Rick.Atchley.The.New.Hermeneutic.html
The voices they hear from spiritual formation walking the
Devil's Circle is not HOLY because there is no example of
anyone in Holy Scripture said to worship by singing, playing
instruments, acting or PAY TO PLAY for performing staff: THE
meaning of an abomination in their "holy" place.
They cannot hear because, speaking of the musical and sexual
play at Mount Sinai, Jude warns about our last days that
they were FOREOREDAINED to this JUDGMENT. Under this this
link to New Hermeneutics. the LOCUSTS led by APOLLYON are
Musical Prophesiers. The musicians were SENT by God for the
baptism of spirit (wind) to make the great separation:
the Chaff will be baptized with FIRE.
Depart from me, ye cursed, into
everlasting fire,
prepared for the devil [Diabolus]
and his angels: [Mousōn
aggelos]
Interpret related to tongues or other scripture
permits only Translation or Explaining THAT given text.
LOGOS is God's Regulative Principle demanding
silence, godliness and READING or SPEAKING
Exermēneuō
A.interpret, translate,
“eis
tēn
Hellada
glōssan
tounoma”
D.H.1.67,
cf. Jul.Or.2.77d:—Pass.,
Plb.2.15.9,
D.H.4.67,
Plu.2.383d,
etc.
John 5:26 For as the Father hath life in himself;
so hath he given to the Son to have
life in himself;
John 5:27 And hath given him authority to execute judgment
also,
BECAUSE
he is the Son of man.
John 6:62 What and if ye shall see the Son of man ascend
up where he was before?
John 6:63 It is the SPIRIT
that quickeneth;
the FLESH
profiteth nothing:
the WORDS that
I SPEAK
unto you, [Never Sung]
they are SPIRIT, and they are LIFE
Hermes created
Apollyon's lyre or harp: he is the god of commerce, liars,
thieves and bound the worship of Zeus to sexual and
homosexual practices.
Apollo and Admetus[11]
Apollo
and Adonis[12]
And many more Hermes and Perseus[35]
Hermes
and Pollux[36][37]
Paul warned about women exercising
authority (Authentia, Erotic and Murderous). Jo Bass and
John T. Willis may have been the first.
Worship.Androgyny.The.Pagan.Sexual.Ideal.html
John.T.Willis.and.Jo.Bass.The.Holy.Spirit.html
Sara.Barton.And.Communal.Sex.Language.html
Jeanene.Reese.LGBT.MUST.be.Included.html
Jackie.Halstead.Lectio-Divina.html
Rubel Shelly and
John York: Rubel: Let me give you an example to work with in relation to the question you've
raised: homosexuality and the ordination
of practicing homosexuals to ministry. Why don't we at least
entertain the possibility that the Bible simply reflects
an ANCIENT TABOO or homophobic prejudice in a few people like Paul --
a taboo and prejudice we
need to outgrow?
Laura.Buffington.Sex.Salvation.Hieros.Gamos.html
Jude 4 For there are certain men crept
in unawares,
who were before of old
ordained to this condemnation,
ungodly men, turning the
grace of our God into lasciviousness,
and denying the only
Lord God, and our Lord Jesus Christ.
Jude 5 I will therefore put you in remembrance, though ye once
knew this,
how that the Lord,
having saved the people out of the land of Egypt,
afterward destroyed them
that believed not.
Jude 6 And the angels which kept not their first
estate, but left their own habitation,
he hath reserved
in everlasting chains under darkness unto the judgment of the
great day.
Angĕlus ,
i, m., = aggelos.
B.
In mal. part.: “Diabolus
et
angeli
ejus,”
Vulg.
Matt. 25, 41: “angelus
Satanae,”
ib. 2 Cor. 12, 7 al.
Aggelos
2. generally, one that announces or tells,
e.g. of birds of augury, Il.24.292,296; Mousōn
aggelos,
of a poet, Thgn.769; “aggele
earos
. . khelido
Mousa , ēs,
hē,
Aeol. Moisa
II. mousa,
as Appellat., music, song, “m.
stugera” A.Eu.308
(anap.); “euphamos”
Id.Supp.695
(lyr.); “kanakhan
. . theias
antiluron
mousas”
S.Tr.643
(lyr.); “Aiakō
moisan
pherein”
Pi.N.3.28;
tis
hēde
mousa;
Mousa ,
Apollyon's Musical Worship Teams-Locusts
Dios
aigiokhoio
thugateres”
[Daughters whatever the sex]
[1] stugeros A .hated, abominated, loathed,
or hateful, abominable,
loathsome mousa
music, song, “m.
stugera
kanakhan .
.1Cor. 13:1 Though I speak with the tongues of
men and of angels, and have not charity,
I am become as sounding brass, or a tinkling cymbal.
THEIAS etheiazon
obtained inspiration through ritual antiluron
responding to the lyre or guitar.
Aoidos , ho,
(aeidō)
A.singer, minstrel,
bard THEIOS a
Enchanter,
Sorcerer
[2] “adein [singers
are] adokimon mousa
adokimon
disreputable,
discredited, reprobate,
[3] They
are from
Aidēs”
Haidēs
Aidao
domoisi
in the nether
world to the nether world, 2. place of departed
spirits,
2.
gen. hadou
with nouns
in adjectival sense, devilish,
“thuousan
ha. mēter'”
A.Ag.1235;
“ha. mageiros”
thuousan
Silenced in Romans 12 so
that Worship is Spiritual, rational or
teaching the Word, Logos, Regulative
Principle only
[4] They are
FOREORDAINED to this JUDGMENT and a "Locusts"
chase the GODLY out.
Jude.There.Should.Be.Mockers.in.the.Last.Time.html
[5] AND
MOCKED
Worship.Androgyny.The.Pagan.Sexual.Ideal.html
Jeanene.Reese.LGBT.MUST.be.Included.html
[6] They
Do NOT know God nor Christ
2.John.1.9.The.Doctrine.of.Christ.html
2John 9 Whosoever transgresseth,
and abideth
not in the doctrine of Christ, hath not God.
He that abideth in
the doctrine of Christ, he hath both the Father
and the Son.
Rev. 17:5 And
upon her forehead was a name written,
MYSTERY,
BABYLON THE GREAT, THE MOTHER OF HARLOTS AND
ABOMINATIONS OF THE EARTH.
Why women and men now say
WE WILL NOT LEARN IN SILENCE.
Theologians being
supported claim that Jesus and others were LYING.
Jesus defined Holy Scripture as the Prophets and
Prophecies CONCERNING ME. One such message
claimed to be but into the MOUTH of Isaiah.
TIME IS SHORT: TELL
SOMEONE! THE PATTERN IS REPEATED OVER AND OVER:
YOURS IS APOSTASY.
[1 of 6] THE HOLY SPIRIT MEANING "GOD PUTS HIS
WORD INTO THE MOUTH OF THE PROPHETS AND JESUS FOR
THE LAST TIME and defines the PATTERN for assembly.
Isaiah.4.The.Branch.of.the.Lord
Theology Repudiates.
Is. 4:2 In that day shall the
branch of the LORD be beautiful and glorious,
and
the FRUIT of the EARTH shall be
excellent and comely for them that are escaped
of Israel.
magnĭfĭcentĭa
greatness in action or
in sentiment, nobleness, distinction, eminence,
high-mindedness, magnanimity;
IN A BAD SENSE , boasting, bragging,
etc.2.
In a bad sense: “verborum magnificentia,” pomposity
of language, bombast,
Christian
fruit: for my mental enjoyment, gloria est fructus verae virtutis honestissimus,” id. Pis. 24, 57: “laboris,” Quint. 6
praef. § 2: “ studiorum,
NOT
the enjoyment derived
from riches
“pecuniae fructus maximus,” id. ib. 2, 18, 64: “animi fructus, qui in te videndo est,” id. Fam.
15, 14, 3: “vitae fructus,”
voluptatum,” id. Lael. 23, 87: “jucunditatis,”
id. Mur.
19, 40: “graviore sono tibi Musa loquetur Nostra, dabunt cum maturos mihi tempora
fructus,”
Is. 4:3 And it shall come to
pass, that he that is left in Zion,
and he
that remaineth in Jerusalem, shall be called
holy,
even every
one that is written among the living in
Jerusalem:
Is. 4:4 When the Lord shall have washed away
the filth of the daughters of Zion,
and shall
have purged the blood of Jerusalem from the
midst thereof
by the SPIRIT of
judgment, and by the SPIRIT
of burning.
Isaiah 4: 5 And the Lord will create upon
every dwelling
place of mount Zion,
and upon her
assemblies [Invoco
called], a cloud and smoke by day,
and the
shining of a flaming fire by night:
for upon all
the glory shall be a defence.
Isaiah
4:6 And there shall be a tabernacle for
a shadow in the daytime from the heat,
and for a place of
refuge,
and for a covert from storm
and from rain.
Umbrācŭlum
, I. any thing that
furnishes shade). I Lit.,
a shady place, bower, arbor,Verg.
E. 9, 42.— B. Transf.,
a school: “in
solem
et
pulverem,
ut
e
Theophrasti
doctissimi
hominis
umbraculis,”
Cic.
Brut. 9, 37: “ex
umbraculis
eruditorum
in
solem
atque
in
pulverem,”
id.
Leg. 3, 6, 14.—II. A
sunshade, parasol, umbrella,
Ov.
F. 2, 311; id.
A. A. 2, 209; Mart.
14, 28, 1;
First: A
solitary place [Angle: cornerstorn: to protect the
vines against the sun to dŏcĕo
to speak to instruct a subject
to moral humans in the umbrācŭlum
Second: eruditorum
to eduate, instruct, opposite popular orato,
in a solem or solitary place,
and where "vines" are protected from the sun.
“in
his
(scholis)
Leisure given to learning,
a learned conversation or debate, a
disputation, lecture, dissertation,
1. A place for learned
conversation or instruction,
a place of learning, a
school . The
disciples or followers
of a teacher, a school,
sect:
schŏla
(scŏla
), ae, f., = skholē
(spare time, leisure; hence, in partic.),
Leisure given to learning,
a learned conversation or debate, a
disputation, lecture, dissertation
2. The
disciples or followers of a teacher,
a school, sect
skholē
, hē,
A.leisure, rest, ease, skholēn
agein
to be at leisure, enjoy ease,
keep quiet
2. c. gen.,
leisure, rest from a thing, “en
tini
skholē
kakou
2. at
one's leisure, i.e. scarcely, hardly,
not at all
A covert
sēcūrĭtas FROM
perturbatione,
“securitas
inaffectatae
orationis,”
quietness,
tranquillĭtas
, ātis, f. tranquillus, I.quietness,
stillness, tranquillity.
Tac. Agr. 40 fin.
REST FROM
Operosus
, [Lying Wonders] costs
much trouble, troublesome, toilsome,
laborious, difficult, elaborate
, costly, sumptuous Temple, from “carmina,
[vocal or instrumental music] ” elaborate,
Hor.
C. 4, 2, 31 “artes,”
skill in constructing, profession as
music, FROM “rhetorica,”
Quint.
2, 17, 4: “musica,”
poetry, Ter.
Hec. prol. 23: “musica,”
music, ars
oratoris,
oratoris
autem
omnis
actio
opinionibus,
REST FROM mūsĭca
, ae, and mūsĭcē
, ēs, f., = mousikē,
I.the art of music,
music; acc. to the notions of the
ancients, also every higher kind of artistic
or scientific culture or pursuit:
“musicam
Damone
aut
Aristoxeno
tractante?
etc.,”
Cic.
de Or. 3, 33, 132: “socci
et
cothurni,”
i. e. comic and dramatic poetry,
Aus. Ep. 10, 43: “musice
antiquis
temporibus
tantum
venerationis
habuit,
ut,”
Quint.
1, 10, 9.
I.a
philosopher and musician, pupil
of Aristotle, Cic.
Tusc. 1, 10, 20;
id.
de Or. 3, 33, 132 al.
Quint.
Inst. 1 10.9 Who is
ignorant of the fact that music, of
which I will speak first, was in
ancient times the object not merely of
intense study but of veneration:
in fact Orpheus [Romans 14
from Synagogue From Babylon]
http://www.pineycom.com/MuTammuz.html
and Linus, to
mention no others,
were regarded as
uniting the roles of musician, poet
and philosopher.
Both were of
divine origin, while the former,
because by the marvel [lying
wonder] of his music he
soothed the savage breast, is
recorded to have drawn after him
not merely beasts
Quint.
Inst. 1 10.10 So
too Timagenes asserts that music is
the oldest of the arts related to
literature, a statement which is
confirmed by the testimony of the
greatest of poets in whose songs we
read that the praise of heroes
and of gods were sung to the music
of the lyre at the feasts of kings.
Does not lopas, the Vergilian bard,
sing
The wandering
moon and labours of the SunAen.
i. 742.
and the like?
whereby the supreme poet
manifests most clearly that music
is united with the knowledge even of
things divine.
REST
FROM Musica
, mūsĭcus
. a, um, adj., = mousikos.
I. Of or belonging to
music, musical (class.).A.
Adj.: “leges
musicae,”
the rules of music,
Cic.
Leg. 2, 15, 39: “sonus
citharae,”
Phaedr.
4, 18, 20: “pedes,”
Plin.
29, 1, 5, § 6.—
REST FROM
1. mūsĭcus
, i, m., a musician: “musicorum
aures,”
Cic.
Off. 1, 41, 146.—
2. mūsĭ-ca
, ōrum, n., music: “in
musicis
numeri,
et
voces,
et
modi,”
Cic.
de Or. 1, 42, 187: “dedere
se
musicis,”
id. ib. 1, 3, 10: “et
omnia
musicorum
organa,”
Vulg.
1 Par. 16, 42.— [Of
hydraulic engines, an organ, water-organ:
“organa
hydraulica,”
Suet.
Ner. 41]
mousikōs:
musice hercle agitis aetatem,
REST FROM you
are in clover, i. e. living
luxuriously at another's expense,
Plaut.
Most. 3, 2, 40.
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Forum at Tapatalk Rick Atchley A Works Institution
5.16.20
The command
is to SPEAK one to another which outlaws preaching,
singing or playing instruments. A preacher, like the
Evangelist, as KERUSSO is a Herald to GOES and takes "That
which is written for our learning." A Christian, Disciple
or STUDENT of Jesus Christ CANNOT POSSIBLY sell their
own superior TRICKS. Ephesians 4 says that the
speakers, singers or instrument players
or LYING IN WAIT TO DECEIVE.
ABSOLUE MARK OF A CHRISTIAN
|
Jonathan Storment MOCKS the Word and
is an ADVERSARY of WORD-LITERATE believers.
|
John 8:29 And he that sent me
is with me:
the Father hath not left me alone; For I do
always those things that please him.
John 8:30 As he spake these WORDS,
many believed on him.
John 8:31 Then said Jesus to those Jews which
believed on him,
IF ye
continue in MY WORD,
THEN
are ye my DISCIPLES indeed;
John 8:32 And ye shall know the truth,
AND
the truth shall make you free.
Mark.10.They.Shall.Mock.Him.With.Music.html
Mark 10:34 And they shall mock
him,
Latin Illudo
as a female: Applied as a term of
reproach, effeminate men, eloquence,
rhētor but
with idea of contempt, caneret,”
A. Of men: “si absurde canat, of the crooked
race, a reed pipe, a guitar, crowing
of a hen tibiae, tubae, Gallus , i, m.,
= Gallos Strab., A.
Galli , the
priests of Cybele, on account
of their emasculated condition) Gallic:
“turma,” the
troop of the priests of Isis, Ov. Am. 2, 13, 18.
“resupinati cessantia tympana Galli,”
Any Religious Performer is marked as a PARASITE and
real or effeminate persona.
