Shawn Frazier Worship Music Abominable Reprobate

Whatever the facts, the persona of the invasion of WORSHIP TEAMS causes masses and eventually all of a congregation to flee.  ANY kind of singing and rhetoric [from which God hides] is an intentional effort to keep the School of Christ dumb and discorded
 
Shawn Frazier: "My responsibilities include planning for and OVERSEEING all aspects of five church assemblies each week at two campuses, rehearsing the 50 member praise team, leading worship during most assemblies and School of Christian Thought, singing for funerals, planning special events like Christmas and Easter, leading the praise team at special events like Lipscomb Summer Celebration and community events, recruiting, and discipling. I am also committed to LOVING God, Jesus Christ, the Holy Spirit, church, scripture, people, disciple making, church planting, prayer, and holy and righteous living.

I JOTTA SEE THIS.
Num. 22:31 Then the LORD opened the eyes of Balaam, and he saw the angel of the LORD standing in the way,
        and his sword drawn in his hand: and he bowed down his head,
         and FELL FLAT ON HIS FACE
Josh. 5:14 And he said, Nay; but as captain of the host of the LORD am I now come. And Joshua 
        FELL ON HIS FACE to the earth,
        and did worship, and said unto him, What saith my lord unto his servant?

1Cor. 14:25 And thus are the secrets of his heart made manifest;
        and so falling down on his face he will worship God,
        and report that God is in you of a truth.

David young claimed and everyone must have agreed that WE should worship now like we will worship God in heaven.

Rev. 7:11 And all the angels stood round about the throne,         and about the elders and the four beasts,         and fell before the throne on their faces, and worshipped God, Rev. 11:16 And the four and twenty elders, which sat before God on their seats,         fell upon their faces, and worshipped God, NO ONE CAN REFUTE THAT VISIBLE-AUDIBLE ELEVATED ABOVE THE BODY PERFORMERS WANT TO TAKE YOUR EYES OFF JESUS AND REPLACE HOLY SCRIPTURE. -Plato. Republic [398a] “True,” he said. “If a man, then, it seems, who was capable by his cunning of assuming every kind of shape and imitating all things should arrive in our city, bringing with himself the poems which he wished to exhibit, we should fall down and worship him as a holy and wondrous and delightful creature, but should say to him that there is no man of that kind among us in our city, nor is it lawful for such a man to arise among us, and we should send him away to another city, after pouring myrrh down over his head and crowning him with fillets of wool,   [They tarred and feathered him] -Commentary Epideik-nu_mi -nuō 2. . more freq. in Med., show off or display for oneself or what is one's own, mousikan orthan e. give a specimen of his art. of a rhetorician lecturing, Id.Phdr.235a; “polla kai kala” Id.Grg.447a; of epideictic orators, Arist.Rh.1391b26; of a musician, e. “hupertheōn” Pl.Lg.648d.

Jesus still exists as teacher of "sons FROM God who are taught BY God to SPEAK that which is written for our LEARNING" AFTER silencing rhetoric, music or scenic disturbances.PROOF THAT GOD REPUDIATES ANY KIND OF MUSIC IS THAT THERE IS NOT ONE PERSON SAID TO WORSHIP WITH ANYTHING BUT HUMBLE SUBMISSION AS A STUDENT OF JESUS WHOSE KINGDOM IS DEFINED INCLUSIVELY AND EXCLUSIVELY IN THE PROPHETS.

ALL OF THE ASSEMBLIES OR GATHERING TOGETHER IN THE NAME OF GOD ARE DEFINED BY THE EKKLESIA OR SYNAGOGUE. THESE ASSEMBLIES WERE ONLY TO HEAR OR READ INSTRUCTIONS FROM A HIGHER AUTHORITY.

The God-Cursed and God-Abandoned Levites were the only "musicians" under the King and Commanders of the Army. They stood in ranks during never-commanded animal slaughter and burning.  None clergy could not participate other than fall on their face or be executed when the Levites Made NOISE..

THE CATHOLIC CHURCH CONTINUED with only the CLERGY chanted the BIBLE TEXT or later.  The clergy were on continuous duty and "Chants of the Office, sung during the canonical hours, have their roots in the early 4th century, when desert monks following St. Anthony introduced the practice of continuous psalmody, singing the complete cycle of 150 psalms each week. . Around 375, antiphonal psalmody became popular in the Christian East; in 386, St. Ambrose introduced this practice to the West. In the fifth century, a singing school, the Schola Cantorum, was founded at Rome to provide training in church musicianship.^[10]

CLICK TO A CHANT: Epistle for the Solemn Mass of Easter Day

Example of liturgical recitative in Gregorian chant

Each Act of LITURGY was preceded by the chanter or choir PRESENTING an introduction.

BIBLE LITERACY AND RESPECT IS VALIDATED BY THE FACT THAT VIOLENT MEN THINKING THAT THEY WERE INSPIRED SLOWLY INTRODUCED SING BUT AS PROPAGANDA SUPPORTING MAKING WAR.

