A.equinoctial,
anatolē.
Str.2.1.11;
“skia” Hipparch.1.3.6, cf. Str.2.1.20;
“zōdion” Ptol.Tetr.31;
hōrai standard
hours (OPPOSITE. kairikos, q.v.),
each = 1/24
of the nukhthēmeron, Hipparch.1.1.10, Ptol.Alm.2.9, Gal.10.479, etc.; puros i. wheat sown at
that time, Thphr.CP4.11.4; ho i. kuklos celestial
equator, Arist.Mete.345a3,
Euc.Phaen.p.4M.,
Plu.2.429f, etc.; ho i. (sc. kuklos), Hipparch.1.10.22, Str.1.1.21,
etc.; “hapsis” Jul.Or.5.168c;
i. khronoi
time-degrees [each = 4
time-minutes] of the equator, Ptol. Alm.1.16.
Rick Gibson Pepperdine Kairos Church
Would YOU lie, cheat, steal the church house of widows and sow discord for this? Would you follow or allow to teach your youth TO LEAVE OUR MOVEMENT anyone who said that God Commanded an Instrumental Sectarian Institution for the first claim of a spirit's authority in recorded history?
Mike Cope 1 Timothy 2: ALL to be silent so we can "be SAFE and come to a knowledge of the truth which is THE WORD or Logos as Regulative principle opposite rhetoric, singing, playing instruments, acting, dancing, clapping, hugging or kissing.
3.18.14 Things are coming together for Gog and Magog.
Revelation 14:15 And another angel came out of the temple, crying with a loud voice to him that sat on the cloud, Thrust in thy sickle, and reap: for the time is come for thee to reap; for the harvest of the earth is ripe.
hōra (b. in ordinary life the day from sunrise to sunset was divided into twelve equal parts called hōrai （hōrai kairikai
when it was necessary to distinguish them from the hōrai isēmerinai,
versus. kairikos2 c), “hēmera hē . . dōdekaōros, toutestin hē apo anatolēs mekhri duseōs” “
oukhi dōdeka eisin hōrai tēs hēmeras;” Ev.Jo.11.9; “hōraōn amphi duōdekadi”
ANATOLE hēliou, pros anatolas”
II. as pr. n., Helios, the sun-god, Od.8.271, etc.; nē ton Hē. Men.Sam. 108; hupo Dia Gēn Hēlion, in manumission-formula, dentified with Apollo, with Dionysus,
2. Hēliou astēr, of the planet Saturn
987c] and do state, so much as adequate knowledge tells us. For real wisdom shows herself in some such way as this to him who has got even a little share of right and divine meditation. And now there remain three stars, of which one is distinguished from the others by its slowness, and some speak of it under the title of Saturn; the next after it in slowness is to be cited as Jupiter; and the next after this, as Mars, which has the ruddiest hue of all. Nothing in all this is hard to understandJohn 11:9 Jesus answered, Are there not twelve hours in the day? If any man walk in the day, he stumbleth not, because he seeth the light of this world.Hōrai isēmerinai,
John 11:10 But if a man walk in the night, he stumbleth, because there is no light in him.
Those who SEE through the rhetoricians, singers or instrument players cannot be Christians:
Isaiah 8:19 And when they shall say unto you, Seek unto them that have familiar spirits, and unto wizards that peep, and that mutter: should not a people seek unto their God? for the living to the dead?
Isaiah 8:20 To the law and to the testimony:
if they speak not according to this word,
it is because there is no light in them.
Isaiah 8:21 And they shall pass through it, hardly bestead and hungry: and it shall come to pass, that when they shall be hungry, they shall fret themselves, and curse their king and their God, and look upward.
Isaiah 8:22 And they shall look unto the earth; and behold trouble and darkness, dimness of anguish; and they shall be driven to darkness.
is-ēmerinos , ē, on,
Versus:
A.timely, “apaggeliai” IG3.769.2. appropriate to certain times or seasons, seasonable, “anthē” PMag.Leid.W.24.1.c. Astron., hōrai k. hours of the kind that vary in length with the season, opp. isēmerinai, Ptol.Alm.4.11, 7.3, Tetr.76.apagg-elia , hē,
A.report, e.g. of an ambassador, D.19.5,al., Arist.Rh.Al.1438b10; “a. poieisthai”
poieō , Anything YOU make2.narrative, recital, description, “hōn . . brakheia hē a. arkei” Th. 3.67; lyric poetry is said to be “di' apaggelias autou tou poiētou” Pl. R.394c, cf. Phld.Po.5.1425.2; dramatic poetry is expressed by action “kai ou di' apaggelias” Arist.Po.1449b26, cf. ib.11, D.H.Comp. 20.A. make, produce, first of something material, as manufactures, works of art,
4. after Hom., of Poets, compose, write, p. dithurambon, epea, Hdt.1.23, 4.14; “p. theogoniēn Hellēsi” Id.2.53; p. Phaidran, Saturous, [BEAST] Ar.Th.153, 157; p. kōmōdian, tragōdian, etc., Pl.Smp.223d; “p b. represent in poetry,II. diction, Id.Dem.25, Plu.Dem.2.
Plat. Rep. 394c 1 The dithyramb was technically a poem in honor of Bacchus. For its more or less conjectural history cf. Pickard-Cambridge, Dithyramb, Tragedy, and Comedy. Here, however, it is used broadly to designate the type of elaborate Greek lyric which like the odes of Pindar and Bacchylides narrates a myth or legend with little if any dialogue.
Aristot. Poet. 1449b Tragedy is, then, a representation of an action6 that is heroic and complete and of a certain magnitude—by means of language enriched with all kinds of ornament, each used separately in the different parts of the play: it represents men in action and does not use narrative, and through pity and fear it effects relief to these and similar emotions.7 By "language enriched" I mean that which has rhythm and tune, i.e., song, and by "the kinds separately" I mean that some effects are produced by verse alone and some again by song. Since the representation is performed by living persons, it follows at once that one essential part of a tragedy is the spectacular effect, and, besides that, song-making and diction.KAIROS TIME FOR Aphroditē [i_, hē, （aphros) II. as Appellat., sexual love, pleasure,Od.22.444; “hup' Apollōni psauein Aphroditas” Pi.O.6.35; “erga Aphroditēs
2. generally, vehement longing or desire,E.IA1264; “A. tin' hēdeian kakōn” enjoyment,Id.Ph.399. III.ho tas Aphroditas astēr] the planet Venus,Ti.Locr.97a, cf. Pl.Epin.987b, Arist.Metaph.1073b31,
The Spirit of Christ called Lucifer "the singing and harp-playing prostitute in the garden of Eden.Plat. Epin. 987b For indeed they have received titles of gods: thus, that Lucifer, or Hesperus（which is the same, should almost belong to Aphrodite, is reasonable, and quite befitting a Syrian lawgiver; and that that which follows the same course as the sun and this together should almost belong to Hermes [Kairos] [987c] and do state, so much as adequate knowledge tells us. For real wisdom shows herself in some such way as this to him who has got even a little share of right and divine meditation. And now there remain three stars, of which one is distinguished from the others by its slowness, and some speak of it under the title of Saturn; the next after it in slowness is to be cited as Jupiter; and the next after this, as Mars, which has the ruddiest hue of all. Nothing in all this is hard to understand
Pind. O. 6 35 If someone were an Olympic victor, [5] and a guardian of the prophetic altar of Zeus at Pisa, and a fellow-founder of renowned Syracuse, what hymn of praise would that man fail to win, by finding fellow-citizens ungrudging in delightful song?...where Evadne was raised, and first touched the sweets of Aphrodite beneath Apollo's embrace.
Rick Gibson should know that Kairos is the demon (spirit) son of Zeus: Zeus is the son of Chronos coming at the right TIME to Thrust in the Sickle. The MARK is "music in a holy place", BEAST is "a new style of music or Satyric drama," IMAGE is REpresenting the Word or Logos (Regulative principle) with rhetoric or music: Christ calls these the hypocritic arts.
Moses set up God's TIME [Kairos] table after Israel fell into the instrumental idolatry of the Egyptian and all pagan trinities. The "gods" the people at Mount Sinai and to whom God abandoned them (Acts 7) were many of the CREATURE gods specifically the Sun, Moon and known planets called "wandering stars." They believed that their "gods" could be pleased with singing, playing instruments, acting, dancing and temple or religious prostitution (the Nymphs or brides in Revelation 18). Even if not literal when Paul warned against "wrath", the dogs and the concision, he denied that He corrupted the Word (Logos) which is defined as selling one's own words wholesale which word means prostitution.
Kairos laments the decline in Churches of Christ since 1980: the NACC was removed from the body count of the Disciples of Christ finally in 1971. Leroy Garrett founded the Stone-Campbell Movement about that time. This is the false but powerful mantra that Churches of Christ sected out of the Christian Church in 1906. In fact, the NACC did not begin to begin until 1927. This happened when the Christian Churches launched a subversive promoting of the book by O.E.Payne promoting unity in a SOCIETY based on--of course--Churches of Christ IMPOSING musical instruments which are the MARK of a Satanic attack from Genesis to Revelation.
That was about the time Rubel Shell began "sermonizing" filled with all or the RACA words against Churches of Christ. After two decades the prophesiied KAIROS of the year c. ad. 4000 came in with a very violent attack on anyone who would not take the MARK of the BEAST (more further down).
In additions, men like Milton Jones began to "transistion" my investment with the "lord" and lied about every instrument passage in the Bible.
