAL GIFT TO GO OUT AND BE A MAGICIAN, JESTER OR SINGER "TO BRING PEOPLE INTO THE PRESENCE OF GOD."+ "So Saul died for his transgression which he committed against the LORD, [even] against the WORD of the LORD, which he kept not, and also for asking [counsel] of [one that had] a familiar spirit [NEBEL, OLD WINESKIN], to enquire [of it]; ... And enquired not of the LORD: therefore he slew him, and turned the kingdom unto David the son of Jesse." {1Ch 10:13-14} + "And he caused his children to pass through the fire in the valley of the son of Hinnom: also he observed times, and used enchantments, and used witchcraft, and dealt with a familiar spirit, and with wizards: he wrought much evil in the sight of the LORD, to provoke him to anger." {2Ch 33:6} + "But there was a certain man, called Simon, which beforetime in the same city used sorcery, and bewitched the people of Samaria, giving out that himself was some great one: ... And to him they had regard, because that of long time he had bewitched them with sorceries." {Act 8:9-11} + "And it came to pass, as we went to prayer, a certain damsel possessed with a spirit of divination met us, which brought her masters much gain by soothsaying: ... And when her masters saw that the hope of their gains was gone, they caught Paul and Silas, and drew [them] into the marketplace unto the rulers," {Act 16:16-19}
"For ye suffer fools gladly, seeing ye [yourselves] are wise." {2Co 11:19} + "A man that is an heretick after the first and second admonition reject;" {Tts 3:10} + "But there were false prophets also among the people, even as there shall be false teachers among you, who privily shall bring in damnable heresies, even denying the Lord that bought them, and bring upon themselves swift destruction." {2Pe 2:1} See at the end of 2 Peter Chapter 1.
While Churches of Christ were never part of the Disciples of Christ O.E. Payne first collected the "psallo" proofs from somewhere: He said
Of course, psallein is never used in polite society or Scripture: Paul commanded SPEAK that which is written for our learning but ODE and PSALLO are in the heart which in reading 101a we understand to be SILENT as Paul in 1 Corinthians 14 told the "most always females) to be SILENT."Henceforth we must unite in agreeing that if we forego musical instruments we cannot conform to the divine injunction to psallein" (Instrumental Music Is Scriptural, p. 172)
-[khiton David's garment] te hupodunein toisi heimasi kai kothornous hupodeesthai, proeipe d' autoisi -kitharizein te kai psallein kai kapκleuein [prostitutes, petty trade, playing tricks
THE AUTHORITY OF THE TRIBULATORS: "Being very talented, he could play on the harp [epsallen] with the bare hand without a plectrum." -The Deiphnosphists, IV. 183-184, Tr. by Gulick Bk. 4, Sec. 183 D.Those who HAD deceived the whole world missed the point that ODE (a mark) and PSALLO were to be SILENT. Psallo means to pluck or smite a bow-string, a harp-string or a hair-string of a young boy being groomed by the NACC'S example of Alexander the Great who died with some kind of terrible disease. You LIE if you are so hostile that you want to take an AXE to people when Psallo OUTLAWS a guitar pick, a flute, trumpet, piano, organ or any musical instrument. Psallo means PLUCK and has NO musical content.
"Aristoxenus says that the magadis and the PECTIS may be played without a plectrum, by simply plucking [psalmou] with the fingers....
The Deiphnosphists, IV. [3.] And while we were now all amusing ourselves with agreeable trifling, some flute-playing women and musicians, and some Rhodian players on the sambuca came in, naked as I fancied, but some said that they had tunics on. And they having played a prelude, departed; and others came in in succession, each of them bearing two bottles of perfume, bound with a golden thong, and one of the crests was silver and the other gold, each holding a cotyla,Again, Phrynichus says in The Phoenician Women,
And Seuthes, rising up, drank to Xenophon, and spilt the rest of the contents of the horn at the same time that he did. And after this there came in men who played on horns such as are used for giving orders with,and also on trumpets made of raw bull's-hide, in excellent tune, as if they had been playing on a magadis."
And, indeed, the hydraulic organ does seem to be a kind of hour-glass.It cannot, therefore, be considered a stringed instrument, and one to be played by touching.
At all events, Aristoxenus preferred stringed instruments which are played upon by the touch to wind instruments; saying that wind instruments are very easy; for that many people, without having been taught, can play on the flute and pipe, as for instance, shepherds.
The Muses' sports amid their wine-glad revels;
He sang to Battalus, an eager drinker
Of unmixed wine, and Cotalus and Pacalus.
Say then to Theon the calamaules, Farewell, O Theon, tunefullest of men.
'With [1] plucking [psalmoisin] of the [2] strings [harp]
they [3] sing [aeidontes] their lays in answering strains."
He went in and drank, and taking the lyre, sang to us in such a manner that we all marvelled at his skill on the harp, and at the rapidity of his execution, and at the timefulness of his voice ; for he appeared to me to be not at all inferior to that ancient Amodbeus, whom Aristeas, in his History of Harp-players, speaks of as living at Athens, and dwelling near the theatre, and receiving an Attic talent a-day every time he went out singing. [HE WAS A PARASITE]-The Deiphnosphists, XIV. 635, Translated by Gulick, Vol. 6, p. 427.
JESTERS: 2. But as, after the discussion by us of the new topics which arise, our liberal entertainer Laurentius is every day constantly introducing different kinds of music, and also jesters and buffoons, let us have a little talk about them. Although I am aware that Anacharsis the Scythian, when on one occasion jesters were introduced in his company, re-mained without moving a muscle of his countenance; but afterwards, when a monkey was brought in, he burst out laughing, and said, " Now this fellow is laughable by his nature, but man is only so through practice." And Euripides, in his Melanippe in Chains, has said But many men, from the wish to raise a laugh, Practise sharp sayings ; but those sorry jesters I hate who let loose their unbridled tongues against the wise and good ; nor do I class them As men at all, but only as jokes and playthings. Meantime they live at ease, and gather up Good store of wealth to keep within their houses. [HE WAS A PARASITE]
"The psaltery (psalterion, saltere, sauterie, Psalterium, Psalter, salterio) is an ancient instrument seen in many forms. Early versions were simply a wooden board with gut strings stretched between pegs. The strings were plucked with fingers or by plectra (the name might have derived from the Greek psallein meaning plucked with fingers).
părăsītus , i, m., = parasitos, lit. one who eats with another, parasitorum in comoediis assentatio, Cic. Lael. 26, 98: edaces parasiti, "The name of psaltery entered Christian literature in the 3rd century B.C. translation of the Old Testament called the Septuagint where, in the Psalms, nebel was translated psalterion. Thus, Nebuchadnezzar's idolatrous ensemble included the Aramic psantria. Notice, also, that the book of Psalms has also become known as the Psalter (or psalterium), from the hymns sung with this harp. Source
Therefore, the Greek translation uses a word which, in their culture, meant a song which could be sung with a psalterium.
The tutelar deity of parasites was Hercules,
cōmoedĭa , lifted up on a buskin, which he called tragoedia, Plin. Ep. 9, 7, 3.
assentātĭo (ads- ), ōnis, f. assentor. I. A flattering assent, flattery, adulation
Cyrus was told how to "make the captive men helpless" rather than kill them. Heredotus records history:
Grant, then, forgiveness to the Lydians, and to make sure of their never rebelling against thee, or alarming thee more,
send and forbid them to keep any weapons of war,
command them to wear tunics under their cloaks,
and to put BUSKINS upon their legs,
and make them bring up their sons to cithern-playing (Kitharizein),
and singing (psallein),
and shop-keeping (Hucksterism). [Corrupting the Word]So wilt thou soon see them become WOMEN instead of men,
and there will be no more fear of their revolting from thee."Any kind of performing music when Jesus told us to SPEAK that which is written INTENDS to bring glory and more "Authority" to King set over us:
-[4] Ludoisi de sungnτmκn echτn tade autoisi epitaxon, hτs mκte aposteτsi mκte deinoi toi eτsi: apeipe men sphi pempsas hopla arκia mκ ektκsthai, keleue de spheas kithτnas -[khiton David's garment] te hupodunein toisi heimasi kai kothornous hupodeesthai, proeipe d' autoisi -kitharizein te kai psallein kai kapκleuein [prostitutes, petty trade, playing tricks, corrupting] paideuein tous paidas. kai tacheτs spheas τ basileu gunaikas ant' andrτn opseai gegonotas, hτste ouden deinoi toi esontai mκ aposteτsi."
The word kitharizo means to PLAY THE CITHARA and does not include singing.
-Kitharizτ 1 [kitharis] to play the cithara, phormingi [Apollo, Abaddon, Apollyon] kitharize Il., Hes.; lurκi eraton kitharizτn Hhymn. (so that there can have been no great difference between the kithara, lura, and phorminx ); kitharizein ouk epistatai, of an uneducated person,
-Kithar-isis , eτs, hκ, playing on the cithara, Pl.Prt.325e; k. psilκ, i.e. without the voice, Id.Lg.669e, cf. Pae.Delph.15; aulκsis kai k. Phld.Mus.p.23 K.
- Isn't it an insult to the Spirit of Christ
and Paul to say that they were not smart enough to use one
of the single words or compound word even simple would
understand?
The PSALLO word used to GRASP POWER is an Abaddon word from plucking the Bow String to kill you or plucking the Lyre to mollest you.
Was the Spirit of Christ too stupid to command that we Twang (psallo) a Harp and Sing "that which is written for our learning?"-Arassτ ,of any violent impact, with collat. notion of rattling, clanging, as of horses, hoplais, pound in a mortar, strike with a shower of stones.
a). kitharēn strike the lyre, humnon, melos, etc., Nonn.D.1.15,440, etc.
2. c. dat. modi, arassein tina oneidesi, kakois, assail with reproaches or threats,
II. Pass., to be dashed against, dash one against the other
Pound in a mortar, holmō a. Nic. Th.508
Nonn.D.1.15 [11] Bring me the fennel, rattle the cymbals, ye Muses! put in my hand the wand of Dionysos whom I sing: but bring me a partner for your dance in the neighbouring island of Paros, Proteus of many turns, that he may appear in all his diversity of shapes, since I twang my harp to a diversity of songs.
For if, as a serpent, he should glide along his winding trail,
I will sing my gods achievement, how with ivy-wreathed wand
he destroyed the horrid hosts of Giants serpent-haired.
Nonn 1.[439] Lets have a friendly match, if you like. Come on, you make music and sound your reedy tune, I will crash my thundery tune. You puff our your cheek all swollen with wind, and blow with your lips, but Boreas is my blower, and my thunderbolts boom when his breath flogs them. Drover, I will pay you for your pipes: for when I shall hold the sceptre instead of Zeus, and drive the heavenly throne, you shall come with me; leave the earth and I will bring you to heaven pipes and all, with your flock too if you like, you shall not be parted from your herd.
Nonn 1.[326f] The professional cattle-lifter may think he is catching a bull and steal his own father! He may give his harp once again to your son Phoibos, [Apollo, Abaddon, Apollyon] as price for the ravisher ravished. But what can I do? If only Argos were still alive, shining all over with sleepless eyes, that he might be Heras drover, and drag Zeus to some inaccessible pasture, and prod his flanks with a crook!
486] You liked the little tune of my pipes, when you heard it; tell me, what would you do when I strike [psallo] out a hymn of victory on the harp of seven strings, to honour your throne? Indeed, I matched myself against Phoibos with his heavenly quill, and beat him with my own harp
Croesus thought the Lydians would even so be better off than if they were sold for slaves, and therefore gave the above advice to Cyrus, knowing that, unless he brought forward some notable suggestion, he would not be able to persuade him to alter his mind. He was likewise afraid lest,after escaping the danger which now pressed, the Lydians at some future time might revolt from the Persians and so bring themselves to ruin.
12.31.13 Jesus warned that Doctors of the Law take away the Key to knowledge. They are Scribes and Pharisees whom Jesus called hypocrites. In the Ezekiel 33 version by the Spirit OF Christ He names self-speakers for hire, singers and instrument players. It is true that Jesus never said "thou shalt not be a hypocrite" but it gets uglier: if you say that the Spirit allowed or commanded you to impose instruments and it turns out that Christ radically outlawed any vocal or instrumental noise when He visits on the REST DAY, then Christ in Jeremiah 23 says that you BLASPHEME or despise the Word of God.
See David Young Minister North Boulevard Church of Christ in Murfreesboro, Tennessee
- If you say that Churches of Christ which did not use INSTRUMENTS during the School of the Word from the Wilderness onwwars was just and evil tradition.
- And from Genesis to Revelation musical machines are said to have been brought by Lucifer (ZOE) into the garden of Eden and resulted in some sexual hanky panky to REVELATION when the Babylon mother of harlot rises again and ALL of her religious STAFF are called sorcerers and will be cast alive into the Lake of Fire.
- Then Christ in Jeremiah 23 says that you despise the Word and the Latin word is BLASPHEME
THIS PAPER WILL HELP YOU FLEE BABYLON whose Mother of Harlots (Revelation 17) uses "lusted after fruits" (Same as in Isaiah 8) as self-speakers, singers, instrument players and ALL religious craftsmen who were called PARASITES.
LINKS TO A FEW STEPS TO THE LAKE OF FIRE; FIXED LINKS 12.30
"RELIGION" REPLACING "SCHOOL OF CHRIST" AND: WORSHIP ANDROGYNY THE PAGAN SEXUAL IDEAL
TRIBULATION PROMISED FROM WITHIN: BUT, DAVID YOUNG AND THE ELDERS SAY------
THE COMMAND IS TO SPEAK: THERE IS NO COMMAND TO SING AS PERFORMANCE
HOW RECORDED HISTORY NOTES THAT SINGING AS AN ACT WAS IMPOSED AFTER CONSTANTINE AND WAS DIVISIVE
THE COMMAND: SPEAK THAT WHICH IS WRITTEN. NOTHING WRITTEN BY THE SPIRIT IS METRICAL OR TUNEFUL
ISAIAH 8 WHEN EMMANUEL COMES TO YOUR SCHOOL OF CHRIST YOU WILL NOT--CANNOT--PEEP AND MUTTER
CHRIST'S PURPOSE DRIVEN CHURCH DOES NOT BOAST ABOUT ITSELF.
ISAIAH 14 CHRIST'S WARNING OF THE SINGING AND HARP-PLAYING PROSTIITUTES CAST INTO "HELL"
A HUNDRED YEARS OF ATTACKS AGAINST CHURCHES OF CHRIST WHICH WILL NEVER IMPOSE INSTRUMENTAL IDOLATRY.
PROOF THAT ALL INSTRUMENTALISTS ATTACKS ARE BASED ON LIES OR IGNORANCE.
