Blasphemy Against the Holy Spirit--the Word of God, Logos, Regulative Principle
John writes that Antichrist denies the one god the FATHER and one SON Jesus Christ

Blasphemy: Claiming the Baptism of The Holy Spirit. North Boulevard Church of Christ East and West.
 The Baptism of Fire is reserved for the Viper Race (serpents) including Scribes and Pharisees: Speaking your own Words, singing, playing instruments, drama or anything beyond REST which means A School (only) of Christ (only).

North Atlanta Church of Christ Instrumental Music

Jesus was sent INTO but not OF the World to rescue a tiny band of Lost Spirits.  Those OF the World, the Kosmos, the Ecumenical or the kingdom of the Devil who is a ruler of the world and almost all of the Aborigines. Jesus said that He and His Disciples were from ABOVE but those from whom God hides are from BENEATH or Tartarus.  There is nothing musical in the messsage to the WAY (pattern) that is called a SECT.  The world is separated out by Apollyon's Locusts or the Muses as his 'musical worship Team." All Sorcery, witchcraft or anything that artificially attacks the human spirit is proven to be MUSIC of any kind.

ALL colleges who prepare pulpit pastors for whom there is no role and no dole INDOCTRINATE and do the opposite of EDUCATE.  Faithful evangelists will neve be rich or popular.

Jesus said that God HIDES from the Wise or Sophists who speak their own words and are called by Jesus "the sons of the Devil", singers, instrument players or anything beyond TEACH that which has been taught.  We want to call deliberate sowers of discord Biblically Illiterate but Jesus had Paul say that THEY ARE LYING IN WAIT TO DECEIVE.

FIRST: As BEASTS or Therion they are New Style Musicians or Satyric Actors. 

The.Mark.of.The.Beast
The BEAST is "a new style of music or Satyric (cappella) Drama with Christ's enemy of almost all pulpits.

Satyric Drama One of the three varieties of the Attic drama. Its origin may be traced back to Pratinas of Phlius (about B.C. 500). It is probable that, after settling in Athens, he adapted the old dithyramb with its chorus of Satyrs, which was customary in his native place, to the form of tragedy which had been recently invented in Athens. This new kind of drama met with so much approval and was so much developed by Pratinas himself as well as by his son Aristeas, by Choerilus, by Aeschylus, and the dramatists who succeeded him, that it became the custom to act a satyric drama after a set of three tragedies. The intensity of the preceding plays was thus relieved, while the chorus of Satyrs and Sileni, the companions of Dionysus, served to indicate the original connection between that divinity and the drama. The material for a satyric drama, like that for a tragedy, was taken from an epic or legendary story, and the action, which took place under an open sky, in a lonely wood, the haunt of the Satyrs, had generally an element of tragedy; but the characteristic solemnity and stateliness of tragedies was somewhat diminished, without in any way impairing the splendour of the tragic costume and the dignity of the heroes introduced. The amusing effect of the play did not depend so much on the action itself, as was the case in comedy, but rather on the relation of the chorus to that action.

Strab. 10.3.10   And on this account Plato, and even before his time the Pythagoreians, [Puthagoreioi] called philosophy music;¹ and they say that the universe is constituted in accordance with harmony,² assuming that every form of music is the work of the gods.

        And in this sense, also, the Muses are goddesses,
        and Apollo is leader of the Muses, and poetry as a whole is laudatory of the gods.

And by the same course of reasoning they also attribute to music the upbuilding of morals, believing that everything which tends to correct the mind is close to the gods.

When Paul wanted everyone to pray for peace and silence to prevent and outbreak of WRATH the word is Orge or Orgy.  Work (ergon) and a musical instrument (organon) are all ORGY words.

Now most of the Greeks assigned to Dionysus, Apollo, Hecate, the Muses, and above all to Demeter, everything of an orgiastic or Bacchic or choral nature, as well as the mystic element in initiations; and they give the name "Iacchus" not only to Dionysus but also to the leader-in-chief of the mysteries, who is the genius of Demeter. And branch-bearing, choral dancing, and initiations are common elements in the worship of these gods. As for the Muses and Apollo, the Muses preside over the choruses, whereas Apollo presides both over these and the rites of divination [mantikos  daimonion]. But all educated men, and especially the musicians, are ministers of the Muses; and both these and those who have to do with divination are ministers of Apollo; and the initiated and torch-bearers and hierophants, of Demeter; and the Sileni and Satyri and Bacchae, and also the Lenae and Thyiae and Mimallones and Naïdes and Nymphae and the beings called Tityri, of Dionysus.

1 Plat. Phaedo 61.

2 Philolaus, Fr. 4 (Stobaeus 1. 458-460) See also Athenaeus 14.632b-c Aristot. Met. 1.5, Sextus Empiricus Adv. Math. 4.6 Cp. Plat. Tim. 32c, 36d, 37a, 41b, Plat. Rep. 617b, Plat. Epin. 991e.

BEASTS impose "a new form of music and SATYRIC DRAMA."  All self-exhibition is defined as perversion.

Satyri  Satu^ros , ho, Dor. Tituros (q.v.), Satyr, first in Hes. (

A.  “genos outidanōn Saturōn kai amēkhano ergōn”. X.An.1.2.13, Paus.1.23.5, Sch.Theoc.4.62; of Dionysus himself, AP9.524; Saturōn prosōpa as ornaments, Lys.Fr.34.

2. lewd, goatish fellow, Jul.Caes.309d; basileus Saturōn, of Pericles, Hermipp.46; satura , hē, of a courtesan, —Socrates is called hode ho S. from his appearance, Pl.Smp.216c.

Tom Burgess Pericles and Instrumental Music

The master that taught him music, most authors are agreed, was Damon (whose name, they say, ought to be pronounced with the first syllable short). Though Aristotle tells us that he was thoroughly practised in all accomplishments of this kind by Pythoclides.

Damon, it is not unlikely, being a sophist, out of policy, sheltered himself

under the profession of music to conceal from people in general his skill in other things, and under this pretence attended Pericles, the young athlete of politics, so to say, as his training - master in these exercises.

Damon`s lyre, however, did not prove altogether a successful blind; he was banished the country by ostracism for ten years, as a dangerous inter - meddler and a favorer of arbitrary power,
........... and, by this means, gave the stage occasion to play upon him.

3. from their supposed like ness, a kind of tailed ape, Paus.1.23.5sq., Ael.NA16.21.

b.  a fabulous people in Ethiopia, D.S.1.18.

4. = hē entasis, Hsch.

II. in pl., a play in which the Chorus consisted of Satyrs, Satyric drama, forming the fourth piece of a Tragic tetralogy, “hotan Saturous poiēs” Ar.Th.157; “poētai saturōn”   Menedēmon epegrapsen Lukophrōn] D.L.2.140; “en Omphalē Saturois” Str.1.3.19. [Sa^tu^ros; so that when the 1st syll. is long, Dor. Tituros (q.v.) should prob. be restored.]

SECOND: The Serpent, Beast, Serpo, Herpo in the Garden of Eden.

Elelizō redupl. of helissō (v. infr.), rare in pres., as Pi.O.9.13; impf.

A.  “ēlelizon” Hsch., poet. “elelizon” Maiist.42, Nonn.D. 2.525: mostly in aor. (v. infr.):—Pass., impf.h.Hom.28.9: Ep.aor. “elelikto” Il.13.558: pf. “eleligmai” Cerc.6.18:—whirl round, peri skhediēn elelixe to kuma] Od.5.314; hē d' elelikhthē hē nēus] 12.416.

2  Med. and Pass., move in coils or spires, of a SERPENT, “tēn d' elelixa menos pterugos laben” Il.2.316; ep' autou (sc. telamōnos）“ elelikto drakōn” 11.39, cf. A.R.4.143; “speiras opheōn elelizomenē” Ar.Fr. 500.

II.   in Il. of an army, cause it to turn and face the enemy, rally it, “spheas ōk' elelixen Aias” 17.278:—in Pass., “hoi d' elelikhthēsan” 5.497, 6.106; cf. “helissō” 11.1.

III.  cause to vibrate, megan d' elelixen Olumpon, of Zeus, ib.1.530, cf. 8.199; phormigga e. make its strings quiver, Pi.O.9.13; “asteropan elelixais” Id.N.9.19:—Med., “hippon . . agōniō elelizomenos podi mimeo” Simon.29:—Pass., quake, tremble, quiver, “elelikhthē guia” Il.22.448; elelikto, of a brandished spear, 13.558; “amphi de peplos elelizeto possin” h.Cer.183; megas d' elelizet' Olumpos h.Hom. l.c.; “phormigx elelizomena” Pi.P.1.4. (In Hom. elel- may have been substituted for ewel- （wewel- in elelikto); cf. helissō.)

elegos , ho,

A.song, melody, orig. accompanied by the flute, cf. aluros e. E.Hel.185 (lyr.), IT146 (lyr.); “Asias e. iēios” Id.Hyps.Fr.3(1)iii9; so Elegoi, title of a nomos aulōdikos, Plu.2.1132d; of the song of the nightingale, Ar.Av.218(pl.); elegon oiton, of the halcyon, E.IT1091 (lyr.); later, lament, song of mourning, A.R.2.782.

II. poem in elegiac distichs, Call.Fr.121; hilaroi e. AP10.19 (Apollonid.). (Commonly derived from e e legein, to cry woe! woe! EM326.49.)

Eur. Hel. 185  Chorus
Beside the deep-blue water [180] and on the tangled grass, I happened to be drying purple robes in the sun's golden blaze near the young reed shoots; from my mistress, from where she cried aloud her misery, [185] I heard a sound, a mournful song not fit for the lyre, because she was then shrieking, lamenting with her wails; just as a Naiad nymph, who sends a song of woe ringing over the hills, cries out, under the rocky hollows, with screams [190] at the rape of Pan.

THIRD:

1. Israel fell from grace beyond redemption because of Instrumental-Trinitarian-Perverted Idolatry at Mount Sinai.
2. The NOBILITY turned the REST of God into a day of the Worship as the ABOMINATION they brought from Egypt.
3. The REST of God is Sabbath or the Greek PAUO and demands STOPPING anything beyond Rest, Reading and Rehearsing the Word delivered by Moses.
4. The Civil-Military-Clergy were abandoned behind closed gates to engage in the Lust of Blood and Flesh and the HOLOCAUST of INFANTS and GOATS.
5. The Godly Jews were never gathered to engage in group singing with or without instruments: this was outlawed for the SYNAGOGUE as A School--only of the Word-only.
6. Any kind of musical or theatrical performance would MARK the Effeminate and their refusal to HEAR the Word of God.
7. Even worse any kind of self-exhibition especially SINGING is that which MARKS and produces ALL of the data defining:
        Abomination, Witchcraft, the BEASTS, Demon worship, Viper,Sorcery, Charming, Soothsaying,  enchantment, harlots, beguile, serpents, vipers, Serpo, Herpo, inducing wine-drinking, Cunning Craftsmen or Sophists, Rhetoricians, Dogs or Catamites, magic, Voodoo in primitive America, Melodies to deceive, Deceiver, Cunning Crafts, Techne. religious craftsmen, Lucifer,  Locusts, Apollyon, Levi-Leviathan

FOURTH:

Paul commanded SPEAKING the Biblical Text (Word of Christ,   SPIRIT
Paul commanded that ODE and PSALLO be IN the heart or mind and therefore SILENT as in 1 Corinthings 14

Paul absolutely SILENCED anything beyond SPEAK or READ as commanded for the Church in the Wilderness and exampled by Jesus.

Acts 8:28 Was returning, and sitting in his chariot read Esaias the prophet.
Acts 15:21 For Moses of old time hath
        in every city them that preach him,
        being read in the synagogues every sabbath day.
2Cor. 3:14 But their minds were blinded:
        for until this day remaineth the same vail untaken away
        in the reading of the old testament; which vail is done away in Christ.
Col. 4:16 And when this epistle is read among you,
        cause that it be read also in the church of the Laodiceans;
        and that ye likewise read the epistle from Laodicea. 

The word that is employed for this "anaginosko, anagnosis) is the technical term for the cultic reading aloud of the Old Testament in the synagogue. By applying this terminology to the reading of his own epistles he not only ascribes the same authority to the apostolic word as to the Old Testament writings...he also combines a quotation from the Old Testament with a word of Jesus and introduces the whole with the familiar formula: 'for the Scripture says.'" (Ridderbos, Hermon, Paul, P. 483 an Outline of His Theo., Eerdmans)

Suneimi A.ibo) go or come together, assemble (eimi 3. attend, associate with, a teacher, X.Mem.1.2.8,24, etc.; also of the teacher, Id.Cyr.3.1.14, Pl.Tht.151a, etc.; of a fellowpupil, “emoi sunōn pote peri mathēmata” hoi sunontes followers, partisans, associates, disciples, Antipho 5.68, Pl.Ap.25e, Tht.168a,

FIFTH:    Paul SILENCED Psallo because when used by pagans. 

The Greek PSALLO used as THE foundation for imposing any kind of MUSICAL PERFORMANCE is most often used of an older male such as Alexander the Great Plucking his lyre to seduce a young male whos pubic hairs had been plucked

The Evil Psallo 
psallo , i, 3, v. n., = psallō.   I. In gen., to play upon a stringed instrument; esp., to play upon the cithara, to sing to the cithara: “psallere saltare elegantius,” Sall. C. 25, 2  canituri,”  SING and cantare marked as SORCERY.    saltare et cantare; Cic. Catil. 2.10.23   Suet. Tit. 3

Sal. Cat. 25 Sempronia: She had frequently, before this period, forfeited her word, forsworn debts, been privy to murder, and hurried into the utmost excesses by her extravagance and poverty. But her abilities were by no means despicable;³ she could compose verses, jest, and join in conversation either modest, tender, or licentious. In a word, she was distinguished⁴ by much refinement of wit, and much grace of expression.

1 XXV. Sempronia] Of the same gens as the two Gracchi. She was the wife of Decimus Brutus.

2 Sing, play, and dance] “Psallere, saltare.” As psallo signifies both to play on a musical instrument, and to sing to it while playing, I have thought it necessary to give both senses in the translation.

Not included by Paul: PsalmOidia singing TO a harp.

Not included by Paul: PsaltOideo sing to the harp
        2 Chron 5:[13]  it happened, when the trumpeters and singers were as one, to make one sound to be heard [one tuned note all in unison]

Not included by Paul:  Psaltos sung to the harp, sung OF Translated sing in Psalm 119:54

Saltatio   Dancing was originally closely connected with religion. Plato thought all dancing should be based on religion, as it was, he says, among the Egyptians. It has been shown under Chorus that the chorus in the oldest times consisted of the whole population of a city, who met in a public place to offer up thanksgivings to the god of their country by singing hymns and performing dances. These dances, which, like all others, were accompanied by music,

--dēlĭcĭae , ārum, f. (sing. dēlĭcĭa , ae, f.; [delicio; that which allures, flatters the senses], delight, pleasure, charm, allurement; deliciousness, luxuriousness, voluptuousness, curiosities of art; sport, frolics, etc. (freq. and class.; for syn. cf.: voluptas, libido, delectatio, oblectatio, delectamentum, oblectamentum).

The Evil Psallo “psallere saltare   ēlĕgans   I. In the ante-class. period in a bad sense, luxurious, effeminate, fastidious, nice: elegans homo non dicebatur cum laude “mulier (Phryne—with formosa),”

Cic. Catil. 2.10.23 In these bands are all the gamblers,
        all the adulterers, all the unclean and shameless citizens.
        These boys, so witty and delicate,
        have learnt not only to love and to be loved,
            not only to sing and to dance,
            but also to brandish daggers and to administer poisons;
       and unless they are driven out,
       unless they die, even should Catiline die, 
       I warn you that the school of Catiline would exist in the republic.
But what do those wretches want? Are they going to take their wives with them to the camp? how can they do without them, especially in these nights? and how will they endure the Apennines, and these frosts, and this snow?
      unless they think that they will bear the winter more easily
      because they have been in the habit of dancing naked at their feasts. O
war much to be dreaded, when Catiline is going to have his bodyguard of prostitutes!

Suet. Tit. 3 While yet a boy, he was remarkable for his noble endowments both of body and mind; and as he advanced in years, they became still more conspicuous.
        He had a fine person, combining an equal mixture of majesty and grace;
        was very strong, though not tall, and somewhat corpulent.
Gifted with an excellent memory, and a capacity for all the arts of peace and war; he was a perfect master of the use of arms and riding; very ready in the Latin and Greek tongues,
        both in verse and prose; and such was the facility he possessed in both,
        that he would harangue and VERSIFY extempore.
        Nor was he unacquainted with MUSIC,
                but could both SING and PLAY upon the HARP sweetly and scientifically.
        I have likewise been informed by many persons,
                that he was remarkably quick in writing short-hand,
                would in merriment and jest engage with his secretaries
                in the imitation of any hand-writing he saw, and often say, "
                that he was admirably qualified for forgery."

The Evil Psallo includes: Phrȳnē , ēs, f., = Phrunē.