Gallos , ho, A. priest
of Cybele, gallazō , A.
practise cult of Cybele, Galli.
Eunuch priests of Cybele or the great mother:
begun under the reign of Erichthonius, king of
Attica, B.C. 1506;
 |
Logos
MY WORD
computation, reckoning
2. statement of a theory,
argument, ouk
emeu
alla
tou
l.
akousantas
prob. in Heraclit.50;
logon ēde
noēma
amphis
alētheiēs
discourse and reflection on reality,
IV. inward debate
of the soul, reflection,
deliberation
Regulative and formative forces,
derived from the intelligible and operative
in the sensible universe,
Opposite to epithumia
A. desire, yearning, longing
after a thing, desire of or for
it, Theaomai :--gaze
at, behold, mostly with a sense of wonder, 3.
view as spectators
Opposite Pathos A.
that which happens to a person or thing, incident,
accident, Moralizing Rhetoric
Opposite
Poiein to excite passion,
Arist.Rh.1418a12;
V. Rhet., emotional style
or treatment,
Opposite Enthousi-astikos
, ē, on, A. inspired,
“phusis” Pl.Ti.71e;
esp. by music,
Prose, OPPOSITE -poiêsis, Id.R.390a;
OPPOSITE -poiêtikê, D.H.Comp.6;
OPPOSITE poiêmata, onomatopoeic
word
OPPOSITE
emmetra Modus
2. The measure of tones, measure, rhythm,
melody, harmony, time; in poetry, measure,
metre, mode: Mūsĭcus a, um, adj.,
= mousikos.
X. the Word or Wisdom
of God, personified as his agent in creation and
world-government,
Theologians are doomed to call God a liar or
INCOMPETENT. If God had wanted any kind of music
in the tuneful sense He was INTELLIGIBLE But denied by
C. Leonard Allen.
mousikos
kai melōn
poētēs”
2. generally, votary of the Muses,
The Muses were the LOCUSTS unleashed with Apollon
their "musical worship leaders." The Greek and Latin
literature identifies them as dirty adulteresses
http://www.pineycom.com/DocHesTheog.html
[25] the Muses of Olympus,
daughters of Zeus who holds the aegis: “Shepherds
of the wilderness,
wretched things
of shame, mere bellies,
we know how to
speak many false things as though they
were true;
but we know,
when we will, to utter true things.”
...and they bade me sing of the race of the blessed
gods that are eternally,
but ever to
sing of themselves both first and last.
pharma^kon 3.
enchanted potion, philtre: hence, charm,
spell, Od.4.220
sq., Ar.Pl.302,
[Circe, Church, Corinth mother of harlots] Theoc.2.15
The singers [Muses], instrument players and craftsmen
as sorcerers in Revelation 18.
Gay used to mean happy, but I can
assure you, homosexuals are not happy people. They
habitually seek happiness by following after
destructive pleasures.
Worship.Androgyny.The.Pagan.Sexual.Ideal.html
Jesus didn't die to give FODDER
for men to conduct WORSHIP SERVICES. The synagogue
and Ekklesia were SHOOLS OF THE WORD ONL.
|
Rick Atchley and all of the end-time "Theologians"
think of "Homilectics" as a POWERFUL way to convince
everyone that they are right and Scripture and the
rest were not competent because of a "changed
culture." They reject the historic Scriptures
and debunk Paul and therefore Jesus for claiming that
"Holy Scripture is the Prophets and other prophecies
Concerning Me." All of the Scriptures contradict
all modern theologians who confiscate the property of
"owners" and turn it into a rhetorical-musical
performance. They are obliged to do so because
Jesus identified Scribes, Pharisees, Hypocrites for
those performing sermons for money, singers or
instrument players. The MARK was of people who have no
intention or ability to Teach that which has been
taught. The Holy Spirit inspired the Prophets
but not the Priests, Levites or Kings. SPIRIT is a
parable word to HIDE from the Wise, Sophists as
rhetoricians, singers or instrument players. God puts
His WORD into the MOUTH of A Moses, the Prophets and
for the very last time, the MAN Jesus whom God MADE to
be lord and Christ 30 years after he came IN THE
FLESH.
Isaiah
8 Peep Mutter Music Sorcery
[19] et cum dixerint ad vos quaerite a pythonibus et a divinis qui stridunt in incantationibus suis numquid non populus a Deo suo requirit pro vivis a mortuis
-strīdō
to make a shrill noise, sound
harshly, creak, hiss, grate, whiz, whistle, rattle, buzz:
stridentia tinguunt Aera lacu, V.:
cruor stridit, hisses, O.:
belua Lernae Horrendum stridens, V.:
horrendā nocte (striges), O.:
mare refluentibus undis, V.:
aquilone rudentes, O.:
videres Stridere secretā aure susurros, buzz, H.
H7442 rânan raw-nan' A primitive
root; properly to creak (or emit a stridulous
sound), 2. tremulous sound of a mast or pole
"Shaken by the wind" also the sound of a
torrent. Vibrate the voice TRILL which is
the WOMEN'S sound of Halal above.
-cantus , ūs, m.
id., 2. With instruments, a playing, music:
“in nervorum vocumque cantibus,” Cic. Tusc. 1, 2, 4;
id. Rosc. Am. 46, 134:
“citharae,” Hor. C. 3, 1, 20:
“horribili stridebat tibia cantu,” Cat. 64, 264:
“querulae tibiae,” Hor. C. 3, 7, 30:
B. An incantation, charm, magic
song, etc.: cantusque artesque magorum. Ov. M. 7, 195;
7, 201: “at cantu commotae Erebi de sedibus imis Umbrae ibant,” Verg. G. 4, 471:
“magici,”
-pŏētĭcus , a, um, adj., =
poiētikos,
I.poetic, poetical: “verbum,” Cic. de Or. 3, 38, 153:
“non poëtico sed quodam oratorio numero et modo,” id.
ib. 1, 33, 151: “di,” represented by the
poets,
The familiar
spirit is a dry, empty wineskin. It serves as the echo chamber of the nebel
which means 'VILE.' It has the same meaning as the harp and
the sounding gongs
in 1 Cor. 13.
OF THOSE WHO DO NOT SPEAK ACCORDING TO
THE. WORD OR REGULATIVE PRINCIPLE.
To the law
and to the testimony:
if they speak
not according to this word,
it is because there is no
light in them. Isa 8:20
See
Clement Pedagogue 3
But ye do all to
ill report and dishonor. Hear ye not the Prophet, saying,
"Serve the Lord with fear, and rejoice unto Him with trembling?"
(Ps. ii. 11) But ye are wholly without restraint. Is it not
possible both to enjoy pleasure, and to do so with
safety?
Art thou
desirous of hearing beautiful songs? Best of all indeed,
thou oughtest not; nevertheless,
I condescend if thou wilt have it so: do not hear
those Satanic ones, but the spiritual.
Art thou
desirous of seeing choirs of dancers? Behold the choir of Angels. And how is it possible, saith one, to see
them?
If thou drive
away all these things, even Christ will come
to such a marriage, and
Christ being present, the choir of Angels is present also. If thou wilt, He will even
now work miracles as He did then; He will make even now
the water, wine (John ii.); and what is much more
wonderful, He will convert this unstable and dissolving
pleasure, this cold desire, and change it into the
spiritual. This is to make of water, wine.
Where pipers are, by no
means there is Christ;
but even if He should have entered,
He first casts
these forth, and then He
works His wonders. What can be more disagreeable than
this Satanic pomp?
where
everything is inarticulate,
everything without significancy; and if there be
anything articulate, again all is shameful, all is noisome.
A Homily by Historic Scholars who were
WORD CENTERED: it is never "sermons" in the sense of a
collection you get for a few hundred thousand dollars
today.
John Chrysostom,
Homily I, Theatrical Worship of Satan
CLICK BELOW FOR HOMILECTICS
HIRELING REPLACE FOR THE SPIRIT OR WORD OF GOD.
Jesus defined Holy Scripture as the Prophets and
other prophecies CONCERNING ME.
The Prophets define the future REST from religious merchants
Inclusively and Exclusively.
The Prophets define all essentials including Baptism and the
EXCLUSION of 100 percent of what theologians sell replacing
their opinions with the Word, Logos or Regulitive Principle:
Excludes are personal opinions, personal experiences,
performance preaching, singing, playing instruments, acting or
"Podiums and Collectors of Shekels." 1
Corinthina 1 making Isaiah 33 perfect or certified.
Thine
heart shall meditate terror [a bugbear, idol] . Where
is the scribe? [roll keeper] where is the
receiver? [Shekel collector] where is he that counted
[celebrate, commune, mark] the towers? [pulpits] Isa
33:18
The SINGULAR PATTERN of the Synagogue-Ekklesia
once each week with the VOCATIONAL ELDER
Acts 15:21 For Moses of old
time
hath
in every city them that PREACH
him,
being READ in the synagogues every
sabbath day.
THEN AND
NOW IN ANY POST-BIBLICAL INSTITUTION
Acts
13:27 For they that
dwell at Jerusalem,
and their RULERS,
because they
knew him not,
nor yet the VOICES
of the PROPHETS
which are READ
every sabbath day,
they have
fulfilled them in
condemning him
THE PATTERN OF JESUS WHO MADE THE PROPHECY OF THE ASSEMBLY
PERFECT
Luke 4:16
And he came to Nazareth, where he had
been brought up:
and, as his custom was, [PATTERN]
he
went into the synagogue on the sabbath
day,
and stood up for to READ.
Acts 13:15 And after the READING
of the law and the PROPHETS
the rulers of the synagogue sent unto
them, saying,
Ye
men and brethren, if ye have any word of
exhortation [COMFORT]
for the people, say on.
Matt. 13:4 And when he sowed,
some seeds fell by the
way side,
and the fowls came and
devoured them up:
Rev. 18:2 And
he cried mightily with a strong voice, saying,
Babylon the
great is fallen, is fallen, and is become the habitation
of DEVILS,
and the hold of
every foul spirit, and a cage of every unclean and
hateful bird.
What are the "birds of the air"?
Demons! They try to get us when we are young in the church.
Like the lion of I Peter 5, they go for the stragglers, the
weak, and the newborn, because they are the easy pickings.
What is step one of Satan's plan against the church? Attack
God's people early in their calling. Distract them.
Persecute them. Crush them—before they are strong
enough to resist.
Birds are naturally
attracted to the taste of the mustard seed. Matthew
identifies the birds of the air as "the wicked one" Matthew 13:4, 19). Mark connects them
with "Satan"
(Mark 4:4, 15), and Luke links them to "the devil"
(Luke 8:5, 12). In Genesis 15:11, fowls swoop down on
Abraham's sacrifices, and he has to drive them away (see
Deuteronomy 28:26). The end-time Babylon becomes "a
habitation of demons, a prison for every foul spirit, and
a cage for every unclean and hated bird" (Revelation
18:2).
Matt. 13:37 He answered
and said unto them,
He that soweth the
good seed is the Son of man;
Matt. 13:38 The field is the world;
the good seed are the
children of the kingdom;
but the tares
are the children of the WICKED ONE
THEY ARE A MASSIVE CROWD OF DEMON BIRDS DOING ANYTHING TO KEEP
THE SEED OR WORD OF GOD FROM LANDING IN A HART WHERE Koma is
induced by musical instruments.
kōma
, atos,
to,
(perh. cogn. with keimai,
koimaō)
kaluptei”
[VEILED] , of the effect of music, Pi.P.1.12.—
Pind. P. 1 Golden lyre, rightful joint
possession of Apollon
and the violet-haired Muses [locusts],
to which the dance-step listens, the beginning of splendid
festivity; and singers obey your quivering notes [Elelizo Serpent music],
whenever, with your quivering strings, you prepare to strike
up chorus-leading preludes. [ [10] under the spell of
your pulsing notes. Even powerful Ares, setting aside the
rough spear-point, warms his heart in repose; your shafts
charm the minds even of the gods, by virtue of the skill of
Leto's son and the deep-bosomed Muses. But those whom Zeus
does not love are stunned with terror when they hear the cry
of the Pierian Muses, on earth or on the irresistible sea;
[15] among them is he who lies in dread Tartarus, that
enemy of the gods, Typhon with his hundred heads.
“speiras
opheōn
elelizomenē”
Jesus was sent for a tiny flock of Lost Spirits
who, like Him, are not OF this World. The World for whom
Jesus did not pray are the Kosmos, the Ecumenical or the
Kingdom of the Devil in hateful warfare against the Kingdom of
Christ which does not come with OBSERVATION or Religious
observations or operations which are Lying Wonders.
John 8:38
I SPEAK that which I
have seen with my Father:
and ye DO that which ye have seen
with your father.
SPEAK or READ is the only way to MARK yourself as a
found-saved-and hidden from assult you are marked as
gender-compromised and the SEED of the Serpent or the
Devil. They are the MASSES who are Angels of Light or
BLIGHT. They hate the Word and are therefore UNABLE to
make merchandise of IT.
NOTE: THERE IS NOTHING MUSICAL IN THE DEVIL-DO SENSE UNTIL
AFTER JOHN CALVIN PERMITTED SOME PSALMS-ONLY TO SET TO A
FEW-NOTE MELODY AND SUNG IN UNISON. THOSE WHO TRIBULATE
YOU ARE PROUD TO BE OUTED.
Devil Do: poiētai
4. after Hom., of Poets, compose, write,
p.
dithurambon,
epea,
Hdt.1.23,
4.14;
“p.
theogoniēn
Epos joined with muthos,
1. song or lay accompanied by music,
8.91,17.519.
2. fiction (opp. logos,
historic truth), THE REGULATIVE PRINCIPLE
Hdt. 1.23 Periander, who
disclosed the oracle's answer to Thrasybulus, was
the son of Cypselus, and sovereign of Corinth.
The Corinthians say (and the Lesbians agree) that the most
marvellous thing [Lying Wonders] that happened to
him in his life was the landing on Taenarus of
Arion of Methymna,
brought there by a dolphin. This Arion was a lyre-player
second to none in that age; he was the first man whom we
know to compose and name the dithyramb1
which he afterwards taught at Corinth.
Devil Do: LATIN:
făcĭo ,
to make
in all senses, to do, perform,
accomplish, prepare, produce,
bring to pass, cause, effect,
create, commit, perpetrate, form,
fashion,
operor Lying Wonder,
“poëma,” to
compose, id. Pis. 29, 70:
“carmina,” Juv. 7, 28:
“versus,” id. 7, 38:
“sermonem,” Cic. Fam. 9, 8,
1; cf. “litteram,” id. Ac. 2, 2, 6:
ludos, to celebrate, exhibit, admirationem alicujus rei alicui,” to
excite [the Laded Burden],
Devil Do: carmen
I.a tune, song;
poem, verse; an oracular response, a
prophecy; a form of incantation (cf.: cano,
cantus, and canto). note, sound,
both vocal and instrumental “also
versus,
numeri,
modi):
carmen
tuba
ista
peregit
( = sonus),”
Enn. Ann. 508 Vahl.: “carmine
vocali
clarus
citharāque
Philammon,”
Ov. M. 11, 317;
cf. “vocum,”
id. ib. 12, 157:
“per
me
(sc. Apollinem)
concordant
carmina
nervis
“barbaricum,”
id. M. 11, 163.—With
allusion to playing on the cithara: The Moher o Harlots in
John 17 “Carminibus
Circe
socios
mutavit
Ulixi,
Devil Do: Commercium
sermonis,”
7
In mercant. lang., to practise,
exercise, follow
any trade or profession: 8.