The letter of Conrad Grebel and his friends at Zurich to Thomas Miinzer, of which a translation is here presented, Sixteenth-century hymnodists were fully aware of the importance of biblically based texts if their hymns were to fulfil their kerygmatic purpose. The title page of the first Lutheran hymn book, Das Achtliederbuch (1524), attests to this as it states: "Some Christian hymns, canticles, and Psalms, made according to the pure Word of God, from Holy Scriptures, by several very learned men, to sing in church as it is in part already practiced in Wittenberg." Thomas Munzer, the radical German reformer, was already producing German services and hymns. In order to protect his people from Munzer’s teachings, Luther decided to provide hymns of his own. Congregational singing was largely the invention of the Protestant Reformation. Before then, singing in churches, especially in larger urban churches, was largely left to professionals.[2] The reformers in Strasbourg, in particular, reduced the church service largely to a sermon bookended by congregational singing and prayers.[2] The letter of Conrad Grebel ad his friends at Zurich to Thomas Miinzer, Thomas Müntzer (Muentzer, Muntzer) was perhaps the most controversial figure of the period of the German Reformation, a man who has been called at various times the "beginner of the great Anabaptist movement," the forerunner of modern socialism, the beginner of the mystical-spiritualistic movement in Germany, a religious socialist, the leader in the Peasants' War 1525,    We understand and have seen that thou hast translated the mass into German and hast introduced new German hymns.         That cannot be well, for we find nothing taught in the New Testament about SINGING, no example of it. Secondly, since SINGING in Latin grew up without divine instruction and apostolic example and custom, without producing good or edifying, it will still [93] less edify in German and will create a faith consisting in mere outward seeming. Thirdly, Paul even clearly forbids SINGING in Eph. 5, and Col. 3, since he says and teaches         that they are to SPEAK TO ONE ANOTHER         and TEACH one another WITH psalms and spiritual songs,               AND if anyone would SING, he should SING and give thanks IN THE HEART (silent] Fourthly, whatever we are not taught by clear passages or examples must be regarded as forbidden,         just as if it were written: "This do not; SING not." If thou art willing to defend war, the tablets, SINGING, or other things which thou doest not find in express words of Scripture, as thou doest not find the points mentioned, then I admonish thee by the common [98] salvation of us all that thou wilt cease therefrom and from all notions of thine own now and hereafter, then wilt thou be completely pure, who in other points pleasest us better than anyone in this German and other countries.

The Worship or Praise Team (A blasphemy) does the same thing replacing Jesus and most men.

EVEN THOUGH MARTIN LUTHER SOUGHT TO TEACH THE SCRIPTURES BY SINGING,  HE HAS THE FOLLOWING TO SAY TO SHAWN'S TRIBE.

Ephesians 5 and Colossians 3 define TEACHING and ADMONISHING one another with the BIBLICAL psalms, hymns and Spiritual songs all of which are IN SCRIPTURE. Spirituals songs are INSPIRED by God and speaking ONLY what God is revealing.

Those given the right to be taught BY God THROUGH Jesus understand these versed to OUTLAW singing.

http://www.pineycom.com/New.Church.of.Christ.Pattern.html

MARTIN LUTHER EXPLAINS THAT YOU ARE NOT CHRISTIAN BUT INTEND TO SILENCE JESUS:
Martin Luther on Romans 15 which outlaws your music
 And warns against futher falls which God imposes after outrageous pride.

"For instance, the distracted world attempts to serve God by setting apart houses, churches, cloisters; vestures, gold-trimmed, silk and [50] every other kind;silver vessels and images; bells and organs, candles and lamps; the money for which expense should have been appropriated to the poor if the object was to make an offering to God. Further, it keeps up a muttering and wailing in the churches day and night. 2.Peter.3.End.Time.Mockers.html Jude.There.Should.Be.Mockers.in.the.Last.Time.html 1 Cor. 10:7 Neither be ye idolaters, as were some of them; as it is written, The people sat down to eat and drink, and rose up to play. 1 Corinthians 10.7 mēde eidōlolatrai ginesthe, kathōs tines autōn: hōsper gegraptai “Ekathisen ho laos phagein kai pein, kai anestēsan paizein.” Paizō pais  I. properly, to play like a child, to sport,  alla pepaistai metriōs hēmin, of the chorus, Ar. Th.1227.  4. play on a musical instrument, h.Ap.206: c. acc., “Pan ho kalamophthogga paizōn”   dance and sing, Pi. O.1.16. But true praise and honor of God, a service that cannot be confined to place or person  is quietly ignored the world over. The pretenses of priests and monks about their system of exercises being service to the Lord, are false and delusive. 53. Service to God is praise of him. It must be free and voluntary, at table, in the chamber, cellar, garret, in house or field, in all places, with all persons, at all times. Whosoever teaches otherwise is no less guilty of falsehood than the Pope and the devil himself. But how shall there be with us honor and praise of God, true service to him, when we neither love him nor receive his blessings? And how shall we love him when we do not know him and his blessings? And how shall we know him and his blessings when no word is preached concerning them and when the Gospel is left to lie under the table? Where the Gospel is not in evidence, knowledge of God is an impossibility. Then to love and praise him is likewise impossible. As a further consequence it is necessarily impossible for divine service to exist. Even if all the choristers were one chorister, all the priests one priest, all the monks one monk, all the churches one church, all the bells one bell; in brief if all the foolish services offered to God in the institutions, churches and cloisters were a hundred thousand times greater and more numerous than they are, what does God care for such carnivals and juggling? 54. Therefore, God complains most of the Jews in the second chapter of Micah, because they silenced his praise, while at the same time,tthey piped, blared and moaned like we do. True divine service of praise cannot be established with revenues, nor be circumscribed by laws and statutes. High and low festivals have nothing to do with it. It emanates from the Gospel, and certainly is as often rendered by a poor, rustic servant as by a great bishop. [51]" Micah 2:1 WOE to them that devise iniquity, and work evil upon their beds when the morning is light, they practise [faction] it, because it is in the power of their hand. DEVISE: With de: “cogitavit etiam de Homeri carminibus abolendis,” Suet. Calig. 34:  ĭn-ūtĭlis , e, adj., I. useless, unserviceable, unprofitable; constr. absol.,“inutiles oratori universales quaestiones,” Quint. 3, 5, 12; 5, 10, 82: “ cōgĭto    vox , vox ,   inclinata ululantique voce canere,” id         carmen , I.a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation (cf.: cano, cantus, and canto). Ia tune, song, air, lay, strain, note, sound, both vocal and instrumental “also versus, numeri, modi): carmen tuba ista peregit ( = sonus),” Enn. Ann. 508 Vahl.: “carmine vocali clarus citharāque Philammon,” Ov. M. 11, 317; cf. “vocum,” id. ib. 12, 157: “per me (sc. Apollinem) concordant carmina nervis, “inutiles oratori universales quaestiones,” Quint. 3, 5, 12; 5, 10, 82: “ -ŏpĕro ŏpĕrātĭo , ōnis, f. operor, I. a working, work, labor, operation  [Lying wonders] ŏpĕrārĭus , a, um, adj. opera, a religious service offerings: operationes denicales, offerings, Fest. s. v. privatae feriae, p. 242 Müll.; Inscr. a. 286, p. Chr. ap. Orell. 2234. I. of or belonging to labor (class.): “homo,” Cic. Att. 7, 2, 8: “pecus,” working-cattle, Col. 6, 2, 15: “vinum,” for working-men, Plin. 14, 10, 12, § 86.— Vulg. Ecclus. 37, 13: “quos singulos sicut operarios barbarosque contemnas,” Cic. Tusc. 5, 36, 104: “quidam operarii linguā celeri et exercitatā,” fluent talkers, bad orators, id. de Abolendis,“legem (= abrogare),deprive others of credit, THEY  SING TO: to annul in all its parts a law now in force, to repeal, to abrogate wholly (whereas derogo means to abrogate partly and abrogo to counteract; APOLONES Apollinem) he communicated oracles in verse, god of poetry and music, presiding over the Muses, etc.; cf. Hor. C. S. 61 sq. In more ancient times Augustus there consecrated a temple to Apollo; “hence, Apollo Actiacus, oraculum Apollinis,” Cic. Am. 2, 7.—Hence, Micah 2:2 And they covet fields, and take them by violence;         and houses, and take them away: rapuerunt         so they oppress a man and his house, even a man and his heritage Rapuerunt 1. To carry off by force; to seize, rob, ravish; to plunder, ravage, lay waste, take by assault, carry by force, “(mundus) rapit aetherios per carmina pandere census,” carmina  carmine vocali clarus citharāque Philammon,” Ov. M. 11, 317; cf. “vocum,” id. ib. 12, 157: “per me (sc. Apollinem) concordant carmina nervis, With allusion to playing on the cithara vocum sonis et carmina (words),” 1