When people discover that Elders are quite willing to BETRAY the trust of the people they simply have no reason to attend. Many of those lost souls have accepted the invitation of Jesus to come OUT of the masses and "learn of me" in a kingdom which does NOT come with observation meaning religious rituals defined as "lyinng wonders."
Finally, the question is asked "shall there be faith when He returns?" The answer is NO because again the Church has been deluged with a flood of Satanic teachinga and have fled into the wilderness."
Pepperdine University has played an important role in the birth and growth of Kairos since 2004When people invent NEW names to replace the public confession of Christ, they may not know that it is God in Christ Who visits and removes the speakers, singers and instrument players (Revelation 18) from HIS School of the Word (only) at the same time He removes the LAMPS or seven spirits of divine knowledge (Isaiah 1).
The Kairos network had 14 program events with 17 presenters at this year's lectureship, including David Clayton, planter of Ethos Church in Nashville, TN, as a keynote presenter.
Summer Celebration at Lipscomb University (Nashville, TN) June 30-July 2
Lipscomb.University.Summer.Celebration.2013.htm
Dave.Clayton.Ethos.Church.of.Christ.Pepperdine.2013.html
All the Kairos staff were in Nashville for Lipscomb University's Summer Celebration where we hosted a breakfast with Josh Graves (Otter Creek Church of Christ) and classes on strategy planning for churches
Otter Creek also twisted all recorded history to become an INSTRUMENTAL Church. ZOE is Venus or Lucifer Christ callled "the singing and harp playing prostitute in the garden of Eden."
Judas did not know that he was the son of perditon or the "familiar friend" of Psalm 41 until Jesus gave him the SOP: SOP has the same root meaning as PSALLO which was a Christ-supplied MANTRA when the Instrumental Sectarians decided that the "spirit" guiding them could TRUMP Scripture's clear statement that:
God hates those who set up expensive temple services and let what Christ marked as "the singing and harp playing prostitute in the garden of Eden.The worship the same c. ad 4000 elohim who "cast down" the heavens and earth because Christ says in Isaiah 45 that God did NOT Create the civil and religious order in darkness (Ignorance) but in light (knowledge). There are MANY elohim but OUR El is the Lord or Jehovah.
God hates the same race OF THE WORLD who decide that they can sow massive discord and Jesus will not be able to stop the "spirit" which told all instrumental sectarians to "go ahead: make the olden God's Day.
ONE MARK IS THE KAIROS CHURCH PLANTING AND ETHOS MOVEMENT WHO HAVE DECLARED THAT THE TIME IS RIGHT OR THE IRON IS HOT TO STRIKE. As Great Pretenders they claim that the Restoration Movement INTENDED to reject all of the fundamental principles defended by the Church of Christ commanded NOT to engage in "vocal or instrumental rejoicing or rhetoric" beginning with the Church of Christ (the Rock) in the wilderness.
Unlucky for them, Jesus has caused most Instrumental Praise systems to TAKE THE MARK which Satan inflicted upon Eve: the serpent was not a snake but a musical enchanter proving that Moses is warning about the beginning time assualt of religious tyrants to capture and enslave the people the true Jehovah had created free:
WOE: for the devil is come down unto you, having great wrath, because he knoweth that he hath but a short TIME [kairon ekhei ETHOS.’] Rev. 12:12"Just remember: when you're reading your Greek Testament and come upon kairos: stop, look and listen, because the Holy Spirit is flashing a caution light, warning of a coming crisis, an eminent judgment. That's why Jesus used the word more than once to predict his own crucifixion." Quote
Isn't it funny that when they claim that we will all PLAY HARPS in worship in heaven missed the fact that when you hear these SOUNDS-LIKE over Zion or the Church of Christ another angel to the living warns that we must PREACH the Word to all nations because JUDGMENT comes right after you hear those sounds.
In all Pagan trinities the mother (Sophia Jews) is holy spirit and the "mother of gods" or mother of all living. Eve or Evah meaning "an abomination" was the mediatrix instead of the Logos. Eve is ZOE.
Moses used to warn those who had fallen from grace because of musical idolatry at Mount Sinai was/is adopted as the original Babylon Mother. Paul would have understood that by keeping both men and women silent the elders could guard against wrath or an ORGY. These Orgies needed emasculated males as priests of the mother goddess. Their maleness had to be sacrificed or hidden in all celebrative "worship services."
Kairos tries to DISTANCE the Kairos time from Cronos or Chronos: Chronos is the grandfather of Kairos in the MYTH based religions and it is a mark that the harvest of fruits is RIPE for the pruning hook. The Greek word Mizmor or singing and playing is derived from the PRUNING HOOK. Chalal or Halal has the same meaning: "To play the flute, to steal your inheritance or harvest, to pollute or prostitute.
"I begin with Saturn, whom the Greeks call Kronos, which is almost the same as their word for Time (Khronos), and so from the earliest ages they have said that He is the God of Time. He is the Son of Heaven and Earth, Uranus and Gaea,
and became King of the Gods
when His mother gave Him the sickle to castrate His father
They landed in the sea, and Venus (Lucifer, Sophia- Zoe) was born of the froth churned from Heaven's seed, and so from that time all generation has been according to Her law, that is, by the intercourse of male and female.
"Saturn's sickle or scythe is a sign of harvest, which means that everything must be cut down at its proper Time, as He cut short His father's generative activity, and as in turn His reign was cut off by Jupiter. Saturn began in Babylonia and the Chaldee number of his/ HER name, STUR, is 666.
The Ancient Near Eastern texts and the rise of Sophia and Zoe is a way to emasculate the MALE Godhood. Zoe was the superior sister to the mindless logos. They forced the males to form MUSICAL WORSHIP TEAMS to worship the female goddess.
Saturn's sickle or scythe is a sign of harvest, which means that everything must be cut down at its proper Time, as He cut short His father's generative activity, and as in turn His reign was cut off by Jupite As a king in Italy He was older and wiser, and when His Time came again, He knew it, and secretly left the land. It is said that to this day "He lies in a magic sleep on a secret island near Britain, and at some future Time "(perhaps in the Reign of the Virgin), He will return to inaugurate another Golden Age. De Saturno
THE PURPOSE DRIVING PEPPERDINE WITH MIKE COPE TO LEAD THE DEFECTION
People who have declared their Driving Purpose as to destroy what they now call the ANTI-instrumental Churches of Christ boast about DESTROYING that which is the historic view of Scripture and historic churches. The Disciples-Christian NACC which Rick Gibson at Pepperdine invented the PSALLO word to justify the Instrumental "Music" Secrtarian Division.
REPEAT, REPEAT, REPEAT: Paul in Ephesians 4 said that the SOPHISTS (from whom God hides) as rhetoricians, singers and instrument players must be EXCISED because THEY LIE IN WAIT TO DECEIVE. That means that the have a HIDDEN AGENDA and it means that they LIE about all of the instrument passages in Scripture; they all MARK Satan as the only recorded IMPOSER of wind, string and percussion instruments to "make the lambs dumb before the slaughter.
THESE NEW NETWORKS OR SECTS WILL HAVE NAMES TO MINIMIZE OR REMOVE CHRISTRick Gibson: The simple, yet powerful, ideas of the Restoration Movement have been a guiding force for generations of preachers. Today, they provide the perfect framework for the current generation of preachers leading churches in post-denominational America.
A focus on Christ. Church autonomy. A high view of scripture. Unity.
- Jesus Christ preached the gospel of THE KINGDOM or Church of Christ.
- Church autonomy means that Rick Gibson and Mike Cope defrock elders so that preachers are free to join their new SECT.
- A High View of Scripture says "speak where the Bible speaks and be silent where the Bible is silent." The denounced Regulative Principle is the LOGOS which is the OPPOSITE of self-preaching, singing, playing instruments or melody in holy place.
- Unity: The One God the Father and One Son Jesus were UNITED because the Son spoke only what the Father breathed (spirit) into him. Jesus said that we must be UNITED based on speaking what Jesus commanded to be spoke. That does not produce unionism but division and hate.
- Rick Gibson, means UNITY with the INSTRUMENTAL sectarians but DISUNITY among the historic Churches of Christ.
Ephesians 5:6 Let no man deceive you with vain words:
for because of these things cometh the wrath [Orgy: singing, playing, acting]
of God upon the children of disobedience. [they disobey that which is written]
Ephesians 5:7 Be not ye therefore partakers with them.
Ephesians 5:8 For ye were sometimes darkness,
but now are ye light in the Lord: walk as children of light:
Ephesians 5:9 (For the fruit of the Spirit is in all goodness and righteousness and truth;)
Ephesians 5:10 Proving what is acceptable unto the Lord.
Ephesians 5:11 And have no fellowship with the unfruitful works of darkness, but rather reprove them.
Rick Gibson wants to add those apostacies of history but Scripture points to the will of the Lord. He and others THINK that if they imagine something it BECOMES the Will of the Lord.
Ephesians 5:16 Redeeming the time, because the days are evil.
Ephesians 5:17 Wherefore be ye not unwise,
but understanding what the WILL of the Lord is.