I. A celebrated hetœra in Athens, so wealthy that she offered to rebuild the city of Thebes after it had been destroyed by Alexander: “nec quae deletas potuit componere Thebas Phryne,” Prop. 2, 6, 6; cf. Quint. 2, 15, 9; Val. Max. 4, 3, ext. 3.—

II. A Roman courtesan, Hor. Epod. 14, 16.—

SIXTH
Musical Worship Teams Mark the Effeminate

See the Nimrod at At Babylon

Vineyard New Wineskin Worship
See Charismatic and Homosexual connection among the Greeks
Effeminization of Church and Christianity
Music and Effeminate Worship

Number Two

Dionysia Drama Theater Music

Why Males in the Post-Biblical Effeminate Church are Disguised as Empty Pews or Hostile Masculines: it Will Get Worse! "Of the Effeminate Willow-Creek "Holy Entertainment" System: "The cost of this approach is hard work and loads of strife with church insiders." Christianity Today

"Philodemus considered it paradoxical that music should be regarded as veneration of the gods while musicians were paid for performing this so-called veneration. Again, Philodemus held as self deceptive the view that music mediated religious ecstasy. He saw the entire condition induced by the noise of cymbals and tambourines as a disturbance of the spirit.

He found it significant that, on the whole, only women and effeminate men fell into this folly.

Accordingly, nothing of value could be attributed to music; it was no more than a slave of the sensation of pleasure, which satisfied much in the same way that food and drink did.

"Women and girls from the different ranks of society were proud to enter the service of the gods as singers and musicians. The understanding of this service was universal: these singers constituted the 'harem of the gods'." (End of Quasten)

Delitzsch on Psalms: Moreover, we must take into consideration the facts that the compass of the tenor extends even into the soprano, that the singers were of different ages down to twenty years of age, and that Oriental, and more particularly even Jewish, song is fond of falsetto singing. We therefore adopt Perret- Gentil's rendering, chant avec voix de femmes, and still more readily Armand de Mestral's, en soprano; whereas Melissus' rendering, "upon musical instruments called Alamoth (the Germans would say, upon the virginal)," has nothing to commend it.

"Hebrew music... was used in the luxurious times of the later monarchy the effeminate gallants of israel, reeking with perfumes, and stretched upon their couches of ivory, were wont at their banquets to accompany the song with the tinkling of the psaltery or guitar (Am. v1. 4-6), and amused themselves with devising musical instruments while their nation was perishing... music was the legitimate expression of mirth and gladness, and the indication of peace and prosperity." (Smith's Bible Dictionary, Music, p. 590).

The Abomination of Desolation: first defined as the instrumental-trinitarian worship at Mount Sinai.

3.30.16 The Israelites fell into instrumental-trinitarian idolatry at Mount Sinai and God removed The Book of the Covenant of Grace from the Civil-Military-Clergy.  In the Second Law given because of Transgression they were warned that their sin beyond redemption was conditional:

WHAT IS THE ABOMINATION IN A HOLY PLACE:

Deut. 18:9 When thou art come into the land which the LORD thy God giveth thee, thou shalt not learn to do after the abominations of those nations.
Deut. 18:10 There shall not be found among you any one that maketh his son or his daughter to pass through the fire,
        or that useth divination, or an observer of times, or an enchanter, or a witch,

Musical Instruments are ALWAYS connected with war or BURNING.

10] nec inveniatur in te qui lustret filium suum aut filiam ducens per ignem aut qui ariolos sciscitetur et observet somnia atque auguria ne sit maleficus

-hărĭŏlus  soothsayer, prophet, prophetess

-Tympanotriba , ae, m., = tumpanotribês,
I. a taborer, a timbrel-player, a term of reproach for a soft, effeminate person (alluding to the priests of Cybele), Plaut. Truc. 2, 7, 49; cf. tympanum.

-T. Maccius Plautus, Truculentus, or The Churl
STRATOPHANES (to PHRONESIUM.) What say you? Why have you dared to say that you love another man?
PHRONESIUM I chose to.
STRATOPHANES Say you so, indeed? I'll first make trial of that. Do you, for the sake of such a shabby present, vegetables, and comestibles, and vinegar-water, bestow your love upon an effeminate, frizzle-pated, dark-haunt frequenting, drum-drubbing debauchee, a fellow not worth a nutshell:

6 Is he deranged: "Hariolus." Literally, "a soothsayer," or "diviner." In their prophetic frenzy, these persons often had the appearance of being mad, and were so considered.
7 Drum-drubbing debauchee: "Typanotriba." Literally, "drum," or "tambourine beater." He alludes to the eunuch-priests of Cybele, who used to beat tambourines in her procession-probably in allusion to debauchees, emasculated by riot and dissipation

tumpa^n-izō ,

A. [select] beat a drum, as was done in the worship of Cybele, Eup.77, Plu.2.60a:—Pass., “tumpanizesthai kata tas exodous” march out to the sound of drums, Str. 15.1.58.

2. [select] t. epi tais thurais drum with the hand on them, LXX 1 Ki.21.13.

II. [select] perh. = apotumpanizō (which is v.l.), Ep.Hebr. 11.35 (Pass.); coupled with anaskolopizesthai in Luc.JTr.19; cf. “tumpanon” 11.

III. [select] of orators, 'beat the big drum', Philostr.VS1.21.5.

-somnĭo , to dream; to dream of or see in a dream, to dream, i. e. to think idly or vainly, to talk foolishly:  “ineptias,” Col. 1, 8, 2: “ah stulte! tu de Psaltriā me somnias Agere,” Ter. Ad. 4, 7, 6; Plaut. Pers.
  5.—Absol.: “vigilans somniat “portenta non disserentium philosophorum sed somniantium,” Cic. N. D. 1, 8, 18.

psaltrĭa , ae, f., = psaltria, . a female player on the cithara, a lutist,
portendo  misfortunes, etc.), to foretell, predict, presage, portend  Usually of bad fortune, loss, injury, monstrous births, monsters, [Lying Wonders] in a moral sense, a monster of depravity:

mălĕfĭcus I.evil-doing, nefarious, vicious, wicked, criminal.
B. In partic., magical: “artes, 
1. mălĕfĭcus , i, m., a magician, enchanter:
2. mălĕfĭcum , i, n., a charm, means of enchantment:

“artes, a profession, art (music, poetry,]   musicam, litterarum cognitionem et poëtarum,
 ē-lēgo , āvi, 1, v. a., I.to convey away (from the family) by bequest, to bequeath away,

THE MARK OF PSALLO:
psallo , i, 3, v. n., = psallō. I. In gen., to play upon a stringed instrument; esp., to play upon the cithara, to sing to the cithara: “psallere saltare elegantius,

IN CONTRAST TO THE APOLLON SHOOTING REAL AND LOVE ARROWS, PSALLO MEANS
II. In partic., in eccl. Lat., to sing the Psalms of David,

Deut. 18:11 Or a charmer, or a consulter with familiar spirits, or a wizard, or a necromancer

A Charmer is an Abomination
incantātor , ōris, m. incanto, I. an enchanter, wizard (post-class.), Tert. Idol. 9; Isid. 8, 9, 15; Mos. et Rom. Leg. Coll. 15, 1, 2.



consŭlo (a). In the lang. of religion, to consult a deity, an oracle, omens, etc.: “Apollinem de re,” Cic. Leg. 2, 16, 40: “deum consuluit auguriis, quae suscipienda essent,” Liv. 1, 20, 7: “deos hominum fibris,” Tac. A. 14, 30 fin.: “Phoebi oracula,” Ov. M. 3, 9; Suet. Vesp. 5: “Tiresiam conjectorem,” Plaut. Am. 5, 1, 76:

Cantus A. Prophetic or oracular song: “veridicos Parcae coeperunt edere cantus,” Cat. 63 cf. Tib.

B. An incantation, charm, magic song, etc.: cantusque artesque magorum.
“cantus e curru Lunam deducere tentat,”
2. With instruments, a playing, music: “in nervorum vocumque cantibus,” Cic. Tusc. 1, 2, 4; id. Rosc. Am. 46, 134: “citharae,” Hor. C. 3, 1, 20: “horribili stridebat tibia cantu,” Cat. 64, 264: “querulae tibiae,”

This was outlawed for the Church of Christ (the Rock) in the wilderness

These ăb-ōmĭnor are always MARKED “semimares,” Liv. 31, 12, 8
  Signs or wonders "  Liv. 31, 12, 8 Along with "plundering" the temples, among the Sabines, a child of uncertain sex was born, while another was found whose sex, at the age of sixteen, could not be determined. All these disgusting and monstrous creatures seemed to be signs that nature was confusing species; but beyond all else the hermaphrodites caused terror,... In addition, they directed that a hymn be sung throughout the city by thrice nine maidens, and that an offering be made to Queen Juno.

Galli A form gallantes, as if from gallare, "to rave like a priest of Cybelé," is cited from Varro (ap. Non. p. 119Non., 5). In their wild, enthusiastic, and boisterous rites the Galli recalled the legends of the Corybantes (q.v.). According to an ancient custom, they were always castrated (spadones, semimares, semiviri, nec viri nec feminae), and it would seem that, impelled by religious enthusiasm, they performed this operation on themselves... Other names, however, are of distinctly Semitic affinities; Rhea perhaps=the Babylonian Ri (Mulita or Mylitta), and Nana more certainly=the Babylonian Nana, modern Syrian Nani.  Nana motherof Attis

Paul hoped that the concision's knife slipped.

Paizo, 4. play on a musical instrument, h.Ap.206: c. acc., “Pan ho kalamophthogga paizōn” Ar.Ra.230; dance and sing, Pi. O.1.16. 5. play amorously, “pros allēlous” X.Smp.9.2

Chrysostom's Commentary on Galatians:

Galatians 5:1.-"With freedom did Christ set us free; stand fast therefore.115 ."
Ver. 12. "I would that they which unsettle you would even cut themselves off." And he says well "that unsettle you."  "A man that is heretical after the first and second admonition refuse." (Tit. iii: 10) If they will,  let them not only be circumcised, but mutilated. Where then are those who dare to mutilate themselves; seeing that they draw down the Apostolic curse, and accuse the workmanship of God, and take part with the Manichees?

Chrysostom understood that the pagans used vocal or instrumental noise to stir up or create anxiety so that they could steal your food money. Christ outlawed this in Isaiah 55.  Christ outlawed BLASPHEMY in the modern context of saying that God commanded instrumental distractions when  He DID NOT.

But if you will not allow this,  why do you not mutilate the tongue for blasphemy, the hands for rapine, the feet for their evil courses, in short, the whole body?

For the ear enchanted by the sound of a flute hath often enervated the soul;
and the perception of a sweet perfume by the nostrils hath bewitched the mind, and made it frantic for pleasure .

David's PRAISE word threatened the same sexual proof of superiority:
Ululo Ulŭlo  I. Neutr., to howl, yell, shriek, utter a mournful cry. B.Transf., of places, to ring, resound, re-echo with howling: penitusque cavae plangoribus aedes Femineis ululant,Verg. A. 2, 488 : resonae ripae, Sil. 6, 285 : Dindyma sanguineis Gallis, Claud. Rapt. Pros. 2, 269 .--

12.03.15
Glenn Robb A New Day Conference.

Glenn Robb in Murfreesboro, Tn planting 60,000 congregations by the Mother Church. This is based on the Kairos Church Planting Plot. Kairos, Hermes or Mercury is the pagan ANTICHRIST as God's Logos. God's Logos is not a person but His Regulative Principle.  It outlaws rhetoric, personal opinions, personal experiences, singing, playing instruments, acting or any of the well-documented marks of the effeminate. The Spirit OF Christ warned about them in Isaiah 3.

Instrumental and Trinitarian idolatry at Mount Sinai was a sin beyond redemption because the people ascribed to The Book of The Covenant but rose up in PLAY.  Acts 7, Romans 10 and 1 Corinthians 10 is the EXAMPLE or PATTERN against the worship of Demons. Apis the golden calf was the symbol of the Egyptian and other trinities repudiated by all of Scripture4.24.15 Update: The Kairos Church Planting Plot is endorsed by LU and "daughter" church by Harpeth Hills.  The TRUTH of the Unity in Diversity is that Jesus gifted APT elders who will be MARKED by ejecting the cunning craftsmen or Sophists: sermons for hire, singers or instrument players. The reason simple simon can read for their REMOVAL is that with all music to set ambush: THEY ARE LYING IN WAIT TO DECEIVE.

WOE:  for the devil is come down unto you, having great wrath,  because he knoweth that he hath but a short TIME  [kairon  ekhei ETHOS.’] Rev. 12:12   diabolos

He comes at critical or dangerous momen Like Hermes [Who makes the thief, protector of thieves] , he has wings in his feet to fly with the wind.Caerus is sometimes considered a daimon spirit rather than a God due to his aggressive nature towards humans. He sought to drink their blood, killing many to do so. Kairos or Caerus is the yougest son of Zeus: as the new spawn pronounces Je-Zeus to foul you. But once he has passed by, no one can grasp him, the back of his head being bald. The Always "mother goddess" name is Occasio.  As a sign to men that I am sharper than any sharp edg

Dt 18:9 When thou art come into the land which the LORD thy God giveth thee,
        thou shalt not learn to do after the abominations of those nations.
Dt 18:10 There shall not be found among you any one that
        maketh his son or his daughter to pass through the fire,
        or that useth divination, or an observer of times, or an enchanter, or a witch,

hărĭŏlus  soothsayer, prophet, prophetess
somnĭo , to dream; to dream of or see in a dream, to dream, i. e. to think idly or vainly, to talk foolishly:
psaltrĭa , ae, f., = psaltria, . a female player on the cithara, a lutist, “ineptias,” Col. 1, 8, 2: “ah stulte! tu de Psaltriā me somnias Agere,” Ter. Ad. 4, 7, 6; Plaut. Pers. 2, 3, 5.—Absol.: “vigilans somniat
“portenta non disserentium philosophorum sed somniantium,” Cic. N. D. 1, 8, 18.

Deut. 18:11 Or a charmer, or a consulter with familiar spirits, or a wizard, or a necromancer

Amos 5:26 But ye have borne the tabernacle of your Moloch and Chiun your images,
        the STAR of your god, which ye made to yourselves.

Acts 7:41 And they made a calf in those days,
        and offered sacrifice unto the idol,
        and rejoiced in the works of their own hands

The practice in the wilderness, tyre and Jerusalem

The Babylon Mother of Harlot rises again and uses lusted after fruits (Same as in Amos 8) as speakers, singers, instrument players and ANY religious craftsmen always called like the Levite's SORCERERS and PARASITES.  In Revelation 18 John says that they are sorcerers who HAD once deceived the whole world.  That is the justification for them to be CAST ALIVE INTO THE LAKE OF FIRE. Christ in Isaiah uses the practices of the Jews as their anticipated punishment.

Jude 3 Beloved, when I gave all diligence to write unto you of the common salvation,
        it was needful for me to write unto you, and exhort you
        that ye should earnestly contend for the faith which was once delivered unto the saints.
Jude 4 For there are certain men crept in unawares, who were before of old ordained to this condemnation,
        ungodly men, turning the grace of our God into lasciviousness,
        and denying the ONLY Lord God, and our Lord Jesus Christ.  [Trinitarians are called antichrists by John]
Jude 5 I will therefore put you in remembrance, though ye once knew this,
        how that the Lord, having saved the people out of the land of Egypt,
        afterward destroyed them that believed not.
Jude 6 And the angels which kept not their first estate,
         but left their own habitation, he hath reserved in everlasting chains under darkness unto the judgment of the great day.
Jude 7 Even as Sodom [earthly Jerusalem] and Gomorrha,
        and the cities about them in like manner, giving themselves over to fornication,
        and going after strange flesh, are set forth for an example, suffering the vengeance of eternal fire.

A Charmer is an Abomination: This was outlawed for the Church of Christ (the Rock) in the wilderness as "vocal or instrumental rejoicing or speaking your own words.

incantātor , ōris, m. incanto, I. an enchanter, wizard (

consŭlo (a). In the lang. of religion, to consult a deity, an oracle, omens, etc.: “Apollinem de re,” Cic. Leg. 2, 16, 40: “deum consuluit auguriis, quae suscipienda essent,” Liv. 1, 20, 7: “deos hominum fibris,” Tac. A. 14, 30 fin.: “Phoebi oracula,” Ov. M. 3, 9; Suet. Vesp. 5: “Tiresiam conjectorem,” Plaut. Am. 5, 1, 76:

Cantus A. Prophetic or oracular song: “veridicos Parcae coeperunt edere cantus,” Cat. 64, 306; cf. Tib. 1, 8, 4.—

B. An incantation, charm, magic song, etc.: cantusque artesque magorum.
“cantus e curru Lunam deducere tentat,”
2. With instruments, a playing, music: “in nervorum vocumque cantibus,” Cic. Tusc. 1, 2, 4; id. Rosc. Am. 46, 134: “citharae,” Hor. C. 3, 1, 20: “horribili stridebat tibia cantu,” Cat. 64, 264: “querulae tibiae,”

What is never taught to those "among the scholars" or they deliberately lie about the music issue.

The practice in the wilderness, tyre and Jerusalem

Because their musical idolatry was the worship of the Astrial gods or Sabazianism (Dionysus-Apollo)
Acts 7:42 Then God turned,
        and gave them up to worship the HOST of heaven; 
        as it is written in the book of the prophets,
        O ye house of Israel,  have ye offered to me slain beasts and sacrifices
        by the space of forty years in the wilderness?

Amos 5:27 Therefore will I cause you to go into
        captivity beyond Damascus,
        saith the LORD, whose name is The God of hosts.
Acts 7:43 Yea, ye took up the tabernacle of Moloch, 
        and the star of your god Remphan, 
        figures which ye made to worship them: 
        and I will carry you away beyond Babylon.

Isaiah 30 has the Spirit OF Christ saying that the Jews and their Assyrian worship.