Shawn: In Ephesians 5, Paul explains that one of the ways we are filled with the Spirit is by

“SPEAKING to one another with psalms, hymns, and songs from the Spirit.
        Sing and MAKE MUSIC from your heart to the Lord” (Eph. 5:19).
        Online, we can miss the blessings of singing together.

That is REVERSING what Paul. by inspiration, commanded.  The way to TEACH the LAST WILL AND TESTAMENT of Jesus is to SPEAK or READ that Will.  If your attorney SINGS something he made up then you KNOW that he is a THIEF.

ALL RHETORICIANS AND MUSICIANS WERE KNOWN TO ATTACK THE MIND TO SLIP IN LIES.

Melody or PSALLO is silent because its use was associated with evil and prostitutes. Furthermore, God, His Spirit or Paul were not ignorant and need to be reinterpreted, The God as WORD or SPEAKING ONLY would have used a word including MUSICAL MELODY.  There IS no such word in Holy Scripture:

Aristot. Rh. 3.8.1 The form of diction should be neither metrical nor without rhythm. If it is metrical, it lacks persuasiveness, for it appears artificial, and at the same time it distracts the hearer's attention, since it sets him on the watch for the recurrence of such and such a cadence;

The structure (figure, fashion) of the language (i. e. prose composition) should be neither metrical (run into verse)¹ nor entirely without measure or rhythm;
        for the one has no power of persuasion, because it is thought to be artificial (supra, also diverts (the hearers' attention, from the main subject or the proof of the fact):
        c. 2. 4, peplasmenōs), and at the same time for it makes him attend to the recurrence of the similar cadence. And so (the audience anticipate the answering or recurring cadence) just as the children anticipate the answer to the herald's summons, “Whom does the freedman choose for his attorney? and the answer is, Cleon”’

peplasmenōs , Adv., (plassō) A.  artificially, by pretence, opp. alēthōs, Pl.R.485d; opp. alēthinōs, Bato 7.5 ; opp. pephukotōs, Arist.Rh.1404b19 ; “p. laruggizontes” Phld.Rh.1.200 S.
(plassō)  III.  form an image of a thing in the mind, imagine,  V. [select] metaph., fabricate, forge, “logous psithurous plassōn” S.Aj.148 (anap.); “pseudeis p. aitias    doxō plasas legein I shall be thought to speak from invention, i.e. not the truth, Hdt.8.80, c

alēthōs, unconcealed, so true, real, opp. false, apparent:  2. of persons, etc., truthful, honest

Plat. Rep. 485d “Surely.” “So, when a man's desires have been taught to flow in the channel of learning and all that sort of thing, they will be concerned, I presume, with the pleasures of the soul in itself, and will be indifferent to those of which the body is the instrument,² if the man is a true and not a sham³ philosopher

[male or female, do any injury to another man's goods,

-Plato. Republic [398a] “True,” he said. “If a man, then, it seems, who was capable by his cunning of assuming every kind of shape and imitating all things should arrive in our city, bringing with himself the poems which he wished to exhibit, we should fall down and worship him as a holy and wondrous and delightful creature, but should say to him that there is no man of that kind among us in our city, nor is it lawful for such a man to arise among us, and we should send him away to another city, after pouring myrrh down over his head and crowning him with fillets of wool,   [They tarred and feathered him]

-Commentary Epideik-nu_mi -nuō 2. . more freq. in Med., show off or display for oneself or what is one's own, mousikan orthan e. give a specimen of his art. of a rhetorician lecturing, Id.Phdr.235a; “polla kai kala” Id.Grg.447a; of epideictic orators, Arist.Rh.1391b26; of a musician, e. “hupertheōn” Pl.Lg.648d.

