Any musical rituals to replace the School of Christ
worships Apollyon,
Rick.Atchley.The.New.Hermeneutic.html
Revelation.16.The.Mark.of.the.Beast.Signs
Acts.17.25.God.Not.Worshipped.Mens.Hands.html
Therefore, you worship
the BEAST if you pay for Rhetoric, Singing, Playing an
instrument, hearing opinion, hear experiences or PAY
TO PLAY.
The Babylon Mother of Harlots uses lusted after clergy as
singers, instrument players, any religious craftsperson clearly
defined as a PARASITE. The first BEAST depended on lying about
and slandering the Biblical Regulative Principle. When so
few congregations could be seduced, music and the effeminate was
called to the trenches;
REASONABLE OR RATIONAL WORSHIP IS A SCHOOL OF THE WORD OR
SPIRIT; Your Church is not Christian because it does not
CONTINUE IN HIS WORD.
Jesus said that He and His Disciples were FROM ABOVE: The Jewish
Clergy were from BENEATH or Tartarus.
Terra or dust " tera
natives of the soil, aborigines, autochthones"
The Earth as goddess used by feminists:
Personified, Terra, the Earth, as a goddess; usu.
called
Tellus,
Magna
Mater,
Ceres,
Cybele,
etc
The infernal regions, Prop. 3, 5
Jeanene.P.Reese.Theology.of.Women.Teachers
Jeanene.Reese.LGBT.MUST.be.Included.html
The BEAST from the EARTH exerciseth all the POWER
of
the first BEAST before him,
and causeth the earth and
them which dwell therein
to worship the first BEAST, whose deadly
wound was healed. Rev. 13:12
1Cor. 15:45 And so
it is written,
The first man Adam was
made a living soul;
the last Adam was made
a QUICKENING SPIRIT
but that which is
natural;
and afterward that
which is spiritual.
1Cor. 15:47 The first man is OF the EARTH,
earthy:
the second man is the
Lord from heaven.
1Cor. 15:50 Now this
I say, brethren,
that flesh and blood
cannot inherit the kingdom of God;
neither doth corruption
inherit incorruption.
LYING AND SLANDERING FAITHFUL CHURCHES OF
CHRIST HAD LITTLE RESULTS. Therefore, the
POWER of the Earth
(Aborigines) BEAS is exous-ia
Power to win praise.
Strab. 1.2.17
If any thing does not correspond,
[To Customs or Laws]
it should be attributed
to change,
or to
misconception,
or to poetical
licence,
which is made up of [a] history,
[b] rhetoric, and [c] fiction.
and
Truth is the aim of the historical portion,..
A lively interest is the end ,
[b] the rhetorical as
when he points to us the combat;
[c] and of
the fiction, pleasure and astonishment...
HE bids us not to judge poems by the standard of
intellect,
nor yet
look to them for history.
Poi-ētikos p.
kai
mousikoi
the art of poetry mousi^kos , ē,
on,
Dor. mōsikos
, ta
mousika
music, II. of persons, skilled
in music, musical, X.l.c., etc.; poiētikoi.
andres Pl.Lg.802b;
kuknos
kai
alla
zōa
m.
Id.R.620a;
peri
aulous -ōtatoi
Ath.4.176e;
LYRIC poet, OPPOSITE. EPIC, Pl.Phdr.243a
mousikos
kai
melōn poētēs
mole
melōn There
is no music or lyric material in Scripture.
B. esp. musical member, phrase: hence, song,
strain, en
melei poieein
to write in lyric strain
2. music to which a song is
set, tune, Arist.Po.1450a14
kat-aule๔ A. charm by flute-playing,
tinos Pl.Lg.790e, cf. R.411a; tina Alciphr.2.1: metaph.,
se . . -๊s๔ phob๔i I will flute to you on a ghastly flute, E.HF871 (troch.):--Pass., of
persons, methu๔n kai katauloumenos drinking wine to the
strains of the flute, Pl.R.561c; k. pros chel๔nidos psophon to be played to on the flute
with lyre
accompaniment, Posidon.10 J., cf. Call.Fr.10.3 P.,
Phld.Mus.p.49 K.