And his breath [SPIRIT], as rushing water [Free Word] in a valley, reach reach as far as the neck, and be divided, to confound the nations for their vain error; error also shall pursue them and overtake them. Isaiah 30:28 LXX
Must ye always rejoice, and go into my holy places continually, as they that keep a feast? and must ye go with a pipe, as those that rejoice into the mountain of the Lord, to the God of Israel Isaiah 30:29 LXX
and the Lord shall make his glorious voice to be heard and the wrath of his arm, to make a display with wrath and anger and devouring flame: he shall lighten terribly, and his wrath shall be as water and violent hail. Isaiah 30:30 LXX

For by the voice of the Lord the Assyrians shall be overcome, even by the stroke where with he shall smite them. Isaiah 30:31 LXX
And it shall happen to him from every side, that they from whom their hope of assistance was, in which he trusted, themselves shall war against him in turn with drums and with harp. Isaiah 30:32 LXX
For thou shalt be required before thy time: has it been prepared for thee also to reign? nay, God has prepared for thee a deep trench, wood piled fire and much wood: the wrath of the Lord shall be as a trench kindled with sulphur. Isaiah 30:33 LXX

Mark.10.They.Shall.Mock.Him.With.Music

Judas  was a thief: his bag or box was
always attached to the spotted flute case.
                 He is defined as the familiar friend of Jesus in Psalm 41. He would try to ALARM or TRIUMPH over Jesus: this is a MARK. It was outlawed in the Church of Christ in the Wilderness as vocal or instrumental rejoicing or any speaking beyond the Word

And God WATCHED the prophesied and fulfilled Musical Worship Team
Trumpet, drums, flute, cymbals and castinets with buffoons
Psallo permits ONLY smiting a string with your FINGERS: not a plectrum
Psallo and SOP have the same root meaning.

Revelation 18F: they are all called Sorcerers who HAD once deceived the whole world.
They WILL BE CAST ALIVE INTO THE LAKE OF FIRE.

9.26.15  Jesus said that Doctors of the Law Take away the Key to Knowledge:  God hides from the wise or Sophists: speakers for hire, singers or instrument players.  If you listen to the TRANSISTIONED Staff at the Once-Christian Colleges you will never be able to READ BLACK text on BROWN Paper as Paul says in 2 Corinthians 3. Any hint of God commanding ANY kind of Music in the School of Christ says Christ through Paul are men LYING IN WAIT TO DECEIVE.

That's why ANY religious craftsmen: speaker, singer, instrument player are called SORCERERS and they will bo or Are being CAST ALIVE INTO THE LAKE OF FIRE. They don't need to give an answer since they are said to be PREDESTINED and we don't expect any repenting so you better FLEE BABYLON run by the Mother Goddess.

Jude 1:4 For there are certain men crept in unawares, 
        [Rick Atchley boasts of taking about 12 years to
        "teach our youth to leave our movement." Treachery most vile.

        who were before of old ordained to this condemnation,
        ungodly men, turning the grace of our God into lasciviousness,
        and denying the only Lord God, and our Lord Jesus Christ.

Jude 1:11 Woe unto them! for they
        have gone in the way of Cain, and [Cain is derived from a musical note or MARK]
        ran greedily after the error of Balaam for reward, and
        perished in the gainsaying of Core.

Jude 16 These are murmurers, complainers, walking after their own lusts; and their mouth speaketh great swelling words, having mens persons in admiration because of advantage.

-Goēs , ētos, ho, A. sorcerer, wizard, Phoronis 2, Hdt.2.33,4.105, Pl.R. 380d,; “g. epōdos Ludias apo khthonos” E.Ba.234, cf. Hipp.1038; prob. f.l. for boēsi Hdt.7.191.

-Epōd-os , on, （epadō）[THE LADED BURDEN]

A. singing to or over, using songs or charms to heal wounds, “epōdoi muthoi” Pl.Lg.903b.

b. Subst., enchanter, “e. kai goēs” E.Hipp. 1038 (but “goēs e.” Ba.234): c. gen., a charm for or against, “ethusen hautou paida epōdon Thrēkiōn aēmatōn” A.Ag.1418 ; e. tōn toioutōn one to charm away such fears, Pl.Phd.78a.

c. c. dat., assisting, profitable, “e. gignesthai neois pros aretēn” Id.Lg.671a ; “duspraxia lēphtheis e. esti tō peirōmenō”  

2. Pass., sung to music, “phōnai” Plu.2.622d ; fit for singing, “poiētikēn e. parekhein” S.E.M.6.16.

A HERETIC OR SECTARIAN IN GENERAL A heretic or sectarian simply means a School of Thought. haerĕsis (scanned hĕrĕsis , = hairesis.I. A (philosophical or religious) sect, a school of thought (=secta): Cato in ea est haeresi, quae nullum sequitur florem orationis,  “as Greek,”  “Pythagorae haeresim sequi,” Vitr. 5 praef.— 2. Heretical religious doctrine, heresy, Tert. adv. Haer. 1 sq. et saep.: “Ariana,” the Arian heresy, Sid. Ep. 7, 6: “plurimae sectae et haereses,” Lact. 4, 30, 2.— Hĕrĕsis , — “Comically: joca tua plena facetiarum de haeresi Vestoriana ... risisse me satis,” i. e. craft, trade, Cic. Att. 14, 14, 1.— II. A calling, profession: Jesus called the Scribes and Pharisees, hypocrites: In Isaiah 29 and Ezekiel 33 The Spirit OF Christ identified them as speakers for hire, singers or instrument players: these were Christ's MARK of those neither intending to SPEAK the Word (Logos or regulative principle) or to obey it.  In Rome Paul silenced the sects of the Pythagoreans, Orphics or Dionysiacs and in Romans 15 defined the SECT that is called the WAY as exclusive of any hypocritic arts or crafts and inclusive of 'using one mind and one mouth to speak that which is written for our LEARNING."  A group not PATTERN DRIVEN as a School of Christ is a SECT of CULT. Jesus died to give us REST from organized Religious Sects NOT of the WAY.  CHRIST ordained a School for the REST Day. skholē , skholēn agein to be at leisure, enjoy ease, keep quiet, amphi heauton for one's own business, a work for leisure, i.e. requiring attention, 2. a group to whom lectures were given, school, Arist.Pol.1313b3, Phld.Ind.Sto.10, D.H.Isoc.1, skhol-azō  A.to have leisure or spare time, to be at leisure, have nothing to do, have leisure or time to do a thing esp. of students, study, attend lectures, “epi Palladiō” Phld.Acad.Ind.p.88 M.; s. tini devote oneself to a master, attend his lectures, s. Karneadē, Isokratei, 3. abs., devote oneself to learning: hence, give lectures (cf. “skholē” Individuals are free to go to the schools of School of philosophia, mousikē, Acts 19:9 But when divers were hardened, and believed not,         but spake evil of THAT WAY before the multitude,         he departed from them,         and SEPARATED the disciples, [ mathētas]         disputing daily in the school of one Tyrannus. THAT WAY HODOS 3.  method, system,Id.Sph.218d, Arist.APr.53a2, al.; “hodō” methodically, systematically,Pl.R.533b, Stoic.2.39, etc. ; so “kath' hodon” Pl.R.435a ; “tēn dia tou stoikheiou ho. ekhōn egraphen” Id.Tht.208b (cf. “diexodon” 208a). 4.  of the Christian Faith and its followers,Act.Ap.9.2, 22.4, 24.14. sē-grĕgo  To set apart or separate from the flock khōr-izō Hebrews 7:[26] For such a high priest was fitting for us: holy, guiltless, undefiled, separated from sinners, and made higher than the heavens; The WAY is the METHOD is the SYSTEM is the PATTERN is the PARADEIGMA of God--not the NEW one.  The METHOD Method-os , hē, (meta, hodos) II. pursuit of knowledge, investigation, Pl.Sph.218d, 235c, al.; m. poieisthai to pursue one's inquiry, ib.243d; “en tē prōtē m.” Arist.Pol.1289a26: hence, treatise, Dam.Pr.451. 2. mode of prosecuting such inquiry, method, system, Pl.Phdr.270c, Arist.EN1129a6, Pol.1252a18, etc.; “hē dialektikē m.” Pl.R.533c, Paradeig-ma  A.pattern, model: of an architect's model. of the divine exemplars after which earthly things are made, “en ouranō isōs p. anakeitai” Pl.R.592b; 2. precedent, example, “paradeigmata labein para tinos” 3. lesson, warning, “ekhontes paradeigmata tōn ekei Hellēnōn” Th.6.77; 4. argument, proof from example, Th.1.2, etc., cf. Arist.APr.68b38, Rh.1356b3, including parabolē and logos, Arist.Rh.1393a 27. II. foil, contrast, A SECT WHICH IS NOT THE WAR OR PARADIGM OF CHRIST "INTRODUCES FAITH OR PRACTICES NOT COMMANDED BY CHRIST." The Bad News for the "Progressive" Inclusives 2Pet. 2:1 But there were false prophets also among the people,         even as there shall be false teachers among you,         who privily shall bring in damnable heresies,          even denying the Lord that bought them,         and bring upon themselves swift destruction. Paul outlawed self pleasure: Areskos or Placeo including all performing arts Jesus called hypocrites: speakers for hire (hirelings), singers or instrument players. They are the MARK of people who do not intend to speak "that which is written for our learning" and people who do not intend to obey the Word, Logos or Regulative Principle. WHAT IS A HERETIC OR SECTARIAN? Doctors of the law, says Jesus "take away the key to knowledge" and "music means to make the lambs dumb before the slaughter." It certainly seems to work among the Latest Spawn of Doctors of the Law who lack reading ability and minimal ethics: selling learning at retail is corrupting the Word because God will not let His Word be sold: the same word defines prostitutes and fish mongers. Who infiltrated and intends to lie, cheat and steal your property and flock? No one can find anything so vile and blasphemous in the historic church commanded not to engage in "vocal or instrumental rejoicing or self-speak" when the church (ekklesia) assembled (synagogued) to Rest (school), read and rehearse the Word of God. That is the ONE PIECE PATTERN because the Lord's Supper is a teaching activity which SHOULD cause men and women to sit down and be silent. Pareis-agō  lead in by one's side, bring forward, introduce, of persons brought into a public assembly, 2. with a notion of secrecy, p. tous Galatas eis Eruka introduce, admit them into the city, Plb.2.7.8, cf. 1.18.3. introduce into a poem or narrative, “kindunous” [Catamite] introduce doctrines, customs, “haireseis” 2 Ep.Pet. 2.1 :—Pass., “mousikēn pareisēkhthai tois anthrōpois Heresy as Ariskos in Romans 15 means to plot to "Choose other people's property for your own." Doest thous Rob Temples? Go to it: Scripture says that strong delusions or religious performances claimed to be from or for God is the result of STRONG DELUSIONS. The REST Jesus giveth and the progressives Taketh away. How to MARK the Sectarian who infiltrates and diverts your congregation: pauō  bring to an end, stop or silence by death, take one's rest, cease, have done, of one singing or speaking. , take one's rest, “eni klisiē” Il.24.17, cf. Hdt.9.52, etc.; cease, have done, Il.8.295, Od.4.103, etc.; of one singing or speaking, 17.359, Hdt.7.8.d “pausai pharmakopōlōn” [Sorcery Reve 18:23] hinder, keep back, or give one rest, from a thing, p  thamurin [Lying Wonders] aoidēs, tōn epithumiōn” [Lust] rest or cease from a thing klaggēs  [clanging brass] pres. part., stop a person from leave off doing . . , hoth' hupnos heloi, pausaito te nēpiakheuōn when he stopped playing, Il.22.502, cf. A.Pr.615, Ag.1047, Hdt.1.133 Rick Atchley was the first one to boast that "we took our youth to hear the best "christian bands" (an oxymoron]: we taught our youth to LEAVE OUR MOVEMENT." As a Purpose Driven Sectarians or Heretics they are INTENTIONAL DRIVEN (predestined says the text from old) in a frantic sense proven to because 'the devil knows that his KAIROS is short." Kairos is the demon son of Zeus and Khronos at just the right time. History notes that "evil men set their lies to melodies to deceive the simple minded," Heresy-Sectarian Pareis-agō Mousi^kos  A.musical, “agōnes m. kai gumnikoi II. of persons, skilled in music, musical, professional musicians, mousikos kai melōn poētēs III. of things, elegant, delicate, “brōmata hēdion  kuknōn Swan Metaphor , minstrel, bard, sacred to Apollon, Abaddon melos , speaks of MUSICAL MELODY: it means to break a text "limb by limb" or dismember. Cantillation is breaking the text into syllables and the SPEAKING it which is the opposite of ODE. 2. music to which a song is set, tune, Arist.Po.1450a14; WITHOUT rhuthmos, WITHOUT metron 3. melody of an instrument, “phormigx [ Apoollon's lyre] d' au phtheggoith' hieron m. ēde kai aulos” phtheggomai , Od.10.228, Loud Voices in a holy place hiero  pipe, flute, clarionet, aulos” The Good News for the "Progressive" Inclusives: 2Pet. 2:2 And many [polus far the most, ecumenical] shall follow their pernicious ways; [aselgeia licetiousnes, jubris, insolence, demagogue] by reason of whom the WAY [hodos pattern] of TRUTH shall be evil spoken of.[blasphemabitur] The Bad News for the "Progressive" Inclusives: 2Pet. 2:3 And through covetousness shall they with feigned WORDS make merchandise of you:         whose judgment now of a long time lingereth not, and their damnation slumbereth not. Revelation 18 says that the craftsmen [staff-parasites], speakers, singers, instrument players are SORCERERS who HAD ONCE deceived the Whole World and they will finally be CAST ALIVE INTO THE LAKE OF FIRE. OF THE SELF-PLEASURE PAUL OUTLAWED IN ROMANS 14-15 not related to that which is written for our  LEARNING. A SECTARIAN in a remote sense is one who has the power to choose what they will do and with whom they will do and what they will do. Christian liberty gives one the power to be a sectarian. However, in the Greek language and real examples, a heretic is one WHO CHOOSES to take your property by force. Pro-airesis , eôs, hê, choosing one thing before another, wrongs done from malice prepense, contrary to one's purpose, 3. in political language, deliberate course of action, 5. political party, b. sect or school of music, philosophy THE ONE PIECE PATTERN AFTER SILENCING ALL OF THE HYPOCRITIC ARTS AND CRAFTS OUTLAWED: Rom. 15:1 We then that are strong ought to bear the infirmities of the weak, and not to please ourselves. -Romans XV. 1 debemus autem nos firmiores inbecillitates infirmorum sustinere et non nobis placere Placeo to please, to be pleasing or agreeable, to be welcome, acceptable, to satisfy (class.). 1. In scenic lang., of players or pieces presented, to please, find favor, give satisfaction: scenico placent Outlawed:  -Placeo to please, to be pleasing or agreeable, to be welcome, acceptable, to satisfy (class.). 1. In scenic lang., of players or pieces presented, to please, find favor, give satisfaction: scenico placenti  Rom. 8:8 So then they that are in the flesh cannot please God. Rom. 8:9 But ye are not in the flesh, but in the Spirit,          if so be that the Spirit of God dwell in you.          Now if any man have not the Spirit of Christ, he is none of his. Outlawed: Scaenicus I. of or belonging to the stage, scenic, dramatic, ORGANA, theatrical I. Lit.: poëtae, dramatic poets, ludi, stage-plays, theatrical representations, : fabula, a drama,   2. Placere sibi, to be pleased or satisfied with one's self, to flatter one's self, to pride or plume one's self I. Lit.: poëtae, dramatic poets, ludi, stage-plays, theatrical representations, : fabula, a drama, organa, Suet. Ner. 44 : coronae, id. ib. 53 : habitus, id. ib. 38 : gestus, Cic. de Or. 3, 59, 220 : modulatio Comedy. Orator Poi-êtês II. composer of a poem, author, p. kômôidias Pl.Lg.935e ; p. kainôn dramatôn, b. composer of music, 2. author of a speech THE DIRECT ONE PIECE PATTERN: Rom. 15:2 Let every one of us please his neighbour for his good to edification. [Education of the LOGOS: Regulative Principle] Rom. 15:3 For even Christ pleased not himself; but, as it is written, The reproaches of them that reproached thee fell on me. Rom. 15:4 For whatsoever things were written aforetime were written for our LEARNING,         that we through patience and comfort of the scriptures might have hope. Rom. 15:5  Now the God of patience and consolation grant you to be likeminded one toward another according to Christ Jesus: Rom. 15:6 That ye may with one MIND and one MOUTH glorify God, even the Father OF our Lord Jesus Christ. Hairesis  I. a taking especially, esp. of a town, a taking for oneself, 4. a sect, school, etc.: esp. a religious sect, such as the Sadducees and Pharisees, NTest.5. a heresy, Pharisaios 1 a Pharisee, Separatist (from pharash, to distinguish), one of a sect who separated themselves from other Jews as affecting superior holiness. Phrik-ôdês , es, attended with shivering, b. inspiring religious awe Jesus identified them as HYPOCRITES by pointing to speakers, singers and instrument players. And the audience who would be attracted just for the entertainment. A musical instrument is defined as "a machine for inducing the shock and awe in battle or in RELIGION. Notice that Haireô or heresy includes the word Anaireô which shows that the heretics may think that they have invented a NEW STYLE WORSHIP. Of their postmodernism it has been noted that when they lose connection with their "doctrine" and are no longer believers their new INVENTIONS revert to Satan and the cult of the dead. Haireô Il.; hair, tina kheiros to take one by the hand, A. Act., take with the hand, grasp, seize, having taken up [the song], Od.8.500. 2. take away II. take, get into one's power, overpower, kill, of passions, catch, take, zôon [ZOE: take away life] helein Il.21.102 ; take in hunting,  get into one's power, entrap, II. take, get into one's power, nēas ib.13.42; esp. take a city, 2.37, S.Ph.347, freq. of passions, etc., come upon, seize, B. Med., with pf. hērēmai (v. supr.), take for oneself, egkhos helesthai take one's spear, II. take to oneself, choose, Hairetos verb. adj. of haireō I. that may be taken or conquered, Hdt.; that may be understood, Plat. Homer, Odyssey The muses were taught by Apollo So he spoke, and the minstrel, moved by the god, began, and let his song be heard, [500] taking up the tale where the Argives had embarked on their benched ships and were sailing away, after casting fire on their huts, while those others led by glorious Odysseus were now sitting in the place of assembly of the Trojans, hidden in the horse; for the Trojans had themselves dragged it to the citadel.