Philodemus considered it paradoxical that music should be regarded as veneration of the gods while musicians were paid for performing this so-called veneration. Again, Philodemus held as self deceptive the view that music mediated religious ecstasy.
He saw the entire condition induced by the noise of cymbals and tambourines as a disturbance of the spirit. He found it significant that, on the whole, only women and effeminate men fell into this folly.

Accordingly, nothing of value could be attributed to music; it was no more than a slave of the sensation of pleasure, which satisfied much in the same way that food and drink did.

Musical melody is Melos or mŏdus   2. The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode: “vocum,” Cic. Div. 2, 3, 9: “musici,” Quint. 1, 10, 14: “lyrici,” Ov. H. 15, 6: “fidibus Latinis Thebanos aptare modos,
MELODY speaks of cutting the INSPIRED TEXT into syllables so that  it can "sung' with one or two notes. The result will be TEACHING-LEARNING.

Melos , eos, to, melē, ta, lyric poetry, choral songs, [None provided by God who breathed (spirit) without METRON or meter.
Opposite Epic or Dramatic verse, [There is no lyric Bible material]
2. music to which a song is set, tune, Arist.Po.1450a14;
Opposite. rhuthmos,
Opposite metron, Pl.Grg. 502c;  Karikon = worthless, funeral song, dirge,

Plat. Gorg. 502c she is bent rather upon pleasure and the gratification of the spectators.
Socrates
Pray then, if we strip any kind of poetry of its melody, its rhythm and its meter, we get mere speeches as the residue, do we not?

Opposite  --rhuthmos , Ion. rhusmos ho: (rheō):—A. any regular recurring motion  [the LADED BURDEN]
I. measured motion, time, whether in sound or motion 2. special phrases: en rhuthmō in time, of dancing, marching, rhythm, Opposite metron and harmonia, Ar. Nu.638 sq
Opposite: rhēma, 
A.that which is said or spoken, word, saying
3. subject of speech, matter  rhētos 

THE HOLY SPIRIT OF GOD BREATHED HIS WORD INTO JESUS "WITHOUT METRON."

metron , to,

II. metre, Ar.Nu.638, 641, etc.; opp. melos (music) and rhuthmos (time), Pl.Grg.502c, etc.; logous psilous eis metra tithentes putting into verse, Id.Lg.669d; “ta en metrō pepoiēmena epē” X.Mem. 1.2.21.

2. pl., verses, Pl.Ly.205a. (I.-E. *métro-m from *métro-m 'measuring instrument', cf. Goth. mitan 'measure'.)

met...1.178; iskhas m. a fair-sized fig, Diocl.Fr.140; of Time, m. mēkos logōn the proper length of speech, Pl.Prt.338b; m. khronos akmēs a fair average time of maturity, Id.R. 460e.

Clement of Alexandria notes that:

If a man drags the Deity

Whither he will by the sound of cymbals,

He that does this is greater than the Deity;

But these are the instruments of audacity and
means of living Invented by men."

Cymbals in Hebrew is derived from

Calal (h6750) tsaw-lal'; a prim. root [rather ident. with 6749 through the idea of vibration]; to tinkle, i. e. rattle together (as the ears in reddening with shame, or the teeth in chattering with fear): - quiver, tingle.

When I heard, my belly trembled; my lips quivered at the voice: rottenness entered into my bones, and I trembled in myself, that I might rest in the day of trouble: when he cometh up unto the people, he will invade them with his troops. Hab.3:16

RATHER THAN BEING A LAUGHING STOCK AS AT MOUNT SINAI, SPEAKING THE VERY WORDS OF GOD MAKES OUR HEART STRINGS SING.

The man who was dying blessed me; I made the widow's heart sing. Jb.29:13

So my heart laments for Moab like a flute;
it laments like a flute for the men of Kir Hareseth. The wealth they acquired is gone. Je.48:36
My heart laments for Moab like a harp,
my inmost being for Kir Hareseth. Is.16:11
And my spirit hath rejoiced in God my Saviour.Lu.1:47
Therefore did my heart rejoice, and my tongue was glad; moreover also my flesh shall rest in hope: Ac.2:26

In that hour Jesus rejoiced in spirit, and said, I thank thee, O Father, Lord of heaven and earth, that thou hast hid these things from the wise and prudent, and hast revealed them unto babes: even so, Father; for so it seemed good in thy sight. Lu.10:21

Eph. 5:18 And be not drunk with wine, wherein is excess;          but be filled with the SPIRIT;        John 6:63 It is the spirit that quickeneth;         the flesh profiteth nothing:                 the WORDS that I SPEAK unto you,                 they are SPIRIT, and they are life Logos or   -Lexis A.speech, OPPOSITE ôidê -ôidê, 1.art of song 5. = eppsdê, spell, incantation 4. text of an author,  OPPOSITE exegesis [Peter's private interpretation outlaws exegesis]  OPPOSITE  emmetra, ib.1450b15 (pl Id.Rh.1404a31	Eph. 5:17 Wherefore be ye not unwise,      but understanding what the WILL OF THE LORD IS The Last Will and Testament of Jesus can only be preached or testified to by eye witnesses, chosen by Jesus, Taught by Jesus and guided later in the STATE of Holy Spirit-never a god. Col. 3:16 Let the WORD of Christ dwell in you richly in all wisdom;      1Pet. 4:11A If any man speak, let him speak as the ORACLES of God     g3051. λόγιον logion, log´-ee-on; neuter of 3052; an utterance (of God): — oracle
Eph. 5:19 SPEAKING to yourselves in psalms and hymns and spiritual songs,	TEACHING and admonishing one another     in psalms and hymns and spiritual songs,
singing and making melody IN YOUR HEART the Lord;	singing with grace IN YOUR HEART [place] to the Lord.

