Revelation 16 The Mark The Beast 2


Anti-Christ Judas - Instrumental Music as Worship
The.Beasts.in.Revelation.13-16.and.the.Mark
Max Lucado Speaking in Tongues The worship of the Second Beast
Jeremiah.15.The.Mark.of.The.Beast.html
Christ.Defines.The.Mark.of.The.Beast.html

The BEAST from the EARTH exerciseth all the POWER of the first BEAST before him,
        and causeth the earth and them which dwell therein
        to worship the first BEAST, whose deadly wound was healed.
Rev. 13:12

CONTRARY AND ANTITHETICAL to the worship of God, THE WORSHIP OF THE BEAST is--

Thera^p-euō   II.   do service to the gods, athanatous, theous th., Hes.Op.135, Hdt.2.37, X.Mem.1.4.13, etc.; daimonaPi.P.3.109; Dionuson, Mousas, E.Ba.82 (lyr.), IT1105(lyr.); th. Phoibou [
Apollon”] naous serve them, Id.Ion111 (anap.): abs., worship, Lys.6.51; do service or honour to one's parents, E.Ion183 (lyr.), Pl.R.467a, Men.91a; serve, wait upon a master, Id.Euthphr.13d, cf. Ar.Eq.59, 1261, etc.; th. tas thēkas reverence men's graves, Pl.R.469a.
APOLLYON- Phoebus , i, m., = Phoibos (the radiant), I. a poetical appellation of Apollon as the god of light: “quae mihi Phoebus Apollon, Val. Fl. 1, 228: “Circe,” [CHURCH AS WORSHIP CENTER] daughter of Sol, Petr. 135.—
Phoebus , i, m., = Phoibos (the radiant), I.a poetical appellation of Apollo as the god of light: “quae mihi Phoebus Apollo, Val. Fl. 1, 228: “Circe,daughter of Sol, Petr. 135.—
B. Phoe-bēus , a, um, adj., Phśbean, Apollinean: “carmina,Lucr. 2, 504: “lampas,the sun, Verg. A. 4, 6: “virgo,Daphne, Ov. P. 2, 2, 82: “laurus,id. Tr. 4, 2, 51: “Rhodos,where the worship of Apollo prevailed, id. M. 7, 365: “lyra,id. H. 16, 180: “sortes,oracle, id. M. 3, 130: “tripodes,id. A. A. 3, 789: “Phoebeā morbos pellere arte,id. F. 3, 827.—
Female Worship Leater C. Phoebas , ădis, f., a PRIESTESS of Apollo; hence the inspired one, the PROPHETESS Ov. Am. 2, 8, 12; id. Tr. 2, 400; Luc. 5, 128; 165.
The Musical Worship Team which suddenly appeared and separated congregations of many Bible-based  groups CLAIMS to  be able to "lead you into the presence  of God."  They stand in the holy place (of church architecture) which is off limits to the masses. Because Jesus Christ is the only Mediator/Intercessor, they in fact claim to be God standing in the holy place.  The Locusts John used as a code word is well docmented  as the musical worship team of Apollo (Abaddon, Apollyon). Their task is to SEPARATE people  based  on their MARK.  They may drive them out of their own churches but they are not permitted to harm the godly.

These  are quick notes to forum comment with links to original sources.  For discussion.
Rev. 14:11 And the smoke of their torment ascendeth up for ever and ever:
        and they have no rest day nor night,
        who worship the beast and his image,
        and whosoever receiveth the mark of his name.
Rev. 16:2 And the first went, and poured out his vial upon the earth;
        and there fell a noisome and grievous sore upon the men which had the mark of the beast,
        and upon them which worshipped his image.
Rev. 19:20 And the beast was taken,
        and with him the false prophet that wrought miracles before him,
        with which he deceived them that had received the mark of the beast,
        and them that worshipped his image. 
        These both were cast alive into a lake of fire burning with brimstone.
The PLAGUE:  PLESSO 3. strike or stamp as one does a coin, Kuprios kharaktēr . . en gunaikeiois tupois . .peplēktai . Strike a string with a key,
A.Supp.283 Kharakter includes one's personal nature shared  with others of the group
Sting of a Skorpion (John's code word for the Muses:  Apollyon's musical worship team)
2. to be smitten emotionally, himerō peplēgmenoi Struck by bribes, smitten emotionally.
Erotes,  
Plat. Sym. 218a I am stricken and stung by his philosophic discourses, which adhere more fiercely than any adder when once they lay hold of a young and not ungifted soul, and force it to do or say whatever they will
4. of musical sounds, houtôsi plęgenta houtôs ephthenxato ta phônęenta 
EPHTHENXATO--trumpet (thunder), flute, lyre, Phormigx (ABADDON'S instrument), melody in a holy place, CLAPPING HANDS

PLAGUE: The Muses or sorcerers (Rev 18:23) were known as dirty adulterers (selling at retail) were the "musical worship team" of Apollo (Abaddon, Apollyon). They were sentenced underground as LOCUSTS and have been UNLEASHED out of their SMOKEY exile for these end times. 