In
relig. lang., like the Gr. rhezein,
to perform or celebrate
a religious rite; to offer
sacrifice, make an
offering, to sacrifice:
Devil Do: Mousa
II. mousa,
as Appellat., music, song, “m.
stugera”
A.Eu.308
(anap.); “euphamos”
Id.Supp.695
“Kanakhan
.Clanging Brass
Theias
as many
as made them hope by divinations, Madness caused by
Ritual
worship as divine,
“Puthagoran
[Of the Cosmos, the Ecumenical, Kingdom of the Devil."
Antiluron
mousas”
S.Tr.643
(lyr.); PLAYING THE LYRE
“Aiakō
moisan
pherein”I. bear or carry a
load, A Laded Burden
WHY PAUL OUTLAWED VERBAL ODE OR PSALLO AND YOUR
TRICKESTERS CAN NEVER KNOW.
Plutarch Marcus Antonius:
XXIII. Plut. Ant. 23.1 The
example of the BEAST.
"For in the city of Ephesus, women,
attired as they go in the feasts and sacrifice of
[Dionysus] Bacchus, came out to meet him with such
solemnities and ceremonies as are then used: with men
and children disguised like fauns and satyrs [Therion=Beasts] Moreover,
the city was full of ivy, and darts
wreathed about with ivy, [Thyrus:
shaken reed with hidden spear] psalterions
, flutes, and howboyes [hautboys]; and in
their songs they called him Bacchus, father of
mirth, courteous and gentle: and so was he unto some,
but to the most part of men cruel and extreme.
[Savage]
Like David the King and Kings Set
Over you for HIRE with no Bible interest or knowledge.
"For he robbed noblemen and gentlemen of their
goods, to give it unto vile flatterers [Staff-Parasites] who
oftentimes begged living men's goods, as though they
had been dead, and would enter their houses by
force. As he gave a citizen's house of Magnesia unto
a cook, because (as it is reported) he dressed him a
fine supper. In the end he doubled the taxation,
and imposed a second upon Asia.
TITHE or each week LAY BY IN STORE is
Anti-Biblical, Anti-Historical and the ROOT of all false
teachers with obvious SUPERNATURAL POWER to deceive whole
populations with the Both/And ingnorance and evil.
John 7:18 He that SPEAKETH of
himself seeketh
his own glory:
but he that seeketh
his glory that sent him,
the same is true,
and no unrighteousness is in him.
John 8:43 Why do ye
not understand my speech?
even because ye CANNOT HEAR my
word.
[Logos, Regulative Principle, outlaws rhetoric,
homolectics. singing or playing instruments]
John 8:44 Ye are of your father the devil,
and the lusts of
your father ye will do.
He was a murderer
from the beginning,
and abode not in the
truth,
because there is no
truth in him.
When he speaketh a
lie, he speaketh of his own:
for he is a LIAR,
and the FATHER of it.
mulieres
quos
tu
parasitos
loquere,”
SCRIPTURE
IS CAREFUL TO COMMAND, EXAMPLE AND INFER READ THE
TEXT OR SPEAK THE TEXT without
private interpretation or further expounding
1Corinthians 13:1 Though
I SPEAK with the tongues of men and of
angels,
and have not charity,
I am become as sounding
brass, or a tinkling cymbal.
From the Seapent (Herpo, Serpo, Beastia) in
Genesis to the Babylon Mother of Harlots (Revelation 17) who
uses lusted after fruiits as her agents Speaking, Crafting
anything, Singing, Playing Instruments, any tuneful or
"beating" sounds are defined as SORCERY performed by SORCERERS
who Will be CAST ALIVE INTO THE LAKE
OF FIRE.
JESUS SAID THAT THESE "DOCTORS OF THE LAW"
TAKE AWAY THE KEY TO KNOWLEDGE. The KEY is to READ or TEACH
that which has been written for our LEARNING withing adding
any human GENETICS to the supernatural power.
Once-Christian Bible Colleges have been 'TRANSISTIONED" in the
words of the NACC and are NOT NEUTRAL but are PURPOSE DRIVEN
to PRODUCE for SIMONY men who act as CHANNELLERS to deceive
the whol World.
Carroll D. Osburn Change
Agenda ALREADY rejecting the Historic Scriptures.
Claiming A Spirit is guiding them to repudiate Paul and
Jesus. That is true: his name is Apollo or Apollyon rooted
in Babylon and Prophesied for now.
http://www.pineycom.com/ACU-OSBURN.html
They have a DEGREE PROGRAM.
"There
is major disagreement on whether one should use
the Bible to undergird doctrines in a "proof-texting way,
or whether one should allow doctrine to emerge from understanding texts in
their literary and historical contexts. Certainly these differing
views of Scripture lie behind differing views of women in
the church" (p. 90).
"The Bible is
not so much a 'heaven-sent answer book' as a historical book produced within and for a historical community--
yet it serves as Scripture today because people find themselves accountable to it. That is what make
its Scripture" (WOMEN IN THE
CHURCH: Reclaiming the Ideal, p. 46).
"...but
another step must be taken if the text would actually
become Scripture and that is to engage the text in
dialogue to ask, 'Now that I understand the meaning of
this text for today, can I accept this" (p. 47).
"Paul's arguments carried weight
in HIS DAY even though they may not
necessarily be convincing by today's standards" (p.
135).
"Feminist [ZOE] hermeneutics stands over
against patriarchal [LOGOS] hermeneutics" its goal achieved
"by
small, often unnoticed acts of subversion. Numerous such
incremental changes, like erosion, will eventually bring down the fortress "
The DOVE and the
VOICE pronouncing Jesus the CHRIST OF GOD as SON of the FATHER as
opposed to the DAUGHTER [Zoe] of the MOTHER [Sophia] will be hidden to anyone who sees
preaching as OCCUPATION. The Chief Professor continues:
"With so many
questions flying around and so much uncertainty being expressed in various
quarters, what an opportunity for the various faculties of our Christian colleges and
universities to help shape the future! These are the
best of times to be involved in Christian education!
If we are to
have a truly significant impact upon the national and international scene, faculties of
religion must play leading prophetic roles in channeling and facilitating whatever changes loom
ahead.
THE SELF SPEAKING IS LIKE WORSHIPING ANGELS AND BURNING
INFANTS IN THE JEWISH HOLOCAUST AT JERUSALEM
La^l-eō ,Mark of the
Locusts
III. of musical sounds, “aulō [flute] laleō” Theoc.20.29; of
trees, v.supr.1.2; “di'aulou [flute] ē salpiggos l.”[trumpet]
Arist. Aud.801a29; of Echo,
magadin lalein sound the magadis, [double flute]
-kat-auleô , A. charm by flute-playing, metaphor
I will flute to you on a
ghastly flute, E.HF871 (troch.):--Pass., of persons, methuôn
kai katauloumenos drinking
wine to the strains of the
flute, Pl.R.561c; k.
pros chelônidos psophon to be played to on the flute with lyre accompaniment,
II. in Pass., [ton monochordon kanona]
parechein tais aisthêsesi . . katauloumenon subdued by a flute accompaniment, to be piped
down, ridiculed, gelômenoi
2. make
a place sound with flute-playing, resound with flute-playing, nêsos
katêuleito Plu.Ant.56
katapsallô A.play stringed instruments to, [sumposion]katauleinkai k. Plu.2.713e :--usu.
in Pass., have music played to one, enjoy music,
ib.785e; of places, resound with music, Id.Ant.56.
2. Pass., to be buried to the sound of music,
3. metaph., katapsalletai . . hodêmiourgos is
drummed out
The Mark of the Locusts:
Abaddon's Muses (dirty adulteresses) performing as
sorcerers.
Tettix This noise
is freq. used as a simile for sweet sounds,
Il.3.151,
Hes.Op.582,
Sc.393,
Simon.173, 174, etc.; and Plato
calls them hoi Mousōn prophētai, Phdr.262d; but they also
became a proverb. for garrulity, “lalein tettix” Aristopho10.7:
“t. polloi ginomenoi nosōdes to etos sēmainous
homi_l-ētēs , ou,
ho,
A.disciple,
scholar, X.Mem.1.2.12.48,
Luc.Tim.10,
Philostr.VA1.16,
Gal.10.22 ; “tōn
theōn”
Xen. Sym. 3.4 “Certainly it
is,” replied Antisthenes, “and the least debatable kind,
too; for though courage and wisdom appear at times to work
injury both to one's friends and to the state, righteousness
and unrighteousness never overlap at a single point.”
1
The word dikaiosunē,
translated here by “righteousness,” is sometimes well
represented by justice or honesty.
CLICK BELOW FOR HOMILECTICs as Anti-Word-logos-Regulative principle and
ANTI Christ.
Exodus 32 defines a fall from grace beyond redemption
(Anathema).
God saved Israel by Faith and Grace. They were baptized in
the sea which washed away sin or the enemy
However, they brought their MUSICAL-SORCERY
Abomination with them
Deuteronomy.18.Abomination.Of.Those.Nations.html
Paul defined the
Instrumental-Trinitarian-Perverted "play" as Devil or Demon
worship.
1Corinthians 10:1 Moreover,
brethren,
I would not that ye should be ignorant,
how that all our
fathers were under the cloud, and all passed through
the sea;
1Corinthians 10:2 And were all baptized unto Moses
in the cloud and in the sea;
1Corinthians 10:3 And did all eat the same SPIRITUAL
meat;
1Corinthians 10:4 And did all drink the same SPIRITUAL
drink:
for they drank of that
spiritual Rock that followed them:
and that Rock was
Christ. [Not, the man Jesus]
1Corinthians 10:5 But with many of them God was not well
pleased:
for they were overthrown
in the wilderness.
1Corinthians 10:6 Now these things were our examples,
to the intent we should
not lust after evil things, as they also lusted.
1 Cor. 10:7 Neither be ye idolaters, as were some of them; as it
is written,
The people sat down to eat and drink, and rose up to play.
Paizō
pais
I. properly, to play like a child, to
sport, alla
pepaistai
metriōs
hēmin,
of the chorus, Ar. Th.1227.
4. play on a musical instrument,
h.Ap.206:
c. acc., “Pan
ho
kalamophthogga
paizōn”
dance and sing, Pi. O.1.16.
Aristoph.
Frogs 225
Rightly so, you busybody.
the Muses of the fine lyre love us
And so does horn-crested Pan, playing his reed
pipe.
And the harpist Apollo
delights in us as well,
On account of the reed, which as a bridge for
his lyre
Apollōn
, ho,
Apollo: Abaddon, Apollyon The name of a
NUMBER
phorm-iktēs
, ou,
Dor. phorm-miktas
, ho,
A. lyre-player, of Orpheus, Pi.P.4.176
phorm-iktos
,
ē,
on,
A.
sung TO the phormigx,
kai
peza
kai
ph.
(sc.
melē)
S.Fr.16.
Melos
,
eos,
to,
2. music to which a song is set, tune,
Arist.Po.1450a14;
3. melody of an
instrument, “
phormigx
d'
au
phtheggoith'
hieron
m.
ēde
kai
aulos”
; “
aulōn
pamphōnon
m.”
Pi.P.12.19;
5. play amorously, “pros
allēlous”
X.Smp.9.2;
“
II. est, sport, Hdt.2.28, 5.4, 9.11; make
fun with a person,
Rev. 9:11 And they had a king over
them,
which is the
angel of the bottomless pit,
whose name in the Hebrew tongue is Abaddon,
but in the Greek
tongue hath his name Apollyon.
Revived?
Rev. 13:11 And I beheld another BEAST
coming up out of the earth;
and he had two horns
[hair] like a lamb, and he spake as a dragon.
Rev. 13:18 Here is wisdom. Let him that hath understanding
count the number of
the beast:
for it is the number
of a man;
and his number is Six hundred threescore
and six.
Rev. 17:8 The BEAST that thou sawest was,
and is not;
and shall ascend
out of the bottomless pit,
and go into perdition:
[G684 Apoleia g622 Apollumia
and they that dwell on
the earth shall wonder, [admire]
whose names were not written in the
book of life
from the foundation of the WORLD,
when they behold the beast that was,
and is not, and yet is.
2 Thess 2:3 Let no one DECEIVE
you in any way.
For it will not be,
unless the falling away comes first,
and the man of sin is
revealed, the son of destruction,
John 17:12 While I was with them in the world,
I kept them in thy
name: those that thou gavest me I have kept,
and none of them is
lost, but the son of perdition;
that the
scripture might be fulfilled.
The
MARK of Judas, The Son of Perdition. Psalm 41
predicts that he would assault Jesus with sounds of
instruments (never Biblical in the bible sense]
John
13:26 Jesus answered, He it is, to whom I shall give a
sop, when I have dipped it.
And when he had
dipped the sop, he gave it to Judas Iscariot, the son of
Simon.
John 13:27 And AFTER the sop Satan entered
into him. [NOT Holy
Spirit never a person or God]
Then said Jesus unto
him, That thou doest, do quickly.
g5597. psocho, pso´-kho; prolongation from the
same base as 5567; to triturate, i.e. (by
analogy)
to rub out (kernels
from husks with the fingers or hand): — rub.
Feed by putting little
bits into the mouth
In 1875, for the first time in recorded history,
the Disciples-Christians (no Christian church until 1971)
Assaulted anyone who would not join the "Society and Organ
Party) with the PSALLO Word. Those who refused,
like David Lipscomb was branded as the Son of Perdition.
Stark.Warlick.Debate.God.Authorizes.Instruments.Music.html
O.E.Payne.North.American.Christian.Convention.html
The "foundation" of Rick Atchley etal is the PSALLO word.
However, all of the PLUCKING words they found can now be
READ. Plucking the LYRE was often used to seduce a
younger male whose pubic hair had been PLUCKED.
Plucking lyres was the TASK of those intending to deceive or
by products holding worship services in the pagan temples.
Apollo or Apollon (for literates) is the SPIRIT and
LEADER of the Locusts or Muses (Revelation 18) were unleashed
as Prostitute-Shepherdesses. The Lusted afterFruits are
the priests-priestesses of the Babylon Mother of Harlots
(Revelation 18). They as ANY religious craftsperson (Staff)
know as PARASITES and Sorcerers. Music in the holy
Places (Amos 8) is the mark of the Androgynous Worship
leaders: it is not the SIN but the MARK that "God will NOT
pass by there again". Jesus removes the STAFF,
instruments and the LAMPS and the CERTAINTY is that they have
been LYING IN WAIT TO DECEIVE (Ephesians 4) and they will be
or Are being Cast Alive into the Lake of Fire. The
invasion of the soul snatchers (Ezekiel 13) has been
accompanying by INCENTERS (song starters) called IGNIS or Fire
and Civil War Starters.
Calling
Down God's Holy Fire: ACU professors, Ken Cukrowski, Mark Hamilton,
and James Thompson, walking in the steps of the NACC. :
PSALLO has invited the Devil in. There is no reason that any Doctor of
the Law whom Jesus said "take away the KEY to knowledge"
which is the Word, Logos or Regulative Principle, being READ of SPOKEN.
That was always the One-Piece-Pattern to SILENCE the
Levites:
Acts 15:21 For Moses of
old time
hath in every city
them that PREACH him,
being READ
in the synagogues every sabbath day.
READING the Word, Logo or
Regulative principle is the ONE PIECE PATTERN for the
Synagogue or Ekklesia. At the prophesied time (Jude)
the Mount Sinai Instrumental-Trinitarian-Perverted
music was FORE ORDAINED.
g5567. psallo,
psal´-lo; probably strengthened from psao (to rub
or touch the surface; compare 5597); to twitch
or twang, i.e. to play on a stringed instrument (celebrate
the divine worship with music and accompanying odes): — make
melody, sing (psalms).