THE ONLY WORSHIP YOU WILL DO IN THE FLESH. ONLY SONS FROM GOD ARE TAUGHT BY GOD: THERE IS NO REASON THAT ANY RELIGIOUS CLERGY KNOWN AS PARASITES SHOULD KNOW THIS

Josh. 5:14 And he said, Nay; but as captain of the host of the LORD am I now come. And Joshua           FELL ON HIS FACE to the earth,         and did WORSHIP, and said unto him, What saith my lord unto his servant? Dan. 2:46 Then the king Nebuchadnezzar FELL ON HIS FACE, and WORSHIPED Daniel,         and commanded that they should offer an oblation and sweet odours unto him. 2Chr. 20:18 And Jehoshaphat bowed his head with his face to the ground:         and all Judah and the inhabitants of Jerusalem         FELL BEFORE THE LORD         WORSHIPING THE LORD. 1Cor. 14:25 And thus are the secrets of his heart made manifest;         and so FALLING DOWN ON HIS FACE         will WORSHIP God, and report that God is in you of a truth. Rev. 7:11 And all the angels stood round about the throne,         and about the elders and the four beasts,         and FELL before the throne on their faces,         and WORSHIPPED God, Rev. 11:16 And the four and twenty elders, which sat before God on their seats,         FELL UPON THEIR FACES and WORSHIPPED God, THE ONLY WAY TO SPIRITUALLY WORSHIP IN QUIET AND SECRET PLACES. David.Young.Romans.12.Instrumental.Music.html    A praise team MIMICS an instrumental band. Romans 12:1I beseech you therefore, brethren, by the mercies of God, that         YE present your bodies a living sacrifice, holy, acceptable unto God,         which is your reasonable service.           ēn logikēn latreian humōn: FIRST YOU MUST PUT YOUR PHYSICAL SENSES TO BE BURNED UP -Thu^si-a , Ion. -iē, h(, (thuō) prop. A.  burnt-offering, sacrifice, “en thusiēsi einai” Hdt.8.99; -Plat. Phaedo 61b  before making sure that I had done what I ought, by obeying the dream and composing verses.         So first I composed a hymn to the god whose festival it was;         and after the god, considering that a poet, if he is really to be a poet,         must compose myths and not speeches,         since I was not a maker of myths, I took the myths of Aesop, which I had at hand and knew, and turned into verse the first I came upon. So tell Evenus that, Cebes, and bid him farewell, and tell him, if he is wise, to come after me as quickly as he can. NARRATIVE THEOLOGY IS MYTHOLOGY -muthos , ho,  2. public speech, “m. andressi melēsei” Od.1.358; “muthoisin skoliois” [Crooked Race] 2. fiction (opp. logos, historic truth), 5. plot of a comedy or tragedy, Id.Po.1449b5, 1450a4, 1451a16. 7. talk of men, rumour, “aggelian Greek rational worship demands: logi^k-os , ē, on, (logos) A. of or for speaking or speech, merē l. the organs of speech, Plu.Cor.38: logikē, hē, speech, Opposite. mousikē, Opposite phantasia” expressed in speech, II. possessed of reason, intellectual, “meros” Ti.Locr.99e, al.; “to l. zōon”             dianoētikai, Mind Opposite. ēthikai, Arist.EN1108b9.         And:         Ethi^k-os , A. “ēthos” 11) moral, Opposite. dianoētikos, Arist.EN1103a5,         al.; ta ēthika a treatise on morals, 2. dialectical, argumentative, hoi l. dialogoi     logical, l. sullogismoi, Opposite. rhētorikoi, Rh.1355a13.     peri logikōn title of work, Opposite to phusikon, to ēthikon, And Phusikos is the opposite of logikos phu^sikos , ē, on,  A. natural, produced or caused by nature, inborn, native, II. of or concerning the order of external nature, natural, physical, “hē ph. epistēmē” 2. “ho ph.” an inquirer into nature, natural philosopher, 4. Adv. “-kōs” according to the laws of nature, phu^sikos  is the Opposite of logikōs, III. later, belonging to occult laws of nature, magical, ph. pharmaka spells or amulets,

ABANDONMENT TO "LYING WONDERS" OR "RELIGIOUS OPERATIONS" WHEN THE CHURCH IS ABANDONED TO THOSE WHO ARE NOT PERMITTED TO KNOW THAT:

SPIRIT IS: h7307. רוּחַ ruwach, roo´-akh; from 7306;
        WIND; by resemblance BREATH, i.e. a sensible (or even violent) exhalation;
        FIGURATIVELY:, life, anger, unsubstantiality;
        BY EXTENSION, a region of the sky;
        BY RESEMBLANCE SPIRIT,
             BUT only OF  a RATIONAL BEING including its expression and functions):— air, anger, blast, BREATH, MIND

TIME TO FLEE WHEN THE LEADERSHIP'S VISION REPUDIATES THE VIEWS OF A CHRISTIAN ASSEMBLY.
NOTICE, that in many places there is a  contrast between

THE HOLY SPIRIT OF JUDGEMENT AND THE SPIRIT OF TRUTH PROMISED ONLY TO EYE WITNESS APOSTLES.
FOR SONS FROM GOD WHO ARE TAUGHT BY GOD AFTER GOD'S REVELATION IS COMPLETE.