"To the North Atlanta Church of Christ on Imposing Instrumental Idolatry.

We as an Eldership are embracing the freedom found in following Christ, "

Jesus Died to make ME from Laded Burdens (Music and Taxes) and Burden Laders.

You are welcomed to comment on this forum without posting your name

Explain why Don Mclaughlin defines NOT using instruments "just a  tradition or heritage which HINDERS the Gospel when the command was to GO into all the world because the kingdom does not come with observation meaning religious observations replacing SCHOOL OF THE WORD which Paul called Lying Wonders.

A Church of Christ is called the SECT THAT IS CALLED THE WAY. The Way is the NARROW ROAD and the only way to follow Christ is to walk in His steps defined as the teachings of the Prophets and Apostles. You have no liberty to wander away from the ROAD which He established:

Rom. 4:12 And the father of circumcision to them who are not of the circumcision only,
        but who also walk in the steps
        of THAT FAITH of our father Abraham, which he had being yet uncircumcised.
2Cor. 12:18 I desired Titus, and with him I sent a brother. Did Titus make a GAIN of you?
        walked we not in the same spirit?
        walked we not in the same steps?

2Pet. 1:16 For we have not followed cunningly devised fables,
        when we made known unto you the power and coming of our Lord Jesus Christ,
        but were eyewitnesses of his majesty.

Don't Follow JEWISH FABLES

FABLES TO FOOL: Fābŭla , ae, f. fari,

B.  Of particular kinds of poetry.

1.  Most freq., a dramatic poem, drama, play (syn.: “ludus, cantus, actio, etc.): in full, fabula scaenica,”  “or, theatralis,” id. 14, 6, 20: “fabula ad actum scenarum composita, ”fabulam, quae versatur in tragoediis atque carminibus non a veritate modo [melod]

FABLES TO FOOL:  Cantus , ūs, m. id., I. the production of melodious sound, a musical utterance or expression, either with voice or instrument; hence, song, singing, playing,
1. With the voice, a singing, song; in full, cantus vocum, Cic. Rosc. Am. 46, 134: “fit etiam saepe vocum gravitate et cantibus ut pellantur animi, etc.,
2. With instruments, a playing, music: “citharae,” “horribili stridebat tibia cantu,” Cat. 64, 264: “querulae tibiae,  “lyrae,” Plin. 34, 8, 19, § 72: “tibicine

FABLES TO FOOL:   Scaenĭcus (scen- ), a, um, adj., = skēnikos, I. of or belonging to the stage, scenic, dramatic, theatrical (class.) stage-plays, theatrical representations, “fabula,” a drama, Amm. 28, 1, 4: “organa,” Suet. Ner. 44: “coronae,” id. ib. 53: “habitus,” id. ib. 38:
1. scaē-nĭcus , i, m., a player, actor, Cic. Off. 1, 31, 114: “orator plurimum aberit a scaenico  2. scaenĭca , ae, f., a female player, an actress,

“gestus,” Cic. de Or. 3, 59, 220: “modulatio,” Quint. 11, 3, 57:
Gestures of an ōrātōrĭus , a, um, adj. orator. . Of or belonging to an orator, oratorical  II. Of or belonging to praying; hence, subst.: ōrātōrĭum , ii. n. (sc. templum), a place of prayer, an oratory 

SCRIPTURE PROVES: THE serpent in the garden of Eden is called a musical enchanter(ess): she-he-it is defined as using crooked or twisted songs and instruments like a louse or a slowly creeping fire.

Explain Why it is not a lie to say that Churches of Christ INVENTED NOT using machines to worship a SPIRIT GOD as a TRADITION which Hinders the Gospel?

SCRIPTURE PROVES:  The Spirit of Christ called Lucifer "the singing and harp-playing prostitute in the garden of Eden. Eve or Evah was the mother in old and new paganism and Paul understood that she was wholly seduced and that Cain was OF that wicked one. Eve or Zoe is called "the beast and female instructing principle." She is Vires, Venus, Venom or an abomination in the Babylonianism practiced at the Jerusalem Temple.

Explain Why music always had a making war, making exorcism or making strange love is going to ASSIST the Gospel OF the Kingdom or Church.

SCRIPTURE PROVES:  Jesus SPOKE what the Father breathed (spirit) without metron or meter he word, Logos or regulative Principle. SPEAK is the opposite of ODE or PSALLO

Explain Why the father breathed the word, Logos or regulative Principle without metron or METER; and the command is to SPEAK (opposite of ODE) that which is WRITTEN for out learning; and there no METER in the entire Bible, why are people who do NOT "OFFER" instrumental "worship" hindering the gospel?

SCRIPTURE PROVES:  All religious instrumental noise-making including the Jacob-cursed and God-abandoned levites is defined as soothsaying-sorcery. [Revelation 18]

Explain why God's abandonment of Israel to Babylonianism and to Babylon for captivity and death is the PATTERN to say that "A" spirit commanded the NACC-RICK ATCHLEY to knowingly sow discord by USURPING all authority and imposint instruments?

RECORDED HISTORY and Word Definitions PROVES that:
1. All names of instruments and musical terms parse to enchantment, sorcery or witchcraft.
2. No one in recorded history ever tried to find justification for always-condemned religious music before the DISCIPLES in the year 1878.
3.Psallo is related to Apollon the father of shooting bows to kill his enemies or shooting love arrows into his male and female lovers.
4..All of the prooft texts used by the NACC: O.E.Payne, Thomas Burgess, dupes transistioning for the NACC speak of older males plucking the harp intending to seduce younger males--Alexander The Great in the "proof texts."

Explain Why intentional, purpose-driven discorders can blame those who understand that LOGOS-Speak word is the opposite of ODE .

Present some historic musical terms in the SCHOOL OF THE WORD that lets GRACE forgive what is soothsaying-sorcery-witchcraft.

Don McLaughlin disparages NOT using instruments which were outlawed for the Church of Christ (the Rock) in the wilderness using the vilest of terms.

Explain Why this is not the original PATTERN to use all of the RACA words against conservatives using terms to "dissociate" people intimidating them into silence?
Explain Why major universities are BONDED with the NACC "deprogramming" young Bible-based preachers and adding them to the Sectarian Instrumental group.

We have quoted some History among the Disciples-Christians and Churches of Christ proving that the now-NACC transistioning your congregation to show when and by whom instruments were introduced beginning with churches whose carpet bags had run dry after the Civil War.

Explain Why Churches of Christ who in the Bible and recorded history never used any kind of MUSIC as tunefulness, are accused of HINDERING and worthy of having their "investment with the Lord" transistioned or diverted?

Explain why OFFERING a Salad Bar of "worship services" is not violating the commands of Jesus to WORSHIP in the place of the Spirit while giving attention to the WORD OF TRUTH is not blasphemy?
In Jeremiah 23 saying that God (a spirit) told you to IMPOSE instruments
When God actually condemned all forms of music in HIS school of the Word
That is defined as BLASPHEMING the Holy Spirit OF Chrixt:

http://www.piney.com/Blasphemy.Against.The.Holy.Spirit.html
PRUDENTIUS 40 Domus Caiphae
Waxed abusive fell house , behold, Caiphas ,
in which the battered so is did strike the face of the Sacred Christ ,
here the wicked remains the issue , was overwhelmed by the
160 life wastes graves without end lie .

Inpia blasphemi cecidit domus ecce Caiphae,
in qua pulsata est alapis facies sacra Christi,
hic peccatores manet exitus, obruta quorum 160
vita ruinosis tumulis sine fine iacebit.

The universal root:   Pulso , I. inf. parag. pulsarier, Lucr. 4, 931), 1, v. freq. a. id., to push, strike, beat (cf.: tundo, ferio, pello).
Of all musical instruments: Of musical instruments: “chordas digitis et pectine eburno,” to strike, play upon, Verg. A. 6, 647: “chelyn,” Val. Fl. 1, 139: “pectine nervos,” Sil. 5, 463: “cymbala,” Juv. 9, 62.—Of things: “pulsant arva ligones,” Ov. Am. 3, 10, 31; id. M. 11, 529: “nervo pulsante sagittae,” Verg. G. 4, 313.—

The same Babylon mother of harlots (Revelation 17) uses the same lusted after fruits as in Amos 8 as all religious craftsmen: speakers, singers, instrument players Jesus told John to call SORCERERS who HAD once deceived the whole world.

Liars, dogs and sorcerers are finally to be CAST ALIVE INTO THE LAKE OF FIRE.

Christ-Gifted APT elders Job-One is to eject the cunning craftsmen or sophists: they are the wise from whom God hides and Jesus called Scribes, Pharisees, hypocrites.

In Isaiah 29 and Ezekiel 33 they are performance preachers for hire, singers and instrument players. These were marks by the Spirit OF Christ of those who have no intention or preaching the WORD, Logos or "Regulative Principle" which the changelings repudiate and therefore repudiate Christ.

Don has to give an account now or later: the introducing of instrumennts in Revelation 18 is the same time Jesus visits and removes the LAMPS or candlestick

Quote any passage in context from Genesis to Revelation or Pre-Disciples history which commands, examples or infers God calling His Godly people out of their REST to "sing anything congregationally with or without instruments.

Or explain why one can be a Christian, Disciple, Student of what Christ taught in the prophets and apostles and left for our "memory" and OFFER "worship rituals" catering to the desires of LAMBS who are supposed to be FED by APT elders.

Or explain why use only passages connected with the Jacob-Cursed (Genesis 49) and God-abandoned Levites (after Levites slaughtered 3,000 of their instrumental brothers).             The both/and (madness) pattern was supplied by the NACC using a few bad men to as they boast "transition" churches into the instrumental sect.  Or  "a" spirit telling Rick Actchley to use the holocaust of Goats [to save the holocaust of infants] as PATTERN.

Or explain why the Bible Colleges refuse to teach the UNIVERSAL Biblical and Classics connecting musical instruments to Lucifer Christ called the "singing and harp playing prostitute in the garden of Eden."  She resurfaces in Revelation 17 using the emasculated as speakers, singers, instrument players and the MILLSTONE marks the sounds of the grinders or prostitue.

SPIRIT (breath) is only personified as that of Abaddon-Apollon the king and Leader of the Muses well documented as the LOCUSTS.  Only an evil spirit would cause threatening preachers to justify SOWING MASSIVE DISCORD so they could be more FRIENDLY. Paul uses the word MADNESS of the speakers in tongues where the "speaking" includes musical instruments he calls "lifeless instruments.

Based on all of the other infiltrate and divert, the elders have been demoted to shepherds. In the words of Rubel Shelly, the elders shepherd the SENIOR MINISTER who not claims to be the "authoratative teacher" claiming the role of Jesus.  When you see the word ELDER you can insert Don McLaughlin who is part of a Purpose Driven Band intending to restructure ALL churches of Christ into Instrumental sectarians.

Don McLaughlin's white papers are supplied by the NACC whose president was the handler of Rick Atchley. The use of the word TRADITIONAL intends to say that Churches of Christ INVENTED not using instruments in the assembly. That is a bitter blow but it manages to intimidate any opposition not wanting to be branded a sectarian. Sectarian is really ok: the Church of Christ is the SECT that is called the WAY or ROAD or a very narrow PATTERN and fools cannot even stumble into it.

Paul defined the limited role of APT elders as to "Teach thatg which has been taught." He also defines FREEDOMS which people usurp which the Word or Logos or Regulative Principle outlaws: including personal opinions, personal experiences, rhetoric, singing, playing instruments or any of what Jesus attributes to the Scribes and Pharisees, hypocrites.

2 Peter 2:17 These are wells without water,
          clouds that are carried with a tempest;
          to whom the mist of darkness is reserved for ever.

2 Peter 2:18 For when they speak great swelling words of vanity,
          they allure through the lusts of the flesh,
          through much wantonness,
          those that were clean escaped from them who live in error.

No one has ever attributed anything to music but entertainment: it appeals to the flesh and literally agitates all of the nerve endings in the whole body.

Musical Worship Teams the Effeminate

"Philodemus considered it paradoxical that music should be regarded as veneration of the gods while musicians were paid for performing this so-called veneration. Again, Philodemus held as self deceptive the view that music mediated religious ecstasy. He saw the entire condition induced by the noise of cymbals and tambourines as a disturbance of the spirit.

He found it significant that, on the whole, only women and effeminate men fell into this folly.

Accordingly, nothing of value could be attributed to music; it was no more than a slave of the sensation of pleasure, which satisfied much in the same way that food and drink did.

Philo: "Now, many a man from the false religions, which are not ashamed of criticising what is noble, will ask: how can there be a feast without carousing and overeating, without the pleasant company of hosts and guests, without quantities of unmixed wine, without richly set tables and highly stacked provisions of everything that pertains to a banquet, without pageantry and jokes, bantering and merry-making to the accompaniment of flutes and citharas, the sound of drums and cymbals and other effeminate and frivolous music of every king,

enkindling unbridled lusts with the help of the sense of hearing. For in and through the same [pleasures] those persons openly seek their joy, for what true joy is their they do not know.

"Women and girls from the different ranks of society were proud to enter the service of the gods as singers and musicians. The understanding of this service was universal: these singers constituted the 'harem of the gods'." (Quasten)

2 Peter 2.18 huperogka gar mataiotētos phtheggomenoi deleazousin en epithumiais sarkos aselgeiais tous oligōs apopheugontas tous en planē anastrephomenous,

G5246 huperogkos hoop-er'-ong-kos From G5228 and G3591; bulging over, that is, (figuratively) insolent:—great swelling.

epithumia by passion, Opposite pronoia, [foresight, foreknowledge] sexual desire, lust

phtheggomai , Od.10.228, “huperogka mataiotētos ph.” 2 Ep.Pet.2.18: of the recitative of the chorus, Id.Oec.8.3; “ouketi porrō dithurambōn ph.” Pl.Phdr.238d
3. of inanimate things, of a door, creak, Ar.Pl.1099; of thunder, X.Cyr. 7.1.3;
of trumpets, Id.An.4.2.7, 5.2.14;
of the flute, Id.Smp.6.3, Thgn.532; of the lyre, “
phormigx [Apollon's Harp] ph. hiron melos” [Melody in a holy place].
Arist. Metaph.1019b15; of an earthen pot, eite hugies eite sathron ph. whether it rings sound or cracked, Pl.Tht.179d;
ph. palamēsi to clap with the hands, Nonn.D.5.106,  sing, or celebrate one aloud, Pi.O.1.36; also, tell of, recount,

Nonn.Dionysiacs.5 weaving a merry song for Love. Dancing with the immortals came Ismenian Apollo to Harmonia’s wedding, while he twangled a hymn of love on his sevenstring harp. The nine Muses too struck up a lifestirring melody: Polymnia nursingmother of the dance waved her arms, and sketched in the air an image of a soundless voice, speaking with hands and moving eyes in a graphic picture of silence full of meaning. Victory turned a tripling foot for the pleasure of Zeus, and stood by as bridesmaid crying triumph for Cadmos the god’s champion; about the bridebed she wove the wedding song with her virgin voice, and moved her gliding steps in the pretty circles of the dance, while she fluttered her wings, shamefast beside the wings of the Loves.

Iakhō  battle-shouts, 2. of things, ring, resound, of an echo, “peri d' iakhe petrē” of a bowstring, twang, 4.125; 3. c. acc. cogn., i. melos sound forth a strain, sound one's praises, iakhon Apollō were sounding his praises, iakhein melos,
[aoidan]

2 Peter 2:19 While they promise them liberty,
          they themselves are the servants of corruption:
          for of whom a man is overcome, of the same is he brought in bondage.

The Corrupter is phthor-eus , eōs, ho, A.corrupter, seducer,

2Pet. 1:2 Grace and peace be multiplied unto you
        through the knowledge of God, and of Jesus our Lord,
2Pet. 1:3 According as his divine power
        hath given unto us all things that pertain unto life and godliness,
        through the knowledge of him that hath called us to glory and virtue:
2 Peter 1 [4] by which he has granted to us his precious and exceedingly great promises; that through these you may become partakers of the divine nature, having escaped from the corruption that is in the world by lust.

2 Peter 2:20 For if after they have escaped the pollutions of the WORLD
          through the knowledge of the Lord and Saviour Jesus Christ,
          they are again entangled therein, and overcome,
          the latter end is worse with them than the beginning.

OF is a preposition "knowledge OF the Lord" is the knowledge which BELONGS to Jesus Christ exclusively.

The World or Kosmos is the ECUMENICAL or the "reign of Satan."

2 Peter 2:21 For it had been better for them not to have known the way of righteousness,
          than, after they have known it,
          to turn from the holy COMMANDMENTS delivered unto them.