Take an harp, go about
the city, thou harlot that hast been forgotten; make sweet
melody, sing many songs, that thou mayest be remembered.
Is.23:16
Take thou away from me
the noise of thy songs; for I will not hear the melody of
thy viols. Am.5:23
NOT
AVAILABLE TO ANYONE THINKING THAT THEY HAVE A ROLE OR DOLE
TO PREACH THEIR OWN WORDS TO MAKE GOD INTELLIGIBLE.
PAul prevents and outbreak of WRATH or an ORGY
The Evil
Psallo
psallo , i, 3,
v. n., = psallō. I.
In gen., to play upon a stringed instrument;
esp., to play upon the cithara,
to sing to the cithara: “psallere
saltare elegantius,”
Sall. C.
25, 2 canituri,”
SING and cantare marked as SORCERY. saltare
et cantare; Cic. Catil. 2.10.23
Suet. Tit. 3
Saltatio Dancing was
originally closely connected with religion. Plato thought all
dancing should be based on religion, as it was, he says, among
the Egyptians. It has been shown under Chorus
that the chorus in the oldest times consisted of the whole
population of a city, who met in a public place to offer up
thanksgivings to the god of their country by singing hymns and
performing dances. These dances, which, like all others, were
accompanied by music,
David's Dirty Dancing with the Camp following girls
PATTERN
The Evil Psallo “psallere
saltare
ēlĕgans
I. In the ante-class. period in a bad
sense, luxurious, effeminate,
fastidious, nice: elegans homo non
dicebatur cum laude “mulier
(Phryne—with
formosa),”
saltātor
, ōris, m. salto,
I.a dancer
(generally among the Romans with an accessory contemptuous
signif.),
Cic. Off. 1, 42, 150;
id. Mur. 6, 13;
id. Deiot. 10, 28;
id. Fin. 3, 7, 24;
Quint. 1, 12, 14;
11, 3, 89;
Suet. Calig. 54;
id. Ner. 6;
Macr. S. 2, 10 al.
 |
"The name of psaltery
entered Christian literature in the 3rd
century B.C. translation of the Old Testament
called the Septuagint
where, in the Psalms, nebel
was translated psalterion.
Thus, Nebuchadnezzar's
idolatrous ensemble
included the Aramic psantria.
Notice, also, that the book of Psalms has also
become known as the Psalter (or psalterium),
from
the hymns sung
with this harp. Source
http://www.s-hamilton.k12.ia.us/antiqua/psaltery.h
NEBUCHADNEZZAR
the king made an image
of gold, whose
height was threescore cubits (60),
and the breadth thereof six (6)
cubits: he
set it up in the plain of Dura (circle),
in the province of Babylon. Dan 3:1 That
at what time ye hear the sound of the (1)
cornet, (2) flute, (3) harp, (4) sackbut, (5)
psaltery, (6) dulcimer,
and all kinds of musick, ye fall down and
worship the golden image that Nebuchadnezzar
the king hath set up: Dan 3:5
The
Beast and 666 in Daniey 3. Response Jonathan
Clark
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Job said of the organ players who were
probably star worshippers
They take the
timbrel and harp, and rejoice (make merry) at the
sound of the organ. Jb.21:12
........ Therefore they say unto God,
Depart from us; for we desire not the knowledge of thy
ways. Jb 21:14
The sexual context of the organ is
well documented throughout history:
"It (the pipe
meaning to love passionatelyí) was apparently a secular
instrument and is never listed in the temple orchestra;
only in Ps. 150:4 it is mentioned in a religious (but not ritual) function. Its ethos
was not blameless at all, ase we see from Genesis
Rabbah 50:
"The angels said to
Lot: There are players of the pipe (organ) in the country,
hence it ought
to be destroyed. Its rabbinical identification with the
aboda, the flute of the notorious Syrian
bayaderes, emphasizes the erotic element which already
the Hebrew name suggests. (Interpreter's Dictionary of
the Bible, p. 460, Abingdon). Click Here for more details.
The
Evil Psallo includes: Phrȳnē
, ēs, f., = Phrunē.
II. A Roman
courtesan,
Hor. Epod. 14, 16.—
Quint. Inst.
2 15.9 So also according to
general opinion Phryne was saved not by the eloquence
of Hyperides, admirable as it was, but by the sight of
her exquisite body, which she further revealed by
drawing aside her tunic.
And if all these
have power to persuade, the end of oratory,
which we are
discussing, cannot adequately be defined as persuasion.
componere
Plin.
praef.
§ 25: carmen,”
Cic. Mur. 12, 26:
“carmina,”
Tac. Or. 12; id. A. 3, 49:
“epistulas,
blanditias
tremulā
voce,”
T
2. In a bad sense, soft,
effeminate, unmanly, weak (syn. effeminatus): “philosophus
tam
mollis,
tam
languidus,
tam
enervatus,”
Cic. de Or. 1, 52,
226: “Sabaei,”
Verg. G. 1, 57:
“viri
molles,
i.
e.
pathici,”
Liv. 33, 28;
Sen. Ep. 87:
“disciplina,”
effeminate,
III. A
procuress, Tib. 2, 6, 45.
The
Evil Psallo includes: căno
, cĕcĭni, cantum (ancient I.imp. cante =
canite, “once
canituri,”
Vulg. Apoc. 8, 13),
3, v. n. and a. [cf. kanassō,
kanakhē,
konabos;
Germ. Hahn; Engl. chanticleer; kuknos,
ciconice; Sanscr. kōkas = DUCK; A. With
carmen, cantilenam, versus, verba, etc., to sing,
play, rehearse, recite
Rev. 8:12 And the fourth angel
sounded,
and the third part of
the sun was smitten,
and the third part of
the moon,
and the third part of
the stars;
so as the third part
of them was darkened,
and the day shone not
for a third part of it, and the night likewise.
Rev. 8:13 And I beheld, and heard an angel flying through
the midst of heaven,
saying with a loud
voice, Woe, woe, woe,
to the inhabiters of
the earth by reason of
the other voices
of the trumpet of the three angels,
which are yet to
sound!
ka^na^kh-ē
, Dor. -Kha,
hē,
(kanassō)
Od.6.82; odontōn men
k.
pele
gnashing of teeth, Il.19.365,
Hes.Sc.164:
k.
aulōn
sound of flutes, Pi.P.10.39
(pl.), B.2.12,
cf. S.Tr.642
(lyr.); of the lyre, h.Ap.185.
ka^na^kh-eō
, a Verb expressing various sounds, kanakhēse
de
Khalkos
A.rang,
clashed, Od.19.469;
kanakhousi
pēgai
plash, Cratin.186;
kanakhōn
holophōnos
alektōr
crowing, ., k.
melos
to let a song ring loud, A.R.4.907.
Apollonius.Argonautica.html
CLANGING BRASS
khalkos
“
sidēros
de
kai
kh.
polemōn
organa”
Pl.Lg.956a
SUITABLE FOR OFFERINGS IN TEMPLES OR
ANATHEMA
organon , to,
(ergon,
erdō)
A.instrument, implement, tool, for making
or doing a thing,
3. musical instrument, Simon.31, f.l. in A.Fr.57.1 ; ho
men
di'
organōn
ekēlei
anthrōpous,
of Marsyas, Pl.Smp.215c
; aneu
organōn
psilois
logois
ibid., cf. Plt.268b
; “o.
polukhorda”
Id.R.399c,
al.; “met'
ōdēs
kai
tinōn
organōn”
Phld.Mus.p.98K.;
of the pipe, Melanipp.2,
Telest.1.2.
2Chr. 11:15 And he ordained him priests for the high
places, and for the devils, and for the calves which he
had made
GOD:
Jesus and the tiny flock of Lost Spirits. In the World
(Kosmos, Ecumenical, Kingdom of Satan) but not OF the World
know that Holy Scriptures knows of no Command, Example or
remote inference of anything remotely MUSICAL.
Music.
Cantillation signs guide the READER in applying a chant
to Biblical READINGS.
This chant is technically regarded as a ritualized form of speech
intonation rather than as a musical exercise like
the singing of metrical hymns: for this reason Jews always
speak of saying or reading a passage rather
than of singing it. (In Yiddish
the word is leynen 'read', derived from Latin legere,
giving rise to the Jewish English verb
"to leyn".)
God put His WORDS into the MOUTH of A
Moses, the Prophets and lastly the Man Jesus whom God made
to be both Lord and Christ. That is the meaning of
SPIRIT. God's SPIRIT produces WORDS
"once delivered to the saints."
Jesus SPOKE what this SPIRIT delivered to Him without
measure or METRON meaning musical melody. God
supplied no LYRIC words to mark those who Speak on their
own as the "sons of the Devil."
http://www.pineycom.com/Cantillation.2.html
The Philipedium: In most western European languages, the
word for “read” starts with the letter “L”. These
languages can be divided into two main groups — those of
Latin origin and those of Germanic origin. In each of the
Latin languages (Italian, Spanish, French, etc.), the
modern word is derived from legere,
the Latin word for “read”. The Italian word is still leggere, essentially unchanged from the
Latin. In the other Romance languages, the “g” sound was
lost, and so we have leer in Spanish,
ler in Portuguese, and lire
in French.
(Note:
The Old Testament understands that instrumental music--called NOISE--was
authorized only in certain
dedicatory or purification rituals associated with the temple and with
Jerusalem. Without both there was never any rationale
for instrument to make a great crashing sound during animal
sacrifices.)
"At the dedication of the later edifice, the
priests blew the trumpets at the same time that the Levites sang and
played upon instruments of music,
so as 'to make one sound;' but it is evident that
on that great occasion of rejoicing, what was aimed at
was not
musical harmony, but a powerful crash of jubilant sound. We are shut up to the
conclusion that
there was nothing in the tabernacle-worship,
as ordered by Moses, which could be justly
characterized as instrumental music." (George Girardeau, Instrumental Music, p. 29 - a
Presbyterian)
Paull commanded that we SPEAK the Text for our
LEARNING. Both Ode and Psallo are words marking SORCERERS
and PERVERTS.
ALL
RECORDED LITERATURE REFERENCED IN SCRIPTURE
Paul Commanded SPEAKING the Biblical
Text for OUR LEARNING. Both ODE and PSALLO are IN
the heart meaning SILENT because:
The Evil
Psallo in the Literature
I. In gen., to play upon a stringed
instrument; esp., to play
upon the cithara, to sing to
the cithara: “psallere
saltare elegantius,” Sall. C. 25, 2 canituri,”
SING and cantare marked as SORCERY. saltare
et cantare; Cic. Catil. 2.10.23
Suet. Tit. 3
saltātor
, ōris, m. salto,
I.a dancer
(generally among the Romans with an accessory
contemptuous
signif.),
Cic. Off. 1, 42, 150;
id. Mur. 6, 13;
id. Deiot. 10, 28;
id. Fin. 3, 7, 24;
Quint. 1, 12, 14;
11, 3, 89;
Suet. Calig. 54;
id. Ner. 6;
Macr. S. 2, 10 al.
--dēlĭcĭae , ārum,
f. (sing. dēlĭcĭa
, ae, f.; [delicio; that which allures, flatters the
senses], delight, pleasure, charm, allurement;
deliciousness, luxuriousness, voluptuousness,
curiosities of art; sport, frolics, etc. (freq.
and class.; for syn. cf.: voluptas, libido, delectatio,
oblectatio, delectamentum, oblectamentum).
E-lēgo , āvi, 1, v. a.,
I.to convey
away (from the family) by
bequest, to bequeath away,
Petr. 43, 5; Gai. Inst. 2, 215.
The Evil Psallo “psallere saltare ēlĕgans I.
In the ante-class. period in a bad sense, luxurious,
effeminate, fastidious,
nice: elegans homo non dicebatur cum laude “mulier (Phryne—with formo
Phrȳnē , ēs, f., = Phrunē.
I. A celebrated hetœra in Athens,
so wealthy that she offered to rebuild the city of
Thebes after it had been destroyed by Alexander:
“nec
quae
deletas
potuit
componere
Thebas
Phryne,”
Prop. 2, 6, 6;
cf. Quint. 2, 15, 9;
Val. Max. 4, 3, ext. 3.—
RELIGIOUS SINGERS OR
FLUTE-GIRLS WERE ALWAYS PROSTITUTES--MALE OR
FEMALE
Worship.Androgyny.The.Pagan.Sexual.Ideal
Ishtar was the prototype for the Greek Aphrodite and Roman
Venus and a host of other deities—and was identified with the
planet Venus as the morning and evening star. The
Bible equates the worship of pagan deities with the worship of
demons (Deuteronomy 32:16-17;
Psalms 106:35-38;
1 Corinthians 10:20).
And it’s intriguing to see that Scripture refers to Satan in
his rebellion as Lucifer, the morning star (Isaiah
14:12).
The devil is the real personage behind the false deity.
The Zondervan Illustrated Bible Backgrounds Commentary
mentions the androgyny or gender ambiguity of Ishtar in its
note on Deuteronomy 22:5 (2009,
Vol. 1, p. 493),
citing an enlightening source we now turn to— Gender and
Aging in Mesopotamia: The Gilgamesh Epic and Other Ancient
Literature by Rivkah Harris (2000).
Ishtar, Harris explains, “is androgynous, marginal,
ambiguous … She is betwixt and between … Central to the
goddess as paradox is her well-attested psychological and
physiological androgyny. Inanna-Ishtar is both female and male
… [in one place stating] ‘Though I am a woman I am a noble
young man’” (pp. 160, 163).
She shattered all gender and socioeconomic
distinctions—being both a royal queen and “the harlot of
heaven … set out for the alehouse” (p. 166).
And in all this she was the role model for her followers.
Among her powers was this from a Sumerian poem: “To turn a man
into a woman and a woman into a man are yours, Inanna” (p. 160).
In the Descent of Ishtar we are told of some
participants in her cult: “The male prostitutes comb their
hair before her … They decorate the napes of their necks with
colored bands … They gird themselves with the sword belt …
Their right side they adorn with women’s clothing … Their left
side they cover with men’s clothing …” (p. 170). The revel and competition ended
in a bloody spectacle of self-cutting (compare 1 Kings 18:28).
Harris states: “Their transvestitism simulated the androgyny of
Inanna-Ishtar. It was perhaps the inversion of the male/female
binary opposition that thereby neutralized this opposition. By
emulating their goddess who was both female and male, they
shattered the boundary between the sexes” (pp. 170-171).
This was seen as a way of rising above the prison of
the flesh.
In Genesis 1 Adam was made of
DUST meaning that he was an Aborigine. God
made them male and female the ANTITHESIS of
Babylonianism which resurfaces in Revelation
17. The Mother Prostitute goddess could be
male or female and her priests in Revelation 18 are
"lusted after fruits" (as in Amos 8). They
serve as ANY or ALL religious crafts, singers,
players of instruments and Go calls them SORCERERS
using the tithe original Semiramis. That is why they
will all be CAST
ALIVE INTO THE LAKE OF FIRE.
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Almost all of those seeing godliness as a means
of financial gain use ALL mentions of singing with or without
instruments as a way to "save more souls" an confiscate your
property.
ALL words such as witchcraft, charming, enchantment or Sorcery
uses music as a MEANS of "conversion" or "subversion" of all
opposition.
All religious singers or musicians are "cunning craftsmen or
sophist" replacing SCRIPTURE with their own songs or sermons
as justification for picking the widow's purse. Jesus
said that "God Hides" from these self-authoring speakers,
singers or instrument players.
Religious musicians or even those who, as parasites, will do
ANYTHING to eat at the rich man's table.
Whatever the "preferences" of priesthoods or preacher hoods
beyond "teaching that which has been taught" demonstrate a
PERSONA which causes up to half of a congregation to FLEE.