Is. 42:1 Behold my servant, whom I uphold; mine elect, in whom my soul delighteth;         I have PUT MY SPIRIT UPON HIM:         he shall bring forth judgment to the Gentiles. Is. 42:2 He shall not CRY. NOR LIFT UP,  [Money or words from man]         nor cause his voice to be heard in the street. Is. 42:3 A bruised reed shall he not break, and the smoking flax shall he not quench:           he shall bring forth judgment unto truth. REFERENCE: In the prophecy, the “bruised reed” and the “smoldering wick” refer to the spiritually, physically, or morally weak. A reed that is bruised may be damaged, but it is not irreparable. A “smoldering wick” may be about to lose its fire altogether, but it can still be reignited. Is. 42:4 He shall not fail nor be discouraged, till he have set judgment in the earth:          and the isles shall wait for his law. CLAMO   “clamare de pecuniā, for money certa,” a specified sum, Of the chirping of a cricket “(cicada) locusts persōna  2.   A human being who performs any function, plays any part, a person, personage: a personage, character, part, represented by an actor: “parasiti persona, ka^leō    I. call, summon, I. call, summon, “auditis sermonibus,” ib. 4 Reg. 22, 19; ib. Heb. 4, 3: clangorem tubae, ib: “Isa. 18, 3:  Is. 18:3 All ye inhabitants of the world, and dwellers on the earth, see ye, when he lifteth up an ensign on the mountains; and when he bloweth a trumpet, hear ye.symphoniam,” ib. Luc. 15, 25: “animal,” ib. Apoc. 6, 3; 6, 5             Symphoniam,”“cum symphonia caneret,  n., to produce melodious sounds, whether of men or animals; later, with a designation of the subject-matter of the melody, as v. a., to make something the subject of one's singing or playing, to sing of, to celebrate, or make known in song, etc. I. Neutr., to utter melodious notes, to sing, sound, play. of the instruments by which, or (poet.) of the places in which, the sounds are produced, to sound, resound: “ canentes tibiae,A recital/reading is debased when it takes on the features of a performance.Horace uses cantare in a derogatory sense for a mimetic, grotesque, distorted and inappropriate style of performance when he satirizes a character's recitals of Calvus and Catullus Marcus, Reciting the Book: 15 12. Enders (1997) 253.78. Such gendering of aesthetic categories prevails not only in antiquity but appears also in Kant's distinction between the passive feminine beautiful and the active masculine sublime and in Rousseau's association of art and the theater with the feminine. I have in mind Kant's "The Beautiful and the Sublime" and "The Fair Sex" and Jean-Jacques Rousseau's "On Theater and Morals," Nevertheless, I think that I need to be more explicit in stating that the music which I prescribe is not the modern music which has been emasculated by the lascivious melodies of the effeminate stage and has to no small extent destroyed the amount of manly vigor that we still possessed.
	FULFILLED ONLY IN JESUS CHRIST Matt. 12:16 And charged them that they should not make him known: Matt. 12:17 That it might be FULFILLED which was spoken by Esaias the prophet, saying, Matt. 12:18 Behold my servant,         whom I have chosen; my beloved,         in whom my soul is well pleased:         I WILL PUT MY SPIRIT UPON HIM         and he shall shew judgment to the Gentiles. Matt. 12:19 He shall not STRIVE, nor CRY;         neither shall any man hear his voice in the streets. Matt. 12:20 A bruised reed shall he not break,         and smoking flax shall he not quench,         till he send forth judgment unto victory. Matt. 3:17 And lo a voice from heaven, saying,         This is my beloved Son, in whom I am well pleased.
THE HOLY SPIRIT PARACLETE TO DESTROY THE ENEMY AND PROTECT THE SONS OF GOD Is. 59:17 For he put on righteousness as a breastplate,         and an helmet of salvation upon his head;         and he put on the garments of vengeance for clothing,         and was clad with zeal as a cloke Is. 59:18 According to their deeds, accordingly he will repay,         fury to his adversaries, recompence to his enemies;         to the islands he will repay recompence. Is. 59:19 So shall they fear the name of the LORD from the west,         and his glory from the rising of the sun.         When the enemy shall comse in like a flood,         the SPIRIT OF THE LORD hall lift up a standard AGAINST HIM Is. 59:20 And the Redeemer shall come to Zion,         and unto them that turn from transgression in Jacob, saith the LORD.
	PROPHESIED FULFILLMENT OF "THE HOLY SPIRIT PARACLETE" AS OPPOSED TO "THE SPIRIT OF TRUTH." John 16:6 But because I have said these things unto you, sorrow hath filled your heart. John 16:7 Nevertheless I tell you the truth;         It is expedient for you that I go away:         for if I go not away, the Comforter [paraclete] will not come unto you; John 16:8 And when he is come,         he will reprove the world of sin, and of righteousness, and of judgment: John 16:9  Of sin, because they believe not on me; [As A NEW DAY CHURCH] John 16:10 Of righteousness, because I go to my Father, and ye see me no more; John 16:11 Of judgment, because the prince of this world is judged. 1John 2:1 My little children, these things write I unto you, that ye sin not.         And if any man sin, we have an advocate [paraclete] with the Father, Jesus Christ the righteous: 1John 2:2 And he is the propitiation for our sins: and not for ours only,         but also for the sins of the whole world. 1John 2:3 And hereby we do know that we know him, if we keep his commandments. 1John 2:4 He that saith, I know him,         and keepeth not his commandments, is a liar, and the truth is not in him.
MY SPIRIT OF TRUTH WILL BE UPON HIM Is. 59:21 As for me, this is my covenant with them, saith the LORD;         MY SPIRIT THAT IS UPON THEE.         and WORDS which I have PUT IN THY MOUTH,               shall not depart out of thy mouth,              nor out of the mouth of thy seed,              nor out of the mouth of thy seed’s seed, saith the LORD,              from henceforth and for ever.
	Matt. 28:16 Then the ELEVEN DISCIPLES [ONLY] went away into Galilee,        into a mountain where Jesus had appointed them. Matt. 28:17 And when they saw him, they WORSHIPPED him:        but some doubted. Matt. 28:18 And Jesus came and spake unto them, saying,        ALL POWER is given unto me in heaven and in earth. Matt. 28:19 Go ye therefore, and teach all nations,        baptizing them in the name of the Father, and of the Son, and of the Holy Ghost: Matt. 28:20 TEACHING them to OBSERVE all things        whatsoever I have commanded you: and, lo,        I am with you alway, even unto the end of the world. Amen.
	John 6:63 It is the SPIRIT that quickeneth;         the flesh profiteth nothing: the words that I SPEAK unto you,         they are SPIRIT, and they are LIFE. Acts 26:25 But he said, I am not mad, most noble Festus; but SPEAK forth         The WORDS of TRUTH and soberness.