2 Peter 2:22 But it is happened unto them according to the true proverb,
          The dog is turned to his own vomit again;
          and the sow that was washed to her wallowing in the mire.

The Elership: a freedom that does not require us to put firm barriers in place except with respect to core gospel truths.

The gospel is the GOOD NEWS OF THE KINGDOM: Jesus is King and the only Teacher. Jesus said that the kingdom does not come with observation: that means that the kingdom is within you, worship is IN THE SPIRIT or Mind and does not come with RELIGIOUS OBSERVATIONS which are defined as LYING WONDERS.

Any kind of performing music puts barriers to almost all people with knowledge or taste.  Music from mystery means to MAKE THE LAMBS DUMB BEFORE THE SLAUGHTER: they musically mocked Jesus to the cross and no eldership or other ship has the authority to IMPOSE that which is radically outlawed from the wilderness onward.

The Elership: This freedom in Christ also requires us to constantly evaluate our attitudes and practices to determine whether we are truly embracing the freedom of the gospel or whether we are creating or perpetuating barriers and limitations that are not what God intended.

No: elders are pastor-teachers and their ONLY authority is to teach that which has been taught and eject the cunning craftsmen or sophists: speakers, singers, instrument players. Paul said that THEY are LYING IN WAIT TO DECEIVE.

Aristotle: Melody Deceives: "Poets also make use of this in inventing words, as a melody "without strings" or "without the lyre"; for they employ epithets from negations, a course which is approved in proportional metaphors..

The form of diction should be neither metrical nor without rhythm.

 If it is metrical, it lacks persuasiveness, for it appears artificial, and at the same time it distracts the hearer's attention, since it sets him on the watch for the recurrence of such and such a cadence..

According to Philo, the gods of the pagans exploit this weakness of men. For the sake of a better effect, and with the intention of more easily cheating their devotes, that they have set their lies to melodies, rhythms and meters.." Click for more.

The elderSHIP claims the authority to IMPOSE what all literate history knows to DESTROY the ability to be a Disciple of Christ: Disciples go to Bible school and classes are LIBERATED from poor musicians trying to ENHANCE the thinking.

Aristot. Nic. Eth. 1175b.1
But things that are akin to things of different kinds must themselves differ in kind.
        [3] A still clearer proof may be drawn
        from the hindrance that activities
        receive from the pleasure derived from other activities.

For instance, persons fond of the flute
cannot give their attention to a philosophical discussion [The LOGOS or Regulative Principle]
 
when they overhear someone playing the flute, because they enjoy music more than the activity in which they are engaged;
      therefore the pleasure afforded by the music of the flute
      impairs the activity of study.

The Elership:  We as an eldership have come to the conclusion that our historical practice regarding instruments as part of worship is one such limitation.

The Eldership has been USURPED: from the SERPENT in the garden to the Babylon Mother of Harlot uses "lusted after fruits" (named in Amos 8) as speakers, singers or instrument player. Jesus informed Jesus that they are SORCERERS who HAD once deceived the whole world and they will finally be CAST ALIVE INTO THE LAKE OF FIRE. No preacher can find authority for instruments (of deceit) in the Bible or church history until long after the Reformation. I don't see how people who assault godly people can escape judgment. Elders have the duty of yanking people out of the firs.

We have never heard or read of a person who did not enjoy congregational singing. This is antithetical to watching performers try to supply something they can download for free--and better too.

The "elders" know absolutely that adding "machines for doing hard work" will do two things God hates and will punish:

First, Musical performance in the temple holy places.
Second, men who with a high hand sow massive discord.

The Purpose Driven Cult pattern calculates that you can discord and dispose of up to half of the owners and make it up by those butterflies seeking the Shellyite "Venue for Rock and Roll".

Because only a few "mega" churches have added instruments under the direction of the NACC, the "elders" know and take into account that they will place a LIMITATION on almost all of the knowledgeable Churches of Christ.  This seems to be the pattern as the universities have Discord Teams teaching preachers how to "leave our movement." Wouldn't it be minimally ethical to direct people to other instrumental groups or just LEAVE and join an instrumental group.

Having examined the scriptures together

That's utterly false: they have read the list of Proof Texts supplied by the NACC. All of these "proofs" speak of instruments making NOISE.  The Jacob-cursed and God-Abandoned Levites stood in ranks to execute any of the Godly people who came near the HOLOCAUST which God did not command. If you read Acts 7 you will hear Stephen telling the "elders" that God did not command the Temple: it was added because of instrumental-trinitarian idolatry at Mount Sinai and AFTER the elders "fired God" and listened to the SENIOR PASTOR so they could worship like the GENTILES.

You have to have been BLINDED and made deaf not to hear the condemnation of instruments.  Christ warned about "Lucifer (Venus, Eve in paganism, Zoe) as a singing and harp-playing prostitute in the garden of Eden. The elders deny that.

as a group and not being able to find the kind of limitation that would justify our historical position on this matter, we choose to embrace freedom, rather than impose limits, on the issue of instruments in worship.

We may have to take the "elders" at their word even though the APT elsers are to "teach that which has been taught."

And then shall that Wicked be revealed, whom the Lord shall consume
        with the SPIRIT of his MOUTH,  [not a person or people]
        and shall destroy with the brightness of his coming: 2 Thess. 2:8
Even him, whose coming is after the working of Satan
        with all power and signs and lying wonders, 2 Thess. 2:9

Energ-eia  activity, operation  IV. spoudē as Adv., in haste, hastily, 3. earnestly, seriously, urgently, spoudai erōtōn erotic enthusiasms, Pl.Lg.632a. “hē khara kai hē euphrosunē kata kinēsin energeia blepontai”  cosmic forces  magical operation, “hiera e

Working with the NACC the Diversion Team at LU, ACU and Pepperdine callef for a COSMIC WORSHIP SERVICE.  Satan is the Ruler of principalities and powers in heavenly places.

A lying wonder is: Spectācŭlum  I. a show, sight, spectacle, A. Lit., in the theatre, circus, etc., a public sight or show, a stageplay, spectacle,
A lying wonder is: Scaena , [outlawed as SELF-pleasure in Romans 15 to ENABLE teaching that which is WRITTEN. 2. (Post-Aug.) Of the schools of rhetoric, as scenes for the display of eloquence in scaenas scholasticorum, qui rhetores [meaning of hypocrite] vocantur,
A lying wonder is: The-ama ,  A. sight, spectacle, ei tis orchoit' eu, theam' ên Pl.Com.130 ;
And Theama is Opposite to mathêma, of a sight which gives pleasure,X.Smp.2.2 , ; orchêseis kai theamata   

[Khara or Charis includes in an erotic sense favors to another male.

STEPHEN CONNECTED euphrosunē  TO THE IDOLATRY AT MOUNT SINAI: THERE WAS NO REDEMPTION.

The people at Mount Sinai were abandoned to WORSHIP THE STARRY HOST. The instrumental Levites' service was the same ABADDON which John Warns about.

Acts 7:41 And they made a calf in those days,
        and offered sacrifice unto the idol,
        and rejoiced in the works of their own hands.

Euphrainō , Ep. euphr-, fut. Att.155.12, Pi.I.7(6).3
euphrosunē , Ep. euphr-, hē, (euphrōn) A.mirth, merriment, esp. of a banquet, good cheer, festivily

"The triumphal hymn of Moses had unquestionably a religious character about it; but the employment of music in religious services, though idolatrous, is more distinctly marked in the festivities which attended the erection of the golden calf." (Smith's Bible Dictionary, Music, p. 589).

Pind. I. 6 Just as we mix the second bowl of wine when the men's symposium is flourishing, here is the second song of the Muses for Lampon's children and their athletic victories: first in Nemea, Zeus, in your honor they received the choicest of garlands,

Pind. I. 7   In which of the local glories of the past, divinely blessed Thebe, did you most delight your spirit? Was it when you raised to eminence the one seated beside Demeter of the clashing bronze cymbals, flowing-haired [5] Dionysus? Or when you received, as a snow-shower of gold in the middle of the night, the greatest of the gods, when he stood in the doorway of Amphitryon, and then went in to the wife to beget Heracles?

BELIEVE SOME OF THE ELDERS WHEN THEY SAY "WE CANNOT SEE."

The Pattern is to introduce "worship teams" as the vilest violation of reverence and godly fear without which Paul said GOD IS A CONSUMING FIRE.

Members were attracted and fortunes collected as A Church of Christ but following the pattern, when the time was right, we have changed our agenda and diverted your contribution to the Lord. KAIROS time speaks of Hermes or Mercury as the demon or spirit son of Zeus. Kairos time is the RIGHT TIME TO MOUNT AN ATTACK.

Jesus died to give US liberty from the Laded Burdens and Burden Laders. He called the Scribes and Pharisees, hypocrites.  In Ezekiel 33 and Isaiah 29 HYPOCRITES are speakers for hire, singers and instrument players.  Instruments always point to SORCERY OR WITCHCRAFT where people are like Jesus "made dumb before the Slaughter."

2Pet. 2:19 While they promise them liberty,
       they themselves are the servants of corruption:
        for of whom a man is overcome, of the same is he brought in bondage.

SEE 2 PETER 2 WARNING THAT INSTRUMENTAL MUSIC MARKS CORRUPTION.

2 Peter 2:12 But these, as natural [instinctive] brute [Anti-Logical] brute beasts, [Zoon, Zao, Zoe]
          made to be taken and destroyed,
          speak evil of the things that they understand not; [through lack of knowledge]
          and shall utterly perish in their own corruption;

Natural: G5446 phusikos foo-see-kos' From G5449 [natural descent] ; “physical”, that is, (by implication) instinctive:--natural. Compare G5591
III. later, belonging to occult laws of nature, magical, ph. pharmaka spells or amulets, Alex. Trall.1.15; “phusikois khrēsthai” Gp.2.18.8; ph. therapeia ib.2.42.3; ph. daktulioi Sch.Ar.Pl.884. Adv. “-kōs” Gp.9.1.5.

Bruit: G249 alogos [Anti-Logical] al'-og-os From G1 (as a negative particle) and G3056 ; irrational:--brute, unreasonable. alogos , on, [REFUTING LOGOS THE REGULATIVE PRINCIPLE.

 Peter warned against the to truphōn II. luxuriousness, wantonness, “tōn gunaikōn hē t.” Ar.Lys.387; t. kai akolasia, t. kai malthakia,Pl.Grg.492c, R.590b; “hē en hēmera t.” 2 Ep.Pet.2.13; “hupertetamenē t.” Sor.2.54: personified, “Truphēs prosōpon” -Ar.Ec.973

Speak Evil: G987 blasphēmeō From G989 ; to vilify; specifically to speak impiously:--(speak) blaspheme (-er, -mously, -my), defame, rail on, revile, speak evil.

Corruption: G5356 phthora fthor-ah' From G5351 ; decay, that is, ruin (spontaneous or inflicted, literally or figuratively):--plague take thee! away with thee, corruption, destroy, perish. deprave
Phtheiro b. with a Prep., luroidou, phtheiresthai pros tous plousious, of hangers-on and flatterers,
Luroidou “akouō se lurōdou gunaikos eran kai eis ekeinēs phtheiromenon pasan tēn ephēmeron agran katatithesthai
        lur-aoidos
        A.one who sings to the lyre, harmonia meaning: In music, stringing, of bows and lyres,
        musical scale, generally music: rhythm, acting, dancing.
        hudr-aulês one who plays the water organ

       Corruption Hebrew: H2490  châlal khaw-lal' figuratively to profane..
        denominatively (from H2485) to play (the flute), take inheritance, pipe, player on instruments, pollute,
        (cast as) profane  [of Lucifer](self), prostitute

Family Dear Brothers and Sisters – Many exciting things have been happening at our congregation over the past year, as we fully embrace the Love First vision.

In the HOSTILE TAKEOVER the elders commanded to silence cunning craftsmen or sophists meaning speakers, singers, instrument players or anyone who hinders SPEAKING the word are TRANSISTIONED to be shepherds of the Senior Pastor or in prophecy "A king set over us so we can worship like the nations."

Elders are the only Pastor Teachers and are commanded to SHUT DOWN the diversity because those wanting to be seen, heard and worshipped are in Ephesians 4 said to be LYING IN WAIT TO DECEIVE.

Ephesians 4:13 Till we all come in the unity of the faith,
        and of the knowledge of the Son of God,
        unto a perfect man,
        unto the measure of the stature of the fulness of Christ:
Ephesians 4:14 That we henceforth be no more children,
        tossed to and fro, and carried about with every wind of doctrine,
        by the sleight of men, and cunning craftiness,
        whereby they LIE IN WAIT TO DECEIVE

WHO ARE THOSE LYING IN WAIT TO DECEIVE FROM THE GARDEN OF EDEN TO THE END-TIME BABYLONIAN MOTHER OF HARLOTS:

-Panourg-os (properisp.), on, A. ready to do anything, wicked, knavish,
II. in a less positively bad sense, cunning, clever, smart, “p. kai deinos” D. 1.3, cf. Pl.Tht.177a, Arist.EN1144a28; “p. te kai sophos” Pl.R.409c; “kompsos kai p.” Plu. 2.28a: Sup., Plb.5.75.2. Adv. “-gōs, p. kai hupokritikōs legein ta epē”

Sophos , ē, on, A. skilled in any handicraft or art, clever, harmatēlatas s. Pi.P.5.115, cf. N.7.17; “kubernētēs” A.Supp.770; “mantis” Id.Th.382; “oiōnothetas” S.OT484 (lyr.); of a sculptor, E.Fr.372; even of hedgers and ditchers, Margites Fr.2; but in this sense mostly of poets and musicians, Pi.O.1.9, P.1.42, 3.113; en kithara s. E.IT1238
etc.; also en oiōnois, kithara, E. IT662, 1238 (lyr.);

oiōnos , ho, A.a large bird, bird of prey,
mentioned as devouring carcasses

Don McLaughlin: One aspect of our move forward as a body of believers to fully live out the LoveFirst vision is a renewed commitment to focus on the core Gospel message, while de-emphasizing traditions and practices that create barriers to some who are seeking to follow Christ. 

JUST YOUR DIVISIVE TRADITIONS MAY BE THE MOST EVIL SLANDER AGAINST PEOPLE FAITHFUL FROM THE CHURCH IN THE WILDERNESS ONWARD.

Why would have limp-wristed and heavy girls claiming to lead you into the presence of God HINDER people from following Jesus: He cast out the musical minstrels from His healing presence using a term like dung.

SCRIPTURE AND NOT EVIL TRADITIONALISM NOTES THAT

Genesis 3:13 And the LORD God said unto the woman, What is this that thou hast done? And the woman said, The serpent beguiled me, and I did eat.

Serpo   B.Transf., of things, to move slowly or imperceptibly, to creep along, proceed gradually,
II.Trop., to creep, crawl; to extend gradually or imperceptibly; to spread abroad, increase, prevail
“per agmina murmur,” (bestias)  canam,

murmur , dulcedo orationis  Of wind-instruments: “cornuum,” the sound, Hor. C. 2, 1, 17: inflati buxi, of the tibia, Ov. M. 14, 537: “aurium,” a singing in the ears,

căno , cĕcĭni, cantum (ancient I.imp. cante = canite,
“once canituri,” Vulg. Apoc. 8, 13  to utter melodious notes, to sing, sound, play.
tibicen  “cithara,” crowing of a cock: “galli victi silere solent, canere victores,” to crow,
to practice magic, to charm, Galli is a word for a Catamite: priest of the Mother Godesses.

"Kenite" is a rendition of Hebrew קֵינִי Qeyniy. According to Gesenius, the name is derived from the name Cain (קַיִן Qayin).^[5] According to A. H. Sayce, the name `Kenite', Qéní, is identical an Aramaic word meaning `a smith', which in its turn is a cognate of Hebrew Quayin, with the meaning `a lance'.^[6]"

H7014 qayin kah'-yin The same as H7013 (with a play upon the affinity to H7069 ); Kajin, the name of the first child, also of a place in Palestine, and of an Oriental tribe:--Cain, Kenite (-s).
H7013 qayin kah'-yin From H6969 in the original sense of fixity; a lance (as striking fast): spear.

H6969 qun koon A primitive root; to strike a musical note, that is, chant or wail (at a funeral): lament, mourning woman.

BEGUILED IS:   dē-cĭpĭo , capio, primarily signifies to catch away, catch up, seize an animal while running, fleeing,: “amatorem amicae decipiunt vitia,”Hor . S. 1, 3, 38.—

Prometheus dulci laborum decipitur sono, is beguiled of his sufferings (i. e. forgets his sufferings, being beguiled with sweet melody), Hor. Od. 2, 13, 38.— [ALL music terms point to being beguiled or SORCERY]

SUBTIL or callĭdus  taught wisdom by experience and practice, shrewd, expert, experienced, adroit, skilful: callida Musa, Calliope, * agitator  In reference to art, excelling in art, skilful, “tuque testudo resonare septem Callida nervis  malitiam sapientiam judicant,”

Wisdom, = sophiasophia , Ion. -iē, hē, prop. A.cleverness or skill in handicraft and art, in music and singing, tekhnē kai s. h.Merc.483, cf. 511; in poetry, divination “doctores sapientiae,”

Don McLaughlin says that MOSES was not POSTMODERN and was ignorant

Eve or Evah derives from Virus, Venum, or Viroum: If you call Paul a liar when he said that Eve was WHOLLY SEDUCED and Cain was OF THAT WICKED ONE, then you may be an angel of light or blight.  All of the craftsmen including speakers, singers and instrument players are SORCERERS and they are so MARKED FOR BURNING as the LAMPS or Seven Spirits OF knowledge is removed.  All such musical idolaters are always MARKED FOR DEATH as the Levites MARKED the goats for burning and THIS is Don McLaughlin's PATTERN.