God is not ignorant, as Theologians claim. If
He had intended musical melody He would not have used PSALLO
CONTRARY AND ANTITHETICAL to
the worship of God, THE WORSHIP OF THE BEAST is--
Thera^p-euō
II.
do service to the gods, athanatous, theous
th.,
Hes.Op.135,
Hdt.2.37,
X.Mem.1.4.13,
etc.; daimona
Pi.P.3.109; Dionuson,
Mousas,
E.Ba.82
(lyr.), IT1105(lyr.);
th. Phoibou [Apollon]
naous
serve them, Id.Ion111
(anap.): abs., worship, Lys.6.51; do
service or honour to one's
parents, E.Ion183
(lyr.), Pl.R.467a, Men.91a; serve,
wait upon a master, Id.Euthphr.13d,
cf. Ar.Eq.59, 1261, etc.; th. tas thēkas
reverence men's graves, Pl.R.469a.
APOLLYON- Phoebus
, i, m., = Phoibos
(the radiant), I. a poetical
appellation of Apollon as the god of light: quae
mihi
Phoebus
Apollon,
Val. Fl. 1, 228: Circe,
[CHURCH AS WORSHIP CENTER] daughter of Sol, Petr. 135.
From the first recorded history, people of this WORLD have
engaged in Spiritual and Literal war over Who and How to
Worship. The NACC was born in after Christian Churches
SECTED OUT of the Disciples-Christian Churches. FROM that
time pretty ruthless efforts using the ploy of UNITY to force The
Historic church to take the MARK of "Instrumental Music Worship."
The thesis is that a group collectivizes and mandates a pattern of
several ACTS in the belief that God needs or tolerate
SELF-ORIGINATED songs accompanies with "Musical"
Instruments. The BEAST in Revelation is Theiron a new form
of music and Satyric Drama.
The result is that commercial grade religionisim has never
been able to grasp that no one in Scripture ever attended a
WORSHIP center operated by professionals.
Josh. 5:14 And he said, Nay; but as
captain of the host of the LORD am I now come. And
Joshua
FELL
ON HIS FACE to the
earth,
and did WORSHIP, and said unto him,
What saith my lord unto his servant?
Dan. 2:46 Then the king Nebuchadnezzar FELL ON HIS FACE, and WORSHIPED
Daniel,
and commanded that
they should offer an oblation and sweet odours unto him.
2Chr. 20:18 And Jehoshaphat bowed his head with his
face to the ground:
and all Judah and the
inhabitants of Jerusalem
FELL
BEFORE THE LORD
WORSHIPING
THE LORD.
1Cor. 14:25 And thus are the secrets of his heart made
manifest;
and so FALLING DOWN ON HIS FACE
will WORSHIP God, and report that God
is in you of a truth.
Rev. 7:11 And all the angels stood round about the throne,
and about the elders
and the four beasts,
and FELL before the throne on their faces,
and WORSHIPPED God,
Rev.
11:16 And the four and twenty elders, which sat before God
on their seats,
FELL UPON THEIR FACES and WORSHIPPED
God,
PROOF
ONE: WHY RUBEL SHELLY AND THE
POST-BIBLICAL THEOLOGIANS CANNOT BE CHRISTIANS.
John 8:26 I have many things to say and
to judge of you:
but he that sent
me is true;
and I SPEAK to the world those
things which I have HEARD of
him.
John 8:27 They understood not that he spake to them of
the Father.
John 8:28 Then said Jesus unto them,
When ye have
lifted up the Son of man,
then shall ye know
that I am he,
and that I do
nothing of myself;
but as my Father hath TAUGHT me,
I SPEAK
these things.
GOD as masculine never taught
Jesus to SING any of His Words.
John 8:29 And he that sent me is with me:
the Father hath
not left me alone;
for I DO
always those things that PLEASE him.
John 8:30 As he spake these WORDS, many believed
on him.
John 8:31 Then said Jesus to those Jews which believed
on him,
IF ye continue in my WORD, THEN
are ye my disciples indeed
John
8:36 If the Son therefore shall make you free,
ye shall be free
indeed.
John 8:37 I know that ye are Abrahams seed;
but ye seek to kill
me, because my WORD hath no place in you.