CLICK BELOW: THE WORSHIP OF THE BEAST FROM THE EARTH

CLICK BELOW: THEN AND NOW RULERS AND STAFF ARE IGNORANT OF THE MEANING OF WORSHIP

CLICK BELOW: WORSHIP MUSICIANS ARE OFTEN PROFESSIONALS: GENDER CONFUSION IS OFTEN CONFESSED.

CLICK BELOW:  HOLY SCRIPTURE SAYS THAT SELF-THRUSTING WOMEN EXERCISING AUTHORITY (AUTHENTIA, SEXUAL ANS SELF-AUTHORED) WAS A SHAME, IS A SHAME AND OFFENDS THE MASSES WHO FLEE THEIR OWN "INVESTMENT"

CLICK BELOW:  SCRIPTURE AND THE LATIN AND GREEK TEXT AND HISTORICAL SCHOLARS PROVE THAT MUSIC IS SORCERY.

Because pagan worship was sexual and homosexual, even male and female prostitutes around the temples, Our HOLY Lord-God did not provide ONE person ever said to worship HIM by preaching, listening,  singing, playing an instrument, acting or PAY TO PLAY.
The Direct command of Paul was to SPEAK The SPIRIT which is the WORD of Christ (John 6:63) or the LAST WILL of Jesus. Both the singing and MELODY were in the HEART or silent.. That is because PSALLO was always associated with religious prostitution.


THE WORSHIP OF THE BEAST FROM THE EARTH

The BEAST from the EARTH exerciseth all the POWER of the first BEAST before him,
        and causeth the earth and them which dwell therein
        to worship the first BEAST, whose deadly wound was healed. Rev. 13:12

1Cor. 15:45 And so it is written,
        The first man Adam was made a living soul;
        the last Adam was made a QUICKENING SPIRIT
        but that which is natural;
        and afterward that which is spiritual.
1Cor. 15:47 The first man is OF the EARTH, earthy:
        the second man is the Lord from heaven.
1Cor. 15:50 Now this I say, brethren,
        that flesh and blood cannot inherit the kingdom of God;
        neither doth corruption inherit incorruption.

POWER of the BEAST: exous-ia Power to win praise.

Strab. 1.2.17 If any thing does not correspond, [To Customs or Laws]
        it should be attributed to change,
        or to misconception,
        or to poetical licence,
               which is made up of [a] history, [b] rhetoric, and  [c] fiction.
                       and Truth is the aim of the historical portion,..
A lively interest is the end ,
        [b] the rhetorical as when he points to us the combat;
        [c]  and of the fiction, pleasure and astonishment...
HE bids us not to judge poems by the standard of intellect,
         nor yet look to them for history.

Poi-ētikos  “p. kai mousikoi  the art of poetry mousi^kos , ē, on, Dor. mōsikos , ta mousika music, II. of persons, skilled in music, musical, X.l.c., etc.; “poiētikoi. andres” Pl.Lg.802b; “kuknos kai alla zōa m.” Id.R.620a; “peri aulous -ōtatoi” Ath.4.176e; LYRIC poet, OPPOSITE. EPIC, Pl.Phdr.243a   “mousikos kai melōn poētēs

CONTRARY AND ANTITHETICAL to the worship of God, THE WORSHIP OF THE BEAST is--

Thera^p-euō   II.   do service to the gods, athanatous, theous th., Hes.Op.135, Hdt.2.37, X.Mem.1.4.13, etc.; “daimona” Pi.P.3.109; Dionuson, Mousas, E.Ba.82 (lyr.), IT1105(lyr.); th. Phoibou [“Apollon”] naous serve them, Id.Ion111 (anap.): abs., worship, Lys.6.51; do service or honour to one's parents, E.Ion183 (lyr.), Pl.R.467a, Men.91a; serve, wait upon a master, Id.Euthphr.13d, cf. Ar.Eq.59, 1261, etc.; th. tas thēkas reverence men's graves, Pl.R.469a.

APOLLYON- Phoebus , i, m., = Phoibos (the radiant), I. a poetical appellation of Apollon as the god of light: “quae mihi Phoebus Apollon, Val. Fl. 1, 228: “Circe,” [CHURCH AS WORSHIP CENTER] daughter of Sol, Petr. 135.—

THEN AND NOW RULERS AND STAFF ARE IGNORANT OF THE MEANING OF WORSHIP

Acts 13:27 For they that dwell at Jerusalem, and their RULERS,
        because they knew him not,
        nor yet the VOICES  of the PROPHET
        which are READ every sabbath day,
        they have fulfilled them in condemning him

Acts 15:21 For Moses of old time hath in every city them that PREACH him, being READ in the synagogues every sabbath day.

THAT IS WHY ALL STAFF CLAIMING TO SERVE CHRIST IN THE CHURCH ARE CALLED PARASITES.

Josh. 5:14 And he said, Nay; but as captain of the host of the LORD am I now come. And Joshua   
       FELL ON HIS FACE to the earth,
        and did WORSHIP, and said unto him, What saith my lord unto his servant?
Dan. 2:46 Then the king Nebuchadnezzar FELL ON HIS FACE, and WORSHIPED Daniel,
        and commanded that they should offer an oblation and sweet odours unto him.
2Chr. 20:18 And Jehoshaphat bowed his head with his face to the ground:
        and all Judah and the inhabitants of Jerusalem
        FELL BEFORE THE LORD
        WORSHIPING THE LORD.
1Cor. 14:25 And thus are the secrets of his heart made manifest;
        and so FALLING DOWN ON HIS FACE
        will WORSHIP God, and report that God is in you of a truth.
Rev. 7:11 And all the angels stood round about the throne,
        and about the elders and the four beasts,
        and FELL before the throne on their faces,
        and WORSHIPPED God,
Rev. 11:16 And the four and twenty elders, which sat before God on their seats,

        FELL UPON THEIR FACES and WORSHIPPED God,

Rev. 19:4 And the four and twenty elders and the four beasts fell down and worshipped God that sat on the throne, saying, Amen; Alleluia

Heb. 12:28 Wherefore we receiving a kingdom which cannot be moved,
        let us have grace, whereby we may serve God acceptably
        WITH REVERENCE AND GODLY FEAR:
Heb. 12:29 For our God is a consuming fire

---

WORSHIP MUSICIANS ARE OFTEN PROFESSIONALS: GENDER CONFUSION IS OFTEN CONFESSED.