-nēnĭa (naenĭa ), I.  a funeral song, song of lamentation, magic song, incantation: This was worshipping the goddess of lamentation. “honoratorum virorum laudes cantu ad tibicinem prosequantur, cui nomen nenia,
has sung the death-dirge over his property, i. e. has buried, has consumed it, Plaut. Truc. 2, 1, 3.—Prov.: “nenia ludo id fuit,” my joy was turned to grief, Plaut. Ps. 5, 1, 32.—
2. A magic song, incantation: “Marsa,” Hor. Epod. 17, 29.—
“dicetur meritā Nox quoque neniā,” id. C. 3, 28, 16:
-mĕrĭto , āvi, ātum, 1, v. freq. a. mereo. *

I. To earn, gain: “vilicus, qui sestertia dena meritāsset,” Cic. Verr. 2, 3, 50, § 119: “Roscius histrio HS. D. annua meritāsse proditur,” Plin. 7, 39, 40, § 129.—

II. To serve for pay, to serve as a soldier, be a soldier: meritavere Cato ait pro meruere, Paul. ex Fest. p. 152 Müll.: “Siculas meritare per oras,” Sil. 10, 656.

Christ in Nahum 3:[4]WEB because of the multitude of the prostitution of the alluring prostitute,
         the mistress of witchcraft, who sells nations through her prostitution, and families through her witchcraft.

The Latin maleficia is maleficium 1. Fraud, deception, adulteration 4 A hired mourner: The "præficæ" were the women who chanted the "nænia" .

Pl. Truc. 2.1 now, indeed, I shall speak according to my own inclination, freely, as I please. My mistress has sung a funeral dirge¹at our house for this fellow, her lover, over his estate; for his lands and tenements are mortgaged for his treats in his amour. But with him does my mistress speak freely upon the objects of her plans, and so he is rather a friend by way of counsel to her than by way of maintenance.

1 A funeral dirge: "Nænia" was a funeral song among the Romans, recited or chanted by hired female mourners, called "præficæ."

Praeficae Women who were hired to act as mourners at Roman funerals (Plaut. Truc.ii. 6 Truc., 14). They went before the corpse, with their heads bared, their locks disheveled, uttering cries of lamentation and chanting dirges (neniae)

Don McLaughlin's PATTERN from 2 Chronicles 29.  Hezekiah stopped the slaughter as burnt offerings or HOLOCAUSE of infants.  In Chapter 29 He substitute GOATS (Capella) for the infants. As soon as Hezekiah died, they returned to what the stealers of church houses of widow follow because Rick Atchley heard "a" spirit. The only personified spirit is that of Abaddon or Apollon who is the LEADER of the muses or LOCUSTS.

CHRIST'S PROPHETIC TYPE FULFILLED IN REVELATION 18 WHERE ALL OF THE MUSICIANS ARE CALLED SORCERERS AND WILL BE CAST ALIVE INTO THE LAKE OF FIRE.

Isaiah 30 Christ said that the sounds of wind, string and percussion instruments were MARKS that God was driving His ENEMIES into Hell.

And his breath [SPIRIT], as rushing water in a valley, reach reach as far as the neck, and be divided, to confound the nations for their vain error; error also shall pursue them and overtake them. Isaiah 30:28 LXX

Must ye always rejoice, and go into my holy places continually, as they that keep a feast? and must ye go with a pipe, as those that rejoice into the mountain of the Lord, to the God of Israel Isaiah 30:29 LXX

and the Lord shall make his glorious voice to be heard and the wrath of his arm, to make a display with wrath and anger and devouring flame: he shall lighten terribly, and his wrath shall be as water and violent hail. Isaiah 30:30 LXX

For by the voice of the Lord the Assyrians shall be overcome, even by the stroke where with he shall smite them. Isaiah 30:31 LXX

And it shall happen to him from every side, that they from whom their hope of assistance was, in which he trusted, themselves shall war against him in turn with drums and with harp. Isaiah 30:32 LXX

For thou shalt be required before thy time: has it been prepared for thee also to reign? nay, God has prepared for thee a deep trench, wood piled fire and much wood: the wrath of the Lord shall be as a trench kindled with sulphur. Isaiah 30:33 LXX

Ignis  The IGNIS like the SERPO or INCENTER is the FIRE STARTER: which the false teachers pray to fall.  The fire or glow of passion, ore dabat pleno carmina vera dei,” Ov. F. 1, 473: “(Dido) caeco carpitur igni,” the secret fire of love,

PAUL COMMANDED THAT THE MEN PRAY FOR PEACE AND NOT SPEAK to prevent the WRATH of God which is an ORGY musically mocking Jesus all over.

PAUL COMMANDED THAT BOTH MEN AND WOMEN BE SILENT AND PEACEFUL

Men were to be silenced because they would permit WRATH or the ORGY of musical and theatrical idolatry.
The Purpose was that "all might be saved or SAFE and come to a knowledge of THE TRUTH. This is the ONE PIECE PATTERN.

Women were to be silenced because onlky females sang and played and claimed that they were oracles of God.
Paul said that there is just ONE God and ONE Mediator between men and God, the MAN Jesus Christ.

WE NOW HAVE OUR CHANCE TO ASK WHAT DID JESUS DO?

Don uses the CORE GOSPEL invented about Ephesians 4.  However, GOSPEL means GOOD NEWS and good news is that Jesus died to remove the LADED BURDENS and BURDEN LADERS. He restored the REST Joshua could not produce: REST outlaws any and all religious observations especially OFFERED by a huge staff intending to keep you totin that bale all week long.  The DIRECT COMMAND was to REST on the first day of the Week where REST includes a SCHOOL OF CHRIST.  Christ said that if you don't TEACH that which is written THERE IS NO LIGHT IN YOU.

DON'T LET THOSE FLEECED IN TITHES AND OFFERINGS KNOW BUT THE CORE OF EPHESIANS 4 MEANS THAT IF YOU HAVE APT ELDERS THEY WILL EJECT THE CUNNING CRAFTSMEN OR SOPHISTS: SPEAKERS, SINGERS, INSTRUMENT PLAYERS, ACTORS OR DANCERS (gyrating in the holy places)

Jesus preached the GOSPEL OF THE KINGDOM or Church of Christ. Jesus said that the kingdom does not come with observations. Those are Religious Operations or Rituals which Paul defines as LYING WONDERS of those totally deceived. The result is that they cannot read the Word and just imitate others to gain acceptance.

There is not a single command, example or remote inference of any spiritual worship of God by congregational singing with or without instruments. It was left to David to adopt to usurp the role of women including wearing the STOLA and the EPHOD and stripping off naked.  Clergy still wear the VULVA even if they do not go naked.

Richard Burton: As transvestite priests they were the most sacred of the cult of the BEE KINGS, too, and on the island of Paros, they were the ORGEONES - come from another "society of men" devoted to the goddess Demeter. Actually, everywhere you look, it seems, they're dancing in their dresses. So we thus find The Children’s custom of dressing "like a woman," from which the later Christian priests adopted their heavenly skirts. And with the ancient KABIRI statue of a god called Cabeiros, attended by a boy cupbearer, there is also the pre-Greek predecessor to the same-sex lovers of ZEUS and GANYMEDE. Carl Jung, the Swiss psychologist, had it right when he wrote that the gay psyche preserves within itself the archetype of the Original Man, for here, on a separate vase, just as found in Lemnos, in front of the god Cabeiros and his same-sex lover is also shown a small figure, Pratolao, which translates to mean just that - the first or Original Man. Plutrarch says they were the astronomers and astrologers of Chaldea around 3200 B.C. According to Herodotus, they surfaced some 2,000 years after that as an effeminate priesthood in what is now southern Russia and present-day Ukraine. They were called the ENAREE, "endowed by the goddess Venus with the gift of prophecy.

There is not a single instance of using instruments in a religious sense which is not connected to making war, making strange sex, prostitutes, or the soothsaying-sorcery of the Jacob-Cursed and god-Abandoned Levites. God did not command the King, Kingdom, Temple, Animal Slaughter, Sacrificial priests or the Levites. The Levites were commanded to STAND IN RANKS during the HOLOCAUSTS of animals ready to execute any godly person who came near.

PROPHESIED AND FULFILLED MUSICAL MOCKING OF JESUS

He was led as a sheep to the slaughter  so opened he not his mouth

Psalm 41 Prophesied that Judas would ALARM or TRIUMPH OVER Jesus. This was outlawed for the Church of Christ (the Rock) in the wilderness and left as a WAY OF ESCAPE when people fulfill the prophecy of Revelation 17.

Matthew 27:29 And when they had platted a crown of thorns, they put it upon his head,
        and a reed in his right hand: and they bowed the knee before him,
        and mocked him, saying, Hail, King of the Jews!
Matthew 27:28 And they stripped him, and put on him a scarlet robe.
Matthew 27:31 And after that they had mocked him, they took the robe off from him,
        and put his own raiment on him, and led him away to crucify him.

Empaizō , fut. to be deluded  II. sport in or on, “hōs nebros khloerais e. leimakos hēdonais” E.Ba. 866 (lyr.); tois khoroisin e. to sport in the dance, Ar.Th.975; “tō gumnasiō” Luc.Lex.5.
-Prospaizô , 2. abs., sport, jest, 3. laugh at, make fun or sport of, sing to the gods, sing in their praise or honour, 2. banter, tous rhêtoras

2 Peter 3 Marks of the End Time Mockers

Mark 10:34 And they shall mock him,

Latin Illudo  as a female: Applied as a term of reproach, effeminate men, eloquence, rhētor but with idea of contempt, caneret,”
A. Of men: “si absurde canat, of the crooked race, a reed pipe, a guitar, crowing of a hen tibiae, tubae,  Gallus , i, m., = Gallos Strab., A. Galli , the priests of Cybele, on account of their emasculated condition) Gallic: “turma,” the troop of the priests of Isis, Ov. Am. 2, 13, 18.  “resupinati cessantia tympana Galli,”

Gallos , ho, A. priest of Cybele, gallazō , A. practise cult of Cybele, Galli. Eunuch priests of Cybele or the great mother: begun under the reign of Erichthonius, king of Attica, B.C. 1506;

Galli A form gallantes, as if from gallare, "to rave like a priest of Cybelé," is cited from Varro (ap. Non. p. 119Non., 5). In their wild, enthusiastic, and boisterous rites the Galli recalled the legends of the Corybantes (q.v.). According to an ancient custom, they were always castrated (spadones, semimares, semiviri, nec viri nec feminae), and it would seem that, impelled by religious enthusiasm, they performed this operation on themselves... Other names, however, are of distinctly Semitic affinities; Rhea perhaps=the Babylonian Ri (Mulita or Mylitta), and Nana more certainly=the Babylonian Nana, modern Syrian Nani.  Nana motherof Attis

Calling NOT using instruments as just OUR TRADITIONS which creates barriers is calling LIARS  the Spirit OF Christ in the prophets, seeking our own pleasure or speaking our own words and identifying along with literary evidence Singers with Instruments as SOOTHSAYERS OR SORCERERS.  There is no historical scholarship or founders of denominations which do not denounce all of what Jesus called the HYPOCRITIC arts and crafts.  The NACC as handlers of false teachers INVENTED Psallo as the only authority for sowing instrumental discord in the year 1878.  The instrumental and trinitarian idolatry at Mount Sinai was without redemption and caused the Levites to execute 3,000 of their brethren.

1Corinthians 10:6 Now these things were our examples,
         to the intent we should not lust after evil things, as they also lusted.
1Corinthians 10:7 Neither be ye idolaters, as were some of them; as it is written,
        The people sat down to eat and drink, and rose up to play.

Paizō  4. play on a musical instrument, h.Ap.206: c. acc., “Pan ho kalamophthogga [played on a reed] paizōn” Ar.Ra.230; dance and sing, Pi. O.1.16. 5. play amorously, “pros allēlous”

"The triumphal hymn of Moses had unquestionably a religious character about it; but the employment of music in religious services, though idolatrous, is more distinctly marked in the festivities which attended the erection of the golden calf." (Smith's Bible Dictionary, Music, p. 589).

Jesus warned that these offenses would come by offensive men: the musicians are called sorcerers and they alonng with LIARS will be CAST ALIVE INTO THE LAKE OF FIRE.

Lk 17:1 Then said he unto the disciples, It is impossible but that offences will come:
        but woe unto him, through whom they come!

Offenses COME as vĕnĭo , tumulum antiquae Cereris,  “mercator venit huc ad ludos,” “parasitus modo venerat aurum petere,    Plaut. Bacch. 4, 3, 18: “mercator venit huc ad ludos, Plaut. Am. prol. 17: “parasitus modo [“musici, meter],  venerat aurum petere,” Plaut. Bacch. 4, 3, 18: “vides, quo progrediente oratione venturum

-Pl. Am. 1.prol As, in purchasing and selling your merchandize¹  you are desirous to render me propitious to your bargains, and that I should assist you in all things; and as both in foreign countries and at home, you desire me to turn to the best advantage the business and the accounts of you all, and that with fair and ample profit, without end,

1 Merck indize: "Mercimoniis." Mercury [KAIROS] was the God of trading and merchandize, and was said to have received his name from the Latin word "merx." See the tradesman's prayer to him in the Fasti of Ovid, B. v., l. 682.
Mercury was the messenger of the Gods, and, therefore, the patron of messengers; and, if we may so say, the God of News.

Whole theatre: "Cavea." Literally, "the seats" or "benches" where the Audience sat

Mercury or Hermes is KAIROS who is the demon or spirit son of Zeus. Kairos is the prophesied church planting plot organizing instrumental churches.  He is the father of thieves and liars. As Hermes he is the root source of the New Hermeneutics.

Lūdus  2. Stage-plays, 1. Ludi, public games, plays, spectacles, shows, exhibitions, which were given in honor of the gods, etc. “hoc praetore ludos Apollini faciente,” [Abaddon, Apollyon]
“Dionysius Corinthi dicitur ludum aperuisse,” id. Fam. 9, 18, 1:

JESUS SAID THAT GOD HIDES FROM THE WISE OR SOPHISTS.

X.Mem.1.6.13  Xen. Mem. 1.6.13

To this Socrates replied: “Antiphon, it is common opinion among us
        in regard to beauty and wisdom
                that there is an honourable
                and a shameful way of bestowing them.
        For to offer one's beauty for money to all comers is called prostitution;

        But we think it virtuous to become friendly with
              a lover who is known to be a man of honour.

        So is it with wisdom. Those who offer it to all comers for money
               are known as sophists, prostitutors of wisdom, 

        But we think that he who makes a friend of one whom he knows to be gifted
               by nature, and teaches him all the good he can,
               fulfils the duty of a citizen and a gentleman.

Sophis-tēs , ou, o(, A. master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, “meletan sophistais prosbalon” Pi.I.5(4).28, cf. Cratin.2; of musicians, “sophistēs . . parapaiōn khelun” A.Fr.314, cf. Eup.447, Pl.Com. 140; sophistē Thrēki (sc. Thamyris) E.Rh.924, cf. Ath.14.632c: with modal words added, “hoi s. tōn hierōn melōn” [melody in the holy place--a death sentence for any Levite]

HO, every one that thirsteth,
        come ye to the waters,
        and he that hath no money;
        come ye, buy, and eat; yea,
        come, buy wine and milk WITHOUT MONEY
        and WITHOUT PRICE. Isa 55:1

2 Cor. 2:17 For we are not as many,
............ which corrupt the word of God:
............ but as of sincerity, but as of God,
............ in the sight of God speak we in Christ.

kapēl-euō,  A. to be a retail-dealer, drive a petty trade Hdt. 3.89  ta mathēmata
sell learning by retail, hawk it about, Pl. Prt.313d , 2 Cor. 2:17, of prostitutes,

Plat. Prot. 313d  For among the provisions, you know, in which these men deal, not only are they themselves ignorant what is good or bad for the body, since in selling they commend them all, but the people who buy from them are so too, unless one happens to be a trainer or a doctor. And in the same way, those who take their doctrines the round of our cities, hawking them about to any odd purchaser who desires them, commend everything that they sell, and there may well be some of these too, my good sir, who are ignorant which of their wares is

[313e] good or bad for the soul; and in just the same case are the people who buy from them, unless one happens to have a doctor's knowledge here also, but of the soul. So then, if you are well informed as to what is good or bad among these wares, it will be safe for you to buy doctrines from Protagoras or from anyone else you please: but if not, take care, my dear fellow, that you do not risk your greatest treasure on a toss of the dice.

WHEN YOU CALL IT JUST DIVISIVE TRADITIONALISM YOU MOCK THE TRADITIONS OF ALL SCRIPTURE.

Elders need to stop the invaders of the Soul Snatchers wanting to perform BODY WORSHIP. They are all reading off the White Paper supplied by the NACC and boasting about USING silly preachers to TRANSISTION your congretation into the Instrumental Sectarian Denomination.

Love First Vision is one of the mantra's of those "transistioning" your congregation into the instrumental sectarians. The implication is that congregations which do NOT OFFER a variety of "worship rituals" do not love you and will probably hurt you.  WE do not OFFER worship services without first having our candlesticks (seven spirits of Christ) removed.  WE as Christians are Disciples which are Students of what Christ taught in the Prophets and Apostles. We PREACH the WORD (regulative principle) by READING the Word for comfort and doctrine. We do not violate the command of Christ in the wilderness and OFFER "vocal or instrumental rejoicing or rhetoric.