PLAGUE: b. sting, plęgeisa hupo skorpiou  Plato, Euthydemus   S. Fr.37, V. an engine of war for discharging arrow

EXAMPLE: Plato, Euthydemus

[289e] For not only do these speech-writers themselves, when I am in their company, impress me as prodigiously clever, Cleinias, but their art itself seems so exalted as to be almost inspired. However, this is not surprising; for it is a part of the sorcerer's art,

What is Sorcery? Epoide. A song sunt to or over: hence, enchantment. Charm for or against, Pharmaka. Of the mai 

Sophocles, Ajax. To Tecmessa.
Come, take the child right away, shut tight the doors and make no laments before the house. [580] God, what a weepy thing is woman. Quick, close the house! It is not for a skilful doctor to moan incantations over a wound that craves the knife. 

Jesus Cast Out these musical ministers practicing their sorcerer's art.

Epôid-os , on, epaidô A. singing to or over, using songs or charms to heal wounds, epōdoi muthoiPl.Lg.903b.

b. Subst., enchanter2.epôidos, ho, verse or passage returning at intervals a LADED BURDEN. 

[290a] and only slightly inferior to that. The sorcerer's art is the charming of snakes and tarantulas and scorpions and other beasts and diseases, while the other is just the charming and soothing of juries, assemblies [ekklesia], crowds, and so forth. Or does it strike you differently? I asked.

No, it appears to me, he replied, to be as you say.
Which way then, said I, shall we turn now? What kind of art shall we try?

BEASTS  Therion III. as a term of reproach, beast, creature cowardly, in Satyric drama.
Vile, worthless, Kolax a flattererer, fawner, parasite (a Greek sacrificial musician was  called a parasite). A GOES  sorcerer, wizard,  epodes (singer). SOPHISTES expert musician, instrument  player, makes melody in holy places. Pharmakeus (Sophistes)
Rev. 18:22 And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee;
Rev. 18:23 And the light of a candle shall shine no more at all in thee; and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy SORCERERS [Pharmakeus]   were all nations deceived.
Rev. 18:24 And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth.

Brides and Bridegrooms were ministers of the Babylon mother of harlots in Revelation 17.

BEASTS Therion  is defined as mousikē aei ti kainon thērion tiktei 

MARK: always a new style of music and drama.

Mousikē professional musicians, more accomplished in speaking before a mob, elegant, delicate

Kainon a new style of music, a new style of drama, newly-invented, new techniques, sophists, therion to hunt or chase.

KolaxA. flatterer, fawner, Ar.Pax756, Lys.28.4, Pl.Phdr. 240b, etc.; “tukhēs kolakesAntipho Soph.65; “pantes hoi k. thētikoi kai hoi tapeinoi k.Arist.EN1125a1, cf. 1108a29, Thphr.Char.2.1; parasite, Eup.159.1, Antisth. ap. D.L.6.4.

2. in later Gr., = Att. goēs, Moer. p.113 P.
II. lisping pronunciation of korax, Ar.V.45.

Assemblies ekklęsi-astęs a member of the ekklesia synagogue, church 

John identified the SORCERERS

Rev. 18:22 And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee;

Rev. 19:20 And the beast was taken, and with him the false prophet that wrought miracles before him, with which he deceived them that had received the mark of the beast, and them that worshipped his image. These both were cast alive into a lake of fire burning with brimstone. 

Rev. 20:10 And the devil that deceived them was cast into the lake of fire and brimstone, where the beast and the false prophet are, and shall be tormented day and night for ever and ever. 

Rev. 21:8 But the fearful, and unbelieving, and the abominable, and murderers, and whoremongers, and SORCERERS and idolaters, and all liars, shall have their part in the lake which burneth with fire and brimstone: which is the second death. 

Rev. 22:15 For without are dogs, and SORCERERS and whoremongers, and murderers, and idolaters, and whosoever loveth and maketh a lie.

Dogs were the "old  style praise singers" called the Cynics: Paul did not permit them to be present  when  worship was in the spirit as opposed to in the flesh. Phil 3

Lamblichus.

There are some, however, who suppose there is likewise, the subject-race of a tricky nature, artful, and assuming all shapes, turning many ways, that personates gods and dćmons and souls of the dead like actors on the stage; and that through these everything that seems to be good or bad is possible. They are led to form this judgment because these subject-spirits are not able to contribute anything really beneficial as relates to the soul, nor even to perceive such things; but on the other hand, they ill treat, deride, and often impede those who are returning to virtue.

They are likewise full of conceit, and take delight in vapors and sacrifices.

5. Because the begging priest with open mouth attempts in many ways to raise our expectations. 13

13. The agurtes or begging priest generally belonged to the worship of Rhea or Cybele, the Mother [Zoe]. He is frequently depicted in a most unfavorable light. Apuleius speaks of a company of these emasculate priests in the eighth book of the Metamorphoses. They are also described in the Republic of Plato: "Agurtć and Mantics frequent the houses of the rich and persuade them that they possess a power granted by the gods to expiate,

by sacrifices and chants any unjust act that has been committed and that they induce the gods by blandishments and magic rites to help them.

They collected money in this way, and they also followed the selling of nostrums and telling of fortunes."

But it is happened unto them according to the true proverb, The dog is turned to his own vomit again; and the sow that was washed to her wallowing in the mire. 2Pe.2:22

Caphaq (h5606) saw-fak'; or saphaq (1 Kings 20:10; Job 27:23; Isa. 2:6), saw-fak'; a prim. root; to clap the hands (in token of compact, derision, grief, indignation or punishment); by impl. of satisfaction, to be enough; by impl. of excess, to vomit: - clap, smite, strike, suffice, wallow
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