NUMBERS 11 THE REST OF THE STORY ABOUT MUTTERING AND MURMURING: Violates Christ's outlawing vocal or instrument rejoicing or speaing your own words in Numbers 10
DAVID YOUNG STILL SAYS THAT ALL THINGS ARE LAWFUL?
THE "LEADERSHIP" IS PURPOSE-DRIVEN TO SOW MASSIVE DISCORD WHICH GOD HATES.
ELDERS AND DEACONS ARE THE ONLY VOCATIONAL "STAFF" IN A CHURCH OF CHRIST
The role of PREACHER as SENT Evangelist
ISAIAH 8: THOSE WHO DON'T PREACH THAT WHICH HAS BEEN PROVIDED ARE MARKED AS BEING WITHOUT LIGHT.
THE MARKS OF THE FINAL SHAKING AND THE END-TIME SHAKER.
The MARKS of the BEASTS (Zoe) and the INSECTS-PARASITES (LOCUSTS or musical worship teams)
THE FIREY DESTINY OF THOSE WHO SOW MUSICAL OR RHETORICAL DISCORD
The NACC is a denominational organization or human institution: most independent Christian Churches may not know that their support funds men who deliberately sow "instrumental" discord and according to Jeff Walling intends to OFFEND. Instrumental noise to frazzle nerves and perform witchcraft or sorcery was CONTEMPORARY at the Babylon Ziggurats or towers of Babel (as was Jerusalem." To call direct Biblical commands "traditional" when they don't read the text would be defined by Christ as blaspheming the Holy Spirit OF Christ who repudiated instrumental madness in all of the prophets. Revised 5.25.13
The congregation of the people was defined in Exodus 18 for groups as small as then families led by a mercinary teacher and guide. After the fall into the musical idolatry of the always-pagan trinity (Osiris, Isis, Horus: always father, mother (spirit) and infant son), the tribe of Levi was abandoned to the worship of the starry host: the godly people attended Qahal, synagogue, ekklesia or Church of Christ (the Rock etc) in the wilderness. The Text, the definition of the assembly Edersheim and Calvin affirm that these assemblies were called on the REST day by a trumpet (church bell) but excluded vocal or instrumental rejoicing or self-speak.
Numbers 10:7 But when the congregation is to be gathered together, [h6950 Qahal is still used for the synagogue]
ye shall blow, but ye shall not sound an alarm.
H7321 rϋa‛ roo-ah' A primitive root; to mar (especially by breaking); figuratively to split the ears (with sound), that is, shout (for alarm or joy):blow an alarm, cry (alarm, aloud, out), destroy, make a joyful noise, smart, shout (for joy), sound an alarm, triumphThen and now the ONLY reason for calling the assembly was/is to hear the Word (only) PREACHED by being READ for comfort and doctrine. The Lucifer-Principal (the Halal, Chalal) intends to replace and silence and therefore ALARM or TRIUMPH OVER the Words of Christ. There is nothing in the Greek, Hebrew or Latin which PERMITS any speaker, singer or instrument player to perform or ADD by pretending to be a mediator in song and sermon. God ordained TWO SILVER TRUMPETS to send signals but not when HE sent His Word through Moses, Aaron and the small group leaders:
Tŭba , ae, f. kindr. with tubus, a tube, I.a trumpet, esp. a war-trumpet, at tuba terribili sonitu taratantara dixit,
Apart from military purposes, it was used on various occasions, as at religious festivals, games, funerals,
b. Sonorous, elevated epic poetry, Mart. 8, 3, 22; 8, 56, 4; 10, 64, 4;
c. A lofty style of speaking,
I. Trop.: tuba belli civilis, i. e. exciter, author, instigator, Cic. Fam. 6, 12, 3: rixae, [or dispute, contest, strife, contention] Juv. 15, 52.
Clangor , ōris, m. clango,I.a sound, clang, noise (mostly poet. and in Aug. prose).I. Of wind instruments: tubarum, III. Of dogs, a barking, baying,
Caes. Gal. 8.20 imagined that the Romans were marching against them, and calling a council in haste by sound of trumpet, unanimously cry out to send embassadors and hostages to Caesar.Con-cīdo A. Of discourse, to divide minutely, dismember, render feeble:
To deceive, cheat, defraud: artĭcŭlātim , adv. articulatus
II. Trop., of discourse, properly divided (v. articulus, II. A.); hence, clearly, distinctly, point by point: verba discernere articulatim,
Lucr. 4, 555: aliquid explicare, Varr. L. L. 10, 4, 179: aliquid articulatim distincteque dicere, * Cic. Leg. 1, 13, 36.
Everyone was smart enough to catch on to DIRECT COMMANDS:
Acts 15:21 For Moses
of old time hath
in every city them that PREACH him,
being READ in the synagogues every sabbath day.
Even Jesus understood that!
Luke 4:16 And he came to Nazareth, where he had been brought up:
and, as his custom was,
he went into the synagogue on the sabbath day,
and stood up for to read.
And He had the uncommon decency:
Luke 4:20 And he closed the book, and he gave it again to the minister, and sat down.
And the eyes of all them that were in the synagogue were fastened on him.
Ex-plĭco , I. Lit.: velum, Plaut. Mil. 4, 8, 7: non explicata veste neque proposito argento, etc., spread out, to put in orderUlŭlo , B Transf., of places, to ring, resound, re-echo with howling: penitusque cavae plangoribus aedes Femineis ululant, Verg. A. 2, 488: resonae ripae, Sil. 6, 285: Dindyma sanguineis Gallis, ululanti voce canere, Cic. Or. 8, 27.
1. To disentangle, set in order, arrange, regulate, settle, adjust any thing complicated or difficult:
2. Of speech, to develop, unfold, set forth, exhibit, treat, state: vitam alterius totam explicare, oratione
perturbatione explicabo, summorum oratorum Graecas orationes, id. de Or. 1, 34, 15
Jesus made the prophecies more certain and Peter said:
2Peter 1:20 Knowing this first,
that no prophecy of the scripture is of any private interpretation.
epi-lu^sis solution, sophismatōn S.E.P.2.246; explanationJesus didn't SELL the free water of the Word.
soph-isma , atos, to, A.acquired skill, method. Mechanical contrivance.
sophis-tēs , ou, ho, A.master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, meletan sophistais prosbalon Pi.I.5(4).28, cf. Cratin.2; of musicians, sophistēs . . parapaiōn khelun
with modal words added, hoi s. tōn hierōn melōn [Melody in a holy place]
of the Brakhmanes [Levites re Josephus] quibbler, cheat,
3. later of the rhētores, Professors of Rhetoric, and prose writers of the Empire, such as Philostratus and Libanius, Suid.; Apollōnidē sophistē [Abaddon, Apollyon]
sophos , ē, on, A.skilled in any handicraft or art, clever, mantis Id.Th.382; mostly of poets and musicians, Pi.O.1.9, P.1.42, 3.113; en kithara s. E.IT1238 , also en oiōnois, kithara, E. IT662
2Corinthians 2:17 For we are not as many, which corrupt the word of God:
but as of sincerity, but as of God, in the sight of God speak we in Christ.
ka^pēl-euō , retail-dealer, drive a petty trade, sell learning by retail, hawk it about,That means that NOTHING in Scripture is subject to EXPLICATION or further expounding.
tēs hōras anthos or tēn hōran, of prostitutes
playing tricks with life, corrupting it,
2Peter 2:1 But there were false prophets also among the people,
even as there shall be false teachers among you,
who privily shall bring in damnable heresies,
even denying the Lord that bought them,
and bring upon themselves swift destruction.
2Peter 2:2 And many shall follow their pernicious ways;
by reason of whom the way of truth shall be evil spoken of.
2Peter 2:3 And through covetousness shall they with feigned words make merchandise of you:
whose judgment now of a long time lingereth not, and their damnation slumbereth not.
Căno , cĕcĭni, cantum (ancient to make something the subject of one's singing or playing, to sing of, to celebrate, or make known in song, etc.I. Neutr., to utter melodious notes, to sing, sound, play.
2. Of the faulty delivery of an orator, to speak in a sing-song tone: inclinată ululantique voce more Asiatico canere, Cic. Or. 8, 27; cf. canto and canticum. of the crowing of a cock: C. Transf., of the instruments by which, or (poet.) of the places in which, the sounds are produced, to sound, resound: canentes tibiae,Psalms 41 is a PROMISED that "Judas" would not triumph over Messiah. The Judas bag was ALWAYS attached to a flute case in Greek Vases and descriptions: it was for carrying the Mouth Pieces of Wind Instruments. Jesus halted the final effort of Judas by hand grinding the SOP: This was a SIGNAL and Satan entered into Judas and he excluded himself from the kingdom. The word SOP and the word PSALLO have the same root meaning. The Dead Sea Copy of the Psalms reads exactly as we will note:
DSS: "After them the chiefs of the Levites serve continually, twelve in all, one to a tribe. The chiefs of their courses shall serve each man in his office. The chiefs of the tribes and fathers of the congregation shall support them, taking their stand continually at the gates of the sanctuary
They were there to EXECUTE any preacher or singer who came NEAR: In Battle:
"The priests shall blow the trumpets of massacre, and the Levites and all the blowers of the ram's horn shall sound a battle alarm,
and the foot soldiers shall stretch out their hands against the host...
and at the sound of the alarm they shall begin to bring down the slain.
All the people shall cease their clamor,
........... but the priests shall continue to blow the trumpets of massacre." - War Scroll
7
And they withhold from the thirst the drink of Knowledge, (Amos 5, 6, 8, Isa 5)
- DSS: And they, teachers of lies and SEERS of falsehood,
- have schemed against me a devilish scheme,
- to exchange the Law engraved on my heart by Thee
- for the smooth things which they speak to Thy people.
and assuage their thirst with vinegar,that they may gaze on their straying,
on their folly concerning their feast-days (Jubilee, Feast of Tabernacles)
on their fall into their snares.
- DSS: "The priests shall blow the trumpets of massacre, and
- the Levites and all the blowers of the ram's horn
- shall sound a battle alarm,
- and the foot soldiers shall stretch out their hands against the host...
- and at the sound of the alarm
- they shall begin to bring down the slain.
- All the people shall cease their clamor,
- but the priests shall continue
- to blow the trumpets of massacre." - War Scroll
- 9
- DSS: They have overtaken me in a narrow pass (gap) without escape
- And there is no rest for me in my trial.
- They sound my censure upon a harp
- and their murmuring and storming upon a zither." Ps.41:11
- DSS: I will groan with the zither of lamentation
- in all grief-stricken mourning and bitter complaint
- until iniquity and wickedness are consumed
However, when the Scribes and Pharisees, Hypocrites (speakers, singers, instrument players Ezek 33)
- DSS: Then will I play on the zither of deliverance
- and harp of joy,
- on the tabors of prayer and the pipe of praise
- without end.
- GO AHEAD, DARE TO BE A JUDAS: MAKE GOD'S DAY!
Psalms 41:11 By this I know that thou favourest me,
because mine enemy doth not triumph over me.
h7321Ruwa
Inĭmīcus , a, um ( Comp.: nec quidquam inimicius quam illa (oratio) versibus, Cic. Or. 57, 194; inimicissime contendere,versus B. In partic., a line of writing; and in poetry, a verse: ut primum versum (legis) attenderet, Cic. Rab. Post. 6, 14:
V. A kind of dance, or a turn, step, pas in a dance, Plaut. Stich. 5, 7, 2.
ōrātĭo , ōnis, f. oro, I.a speaking, speech, discourse, language
2. Speech, language, utterance; OPPOSITE. to fact, action, II. In partic., formal language, artificial discourse, set speech (opp. to sermo, ordinary speech, conversational language): : mollis est oratio philosophorum et umbratilis, nec verbis instructa popularibus
B. A set speech, harangue, discourse, oration: (oratio) ut gravis, ut suavis, ut erudita sit, ut liberalis, ut polita, ut sensus, prayer, the habit or practice of prayer: perseverantes in oratione,
The enemy HATES and another definition of the TRIUMPH OVER attempts is:
God had not commanded the temple: this was a ziggurat after God turned them over to worship the starry host because of instrumental idolatry at Mount Sinai. When the Jacob-Cursed and God-Abandoned made a great NOISE God SHUT DOWN the temple so that the Jews were certain that they had captured Him in a house built by human hands. THEY said that no one could contact God but God answered the prayers from OUTSIDE the "church house" directly from HEAVEN.
h7311.Ruwm
The Self-pleasure in Romans 15 is outlawed: "creating mental excitement" using any of the performing or hypocritic arts. This is the "heresy" concept which means that the object is to bewitch people so that the enemy can "take away their property."
Psalm 40.12 in hoc cognovi quoniam voluisti me quoniam non gaudebit inimicus meus super me
The instrumental worship of the Egyptian trinity at Mount Sinai was a fall back into the worship of the Astrial Gods: that is why Stephen said that God abandoned them to worship the starry host. In one way or another the Apollo or Abaddon or Apollyon of Revelation was a key "god' worshipped in the wilderness and at Jerusalem which was an old Jebusite high place devoted to Sabazianism. Therefore, the attempt to TRIUMPH OVER or silence the voice of Jesus is defined as:Gaudĭum , I.inward joy, joy, gladness, delight (opp. laetitia, joy which shows itself externally).
the outward expressions of joy: feminarum praecipue et gaudia insignia erant et luctus, Liv. 22, 7, 12
B. In partic., sensual pleasure, delight, enjoyment (rare; not in Cic.; cf. above the passage,
a). With dat.: Herophile Phoebo grata,
Herophile PRIESTESS of Apollo (Abaddon, Apollyon) Of human beings, , (cf.: uxor, mulier, matrona; , .Applied as a term of reproach to men, ;A.a femalewomanIn Revelation 17 the Babylonian mother of harlots in Revelation 18 uses the "lusted after fruits." These are the same FRUITS Amos warned about in Amos 8 where God turned the music IN the temple into howling because the leaders had TAKEN AWAY the water and food of the Word. The speakers, singers, instrument players and craftsmen including ALL performing religious teknokrats HAD deceived the whole world once and John says that they along with the dogs (Catamites) will be cast alive into the lake of fire. Males who sang and played are said to be "drunk, perverted or just having fun-mocking." Ovid notes:, , : In gram., tunc femina simplex,the female character undisguised Juv. 6, 327 effeminate Ov. M. 12, 470Sil. 2, 361Suet. Caes. 22Just. 1, 3Curt. 3, 10 fin. B.a female she( bestiarum )II.the feminine genderQuint. 1, 6, 121, 4, 24
Ov. Met. 12.470
Full well I doo remember that Cymelius threw a dart
Which lyghted full in Nesseyes flank about his privie part
And think not you that Mops, the sonne of Ampycus, could doo
No good but onely prophesye. This stout Odites whoo
Had bothe the shapes of man and horse, by Mopsis dart was slayne,
And labouring for to speake his last he did but strive in vayne....