The command is to SPEAK that which is written for our
learning. Based on the number of Disciples (students)
alive at this time, it is reasonable to say that centered
around the RIGHT TIME there has been no greater SPIRITUAL
and many PHYSICAL tribulation when your church as Safe House
is taken from you with strong psychological violence.
Matt. 24:21 For then
shall be great tribulation,
such as was not since
the beginning of the world to this time, no, nor ever shall
be.
Matt. 24:22 And except those days should be shortened,
there should no flesh
be saved:
but for the elect’s
sake those days shall be shortened.
Matt. 24:23 Then if any man shall say unto you,
Lo, here is Christ, or
there; believe it not.
Matt. 24:24 For there shall arise false Christs, and false PROPHETS,
and shall shew great
signs and WONDERS;
insomuch that, if it
were possible, they shall deceive the very elect.
Matt. 24:25 Behold, I have told you before.
Matt. 24:26 Wherefore if they shall say unto you,
Behold, he is in
the desert; go not forth:
behold, he is
in the secret chambers; believe it not.
Matt. 24:27 For as the lightning cometh out of the east, and
shineth even unto the west;
so shall also the
coming of the Son of man be.
Matt. 24:28 For wheresoever the carcase is,
there will the eagles
be gathered together
Many will say to me in that day, Lord,
Lord, have we not prophesied in thy
name? and in thy name have cast out devils?
and in thy name done many wonderful works?
Matthew 7:22
Prophēt-euō one who speaks for a god and
interprets his wil
A. to
be a prophētēs
or interpreter of the gods, “manteueo,
Moisa,
prophateusō
d'
egō”
Pi. l.c.; tis
prophēteuei
theou;
who is his interpreter?E.Ion 413
IV. to be a quack doctor,
hē
mania
. . prophēteusasawith
oracular power, Pl.Phdr.244d:
-Prophêtês interpreter,
expounder of the will of Zeus, of
Tiresias, Pi.N.1.60;
Bakkhou
p.,
perh. of Orpheus, E.Rh.972;
[Dionusou
p.,
of the Bacchae, Id.Ba.551
Delphic Apollo, “Dios
p.
esti
Loxias
patros”
A.Eu.19;
of the minister [female] and interpreter
at Delphi, Hdt.8.36,37 Mousôn prophêtai
interpreters of the Muses, Plat.
Prophêtis
[fem. of prophêtês] of the Pythia, 2. prophet's wife, LXXIs. 8.3.
(Puthia). The priestess of Apollo at Delphi who pronounced the oracles.
See Delphi;
Oraculum.
Puthios [u_; i_
metri gr. in h.Ap.373],
a, on, ( [Pu_thô] ) Pythian,
i.e. Delphian, epith. of Apollo, l.c., Pi.O.14.11,
etc. (P. alone is f.l. in E.
Ion 285); enPuthiou in
"Singing served as a means of inducing ecstatic
prophecy (speaking
in tongues). Thus the essential relationship
between music and prophecy can be clearly seen. This relationship also explains
why the expression for "making music" and "prophesying" was often identical in the
ancient tongues. origen contra celsum 8.67.
The Hebrew word Naba signifies not only "to prophesy" but also "to make music." (Quasten, Johannes, Music
and Worship in Pagan and Christian Antiquity, p. 39)
MARK: SORCERY would
be identified by a Preacher with no Biblical knowledge being
able to CONVINCE "milling Masses or Beast" that ADDING
the Mark of the Beast is by the direction of a SPIRIT.
They plan to REPURPOSE your church or confiscate it. HERESY
is taking other people's property for their own use.
Their SPIRITUS is that of Apollo, Apollon or Abaddon who is
the LEADER OF THE MUSES. These female worship team were
know as adulteresses: That includes "corrupting the Word or
selling your learning at retail."
Plato,
Euthydemus
[289e]
For not only do these
speech-writers themselves, when I
am in their company,
epistēmē With enough money you
can get a degree in epistemology to Take in hand metakheir-izō
4. practise, pursue an art, study,
etc., metakheirizesthai
mousikēn,
philosophian,
paideian,
impress
me as prodigiously clever, Cleinias,
but their ART itself seems so exalted
as to be almost inspired.
thaumaston Claiming that
your song or sermon or anything is divine is a LYING WONDER
“thaumaston
ganoōnta”
h.Cer.10;
. Id.Smp.192b;
“thaumaston
ganoōnta
hupo
tēs
ōdēs,
under the glamour of song, geg.
kai
anthēros,
of oratorical
anthēros,
“khloē”
E.Cyc.541;
of music of music, a.
kai
malakē
harmonia
, etc., fresh, newal “theōria
public spectacle at the theatre or games,
Ar.V.1005,
X.Hier.1.12;
hē
tou
Dionusou
th.
the Dionysia, Pl.Lg.650a.
melet-ē
c. freq. of orators OR POETS, rehearsal,
declamation
Plat. Sym. 192b
they are boy-lovers, and have no natural interest
in wiving and getting children, but only do these things
under stress of custom; they are quite contented to live
together unwedded all their days. A man of this sort is at
any rate born to be a lover of boys or the willing mate of
a man, eagerly greeting his own kind. Well, when one of
them—whether he be a boy-lover [paiderastēs] or a lover
of any other sort
obviously
the soul of each is wishing for something else that it
cannot express,
Hdt. 9.122 Go ahead and do
this,” he said; “but if you do so, be prepared no longer
to be rulers but rather subjects. Soft lands breed soft
men; wondrous fruits of the earth and valiant warriors
grow not from the same soil
Matt. 7:15 Beware of false
prophets, which come to you in sheep’s clothing, but
inwardly they are ravening wolves.
John 10:12 But he that is an hireling, and not the
shepherd, whose own the sheep are not, seeth the wolf
coming, and leaveth the sheep, and fleeth: and the wolf
catcheth them, and scattereth the sheep.
Acts 20:29 For I know this, that after my departing
shall grievous wolves enter in among you, not sparing
the flock.
Wolf This now archaic term was used in
New York's homosexual underworld early in the 20th
Century to refer to an adult
man who pursued boys as sexual partners. The wolf often identified as
heterosexual, and his sexual behavior fit the pattern
of Greco-Roman pederasty. This form of same-sex eroticism may
have come to New York via Italian immigrants. In many
regions of Italy at the time, pederasty was tolerated,
or at least not as stigmatized as it is today.
-lukos prin
ken
l.
oin
humenaioi
hōs
lukoi
arn'
agapōsin,
of treacherous or unnatural love, VI. nickname
of paiderastai,
AP12.250 (Strat.), cf. Pl.Phdr. 241d.
-
Q.
Horatius
Flaccus,
Odes
1.17 The pleasures of
Lucretilis
- Tempt Faunus from his Grecian seat;
- He keeps my little goats in bliss
[capella=She Goats]
- Apart from wind,
and rain, and heat.
In safety
rambling o'er the sward
- For arbutes and
for thyme they peer,
- The ladies of the
unfragrant lord,
- Nor vipers, green with venom, fear,
- Nor savage wolves, of Mars' own breed,
My Tyndaris,
while Ustica's dell
- Is vocal with the silvan
reed,
- And music
thrills the limestone fell.
- Heaven is my
guardian; heaven approves
- A blameless life,
by song
made sweet;
- Come hither, and
the fields and groves
Their horn shall empty at
your feet.
- Here, shelter'd
by a friendiy tree,
- In Teian measures
you shall sing
- Bright Circe and Penelope,
- Love-smitten both by one
sharp
sting.
Here shall you quaff beneath the shade
- Sweet Lesbian draughts that injure
none,
- Nor fear lest Mars the realm invade
- Of Semele's
Thyonian son,
- Lest Cyrus on a
foe too weak
- Lay the rude hand
of wild
excess,
- His passion on
your chaplet wreak,
- Or spoil your undeserving dress.
Pind.
P. 3 [10] arrows of
Artemis in her bedroom and descended to the house of
Hades, by the skills of Apollon. The anger of the
children of Zeus is not in vain. But she made light of Apollon, in the
error of her mind, and consented to another marriage
without her father's knowledge, although she had before
lain with Phoebus [Apollon's
female persona] of the unshorn hair,
[15] and was bearing within her the pure seed of the god.
She did not wait for the marriage-feast to come, nor for
the full-voiced cry of the hymenaeal chorus,
such things as
unmarried girls her own age love to murmur in evening
songs to their companion.
If I had reached his shores bringing a double blessing,
golden health and a victory-song [Nike,,
Nicolatains] to add brilliance to his
garlands from the Pythian games, which once Pherenicus
took when he was the best at Cirrha,
Pind. N. 9. Muses, we will go
in victory procession from Apollo's shrine in Sicyon
to newly-founded Aetna, where the doors flung open wide
are overwhelmed by guests, at the prosperous home of
Chromius. Make a sweet song of verses...For if, together
with many possessions, a man wins renown and glory, there
is no higher peak on which a mortal can set his feet.
Peace loves the symposium, and new-flourishing victory is
fostered by soft song, and the voice becomes bold beside
the mixing-bowl. [50] Let someone mix the wine now, the
sweet forerunner of victory-song, and dispense the
powerful son of the vine in those silver goblets
Plat. Euthyd. 290a
and only slightly inferior to that. The sorcerer's
[epōdōn] art
is the charming of snakes
and tarantulas and scorpions
and other BEASTS and
diseases,
while the other
is just the charming and
soothing of
juries, assemblies [ekklēsiastōn],
crowds, and so forth. Or does it
strike you differently?
but to the most part of
men cruel and extreme. [Savage]
CHARMING Kelesis
kēl-ēsis
, eōs,
hē,
A.bewitching, charming, ekheōn,
nosōn,
Pl.Euthd. 290a:
enchantment by eloquence, dikastōn
k.
te
kai
paramuthia
ibid.; by music and sweet sounds, Id.R.601b,
Stoic.3.97.
2. criticize in a
pettifogging way, “tous
poiētas
lay verbal traps for one, ton
rhētora
boulomenos
dikaiōs
-epōdē
, Ion. and poet. epa^oidē
, hē,
A.song sung to
or over:
hence, enchantment,
spell, BURDEN
ou
pros
iatrou
sophou
thrēnein
epōdas
pros
tomōnti
pēmati
of the
Magi, Hdt.1.132
oute
pharmaka..oud'
au epōdai” Pl.R.
426b ; thusiai
kai
e.
ib.364b
;
charm for
or against.., “toutōn
epōdas
ouk
epoiēsen
patēr”
A.Eu.649.
Rev. 18:22 And the
voice of harpers, and musicians,
and of pipers, and trumpeters,
shall be heard no
more at all in thee;
and no craftsman,
of whatsoever craft he be,
shall be found any
more in thee;
and the sound of a
millstone
shall be heard no
more at all in thee;
Rev. 18:23 And the
light of a candle
shall shine no more
at all in thee;
and the voice of the
bridegroom and of the bride
shall be heard no
more at all in thee:
for thy merchants
were the great men of the earth;
for by thy SORCERIES
were all nations DECEIVED.
Rev. 18:24 And in
her was found the blood of prophets, and
of saints,
and of all that were
slain upon the earth.
-pharmaka.
3. enchanted potion, philtre: hence, charm,
spell,
such charms have I, Hdt.3.85, cf.
Apoc.9.21.
“paiōnia”
A.Ag.848;
The text which no professional religionist
is allowed to read:
Eph. 5:17 Wherefore be ye not unwise,
but understanding
what the WILL OF THE LORD IS
THE WILL OF GOD
Matt. 7:21 Not every one that saith unto me, Lord, Lord,
shall enter into the kingdom of heaven;
but he that DOETH
the WILL OF MY
FATHER which is in heaven.
The
Command is to SPEAK the Will of the Father. A Child WILL
Speak the SCRIPTURES as a MARK.
Jesus said that God HIDES from the Wise or Sophists meaning
Speakers, singers or instrument players called SORCERERS.
Eph. 5:18KJV And be not drunk with wine, wherein is
excess; [Fluted down with winee]
BUT
be filled with the SPIRIT;
Eph. 5:19 SpeakING
[Lexis is the Opposite of Ode as enchantment]
\
to YOURSELVES [place]
\
in psalms and hymns and spiritual songs, [ALL
Scripture: That which is written for our LEARNING]
Filled Impleo “voce
deos
[Voice of god]
sententĭa I.a way of thinking, opinion,
judgment, sentiment. verba
verba
Word or logos
ERō,
whence eirō
and rhēma,
what is spoken opposite of DOING. Opposite “verborum
sonitus
inanis,”
Quintilian Institutio
Oratoria Book I
2 In this portion of my work
I will give but one golden rule: to do all these things,
he must understand what he reads.
But above all his
reading must be manly, combining dignity and charm
[grace]; it must be different from the reading of prose,
for poetry is song and
poets claim to be singers.
But this fact does not
justify degenerating into sing-song or the effeminate
modulations now in vogue
Being filled with the SPIRIT is further
explained:
Col. 3:16 Let the WORD
OF CHRIST dwell in you richly in all wisdom TO "Teach and
Admonish" TO PUT IN MIND
SPIRIT
always produces WORD: Word IS Spirit
and Life (John 6:63)
"BUT" implied
singING
and
makING melody
\ IN your HEART TO THE LORD.
EN g1722 PLACE. a relation of REST
(intermediate between 1519 EIS and 1537);
BECAUSE
-LOGOS
4.speech, delivered in court, assembly
VI. verbal expression or utterance,
lego, lexis
-Lexis
A.speech,
OPPOSITE ôidê
-ôidê,
1.art of song 5. =
eppsdê, spell, incantation
epōdos,
magic song, spell, Longus 2.7.
An ode with MUSICAL
MELODY:
“en
tais
ōdais
kai
melesin” Melos
is the word required to ADD even a one-note melody to
a song.
Neither Paul nor the Spirit were ignorant as
theologians insist.
BECAUSE
Plutarch.Antonius.24.1 For
in the city EPHESUS,
WOMEN,
attired as [Bacchanals]
they go in the feasts
and sacrifice of [Dionysus]
Bacchus, [Wrath
or Orgy]
came out to meet him
with such solemnities
and ceremonies
as
are then used: with
men and children disguised
like fauns and
satyrs. Soph.
OT 4
24.2
For straight,
[The
pattern] Lute-Players like
one Anaxenor,
a player of
the cithern
[guitarist],
Xoutus, a
player of the
flute,
Metrodorus a
tumbler, [orkhēstēs]
and
such a rabble
of minstrels
and
fit ministers
for the
pleasures of
Asia [thia^s-os
Bacchic
revel, rout
“Mousōn]
(who in fineness
and flattery
passed all the
other
plagues
he
brought with
him out of
Italy),
all
these
flocked in
his court, and
bare the whole
sway: and
after that all
went awry.
Moreover,
the city was full of ivy,
and darts [SHAKEN
REEDS]
wreathed
about with ivy, [HIDING
A SPEAR]
psalterions
, flutes, and
howboyes [hautboys]; [Oboe]
and
in their songs
they called him Bacchus,
father of mirth,
courteous and gentle
and
so was he unto some,
but to the most part
of men cruel and
extreme. [Savage]
kēl-ēsis
, eōs,
hē,
A.bewitching, charming, ekheōn,
nosōn,
Pl.Euthd. 290a:
enchantment by eloquence, dikastōn
k.
te
kai
paramuthia
ibid.; by music and sweet sounds, Id.R.601b,
Stoic.3.97.