Ephesians 5:18 And be not drunk with wine, wherein is excess; [sport, skip, bound, frisk: Of style: “in qua (oratione]kat-auleô , A. charm by flute-playing, phobôi I will flute to you on a ghastly flute, E.HF871 of persons, drinking wine to the strains of the flute, Pl.R.561c;
II. in Pass., katauloumenon subdued by a flute accompaniment, to be piped down, ridiculed, gelômenoAlways the mark of a Gender-Variant priesthood:
hupauleô , play on the flute in accompaniment, melos [the MELODOY word]u. lusiôidos 1 one who played women's characters in male attire
Plutarch, Anthony 56 even so all players, minstrels, tumblers, fools, and festers, were commanded to assemble in the ile of Samos. So that, where in manner all the world in every place was full of lamentations, sighs, and tears, only in this ile of Samos there was nothing for many days' space but singing and piping, and all the theatre full of these common players, minstrels, and singingmen.but be filled with the Spirit; [Colossians 3 "The WORD of Christ]
Ephesians 5:19 Speaking to yourselves in psalms and hymns and spiritual songs,
singing and making melody in your heart to the Lord;
Ephesians 5:20 Giving thanks always
for all things unto God and the Father
in the name of our Lord Jesus Christ
Rick Gibson: "Seekers and believers alike seem to be drawn to these priorities as they abandon denominational loyalties.
Rick Gibson: It is exciting to see that these historic Restoration themes are animating a new generation of young preachers who are pleading with their churches to embrace the ideas that have historically shaped the churches of Christ. Preachers like Collin Packer from the Littleton Church of Christ in Colorado are encouraging their congregations to replace the sectarian, divisive, politically motivated agendas that have plagued our churches for decades with the powerful ideas of our Restoration Movement instead.
- He means the church of Christ which feeds his face. The use of vocal and instrumental performers is one of the most common features of most protestant denominations.
- Protestant denominations IMPOSED singing after John Calvin because none of the commanded Bible is metrical and could not be sung without radical rewriting.
- Protestant denominations denounce Churches of Christ as a CULT because it is faithful in confessing Christ in its name, denounces any kind of musical performance, observes the Lord's Supper each week and teaches that Jesus taught that He that believeth (complieth) and is baptized SHALL BE saved.
- Rick Gibson and Mike Cope denounce Churches of christ as SECTARIAN or divisive because it REFUSED to be forced to begin doing something faithful disciples have never done from the wilderness onward.
False teachers such as Mike Cope, Rick Atchley and John T. Willis have Conceived to Deceive if we believe Paul in Ephesians 4: the speakers, singers and instrument players LIE IN WAIT TO DECEIVE. So, no surprise that those who have been taught to "leave our movement" and join the instrumentalists have, after about two decaded, agreed with their professors who do not know nor care about Scripture but teach Theology. You cannot teach GodOlogy.
- The American Restoration movement has been deprived of HISTORY and twisted by all doctors of the law (who take away the key to knowledge). There is no document of Alexander Campbell which they have not perverted by proof-texting.
- It is a fact that Stone and Campbell held nothing in common in 1832 when a few men agreed to meet together because no group had become a musical sect.
- Alexander Campbell denied that there could be unity before the 1832 handshake.
- The 1832 agreed on the principle of not imposing anything into faith and practice which was not commanded by Scripture. This was quickly violated.
- Alexander Campbell said that there WAS any unity after the 1832 handshake.
- Fraternal agreement continued among some until the Disciples fell in with the Millerites and set up a missionary society to go save all of the Jews SO THAT Jesus could return in 1844.
- Scholars agree that there was no fraternal agreement after the 1849 society.
- Sectarian Division happened mostly in the Christian Churches and their effort to infiltrate and divert churches of Christ stopped any fraternal fellowship with those pledged to "take Tennessee for the organ and Society party within 5 years.
The NEW PATTERNISTS claim that history as in church councils or things that have been added to subvert Scripture should be RESTORED. However, John Calvin issued a call to Restor the Church of Christ by removing everything which had been ADDED down through history.
He means imposing the use of musical instruments which have shaped the Disciples-Christian churches. Churches of Christ understood that they were outlawed for the Church in the wilderness. They also know that you cannot obey the command to
- SPEAK "that which is written for our learning." Psalms are for teaching and not making music.
- ODE and PSALLO are in the HEART.
- Because SPEAK is the opposite and exclusive of ODE or Psallo, Paul repeats the command in 1 Corinthians 14 to BE SILENT and and speak to YOURSELF.
- Proven by the fact that singing (In that cantillation style) was IMPOSED from Syria in the year ad 373 and split the east from the west churches.
- Why would singing be DIVISIVE if there was a single command, example or remote inference of any of God's people ever gathering or synagogue to sing with or without instrumental noise.
- In Ephesians 4 the elders as Pastor-Teachers are to silence the craftsmen or sophists meaning speakers, singers or instrument players.
As we prepare the future of Bible Lectures and Church Relations at Pepperdine, Mike Cope and I are committed to doing all we can to build a network [SECT] around and supportive programs for these young preachers.In fact, after about three decades of sowing discord and the RACA words trying to Take an Axe to the ANTI-instrumental churches, they have had little impact other than those churches of the original PLOTTERS.
Though they have freed themselves from sectarian constrains,
many have chosen to stay with their churches. At least for now.
That sounds so Satanic: Charles Spurgeion could not find a word low enough for someone who would take pay from those he did not agree with. The PATTERN is that they will dribble out lies about Scripture and spread all of the RACA words to make it hard for anyone to not believe.In the coming years, churches of Christ will need to respond, demonstrably, to the Restoration cry coming from this young generation and in so doing may restore their full role of influence in the unfolding Christian story.
In fact, Christ did not GIFT preachers, worship ministers or deaconess on the STAFF to neuter those troubling vocational deacons and destroying Christ's plan
Dave Clayton is a fair-haired boy who under Lipscomb University and the Kairos Church-Planting Sect is marked by rejecting any and all connected with the historic Church of Christ which they have plotted in these end times while, like moles, burrow from within. All religious craftsmen in the WORLD'S religion based on MYTHS as opposed to LOGOS have cute NAMES but are MARKS for those with a right to KNOW:
WOE: for the devil is come down unto you, having great wrath, because he knoweth that he hath but a short TIME [kairon ekhei ETHOS.’] Rev. 12:12The Christian Story was revealed by the Spirit OF Christ in the Apostles: the pattern is defined both inclusively and exclusively of musically mocking Messiah, speaking beyond the SILENCE of that revelation, selling that Word or using instrumental performance which "makes the lambs dumb before the silence.
"Just remember: when you're reading your Greek Testament and come upon kairos: stop, look and listen, because the Holy Spirit is flashing a caution light, warning of a coming crisis, an eminent judgment. That's why Jesus used the word more than once to predict his own crucifixion." Quote
A. WHAT IS A DEVIL
daimonion , to, A. divine Power, DivinityII. inferior divine being, 2. evil spirit, “d. phaula
Opposite. agathos
Of Evil spirits d. phaula LXXDe.32.17, To.3.8, Ev.Matt.7.2
Prophēt-euō A. to be a prophētēs or interpreter of the gods, “manteueo, Moisa,
prophateusō d' egō”
Mousa almost always "daughters" II. mousa, as Appellat.,
music, song antilu^ros responsive to the lyre kanakha, of the flute,
Jesus and Peter said that Jesus of Nazareth would make these prophecies more certain and validate them and inspire the "memory left for us" by signs and wonders.
Paul said that A Church of Christ is built upon the Prophets and Apostles: that means that the only EDUCATIONAL resource for those "washed with water INTO the word (Logos) or into the School of Jesus Christ.
Peter said that those who do not teach what he and others left for our "memory" of the first hand revelation are FALSE teachers.
After the musical idolatry at Mount Sinai Moses wrote the STORY by denouncing the destruction (Bara) of the Heavens and earth by the ELOHIM or the false gods beginning in Sumer c. BC 4000.
The story UNFOLDS in Revelation 17 with the same Babylon Mother of Harlots being restored as goddess worship by women and effeminate males. Paul warns in Galatians 15 about these "emasculated" priests and in Revelation 18 they are "lusted after fruits." These are the same fruits of Amos 8. John calls the rhetoricians, singers and instrument players sorcerers and says that they will be cast alive into the Lake of Fire. Christ defined the Prophetic Type in Isaiah 30 where "wind, string and percussion instruments" are the MARKS of God driving His enemies into "hell."
Jesus called the Scribes and Pharisees, hypocrites by naming speakers, singers and instrument players in Ezekiel 33. He said that they were SONS OF THE DEVIL because they 'Spoke on their own.' The Spirit OF Christ outlawed Seeking your own pleasure (music) or even SPEAKING your own words. The Words of Christ are Spirit and Life. See Isaiah 58
Rick Atchley and Chris Seidman on the Instrumental Music Delusion
You cannot find a single "music" concept connected with God's Spiritual people from Genesis to Revelation.We sent them to youth rallies and Church of Christ events
with some of the finest Christian bands in the world.
We discipled our children to leave our Movement!
There are hundreds of passages which stamp religious speakers, singers and instrument players with the gender-variant priesthood.
Therefore, perhaps "a" spirit told Rick to IMPOSE on you what God IMPOSED on the Jews because of musical idolatry of the trinity at Mount Sinai.
Randy Lowry claims that LU, ACU, PEPPERDINE are BONDED TOGETHER and we add the NACC which has gained control over a small number of men intending to DECEIVE. Paul in Ephesians 4 commands that the elders EXCISE the cunning craftsmen or sophists (self-speakers, singers and instrument players" because he says THEY LIE IN WAIT TO DECEIVE.
The NACC "unity movement" movement and movers always came with their 'white paper' proving that God commanded instrumental music for the church and the fact is that "unity" demands that you declare that the instrumental sectarians were right after all and you WILL stop teaching against instruments.
- If you say that you heard a spirit tell you that God commanded congregational worship with instruments under the Monarchy or at any time from Genesis to Revelation including their quotes of Church Fathers.
- And God in fact DID NOT at any time command any kind of music as a way to worship Him.
- Then the Spirit OF Christ in Jeremiah 23 says that you DESPISE the Word of God meaning that you BLASPHEME.