No better than a moother will I count thee whyle I live.
Remembrest not what shape by birth dame nature did thee give?
Forgettst thou how thou purchasedst this counterfetted shape
Of man? Consyderest what thou art by birth? and how for rape
Thou art become the thing thou art? Go take thy distaffe,gaudĕo ,
(γ). [select] With abl.: ipsa liberatione et vacuitate omnis molestiae gaudemus, omne autem id, quo gaudemus, voluptas est, Cic. Fin. 1, 11, 37: correctione, id. Lael. 24, 90: illis, id. ib. 6, 22: aequitate justitiaque, id. ib. 22, 82: hoc scientiae genere, id. Off. 3, 33, 121: praeda ac populationibus, magis quam otio aut requie, Liv. 22, 9, 5: scaena gaudens miraculis, id. 5, 21, 9: equis, Hor. S. 2, 1, 26: equis canibusque, id. A. P. 162: rure, id. S. 1, 10, 45: pictis tabellis, id. ib. 1, 1, 72: carmine (with delectari iambis), id. Ep. 2, 2, 59: gaude sorte tua, id. Epod. 14, 15; cf.: ille cubans gaudet mutata sorte, id. S. 2, 6, 110: ero gaude, i. e. at your master's return, Cat. 3
Outlawed by Paul in Rome in Latin: scaena gaudens miraculis, id. 5, 21, 9 2. (Post-Aug.) Of the schools of rhetoric, as scenes for the display of eloquence: at nunc adulescentuli deducuntur in scaenas scholasticorum, qui rhetores vocantur, 1. The public stage, the public: quia maxima quasi oratori scaena videatur contionis,
Performances are always lying wonders:
mīrācŭlum , i, n. id., I.a wonderful, strange, or marvellous thing, a wonder, marvel, miracle; wonderfulness, marvellousness (class.; syn.: prodigium, portentum): miracula, quae nunc digna admiratione dicimus,
carmine (with delectari iambis)
carmen , ĭnis, n. (old form cas-men , Varr. L. L. p. 86 Bip.) [Sanscr. ηasto declaim, praise; cf.: camilla, censeo],
I.a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation (cf.: cano, cantus, and canto).I. In gen., a tune, song, air, lay, strain, note, sound, both vocal and instrumental
II. Esp., a composition in verse, a poem; poetry, verse, song, whether in a broader sense, of every kind of poetic production, epic, dramatic, lyric (opp. to prose and to cantus, the melody), or, in a more restricted sense, for lyric poetry.
dēlecto , āvi, ātum, 1,
I. To allure from the right path, to entice away, to seduce (only ante-class.): me Apollo [ABADDON, APOLLYON] ipse delectat, ductat Delphicus, Enn. ap. Non. 97, 32 (Trag. v. 390 Vahl.: delectare, illicere, attrahere, Non.): hostem, Quadrig. ib. 98, 2: ubi sementem facturus eris, ibi oves delectato, keep back, Cato R. R. 30 (also copied in Plin. 17, 9, 6, § 55).
jumentis, Caes. B. G. 4, 2: imperio, id. B. C. 3, 82: criminibus inferendis, Cic. Lael. 18, 65: carminibus, Hor. Od. 4, 1, 23; cf. iambis (with gaudere carmine), id. Ep. 2, 2, 59 et passim: interea cum Musis nos delectabimus aequo animo, id. Att. 2, 4, 2; cf.: cum Musis delectari,
me magis de Dionysio delectat, Cic. Q. Fr. 2, 13 fin
THOSE WHO TRY TO TRIUMPH OVER THE WORDS OF CHRIST IN THE PROPHETS AND APOSTLES USE INFERENCES. They INFER that Christ's silence is THEIR PART. They INFER that "it doesn't matter" and that is why INFERENCES intend VIOLENCE and passing judgment
in-fĕro A. In gen., to bring forward, introduce; to produce, make, excite, occasion, cause, inflict: in re severa delicatum aliquem inferre sermonem,
dicium, to JUDGE (post-class.), Dig. 5, 2, 4: prima peregrinos obscena pecunia mores intulit, Juv. 6, 299.
B. To throw upon, apply to any thing; esp. of fire, to set fire to: tectis et templis ignes inferre conati sunt, to set fire to,
B. In partic., to conclude, infer, draw an inference, Cic. Inv. 1, 47, 87; Quint. 5, 11, 27.A. (Mostly poet.) The fire or glow of passion, in a good or bad sense; of anger, rage, fury: ore dabat pleno carmina vera dei, Ov. F. 1, 47
To Deliver
Carmen ,
I.a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation (cf.: cano, cantus, and canto).I. In gen., a tune, song, air, lay, strain, note, sound, both vocal and instrumental
carmine vocali clarus citharāque
Cĭthăra , ae, f., = kithara, I.the cithara, cithern, guitar, or luteCyrus was told how to NEUTER men:
II. Meton., the music of the cithara, or, in gen., of a stringed instrument, the art of playing on the cithara,
Hor. S. 2.3.104 If any person were to buy lyres, and [when he had bought them] to stow them in one place, though neither addicted to the lyre nor to any one muse whatsoever:
Grant, then, forgiveness to the Lydians, and to make sure of their never rebelling against thee, or alarming thee more,
send and forbid them to keep any weapons of war, command them to wear tunics under their cloaks, and to put buskins upon their legs,
and make them bring up their sons to cithern-playing (Kitharizein), singing (psallein),
and shop-keeping (Hucksterism).So wilt thou soon see them become women instead of men,ALL INSTRUMENT PLAYING IS RELATED TO VIOLENCE
and there will be no more fear of their revolting from thee."
-Kitharizτ 1 [kitharis] to play the cithara, phormingi [Apollo] kitharize Il., Hes.; lurκi eraton kitharizτn Hhymn. (so that there can have been no great difference between the kithara, lura, and phorminx ); kitharizein ouk epistatai, of an uneducated person,
-Arassτ ,of any violent impact, with collat. notion of rattling, clanging, as of horses, hoplais, pound in a mortar, strike with a shower of stones.
a). kitharēn strike the lyre, Orph.A.382; humnon, melos, etc., Nonn.D.1.15,440, etc.
2. c. dat. modi, arassein tina oneidesi, kakois, assail with reproaches or threats,
II. Pass., to be dashed against, dash one against the other
Pound in a mortar, holmō a. Nic. Th.508
NACC 2013 Victorius: Willing to sow discord after more than a hundred years based on the word PSALLO which is really the MARK left by Paul for those who cannot read the phrase "Making Melody IN the Heart."
A Ralph Johnson: Does PSALLO Authorize Musical Instruments
See the two major PSALLO words which are never DEFINED. Instead, I will show how the words are used having several meanings. If we twang a bowstring to send forth a singing arrow into a literal heart then PSALLO would obligate the instrumentalists because there is very little about twanging a HARP string and then the examples are ugly or even forbidden.
A Ralph John Psallo and Psalmos
A. Ralph Johnson: INSTRUMENTAL MUSIC, SACRED OR SINFUL
Lynn Anderson The Beginning of Musical Idolatry
Danny Corbitt and Matt Dabbs Psallo
John T. Willis 2. "Sing" is vocal; "make melody" is instrumental. Psalms 33:2-3; 144:9; 149:1, 3 make this crystal clear. Amos 5:23 further verifies this reality. People forget that God turned Israel over to worship the starry host because of musical idolatry at Mount Sinai. The Levites were under the KING and the COMMANDERS of the army: they made war and not worship. We will examine these passages in context.Danny Corbitt Refuting Everett Ferguson Psallo, Psalmos, Psalmus, Psalma
See Instrumental Music in the School of Christ excluded
See how Instumental music as the BEAST.
From the serpent as Musical Enchanter(ess) onward the BITE is fatal when is forces one to identify the emotional (sexual) feelings in the FLESH as the Spirit of God's influence. Music is one of the most addictive drug producers: that's why they USE music and USE women.
Genesis 3:1 Now the serpent [beast] was more subtil than
5175 nβchβsh naw-khawsh' From H5172 ; a snake (from its hiss):serpent.
H5172 nβchash naw-khash' A primitive root; properly to hiss, that is, whisper a (magic) spell; generally to prognosticate: X certainly, divine, enchanter, (use) X enchantment, learn by experience, X indeed, diligently observe.
serpo , of things, to move slowly or imperceptibly, to creep along, proceed gradually
Beastia 2. As a term of reproach (cf. belua and our beast): mala tu es bestia, Plaut. Bacch. 1, 1, 21; id. Poen. 5, 5, 13.And, humorously, of the odor of the armpits (cf. ala and caper), Cat. 69, 8.Epτidκ , Ion. and poet. epaoidκ , hκ, A. song sung to or over [Laded Burden]: hence, enchantment, spell Od.19.457 Pi.P.4.217 ou pros iatrou sophou thrκnein epτidas pros tomτnti pκmati S.Aj. 582 ; of the Magi, Hdt.1.132,
- Did everyone forget that Paul said to SPEAK one to another "that which is written for our learning." That cannot tolerate a sermon or song writer.
- Speak in the LOGOS sense is the opposite of poetry, music, rhetoric or acting.
- Becausse Epoide in the performance sense points to sorcery: usiing something beyond the Word claiming a right to be paid.
- And PSALLO points directly to Apollo (Abaddon, Apollyon) twanging his harp to send forth a singing arrow into a literal heart. And all of the NACC plucking data points to older males seducing a younger male such as Alexander the Great who shamed his father because he plucked so skillfully when actual performance belonged to lower classes.
- And both singing and psallo are IN [te towards] the heart and GRACE in Colossians 3:16 [the effects in the heart]
- And the object is to TEACH and COMFORT "with the will of Christ Eph, the Word of Christ col]
- And God promises to BURN witches and the MARKS in sight of Sound of people being driven into "hell" are the wind, string and percussion instruments which Lucifer the singing and harp-playing prostitute brought into the garden of Eden.
- I wonder why people are so purpose driven to use music which means "to make the lambs dumb before the slaughter?" I worry about that a lot.
Connecting to the BEAST in Revelation: Thēri^-a^kos , ē, on, (thērion A New Style of song or drama] A. concerning venomous beasts, logos [Hermes] th. pharmaka [ such charms have I, Hdt.3.85, cf.Revelation 18:23, Apoc.9.21.] Id.17(2).337; thēriaka,
Plin.HN14.117; th. oinos [ name of Dionysus The god of the new wineskinners]]\In this way music became an important factor in divination. In the mysteries of the Magna Mater [Revelation 17] this relationship between music and divination is particularly clear. Through the din of tambourines, cymbals and flutes.
The NACC led preachers boast that we took your your youth to gathering with lots of "christian bands" (an oxymoron) to TEACH THEM TO LEAVE OUR MOVEMENT. Oh, lord, I tremble, tremble, tremble.
This is the meaning of the SERPENT using gradualism where Lynn Anderson warns to weave back and forth and don't move to fast to get fired.
Serpo , of things, to move slowly or imperceptibly, to creep along, proceed gradually,
Of disease, etc.: si ulcus latius atque altius serpit, gradually spreads,
Fire: exsistit sacer ignis et urit corpore serpens, slowly spreading, canam, qui leniter
A creeping LOUSE
Example from recorded history
The newest song which the singers have, (Odyssey)...
"they will be afraid that he may be praising, not some new songs, but a new kind of song; and this ought not to be praised, or conceived to be the meaning of the poet; for any musical innovation is full of danger in the whole State, and ought to be prohibited.
"So Damon tells me, and I can quite believe him; he says that when modes of music change, the fundamental laws of the State always change with them..." </b>
"Then," I said, "our guardians must lay the foundations of their fortress in music?"
"Yes," I replied, 'in the form of amusement: and at first sight it always appears harmless'." (The Great Dialogs, Plato, Classic edition, p. 312)
Im at a congregation that has struggled with this issue.
We've been atempting to make our Sunday morning assemblies as relevant as possible.
One way we did that was
A. to start using a praise team,
B. not every Sunday,
C. but at first only occasionally,
D. and now about every other week,
E. before the actual service starts
F. then we have the traditional congregational singing led by a song leader
for the rest of the service.
G. At first we had them stand in the back, which didn't cause much of a stir,
H. but when we moved them up front in front of the whole congregation,
many people had serious problems with this, and a few left because of it.
I. but couldn't handle an acapella praise team of men and women standing
in front of the church.
J. Then they plan to switch to instrumental while denying it.
Serpo meaning canam, qui leniter
Also: Genesis 3:1 Now the serpent was more subtil thanlēnis , I. soft, smooth, mild, gentle, easy, calm. sensus judicat dulce,
dulcis II. Trop., agreeable, delightful, pleasant, charming, soft, flattering.
orator, Cic. Off. 1, 1, 3; cf. of orators or writers, carmen, id. 12, 10, 33: poλmata, Hor. A. P. 99carmen , a tune, song, air, lay, strain, note, sound, both vocal and instrumentalHerpō , herpein es muthon, [preacher's tales] pros ōdas, Id.Hel.316, Cyc.423 ;
per me (sc. Apollinem) concordant carmina nervis [Abaddon, Apollyon MARK]
Quint. Inst. 12 10.33 Consequently the Greek language is so much more agreeable in sound than the Latin, that our poets, whenever they wish their verse to be especially harmonious, adorn it with Greek words.
pŏēma , a composition in verse, a poem. Poλsis est perpetuum argumentum e rhythmis, scribere, called hypocrite by Jesus: Ezekiel 33 speakers, singers, instrumentplayers
herpon tois odousi thērion an animal that walks on its teeth, A new Style music
muthos 2. public speech, m. andressi melēsei Od.1.358; muthoisin skoliois muthoisi kekasthai to be skilled in speech, Opposite LOGOS
ōdē , hē, contr. for aoidē, but also of joyful songs, songs of praise, kallinikos Id.El.865 (lyr.) 2. = epōdos, magic song, spell, Longus 2.7.
Callĭdus , a, um, adj. calleo, I. that is taught wisdom by experience and practice, shrewd, expert, experienced, adroit, skilful: In reference to art, excelling in art, skilful,Many of the Jews believed that SOPHIA was the Word or Spirit: She takes the place of the LOGOS in proverbs as being the Creator of all things. Her daughter Zoe or Eve was called the Beast and Female instructing princiiple. The "mindless" Jehovah was cast into a lower "heaven" but he was wise enough to form MUSICAL WORSHIP teams which naturally worshipped Sophia and Zoe; that is the meaning of the Feminists and Lesbian STAFF Paul radically outlawed because he could read the Word.