People may not know when Jesus has given them the SOP or PSALLO mark.  However, ignorance is no excuse and may permit WOLVES to be turned loose on the flock by elders who are not APTA:

Isaiah 3: Christ defined His REST both inclusively and exclusively. He warns about the attraction of male and female bad people around any religious shrine or "holy place." To AVOID that Jesus outlawed anything but being a School of the Word on the REST day where "work" even outlaws sending out ministers of God or gods:

Is. 3:4 And I will give children to be their princes, and babes shall rule over them.
Isaiah 3:4 et dabo pueros principes eorum et effeminati dominabuntur eis

       dominabuntur Ruler,
        MARK Women or the Effeminate as  oratio,
        MARK Women or effeminate who are consilium the person who forms the purpose, 
        MARK Women or the effeminate who Teach Over  aedĭfĭco  in a religious sense, to build up,
        instruct, edify.

Isaiah 3:12 As for my people, children are their oppressors, and women rule over them.
        O my people, they that lead thee cause thee to err, and destroy the way of thy paths.

mŭlĭer as a term of reproach, a woman, i. e. a coward, poltroon: arbĭtror to make a decision,
give judgment or sentence: OR mŭlĭĕro, to make womanish, render effeminate

Boys: -Effeminoto make womanish, effeminate, to enervate: “fortitudinis praecepta“illa elocutio
res ipsas effeminat,”  “mollis, luxuriosus, dissolutus): ne quid effeminatum aut molle sit,”
Cic. Off. 1, 35, 129; cf. id. Tusc. 4, 30: “intolerabile est servire impuro, impudico, effeminato, 

“illa elocutio res ipsas effeminat,” Quint. 8 prooëm. § 20.— ēlŏcūtĭo  I. Transf., in rhet. lang., oratorical delivery, elocution; “furialis illa vox, religiosis altaribus effeminata,”that submits to unnatural lust: “pathicus,” Suet. Aug. 68; Cinaedos: a sodomite, catamite, one who dances publicly

Matt. 11:8 But what went ye out for to see?
        A man clothed in soft raiment?
         behold, they that wear soft [Catamites] clothing are in kings’ houses.
Matt. 11:16 But whereunto shall I liken this generation?
        It is like unto children sitting in the markets, and calling unto their fellows,
Matt. 11:17 And saying, We have piped unto you,
        and ye have not danced; we have mourned unto you,
        and ye have not lamented.

Cic. Planc. 35.86 When no one knew what were the feelings of those men who by means of their armies, and their arms, and their riches, were the most powerful men in the state, then that voice,    
    rendered insane by its infamous debaucheries,
    made effeminate by its attendance on holy altars,
    kept crying out in a most ferocious manner that both these men
         and the consuls were acting in concert with him.
Needy men were armed against the rich,  abandoned men against the good, slaves against their masters.

Rĕlĭgĭōsus Eccl. Lat., of or belonging to the clergy, clerical (opp. saecularis)
Per-sŏno    A. To sound through and through, to resound: “cum domus cantu et cymbalis personaret,” Cic. Pis. 10, 22: “ut cotidiano cantu vocum et nervorum et tibiarum nocturnisque conviviis tota vicinitas personet,”
A.  To fill with sound or noise, to make resound
B.  To make a sound on a musical instrument, to sound, play: “citharā Iopas Personat,” “cymbalis,” Vulg. 1 Par. 16, 5:

It is a bad kind of love when people hear "a" spirit or get a vision to as they boast "Infiltrate and divert your church into a theater for holy entertainment."  God Hates music in the holy places and men who so discord: sowing discord in the name of LOVE may be the last cry of a dying civilization.  Men who sang and played instruments were marked as "drunk, perverted or just having fun-mocking." They musically mocked Jesus to the cross as prophesied. The BRIDES and BRIDEGROOMS in Revelation perform the hieros gamosor sacred wedding.

"holy marriage") refers to a sexual ritual that plays out a marriage between a god and a goddess, especially when enacted in a symbolic ritual where human participants represent the deities.

This is a real or virtual sexual climax as taught by the Vineyard or New Wineskin out of Fuller and into a university near your.  See Carol Wimber embedded in the New Style Praise song books.

Ter. Ad. 5.7 AESCHINUS

So I wish to do; but I am waiting for the music-girl and people to sing the nuptial song.

DEMEA Let those things alone, the nuptial song, the crowds, the torches, and the music-girls, and order the stone wall in the garden here to be pulled down with all dispatch, and bring her over that way; make but one house of the two; bring the mother and all the domestics over to our house.

AESCHINUS So I wish to do; but I am waiting for the music-girl¹ and people to sing the nuptial song.

1 The music-girl: "Tibicinae," or music-girls, attended at marriage ceremonials. See the Aulularia of Plautus, where Megadorus hires the music-girls on his intended marriage with the daughter of Euclio.

Plut. Arat. 17 Thus master of the place, he could not contain himself for joy, but drank and disported himself in the streets, and with music-girls in his train and garlands on his head, old man that he was and acquainted with so great vicissitudes of fortune, revelled through the market-place, greeting and clasping hands with all who met him. Thus we see that neither grief nor fear transports and agitates the soul as much as joy that comes unexpectedly.

INSTRUMENTS ARE ALWAYS USED TO SAY:

1. Instruments are attributed by Christ to "Lucifer (Zoe, Aphrodite) the singing and harp-playing prostitute."
2. We will not listen to the WORD of Chris in the Prophets and apostles: this is the REGULATIVE PRINCIPLE
3. Instruments
4. Instruments are always connected with BURNING: The Mark of the Babylonian Mother of harlots, using lusted after fruits (Amos 8) as speakers, singers, instrument players and all craftsmen. The millstone marks the location of the prostitute. the will be CAST ALIVE INTO THE LAKE OF FIRE.

In prophecy and fulfillment the Clergy would MOCK Jesus with musical instruments as they led Him to the cross.  The second violent assault against those who had never in recorded history used "musical instruments" when Jesus promises to be our teacher came almost exactly 100 years after the first assault against Churches of Christ who would not do what they called worship with musical instruments. From the flood onward, God has culled His Little flock from the ECUMENICAL or Satan's Kingdom: Heresies or instrumental Sectarianism (legalism) seems to be on KAIROS time meaning "Just the right time to mount an attack."

THE MARK OF THE BEAST: Love before Truth or Word was Paul's warning.  All of the mega churches are forced to take the mark or they will not be invited to the grand meetings of the "scholars." Ezekiel warned about workshops of evil where the prophets gathered to steal words one from another. Female prophesiers were especially powerful of Taking Souls Captive.

The BEAST in Genesis and Revelation is defined as "a new style of music or Satyric (cappella) drama.   The Jews as the PATTERN for for all of those imposing instruments KNOWING that they will sow discord and cause more hate. All of Scripture says that they HAD ONCE deceived the whole world and this "creation" was ordained to judge the world by the spirit of FIRE and the spirit of BURNING.

THE BEAST

And I will appoint over them four kinds, saith the Lord:
        the sword to slay,
        and the dogs to tear,
        and the fowls of the heaven,
        and the beasts of the earth,
        to devour and destroy. Je.15:3

Beast, the Wolves or pederasts Paul warns about or a term of reproach of the "new wineskin worship." Jesus consigned the pipers, singers and dancers to the marketplace because of their vile practices:

Acts 20:29 For I know this, that after my departing
........... shall grievous wolves enter in among you, not sparing the flock.

Lukos oresteroi VI. nickname of paiderastai, AP12.250 (Strat.), cf. Pl.Phdr. 241d.
prin ken l. oin humenaioi, of an impossibility, ; lukou bion zēn, i. e. live by rapine, of getting a thing praeter
khor-euō  WRATH: “orgia Mousōn” Ar.Ra.356

oresteroi   epith. of a snake, Il.22.93 ; of wolves and lion. PARTHENOS UNHAPPY GIRLS,, 2. of unmarried 3. Parthenos, hē, the Virgin Goddess, as a title of Athena at Athens,

agr-eutēs , A.hunter, epith. of Apollo [ABADDON]  kunes a.  [CATAMITES]

klang-ê , hê, metapl. dat. klangi Ibyc.56 : ( [klazô] ):--any sharp sound, e.g. twang of the bow, Il.1.49; scream of birds, esp. cranes,
        to which are compared confused cries of a throng, 3.3, Od.11.605, cf. Il.2.100, 10.523;
        grunting of swine, Od. 14.412; later,
        howling of wolves and lions, h.Hom.14.4, cf. 27.8;
        hissing of serpents, Pi.Dith.2.18 (pl.), A.Th.381 (pl.);
        baying of dogs, X.Cyn.4.5, etc.;
        also, of musical instruments, Telest.4, Mnesim.4.57 (anap.); of song, S.Tr.208 (lyr.);
        k. aêdoneios (leg. -onios) Nicom. Trag.1; k. dusphatos, of Cassandra's prophecies, A.Ag.1152 (lyr.);
        of the scream of the Harpies, A.R.2.269.

 -Besta 2.As a term of reproach (cf. belua and our beast): “mala tu es bestia,” Plaut. Bacch. 1, 1, 21; -Pl. Poen. 5.5.—And, humorously, of the odor of the armpits (cf. ala and caper. cappella), Cat. 69, 8.— II. Transf., as a constellation, the wotf, Vitr. 9, 4 (7)
a. A shameless, vile person, Plaut. Most. 1, 1, 40; Ter. Eun. 4, 7, 33, pederasts
2. As the regular designation of the hangers-on or parasites of an eminent or rich Roman; a follower, dog, creature:

WHEN ELDERS LET THE WOLVES IN TO THE FOLD THE PERSONA IS NOT PRETTY.

Pl. Bac. 1.1 Note: Your Bacchanalian den: "Bacchanal" was properly the place where the Bacchanalia,  or orgies [WRATH], were celebrated. He styles them "Bacchantes," and their house a "Bacchanal," in allusion both to their names and their habits

7 Mischievous serpent: "Mala tu's bestia." Literally, "you are an evil beast;" which sounds harsh to an English ear, even when applied to such an animal as Bacchis. Bacchanet minister of Bacchus.

Baccha  Mainas or Thuias,
I. a Bacchanet, a female attendant of Bacchus, who, in company with Silenus and the Satyrs, celebrated the festival of that deity with a raving madness carried even to insensibility, and with hair loose and flying wildly about, to initiate into the festivals of Bacchus, Mūsa , ae, f., = Mousa, II. mousa, as Appellat., music, song, “m. stugera” A.Eu.308 DAUGHTERS: Always Daughters

13 A soft cloak: It was the custom at entertainments for the revellers to exchange their ordinary clothes for fine vestments, elaborately embroidered.

But what went ye out for to see? A man clothed in soft raiment?
        behold, they that wear soft clothing are in kings houses. Mat 11:8
Matthew 11:16 But whereunto shall I liken this generation?
        It is like unto children sitting in the markets, and calling unto their fellows,
Matthew 11:17 And saying, We have piped unto you,
        and ye have not danced; we have mourned unto you, and ye have not lamented. 

Malakos g. of reasoning, weak, loose, logosIsoc.12.logoslian m. Arist.Metaph.1090b8 . Adv. -kôs, sullogizesthai to reason loosely
2. music to which a song is set, tune, logou te kai harmonias kai rhuthmoum
III. of persons or modes of life, soft, mild, gentle, malakōteros amphaphaasthai easier to handle, of a fallen hero, Il.22.373;
c. morally weak, lacking in self-control, Hdt.7.153 (Comp.); “antikeitai tō m. ho karterikos” Arist.EN1150a33: c. inf., “malakos karterein pros hēdonas te kai lupas” Pl.R.556c; “to truphōn kai m.” Ar.V.1455 (lyr.); not to give in from weakness or want of spirit,   indulgences

2 Peter 2:12 But these, as natural [instinctive] brute [Anti-Logical] brute beasts, [Zoon, Zao, Zoe]
          made to be taken and destroyed,
          speak evil of the things that they understand not;
            [through lack of knowledge]
          and shall utterly perish in their own corruption;
 2 Peter 2.13 receiving the wages of unrighteousness; people who count it pleasure to revel in the day-time, spots and blemishes, reveling in their deceit while they feast with you;

See 2 Peter2 Instrumental Music Marks Corruption

d. = pathētikos, PHib.1.54.11 (iii B.C.), 1 Ep.Cor.6.9, Vett.Val.113.22, D.L.7.173.

e. of music, soft, effeminate, “m. harmoniai” Pl.R.398e, 411a, cf. Arist.Pol.1290a28; tuned to a low pitch, opp. “suntonos, khrōma m.” Cleonid.Harm.7, etc.

THE PROGRESSIVE WRECKING CREW DENOUNCE THE REGULATIVE PRINCIPLE AND ARE THEREFORE ANTICHRISTS.

THE WORD OR LOGOS IS THE REGULATIVE PRINCIPLE.
The Logos is opposite to Rhetoric, singing or playing instruments. The Logos OUTLAWS personal opinions or personal experiences. The command from the wilderness onward was to PREACH the WORD by Reading the Word.

THE END TIME PREACHERS WITH NO ROLE AND NO DOLE TAKE THE MARK FOR FEAR OF LOSS OF STATUS.

The world is the KOSMOS or the ECUMENICAL: all but a little flock will be OF the World and Jesus was not sent for you.
Jesus established the SECT THAT IS CALLED THE WAY. The road is a very narrow PATTERN and fools cannot even stumble into it but that does not stop them from hindering those who are trying to find the way.  Jesus called the Scribes andPharisees, hypocrites: In Ezkiel 33 the Spirit OF Christ named names: professional preachers for HIRE, singers and instrument players.

John 14:15 If ye love me, keep my commandments.
John 14:16 And I will pray the Father, and he shall give you another Comforter, that he may abide with you for ever;
John 14:17 Even the Spirit OF truth; whom the world cannot receive, because it seeth him not, neither knoweth him:
        but ye know him [Spirit OF truth];
        for he dwelleth with you, and shall be in you.
John 14:18 I will not leave you comfortless: I will come to you.

John says that the Comforter will be named Jesus Christ the Righteous.

John 14:21 He that hath my commandments, and keepeth them, he it is that loveth me: and he that loveth me shall be loved of my Father, and I will love him, and will manifest myself to him.

John 15:18  If the WORLD hate you, ye know that it hated me before it hated you.
John 15:19 If ye were OF the world, the world would love his own:
        but because ye are not of the world,
        but I have chosen you out of the world,
        therefore the world hateth you.
John 15:20 Remember the WORD that I said unto you,
        The servant is not greater than his lord.
        If they have persecuted me, they will also persecute you;
        if they have kept my saying, they will keep yours also.
John 15:21 But all these things will they do unto you for my name’s sake,
        because they know not him that sent me.
John 15:22 If I had not come and spoken unto them,
        they had not had sin: but now they have no cloke for their sin.
John 15:23 He that hateth me hateth my Father also.

A Church of Christ is built upon or educated by the Prophets and Apostles. Christ identified HIS REST both inclusively and exclusively. In the prophets He always connects religious music and musiciians with vile people trying to MAKE THE LAMBS DUMB BEFORE THE SLAUGHTER.

North Atlanta: seeking to be a Christ-centered, Diverse and Community Impacting group of believers.

Ephesians 4:13 Till we all come in the unity of THE FAITH
        and of the knowledge of the Son of God,
        unto a perfect man,
        unto the measure of the stature of the fulness of Christ:

The Church of Christ is a Little Flock: mikros almost invisible. It is the SECT that is called the WAY: it is narrow in its faith and practice and therefore INCLUSIVE of those EXCLUDED by the musical mocking of Jesus.

The World is the ECUMENICAL as the kingdom of Satan: it is BROAD and is MEGAS inclusive of all at the unlawful collection plate but EXCLUSIVE of anyone who would be a faithful elder and TEACH THAT WHICH HAS BEEN TAUGHT.

Because elders and preachers can spend years boiling the frogs instead of teaching "that which is written for our learning", instead of UNITY IN DIVERSITY as the devilish theme, they will naturally boast about spending a decade or so bad mouthing the TRADITION of NOT being instrumental idolaters. Why? Why because Christ outlawed "vocal or instrumental rejoicing or rhetoric" for the Church in the wilderness perhaps for those who otherwise would be so vile as to perform a "musical worship service" when Jesus as the ONLY Teachers invites the LITTLE FLOCK outside the gates or houses to LEARN OF ME.

