Plutarch Mark Anthony The Music in Ephesus

The Dirty Singing Girls. Paul was absolute in using the Godly and Gender Trap of SPEAK or READ. Identifying ALL of those teaching Theology and new Hermeneutics (demons are the mediator-intercessor) are then and now almost universally.

There is never a God-given command, example or inference of anyone said to WORSHIP by preaching, listening, singing, playing an instrumenet or self-exhibition or speaking or PAY TO PLAY.

Paul said to be filled with Spirit or the WILL of Jesus and then SPEAK the revealed TEXT. Ode (sing) or Psallo (never a musical melody much less harmony PURPOSE DRIVEN to shut down your rational mind. KOMA is said to be induced by instrumental sounds not often provided by complex harmony. This is truth left in CLAY Vessels or Canvas and never in WINESKINS.  This is why up to half of the owners flee when instruments or show-and-tell women mount the podium. There is no PODIUM nor TAKERS of Shekals in Christ quiety and secret  school.

X.Mem.1.6.13  Xen. Mem. 1.6.1

To this Socrates replied: “Antiphon, it is common opinion among us
        in regard to beauty and wisdom
                that there is an honourable
                and a shameful way of bestowing them.
        For to offer one's beauty for money to all comers is called prostitution;

        But we think it virtuous to become friendly with
              a lover who is known to be a man of honour.

        So is it with wisdom. Those who offer it to all comers for money
               are known as sophists, prostitutors of wisdom

        But we think that he who makes a friend of one whom he knows to be gifted
               by nature, and teaches him all the good he can,

               fulfills the duty of a citizen and a gentleman.

Sophis-tēs , ou, o(, A. master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, “meletan sophistais prosbalonPi.I.5(4).28, cf. Cratin.2; of musicians, “sophistēs . . parapaiōn khelunA.Fr.314, cf. Eup.447, Pl.Com. 140; sophistē Thrēki (sc. Thamyris) E.Rh.924, cf. Ath.14.632c: with modal words added, “hoi s. tōn hierōn melōn[melody in the holy place--a death sentence for any Levite]

Where is the wise or Sophists meaning speakers, singers, instrument players, actors especially for HIRE.

Mark.Anthony.In.Ephesus.jpg
Acts 13:27 For they that dwell at Jerusalem, and their RULERS,
         because they knew him not,
        nor yet the VOICES of the PROPHETS
        which are READ every sabbath day,
                 [Commanded and exampled just ONE assembly each week to CONFESS Jesus and LEARN by
                    Learning or REPEATING that which is written for our LEARNING."
                    Women and men think that TRUTH BEGAN with them 1 Corinthians 14 or in 1 Timothy 3
                    That there is ONE GOD (theologians deny) and ONE MEDIATOR between Man And God.
                    And that He DIED for the right to be TESTIFIED of in His Last Will and Testament.

        they have fulfilled them in condemning him.

Walter.Brueggeman.Apostasy.at.Lipscomb.University.html
Walter Brueggemann - Was professor of OT at Columbia Theological Seminary supports gay marriage and denies the authority of scripture."It is for this reason that Brueggemann argues that homosexuals should be granted equal rights and privileges in both civil society (i.e. marriage) and the church (i.e. ordination). Those who oppose the granting of such rights have divorced themselves from the justice tradition and are more concerned with issues of purity.

Jeanene.Reese.LGBT.MUST.be.Included.html
Quite Ignorant:
ACU-OSBURN.html  the ACU Agenda
If we are to have a truly significant IMPACT upon the national and INTERNATIONAL scene,
faculties of religion must play
leading PROPHETIC roles in CHANNELLING and FACILITATING whatever changes loom ahead.