II. Crafty, cunning, artful, sly săpĭentĭa
Săpĭentĭa , Wisdom, = sophia Sophiam ars est philosophia vitae, Of eloquence: philosophis doctores sapientiae, philosophers,
Luke 11:52 Woe unto you, lawyers! for ye have taken away the key of knowledge: ye entered not in yourselves, and them that were entering in ye hindered.Sophia , A. cleverness or skill in handicraft and art,
God HIDES from the wise or SOPHISTS who writhe away with music.
in music and singing, tekhnē kai s. h.Merc.483, cf. 511; in poetry, Sol.13.52, Pi.O.1.117, Ar.Ra.882, X.An.1.2.8, cunning, shrewdness, craft,
in divination, S.OT 502 (lyr.)
4. among the Jews, arkhē sophias phobos Kuriou LXX Pr.1.7, cf. Jb.28.28, al.; Sophia, recognized first as an attribute of God, was later identified with the Spirit of God, cf. LXX Pr.8 with Si.24sq.
Phobos 2. Phobos personified, as son of Ares edōk' Apollōn thēras phobō [Apollo is Abaddon or Apollyon: the LOCUSTS are his Musicians]
Proverbs 8:22 The LORD possessed me in the beginning of his way, before his works of old.
Adonai: singular "adon" the Phoenicians pagan god Tammuz [Ezekiel 8] and is the origin of the
Greek pagan god Adonis [FALSE Logos]
Proverbs 8:23 I was set up from everlasting, from the beginning, or ever the earth was.
Proverbs 8:24 When there were no depths, I was brought forth; when there were no fountains abounding with water.
Genesis 3:1 Now the serpent was more subtil than any beast of the field which the LORD God had made. And he said unto the woman, Yea, hath God said, Ye shall not eat of every tree of the garden?
Field is EARTH terra dry land, fruitful places
B. Personified, Terra, the Earth, as a goddess; usu. called Tellus, Magna Mater,
Ceres, goddess of creation, the daughter of Saturn and Ops, Venus (Lucifer, Zoe)
represented as upon a chariot drawn by dragons, with a torch in her hand,
cupidinum, i. e. Venus, Hor. C. 1, 19, 1. applied to priestesses:
Cybele, Cybele, the mother of all the gods: matris magnae sacerdos, Cic. Sest. 26;
matris quate cymbala circum, Verg. G. 4, 64; id. A.
Genesis 3:2 And the woman said unto the serpent, We may eat of the fruit of the trees of the garden:
Because all musical terms and names of instruments point to enchantment, sorcery or witchcraft it is a burnable offense says Christ in Isaiah 30 and John in Revelation 17f
THE MOTIVE STATED BY THE NACC
There remain areas in which Churches of Christ are stronger than Christian Churchesand these are observable at our gatherings. This is just one more reason greater unity would be a blessing. The strength found in partnership is really powerful. Strength in isolation isn't very strong.An assembly of Christ is NEVER larger than the local group meeting to Rest, Read and Rehearse the Word says Christ for the Synagogue or church in the wilderness.
The NACC (C. 1927-1971) was founded to ESCAPE any kind of denominational structure: from my mail bag lots of preachers resent the new organization's effort to build by acciquisition. A Church of Christ which began as the Qahal, synagogue or Ekklesia began in purpose in Exodus when the instructions to Moses was to subdivide the tribes down to as small as 10 families. The godly leader not greedy of gain had the purpose of teaching The Book of The Covenant of Grace. Israel fell from grace doing musical idolatry of the always-pagan triad at Mount Sinai. God turned them over to worship the starry host (missed Acts 7, huh?) and sentenced them back to belond Babylon. The Book of The Law was to regulate the Civil state but David instituted "a new style of instrumental praise" as he carried out the mandate to Worship The Starry host as the Jewish Encyclopedia and most scholarship understands.
After they fell into INSTRUMENTAL IDOLATRY The Spirit OF Christ (the Rock) defined the Qahal, Synagogue, Ekklesia or Church of Christ in the Wilderness. Tis was to QUARANTINE the godly people from the Sun worship on the superstitious seventh day including the national sacrificial system in Jerusalem. The BEASTS from Genesis are the mass multitudes which hang around all pagan worship centers as the site of musical performances and holy sex with a temple "minister" or "mistress." h2416 Chay company, congregation, merry multitude, running springing troup.
Unity according to Jesus in John 17 can only happen on the basis of the Word. God the Father breathed (spirit) and the Son articulated that breath into Words: that is why Jesus was made both Lord and Christ and Word. Neither the Spirit (breath) or the Son (Word) speaks on their own. Therefore the unity.
The same Unity commands that the elders "teach that which has been taught" and the one another congregation STOPS the sel-pleasure (all of the hypocritic arts and crafts) and using ONE mind and ONE mouth speaking "that which is written for our LEARNING." The unique pattern is repeated over and over AFTER the writers have excluded all of the hypocritic arts and crafts. See Ephesians 4 where the DIVERSITY is absolutely REMOVED before The School of the Word is possible.
But as for you, continue in what you have learned and have become convinced of, because you know those from whom you learned it, and how from infancy you have known the holy Scriptures, which are able to make you wise for salvation through faith in Christ Jesus. All Scripture is God-breathed and is useful for teaching, rebuking, correcting and training in righteousness, so that the man of God may be thoroughly equipped for every good work. 2 Tim 3:14-17
Let the word of Christ dwell in you richly as you teach and admonish one another with all wisdom, and as you sing psalms, hymns and spiritual songs with gratitude in your hearts to God. Col 3:16
Ekklesia or Synagogue (Paul's word) is restricted as the only way to glorify or praise. Those who obey the DIRECT commandment, approved examples and historic practice will be despised and rejected of men: musicians and buffoons or Jesters have historically DISPELLED wrath by being comedians.
John 17:6 I have manifested thy name unto the men which thou gavest me out of the world:
thine they were, and thou gavest them me;
and they have kept thy word.
John 17:11 And now I am no more in the world, but these are in the world, and I come to thee.
Holy Father, keep through thine own name those whom thou hast given me,
that they may be one, as we are.
John 17:12 While I was with them in the world,
I kept them in thy name: those that thou gavest me I have kept,
and none of them is lost, but the son of perdition;
that the scripture might be fulfilled.
John 17:13 And now come I to thee; and these things I speak in the world,
that they might have my joy fulfilled in themselves.
John 17:14 I have given them thy word;
and the world hath hated them,
because they are not of the world,
even as I am not of the world.
John 17:15 I pray not that thou shouldest take them out of the world,
but that thou shouldest keep them from the evil.
The Greeks left us many paintings and descriptions of the Judas Bag always attached to a flute case.
Glossokomon (g1101) gloce-sok'-om-on; from 1100 and the base of 2889; prop. a case (to keep mouthpieces of wind-instruments in), i.e. (by extens.) a casket or (spec.) purse: - bag.
More Greek: glτsso-komeion , to, ( [komeτ] ) case to keep the reeds or tongues of musical instruments, glτsso-komon , to, case, casket, compartment in a water-organ,
Simon was the father of Judas:
Simōn, Simon, one of the Telchines (v. Telkhin), used prov. of A. a confederate in evil, oida Simōna kai S. eme [mine, mine, mine]
TelkhinI. one of the Telchines, the first inhabitants of Crete, and the first workers in metal, Aesch.II. as appellat. telkhin, a mischievous elf, Anth. 1 Telkhin, inos, ho,
Entekhn-os , on,2. furnished or invented by art, artificial, artistic, Pl. Prt.321d, al.; Opposite. atekhnos, pisteis Arist.Rh.1355b36; hē e. methodos the regular method, ib.a4. Adv. -ōs Id.SE172a35 (condemned by Phryn.327II. of persons, skilled, e. dēmiourgos a cunning workman, Pl.Lg.903c, cf. Plt.300e.
Now, Judas was a thief: Judas Sicarri. A thief is a:
Kleptes (g2812) klep'-tace; from 2813; a stealer (lit. or fig.): - thief. Comp. 3027.Paul outlaws SELF-PLEASURE in Romans 15 for the assembly because "creating mental excitement" is the burden Jesus died to remove.
haireō , means "to take with the hand, grasp, hair. To take by force, to take a city, Il., etc.; to overpower, kill, often of passions, to take, catch, as in hunting,
4. as law-term, convict, tina tinos Ar.Nu.591, Is.9.36, Aeschin.3.156; heile s' hē Dikē E. Heracl.941, cf. Supp.608: c. part., hai. tina kleptonta to convict of theft, Ar.Eq.829, Pl.Lg.941d; hērēsthai klopeus
hairein tina kleptonta to convict of theft. To take for oneself. Another form means: take with the hand, grasp, seize as in the Komo or naked dance. Pi.O.7.1; but enthen helτn having taken up the song, Od.8.500.
kleptō IV. do secretly or treacherously. doloisi k. sphagas execute slaughter by secret frauds, S.El.37; poll' an . . lathra su klepseias kaka Id.Aj.1137; k. muthous whisper malicious rumours, ib.188(lyr.); kleptōn ē biazomenos by fraud or open force,
4. get rid of imperceptibly, to dokein . . D.H.Rh.8.7; tē poikilia ton koron Id.Comp.19:Pass., tou posou kleptomenou Plot.4.7.5.
Poiki^l-ia , hē 3. in literary style, music, etc., variety, intricacy, ornamentation, hai peri tēn lexin p. Isoc.5.27, cf. D.H.Comp. 11,al.; hē p. tēs luras Pl.Lg.812d; OPPOSITE monōdia, A. monody, solo, opp. the song of the chorusSophia , A. cleverness or skill in handicraft and art divination
in music and singing, tekhnē kai s. h.Merc.483, cf. 511; in poetry, Sol.13.52, Pi.O.1.117, Ar.Ra.882, X.An.1.2.8,The NACC is built upon the foundation of the word PSALLO invented in 1878 to justify the use of instrumental music when the Spirit clearly says to SPEAK the Biblical Psalms, hymns or spiritual songs. In Romans 15 the command is to "use one mind and one mouth to speak that which is written for our learning." Paul excludes self-pleasure which in Greek and Latin is dedicated to mean STOP the preaching, singing, playing, acting or ANYTHING which does not edify or EDUCATE with that which Jesus commanded to be taught and observed.
Rick Atchley with David Fause frrom the NACC
Well, we discipled the children of those progressive churches
for a whole generation to grow past us Boomers.
They never heard the sermons we heard.
They never heard the rationale for a cappella music.
We sent them to youth rallies and Church of Christ events
with some of the finest Christian bands in the world.
We discipled our children to leave our Movement!THE USE OF THE "PSALLO" WORD (c. 1878) MAY BE BLASPHEMY: CLAIMING THAT THE SPIRIT OF CHRIST IN PAUL WAS IGNORANT OF THE WAY TO INCLUDED A MUSICAL MACHINE FOR DING HARD WORK.
The PSALLO word has NO musical content: it means to pluck or smite a string, rope or hair with your fingers and NEVER with a plectrum or guitar pick. The word can never mean both SMITE and A HARP. It is derived from Apollo (Abaddon, Apollyon) and primarily means to smite a bot string to send forth an arrow into a LITERAL heart. Since Apollo is also the father of homosexual worship (the worship-sex connection is absolute) sending forth love arrows with his lyre.
Because the Holy Spirit of Christ repudiates all of the Levites performing as SOOTHSAYERS with instruments, IF He wanted to even think of instruments in "the School of Christ" he and Paul would have known that you need a COMPOUND word for each style and instrument. For instance (See Jeff Walling Instruments for more)
Isn't the use of just Psalloing IN the heart to deliberately sow massive discord and offend masses of godly people to make Paul lie the meaning of Blaspheming the Holy Spirit of Christ by saying He commanded something He DID NOT?Not included by Paul: PsalmOidia singing TO a harp.
Not included by Paul: PsaltOideo sing to the harp 2 Chron 5:[13] it happened, when the trumpeters and singers were as one, to make one sound to be heard [one tuned note all in unison]
Not included by Paul: Psaltos sung to the harp, sung OF Translated sing in Psalm 119:54
Not included by Paul: BarbitOidos singing to the barbiton Barbitos , v. H. 15, 8; barbiton -os), a lyre, a lute Latinum, Barbite, carmen,Psalm 119WEB.[52] I remember your ordinances of old, Yahweh, And have comforted myself.[53] Indignation has taken hold
Not included by Paul:HupAuleo to play on the flute in accompaniment, melody (melos never psallo)
Not included by Paul: HupoKitharizo play an accompaniment on the harp
Not commanded by Paul: KitharOidesis singing to the cithra
Often INCLUDED including David: Lusioidos one who played women's characters in male attire, Auloi flutes that accompany such songs.Not included by Paul: Kat-auleō , A. charm by flute-playing, tinos Pl.Lg.790e, cf. R.411a; tinaAlciphr.2.1: metaph., se . . -ēsō phobō I will flute to you on a ghastly flute,E.HF871 (troch.):Pass., of persons, methuōn kai katauloumenos drinking wine to the strains of the flute, Pl.R.561c; k. pros khelōnidos psophon to be played to on the flute with lyre accompaniment, ta mētrōa , to have played to one as an accompaniment on the flute, -oumenoi pros tōn hepomenōn ta mētrōa melē
Not included by Paul: Epi-psallō , A. play the lyre, S.Fr.60, Poll.4.58（Pass.); melesi kai rhuthmois Plu.2.713b ; sing, tous humnous LXX 2 Ma.1.30:Pass., Ph.1.626.
Psalmus i, m., = psalmos, i. q. psalma, I. a psalm (eccl. Lat.; cf.: carmen, hymnus), Tert. adv. Prax. 11; Lact. 4, 8, 14; 4, 12, 7; Vulg. Isa. 38, 20.Esp., the Psalms of David, Vulg. Luc. 20, 42; id. Act. 13, 33 et saep.
carmen
I. a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation
Carmen ALWAYS INCLUDES an instrument when one INTENDS to list one.
A Tuba: carmen tuba ista peregit ( = sonus),
A Guitar: carmine vocali clarus citharāque USED OF APOLLO, ABADDON, APOLLYON per me (sc. Apollinem) concordant carmina nervis,
A Lyre : lyrae carmen,
A Flute:harundineum
The NACC has picked off a few weak sisters who come to believe that they PERSONALLY reached the decision to use all of those RACA words on people who refuse to BEGIN doing something they have never done and RESIST the body snatches from the Qahal, Synagogue, Ekklesia or Church of Christ (the Rock) in the wilderness.
6969. quwn, koon; a primitive root; to strike a musical note, i.e. chant or wail (at a funeral):THE UNIVERSAL PERSONA FROM BABYLONIAN CLAY TABLETS ONWARD: This will stop MOST people from being subverted to the New Style Music and Drama which is the definition of BEAST. Christian Churches have also been invaded by the Soul Snatchers.