IF YOU ARE "USING" MUSICAL WORSHIP MINISTERS DEFINED AS "ANDROGYNOUS" FROM BABYLON ONWARD, then the LEADER of the MUSES (dirty adulteresses as shepherdesses) and are USING stand-up and preside-over women then it is a FACT: Paul says that you cannot read BLACK text on BROWN Paper.
- 1 Timothy 2 Effeminate Males OUT Wrath or an ORGY.
- Women teach over or are Self-Speakers.
- Both believe that a god speaks to them beyond the sacred pages.
- The PURPOSE for all being silent is so that "all be saved or SAFE and come to a knowledge of the truth."
- The WORD or LOGOS is the truth.
- TO SILENCE SPEAKERS 1Timothy 2:5 For there is one God, and one mediator between God and men, the man Christ Jesus;
UNITY IN DIVERSITY IS A SATANIC PLOY
Jesus Christ gave the gift of teaching as the only Pastor-Teachers when there are APT men marked as being a Christian by "teaching that which has been taught."
IF you have APT and Godly elders they are commanded to EJECT "cunning Craftsmen or sophists." Jesus said that God HIDES from the wise or SOPHISTS: why would you HIRE a whole boat load of STAFF taking a wage for being a SOPHISTS. A SOPHIST is a Speaker, Singer, instrument player, actor or dancer.
The Greeks identified the SOPHIA (female holy spirit to the Jews) by music and a gender-variant priesthood. These are the WISE which Jesus said God HIDES FROM.
They were the OPPOSITE to the LOGOS people devoted to the WORD.
Romans 2:22 thou that sayest a man should not commit adultery, dost thou commit adultery?
thou that abhorrest idols, dost thou rob temples?
-Aristotle Poetics [941b] if convicted. Theft of property is uncivilized,
open robbery is shameless: neither of these has any of the sons of Zeus practiced,
through delight in fraud or force.
Let no man, therefore, be deluded concerning this or persuaded
either by poets or by any perverse myth-mongers into the belief that,
when he thieves or forcibly robs (churches), he is doing nothing shameful,
but just what the gods themselves do.1
That is both unlikely and untrue;
and whoever acts thus unlawfully is neither a god at all nor a child of gods;
1 Cp.Plat. Rep 378 ff., Plat. Rep. 388 ff. Hermes is specially in mind, as notorious for his thefts and frauds; cp. Homer Iliad 5. 390; 24. 395, etc. [Hermes is the mark of the New Hermeneutic: based on lies]
Hermes or Mercury is identified with KAIROS.
WHAT ARE ROBBERS?
lēst-ēs A. robber, pirate log-ismos , ho, YOUR III. reasoning power, [Epich.] 257.1, Democr. 187, X.Mem.4.3.11, Epicur. Sent.16, al.: freq. in Arist., to tōn anthrōpōn genos [zē] “kai tekhnē kai logismois” Metaph.980b28
Tekhne A. art, skill, cunning of hand. of a soothsayer, A.Ag.249 (pl., lyr.), Eu.17, S.OT389, etc.; “tekhnai heterōn heterai” Pi.N.1.25; “ōpase t. pasan” Id.O.7.50 make one's profession
3. way, manner, or means whereby a thing is gained, without any definite sense of art or craft
II. an art, craft make this his trade.
hoi tas t. tōn logōn suntithentes systems of rhetoric, Arist.Rh.1354a12, cf. Isoc.13.19, Pl.Phdr.271c, Phld.Rh.2.50 S., al.; hence title of various treatises on Rhetoric (v. VI; but rather tricks of Rhetoric,
Robbers Suntithēmi 3. construct or frame a story, compose , s. muthous, poiēsin, melōdian, orkhēsin,
I. put together for oneself, i.e. observe, give heed to, “suntheto thumō boulēn” Il.7.44; “phresi suntheto thespin aoidēn” Od.1.328; “emeio de suntheo muthon” 17.153; “sunthemenos rhēma” Pi.P.4.277;
Stark-Warlick Debate: Lipscomb like the "man of sin," he sits in the temple of God, says: "Thou shalt not." OR "rebellion is as the sin of witchcraft and stubborness is as iniquity and idolatry."
GOD IS NEVER SILENT:Robert Ballard and the NACC: and to refuse to permit that which God Himsef has (P93) SAID TO USE. To forbid their use, where God has SAID TO USE THEM, as in Eph. 5:19 and Col. 3:16 is flagrant sin (Rev 22:18:19)
John Mark Hicks and the whole crew of "scholars" not ready for prime time, love to say that NOT using instrumental noise in the School of Christ is just a bad tradition (a disease caught from your parents and you are too dumb to catch up) INVENTED by John Calvin Called the REGULATIVE PRINCIPLE. Of course, they missed ALL of the Bible which DISCARDS everyone who does not SPEAK THE SAME THINGS. They do not grasp that the COMMAND is to "use one mind and one mouth" to "teach that which is written for our learning" or Scripture for out COMFORT (Romans 15). For those who can read BLACK text on BROWN Paper, Paul and everyone EXCLUDES anything of doubtful disputation or private preferences because that destroys the UNITY produced by mutually confesses the Word of Christ specificially in the Prophets and Apostles. No one can have read the Prophets without seeing Christ radically condemning those who make vocal or instrumental noises when the ONLY called assembly was to "Rest, Read and Rehearse" the Word delivered to small groups.John Mark Hicks: The “progressives” used the principles of Scripture to regulate their practice while the “conservatives” followed the specifics of the Scripture as their regulatory authority. This difference regarding the regulative principle goes back to Geneva (Calvin) vs. Zurich (Zwingli). (See the resources at the end of the post to follow this debate in contemporary conservative Presbyterianism.)
The Christian Standard took the progressive (broader) view which emphasized principles and expediency while the Gospel Advocate took the conservative (stricter) view which emphasized specified authority and prohibitive silence.
The former saw instrumental music as an expediency (in both the Stone-Campbell and Presbyterian traditions) and the latter saw instrumental music as an apostate innovation that corrupted the worship of God (in both the Stone-Campbell and Presbyterian traditions).
CHRIST'S REGULATIVE PRINCIPLE
Logos computation, reckoning 2. statement of a theory, argument, ouk emeu alla tou l. akousantas prob. in Heraclit.50; logon ēde noēma amphis alētheiēs discourse and reflection on reality,
IV. inward debate of the soul, reflection, deliberation
Regulative and formative forces, derived from the intelligible and operative in the sensible universe,
Opposite to epithumia
A. desire, yearning, longing after a thing, desire of or for it, Theaomai :--gaze at, behold, mostly with a sense of wonder, 3. view as spectators
Opposite Pathos A. that which happens to a person or thing, incident, accident,
Opposite Poiein to excite passion, Arist.Rh.1418a12; V. Rhet., emotional style or treatment,
Opposite Enthousi-astikos , ē, on, A. inspired, “phusis” Pl.Ti.71e; esp. by music,
To the law and to the testimony: [Spirit in the prophets is the testimony Christ]Prose, OPPOSITE -poiêsis, Id.R.390a;
VI. verbal expression or utterance, lego, lexis
-Lexis A.speech, OPPOSITE ôidê
-ôidê, 1.art of song 5. = eppsdê, spell, incantation
4. text of an author, OPPOSITE exegesis [Peter's private interpretation outlaws exegesis]
Arist.En1142a26
OPPOSITE -poiêtikê, D.H.Comp.6; opp. poiêmata, onomatopoeic word
OPPOSITE emmetra Modus 2. The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode: Mūsĭcus a, um, adj., = mousikos.
X. the Word or Wisdom of God, personified as his agent in creation and world-government,
THE DIRECT CONDEMNATION FOR THOSE WITCHES WHO HEAR VOICES.
if they speak not according to this word, [DABAR-LOGOS]
it is because there is no light in them. Isa 8:20
Exodus 32 defines a Fall From Grace because of musical idolatry of the Egyptian etal trinity. God rescued Israel when His righteousness would leave them in Egypt to self destruct because they were more wicked than the nations.
God used Moses to mock all of the pagans who worshiped the creature rather than the Creator.
They exercised faith by following Moses through the Red Sea.
They were "baptized unto Moses" meaning that He was their leader.
After they were safe from Egypt or sin, God gave them Christ the Rock, Pillar and Manna to guide them.
At Mount Sinai God offered them The Book of The Covenant of Grace: this was the Abrahamic Covenant and had no priesthood or religious rituals.
They refused to listen to God and rose up "against" God in "play" or musical idolatry of Osiris, Isis (spirit mother) and Horus the son. Their image was the golden calf or calves.
Because of this instrumental Idolatry God gave them The Book of The Law to regulate the evil until He carried out the captivity and death sentence in Babylon.
There was no redemption for that generation and they died in the wilderness having lost the right to the promised land.
Moses was very learned and he began to write a seven-year history of the conflict between a Righteous God and Polytheism. This began with the attack upon the people God made free from superstition.
c ad 2000 is close to the exact end of Day Six which began after Israel fell into musical idolatry of the trinity and was lost beyond redemption as a nation. Moses began to tell the story of the Bara or CASTING DOWN of the heavens and earth into vanity and darkness (Ignorance). God would abandon the Jacob-Cursed Levi tribe to worship the starry host in connection with His abandonment of the Civil-Military-Clergy.
2 Peter 3:8 But, beloved, be not ignorant of this one thing,The year ad 4000 calculated by Bishop Usher is not the beginning of the universe but the beginning of God's timetable of a seven thousand year period as a number of perfection.
that one day is with the Lord as a thousand years,
and a thousand years as one day.