John 8:38 I SPEAK
that which I have seen with my Father:
and ye DO that which ye have seen
with your father.
Jn 7:18 He that speaketh of
himself seeketh his own glory:
but he that seeketh
his glory that sent him, the same is true, and no
unrighteousness is in him.
Devil Do: poiētai
4. after Hom., of Poets, compose, write,
p.
dithurambon,
epea,
Hdt.1.23,
4.14;
p.
theogoniēn
Epos joined with muthos,
1. song or lay accompanied by music, 8.91,17.519.
2. fiction (opp. logos,
historic truth), THE REGULATIVE PRINCIPLE
Hdt. 1.23 Periander, who
disclosed the oracle's answer to Thrasybulus, was the son of
Cypselus, and sovereign of Corinth.
The Corinthians say (and the Lesbians agree) that the most
marvellous thing [Lying Wonders] that happened to him
in his life was the landing on Taenarus of Arion
of Methymna,
brought there by a dolphin. This Arion was a lyre-player
second to none in that age; he was the first man whom we
know to compose and name the dithyramb1
which he afterwards taught at Corinth.
Devil Do: LATIN:
făcĭo ,
to make
in all senses, to do, perform,
accomplish, prepare, produce,
bring to pass, cause, effect,
create, commit, perpetrate, form,
fashion,
operor Lying Wonder,
po๋ma, to
compose, id. Pis. 29, 70:
carmina, Juv. 7, 28:
versus, id. 7, 38:
sermonem, Cic. Fam. 9, 8,
1; cf. litteram, id. Ac. 2, 2, 6:
ludos, to celebrate, exhibit, admirationem alicujus rei alicui, to
excite [the Laded Burden],
Devil Do: carmen
I.a tune, song;
poem, verse; an oracular response, a
prophecy; a form of incantation (cf.: cano,
cantus, and canto). note, sound, both
vocal and instrumental also
versus,
numeri,
modi):
carmen
tuba
ista
peregit
( = sonus),
Enn. Ann. 508 Vahl.: carmine
vocali
clarus
citharāque
Philammon,
Ov. M. 11, 317;
cf. vocum,
id. ib. 12, 157:
per
me
(sc. Apollinem)
concordant
carmina
nervis
barbaricum,
id. M. 11, 163.With
allusion to playing on the cithara: The Moher o Harlots in John
17 Carminibus
Circe
socios
mutavit
Ulixi,
Devil Do: Commercium
sermonis,
7
In mercant. lang., to practise,
exercise, follow
any trade or profession: 8.
In
relig. lang., like the Gr. rhezein,
to perform or celebrate
a religious rite; to offer
sacrifice, make an
offering, to sacrifice:
Devil Do: Mousa
II. mousa,
as Appellat., music, song, m.
stugera
A.Eu.308
(anap.); euphamos
Id.Supp.695
Kanakhan
.Clanging Brass
Theias
as many
as made them hope by divinations, Madness caused by
Ritual
worship as divine,
Puthagoran
[Of the Cosmos, the Ecumenical, Kingdom of the Devil."
Antiluron
mousas
S.Tr.643
(lyr.); PLAYING THE LYRE
Aiakō
moisan
phereinI. bear or carry a
load, A Laded Burden
Orgi-astikos
, ē,
on,
A of or for orgia,
exciting, ouk estin ho aulos ēthikon,
alla .
. orgiastikon
Arist.Pol.1341a22
; o. kai pathētika
ib.1342b3.
Great Goddesses:
Paizo dance, play a game, 4. play
on a musical instrument, h.Ap.206:
c. acc., Pan ho kalamo phthongapaiz๔n [played on a reed]Ar.Ra.230
; dance and sing, Pi.
O.1.16.5. play amorously, prosall๊lous X.Smp.9.2
; metatinosLXX
Ge.26.8 ; of mares, Arist.HA572a30.