Rick Atchley being handled by David Faust uses 2 Chronicles 29 as the ONLY real proof-text that God COMMANDED instrumental praise. He forgot that God had abandoned the Civil-Military-Clergy complex to worship the starry host and be carried "beyond Babylon" because of musical idolatry at Mount Sinai. Therefore, the "spirit" he and others hear as the Lord's Leading is abandoning him/them to Babylonianism. In Revelation 17 The end-time Babylon Mother of Harlots uses "lusted after fruits" (same as in Amos) as speakers, singers and instrument players. John calls the sorcerers and says that they will (are) cast alive into the lake of fire. Perhaps being consumed by the spirit (breath) of their own lips.
David Faust as agent infiltrated into the once-Christian colleges and HANDLER of Rick Atchley. Rich heard "a" spirit tell him he had procrasted too long (about 12 years) listening to Faust's spiritWorship means to fall on your face in reverence and godly fear: playing instruments was called exorcism and only the small audience worshipped on their face.
I . In the Old Testament the Lord didn't merely "permit" the use of musical instruments as aids to worship.
He commanded their use.
2. In the old Testament the Lord didn't merely "permit' the use of musical instruments as aids to worship.
He blessed their use.
Anyone who believes that missed Exodus 32 and most of the Bible. God ABANDONED Israel to a Like-The-Nations or Gentile (Canaanite, Egyptian, Babylon) Temple State. This was the King's Capital and NOT a worship center. God HID the horrors of the sacrificial system behind closed gates. When Ahaz [2 Chronicles 28)began to reign he took the sacrifices OUTSIDE the gates and God as promied brought a plague on the king, kingdom, temple and priests. Ahaz restored burning infants to Molech.
JACOB WARNED TRUE DISCIPLES OF CHRIST BEFORE IT HAPPENED
Genesis 49.5 Symeon et Levi fratres vasa iniquitatis bellantia
Gen. 49:5 Simeon and Levi are brethren;
instruments (weapon, psaltery)
of cruelty are in their habitations.
(stabbing, dig through furnace, for burning
Bellor fight, carry on war,
Iniquitas B. Unfairness, injustice, unreasonableness: luxuria, praetoris, unreasonable demands in the shape of taxes,The Levites were not "musical worship ministers" but the PRAETORIUM guard to EXECUTE you if you came into any holy thing or place:
luxŭrĭa , ae, and luxŭrĭēs
B. Poet., transf., of animals: wantonness, friskiness, frolicsomeness, Val. Fl. 7, 65.
lascīvĭa , ae, f. lascivus, I. sportiveness, playfulness, frolicsomeness, jollity.
II. In a bad sense, wantonness, licentiousness, petulance, impudence, lewdness, lasciviousness
theatralis populi, Tac. A. 11, 13: lasciviae notae, of lewdness,
thĕātrālis , e, adj. theatrum, I. of or belonging to the theatre, theatrical:operae, Tac. A. 1, 16: lascivia populi, id. ib. 11, 13: ad theatrales artes degeneravisse, i. e. feigned, spurious, id. 2, 2, 10: sermones, i. e. low, vulgar,
ŏpĕra Mechanical work of animals, slaves, and soldiers. to attend to one, listen to him, Plaut. Trin. 4, 2, 52: sermoni, Cic. Leg. 2, 1, 4: hired aiders, abettors, tools, etc. (of political or theatrical parties): mercenariae (corresp. to multitudo conducta), Cic. Phil. 1, 9, 22; theatrales, parties for the purpose of applauding, theatrical factions, Tac. A. 1, 16: VETERES A SCENA, I\
ŏpĕrātĭo a working, work, labor, operation. A religious performance, service, or solemnity, a bringing of offerings: operationes denicales, offerings, Fest. s. v. privatae feriae
LYING WONDERS
2 Thessalonisns 2.[11] ideo mittit illis Deus operationem erroris ut credant mendacio
the-ama , the-ama , OPPOSITE Mathema
X.Smp.2.2 Xenophon, Symposium II
When the tables had been removed and the guests had poured a libation and sung a hymn, there entered a man from Syracuse, to give them an evening's merriment. He had with him a fine flute-girl, a dancing-girl--one of those skilled in acrobatic tricks,--and a very handsome boy, who was expert at playing the cither and at dancing; the Syracusan made money by exhibiting their performances as a spectacle. [2] They now played for the assemblage, the flute-girl on the flute, the boy on the cither; and it was agreed that both furnished capital amusement.
Praetōrĭum , ii, n. praetor.II. The imperial body - guard, the guards, whose commander was called praefectus praetorio or praetoriiCruelty unjust gain Habitations h4380 Stabbing, a sword a furnace, boiling
The Levites were the
Instruments: 7015. qiynah, kee-naw΄; from 6969; a dirge (as accompanied by beating the breasts
or on instruments):lamentation.
lament, mourning woman [from CAIN]
Gen. 49:6 O my soul,
come not thou into their secret;
unto their assembly,
mine honour,
be not thou united:
for in their anger they slew a man,
and in their selfwill they digged down a wall.
Gen. 49:7 Cursed be their anger, for it was fierce; and their wrath, for it was cruel:
I will divide them in Jacob, and scatter them in Israel.
Divido I. To force asunder, part, separate, divide (very freq. and class.; cf.: distribuo, dispertio; findo, scindo, dirimo, divello, separo, sejungo, segrego, secerno, to break up, dissolve, destroy = dissolvereIF JEFF WALLING TAUGHT THE WHOLE OLD TESTAMENT IN ONE SERMON AND STILL FELL SUCKER FOR "GOD COMMANDING INSTRUMENTAL MUSIC IN WORSHIP" UNDER THE JACOB-CURSED AND GOD-ABANDONED LEVITES HE ASSUREDLY IS TURNING YOU OVER TO WORSHIP THE STARRY HOST ON THE WAY TO BABYLONIANISM.
d. To accompany, i. e. to share upon an instrument a song sung by a voice: grata feminis Imbelli cithara carmina divides, Hor. C. 1, 15, 15.
Fēmĭna Applied as a term of reproach to effeminate men, Ov. M. 12, 470; Sil. 2, 361; Suet. Caes. 22; Just. 1, 3; Curt. 3, 10 fin. al.
Ov. Met. 12.470di-spergo Mesopotamia vicatim dispersa, i. e. divided, Plin. 6, 26, 30, § 117: magna pars Judaeae vicis dispergitur, Tac. H. 5, 8
Full well I doo remember that Cymelius threw a dart
Which lyghted full in Nesseyes flank about his privie part.
And think not you that Mops, the sonne of Ampycus, could doo
No good but onely prophesye. This stout Odites whoo
Had bothe the shapes of man and horse, by Mopsis dart was slayne,...
Forgettst thou how thou purchasedst this counterfetted shape
Of man? Consyderest what thou art by birth? and how for rape
Thou art become the thing thou art?
When Hezekiah began to reign HE PROPOSED a Plague Stopping exorcism to toss out the instruments of Assytian worship proves that God did not commande the Jacob-cursed, God-abanded Levites as the Musical Worship Team. They were to stand in ranks and EXECUTE any of the godly tribes who came NEAR or IN any of the not-commanded temples and sacrificial system.
As soon as Hezekiah died the nation returned to instrumental music as they stopped animal sacrifices and restored burning infants to Molech. Christ in Isaiah 33 connects God REPAYING the instrumental practices by Driving His enemies into "hell" with the same sounds of wind, string and percussion instruments.
Israel fell from Grace because of musical idolatry. God assigned the Jacob-cursed and God-abandoned Levites to perform NATIONAL animal sacrifices which Christ said God did not command. He Quarantined those not of the Civil-Military-Clergy to the synagogue. This protected them from the musical idolatry at the temple which was a ziggurat. They READ and DISCUSSED the Word and OUTLAWED "vocal or instrumental rejoicing" or any elevated form of speech. After all, Jesus called the Scribes and Pharisees, hypocrites. In the Ezekiel 33 version Christ named self-speakers (entertainers), singers and instrument players. Christ used this as a MARK of those who refused to obey the Word of God.
ALL musical discorders missed the class on Acts 7 where Stephen debunked the temple and all of the hypocritical clergy afflicted with blood and flesh lust.
Acts 7:41 And they made a calf in those days,
and offered sacrifice unto the idol,
and rejoiced in the works of their own hands
Acts 7:43 Yea, ye took up the tabernacle of Moloch, and the star of your god Remphan, figures which ye made to worship them: and I will carry you away beyond Babylon.Euphrainō , Ep. euphr-make merry, enjoy oneself,
ai. mēkhanēn, [sound, lights]in the theatre,
4. take up and bear, as a burden, moron A.Pers.547; athlon S.Tr.80; algos A.R.4.65.
2. raise by words, hence, praise, extol, E.Heracl.322, etc.; ai. logō to exaggerate, D.21.71.
mēkha^n-ēThe CIVIL-MILITARY-CLERGY was called Robbers and Parasites IMPOSED because of musical idolatry at Mount Sinai.
FIRST Levites STOOD guard To Execute you NEXT: When the Levites made NOISE. 1Chronicles 25:1 David [King], together with the commanders of the army, set apart some of the sons of Asaph [take away, remove] Heman and Jeduthun for the ministry of prophesying, accompanied by harps, lyres and cymbals. Here is the list of the men who performed this service:
servĭo To be enslaved to, to serve:Prŏphēta and prŏphētes , ae, m., = prophētēs, I. a foreteller, soothsayer, oraculorumque interpretes, sacerdotes Aegyptiorum,
Aegyptius, propheta primarius,
prīmārĭus primarius parasitus,
Parasitus one who, by flattery and buffoonery, manages to live at another's expense, a sponger, toad-eater, parasite, parasitorum in comoediis assentatio,
Constituo 1. To station or post troops somewhere, to draw up, set in order: legionem
Con-custōdītus closely watched, carefully guarded:
Numbers 18:1 And the LORD said unto Aaron,
Thou and thy sons and thy fathers house with thee
shall bear the iniquity of the sanctuary:
and thou and thy sons with thee
shall bear the iniquity of your priesthood.
Num 18:3 And they shall keep thy charge, and the charge of all the tabernacle: only they shall not come nigh the vessels of the sanctuary and the altar, that neither they, nor ye also, die.
Num 18:7 Therefore thou and thy sons with thee shall keep your priests office for every thing of the altar, and within the veil; and ye shall serve: I have given your priests office unto you as a service of gift: and the stranger that cometh nigh shall be put to death.
with cymbals, with psalteries, and with harps,and of Gad the kings seer,
according to the commandment of David,
2Chr. 29:27 And Hezekiah commanded to offer the burnt offering upon the altar.
Thus saith the Lord of hosts, the God of Israel;
Put your burnt offerings unto your sacrifices, and eat flesh. Jeremiah 7:2121. Put ... burnt offerings unto ... sacrifices ... eat flesh--Add the former (which the law required to be wholly burnt) to the latter (which were burnt only in part), and "eat flesh" even off the holocausts or burnt offerings. As far as I am concerned, saith Jehovah, you may do with one and the other alike. I will have neither (Isa 1:11 Ho 8:13 Am 5:21,22).
For I spake NOT unto your fathers, nor commanded themin the day that I brought them out of the land of Egypt, oncerning burnt offerings or sacrifices: Jeremiah 7:22
But this thing commanded I them, saying,
Obey my voice, and I will be your God, and ye shall be my people:
But they HEARKENED NOT, nor inclined their ear,but walked in the counsels and in the imagination of their evil heart,and went backward, and not forward. Jeremiah 7:24
2Chr. 29:26 And the
Levites stood with the instruments of David,
Sto, a. To stand in the ranks or under arms, to fight: quisque uti steterat, jacet obtinetque ordinem, Sententiā
SO THAT A stranger [non-Levite] that cometh nigh shall be put to death.
And when the burnt offering began,
[God did not command sacrifices or burnt offerings Isaiah 1; Jeremiah 7 Christ and the Law of Silence]
the song of the LORD began also with the trumpetsand the priests with the trumpets.
No one makes any instrumental noise yet.
and with the instruments ordained by David king of Israel.
Test: Who ordained musical instruments?
The godly people attended Synagogue to quarantine them from the Jacob-cursed and God-abandoned Levites.
Synagogue was INCLUSIVE of Rest, Reading and Rehearsing the Word (only) of God (only)
Synagogue was EXCLUSIVE of "vocal or instrumental rejoicing or elevated sermons."
-Aristotle Poetics [941b] if convicted. Theft of property is uncivilized,
open robbery is shameless: neither of these has any of the sons of Zeus practiced,
through delight in fraud or force.
Let no man, therefore, be deluded concerning this or persuaded
either by poets or by any perverse myth-mongers into the belief that,
when he thieves or forcibly robs (churches), he is doing nothing shameful,
but just what the gods themselves do.1
That is both unlikely and untrue;
and whoever acts thus unlawfully is neither a god at all nor a child of gods;
1 Cp.Plat. Rep 378 ff., Plat. Rep. 388 ff. Hermes is specially in mind, as notorious for his thefts and frauds; cp. Homer Iliad 5. 390; 24. 395, etc. [Hermes is the mark of the New Hermeneutic: based on lies]
The NACC (does not speak for the Independent Christian churches) pretends that the band of brothers they planned to subvert reached the decision all by themselves. The "unity" gatherings tried that ploy for 25 years and gave up. This is sold as ANTI-instrumental churches of Christ beginning to see the light.[411a] "Certainly." "And that of the ill adjusted is cowardiy and rude?" "It surely is."
"Now when a man abandons himself to music to play 1 upon him and pour 2 into his soul as it were through the funnel of his ears those sweet, soft, and dirge-like airs of which we were just now3 speaking, and gives his entire time to the warblings and blandishments of song, the first result is that the principle of high spirit, if he had it,
Note 1. kat-auleτ, A. charm by flute-playing, [methuo: "don't get drunk with wine'] drinking wine to the strains of the flute, subdued by a flute accompaniment, metaph, to be piped down, ridiculed,
Note 2 katechomai is used of divine "possession" or inspiration in Phaedr. 244 E, Ion 533 E, 536 B, etc., Xen.Symp. 1. 10.
Note 3 Cf. 398 D-E, where the thrκnτdeis harmoniai are rejected altogether, while here they are used to illustrate the softening effect of music on a hard temperament. It is misspent ingenuity to harp on such "contradictions.
Playing demands: katapsallτ, A. play stringed instruments to, [sumposion] kataulein kai. 2. Pass., to be buried to the sound of music
Plutarch, Marcus Antonius: Thus, all their forces being joined together, they hoised 5 sail towards the ile 6 of Samos. and there gave themselves to feasts and solace. For as all the kings, princes, and commonalties, people, and cities, from Syria unto the marrishes Maeotides, and from the Armenians to the Illyrians, were sent unto, to send and bring all munition and warlike preparation they could:
even so all players, minstrels, tumblers, fools, and jesters, were commanded to assemble in the ile of Samos. So that, where in manner all the world in every place was full of lamentations, sighs, and tears, only in this ile of Samos there was nothing for many days' space but singing and piping, and all the theatre full of these common players, minstrels, and singing -men. Besides all this, every city sent an ox thither to sacrifice, and kings did strive one with another who should make the noblest feasts, and give the richest gifts. So that [p. 204] every man said, "What can they do more for joy of victory, if they win the battle, when they make already such sumptuous feasts at the beginning of the war ?"