All of those "calculating" times give the year c. BC 2000 as the end of the six-days of WORK. Believers as disciples of Christ have been sheltered from the winds and storms have escaped the turmoils of external warfare and religionism by those OF THE WORLD: Jesus said that neither He nor those who were washed with water into the Word or into the School of Christ were OF the World.
A historic attack against those who have refused for 6,000 years to fall into the beginning and end-time Babylonianism. Suddenly those who have exercised almost supernatural power in convincing the "doctors of the law" whom Jesus said "take away the key to knowledge" that rather than CONDEMN the Bible and recorded history COMMANDS them to REVERT to the worship of the mother of harlots; she uses "lusted after fruits" (same as in Amos 8 and all clergy) as speakers, singers, instrument players and actors.
They say that YOU must pay them to be speakers, singers, instrument players and a dozen other craftsmen ministeries.
Jesus through John says that they are SORCERERS (the Babylon whore) who HAD deceived the world once and would be cast alive into the lake of fire.
They say that you must be dominated by speakers, singers, instrument players, actors and temple staff.
Jesus said that God HIDES from the wise or sophists: sophists are speakers, singers, instrument players and actors.
They say that they must perform RHETORIC and tell stories because you cannot understand propositional statements.
Jesus called the Scribes and Pharisees, hypocrites: in Ezekiel 33 Christ names speakers, singers and instrument players.
Many people believe them because they have powers which we cannot fully understand. Because they ridicule the Regulative Principle which is the LOGOS, they despise God who IS the Logos.
LOGOS means SPEAK (as in the never-musical passages) and is the opposite of self-referenced accounts or introductions "required to set you up." It is the opposite of poetry, singing, playing instruments or acting.
Many deny that because they have used grand WORKS of human hands to build an institution to attract the masses.
Jesus says that many (most) are called but few (almost non) are chosen or added to the church or the elect. He spoke only what the Father breathed (spirit) into Him and was murdered. Jesus commanded that we speak only what HE commanded and promised that this will not make you very popular.
Whatever the fault of individuals the Church of Christ has obeyed the command NOT to engage in "vocal or instrumental rejoicing" or self-speak beyond that which is written for our learning. No spiritual-minded Jew ever violated that command for common reverence until a liberal Rabi in Germany in the year ad 1815. Thankfully, the judge did not let him STEAL the synagogue which is the purpose driven goal to "infiltrate and divert your property into a theater for holy entertainment."
THE "GODS" WORSHIPPED BY THE ENEMIES OF GOD WHO DEMANDS NOTHING MORE THAT BEING A DISCIPLE
WOE: for the devil is come down unto you, having great wrath, because he knoweth that he hath but a short TIME [kairon ekhei ETHOS.’] Rev. 12:12
"Just remember: when you're reading your Greek Testament and come upon kairos: stop, look and listen, because the Holy Spirit is flashing a caution light, warning of a coming crisis, an eminent judgment. That's why Jesus used the word more than once to predict his own crucifixion." Quote
CHRONOS or Cronos was the Father of Time [Roman Saturn]. His Son was Zeus the world ruler. Zeus' son was Kairos. KAIROS almost always speaks of the RIGHT TIME for an attack Christ and His Disciples and the TIME when He will carry out the final end of those who worship the gods of the WORLD or of the KOSMOS
Don't worry that we are speaking of myth: myth is the mother of all WORLD ORDER religion. Myth is defined as the opposite of LOGOS. Whey the world religions had many Gods we are told that there id ONE GOD THE FATHER. He has no wife (spirit) as mother nor does he breed children OF the World.
In preparation for c. ad 2000, there was and is a massive effort to denounce that God has the right to Command, Example or even Infer for those who know the meaning of a Disciple. A Son obeys His father and does not revolt.
The LOGOS is defined as the Regulative principle and is the OPPOSITE of all of the rhetorical and musical rituals imposed by lying that God comanded them. Jesus gave only Elders as Pastor-Teachers of each flock. Their first duty is to exclude the cunning craftsmen or SOPHISTS: again sophists are speakers, singers and instrument players. Paul writes in Ephesians that they are not what you THINK THEY ARE: He says that they LIE IN WAIT TO DECEIVE.
You will see that Cronos is pictured almost the same as grandson, Kairos: He has the Pruning hook an Kairos may signal that it is time to thrust in the sickle and reapIt the greek mythology Cronos was the god of the Time and Saturno. Also he was the god of the ages (from golden to bronze). He was similar to Zeus, with the form of an old man with long hair and white beard. Cronos was a son of Gea, and he was the father of Caos, Eter and Érebo. His brothers were called Titans. Cronos was married with the Titans Rea. They had got seven children, called: Hestia, Démeter, Hero, Hades, Poseidon and Zeus. He ate all his children, except Zeus, in order that they did not have more power than he.
Zeus : a study in ancient religion""I begin with Saturn, whom the Greeks call Kronos, which is almost the same as their word for Time (Khronos), and so from the earliest ages they have said that He is the God of Time. He is the Son of Heaven and Earth, Uranus and Gaea,
and became King of the Gods
when His mother gave Him the sickle to castrate His father
They landed in the sea, and Venus (Lucifer, Sophia- Zoe) was born of the froth churned from Heaven's seed, and so from that time all generation has been according to Her law, that is, by the intercourse of male and female.
The Ancient Near Eastern texts and the rise of Sophia and Zoe is a way to emasculate the MALE Godhood. Zoe was the superior sister to the mindless logos. They forced the males to form MUSICAL WORSHIP TEAMS to worship the female goddess.
"As a king in Italy He was older and wiser, and when His Time came again, He knew it, and secretly left the land. It is said that to this day "He lies in a magic sleep on a secret island near Britain, and at some future Time
"(perhaps in the Reign of the Virgin), He will return to inaugurate another Golden Age. De Saturno
The BEAST is defined as "A new style of music or Satyric Drama." Its NUMBER is the NAME and Apollyon as leader of the Muses derived from Phthagorias the inventer of the KOSMOS or COSMIC worship. He-they are silenced in Romans 14 to enable the ekklesia or synagogue in Romans 15.
Ăpollo , ĭnis (earlier Ăpello , = Apollōn, Apollo, son of Jupiter [ZEUS] and Latona, twinbrother of Diana, and god of the sun. On account of his omniscience, god of divination; and since he communicated oracles in verse, god of poetry and music, presiding over the Muses,Hislop 73 To those who were initiated the god was revealed; to all else he was hidden. Now, the name Saturn in Chaldee is pronounced Satur; but, as every Chaldee scholar knows, consists only of four letters, thus--Stur. This name contains exactly the Apocalyptic number 666:--
- S = 060
- T = 400
- U = 006
- R = 200
- -------------
- 666
Apollōn , ho, Apollo: gA.“Apollō” IG1.9, al., A.Supp.214, S.OC1091, Tr.209 (lyr.) (mostly in adjurations, nēton Apollō, etc.), “Apollōna” Pl.Lg.624a, freq. later, Agatharch.7, etc.: voc. “Apollon” Alc.1, A.Th.159(lyr.), Cratin.186, etc.; “Apollōn” A.Ch.559; cf. Apellōn, Aploun. [The music of Apollo WASHES in the pagan systems] II. Pythag. name of a number,Saturn was the parents of Jupiter, Neptune, Pluto, Juno, Ceres and Vesta
Jupiter Marduk
Isaiah 17:7 At that day shall a man look to his Maker,
and his eyes shall have respect to the Holy One of Israel.
Isaiah 17:8 And he shall not look to the altars, the work of his hands,
neither shall respect that which his fingers have made,
either the groves, or the images.
Isaiah 17:9 In that day shall his strong cities be as a forsaken bough, and an uppermost branch,
which they left because of the children of Israel: and there shall be desolation.
Isaiah 17:10 Because thou hast forgotten the God of thy salvation,
and hast not been mindful of the rock of thy strength,
therefore shalt thou plant pleasant plants, and shalt set it with strange slips:
Isaiah 17:11 In the day shalt thou make thy plant to grow,
and in the morning shalt thou make thy seed to flourish:
but the harvest shall be a heap in the day of grief and of desperate sorrow.
Isaiah 17:12 Woe to the multitude of many people,
which make a noise like the noise of the seas;
and to the rushing of nations,
that make a rushing like the rushing of mighty waters!
sŏno , to make a noise, to sound, resound: aes sonit, the trumpet sounds, Enn. ap. Non. 504, 33 (Trag. v. 213 Vahl.): “plectra,” Prop. 4 (5), 7, 62. tympana,
plēctrum , i, n., = plēktron I. A little stick with which the player struck the chords of a stringed instrument, a quill, plectrum
naris cornibus illis qui resonanta lyre or lute; also a lyric poem, lyric poetry: “plectro modulatus eburno,
Isaiah 17:13 The nations shall rush like the rushing of many waters:
Isaiah 18:1 Woe to the land shadowing with wings, which is beyond the rivers of Ethiopia:
but God shall rebuke them, and they shall flee far off,
and shall be chased as the chaff of the mountains before the wind,
and like a rolling thing before the whirlwind.
Isaiah 17:14 And behold at eveningtide trouble; and before the morning he is not.
This is the portion of them that spoil us, and the lot of them that rob us.
Isaiah 18:2 That sendeth ambassadors by the sea, even in vessels of bulrushes upon the waters, saying, Go, ye swift messengers, to a nation scattered and peeled, to a people terrible from their beginning hitherto; a nation meted out and trodden down, whose land the rivers have spoiled!
Isaiah 18:3 All ye inhabitants of the world, and dwellers on the earth, see ye,
when he lifteth up an ensign on the mountains; and when he bloweth a trumpet, hear ye.