-Orgia sacrifices to Aphrodite
A.secret rites,
secret worship, practised by the initiated, of the Cabeiri and Demeter Achaia, most freq. of the rites of
Dionysus, Cogn erdō,
rhezō,
cf. ergon,
orgeōn.）
Kukleo whirl round and round,
encompass Aristoph. Thes [959] Chorus Let the chorus sing likewise
and praise the Olympian gods in their pious transport. It's
wrong to suppose that, because I am a woman and in this temple,
I am going to speak ill of men; [966] but since we want something fresh,
we are going through the rhythmic steps of the round dance
for the first time.
Strab. 10.3.10 And on this
account Plato, and even before his time the Pythagoreians,
[Puthagoreioi] called philosophy
music;1
and they say that the universe is constituted in accordance with
harmony,2
assuming that every form of music is the work of the gods.
And in this sense, also, the
Muses are goddesses,
and Apollo is leader
of the Muses, and poetry as a whole is laudatory of the gods
The introduction of SORCERERS:
singers, instrument players, Craftsmen (Parasites) and JESUS
visiting to get the LAMPSTAND (7 spirits OF Divine Knowledge)
is the MARK that Jesus has been there and WILL NOT PASS BY
AGAIN: there will be no opportunity.
Amos 8 A Basket of Summer "Fruits" (same as Revelation 18
which NACC missed) is the FINAL MARK that people are OF the
World, Ecumenical, kingdom of the Devil, plagued by the mark
of BLUSHING EFFEMINATE self-display
Worship.Androgyny.The.Pagan.Sexual.Ideal.html
From 1978 to 1989, he was the preaching minister at Southern
Hills Church of Christ in Abilene, TX. Rick earned a BA in oral
communication in 1978 and an MA in religious communications
with a minor in Bible in 1982 from Abilene Christian
University. Rick is the author of several books, including Together
Again: A Plea for Unity between Christian Churches and
Churches of Christ, co-authored with Bob Russell. He
and his wife have two sons and one daughter.
We're looking forward to
Rick's message on "Welcome Salvation Joyfully," based on
Revelation 19-20, on Friday morning, July 12th!
. http://pineycom.com/RSLogos.html
John 8:32 And ye shall know the truth,
and the truth shall make
you free.
John 8:33 They answered him, We be Abrahams seed,
and were never in
bondage to any man: how sayest thou, Ye shall be made free?
John 8:34 Jesus answered them, Verily, verily, I say unto you,
Whosoever committeth sin
is the servant of sin.
John 8:35 And the servant abideth not in the house for ever:
but the Son abideth
ever.
John 8:36 If the Son therefore shall make you free,
ye shall be free indeed.
John 8:37 I know that ye are Abrahams seed;
but ye seek to kill me,
because my WORD hath no place in you.
John 8:38 I SPEAK
that which I have seen with my Father:
and ye DO that which ye have seen
with your father
Devil Do: poiētai
4. after Hom., of Poets, compose, write,
p. dithurambon,
epea,
Hdt.1.23,
4.14;
p. theogoniēn
Epos joined with muthos,
1. song or lay accompanied by music, 8.91,17.519.
2. fiction (opp. logos,
historic truth), THE REGULATIVE PRINCIPLE
Hdt. 1.23 Periander, who
disclosed the oracle's answer to Thrasybulus, was the son of
Cypselus, and sovereign of Corinth.
The Corinthians say (and the Lesbians agree) that the most
marvellous thing [Lying Wonders] that happened to him
in his life was the landing on Taenarus of Arion of Methymna,
brought there by a dolphin. This Arion was a lyre-player
second to none in that age; he was the first man whom we know
to compose and name the dithyramb1
which he afterwards taught at Corinth.