2. criticize in a pettifogging way, “tous
poiētas
lay verbal traps for one, ton
rhētora
boulomenos
dikaiōs
kēl-eō ,
A.charm,
bewitch, beguile, esp. by music, “korēn
humnoisi”
E.Alc.359;
“ōdais”
Pl.Ly.206b;
“kēlōn
tē
phōnē
hōsper
Orpheus”
Id.Prt.315a,
cf.Luc.Ind.12;
houtōs
ekēlei,
of Pericles as an orator, Eup.94.6;
epadōn
k.
charm by incantation, Pl.Phdr.267d;
tō
me
kēlēseis
tropō;
Achae.17.2; of bribery, Theopomp.Com.30:—Pass., “kēleitai
aoidais”
Archil. ap. Phld.Mus. p.20 K., cf. Pi.Dith.2.22; “hupo
sou
hōsper
ophis
kēlēthēnai”
Pl.R.358b;
“hupo
dōrōn
kēloumenos”
Id.Lg.885d;
“huph'
hēdonēs
kēlētheis”
Id.R.413c;
“eph'
hois
katorthōsantes
euphranthēsontai,
toutois
kekēlēntai”
Aeschin.1.191;
“para
tais
Seirēsin”
Arist.EE1230b35:
rarely in good sense, “paideia
ton
noun
kēlētheis”
Pl.Ep.333c.
ekhi^s
A.“ekheōn”
Pl.Euthd.290a
“sukophantēs
kai
e.
tēn
phusin”
D.25.96; hōsper
e.
ē skorpios
ērkōs
to
kentron
ib.52; cf. ekhidna.
Serpent
and Devil Worship and Instrumental Music.
Homolectics from homilos "An assemblied throng" is
using the principless of SOPHIA as Music or RHETORIC in preaching
before a MOB. A gospel preacher is a kerusso or
Herald who with Presbyters "teaches by READING that which has
been written.
1Corinthians
1:10 Now I beseech you, brethren,
by
the name of our Lord Jesus Christ,
that ye ALL
SPEAK the same thing,
and that there be
no divisions among you;
but that ye be
perfectly joined together in the same MIND and in the same
judgment.
Lego of oracles, to
say, declare.:to recite what is written, labe
to
biblion
kai
lege
analegomai,
epilegomai.
Analegō pick
up, gather up [lections] read through,
“to peri psukhēs gramm' analexamenos”
ek
biblōn
a.
collect materials from
books,
Epilegō ,
con
over, read,
to
bublion,
ta
grammata,
legō
9. to boast of, tell of, Xen.:
to RECITE what is WRITTEN, labe
to
biblion
kai
lege
Plat., etc.:—but the sense of Lat. lego,
to
read,
only occurs in compds., analegomai,
epilegomai.
1.t o say, speak, Hdt.,
Trag., etc.; lege
say on, Hdt.; so, legois
an
Plat.: of oracles, to say, declare,
Biblion 4. ta
b.
ta
hagia
the sacred books or Scriptures, LXX 1 Ma.12.9;
ta
b.
tou
nomou
ib.1.56.
2Cor. 1:13 For we write none other things unto you, than
what ye read or acknowledge; and I trust ye shall
acknowledge even to the end;
Col. 4:16 And when this epistle is read among you, cause
that it be read also in the church of the Laodiceans; and
that ye likewise read the epistle from Laodicea.
1Th. 5:27 I charge you by the Lord that this epistle be read
unto all the holy brethren.
John 12:46
I am come a LIGHT into
the world,
that whosoever
believeth on me should not abide in darkness.
John 12:47 And if any man hear my WORDS,
and believe not,
I judge him not:
for I came not to judge the world, but to save the
world.
John 12:48 He that rejecteth
me, and RECEIVETH not
my WORDS,
hath one that
judgeth him:
the WORD that I have SPOKEN,
the same shall judge him in the last day.
athet-eō
set at naught a treaty, promis 1.
SAMUEL 2.[17] The sin of the young men was very great before
Yahweh; for the men despised the offering of Yahweh
Is. 8:19 And when they shall say unto you,
Seek unto them that
have familiar spirits, [Witch of Endor]
and unto wizards
that peep, and that mutter:
pythonibus et a divinis qui stridunt in incantationibus
should not a
people seek unto their God? for the living to the dead?
Pȳtho Apollon. divinatio, Apollonian Pythia the Priestes who
uttered responses cantat Tibicen [flute] “oraculum,SUNG
incantātĭo , ōnis, f.
id., I. an enchanting, enchantment
(post-class.): “magicae, Firm. Math. 5, 5: incantationum vires,
Is. 8:20 To the law and to the
testimony:
if they SPEAK
not according to this WORD,
it is because THERE IS NO LIGHT IN THEM .
John 12:49
For I have not spoken of MYSELF;
but the Father which
sent me,
he gave me a
commandment,
what I should SAY, and what I should SPEAK.
John 12:50 And I know that his COMMANDMENTS
is LIFE everlasting:
whatsoever I SPEAK
therefore,
even as the Father
said unto me, so I SPEAK.
1Peter 4:11 If any man SPEAK, let
him speak as the ORACLES of God;
if any man minister
[serve, deacon], let him do it as of the ability which God
giveth:
that God in all things
may be glorified through Jesus Christ,
to whom be praise and
dominion for ever and ever. Amen.
G3670 homologeo
hom-ol-og-eh'-o From a compound of the base of G3674 and
G3056 ; to assent, that is, covenant, acknowledge:con-
(pro-) fess, confession is made, give thanks, promise.
Then there can be no
OPINIONS EXPRESSED:
Log-ion , to,
A.oracle, esp. one preserved
from antiquity,
2. ta
l.
Kuriou
the sayings of the Lord, LXX Ps.11(12).6,
cf.Act.Ap.7.38,
Ep.Rom.3.2,
1 Ep.Pet.4.11.
homolog-eō I. , say the same thing as, 2. agree to a thing, grant,
concede, 3. agree or promise
to do,
b. c. acc., promise,
tēs epaggelias hēs (for hēn) “hōmologēsen ho theos tō Abraam” Act.Ap.7.17
; “theō hupsistō eukhēn Aurēlios Asklapōn, hēn hōmologēsen en Rhōmē” I
THAT IS THE MESSAGE OF GOD'S HOLY SPIRIT WHO PUT HIS WORDS
INTO THE MOUTH OF JESUS. FOR THE LAST TIME
John 8:44 Ye are of your father
the devil,
and the lusts of your
father ye will do.
He was a murderer from
the beginning,
and abode not in
the truth,
because there is no truth in him.
When he speaketh a lie,
he speaketh of his own:
for he is a liar, and the father of
it.
Homilectics, Rhetoric, Singing,
Playing instruments is SORCERY guided by your Father
with Apollyon the Leader of the Locusts or Muses.
John
8:37 I
know that ye are Abrahams seed; but ye seek to kill me,
........... because my word (logos)
hath no place in you.
John 8:
38 I SPEAK that which I have seen with my Father:
........... and ye DO that which ye have seen with
your father.
Fabricate is doing the
will of the DEVIL
Latin: făcĭo
: “poëma,”
to compose, id. Pis. 29, 70: “carmina,”
Juv. 7, 28: “versus,”
id. 7, 38: “sermonem,”
Cic. Fam. 9, 8, 1;
cf. “litteram,”
id. Ac. 2, 2, 6: ludos,
to celebrate, exhibit = edere commercium
sermonis,
conjurationes,
Corrupting the
WORD is "selling learning at retail" or prostitution.
com-mercĭum The
Lucifer the singing and harp-playing prostitute PATTERN.
Commercial
intercourse, trade, traffic, commerce:
commercium
habere
cum
Musis,
“linguae,”
“sermonis
Is. 18:3 All ye inhabitants of the world, and dwellers
on the earth, see ye, when he lifteth up an ensign on
the mountains; and when he bloweth a trumpet, hear
ye.
Commercial:
audiendique,
“auditis sermonibus, clangorem tubae, ib: “Isa. 18, 3: symphoniam,”
psaltrĭa
, ae, f., = psaltria
.a female player on the cithara, a
lutist
carmen
citharae
liquidum
carmen,”
“barbaricum
With allusion to playing on the cithara:
Apollinem)
concordant
carmina
nervis
Greek: POIEO ton Apollōn,
4. after Hom., of
Poets, compose, write, p. dithurambon,
epea,
Hdt.1.23, 4.14; “p. theogoniēn
Hellēsi”
Id.2.53; p. Phaidran,
Saturous,
[BEAST]
c. describe in verse, “theon
en epesin”
Pl.R.379a;
epoiēsa
muthous
khrēstēriōn,
communicate by a messenger, an oracle,
p.
tēn
mousikēn
practise it, Pl.Phd.60e,
mousi^kē
(sc. tekhnē),
hē,
A. any art over which the Muses presided,
esp. poetry sung to music, Pi.O.1.15,
Hdt.6.129; “mousikēs
agōn”
JUBAL was the Father (sperma) of all of those
who HANDLE (without authority) Musical Instrumeents.
Isaiah 55 defined the Free Water of the Word and commanded the
SERFS not to pay for it.
Isaiah 58 outlawed seeking your own pleasure or Speaking your
own words which the Spirit left to identify the sons of the
Devil.
Romans 14 outlawed any speaking which did not edify or educate.
Fomans 15 outlawed Self-plesure which is any rhetorical,
homilectic, musical or scenic performance so that "We might all
use one mind nd one mouth to sppeak that which is WRITTEN for
our learning" or Scripture for our Comfort as how Jesus in His
state of Holy Spirit provides through His words which He said
are SPIRIT and are LIFE.
THE ONE PIECE PATTERN WHICH ALLMOST EVERYONE SILENCED.
Matt. 28:16 Then the ELEVEN disciples went away
into Galilee,
into a mountain where
Jesus had appointed them.
Matt. 28:17 And when they saw him, they worshipped him: but
some doubted.
Matt. 28:18 And Jesus came and SPAKE
unto them,
SAYING, All power is given
unto me in heaven and in earth.
Matt. 28:19 Go ye therefore, and TEACH all nations,
baptizing them in the
name [singular] of the Father, and of the Son, and of
the Holy Ghost:
Matt. 28:20 TEACHING them
to observe all things
whatsoever I have commanded you:
and,
lo, I am with you alway,
even unto the end of the world. Amen.
A Church of Christ or a SCHOOL which does not come with
obversation meaning religious observations. has only one POWER.
Is. 28:16 Therefore
thus saith the Lord God,Behold,
I
lay in Zion for a foundation a stone, a tried
stone, a precious corner stone,
a sure
foundation: he that believeth shall not make
haste.
Rom. 15:20 Yea, so have I
strived to preach THE GOSPEL,
not where Christ
was named, lest I should build upon another man’s
foundation:
Eph. 2:19 Now therefore ye are no more strangers and
foreigners,
but fellowcitizens
with the saints,
and of the household
of God; [NOT a worshiping INSTITUTION]
Eph. 2:20 And are built upon [Educated]
the foundation of the
apostles and prophets,
Jesus Christ himself
being the chief corner stone;
Mark 4:14 The sower soweth the
WORD.
Mark 4:15 And these are they by the way side, where the word
is sown;
but when they have
heard,
Satan cometh
immediately,
and taketh away
the word that was sown in their hearts.
God puts His WORDS into the MOUTH of the
Prophets and apostles. "Spirit" is a figurative or
PARABLE word to fool the sellers of the Word and replaced
by their OWN words.
Eph. 3:5 Which in other ages was not made known unto the
sons of men,
as it is NOW
REVEALED
unto his holy apostles
and prophets by the Spirit;
The only WORSHIP concept:
2Pet. 3:2 That ye may be MINDFUL of the words
which were spoken before
by the holy prophets,
and of the commandment
of us the apostles of the Lord and Saviour:
Rev. 19:10 And I fell at his
feet to worship him.
And he said unto me, See
thou do it not: I am thy fellowservant,
and of thy brethren that
have the TESTIMONY of
Jesus: worship God:
for the TESTIMONY of Jesus is
the SPIRIT of prophecy.
JESUS DID NOT LEAVE HIS WORDS IN THE HANDS OF RHETORICIANS
OR HOMILECTES all PRE MARKED to take away the KEY to
Knowledge. That KEN is the KNOWLEDGE available only to
the BAPTIZED.
THE CHRISTIAN HOMILETES AS ANTITHESIS TO ANYONE BEYOND THE
TWELVE.
Manthanō
, ENROLLlearn,
esp. by study (but also, by practice
g3100. matheteuo, math-ayt-yoo´-o; from 3101;
intransitively, to become a pupil; transitively, to
disciple,
i.e. enrol as
scholar: — be disciple, instruct, teach.
Baptism SAVES because it requests A good
conscience or A holy spirit before one can become a
student and read BLACK text on BROWN
Paper (2 Cor. 3)
God promised David a House or FAMILY but David built
God a Temple but God is now worshipped ih houses built by
human hands nor is He worshiped by the works of human
hands. The House or Family of Godis the LAOS and
excludes Scribes or Pharisees, hypocrites mrking performance
preaching for pay, singing or playing instruments.
The command is to SPEAK one to another which
outlaws preaching, singing or playing instruments.
homi_l-ētēs
, ou,
ho,
A.disciple,
scholar, X.Mem.1.2.12.48,
Luc.Tim.10,
Philostr.VA1.16,
Gal.10.22 ; “tōn
theōn”
Xen. Sym. 3.4 “Certainly it
is,” replied Antisthenes, “and the least debatable kind,
too; for though courage and wisdom appear at times to work
injury both to one's friends and to the state, righteousness
and unrighteousness never overlap at a single point.”
1 The word dikaiosunē,
translated here by “righteousness,” is sometimes well
represented by justice or honesty.
FIRST, WE SHOULD NOTE THAT AN ASSEMBLY OR MOB THAT HAS BEEN
ASSEMBLED TO HEAR RHETORIC, HOMILECTICS, SINGING, PLAYING
INSTRUMENTS, ACTING FUELED BY TITHES AND OFFERINGS IS THE
WORSHIP OF DEMONS. THIS JEWISH PATTERN TO BECOME MORE
VIOLENT IN THE END IS THE WORSHIP OF DEMONS: KAIROS, APOLLON
WITH HIS SINGERS AND INSTRUMENT PLAYERS WHOM JOHN CALLED
SORCERERS:
Psalm 150 and others mentioning
instruments is not a Psalm but a PRAISE or HALAL. The Zoe
Group and HALAL group are named after Lucifer
, Acappella is named after Caper or Capella, the
GOAT of the Jews, is a Goat Constellation
g5795. aze; from
5810; a she-goat (as strong), but masculine in plural (which
also is used ellipt. for goat’s hair):—(she) goat, kid.
g5799. {aza}zel, az-aw-zale´; from 5795 and 235; goat
of departure; the scapegoat:—scapegoat.
g5810. {azaz, aw-zaz´; a primitive root; to be stout
(literally or figuratively):—harden, impudent, prevail,
strengthen (self), be strong.
As a result of the
Fall of Nadab and Abihu, the need for perpetual atonement
was required and they were forced to us AZAZEL to pretend to
carry away their sins. Jude warned against the Mount
Sinai musical idolatry and the only protection is to Teach
the Once for all time Delivered Word.
Jude
14
And Enoch also, the seventh from Adam, prophesied of
these, saying, Behold, the Lord cometh with ten
thousands of his saints,
Jude 15
To execute judgment upon all, and to convince all that are
ungodly among them of all their ungodly deeds
which they have ungodly committed, and of all their hard
speeches which ungodly sinners have spoken against him.
Jude
16 These
are murmurers, complainers [blaming Fate],
walking after their own lusts; and their mouth
speaketh great swelling words, having mens persons in
admiration because of advantage. thaumazontes lying wonders for
HIRE.
1113.
goggustes, gong-goos-tace´; from 1111; a grumbler:
— murmurer.