Isaiah 18:4 For so the LORD said unto me, I will take my rest,
and I will consider in my dwelling place like a clear heat upon herbs, and like a cloud of dew in the heat of harvest.
Isaiah 18:5 For afore the harvest,
when the bud is perfect,
and the sour grape is ripening in the flower,
he shall both cut off the sprigs with pruning hooks,
and take away and cut down the branches.
H4211 mazmêrâh maz-may-raw' From H2168 ; a pruning knife:—pruning-hook.Isaiah 18:6 They shall be left together unto the fowls of the mountains,
H2168 zâmar zaw-mar' A primitive root (compare H2167 , H5568 , H6785 ); to trim (a vine):—prune.
H2167 zâmar zaw-mar' A primitive root (perhaps identical with H2168 through the idea of striking with the fingers);
properly to touch the strings or parts of a musical instrument,
that is, play upon it; to make music, accompanied by the voice;
hence to celebrate in song and music:—give praise, sing forth praises, psalms.
and to the beasts of the earth: and the fowls shall summer upon them,
and all the beasts of the earth shall winter upon them.
bestĭa , 2 As a term of reproach (cf. belua and our beast): “mala tu es bestia,” Plaut. Bacch. 1, 1, 21; id. Poen. 5, 5, 13.—And, humorously, of the odor of the armpits (cf. ala and caper), Cat. 69, 8.—Isaiah 18:7 In that time [kairos] shall the present be brought unto the LORD of hosts of a people scattered and peeled,
the condemnation to fight with wild beasts, “bestiarum vocabulum proprie convenit leonibus, pardis et lupis, tigribus et vulpibus, canibus et simiis ac ceteris, quae vel ore vel unguibus saeviunt, exceptis serpentibus,
tempus , ŏ b n partic., the time, i. e. the fitting or appointed time, the right season, proper period, opportunity, = kairos: “nunc occasio est et tempus,” Plaut. Ps. 4, 2, 3: “tempus maximum est, ut, etc.,”and from a people terrible from their beginning hitherto;
A. tempŏrē , and more freq in adverb. form, tempŏrī or tempĕrī , at the right or fitting time, at the appointed time, in time, betimes, timely, seasonably: “
a nation meted out and trodden under foot,
whose land the rivers have spoiled,
to the place of the name of the LORD of hosts, the mount Zion.
GOD IS ALWAYS VOCAL AND RIGHT ON TIME
c ad 2000 is close to the exact end of Day Six which began after Israel fell into musical idolatry of the trinity and was lost beyond redemption as a nation. Moses began to tell the story of the Bara or CASTING DOWN of the heavens and earth into vanity and darkness (Ignorance). Revelation 17 has Jesus tell Moses about the end time Babylon mother of harlots. This includes the UNLEAHSING of Abaddon and the locusts or muses who begin to consume those with the Mark of the Beast (A new style of music and Satyric Drama) and drive out those marked by the blood and the WORD. That is the Logos or regulative principle: it forbids Rhetoric, singing and instrument playing ALL needed to BUY and SELL the Word at wholesale or polluting the Word.
HERE IS THE C.AD 4000 TIME OR KAIROS-ETHOS WITH A SHORT TIME.
Rev. 12:12 Therefore rejoice, ye heavens, and ye that dwell in them.
Woe to the inhabiters of the earth and of the sea!
for the devil is come down unto you, having great wrath,
because he knoweth that he hath but a short TIME [kairon ekhei ETHOS.’]
All of these men have spread the "Instrumental Music" delusions which is how Paul defines those whom God has sent strong delusions. Who has been more slandered and blasphemed for almost exactly 100 years than what they call ANTI-instrumental churches of Christ. Those who refuse to confirm or conform are defined as fair gain to take the AXE to the whole tree says the NACC.
KAIROS IS THE DEMON OR DEVIL SON OF ZEUS THE GOD OF THE COSMIC WORSHIPERS. Kairos is the grandson of Cronos or Chronos the father God of TIME.
KAIROS (or Caerus) was the spirit (daimon) of opportunity, the youngest divine son of Zeus. He was depicted as a youth with a long lock of hair hanging down from his forehead, which indicated that Opportunity could only be grasped as he approached.
daimôn , A. “daimōn” S.OC1480 (lyr.), “daimon” Theoc.2.11, ho, hē, god, goddess, of individual gods or goddesses
p. 59.1 :—but more freq. of the Divine power (while theos denotes a God in person), the Deity, cf. Od.3.27;
genomenō mustagōgos tou biou” Manes
spiritual or semi-divine being inferior to the God evil spirit, demon, Ev.Matt.8.31,
ēthos Not ethical but tactful
2. disposition, character, moral character, OPPOSITE dianoia, Arist.EN1139a1; as the result of habit, “to pan ē. dia ethos” Pl.Lg.792e, d. dramatis persona, eisagei andra ē gunaika ē allo ti ē. Arist.Po.1460a11, al.of departed souls,
A.timely, “apaggeliai” 2. narrative, recital, description, lyric poetry is said to be “di' apaggelias autou tou poiētou” Pl. R.394c The dithyramb was technically a poem in honor of Bacchus.2. appropriate to certain times or seasons, seasonable, “anthē”b. Astrol., belonging to the kairos or chronocratory, planetary hours or chronocratories, probably of Egyptian origin “k. Khronoi Aphroditēs”
Aphroditē [i_, hē, （aphros)
II. as Appellat., sexual love, pleasure, Od.22.444; “hup' Apollōni [ABADDON] psauein Aphroditas” Pi.O.6.35; “erga Aphroditēs” h.Ven.1,9, etc.; ma tēn A., nē tēn A., a woman's form of oath, Ar.Lys.208, Ec.189, etc.
III. ho tas Aphroditas astēr] the planet Venus [Zoe, Lucifer], cf. Pl.Epin.987b, Arist.Metaph.1073b31, [of the wandering stars or planets, planes or deceivers.
Plat. Epin. 987b For indeed they have received titles of gods: thus, that Lucifer, or Hesperus（which is the same, should almost belong to Aphrodite, is reasonable, and quite befitting a Syrian lawgiver; and that that which follows the same course as the sun and this together should almost belong to Hermes.I. (“kairos” 11) in Hom. always of Place, in or at the right place, hence of parts of the body,
kairion a vital part, Il.8.84,326; “en kairiō” 4.185; “ho aukhēn esti tōn kairiōn” X.Eq.12.2, cf. 8 (Sup.);
of wounds, mortal, kairiē (sc. plēgē）“ tetuphthai” Hdt.3.64;
“peplēgmai kairian plēgēn” A.Ag.1343; kairias plēgēs tukhein ib. 1292, cf. X.Cyr.5.4.5;
kairias (v.l. -ious）“ sphagas” E.Ph.1431; Slaughter, sacrifices, cut throat (heresy)
ekhein tēn kataphoran k. Plb.2.33.3; Downward Sword, tirade, Fall,
butalso, grave, serious, nousēmata, trōmata, Trauma, wound, hurt, intent to murder
generally, “kairiōtatēs teteukhenai Khōras” Theol.Ar.44.II. of Time, in season, timely, “heuriske tauta kairiōtata einai” Hdt.1.125,
Khrē legein ta k. A.Th.1, cf. Ch.582; kairioi sumphorai ib.1064; [3. rarely in good sense, good luck, happy issue,
“ei ti k. legei” S.Ant.724; dran, phronein ta k., Id.Aj.120, El.228 (lyr.);
“kairios spoudē” Id.Ph.637; “Making Haste, zeal for the conflicting arguments
-ōtera boulē” E.Heracl.471; [Killing children: Heirs]
“k. enthumēma” Reasoning, Device, syllogism, inference X. HG4.5.4; to aei k. Id.Cyr.4.2.12, etc.; pros to k., = kairiōs, S.Ph. 525;
critical, auta ta k. ekhōn hekkaideka (sc. etē)
kairian d' hēmin horō steikhousan Iokastēn
coming at the right time, S.OT631; The city is mine too, not yours alone. Time to settle the feud.
“kairios ēluthes” E.El.598; time "to avenge myself on my father's murderer"
kairia (Dind. for kai doria） ptōsimos falling at the exact or fatal moment, A. Ag.1122 (lyr.);
ta k. timely circumstances, opportunities to fight battles, Th.4.10; emergencies,2. lasting but for a season, AP12.224 (Strato).III. chief, principal, “ta kairiōtata tōn klēmatōn”IV.Adv. -riōs in season, seasonably, “k. eirēmenon” A.Ag.1372;“
time for eirēmena muthologeuein”
skopein” E.Rh.339: His mere appearance would cause a panic among the foe.
Comp. “-ōterōs” X.Cyr.4.5.49. And if it seems that we are of more use to you by fighting with you on horseback,
2. mortally, “outasmenos” A.Ag.1344, Silence! Who is this that cries out, wounded [plēgēn] by a mortal blow?
cf. Plb.2.69.2. fight with trauma, intent to murder
PersEnc. isocrates A degree of relativism underlies his belief that rhetoric should concern itself with what is appropriate (prepon) and comes at the right time (kairos). But like Plato Isocrates attacks “sophists” (whom he sees as rivals) for having no moral values
He comes at critical or dangerous moment Like Hermes [Who makes the thief, protector of thieves] , he has wings in his feet to fly with the wind. Caerus is sometimes considered a daimon spirit rather than a God due to his aggressive nature towards humans. He sought to drink their blood, killing many to do so. Kairos or Caerus is the yougest son of Zeus: as the new spawn pronounces Je-Zeus to foul you. But once he has passed by, no one can grasp him, the back of his head being bald. The Always "mother goddess" name is Occasio. As a sign to men that I am sharper than any sharp edge.