THE WINDS OF CHANGE are defined as:

ventus , i, m. Sanscr. vā, blow; vatas, wind

1. Of labor lost: “in vento et aquā scribere,” Cat. 70, 4; so, “profundere verba ventis,” to talk to the wind, Lucr. 4, 931 (928); cf.: “verba dare in ventos,” Ov. Am. 1, 6, 42: “ventis loqui,” Amm. 15, 5, 8.—
4. Vento vivere, to live upon wind or air, Cod. Just. 5, 50, 2 fin.—

5. Ventis remis facere aliquid, with all one's might; v. remus. —

B. Plur., personified as deities, the winds: te, Apollo sancte, fer opem; teque, omnipotens Neptune, invoco; Vosque adeo, Venti! Turpil. ap. Cic. Tusc. 4, 34, 73 (Com. Rel. v. 119 Rib.); Lucr. 5, 1230 (1228); cf. Ov. H. 17 (18), 37.—

C. Transf. 1. Windiness, flatulence, Col. 6, 30, 8.—

Ephesians 4:14 That we henceforth be no more children,
        tossed to and fro, and carried about with every wind of doctrine,
        by the sleight of men, and cunning craftiness,
        whereby they LIE IN WAIT TO DECEIVE

-Panourg-os (properisp.), on, A. ready to do anything, wicked, knavish,
II. in a less positively bad sense, cunning, clever, smart, “p. kai deinos” D. 1.3, cf. Pl.Tht.177a, Arist.EN1144a28; “p. te kai sophos” Pl.R.409c; “kompsos kai p.” Plu. 2.28a: Sup., Plb.5.75.2. Adv. “-gōs, p. kai hupokritikōs legein ta epē”

Sophos , ē, on, A. skilled in any handicraft or art, clever, harmatēlatas s. Pi.P.5.115, cf. N.7.17; “kubernētēs” A.Supp.770; “mantis” Id.Th.382; “oiōnothetas” S.OT484 (lyr.); of a sculptor, E.Fr.372; even of hedgers and ditchers, Margites Fr.2; but in this sense mostly of poets and musicians, Pi.O.1.9, P.1.42, 3.113; en kithara s. E.IT1238
etc.; also en oiōnois, kithara, E. IT662, 1238 (lyr.);

PAUL COMMANDED BELIEVERS NOT TO FELLOWSHIP WITH UNBELIEVERS.  To claim that the LITTLE FLOCK should fellowship the WORLD or the ECUMENICAL means that they LIE IN WAIT TO DECEIVE.  How could mortal men suddenly decide that what God condemned from Genesis to Revelation and rejected by all scholars (whatever the practice) that God COMMANDED INSTRUMENTAL music on the exact date of 1878

Musical Instruments are KNOWN to offend the historic Church of Christ where "vocal or instrumental rejoicing" was excluded from the Wilderness onward.  You need that DIRECT COMMANDMENT as a way to MARK and avoid those who INTEND to "silence the voice of the victim."

2 Cor 6:2 (For he saith, I have heard thee in a time accepted, and in the day of salvation have I succoured thee:
         behold, now is the accepted time; behold, now is the day of salvation.)
2 Cor 6:3 Giving no offence in any thing, that the ministry be not blamed:  
2 Cor 6:4But in all things approving ourselves as the ministers of God,
        in much patience, in afflictions, in necessities, in distresses, 

Diakonos (g1249) dee-ak'-on-os; prob. from an obs. diako , (to run on errands; comp. 1377; an attendant, i.e. (gen.) a waiter (at table or in other menial duties);

2 Cor 6:5 In stripes, in imprisonments, in tumults, in labours, in watchings, in fastings; 
2 Cor 6:6 By pureness, by knowledge, by longsuffering, by kindness, by the Holy Ghost, by love unfeigned,
2 Cor 6:7 By the WORD of truth, by the power of God, by the armour of righteousness on the right hand and on the left, 
2 Cor 6:8 By honour and dishonour, by evil report and good report: as deceivers, and yet true; 
2 Cor 6:9 As unknown, and yet well known; as dying, and, behold, we live; as chastened, and not killed;  
2 Cor 6:10 As sorrowful, yet alway rejoicing; as poor, yet making many rich;
        as having nothing, and yet possessing all things.

2Cor. 6:14 Be ye not unequally yoked together with unbelievers:
        for what fellowship hath righteousness with unrighteousness?
        and what communion hath light with darkness?

Anyone who denies the Word as God's Regulative and governing principle cannot be a BELIEVER.

2 Cor 6:17 Wherefore come out from among them,
        and be ye separate, saith the Lord,
        and TOUCH not the unclean thing; and I will receive you,

G1831 exerchomai ex-er'-khom-ahee
From G1537 and G2064 ; to issue (literally or figuratively):--come-(forth, out), depart (out of), escape, get out, go (abroad, away, forth, out, thence), proceed (forth), spread abroad.

Tango  tange utramvis digitulo minimo modo,” Plaut. Rud. 3, 4, 15:
a. To strike, hit, beat (mostly poet.): “chordas,”
am limed, caught, Plaut. Bacch. 5, 2, 39: “volucres harundinibus,
To take in hand “carmina,” Ov. Am. 3, 12, 17: quis te Carminis heroi tangere jussit opus?

Carmen sorcery song; poem, verse; an oracular response, a prophecy; a form of incantation
sound, both vocal and instrumental “also versus, numeri, modi): carmen tuba ista peregit ( = sonus)
“carmine vocali clarus citharāque (sc. Apollinem) [Abaddon-Apollon] concordant carmina nervis,”
5. A magic formula, an incantation: Proven by the claim to lead people into the presence of God.
“Carminibus Circe socios mutavit Ulixi,” Circe (church) is the Holy Whore of John's area.
also a formula in religion or law, a form: “ LEGALISM
7. Moral sentences composed in verses: THE LADED BURDEN

Pl. Rud. 3.4 DÆM.
Come out of the Temple, you most sacrilegious of men, as many as have ever been born. Do you go calling to the WOMEN and sit by the altar. Not seeing them near the door. But where are they?
LABRAX
I've been robbed of my rights; you are robbing me of my female slaves against my will.

LABRAX
Am I not to be allowed to take away my female slaves from the altar of Venus?
[Venus is Lucifer or Zoe]

DÆM.
You may not; such is the law with us.

DÆM.
But these women have proved pleasing to Venus.

LABRAX
She may have them, if she pays the money.

Did then rule heav'n ? what gods against me war?
She who so much my fatal passion wrongs,
Was known and first made famous by my songs.
I lov'd her first, and lov'd her then alone,
But now, I fear, I share her with the town.
Am I deceiv'd or can she be the same,
Who only to my verses owes her fame
My verse a price upon her beauty laid,
And by my praises she her market made;

Whom but myself can I with reason blame?
Without me she had never had a name.
Did I do this, who knew her soul so well?
Dearly to me she did her favours sell;
And when the wares were to the public known,
Why should I think she'd sell to me alone ?

ALL THINGS TO ALL PEOPLE

(I Cor. 9:22, “…I have become all things to all people so that by all possible means I might save some.”), and considering our current worship offering, we saw a gap as well as an opportunity. To fill that gap and take advantage of the opportunity to reach more souls,

You have to be devoid of Biblical and historical knowledge to call the SCHOOL OF CHRIST a worship service. WOW! We OFFER to YOU a worship service when everyone knows that the speaker, singers, and instrument players (hypocrites says Jesus) will get the MONEY and the GLORY

The Direct commandment to Apostles and Evangelists is to GO into all the world and preach the GOOD NEWS. The Lost Spirit Jesus SENT you out to find are not OF the WORLD and by seeking the WORLD you are marked as ECUMENICAL or the kingdom of Satan. Christ's kingdom is not OF this world and it does not come with US OFFERING WORSHIP SERVICES.

But I have used none of these things: neither have I written these things, that it should be so done unto me: for it were better for me to die, than that any man should make my glorying void. 1 Cor 9:15

For though I preach the gospel [has no worship commands], I have nothing to glory of: for necessity is laid upon me; yea, woe is unto me, if I preach not the gospel 1 Cor 9:16

For if I do this thing willingly, I have a reward: but if against my will, a dispensation of the gospel is committed unto me. 1 Cor 9:17

Non-Hypocritical becoming all things to all people:

What is my reward then? Verily that, when I preach the gospel, I may make the gospel of Christ without charge, that I abuse not my power in the gospel. 1 Cor 9:18

For though I be free from all men,
        yet have I made myself SERVENT unto all,
        that I might gain the more. 1 Cor 9:19
1Cor. 9:20 And unto the Jews I became as a Jew, that I might gain the Jews; to them that are under the law, as under the law, that I might gain them that are under the law;

Jesus and Paul were DEACONS and not PURVEYORS OF WORSHIP SERVICES.

MEANING
yet have I made myself servant unto all, that I might gain the more
I preach the gospel, I may make the gospel of Christ without charge,

Paul did not keep the Law of the Monarchy where Instrumental noise was God's abandonment to worship the starry host. In the beginning and now Apollo-Abaddon-Apollon is dredged up from Hell where he had fallen. He is the Leader of the Muses or LOCUSTS. The Purpose Driven is to drive out the Little Flock of the SECT that is called the WAY and preserve the craftsmen, singers and instrument players as sorcerers to be CAST ALIVE INTO THE LAKE OF FIRE.

1Cor. 9:21 To them that are without law, as without law, (being not without law to God, but under THE LAW OF CHRIST that I might gain them that are without law.

MEANING
yet have I made myself servant unto all, that I might gain the more
I preach the gospel, I may make the gospel of Christ without charge,

1Cor. 9:22 To the weak became I as weak, that I might gain the weak:
        I am made all things to all men, that I might by all means save some.

MEANING
yet have I made myself servant unto all, that I might gain the more
I preach the gospel, I may make the gospel of Christ without charge,

1Cor. 9:23 And this I do for the gospel’s sake,
        that I might be partaker thereof with you.
1Cor. 9:24 Know ye not that they which run in a race run all,
        but one receiveth the prize? So run, that ye may obtain.
1Cor. 9:25 And every man that striveth for the mastery is temperate in all things.
        Now they do it to obtain a corruptible crown; but we an incorruptible.
1Cor. 9:26 I therefore so run, not as uncertainly;
        so fight I, not as one that beateth the air:
1Cor. 9:27 But I keep under my body, and bring it into subjection:
        lest that by any means, when I have preached to others, I myself should be a castaway.

MEANING
yet have I made myself servant unto all, that I might gain the more
I preach the gospel, I may make the gospel of Christ without charge,

The religious craftsmen, singers and instrument players did not COMMIT the sin which got them cast alive into the lake of fire.  John said that they HAD once deceived the whole world.  The instruments was the mark that Jesus had been there and gone taking the LAMPS or seven spirits of divine knowledge with Him.  Religious music and musicians are always gender-conflicted. That is why "worship services" are sexual events and Jesus ordained a SCHOOL OF CHRIST where both male and female pray to be peaceful "so that all might be SAFE and come to a knowledge of the truth.

You cannot find a command, example or remote inference of God needing or calling an assembly to OFFER singing with or without inferences. If you say that God did NOT condemn all of the hypocritic arts and crafts then you turn the TRUTH into a LIE.

Romans 1:25 Who changed the truth of God into a lie,
        and worshipped and served the creature more than the Creator,
        who is blessed for ever. Amen.

latr-euō , Elean latreiō (q.v.),

A.work for hire or pay, Sol. 13.48: to be in servitude, serve, X.Cyr.3.1.36; “para tini” Apollod.2.6.3.. to be devoted to . . , Isoc.10.57; “l. hēdonē” Luc.Nigr.15.

3. serve the gods with prayers and sacrifices, “l. Phoibō” E.Ion152 (lyr.): c. acc. cogn., ponon l. tini render due service, ib.129 (lyr.); “ponon . . tond' elatreusa thea” I

phoibos , ē, on (accented phoiban in B.12.139 Pap.):— A.pure, bright, radiant, “hudōr” Hes.Fr.274, Lyc.1009; “hēliou phoibē phlogi” A.Pr.22; “aigla” B. l.c. II. as pr. n., Phoibos, ho, Phoebus, i.e. the Bright or Pure, an old epith. of Apollo, “Ph. Apollōn” Il.1.43,
    phoib-azō , (Phoibos)  prophesy: sing and play instruments.

Rom. 1:26 For this cause God gave them up unto vile affections: for even their women did change the natural use into that which is against nature
Rom. 1:28 And even as they did not like to retain God in their knowledge, God gave them  over to a reprobate [adokimos] mind, to do those things which are not convenient;

2 Tim 3:8 Now as Jannes and Jambres withstood Moses, so do these also resist the truth: men of corrupt minds, reprobate concerning the faith.

Adokim-os , on,A. not legal tender, not current, of coin, Pl.Lg.742a; not approved, of horses, Arist.Ath.49.1. 2. unsatisfactory, unconvincing, of a statement,  3. disreputable, “lakismat' adokim' olbiois ekhein” E.Tr.497; “mousa” Pl.Lg.829d, cf. D. 25.36, Ep.Rom.1.28. Adv. “-mōs”  4. of persons, Pl.R.618b; discredited, reprobate, X.Lac.3.3, 2 Ep.Tim.3.8,

Gal. 1:8 But though we, or an angel from heaven, preach any other gospel unto you than that which we have preached unto you,
        let him be accursed.

Anathēma , atos, to, (anatithēmi)

A. that which is set up: hence, like agalma, votive offering set up in a temple, Hdt.1.14,92, S.Ant.286, etc.; “a. ek leitourgiōn” Lys.26.4.

2.  used by Hom. only in first sense of agalma, delight, ornament, “molpē t' orkhēstus te:

Leitourg-eō  2. perform religious service, minister, “epi tōn hierōn” D.H.2.22; “tō Kuriō” Act.Ap.13.2, etc. (Written lit- in Rev.Et.Anc.32.5 (Athens, i B.C.), etc., cf. leitourgion, leitourgos.）

Jesus said "The Kingdom of God does not come with observation: that means Religious Worship services claiming some connections with Him.

molp-ē , hē, (melpō)  A.dance OR rhythmic movement with song, Od. 6.101, Il.18.606.): metaph., ou m. suriggos ekhōn the note, S.Ph.212

3. of a slave in a temple, a. poleōs devoted to this service by the city, E.Ion310.—Cf. anathema.

agalma , 2. pleasing gift, esp. for the gods, “a. theōn” Od.8.509, of a bull adorned for sacrifice, ib.3.438; of a tripod, Hdt.5.60, al.; generally, = anathēma, IG1.37312a, etc.; “Kharēs eimi . . a. tou Apollōnos” [Mark of Abaddon Leader of the Muses

Paul uses as EXAMPLE the musical idolatry at the Red Sea as BEYOND REDEMPTION

1Cor. 10:5 But with many of them God was not well pleased:
        for they were overthrown in the wilderness.
1Cor. 10:6 Now these things were our examples,
        to the intent we should not lust after evil things, as they also lusted.
1Cor. 10:7 Neither be ye idolaters, as were some of them; as it is written,
        The people sat down to eat and drink, and rose up to play. 

Paizō  4. play on a musical instrument, h.Ap.206: c. acc., “Pan ho kalamo [flute] phthogga paizōn” Ar.Ra.230; dance and sing, Pi. O.1.16. 5. play amorously, “pros allēlous”

"The triumphal hymn of Moses had unquestionably a religious character about it; but the employment of music in religious services, though idolatrous, is more distinctly marked in the festivities which attended the erection of the golden calf." (Smith's Bible Dictionary, Music, p. 589).

CONTRARY TO THE PROGRESSIVES LYING IN WAIT TO DECEIVE THE SPIRIT OF CHRIST WARNED.

Isaiah 57:20 But the wicked are like the troubled sea,
        when it cannot rest, whose waters cast up mire and dirt.

Isaiah 57:20] impii autem quasi mare fervens quod quiescere non potest et redundant fluctus eius in conculcationem et lutum Quĭesco ,
“quiērunt Aequora,” the waves are at rest, do not rise, standing waters,
2.  Act., to cause to cease, render quiet, stop, etc.: “laudes,” Sen. Herc. Oet. 1584.—Hence, quĭētus , a, um, P. a., at rest, calm, quiet
4. To make a pause in speaking: quiescere, id est, hēsukhazein, “ludendi est quidem modus

Silence: lūdo , B. To play, sport, frisk, frolic: “dum se exornat, nos volo Ludere inter nos,” have some fun, dance,
Silence:  A. go sport, play with any thing, to practise as a pastime, amuse one's self with any thing “carmina pastorum,
Silence: B.  to sport, dally, wanton (cf. "amorous play," Milton, P. L. 9, 1045): “scis solere illam aetatem tali ludo ludere,” Plaut. Most. 5,
Silence: C. Ludere aliquem or aliquid, to play, mock, imitate, mimic a person or thing imitate work, make believe work, 

Mŏdus 2. The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode: “vocum,” Cic. Div. 2, 3, 9: “musici,” Quint. 1, 10, 14: “lyrici,” Ov. H. 15, 6: “fidibus Latinis Thebanos aptare modos,” Hor. Ep. 1, 3, 12: Bacchico exsultas (i. e. exsultans) modo, Enn. ap. Charis [grace]. p. 214 P. (Trag. v. 152 Vahl.): “flebilibus modis concinere,” Cic. Tusc. 1, 44, 106: saltare [dance] ad tibicinis modos, to the music or sound of the flute, Liv. 7, 2: “nectere canoris Eloquium vocale modis,” Juv. 7, 19.—Fig.: “verae

Both men and women are commanded to be SILENT during the assembly:

First, men might let wrath or an ORGY break out.

"That all might be SAFE and come to a knowledge of THE TRUTH" as the One Piece Pattern

The women were to be silent because their prophesing with singing and playing instruments made them think that they were speaking for the gods.

1Tim. 2:5 For there is one God,
        and one mediator between God and men,
        the man Christ Jesus;

Sorry, but neither self-speakers or elders have the power to decide that GOD is telling them to impose instrumental idolatry.  As we have noted the Ventus or Spirituals of Abaddon-Apollyon as the Leader of the Musicians (Locusts) is the only personifie spirity.

Besides, all of the struggling against God meant that they hoped that God would validate their long-standing agenda.

7.26.16  12.05.15  263  4.24.1  499 3.30.16  507  4.20.16 555  5.10.16 603  3.03.20 2023

E-mail Kenneth Sublett

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