Antonius carrieth Cleopatra with him to the wars against Octavius Caesar: and kept great feasting at the isle of Samos together.
[411b] is softened like iron and is made useful instead of useless and brittle. But when he continues the practice without remission and is spellbound, the effect begins to be that he melts and liquefies till he completely dissolves away his spirit, cuts out as it were the very sinews of his soul and makes of himself a 'feeble warrior.' Assuredly, he said. And if, said I, he has to begin with a spiritless nature he reaches this result quickly, but if high-spirited, by weakening the spirit he makes it unstable,
Thrκnτdeis harmoniai
Thrκnτdκs 1 [eidos] like a dirge, fit for a dirge, Plat.
Thrκnos 1 [threomai]1. a funeral-song, dirge, lament, Lat. naenia, Il., Hdt., Trag.; thrκnos houmos for me, Aesch.2. a complaint, sad strain, Pind., etc.
They are like unto children sitting in the marketplace, and calling one to another, and saying, We have piped unto you, and ye have not danced. we have mourned to you, and ye have not wept. Luke 7:32
Threnos (g2355) thray'-nos; from the base of 2360; wailing: - lamentation.
Threskeia (g2356) thrace-ki'-ah; from a der. of 2357; ceremonial observance: - religion, worshipping.
In a video clip Jeff Walling is stroked by the NACC for transitioning from TRADITIONAL to CONTEMPORARY worship. "Tradition" or "heritage" is a RACA word and of course recorded history knows that it is a lie trying to exercise psychological violence. No one in recorded history SANG as a act in that CANTILLATION style until after Constantine and that split the east from the western churches. The BIBLICAL tradition Timothy was commanded to observe could never miss these facts:
Jeff Walling and those intentionally "infiltrating and diverting" property for their own use use as FOUNDATION the Jacob-cursed and God-abandoned Levites.
- The direct command is to "use one mind and one mouth to SPEAK that which is written for out learning" Paul defined as Scripture. This began with The Church in the Wilderness and never changed for the godly Jews.
- There is no metrical "that which is written" for which there is a DIRECT COMMAND: history reports that singing as an ACT originated about the year 373 and this was reciting Bible stories. Even then it split the east from the western churches.
- There was nothing "singable" and nothing sung in simple melody in a tuneful sense until after the Reformation and that was rewritten psalms sung in unison.
- The DISCIPLE of Christ unearthed the PSALLO word to try to attract Churche of Christ in the year 1878. Of course, their scholars proved that there is NO musical content in the word PSALLO: it means to pluck or smite something with your fingers and NEVER with a plectrum. Psallo can never be applied to an instrument without strings.
- Because instruments were IMPOSED into peaceable churches and was not required to operate what Christ and the Campbells called A School of Christ, that is THE definition of heresy or sectarianism.
- Paul outlaws SELF-pleasure as the absolute requirement to enable the direct command to "use one mind and one mouth to speak that which is written for our learning" (Romans 15)
- Both in Latin and Greek Areskos or Placeo speaks of self-pleasure and both point to the use of histrionics to lift up or frazzle the nerves to enable the heretic to "take your property for his own use."
The Church of Christ continued the Synagogue which by law and common decency never had any instrumental noise when the elders of small groups were commanded to READ and understand the COVENANT which the Jews lost BECAUSE of musical idolatry at Mount Sinai. Moses Lard on Music noted
- They claim that the Levites were God's command for a Musical Worship Team.
- God commanded the Levites to "stand in ranks" and execute any of the godly person who came near any holy thing or into any holy place.
Jeff Walling is asked "what does it take to make this change." Jeff notes that after 15 syears the "leaders" reached this discision to change Syle and Purpose with lots of difficulty "but do you think I am going to tell these people" meaning HOW we subverted the church.Hence the obscurity of the Scriptures on certain subjects to the modern reader. But these allusions can be verified and the obscurities cleared up by reference to external history, and this Jewish history.
Such a reference is legitimate and necessary, because our religion originated among the Jews. The Lord and his apostles were Jews, educated under Jewish notions and customs. The converts for eight years were Jews; the majority in every church were Jews. The leading men and officers of the church were Jews, so that we need not be surprised to find that the Christian church was modeled after the Jewish synagogue.
It was in the synagogues of the Jews that Christ and his apostles first preached the gospel; it was here they found hearers, and here where Christianity first got a foothold. For these reasons it is necessary and proper to have recourse to Jewish history in certain cases, in order to verify allusions in the Scriptures and clear up obscurities.
It takes almost a century of so-called "unity" meetings as a ploy but listing all of the "instrument" passages--ignoring the context--proving that we can have unity if YOU affirm that we were correct in imposing instruments in the Disciples.
SOME OF THOSE INTENTIONALLY TRYING TO SUBVERT PEOPLE INTO USING INSTRUMENTS
The Boswell Hardeman Debate settled the issue until now
The 1939 UNITY meeting
A. Ralph Johnson in Instrumental Music, Sacred or Sinful.
1. Tom Burgess in Documents on Instrumental Music reviewed. Psallo and Instrumental Music: Proofs do not prove anything but the "music-homosexuality" connection.
2. Tom Burgess More Review of Plutarch: if Psallo authorizes "church music" it authorizes a homosexual gathering.
3. Tom Burgess on Moralia confirms the "Music-Heresy-Perversion" connection which has no historical exception. 10/20/04
4. Tom Burgess on John Chrysostom: are the anti-instrumentalists ignorant rurals? 10/21/04 What about Paul and Martin Luther and John Calvin and Zwingli and--everyone who believed the Bible as authority.
5. Tom Burgess on Kurfees versus Thayer and Grimm: Quotes from: G. C. Brewer, A Medley on the Music Question, Gospel Advocate, Nashville 1948. Burgess uses the same Krewson arguments. LATEST 11/08/05
Charles Daily Northwest College of the Bible Part One11/30/04 .... Part One A .....Part Two .... THRESKIA or CHARISMATIC
Alfred T. DeGroot The Restoration Principle
Alfred T. DeGroot Rejecting Tradition
Alfred T. DeGroot Subtracting Music
Alfred T. DeGroot The Instructor
Alfred T. DeGroot Cyprian
Alfred T. DeGroot Justin Martyr
Alfred T. DeGroot Lactantius
Alfred T. DeGroot TertullianWhat does it take to make this change? A history of trying to impose instruments and an effort OF BIBLICAL PROPORTION to seduce non-students like Jeff Walling.Dwaine E. Dunning Number One: An AXE at the root of the MUSIC tree.
Dwaine E. Dunning Number Two: Using the Sword Youthful Friar and Alexander the Great
Dwaine E. Dunning" Number Three First Century Influences on Instrumental Music
Dwaine E. Dunning" Number Four Was Instrumental Music Only for Israel.
Dwaine E. Dunning" Number five Making Melody ln the Heart
Victor Knowles at Pepperdine 2004
David Faust at FHU promoting "unity" instruments IN the Temple
Victor Knowles at Pepperdine 2004 part 2
David Faust at FHU promoting "unity" instruments IN the Temple2
David Faust at FHU promoting "unity" and claiming that instruments were PROPHESIED.
David Faust denying that Jesus said anything against instruments
Bill Swetmon on The Odes of Solomon church of Christ, Freed Hardeman
Bill Swetmon on Josephus and Psallo church of Christ, Freed Hardeman
Bill Swetmon on Gregory of Nyssa on Psallo Churches of Christ, Freed Hardeman
Bill Swetmon on Clement's "permission" Churches of Christ, Freed Hardeman
The other agent of the NACC, Rick Atchley handled by David Faust, says "we took your youth to festivals and exposed them to lots of musical bands: "We taught your youth to LEAVE YOUR MOVEMENT.
In asking HOW one leads a traditional church through major change into CONTEMPORANEOUS "worship" Jeff responded bh using technology to reach world we are living in, different, open
In the first statement, to call remaining faithful to direct commands from the Church of Christ (the Rock) in the wilderness onwards just "your traditions" or "your heritage" is an evil lie.
It was after the fall from The Book of The Covenant of Grace because of Instrumental noise at Mount Sinai that Moses wrote the story of creation. Because God sentenced the Israelites to be return to "beyond Babylon" Moses prepared for their WITHOUT REDEMPTION exile by telling the record on Babylonian tablet one to two thousand years old.
Jeff Walling missed:
Genesis 4:21 And his brothers name was Jubal: he was the father of all such as handle the harp and organ.
Jubal HANDLED musical instruments and used them to STEAL other people's animals and sell them back.
H8610 tβphaś taw-fas' A primitive root; to manipulate, that is, seize; chiefly to capture, wield; specifically to overlay; figuratively to use unwarrantably:catch, handle, (lay, take) hold (on, over), stop, X surely, surprise, take.The Serpent (for Disciple) was not a Snake but a Musical Enchanter(ess). Christ in the Prophets identifies the King of Tyre as the agent of Lucifer
H8611 tτpheth to'-feth From the base of H8608 ; a smiting, that is, (figuratively) contempt:tabret.
H8612 tτpheth to'-feth The same as H8611 ; Topheth, a place near Jerusalem:Tophet, Topheth.
Jeff Walling missed:
Isaiah 23:15 And it shall come to pass in that day,
that Tyre shall be forgotten seventy years, according to the days of one king:
after the end of seventy years shall Tyre sing as an harlot.
The song of the harlot reads:
Take sūmo
an [1] harp, go about the city,
thou harlot that hast been forgotten;
make sweet [2] melody,
[3] sing many songs, that thou mayest be remembered. Isaiah 23:16
Hor. C. 1, 12, 2: What man, what hero, what god shall we sing, O Clio, while echo repeats his name in the fabled haunts of the Muses? Of gods, the All-father first, then Pallas, Diana, Liber, Phoebus [Apollo, Abaddon, Apollyon]. Of heroes, Hercules, Castor, Pollux.
To me the artist's meed, the ivy wreath
Is very heaven: me the sweet cool of woods,
Where Satyrs frolic with the Nymphs, secludes
From rabble rout, so but Euterpe's breath
Beast in Revelation is defined as "a new style of music or drama." The beasts as operatives were the Satyrs and the nymphs (brides in Revelation 18) which speaks of the Hieros Gamos.Fail not the flute, nor Polyhymnia fly
Averse from stringing new the Lesbian lyre.
O, write my name among that minstrel choir,
And my proud head shall strike upon the sky!
Orphea: legendary singer of Thrace, a symbol of the charms of music 'to soothe a savage breast, | To soften rocks or bend a knotted oak. 'Orpheus could lead the savage race, | And trees unrooted left their place Sequacious of the lyre'; Tenn. Amphion; Dobson, A Case of Cameos, Sardonyx; Words. Power of Music.
blandum et: and having charm to; 'that wild rout that tore the Thracian bard | In Rhodope where woods and rocks had ears | To rapture.'fidibus canoris: with melodious strings; Verg. Aen. 6. 120, Threicia fretus cithara fidibusque canoris.The Spirit OF Christ identified the king of Tyre (Melkart] as Lucifer: in Revelation 17 she is the Babylon mother of harlots who uses speakers, singers and instrument players. John calls them SORCERERS who HAD once deceived the whole world. Yes, there are very old spirits unleashed by Apollo where the LOCUSTS were Abaddon's musical worship team: dirty adulteresses.
- If the Spirit OF Christ along with recorded history connects musical instruments used by prostitutes to seduce customers.
- And Jeff Walling says he covered the WHOLE Old Testament
- And proved that they should impose instruments.
- Then Christ in Jeremiah 23 says that this is blaspheming the Holy Spirit of Christ
Jeff Walling missed:
Isaiah 14:11 Thy pomp is brought down to the grave,
and the noise of thy viols: [never called music]
the worm is spread under thee, and the maggots cover thee.
Isaiah 14:12 How art thou fallen from heaven,
O Lucifer, son of the morning! how art thou cut down to the ground, which didst weaken the nations!
Isaiah 14:13 For thou hast said in thine heart,
I will ascend into heaven, I will exalt my throne above the stars of God:
I will sit also upon the mount of the congregation, in the sides of the north:
Musical worship teams (a blasphemy) claim that they can lead you into the presence of God.Jeff Walling didn't speak for Christ:
Isaiah 23:15 And it shall come to pass in that day,
that Tyre shall be forgotten seventy years, according to the days of one king:
after the end of seventy years shall Tyre sing as an harlot.
Isaiah 23:16 Take an [1] harp, go about the city,
thou harlot that hast been forgotten;
[2] make sweet melody,
[3] sing many songs, that thou mayest be remembered.
Isaiah 23:17 And it shall come to pass after the end of seventy years,
that the LORD will visit Tyre, and she shall turn to her hire,
and shall commit fornication
with all the kingdoms of the world upon the face of the earth.
Christ identified Babylon as LUCIFER in the garden of Eden.
Ezekiel 28:13 Thou hast been in Eden the garden of God;
every precious stone was thy covering, the sardius, topaz, and the diamond,
the beryl, the onyx, and the jasper, the sapphire, the emerald, and the carbuncle, and gold:
the workmanship of thy tabrets and of thy pipes
was prepared in thee in the day that thou wast created.
fŏrāmen , ĭnis, n. id., I. an opening or aperture produced by boring, a hole. tibia tenuis simplexque foramine pauco,Ezekiel 28:14 Thou art the anointed cherub that covereth; and I have set thee so:
hou wast upon the holy mountain of God; t
hou hast walked up and down in the midst of the stones of fire.
Ezekiel 28:15 Thou wast perfect in thy ways from the day that thou wast created, till iniquity was found in thee.
Ezekiel 28:16 By the multitude of thy merchandise they have filled the midst of thee with violence,
and thou hast sinned: therefore I will cast thee as profane out of the mountain of God:
and I will destroy thee, O covering cherub, from the midst of the stones of fire.
Cast as profane is the "play the flute, steal other's property, pollute or prostitute.
The halal praise word means "to make self file" and the root of the LUCIFER word.
Did Jeff Walling or anyone DARE go to the prophets? The Church is built upon (educated by) the Prophets and Apostles Christ being the Author and Finisher.