Diabol-os , on,A. slanderous, backbiting, “graus” “-ōtatos” Ar.Eq.45; diabolon ti, aliquid invidiae, And.2.24; “to d.”II. Subst., slanderer, enemy, LXX Es.7.4, 8.1: hence, = Sâtân, ib.1Chr.21.1; the Devil, Ev.Matt.4.1, etc.III. Adv. “-lōs” injuriously, invidiously, Th.6.15; “khrēsthai tini”
GRAUS IS ZOE THE BEGINNING TIME EVAH MEANING ABOMINATION WHO WAS WHOLLY SEDUCED BY THE SERPENT:
Graus ZOE prov., graōn huthlos old wives' fables, Pl.Tht.176b:
II. scum of boiled milk, Id.Pl. 1206,
IV. kind of locust, “g. seriphos”Plat. Lysis 205d being himself the offspring of Zeus and of the daughter of their deme's founder; such old wives' tales, and many more of the sort, Socrates,--these are the things he tells and trolls, while compelling us to be his audience.
When I heard this I said: Oh, you ridiculous Hippothales, do you compose and chant a triumph song on yourself, before you have won your victory?
Nikolaitans are Clergy ruling over the Laity. The 'spritus' that guides them is that of Abaddon or Apollyon. He is the leader of the MUSES and music always intended to make the LAMBS dumb before the slaughter.
Ni_kaō of orators, “nika . . ho kakos en plēthei legōn” E.Or.944;
II. c. acc., conquer, vanquish, “Hektora” Il.7.192,
2. generally, overpower, esp. of passions,
“mē phobos se nikatō phrenas” A.Eu.88,
Phobos , ho, (phebomai) “edōk' Apollōn thēras phobō” Pi.P.5.61; of the person who feels fear, phobon labein, ekhein
2. Phobos personified, as son of Ares, Il.13.299; “Deimos te Ph. te” 11.37, cf. 4.440, 15.119, Hes.Th.934, A.Th.45; worshipped at Selinus,
Pind. P. 1 Golden lyre, rightful joint possession of Apollo [Abaddon, Apollyon] and the violet-haired Muses [Locusts, adluteresses, Shepherdesses], to which the dance-step listens, the beginning of splendid festivity; and singers obey your notes, whenever, with your quivering strings, you prepare to strike up chorus-leading preludes....In such a way may a god be the preserver of Hieron for the time that is still to come, giving him the opportunity for all he desires. Muse, hear me, and beside Deinomenes sing loud praises for the reward of the four-horse chariot. The joy of his father's victory is not alien to him. [60] Come, let us devise a friendly song for the king of Aetna Kronos , ho,
Cronos, KAIROS
2. ho tou K. (sc. astēr) the planet Saturn, Id.Metaph.1073b35, Mu.392a24, 399a11; so later Kronos, ho, Placit.2.32.1, Cleom.2.7; hē tou K. hēmera Saturday, D.C.37.16.
- "By "melody he means to celebrate the contest between Apollo and the dragon, setting forth the prelude as anakrousis, the first onset of the contest as ampeira, the contest itself as katakeleusmos, the triumph following the victory as iambus and dactylus, the rhythms being in two measures, one of which, the dactyl, is appropriate to hymns of praise, whereas the other, the iamb, is suited to reproaches (compare the word "iambize"), and the expiration of the dragon as syringes, since with syringes (reed or brass pipes related to the serpent) 4 players imitated the dragon as breathing its last in hissings. 5 (Strabo Geography 9.3.10)
Thērion , III. as a term of reproach, beast, creature, “ō deilotaton su thērion” Ar.Pl.439, cf. Eq.273; “kolaki, deinō thēriō” Pl.Phdr.240b; “Krētes, kaka th.” Epimenid.1; dusnouthetēton th., of poverty, Men. Georg.78; “hē mousikē aei ti kainon thērion tiktei” Anaxil.27, cf. Eup.132; ti de, ei autou tou thēriou ēkousate; said by Aeschines of Demosthenes, Plin.Ep.2.3.10; th. sunestiōmenon, of woman
Surigx , iggos, hē,
A. shepherd's pipe, Panspipe, “aulōn suriggōn t' enopē” Il.10.13; “nomēes terpomenoi surigxi” 18.526; “suriggōn enopē” h.Merc.512; “hupo ligurōn suriggōn hiesan audēn” Hes.Sc.278; “ou molpan suriggos ekhōn” S.Ph.213 (lyr.); kalaminē s. Ar.Fr.719; “kat' agrous tois nomeusi surigx an tis eiē” Pl.R.399d.
2. cat-call, whistle, hiss, as in theatres, Id.Lg.700c; cf. “surizō” 11.2, surigmos:—the last part of the nomos Puthikos was called surigges, prob. because it imitated the dying hisses of the serpent Pytho, Str.9.3.10.Greek Music: The prevailing doctrine of ethos, as explained by ancient Greek philosophers such as Plato and Aristotle,
was based on the belief that music has a direct effect upon the soul and actions of mankind.
As a result, the Greek political and social systems were intertwined with music, which had a primary role in the dramas of Aeschylus, Sophocles, Euripides, and Aristophanes.And the Grecian educational system was focused upon musica and gymnastica,the former referring to all cultural and intellectual studies, as distinguished from those related to physical training. (See ethos, dramatic literature.)
In Greek mythology, there are some eighty such mythological characters connected with some kind of "mythical sound event" (Restani 1995). These events tend to gravitate around a few pivotal figures (like the Muses and Apollo Abaddon, apollyon) and the euretai, inventors of musical instruments: Athena (aulos), Hermes (lyra and syrinx), Pan (syrinx), Cybele (tympana), Tyrrhenian (salpinx). The events emphasize also two main themes.
LEGALISM:
The first is the teaching, conservation, control and transmission of the mousike,
prohibitions and transgressions included;
the second concerns the effects of sound on the performer and the audience, like, for instance, oblivion (Sirens), delight and sorrow (Phoemius and Demodox), bewitchment (Orpheus), calm (Achilles), attraction (Amphion), trance (Dionysus).
It is IMPOSSIBLE to understand that a Christian is a Disciple and Disciples are to be taught what Jesus commanded to be taught: that is the prophets by the Spirit OF Christ and the prophecies made more certain by Jesus and left for our MEMORY by the Apostles. There A CHURCH OF CHRIST is built up or EDUCATED by the Prophets and Apostles.
Orpheus enchants the Thracians. Berlin,
Antikenmuseum, 3172 (detail)
THE SIGN OF THE TIMES? We Begin with SABBATH musical "worship."
Baccho . . . Apolline: abl. of cause with insignis.—Thebas: according to the myth Bacchus was born at Thebes.—Delphos: the seat of the famous oracle of Apollo.
Apollo is Abaddon or Apollyon who UNLEASHES the Locusts or Muses in John's world..THE WATCHING WORLD IS "AMAZED" AT THE WONDERS PERFORMED AT THE LIBERAL COLLECTION OF THE MASSES. Never count your catch until you see whether you are FEEDING the Lambs or ENTERTAINING the Goats--the cappellas which are in fact she-goats.
Ăpollo , ĭnis (earlier Ăpello , like hemo for homo, Paul. ex Fest. p. 22 Müll.;
= Apollōn, Apollo, son of Jupiter and Latona, twinbrother of Diana, and god of the sun. On account of his omniscience, god of divination; and since he communicated oracles in verse, god of poetry and music, presiding over the Muses,
Kronos , ho, Cronos, KAIROS
2. ho tou K. (sc. astēr) the planet Saturn, Id.Metaph.1073b35, Mu.392a24, 399a11; so later Kronos, ho, Placit.2.32.1, Cleom.2.7; hē tou K. hēmera Saturday, D.C.37.16.
THE SIGN OF THE TIMES? We Begin with SABBATH musical "worship."
Baccho . . . Apolline: abl. of cause with insignis.—Thebas: according to the myth Bacchus was born at Thebes.—Delphos: the seat of the famous oracle of Apollo.
Apollo is Abaddon or Apollyon who UNLEASHES the Locusts or Muses in John's world..
Ăpollo , ĭnis (earlier Ăpello , like hemo for homo, Paul. ex Fest. p. 22 Müll.;
= Apollōn, Apollo, son of Jupiter and Latona, twinbrother of Diana, and god of the sun. On account of his omniscience, god of divination; and since he communicated oracles in verse, god of poetry and music, presiding over the Muses,
THE SIGN a charismatic leader
Insignis , e, adj. in-signum, I. distinguished by a mark; remarkable, noted, eminent, distinguished, prominent, extraordinary “totā cantabitur urbe,” i. e. notorious, Hor. S. 2, 1, 46: “spectaculum,” Tert. Spect. 12: “religio,”
insignĭter , remarkably, extraordinarily, notably
canto , to produce melodious sounds (by the voice or an instrument), to sound, sing, play (class. in prose and poetry; rare in Cic.). “saltare et cantare,” Cic. Cat. 2, 10, 23: for imagination, fiction, Juv. 4, 35.
III. In the lang. of religion, as v. n. or a., to use enchantments, charms, incantations, to enchant, to charm, “cantata Luna,” exorcised by magic, Prop. 4 (5), 5, 13
Spectācŭlum exposed to public view, in the sight of all,If you say that God commanded or permitted musical instruments when Scripture from Genesis to Revelation attributes it to the Serpent (Zoe) as the singing and harp-playing prostitute then you do so despise the Word of God and that is defined as blasphemy.