1114. goes, go´-ace; from goa¿w goao (to wail);
properly, a wizard (as muttering spells),
i.e. (by implication) an imposter: — seducer.
goês A.
SORCERER [Mirian and Levites], wizard,
Phoronis 2, Hdt.2.33,4.105, Pl.R. 380d,
Phld.Ir.p.29 W.; “g.
epōdos
Ludias
apo
khthonos”
E.Ba.234,
cf. Hipp.1038;
prob. f.l. for boēsi
Hdt.7.191
khthonos
3. Earth, as a goddess, A.Pr.207,
Eu.6.
Khthonos is the SURFACE of the Earth opposite ouranō
A.Ag.576;
hupo
khthonos,
of the nether world, “Tartaron
those in the
shades below, Id.Ch.833
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Speaking of the Pharisees [speakers, singers,
instrument players, hypocrites Ezek 33 Jesus said:
John 8:21 Then
said Jesus again unto them,
I go my way,
and ye shall seek me,
and
shall die in your sins: whither I go, ye cannot
come.
John 8:22 Then said the JEWS, Will he kill
himself? because he saith, Whither I go, ye cannot
come.
John 8:23 And he said unto them,
Ye are from
beneath; [g2736
katotero g2737. katoteros hades]
I am from
above: ye are of this WORLD; I am
not of this world.
Is. 28:15 Because
ye have said,
We have
made a covenant with death,
and with
hell [SHEOL] are
we at agreement;
when the
overflowing scourge shall pass through,
it shall
not come unto us: for we have made LIES
our refuge,
and
under FALSEHOOD
have we hid ourselves:
Is. 28:16 Therefore thus saith the Lord God,
Behold, I
lay in Zion for a FOUNDATION
a stone, a tried stone, a precious corner stone,
a sure FOUNDATION: he that believeth shall not
make haste.
Rom. 15:20 Yea,
so have I strived to preach THE GOSPEL,
not where Christ was named,
lest I
should build upon another man’s FOUNDATION:
Eph. 2:19 Now therefore ye are no more
strangers and foreigners,
but FOUNDATION
with the saints,
and of
the household of God; [NOT
a worshiping INSTITUTION]
Eph. 2:20 And are built upon [Educated]
the FOUNDATION
of the apostles and prophets,
Jesus
Christ himself being the chief corner stone;
The Word or LOGOS is
the MIND of God put into the MOUTH of Jesus
Christ. SPIRIT is a parable word to define
that God does not NEED another god person or
a maker of songs or sermons. It is defined
as the REGULATIVE PRINCIPLE and
outlaws anything beyond SPEAKING (opposite
of sing) or READ.
Mark 4:14 The sower soweth the WORD.
[That is spelled CENI supported by all historic
scholars]
Mark 4:15 And these are they by the way side,
where the word is sown;
but when
they have heard,
SATAN cometh
immediately,
and
taketh away the word that was sown in
their hearts.
Jesus was sent to
collect LOST SPIRITS and His Kingdom is Reserved unto FIRE.
The kingdom is
NOT where Visual and Audible Performers
self-exhibit.
The Church is defines as a Safe House,
an UMBRELLICUM and there will be no
Homilectics, Hermeneutics or
Rhetoricians BY DEFINE WILL.
ANYTHING
BEYOND THE WORD IS A LYING WONDER Ephesians
4
Is. 28:17 Judgment also will I lay to the line,
and
righteousness to the plummet:
and the
hail shall sweep away the refuge of lies,
and the
waters shall overflow the hiding place.
Is. 28:18 And your covenant with death
shall be disannulled,
and your
agreement with hell shall not stand;
when the
overflowing scourge shall pass through,
then
ye shall be trodden down by it.
John 8:24 I said therefore
unto you,
that ye
shall die in your sins: for if ye believe not
that I am he, ye shall die in your sins.
John 8:25 Then said they unto him, Who art
thou? And Jesus saith unto them,
Even the
same that I said unto you from the beginning
"Scholars" operating the
Temples of Disinformation insist that GOD CAME
IN THE FLESH.
John said that ANTICHRISTS deny that the MAN
Jesus of Nazareth deny that CHRIST CAME IN THE
FLESH.
Messianic Jews believe that Jesus was the
Messiah for Jews and the NEW Covenant is the OLD
Covenant. |
John 8:22 Then said the JEWS, Will
he kill himself? because he saith, Whither I go, ye cannot
come.
John 8:23 And he said unto them,
Ye are from beneath; [g2736 katotero g2737.
katoteros hades]
I am from above:
ye are of this WORLD; I am not of this world.
The World, Kosmos, Ecumenical the kingdom of the
Devil OPPOSED to the kingdom of God. Markedd by sexuality and
homosexuality as the Instrumental-Trinitarian-Perverted
idolatry at Mount Sinai which ws beyond redemption.
Goes or Sorcery as the MARK of those
from TARTARUS.
Epôidos [epaidô]
I.singing to or over: as Subst. an
ENCHANTER, Eur.: c. gen. acting as
a charm for or against, Aesch., Plat. 2. pass. sung
or said after, morphês epôidon Called after
this form,
II. in metre, epôidos, ho, a verse or passage
returning at intervals, a chorus, burden,
refrain, as in Theocr.
E.Ba.234 Euripides, Bacchae Pentheus [215] I
happened to be at a distance from this land,
when I heard of
strange EVILS throughout this city,
that the women have
left our homes in contrived Bacchic RITES,
and rush about in the
shadowy mountains,
honoring with dances
[220] this new deity [daimona]
Dionysus, whoever he is.
I hear that mixing-bowls
stand full in the midst of their assemblies,
and that they each
creep off different ways into secrecy to serve the beds
of men,
on the pretext
that they are Maenads worshipping;
[225]
but they consider Aphrodite before Bacchus.
thia^s-os hēlikōn”
Id.IT1146;
“Mousōn”
Ar.Th.41;
enoplios
th.,
of warriors, E.Ph.796;
“Kentaurikos
kai
Saturikos”
“thaumaston
hēlikon
[LYING WONDERS]
BEAST is a new style
of Mousa
and.Saturikos
drama. They regularly formed
the chorus in the Satyr-plays that were given in
connection with tragedie
kanakhan
[Clanging]. . theias
antiluron
[Playing the Lyre or Guitar] mousas
Hesiod Theogony [25]
the Muses of Olympus, daughters of Zeus who
holds the aegis: "Shepherds of the
wilderness, wretched things of shame, mere bellies, we know how to speak many false things as though they were true; but we
know, when we will, to utter true things."
Rev. 18:20 Rejoice over her, thou heaven,
and ye holy
apostles and prophets; for God hath avenged you on
her.
Rev. 18:21 And a mighty angel took up a stone like a
great millstone, and cast it into the sea, saying,
Thus with violence shall that great city Babylon be
thrown down, and shall be found no more at
all.
Rev. 18:22 And the voice of harpers, and musicians,
and of pipers, and trumpeters, shall
be heard no more at all in thee; and no craftsman,
of whatsoever craft he be, shall be found any more
in thee; and the sound of a millstone [Grinders-Prostitutes] shall
be heard no more at all in thee;
Rev. 18:23 And the light of a candle [The seven
spirits which rested on Christ]
shall shine no
more at all in thee;
and the voice
of the bridegroom and of the bride shall be heard no
more at all in thee:
for thy MERCHANTS
were the great men of the earth;
for by thy SORCERES
[pharmakeus kai sophistē] were
all nations deceived.
Rev. 18:24 And in her was found the blood of
prophets,
Merchants then and now:
homilia 1
homileōI.
a being together, communion, intercourse,
converse, company, Lat. commercium,
commercium,
1. The right to trade as
merchants, a mercantile right:
“sermonis, commercium habere cum Musis,
B. Esp., forbidden
intercourse, illicit commerce: “libidinis
Mousa
music, song,
“m.
stugera”
A.Eu.308
(anap.); “euphamos”
Id.Supp.695
(lyr.); “kanakhan
. . theias
antiluron
mousas”
Aristoph. Cl. 972 Then
again, their master would teach them, not sitting
cross-legged, to learn by rote a song, either
“pallada persepolin deinan” or “teleporon ti boama”
raising to a higher pitch the harmony which our
fathers transmitted to us. But if any of them were
to play the buffoon, or to turn any quavers,...Nor
used he to go to his lover, having made up his voice
in an effeminate tone, prostituting himself with his
eyes.
Ion by
Socrates:. Only too
well; for I look down upon them from the stage,
and behold the
various emotions of pity, wonder, sternness,
stamped upon their countenances when I am
speaking:
and I am obliged to give my very best
attention to them; for
if I make
them cry I myself shall laugh,
and if I make them laugh I myself shall cry
when the time of
payment
arrives.
Or:
For I have to pay
the closest attention to them;
since, if I
set them crying, I shall laugh myself because of
the money I take,
but if
they laugh, I myself shall cry because of the
money I lose.
Soph. Trach. 640
Greeks hold famous council
near Thermopylae's gateway;
for you the sound of the sweet-voiced flute.40
will soon arise, and not with a cry
of grating agony, but
with the lyrical tones of sacred song!
For the child of Alcména, Zeus's son,
is speeding his way toward home, and bringing
trophies of might and valor.
Aristoph. Thes. 1
Servant of Agathon
Standing on the threshold; solemnly
Silence! oh, people! [40] keep your mouths sedately
shut! The chorus of the Muses is moulding songs
at my master's hearth. Let the winds hold their breath
in the silent Aether! Let the azure waves cease
murmuring on the shore!
Hes. Th. 25
Hera of Argos who walks on golden sandals, and the
daughter of Zeus the aegis-holder bright-eyed Athena,
and Phoebus [effeminate nickname] Apollon, and
Artemis who delights in arrows
2.juggler, cheat, “deinos
g.
kai
pharmakeus
kai
sophistēs”
Pl.Smp.203d;
“deinon
kai
g.
kai
sophistēn
. . onomazōn”
D.18.276; “apistos
g.
ponēros”
Id.19.109; “magos
kai
g.”
Aeschin.3.137:
Comp. “goētoteros”
Ach.Tat.6.7
(s. v. l.). (Cf. Lith. žavēti 'incantare'.)
sophis-tēs
, ou,
ho,
A.master of one's craft, adept, expert, of
diviners, Hdt.2.49; of
poets, “meletan
sophistais
prosbalon”
Pi.I.5(4).28,
cf. Cratin.2; of musicians, “sophistēs
. . parapaiōn
khelun”
Book of Enoch 8:1 And Azazel taught men to make swords, and knives, and shields, and
breastplates, and made known to them the metals of the
earth and the art of working them, and bracelets,
and ornaments, and the use of antimony, and
the beautifying of the eyelids, and all kinds of costly stones, and
all 8: 3 were led astray, and became corrupt in
all their ways. Semjaza taught enchantments, and root-cuttings, 'Armaros the
resolving of enchantments, Baraqijal (taught) astrology,
Lev. 16:27 And the bullock for the sin
offering, and the goat for the sin offering, whose
blood was brought in to make atonement in the holy place,
shall one carry forth without the camp; and they shall
burn in the fire their skins, and their flesh, and their
dung.
g8163. saiyr,
saw-eer´ from 8175; shaggy; as noun, a he-goat; by
analogy, a faun:—devil, goat, hairy, kid, rough, satyr.
Deut. 32:17 They sacrificed unto DEVILS,
not to God;
to gods whom they
knew not, to new gods that came newly up,
whom your fathers feared
not.
2Chr. 11:14 For the Levites left their suburbs and their
possession,
and came to Judah and
Jerusalem:
for Jeroboam and his
sons had cast them off from executing the priest’s office
unto the Lord:
2Chr. 11:15 And he ordained him priests for the HIGH
places, and for the DEVILS, and for the calves
which he had made.
g8163.saiyr,
saw-eer´; or rIoDc sabir, saw-eer´; from 8175;
shaggy; as noun, a he-goat; by analogy, a faun:—devil,
goat, hairy, kid, rough, satyr.
Psa. 106:37 Yea, they sacrificed their
sons and their daughters unto devils,
g7700. d´v shed, shade; from 7736; a doemon (as
malignant):—devil.
1Cor. 10:6 Now these things were our EXAMPLES,
to the intent we
should not lust after evil things, as they also lusted.
1Cor. 10:7 Neither be ye idolaters, as
were some of them; as it is written,
The people sat down to
eat and drink, and rose up to play.
paizō
, 2. esp. dance, “paisate”
Od.8.251; “dōma
peristenakhizeto
possin
andrōn
paizontōn”
23.147,
cf. Hes.Sc.277;
“p.
te
kai
khoreuein”
Ar.Ra.409,
cf. 390; “enoplia
khalkōtheis
epaizen”
Pi.O.13.86:—Pass.,
alla
pepaistai
metriōs
hēmin,
of the chorus, Ar. Th.1227.
Ar.Ra.230
Mousai
230kai kerobatas Pan ho kalamophthogga paizōn:
prosepiterpetai d' ho phormiktas Apollōn,
Ludo
—Esp.,
to play on an instrument of music,
to make or
compose music or
song: “
ludere
quae
vellem
calamo
permisit
agresti,”
Verg. E. 1, 10:
“
talia
fumosi
luduntur
mense
Decembri,”
Ov. Tr. 2, 491:
“
quod
tenerae
cantent,
lusit
tua
musa,
puellae,”
id. Am. 3, 1, 27:
“
coloni
Versibus
incomptis
ludunt,”
Verg. G. 2, 386:
“
carmina
pastorum,”
id. ib. 4, 565;
Suet. Ner. 3:
“
si
quid
vacui
sub
umbra
Lusimus
tecum,”
Hor. C. 1, 22, 2.—
B. To sport,
dally, wanton (cf. "amorous play,"
Milton, P. L. 9, 1045): “
scis
solere
illam
aetatem
tali
ludo
ludere,”
Plaut. Most. 5, 2, 36:
affatim edi, bibi, lusi, Liv. Andron. ap. Paul. ex Fest.
s. v. affatim, p. 11 Müll.; cf.: “
lusisti
satis,
edisti
satis,
atque
bibisti,”
Hor. Ep. 2, 2, 214;
Ov. A. A. 2, 389;
Cat. 61, 207;
Suet. Tib. 44;
Mart. 11, 104, 5.—
1Cor. 10:20 But I say, that the things which the Gentiles
sacrifice,
they sacrifice to DEVILS,
and not to God:
and I would not that ye
should have fellowship with DEVILS.
1Cor. 10:21 Ye cannot drink the cup of the Lord, and the cup of
devils:
ye cannot be partakers of
the Lord’s table, and of the table of DEVILS.
g1140. daimonion, dahee-mon´-ee-on; neuter of a
derivative of 1142; a dæmonic being; by extension a deity: —
devil, god.
"Slightly less familiar
are the Devil's
musical exploits. He not only loves singing but is master of
the violin, of which instrument of evil he is reputedly
the inventor. By the same token he can give mastery of the
violin, bartering
infernal skill for the pupil's soul.
These legends are
related to the larger belief in the supernatural origin of
musical skill and individual songs." (Botkin, B. A., A
Treasury of American Folklore, Crown Publishers, p. 718;
Cf. The Devil and the Fiddle, Herbert Halpert, Hoosier
Folklore Bulletin, Vol II (Dec., 1943).
See Layard's description of Devil
worship. This will link you to a collection on SERPENT
WORSHIP and DEVIL WORSHIP.