Trainers use PROPHETIC roles to Channel and Facilitate the method of
        SUBVERTING the 'hierarchial " views of JESUS and PAUL.
       "
Feminist HERMENEUTICS stands over AGAINST patriarchal HERMENEUTICS"
        its
goal achieved "by small, often unnoticed acts of SUBVERSION.
        Numerous such
incremental changes, like EROSION,
        will eventually bring DOWN the FORTRESS
"

"The Bible is not so much a 'heaven-sent answer book'
        as a
historical book PRODUCED within and for a historical COMMUNITY--
        yet it SERVES
as Scripture today
       
because people find themselves accountable to it.
        THAT is what make its SCRIPTURE" (p. 46).

Thomas.Olbricht.Hearing.Gods.Voice.html
Hermēneuon ktl. For the term hermēneuein to describe the MEDIATING office of daimones, cp. Epin. 985 B hermēneuesthai (daimonas) pros allēlous te kai tous...theous pantas te kai panta. Hommel bids us take hermēneuon with anthr. ta para theōn (as “eiusdem atque Hermēs radicis”) and diaporthmeuon with theois ta par' anthrōpōn (the office of the porthmeus, Charon, being “animas e terra ad sedes deorum transvehere”).
Plut. Ant. 24.1 while at Rome Caesar was wearing himself out in civil strifes and wars, Antony [AT EPHESUS] himself was enjoying abundant peace and leisure, and was swept back by his passions into his wonted mode of life.  41 B.C.

Plut. Ant. 24.2 Lute-players like Anaxenor, flute-players like Xanthus, one Metrodorus, a dancer, and such other rabble of Asiatic performers, who surpassed [Huperballo] in impudence and effrontery the pests from Italy, poured like a flood into his quarters and held sway there. It was past all endurance [Laded Burden phor-eō ] that everything was devoted to these extravagances. kitharōdoi kai Xouthoi khoraulai kai Mētrodōros tis orkhēstēs
Outlawed by Holy Scripture and common decency. See below
kitharōdoi one whop plays and sings to the cithera, 
as fem., “k. gunē
Hdt. 1.23 This Arion was a lyre-player second to none in that age; he was the first man whom we know t  o compose and name the dithyramb [associated with the cult of Dionysus drunk on wine] which he afterwards taught at Corinth.
Plut. Ant. 24.3 For all Asia, like the famous city of Sophocles
was filled alike with incense offerings,
Alike with paeans, too, and voice of heavy groans.

Paian , Paean or Paeon, the physician of the god. 2. title of Apollon (later as epith., Apollōni Paiani
 
saviour, deliverer paean, i.e. choral song, addressed to Apollo or Artemis 2. song of triumph after victory, prop. to Apollo,

ephumn-eō
, 2. of music, sound in accord, “ephumnei pēktidos sugkhordiaS.Fr.412.
Apollo Luciferos Apollon or Shamash

Aesch. Supp. 214
Danaus
Invoke now also that bird of Zeus

Chorus We invoke the saving beams of the sun.

Danaus Pure Apollon, too, who, though a god, was exiled once from heaven.

Chorus
[215] Knowing our lot, he may well have pity on mortals.

Danaus
May he have pity indeed, and stand by ready to defend.

"At any rate, when Antony made his entry into Ephesus,
artemisia,[twin sister of Apollon] ib.113: Ephesia , ta, festival of Artemis at Ephesus, Th.3.104 Ephesus magic formula

Aeschin. 3 108

enslave the inhabitants, and DEDICATE the land to the Pythian Apollo and Artemis
Apollōni Puthiō kai Artemidi

FULFILLED WHEN FOREORDAINED OLD SPIRITS ENSLAVES A CONGREGATION AND MAKES ROOM FOR A HOST OF "MINISTERS" KNOWN AS PARASITES.
"women arrayed like Bacchanals, and men and boys like Satyrs and Pans [MEANING OF BEASTS], led the way before him, and the city was full of ivy and thyrsus-wands [shaken reeds] and harps and pipes and flutes, the people hailing him as Dionysus [god of new winskins] Giver of Joy and Beneficent. For he was such, undoubtedly, to some; but to the greater part he was Dionysus Carnivorous and Savage.