A. Lit., in the theatre, circus, etc., a public sight or show, a stageplay, spectacle (cf.: “munus, ludi, fabula): spectacula sunt tributim data,” Cic. Mur. 34, 72: “scenae,” Ov. A. A. 3, 351: “ludorum, “resonant spectacula plausu,” Ov. M. 10, 668:
C. A wonder, miracle: spectacula septem, the seven wonders of the world: “
From Genesis to Revelation, the use of machines to make a twang, clang, blow or tinkling sound has been the exclusive assignment of females or if men "drunk, perverted or just mocking other" including Jesus Christ. This vocal or instrumental rejoicing with less than manly rhetoric, in the Bible and recorded traditions, has as its "father-mother" the Devil--who speaks on his own--and his angels.
It is not possible to make a MUSIC connection to the Church of Christ (the Rock) from the wilderness onward without telling the Spirit OF Christ that He is a liar. If you say that God commanded "instrumental praise" (Rick Atchley and followers), and God in fact has ABANDONED those-and-these of his proof text to Worship the Starry Host (Missed Acts 7?). This was the Apollo, Abaddon, Apollyon and Dionysus Sabazianism or Star Worship to which the Civil-Military-Complex was abandoned without redemption because of instrumental idolatry at Mount Sinai.
END TIME FULFILLED
No one PLAYS harps in Revelation: when you hear these SOUNDS the angel to the LIVING warns that JUDGMENT has come and time is short so PREACH the Gospel to all nations (no music in the good news)
Revelation 18:1 And after these things I saw another angel come down from heaven, having great power; and the earth was lightened with his glory.Revelation 18:2 And he cried mightily with a strong voice, saying, Babylon the great is fallen, is fallen, and is become the habitation of devils, and the hold of every foul spirit, and a cage of every unclean and hateful bird.
Paul said that the MUSICAL IDOLATRY at Mount Sinai was DEMON WORSHIP.
James 2.[19] You believe that God is one. You do well. The demons also believe, and shudder.
James 19 supisteueishotiheistheosestin; kalōspoieis: kaita A. daimoniapisteuousinkai B. phrissousin.Especially in education and accomplishments which is the OPPOSITE of “sophos, hoi gar en sophois phauloi par' okhlō mousikōteroi legein”
A. WHAT IS A DEVIL
daimonion , to, A. divine Power, DivinityII. inferior divine being, 2. evil spirit, “d. phaula
Opposite. agathos
Of Evil spirits d. phaula LXXDe.32.17, To.3.8, Ev.Matt.7.2
Prophēt-euō A. to be a prophētēs or interpreter of the gods, “manteueo, Moisa,
prophateusō d' egō”
Mousa almost always "daughters" II. mousa, as Appellat.,
music, song antilu^ros responsive to the lyre kanakha, of the flute,
"In cultic action music was used in preparation for prophecy. Julius Firmicus Maternus refers to this fact in his remarks on an African cult.
- With the air full of flute music,
- the priests would put on women's clothing and
- then call on the goddess so that,
- filled with a wicked spirit, they might
- predict the future to foolish men.
"In considering this cultic background it is necessary to understand the view of music as dispositive to divination, a view which derives from pagan philosophy. (Quasten, Johannes, pg. 40)
"Singing served as a means of inducing ecstatic prophecy
Thus the essential relationship between music and prophecy can be clearly seen.
This relationship also explains why the expression for "making music" and "prophesying" was often identical in the ancient tongues. origen contra celsum 8.67.The Hebrew word Naba signifies not only "to prophesy" but also "to make music." (Quasten, Johannes, Music and Worship in Pagan and Christian Antiquity, p. 39)
Plat. Laws 757a There is an old and true saying that “equality produces amity,” which is right well and fitly spoken; but what the equality is which is capable of doing this is a very troublesome question, since it is very far from being clear.
Revelation 18:3 For all nations have drunk of the wine of the wrath of her fornication,
and the kings of the earth have committed fornication with her,
and the merchants of the earth are waxed rich through the abundance of her delicacies.
Wrath: Orgi-a , iôn, ta, secret rites, secret worship, practised by the initiated, of the rites of the Cabeiri [homosexuals] and Demeter, of Orpheus, of Cybele, most freq. of the rites of Dionysus .2.81, E.Ba.34, al., Theoc.26.13.
II. generally, RITES, orgia Mousôn [Rev 18:22] Ar.Ra.356 . Aphroditês [similar to Lucifer or Zoe].
Org-aô I. to be getting ready to bear, growing ripe for something,II. of men, like sphrigaô, swell with lust, wax wanton, be rampant, ho ep' aphrodisiois mainomenos . . orgôn Poll.6.188 ; of human beings and animals, to be in heat, desire sexual intercourse, .
2. generally, to be eager or ready, to be excited, Lakedaimoniôn orgôntôn emellon peirasesthai Th.4.108 ; orgôntes krinein judge under the influence of passion,
Aphrodisiois mainomenos . .
Aphrodisios [From Aphroditê]
I. belonging to Aphrodite,
II. Aphrodisia, ta, sexual pleasures, .
2. a festival of Aphrodite,Aphrodisiois mainomenos . .
Mainomai I. to rage, be furious, Hom.; ho maneis the madman, Soph.: to be mad with wine, Od.:--of Bacchic frenzy, Il., Soph.; hupo tou theou m. to be driven mad by the god, Hdt.; to mainesthai madness, Soph.; plein ê mainomai more than madness, Ar.:--c. acc. cogn., memênôs ou smikran noson mad with no slight disease, Aesch.The instrumental sowers of discord would say DON'T CREATE CONFLICT: Resolve it by COLLABORATING.
Revelation 18:4 And I heard another voice from heaven, saying, Come out of her, my people, that ye be not partakers of her sins, and that ye receive not of her plagues.
plēg-ē , Dor. pla_ga , hē, (plēssō) A.blow, stroke, “peplēgōn plēgēsin” Il.2.264, etc.; “pan herpeton plēgē nemetai” Heraclit.11, cf. Pl.Criti. 109b,
2. stroke by lightning, Hes.Th.857 (pl.); plagai sidarou strokes of axe or sword, Pi.P.4.246, O.10(11).37; “kludōniou . . plēgais” A.Th.796; sternōn plagai beating of breasts, S.El. 90
3. stroke or impression on the ears or eyes, Pl.Ti.67b, Plu. 2.490c, etc.; “hai noēseis tupoi esontai: ei de touto, kai epaktoi kai plēgai” Plot.5.5.1.
klazō , fut. 5. less freq. of articulate sound, allo mēkhar . . mantis eklagxen shrieked forth another remedy, A.Ag.201 (lyr.); Zēna . . epinikia klazōn sounding loudly the song of victory in honour of Z., ib.174 (lyr.).
3. of things, as of arrows in the quiver, clash, rattle, “eklagxan d ar' oistoi” Il.1.46; of the wind, whistle, “aipsa gar ēlthe keklēgōs Zephuros” Od.12.408; of wheels, creak, A. Th.205 (lyr.): c.acc. cogn., klazousi kōdōnes phobon ring forth terror, ib.386; ti neon eklage salpigx . . aoidan; B.17.3; of the sea, roar, “eklagen de pontos” Id.16.127; of the musician, “kithara klazeis paianas melpōn” E.Ion905 (lyr.); of Pan on his pipes, h.Pan.14; klazeis melisma luras (of the tettix) AP7.196 (Mel.).4. of men, shout, scream, “oxea keklēgōs” Il.2.222, 17.88: c. acc. cogn., shout aloud, ring forth, “klazontes Arē” A.Ag.48 (anap.); “goon” Id.Pers.948 (lyr.); Zeus eklagxe brontan pealed forth thunder, Pi.P.4.23; also “eklagxe kear oloaisi stonakhais” Id.Pae.8.20.
Plat. Tim. 67b The third organ of perception within us which we have to describe in our survey is that of hearing, and the causes whereby its affections are produced. In general, then, let us lay it down that sound is a stroke transmitted through the ears, by the action of the air upon the brain and the blood, and reaching to the soul; and that the motion caused thereby, which begins in the head and ends about the seat of the liver, is “hearing”; and that every rapid motion produces a “shrill” sound, and every slower motion a more “deep” sound; and that uniform motion produces an “even” and smooth sound and the opposite kind of motion a “harsh” sound;
oxus , eia, u, Ion. fem.
3. of sound, shrill, piercing, “autē” Il.15.313 ; “oxu boēsas” 17.89 ; “oxu de kōkusasa” 18.71 ; “oxu lelēkōs” 22.141 ; “oxea keklēgōs” 17.88
so epēlalaxan ton o. nomon shrieked their shrill song, A.Th.952 (lyr.) ; oxu melos, of the grasshopper [LOCUST], Ar.Av.1095
b. of musical tones, in a technical sense, high-pitched, opp. “barus, phthoggoi” Pl.Ti.80a, X. Cyn.6.20 ; “oxutatē khordē” Pl.Phdr.268d ; “phōnē oxeia, bareia, mesē” Arist.Rh.1403b29 ; “tō oxei en phōnē men enantion to baru, en ogkō de to amblu” Id.Top.106a13.c. in Music, di' oxeiōn (Dor. -an) interval of a fifth, Philol.6, Arist.Pr.920a24.
Psallo OUTLAWS the plectrum: II. mostly of the strings of musical instruments, play a stringed instrument with the fingers, and not with the plectron, “psēlai kai krouein tō plēktrō”
plēk-tron , Dor. plaktron , to,A.anything to strike with:1. instrument for striking the lyre, plectrum,
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