Devil Do: LATIN:
făcĭo ,
to make in
all senses, to do, perform, accomplish,
prepare, produce, bring to pass,
cause, effect, create, commit,
perpetrate, form, fashion, operor Lying Wonder, po๋ma, to
compose, id. Pis. 29, 70:
carmina, Juv. 7, 28:
versus, id. 7, 38:
sermonem, Cic. Fam. 9, 8, 1;
cf. litteram, id. Ac. 2, 2, 6:
ludos, to celebrate, exhibit, admirationem alicujus rei alicui, to
excite [the Laded Burden],
Devil Do: carmen
I.a tune, song;
poem, verse; an oracular response, a
prophecy; a form of incantation (cf.: cano,
cantus, and canto). note, sound, both
vocal and instrumental also
versus,
numeri,
modi):
carmen
tuba
ista
peregit
( = sonus),
Enn. Ann. 508 Vahl.: carmine
vocali
clarus
citharāque
Philammon,
Ov. M. 11, 317;
cf. vocum,
id. ib. 12, 157:
per me (sc. Apollinem)
concordant
carmina
nervis
barbaricum,
id. M. 11, 163.With
allusion to playing on the cithara: The Moher o Harlots in John 17
Carminibus
Circe
socios
mutavit
Ulixi,
Devil
Do: Commercium
sermonis,
7
In mercant. lang., to practise,
exercise, follow any
trade or profession: 8. In
relig. lang., like the Gr. rhezein,
to perform or celebrate
a religious rite; to offer
sacrifice, make an
offering, to sacrifice:
Devil Do: Mousa
II. mousa,
as Appellat., music, song, m.
stugera
A.Eu.308
(anap.); euphamos
Id.Supp.695
Kanakhan
.Clanging Brass
Theias
as many as
made them hope by divinations, Madness caused by
Ritual
worship as divine, Puthagoran
[Of the Cosmos, the Ecumenical, Kingdom of the Devil."
Antiluron
mousas
S.Tr.643
(lyr.); PLAYING THE LYRE
Aiakō
moisan
phereinI. bear or carry a
load, A Laded Burden
Hdt.
5.6
Among the rest of the Thracians, it is the custom to sell
their children for export and to take no care of their
maidens, allowing them to have intercourse with any man they
wish. Their wives, however, they strictly guard, and buy them
for a price from the parents. [2]
To be tattooed is a sign of noble birth, while to bear no such
marks is for the baser sort. The idler is most honored, the
tiller of the soil most scorned; he is held in highest honor
who lives by war and robbery.
Herodotus, with an English translation by A. D. Godley.
Cambridge. Harvard University Press. 1920.
Commentary
ep' exagōgē: for
exportation abroad (cf. vii. 156. 2 ad fin.) like the
Circassians.
Many races are comparatively indifferent to juvenile
unchastity, and only impose strict conduct on women after
marriage. Cf. i.
93. 4 n., Peschel, Races of Man, p. 220 f., but per
contra, Westermarck, op. cit. p. 61 f.
For marriage by purchase cf. the speech of the Thracian
chief Seuthes, Xen. Anab. vii. 2. 37
soi de, ō Xenophōn, kai thugatera dōsō kai ei tis soi esti thugatēr ōnēsomai Thrakiō nomō, and Peschel, op. cit.
p. 227 f.; Westermarck, op. cit. ch. 17.
Tattooing was to the Greek the branding of a
slave (cf. vii.
233 n.), though traces of it are thought by Tsountas to
be indicated on a limestone head found at Mycenae (C. R. xi.
461). It was, however, an honour among the Thracians (Cic. de
Offic. ii. 7. 25; Dio Chrys. p. 233), Illyrians (Strabo 315),
the Agathyrsi (Mela ii. 10), and the Mosynoeci (Xen. Anab. v. 4. 32).
It is widely used, sometimes as a tribal or totem mark
(Frazer, Totemism, i. 28, iv. 197 f.), sometimes as a means of
decoration (Westermarck, op. cit. p. 168).
For the similar feeling among the Germans cf. Tac. Germ.
14 Nec arare terram aut exspectare annum tam facile
persuaseris quam vocare hostem et vulnera mereri. Cf. also
ii. 167.
Revelation 16:2 And the first went, and poured out his vial upon
the earth; and there fell a noisome and grievous sore upon the men
which had the mark of the beast, and upon them which worshipped
his image.
Revelation 19:20 And the beast was taken,
and with him the false
prophet that wrought miracles before him,
with which he deceived them
that had received the mark of the beast,
and them that worshipped his
image.
These both were cast alive
into a lake of fire burning with brimstone.
Hdt.
5.7 These are most notable of their usages. They
worship no gods but Ares, Dionysus, and Artemis.1
Their princes, however, unlike the rest of their countrymen,
worship Hermes above all gods and swear only by him, claiming
him for their ancestor.