Epheson eisiontos autou gunaikes men eis Bakkhas, andres de kai paides eis Saturous kai Panas hēgounto dieskeuasmenoi, kittou de kai thursōn kai psaltēriōn kai suriggōn kai aulōn polis ēn plea, Dionuson auton anakaloumenōn kharidotēn kai meilikhion.

"It is symptomatic of structures that have lost their elasticity, becoming too rigid to accommodate further development, to intensify the semantics of self-reference as a sort of final act of self-reassurance. The patterns of self-reference by drama to drama as we see them in The Bacchae of Euripides reflect a crisis in the very genre of tragedy, in the context of drastic changes in Athenian society toward the end of the fifth century; the prospect is one of abrupt confrontation and loss." -- Nagy, Pindar's Homer p. 388

Saturous   2. lewd, goatish fellow,  of a courtesan

-Mania (A), Ion. -iê, hê, ( [mainomai] ) madness,  II. enthusiasm, inspired frenzy, m. Dionusou para E.Ba.305 ; apo Mousôn katokôchê te kai m. Pl.Phdr. 245a; theia m., opposite  anthrôpinê, ib.256b, cf. Prt.323b, X. Mem.1.1.16; tês philosophou m. te kai bakcheias Pl.Smp.218b .

Acts 16:16 And it came to pass, as we went to prayer, a certain damsel possessed with a spirit of divination [Puthon the SERPENT] met us, which brought her masters much gain by soothsaying:
Acts 16:17 The same followed Paul and us, and cried, saying, These men are the servants of the most high God, which shew unto us the way of salvation.
Acts 16:18 And this did she many days. But Paul, being grieved, turned and said to the spirit, I command thee in the name of Jesus Christ to come out of her. And he came out the same hour.
Acts 16:19 And when her masters saw that the hope of their gains was gone, they caught Paul and Silas, and drew them into the marketplace unto the rulers,
Acts 16:20 And brought them to the magistrates, saying, These men, being Jews, do exceedingly trouble our city,

Soothsaying (The Prophesying of Miriam and the Levites)
g3132. μαντεύομαι manteuomai, mant-yoo´-om-ahee; from a derivative of 3105 (meaning a prophet, as supposed to rave through inspiration); to divine, i.e. utter spells (under pretense of foretelling: — by

soothsaying
. g3105. μαίνομαι mainomai, mah´-ee-nom-ahee; middle voice from a primary μάω mao (to long for; through the idea of insensate craving); to rave as a “maniac”: — be beside self (mad).

Mousôn katokôchê
-Mousa
1 [*maô] I. the Muse, in pl. the Muses, goddesses of song, music, poetry, dancing, the drama, and all fine arts, Hom.: the names of the nine were Clio, Euterpe, Thalia, Melpomene, Terpsichore, Erato, Polymnia or Polyhymnia, Urania, and Calliope, Hes., [The LOCUSTS unleashed in a church near you, known as dirty adulteresses]
II.
mousa, as appellat., music, song, Pind., Trag.:--also eloquence, Eur.:--in pl. arts, accomplishments, Ar., Plat.

Melôid-ia , hê, singing, chanting, E.Rh.923, etc.
II. chant,
choral song, melôidias poiêtês Pl.Lg.935e , cf. 812d; lullaby, ib.790e: generally, music, p.12 K.
Epheson eisiontos autou gunaikes men eis Bakkhas, andres de kai paides eis Saturous kai Panas hēgounto dieskeuasmenoi, kittou de kai thursōn kai psaltēriōn kai suriggōn kai aulōn polis ēn plea, Dionuson auton anakaloumenōn kharidotēn kai meilikhion.

1 Thebes, in the Oedipus Rex, 4.

Prostitution in the Ancient Greek World
The Kithera Mysteries (Wrath or Orgy in Paul's warning.

Kithera.Prostitutesp282.jpg Kithera.Prostitutesp283.jpg


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