Isaiah 30 The Spirit OF Christ warned about the MUSIC and being cast into HELL connection
And on and on and on to Revelation 17 where John warned about the RESTORED Babylon mother of harlots. She uses lusted after fruits (same as in Amos) as speakers, singers and instrument players. John calls them SORCERERS and says that they will be cast alive into the lake of fire along with the "dogs" and liars.And his breath [SPIRIT], as rushing water in a valley, reach reach as far as the neck, and be divided, to confound the nations for their vain error; error also shall pursue them and overtake them. Isaiah 30:28 LXX
Must ye always rejoice, and go into my holy places continually, as they that keep a feast? and must ye go with a pipe, as those that rejoice into the mountain of the Lord, to the God of Israel Isaiah 30:29 LXX
and the Lord shall make his glorious voice to be heard and the wrath of his arm, to make a display with wrath and anger and devouring flame: he shall lighten terribly, and his wrath shall be as water and violent hail. Isaiah 30:30 LXX
For by the voice of the Lord the Assyrians shall be overcome, even by the stroke where with he shall smite them. Isaiah 30:31 LXX
And it shall happen to him from every side, that they from whom their hope of assistance was, in which he trusted, themselves shall war against him in turn with drums and with harp. Isaiah 30:32 LXX
For thou shalt be required before thy time: has it been prepared for thee also to reign? nay, God has prepared for thee a deep trench, wood piled fire and much wood: the wrath of the Lord shall be as a trench kindled with sulphur. Isaiah 30:33 LXX
"We may understand a thing as spoken generally, even when it requires a certain special interpretation to be given to it. For some things spoken with a special reference contain in them general truth.
When God admonishes the Isrealites of their duty, or sharply reproves them,
He has surely a reference to all men;when He threatens destruction to Egypt and Ethiopia,
He surely pre-condemns every sinning nation, whatever.If, reasoning from species to genus, every nation that sins against them is an Egypt and Ethiopia; so also, reasoning from genus to species, with reference to the origin of shows, every show is an assembly of the wicked.
The NACC has trained a few people to IGNORE all recorded evidence and call the Spirit of Christ a liar.
And YET, Jeff Walling said that He Taught entire old testament in one week. No doubt he used the White Paper supplied by the NACC which was used in all CHANGES including an agent such as David Faust to hold hands.
Lynn Anderson has collected the proof-texts used by the NACC. Unfortunately men like Jeff Walling never read about God turning them over to worship the starry host BECAUSE of musical idolatry.
Did anyone ever read Acts 7 and grasp why the Clergy murdered Stephen?
Acts 7:38 This is he, that was in the church [of Christ the Rock] in the wilderness
with the angel which spake to him
in the mount Sina, and with our fathers:
who received the lively oracles to give unto us
Not the Law but The Book of The Covenant made by Christ to Abraham.
Acts 7:39 To whom our fathers would not obey,
but thrust him from them,
and in their hearts turned back again into Egypt,
Acts 7:40 Saying unto Aaron,
Make us gods to go before us: for as for this Moses,
which brought us out of the land of Egypt, we wot not what is become of him.
Acts 7:41 And they made a calf in those days,
and offered sacrifice unto the idol,
and rejoiced in the works of their own hands.
IF GOD ABANDONED ISRAEL TO BABYLONIANISM BECAUSE OF MUSICAL IDOLATRY THEN MARK FOR AVOIDANCE THOSE WHOM GOD HAS ABANDONED TO THEIR OWN IMAGINATIONEuphrainō , Ep. euphr-, fut. Att.155.12, Pi.I.7(6).3
II. Pass., make merry, enjoy oneself, Xen. Sym. 7.5
ai. mēkhanēn, in the theatre, Antiph.191.15; so epi tas mēkhanas katapheugousi theous
4. take up and bear, as a burden, moron A.Pers.547; athlon S.Tr.80; algos A.R.4.65.
2. raise by words, hence, praise, extol, E.Heracl.322, etc.; ai. logō to exaggerate, D.21.71.
mēkha^n-ē
panta sophismata kai pasas m. epepoiēkee es autous Dareios Hdt. 3.152; mēkhanais Dios by the arts of Zeus,
sophistōn m. Pl.Lg.908d
Plat. Laws 908d For whereas the one class will be quite frank in its language about the gods and about sacrifices and oaths,
and by ridiculing other people will probably convert others to its views, unless it meets with punishment,
the other class, while holding the same opinions as the former,
yet being specially gifted by nature'' and being full of craft and guile, is the class out of which are manufactured many diviners and experts in all manner of jugglery; and from it, too, there spring sometimes tyrants and demagogues and generals, and those who plot by means of peculiar mystic rites of their own, and the devices of those who are called sophists. Of these there may be many kinds;
Sophis-tēs , ou, ho, A. master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, meletan sophistais prosbalon Pi.I.5(4).28, cf. Cratin.2; of musicians, sophistēs . . parapaiōn khelun [turtle harp] A.Fr.314, cf. Eup.447, Pl.Com. 140; sophistē Thrēki (sc. Thamyris) E.Rh.924, cf. Ath.14.632c: with modal words added, hoi s. tōn hierōn melōn (religious melody) Apollōnidē sophistē
Magga^n-eia , hē, A. trickery, esp. of magical arts, Pl.Lg.908d; magganeiai kai epōdai ib.933a; periapta kai m. Ph.2.267, Gal.11.792; tēs Kirkēs hē m.
No, we do not sing or MUSICATE in the School of Jesus Christ in the Prophets and Apostles.
Epōdē , Ion. and poet. epa^oidē , hē,A. song sung to or over: hence, enchantment, [burden] spell, epaoidē sophou thrēnein epōdas pros tomōnti pēmati S.Aj. 582 ; of the Magi, Hdt.1.132 ; meliglōssois peithous epaoidaisin A.Pr. 174, cf. S.OC1194 ; epōdas epadein X.Mem.2.6.10 sq.; epōdais haliskesthai Anaxandr.33.13; oute pharmaka..oud' au epōdai Pl.R. 426b ; thusiai kai e. ib.364b ; tas thusias kai teletas kai tas e. Id.Smp.202e, etc.: c. gen. obj., charm for or against.., toutōn epōdas ouk epoiēsen patēr A.Eu.649.II.apptly., = epōdos 11,
Pharma^kon paiōnia A.Ag.848; khrēsimon cf. Apoc.9.21.
Manti^s , Sibulla: diviner, seer, prophet, of Apollo and Cassandra, of the Pythian priestess
Pind. I. 6 Just as we mix the second bowl of wine when the men's symposium is flourishing, here is the second song of the Muses for Lampon's children and their athletic victories: first in Nemea, Zeus, in your honor they received the choicest of garlands,
Pind. I. 7 In which of the local glories of the past, divinely blessed Thebe, did you most delight your spirit? Was it when you raised to eminence the one seated beside Demeter of the clashing bronze cymbals, flowing-haired [5] Dionysus? Or when you received, as a snow-shower of gold in the middle of the night, the greatest of the gods, when he stood in the doorway of Amphitryon, and then went in to the wife to beget Heracles?
But since ancient grace sleeps, and mortals are forgetful of whatever does not reach the highest bloom of skillful song, joined to glorious streams of words, [20] then begin the victory procession with a sweet-singing hymn for Strepsiades;
Acts 7:42 Then God turned,
and gave them up to worship the host of heaven;
as it is written in the book of the prophets,
O ye house of Israel, have ye offered to me slain beasts and sacrifices
by the space of forty years in the wilderness?
Acts 7:43 Yea, ye took up the tabernacle of Moloch, and the star of your god Remphan,
figures which ye made to worship them: and I will carry you away beyond Babylon.
- If Israel rose up in the Musical Idolatry of the always-pagan trinity under Apis the golden calf.
- And God broke The Book of The Covenant of Grace and gave them The Book of The Law because of this transgression.
- And God sentenced the to return to BEYOND babylon: land of no return. And most never returned
- Why did Jeff Walling not warn theam that musical idolatry was WITHOUT REDEMPTION?
The Egyptian Opis (Apis) and others which Israel worshipped at Mount Sinal were worshipped throughout the area. "In preference to all other hymns these choirs generally sang the so-called epiphany hymns,which were intended to invite the gods to appear. Plutarch wrote: Why do the women of Elis call upon God in song to approach them with the bull's foot? Their song is the following:"For nonliterate peoples, music often serves purposes other than entertainment or aesthetic enjoyment. Certain wind instrumentare closely associated with the supernatural, and their sounds connote powerful magic. Australian Aborigines, for instance, identify the sound of a bull-roarer with thevoices of supernatural beings; for the Plains Indians, the same sound signifies an awesome natural phenomenon, such as thunder. Wind instruments are often among a group's most important ritual objects, and in some cultures they are specially venerated. The Kamairua Indians of the Amazon rain forest keep their giant flutes (three to four feet long), wherein spirits are believed to dwell, in a special shrine where they are worshiped. The flutes and drums of New Guinea are similarly housed and worshiped.Come, Dionysus, Hero,
into the holy temple of Elis,
together with the Graces
come violently into the temple with the bull's foot!
Then they sang twice at the end: "Sacred Bull!" (Johannes Quasten, Music & Worship in Pagan and Christian Antiquity, p. 76)
"Wind instruments in primitive cultures also serve nonreligious functions. In New Guinea, bamboo trumpets were once playedto frighten an enemyduring battle and"Conch-shell trumpets are used for signaling in the Pacific coastal regions of Columbia and in the Ecuadoran highlands.
to alert a village that the victorious warriors were coming home with the corpses of the foes.Trumpets also may be associated with the office of king or chief, as in West Africa,The Ghebers of Hebron 2 Hoaea, xii. 4 derives the name Inracl from Sarah to contend, to fight, and El = God of Fire. Gen. xxxii. '28. Asarians, Asriel, Israel, a name of the War god {Exodus, xiii. 21, 22, xiv. 25), Saturn and the Sun. The Fire-god Azar was the God of war, and M'irs was the Sun. Macrob. I. xvii. OS
where their use is strictly controlled by tribal law. "wind instrument" Encyclopζdia Britannica Online.
But these fire-worshippers carried with them the arks of Moloch and Khiun (Life-god), their Adon, and they had, like the other peoples of the Delta, their Mysteries, which the priests instituted. They took with them from Phoenicia, probably, a certain knowledge of fixed vocal signs; and it would not be safe to deny to Syria the possession of some sort of (Syrian) hieroglyphs
DID JEFF WALLING TELL THOSE HE IS WAGED TO TEACH ABOUT RISING UP TO PLAY AT MOUNT SINAI WAS WITHOUT REDEMPTION?
NO PREACHER knows how to look back to Mount Sinai in Exodus 32.
Exod 32:5 And when Aaron saw it, he built an altar before it; and Aaron made proclamation, and said, To morrow is a feast to the Lord.
Exod 32:6 And they rose up early on the morrow, and offered burnt offerings, and brought peace offerings;
and the people sat down to eat and to drink, and rose up to play
The golden calf represented Apis a real bull calf in Egypt. This represented the always-pagan ftrinitiy of Osiris, Isis and Horus.
Hebrew: h6711 tsachaq, tsaw-khak΄; a primitive root; to laugh outright (in merriment or scorn); by implication, to sport:laugh, mock, play, make sport.
[6] surgentesque mane obtulerunt holocausta et hostias pacificas et sedit populus comedere ac bibere et surrexerunt ludere
Surgo they rose up in insurrection AGAINST God.
Hκdonais 3. Pl., desires after pleasure, pleasant lusts, X.Mem.1.2.23, Ep.Tit.3.3,
"The triumphal hymn of Moses had unquestionably a religious character about it; but the employment of music in religious services, though idolatrous, is more distinctly marked in the festivities which attended the erection of the golden calf." (Smith's Bible Dictionary, Music, p. 589).
Ludo A. To sport, play with any thing, to practise as a pastime, amuse one's self with any thing, B. To sport, dally, wantonly Esp., to play on an instrument of music, to make or compose music or song: carmina pastorum,
Vellem a comedy which wishes (i. e. is meant) to be in demand, b. Of the wishes of those that have a right to command, the gods, masters, parents, commanders, etc., I want, wish, will, am resolved, it is my will:
Canto I. Neutr., to produce melodious sounds (by the voice or an instrument), to sound, sing, play, Less freq. of instrumental music, and only with abl. of the instrument, in comedy, to sing and play while the actor accompanies the song with gestures or dancing,
Tuba war trumpet, Apart from military purposes, it was used on various occasions, as at religious festivals, games, funerals, a signal for wor, exciter, instigator.
Empaizō , fut. To be deluded 2. euphem. in mal. part., LXXJd. 19.25.II. sport in or on, hτs nebros chloerais e. leimakos hκdonais E.Ba. 866 (lyr.); tois choroisin e. to sport in the dance, Ar.Th.975; tτi Luc.Lex.5Jdg 19:25 But the men would not hearken to him: so the man took his concubine, and brought her forth unto them; and they knew her, and abused her all the night until the morning: and when the day began to spring, they let her go.
Paig-ma , atos, to,A. play, sport, lōtos hotan . . paigmata bremē whene'er the pipe sounds its sportive strains, E.Ba.161(lyr.); Ludia p. luras Lyr.Alex.Adesp.37.15.II. 'child's play', to toiouto p. tōn logōnDid in one sermon Jeff Walling tell people that God actually commanded the musical idolatry.
Jeff said that despite the difficulty but we MUST change: if we do not CHANGE we quit living.> For I spake NOT unto your fathers, nor commanded them
in the day that I brought them out of the land of Egypt,
concerning burnt offerings or sacrifices: Jeremiah 7:22> But this thing commanded I them, saying,
> But they HEARKENED NOT, nor inclined their ear,
Obey my voice, and I will be your God, and ye shall be my people:
and walk ye in all the ways that I have commanded you,
that it may be well unto you. Jeremiah 7:23
but walked in the counsels and in the imagination of their evil heart,
and went backward, and not forward. Jeremiah 7:24
If Jeff and the NACC understood that Ekklesia-Synagogue is A School (only) of Christ (only) and is built upon or EDUCATED by the Prophets and apostles. Christ in the prophets calls all of the Civil-Military-Clergy complex in Jerusalem called Sodom and the Mother of Harlots Robbers and Parasites.
Christ outlawed vocal or instrumental rejoicing and the buffoonery form of speaking.
Jesus did not CHANGE that Direct Commandment and neither did anyone try to justify a change before the Disciples in 1878.
Malachi 3:6 For I, Yahweh, dont change; therefore you, sons of Jacob, are not consumed.Jeff said that it was not too much about the INSTRUMENT but what you are about: you teach the SAME gospel.Phortikos hapanta mimoumenē tekhnē phortikē art that imitates with a view to any and every man is vulgar, of an inflated rhetorical style, to discourse more like a clown than one of liberal education 2. philosopher, i. e. one who speculates on truth and reality, -ōtatē leitourgia most onerous, ; Epainos praise singing mim-eomai
Malachi 3:7 From the days of your fathers you have turned aside from my ordinances, and have not kept them.