The Late
Jay.Guin.1.Corinthians.10.5.Falling.Away Organizing the
Progressive Church
Clearly defined in Exodus 32
etal They Rose up to Play
In Instrumental-Trinitarian-Perverted
Idolatry at the expense of the poor
1Tim. 4:1 Now the Spirit speaketh
expressly, that in the latter times some shall depart from the
faith,
giving heed to SEDUCING
spirits, and doctrines of DEVILS;
SEDUCING
SPIRITS: [added]
G4107 planees plan-ay'-tace From
G4108 ; a rover ("planet"), that is, (figuratively) an
erratic teacher:wandering
2. Pass., wandering, roaming, fickle,
“poikilon
pragm'
esti
kai
planon
Poikilos
2.
of Art, p.
humnos
a song of changeful strain or full
of diverse art, Pi.O.6.87;
“poikilon
kitharizōn”
Id.N.4.14;
“dedaidalmenoi
pseudesi
poikilois
muthoi”
Id.O.1.29;
of style, “lexis
poiētikōtera
kai
p.”
Isoc.15.47
(Comp.); “skhēmatismoi”
D.H.Is.3.
pragma
OPPOSITE. logoi,
The Word or Regulative Principle--not a god. 2.
thing, concrete reality, “ar'
estin
aulēsis
creature, kakō
pragmati
wretched creature, viz. the SOPHIST,
4. business, esp. lawbusiness,
A.flute-playing, Pl.Prt.327b,
327c,al.,
Arist.Pol.1341a25,
etc.A.flute-playing, Pl.Prt.327b,
327c,al.,
Arist.Pol.1341a25,
etc.
Eph 4:14 That we henceforth be no more children, tossed
to and fro,
and carried about with EVERY
WIND OF DOCTRINE [No Diversity]
by the sleight of men, and CUNNING CRAFTSMEN
whereby THEY LIE IN WAIT TO DECEIVE
THEY ARE: Panourg-êma , atos, to,
A.
knavish trick, villainy,
SOPHIST.
panourgeuma. , similr to
citharizoSophis-teia , hê,
A
Sophis-tês , ou, ho, master of one's craft, adept, expert, of diviners,
Hdt.2.49; of poets, meletan
sophistais prosbalon [MAKE MELODY Pi.I.5(4).28 , cf. Cratin.2; of musicians, sophistês . . parapaiôn chelun [PLAY Apollon's Lyre] ; sophistêi Thrêiki [IMPURE RELIGION]
II. from late v B.C., a
Sophist, i.e. one who gave lessons in grammar,
rhetoric, politics, mathematics, for money, such as
Prodicus, Gorgias, Protagoras, a quibbler, cheat,
a RHETORICIAN as the primary meaning of a
HYPOCRITE. hoi s. tōn hierōn
melōn” A sophist, serpent, MEANING MUSICAL
MELODY IN A HOLY PLACE
Sophistry, mantikê,
of Balaam, Apollon name of a number. The
number of a man
Playto,
Cratylus says
"the part of appropriative, coercive, hunting art which
hunts animals, land animals, tame animals, man,
privately, FOR PAY, is paid in CASH, claims to
GIVE education, and is a hunt after rich and promising
youths, must--so our present argument concludes--be
called SOPHISTRY.
The Mother Church
planting Daughter Churches under one leadership is the work
product of:
Kairos.Church.Planting.Plot
KAIROS
(or Caerus) was the spirit
(daimon) of
opportunity, the youngest divine son of Zeus.
He was depicted as a youth with a long lock of hair hanging down
from his forehead, which indicated that Opportunity could only
be grasped as he approached.
PersEnc.
isocrates A degree of relativism underlies
his belief that rhetoric should concern itself with what
is appropriate (prepon) and comes at the right TIME (kairos). But like Plato
Isocrates attacks “sophists” (whom he sees as rivals) for
having no moral values, and he affirms his own belief in
rather traditional moral values, arguing that it is the job of
rhetoric to express these. Novelty is important in the
expression of one's views but not in the views themselves.
HOMILECTICS
homilia
1
homileō
I.a being
together, communion, intercourse, converse, company,
Lat.
commercium,
Aesch., etc.:—
hom.
tinos
communion or
intercourse with one,
Hdt.;
pros
tina
Soph., etc.;
tous
axious
de
tēs
emēs
homilias
those who are worthy of my
society,
Ar.;
hom.
khthonos
intercourse with a country,
Eur.;
politeia
kai
hom.
public and
private life,
Thuc.:—also in pl.,
Hellēnikai
homiliai
association with Greeks,
Hdt.;
hai
suggeneis
homiliai
intercourse with kinsfolk,
Eur.
2.sexual
intercourse, Hdt., Xen.,
etc.
3.instruction,
Xen.:—later, a homily,
sermon.
II.an association, company, Hdt., Aesch.:—in
collect. sense, fellow-sojourners, Aesch.; naos
hom.
ship- mates, Sop
homi_l-os , Aeol. omillos
EM658.55 : ho
: (homos,
ilē)
A.any assembled crowd,
throng of people, for a feast, Od.1.225 ;
for a spectacle mob, “didaskalō
khreiōntai
homilō
2. throng of battle generally, tumult,
confusion, “boē
kai
homilō”
Hdt.9.59 ; “sophiē
kai
mē
biē
kai
ho.”
Id.3.12
confūsĭo
, 1. A mingling, mixing, uniting, combining
2. A confounding, confusion, disorder: “religionum
a reddening, blushing, Tac. H. 4, 40.
homi_l-ētēs
, ou,
ho,
A.disciple, scholar,
X.Mem.1.2.12.48,
Luc.Tim.10,
Philostr.VA1.16,
Gal.10.22 ; “tōn
theōn”
Xen. Sym. 3.4 “Certainly it is,”
replied Antisthenes, “and the least debatable kind, too; for
though courage and wisdom appear at times to work injury both
to one's friends and to the state, righteousness and
unrighteousness never overlap at a single point.”
1
The word dikaiosunē,
translated here by “righteousness,” is sometimes well
represented by justice or honesty.
“hina
mathē
sophistēs
ōn”
A.Pr.62;
sophia A.cleverness or skill
in handicraft and art, in music and singing, tekhnē
kai
s.
h.Merc.483 in
poetry,
In divination dēmēgorikos
from dēmēgoros
Plu.Them.2;
also, cunning, shrewdness, craft,
dēmēgorikos
of or for public speaking, qualified for it,
Xen.: hē
-kē
(sc. tekhnē),
= dēmēgoria,
Of a SOOTHSAYER or
SORCERER, MIRIAM AND THE LEVITES the Art of
Rhetoric, hoi
tas
t.
tōn
logōn
suntithentes
systems of rhetoric,
tricks of
Rhetori. Work by RULES or LEGALISM
peri
Treating
the Word, Logos or Regulative Principle in around
about way: ANTICHRIST. III.
before, above,
beyond, of superiority,
HH 4 483 What skill is this?
What song for desperate cares? What way of song? For verily
here are three things to hand all at once from which to
choose, —mirth, and love, and sweet sleep. [450] And though
I am a follower of the Olympian Muses who love dances and
the bright path of song —the full-toned chant and ravishing
thrill of flutes —yet I never cared for any of those feats
of skill at young men's revels, as I do now for this: [455]
I am filled with wonder, O son of Zeus, at your sweet
playing.
entekhn-os
2. furnished or invented by art,
artificial, artistic, Pl. Prt.321d,
al.; opp. “atekhnos,
pisteis”
Arist.Rh.1355b36;
hē
e.
methodos
the regular method, ib.a4.
pisteis
II. of persons, skilled, e.
dēmiourgos
a cunning workman, Pl.Lg.903c,
cf. Plt.300e.
dēmiourgos
*ergō
I.one who works for the people, a
skilled workman, handicraftsman,
a framer, maker; logōn
rhētorikē
A person who frames their OWN Words
are identified by Jesus as the Sons of the Devil.
The Word or Logos is the Regulative Principle
outlawing any human input and is therefore ANTICHRIST.
Logoō
,
A.
introduce logos
into, “
ton
kosmon”
kosmos , ho,
A.order, kata
kosmon
in order, duly, “eu
kata
k.”
Il.10.472,
al.; ou
kata
k.
shamefully,
II. ornament, decoration, esp. of women, of
ornaments of speech, such as epithets
IV. Philos., world-order, universe
3. in later Gr., = oikoumenē, the
known or inhabited world, 5.
houtos
ho k. this present world,
i.e. earth, opp. heaven, Ev.Jo.13.1;
regarded as the kingdom of evil, ho arkhōn
tou
k. toutou
ib.12.31.
Christianity is
the SECT Called the Way, Road or Pattern: it is strait,
narrow, infitessimally-tiny marked by being poor,
afflicted, tribulated and kiled.
Satan is the Kosmokrator or WORLD leader of the KOSMOS
or the Gary Holloway
Ecumenical: "First, [ecumenical] is
biblical. “Ecumenical” is from the Greek
word oikoumena,"
Paul silenced the Self-Pleasure, heresy or Sectarian
performance roles so that "we might use one mind and one
voice" to teach" that which is written for our learning." The Campbells
following Christ in the wilderness defined the only
assembly as a READING of the Word assembly.
Anything added as an article of faith or ceremonial
practice (legalism) defines the ECUMENICAL WORLD in
conflict with the LITTLE SECT CALLED THE WAY (Pattern)
Pro-airesis , eôs, hê, choosing
one thing before another, wrongs done from malice
prepense, contrary to one's purpose, 3. in
political language, deliberate course of action, 5.
political party, b. sect or school of
music, philosophy
Hairesis I. a taking
especially, esp. of a town, a taking for oneself,
4.
a sect, school, etc.: esp. a religious sect, such as the
Sadducees and Pharisees, NTest.5. a heresy,
Pharisaios 1 a Pharisee,
Separatist (from pharash, to distinguish),
one of a
sect who separated themselves from other Jews as
affecting superior holiness.
Phrik-ôdês , es, attended with
shivering, b. inspiring religious awed
A heretic or
ECUMENICAL sectarian invades and steals your property;
Haireô Il.; hair, tina kheiros to take one by
the hand,
A. Act., take with the hand, grasp, seize, having taken up [the song], Od.8.500.
2. take away II. take, get into one's
power, overpower, kill, of passions,
catch, take, zôon [ZOE: take away life] helein Il.21.102 ;
take in hunting, get into one's power, entrap,
II. take, get into one's power, nēas ib.13.42; esp. take
a city, 2.37, S.Ph.347,
freq. of passions, etc., come upon, seize,
B. Med., with pf. hērēmai (v. supr.), take
for oneself, egkhos helesthai take one's
spear,
II. take to oneself, choose,
Hairetos verb. adj. of haireō
I. that may be taken
or conquered, Hdt.; that may be understood,
Plat.
Homer, Odyssey The muses were taught
by Apollo
So he spoke, and the minstrel, moved by the god,
began, and let his song be
heard, [500] taking up the tale where the Argives had
embarked on their benched ships and were sailing away, after casting fire on their huts,
while those others led by glorious Odysseus were now
sitting in the place of assembly of the Trojans, hidden
in the horse; for the Trojans had themselves dragged it
to the citadel.
http://www.pineycom.com/GraceConversation.com.Ecumenical.html
Gary Holloway
Ecumenical: First,
[ecumenical] is biblical. “Ecumenical” is
from the Greek word oikoumena, which
is used 15 times in the New Testament for
“the entire inhabited world.” The most
interesting passage that relates to the
modern meaning is Matthew 24:14: “And
this gospel of the kingdom will be preached
in the whole world as a testimony to all
nations, and then the end will come.”
INHABITED: Late Latin oecumenicus ; from
Classical Greek oikoumenikos, of or from the whole
world ; from oikoumenē (gē), the inhabited
(world) ; from oikein, to dwell, inhabit ; from oikos:
Dik-ēma
A.dwelling-place. esp. bed-chamber, temple,
shrine, brothel, the kosmos .
Dioik-eō
“diōkēsamēn”
keep house: hence, generally, control,
manage, administer, manage after one's own will
and pleasure, managing to make such iniquitous
profits, act collusively with ton
kosmon”
Id.Phdr.246c;
kosmos
, ho,
A. order, kata
kosmon
in order, duly, shamefully, generally, of
things, natural order, ornament, decoration,
esp. of women, metaph., of ornaments of speech, such as epithets,
to sing sweet songs of praise, world-order,
universe, first in Pythagoras,
of earth, as opp. heaven, 3. in later Gr., = oikoumenē,
the known or inhabited world, 5. houtos
ho
k.
this present world, i.e. earth, OPPOSITE.
heaven, Ev.Jo.13.1;
regarded as the kingdom of evil, ho
arkhōn
tou
k.
toutou
ib.12.31.
Kosmo-krator
epith. of ouranos, Orph.H.4.3;
“Zeus Mitras Hēlios k.
Dam.Pr.131; hoi k. tou skotous toutou the cosmic rulers
of this sinful world, dentified
with Apollon.
Ep.Eph.6.12;
“hoi k. hoi ta hupo selēnēn stoikheia dioikountes”
THE MARK of the
Kosmos [oikoumena],
a Pythagoras dogma silenced in
Romans 14.
..this sect crowned the image of Jesus along with
those of Pythagoras, Plato and Aristotle. Further,
there were impostors of all varieties: magicians,
soothsayers, jugglers, deceivers and hypocrites, 'who
appeared using mighty words with a host of unintelligible
formulae and taking up with scandalous ceremonies in order
to rob men of their money." (Int.
Std. Bible Ency., Gnosticism, p. 1246).
ALSO OF THE SECTS SILENCED IN ROMANS
14
"The Orphic creeds were the basis of the Pythagorean brotherhood,
which flourished in southern Italy beginning in the 6th
century bc. The
Pythagoreans were aristocratic fraternities that
sometimes had a political scope. Their main achievements,
however, lay in the fields of music, geometry, and
astronomy. They discovered that these subjects could be
explained by numbers and ratios. Combining Orphic eschatology
(the study of the last things, especially death and afterlife)
with their discoveries, they invested music, geometry,
and astronomy with religious values. According to their
doctrine, the original home of the soul was in the stars.
From there ... (100 of
10,561 words)
"In cultic action music was used in preparation for
prophecy. Julius Firmicus Maternus refers to this fact in
his remarks on an African cult.
- With the air full of flute music,
- the priests would put on women's clothing and
- then call on the goddess so that,
- filled with a wicked spirit, they might
- predict the future to foolish men.
"In considering this cultic background it is necessary to
understand the
- view of music as dispositive to divination,
- a view which derives from pagan philosophy.
This opinion resided in the old Pythagorean school, as
Cicero notes. The Stoa also recognized the employment of
music in the service of divination. According to Stoic
teaching, ascesis and listen to music were preparations for
the ecstasy which, along with purity of heart and a
relationship with God, was considered to be the most
favorable condition for prophesying.
The notion which was basic to this conception was closely
connected with belief in the purifying power of music. In
both instances there was a question of eleminating tensions
and obstacles in man which could stand in the way of the
infusion of the divine and its revelation. (Quasten,
Johannes, pg. 40)
Abaddon-Apollon as leader of the muses (Locusts) was called
the WASHER claiming that the music-induced madness purified
the soul.
Lucian.Timon.
Hermes, and take Plutus with you. Thesaurus is to accompany
Plutus, and they are both to stay with Timon, and not leave him
so lightly this time, even though the generous fellow does his
best to find other hosts for them. As to those parasites,
and the ingratitude they showed him, I will attend to them
before long; they shall have their deserts as soon as I have got
the thunderbolt in order again. Its two best spikes are broken
and blunted; my zeal outran my discretion the other day when I
took that shot at Anaxagoras the sophist;
homilētas the Gods non-existent, indeed!
that was what he was telling his disciples.
However, I missed him
(Pericles had held up his hand to shield him),
and the bolt glanced off
on to the Anaceum, set it on fire, and was itself nearly
pulverized on the rock. But meanwhile it will be quite
sufficient punishment for them to see Timon rolling in money.
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