Return to me, and I will return to you, says Yahweh of Hosts.
But you say, How shall we return?
Jeff Walling says: If Jesus had been around He would be using all of the NEW TECHNOLOGY implying that IF Jesus knew what Jeff Walling and the NACC knows HE would have approved of what they call "instrumental music in worship."
So, Jesus was just STUPID when He cast out like dung the musical minstrels and consigned to the marketplace the pipers, singers and dancers? Because the Ekklesia of Christ commands PREACHING the Word (only) by READING the Word it has no statutes of limitation. The NACC and Jeff Walling are not promoting a CLERGYLESS "one another teaching school" what would the do for a living. All religious operatives are called parasites.
Jesus now as The Holy Spirit Comforter is STILL the king of His Kingdom and High Priest over His temple and the ONLY authorized teacher when the "elders teach that which has been taught" and reprove or CAST OUT those who oppose it.
Because the Qahal, Synagogue, Ekklesia or Church of Christ in the wilderness has NEVER changed from being A School of Christ (only) there is no need to CHANGE.
GOD RESERVES THE RIGHT TO NOT BE CHANGED BY NACC AND JEFF WALLING ETAL.
Malachi 3 Prophecy of baptism of WIND and Fire on those who used magical means (rhetoric, singing, instruments) to rob the people. The warning about tithing is to the PRIESTS.
Malachi 4 defines the "baptism" of Spirit (Wind) and Fire for this Viper Race.
Ken Cukrowski, Mark Hamilton God's Holy Firec
Malachi 3:1 Behold, I send my messenger, and he will prepare the way before me;
and the Lord, whom you seek, will suddenly come to his temple;
and the messenger of the covenant, whom you desire, behold, he comes! says Yahweh of hosts.
Templum , 1. An open, clear, broad space, a circuit (so rare and mostly poet.): unus erit, quem tu tolles in caerula caeli Templa, i. e. the space or circuit of the heavens,Malachi 3:2 But who can endure the day of his coming?
Of the hollow space or chamber of the mouth:
Testāmentum , i, n. testor,
I. the publication of a last will or testament; a will, testament (cf. codicilli).
the laws relating to wills in ge
And who will stand when he appears?
For he is like a refiners fire, and like launderers soap;
Con-flo , āvi, ātum, 1,
I. v. a., to blow together, to blow up, stir up.
1. Of the passions, to kindle, inflame: conflatus amore Ignis, Lucr. 1, 474: invidiam inimico, Cic. Cat. 1, 9, 23; id. Cael. 12, 29; Sall. C. 49, 4: conjurationem, Suet. Ner. 36: cf.: ingens ac terribile bellum,
Ignis
A. (Mostly poet.) The fire or glow of passion, in a good or bad sense; of anger, rage, fury:
laurigerosque ignes, si quando avidissimus hauri, raving, inspiration, Stat. Ach. 1, 509: quae simul aethereos animo conceperat ignes, ore dabat pleno carmina vera dei, Ov. F. 1, 473: (Dido) caeco carpitur igni,
B. Figuratively of that which brings destruction, fire, flame:
Fullo , ōnis, m.Malachi 3:3 and he will sit as a refiner and purifier of silver,
I. A fuller, cloth-fuller, Plaut. Aul. 3, 5, 34; Plin. 28, 6, 18, § 66; Mart. 6, 93, 1; Dig. 12, 7, 2; Gai. Inst. 3, 143; 162 al.In mal. part.: comprimere fullonem, Nov. ap. Prisc. p. 879 P. (Com. Rel. v. 95 Rib.); hence: pugil Cleomachus intra cutem caesus et ultra, inter fullones Novianos coronandus,
The scourer: The "fullo" was a washer and cleaner of linen and woollen clothing with fuller's earth. As woollen dresses were chiefly worn by the Romans, they would, by reason of the perspiration produced by so hot a climate, require frequent purification. As the ancients, probably, were not acquainted with the use of ordinary washing soap, various alkalis were used in its place for the purpose of cleansing garments. It is not known whether the fuller's earth of the Romans resembled that used at the present day.
and he will purify the sons of Levi, and refine them as gold and silver;
and they shall offer to Yahweh offerings in righteousness.
Purgo 1. To make even by clearing away, (A good conscience)
1. To clear from accusation, to excuse, exculpate, justify
2. To cleanse or purge from a crime or sin with religious rites, to make expiation or atonement for, to expiate, purify, atone for, lustrate, = expiare, lustrare
Luke 3:2 Annas and Caiaphas being the high priests,
the word of God came unto John the son of Zacharias in the wilderness.
Luke 3:3 And he came into all the country about Jordan,
preaching the baptism of repentance for the remission of sins;
Luke 3:7 Then said he to the multitude that came forth to be baptized of him,
O generation of vipers, who hath warned you to flee from the wrath to come?
Ekhidn-a , hē, (ekhis) A. viper, Hdt.3.108, S.Tr.771, Pl.Smp.218a, etc.; prob. of a constrictor snake, Act.Ap.28.3: metaph., of a treacherous wife or friend, A.Ch.249, S.Ant.531; himatismenē e., of woman, Secund.Sent.8; gennēmata ekhidnōn brood of vipers, term of reproach, in Ev.Matt.3.7.Vipera term of reproach for a dangerous person B. Viper! serpent! as a term of reproach for a dangerous person saevissima, Juv. 6, 641: tandem, vipera, sibilare desiste, Flor. 4, 12, 37; cf. Don. Ter. Eun. 5, 1, 8.: Sibilo
Plat. Sym. 218a to describe his sensations to any but persons who had been bitten themselves, since they alone would understand him and stand up for him if he should give way to wild words and actions in his agony. Now I have been bitten by a more painful creature, in the most painful way that one can be bitten: in my heart, or my soul, or whatever one is to call it,
I am stricken and stung by his philosophic discourses,
which adhere more fiercely than any adder
when once they lay hold of a young and not ungifted soul,
and force it to do or say whatever they will;
I have only to look around me, and there is a Phaedrus, an Agathon, an Eryximachus,
Saevus aroused to fierceness (while ferus signifies naturally fierce); raging, furious, fell, savage, ferocious, etc
Passionate excitement, Cānĭdĭa, sorceress, often mentioned by Horace, Hor. Epod. 3, 8; id. S. 1, 8, 24; Cŭpīdo 2. Personified:
Cŭpīdo , ĭnis, m., the god of love, Cupid, son of Venus [LUCIFER, ZOE], tympana, sounding harshly or terribly Avarice, covetousness: Narcissum incusat cupidinis ac praedarum, Tac. A. 12, 57; in plur., id. H. 1, 66.* 2. Personified: Cupido sordidus, sordid Avarice, Hor. C. 2, 16, 15.Sibilo I. Neutr., to hiss, to whistle: stridor rudentum sibilat, whistles, so of a serpent, Prop. 4 (5), 7, 54. applaud
Verg. A. 11.754
Not slackly do ye join
the ranks of Venus in a midnight war;
or when fantastic pipes of Bacchus call
your dancing feet, right venturesome ye fly
to banquets and the flowing winewhat zeal,
what ardor then! Or if your flattering priest
begins the revel, and to Iofty groves
fat flesh of victims bids ye haste away!Malachi 3:4 Then the offering of Judah and Jerusalem will be pleasant to Yahweh,
Malachi 3:5 I will come near to you to judgment;
as in the days of old, and as in ancient years.
and I will be a swift witness against the sorcerers,
and against the adulterers, and against the perjurers,
and against those who oppress the hireling in his wages, the widow, and the fatherless,
and who deprive the foreigner of justice, and dont fear me, says Yahweh of Hosts.
-Mălĕfĭcĭum , ĭi, n. maleficus,
1. Fraud, deception, adulteration: me maleficio vinceres? Plaut. Truc. 2, 6, 20 Speng.; Quint. 7, 4, 36; Plin. 12, 25, 54, § 120.2. Enchantment, sorcery, Tac. A. 2, 69 Orell. N. cr.; App. M. 9, p. 230, 24; 231, 28; cf. magica, id. Mag. p. 278, 21; Schol. Juv. 6, 595.
Măgĭcus , a, um, adj., = μαγικός,Mălĕfĭcus (in MSS. also mălĭfĭ-cus ), a, um, adj. malefacio,
I. of or belonging to magic, magic, magical (poet. and in post-Aug. prose): artes, Verg. A. 4, 493: magicis auxiliis uti, Tib. 1, 8, 24: arma movere, Ov. M. 5, 197: superstitiones, Tac. A. 12, 59: vanitates, Plin. 30, 1, 1, § 1: herbae, id. 24, 17, 99, § 156: aquae, Prop. 4, 1, 102 (5, 1, 106): di magici, that were invoked by incantations (as Pluto, Hecate, Proserpine), Tib. 1, 2, 62; Luc. 6, 577: linguae, i. e. hieroglyphics, id. 3, 222; but lingua, skilled in incantations, Ov. M. 7, 330; Luc. 3, 224: cantus, Juv. 6, 610: magicae resonant ubi Memnone chordae, mysterious, id. 15, 5.
Cantus , ūs, m. id., I. the production of melodious sound, a musical utterance or expression, either with voice or instrument; hence, song, singing, playing, music
2. With instruments, a playing, music: in nervorum vocumque cantibus, Cic. Tusc. 1, 2, 4; id. Rosc. Am. 46, 134: citharae, Hor. C. 3, 1, 20: horribili stridebat tibia cantu, Cat. 64, 264: querulae tibiae, Hor. C. 3, 7, 30: dulcis tibia cantu, Tib. 1, 7, 47: bucinarum, Cic. Mur. 9, 22: simul ac tubarum est auditus cantus, Liv. 25, 24, 5: lyrae, Plin. 34, 8, 19, § 72: tibicines, qui fidibus utuntur, suo arbitrio cantus numerosque moderantur, Cic. Tusc. 5, 36, 104:
Of an actor: tardiores tibicinis modos et cantus remissiores facere, Cic. de Or. 1, 60, 254.
A. Prophetic or oracular song: veridicos Parcae coeperunt edere cantus, Cat. 64, 306; cf. Tib. 1, 8, 4.
B. An incantation, charm, magic song, etc.: cantusque artesque magorum. Ov. M. 7, 195; 7, 201: at cantu commotae Erebi de sedibus imis Umbrae ibant, Verg. G. 4, 471: magici,
B. In partic., magical: artes, Vulg. 2 Par. 33, 6.As substt.
1. mălĕfĭcus , i, m., a magician, enchanter:
2. mălĕfĭcum , i, n., a charm, means of enchantment: semusti cineres aliaque malefica, quis creditur anima numinibus inferis sacrari, Tac. A. 2, 69 fin.
2 Chronicles 33[6] He also made his children to pass through the fire in the valley of the son of Hinnom; and he practiced sorcery, and used enchantments, and practiced sorcery, and dealt with those who had familiar spirits, and with wizards: he worked much evil in the sight of Yahweh, to provoke him to anger.
2 Chronicles 33.6 transireque fecit filios suos per ignem in valle Benennon observabat somnia sectabatur auguria maleficis artibus inserviebat habebat secum magos et incantatores multaque mala operatus est coram Domino ut inritaret eum
Ars , artis, f. v. arma,
(a). Rhetorical : quam multa non solum praecepta in artibus, sed etiam exempla in orationibus bene dicendi reliquerunt! Cic. Fin. 4, 3, 5: ipsae rhetorum artes, quae sunt totae forenses atque populares, id. ib. 3, 1, 4: neque eo dico, quod ejus (Hermagorae) ars mihi mendosissime scripta videatur; nam satis in eā videtur ex antiquis artibus (from the ancient works on rhetoric) ingeniose et diligenter electas res collocāsse, id. Inv. 1, 6 fin.: illi verbis et artibus aluerunt naturae principia, hi autem institutis et legibus, id. Rep. 3, 4, 7: artem scindens Theodori, Juv. 7, 177.
Tŭmultus , canunt ignes subitosque tumultus, Manil. 1, 894: novos moveat F ortuna tumultus, Hor. S. 2, 2, 126.
2. Of thunder, storm, etc.: tremendo Juppiter ipse ruens tumultu, i. e. the roar of thunder, magis, Extreme Anxiety
A. Disturbance, disquietude, agitation, tumult of the mind or feelings: tumultus Mentis, Hor. C. 2, 16, 10; Luc. 7, 183: pulsata tumultu pectora, Petr. poλt. 123: sceleris tumultus, Hor. S. 2, 3, 208.
Acheron rapitur tumultu ingenti, Sen. Herc. Fur. 714: tumultus magis quam proelium fuit,B. Of speech, confusion, disorder: sermonis, Plin. 7, 12, 10, § 55: criminum, Quint. Decl. 1, 4.
canunt ignes subitosque tumultus,Malachi 3:13 Your words have been stout against me, says Yahweh.
A. Cano canta pro cantata ponebant; once canituri, Vulg. Apoc. 8, 13), 3, v. n. and a. [cf. kanassō, kanakhē, konabos; Germ. Hahn; Engl. chanticleer; kuknos, ciconice; Sanscr. kōkas = duck; Engl. cock], orig. v. n., to produce melodious sounds, whether of men or animals;
B. Ignis: Light the fire, Incentor song starter.
C. Sŭb-ĕo , Subdue, go under 2. In partic., to come on secretly, to advance or approach stealthily, to steal upon, steal into (poet.), Prop. 1, 9, 26; Ov. Am. 1, 2, 6; id. A. A. 1, 742.
subit ipse meumque Explet opus, succeeds me, takes my place, id. ib. 3, 648
1. In gen., to come in, succeed, take place; to enter stealthily, come secretly or by degrees: in quarum locum subierunt inquilinae impietas, perfidia, impudentia
This is the meaning of a HERETIC who uses the performing arts.
D. Tumultus
Yet you say, What have we spoken against you?
Malachi 3:14 You have said, It is vain to serve God;
and What profit is it that we have kept his charge,
and that we have walked mournfully before Yahweh of Hosts?
Corrupting the Word is "selling learning at wholesale" or "adultery." Honest preachers will never be rich and famous and never treacherous enough to deliberately to come on secretly, to advance or approach stealthily, to steal upon, steal into
Malachi 3:15 Now we call the proud happy; yes, those who work wickedness are built up;
yes, they tempt God, and escape.
Malachi 3:16 Then those who feared Yahweh spoke one with another;
and Yahweh listened, and heard, and a book of memory was written before him,
for those who feared Yahweh, and who honored his name.
Malachi 3:17 They shall be mine, says Yahweh of Hosts, my own possession in the day that I make,
and I will spare them, as a man spares his own son who serves him.
Malachi 3:18 Then you shall return and discern between the righteous and the wicked,
between him who serves God and him who doesnt serve him.
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