THE LOCUSTS OR FALLEN MUSICIANS LED BY APOLLLYON WERE ALWAYS EFFEMINATE AND GENDER CONFLICTED

Sara.Barton.The.Song.of.Solomon.html
Sara.Barton.And.Religious.Communal.Sex.Language.html
Laura.Buffington.Sex.Salvation.Hieros.Gamos.htm
Jeanene.Reese.LGBT.MUST.be.Included.html

Rich.Tuttle.The.Effeminate.Worship.Leader.html

The Effeminate Worship Leader
There’s no real easy way to put it. I could beat around the bush and sugar coat it a bit, but in the end it would probably come off as more offensive than necessary. I’ll try to look at all sides to squash unnecessary offense so that the offense that will inevitably come might be helpful rather than harmful. But I want to address something that I’ve noticed and I am sure many others have observed and that is the Effeminate Worship Leader.

You’ve seen him. You know who I’m talking about. A little too sensitive, overly-emotional, flamboyant is a term that comes to mind. Usually it is seen as just an “artsy” thing. For some reason—and I just can’t put my finger on why—these guys are everywhere in Evangelical Christianity. I know I’m not completely off base because it has unfortunately become a stereotype. But I’m not just basing this off of stereotypes; I’ve noticed it many times personally and have had conversations with others who have noticed it as well. In some circles it has become a kind of in-house joke that the worship leader is metrosexual. And a metrosexual, if you are unfamiliar with the term, is basically a dude that acts like a chick (ie. effeminate). To make my point here’s a link to a humorous Christian satire site that provides a scorecard so you can rate how metrosexual your worship leader is. (I scored a 4 out of a hundred some points by the way…)

Worship.Androgyny.The.Pagan.Sexual.Ideal.html
Rubel Shelly Homosexuals and Women justice

Talmud, Tractate Sanhedrin

"54a-54b), although opinions varied whether it was punishable by death. Deuteronomy 23:17-18 must be read in conjunction with 1 Kings 14:24; 15:12; 22:46, and 2 Kings 23:7, all of which allude to the presence of cultic prostitution, including male prostitution, in Jerusalem in the ninth, eighth, and seventh centuries B.C. These texts, along with 1 Kings 15:13, suggest that the queen mother maintained a fertility cult to the goddess Asherah in the Jerusalem temple (see S. Ackerman, "The Queen Mother and the Cult of Ancient Israel,"

This practice grew into, not only forms of pagan worship, but also a means of supplying money for the temple. Catamites, boys and men who were exclusively used for passive anal sex, began to serve the temples.

One must wonder whether boys were sometimes forced into this kind of sexual contact due to economic circumstances, much like their female counterparts. Women often survived only by prostitution since they were allowed no inheritance.

Orphan boys may often have found themselves in the same predicament. Regardless, it was very early in human history that both male and female prostitutes were used in temple worship in order to raise funds for the temple, as well as support themselves."

RM OV 11.2.3

Mentorship in the Education of Males

Young men from prosperous families traditionally acquired the advanced skills required for successful participation in the public life of Athenian democracy by observing their fathers, uncles, and other older men as they participated in the assembly, served as councilors or magistrates, and made speeches in court cases.
        The most important skill to acquire was an effective style in public speaking and persuasive argument. In many cases, an older man would choose an adolescent boy as his special favorite to educate.¹ The boy would learn about public life by spending his time in the company of the older man and his adult friends². During the day, the boy would observe his mentor talking politics in the agora,³, help him perform his duties in public office, and work out with him in a gymnasium⁴. Their evenings would be spent at a symposium⁵, a drinking party for men and “companions⁶,” which could encompass a range of behavior from serious political and philosophical discussion to riotous partying.

The Judas Bag or Box was always attached to the spotted flutecase: the spots indicate an Egyptian origin.  It is made up of two words More Greek: glôsso-komeion , to, ( [komeô] ) case to keep the reeds or tongues of musical instruments, more freq. in form glôsso-komon , to, case, casket, compartment in a water-organ,  It is made up of two words: 1. Glossa (from Strong's g1100) means "speaking in tongues" especially an unacquired one. 2. Kosmos (g2889) means the "orderly arrangement" or the "adorning" world. this is derived from (g2864 or Komizo which means "to carry off." Kosmos (g2889) kos'-mos; prob. from the base of 2865; orderly arrangement, i.e. decoration; by impl. the world (in a wide or narrow sense, includ. its inhab., lit. or fig. [mor.]): - adorning, world. John 12:6 This he said, not that he cared for the poor; but because he was a thief, and had the bag, and bare what was put therein. [Judas Iscariot: His first name is from the tribe of Judah who had a child of his dead son's wife paid for with the symbol of his throne. In The Testament of Judah he prophesied that his descendant daughters would become serving girls and Harlots Only a branch would be left Who would be Messiah.

Is. 23:15 And it shall come to pass in that day, that Tyre shall be forgotten seventy years, according to the days of one king: after the end of seventy years shall Tyre sing as an harlot.

h7891. שׁיִר shiyr, sheer; or (the original form) שׁוּר shuwr (1 Sam. 18:6), shoor; a primitive root (identical with 7788 through the idea of strolling minstrelsy); 
h7788. שׁוּר shuwr, shoor; a primitive root; properly, to turn, i.e. travel about (as a harlot or a merchant):—go, singular See also 7891.

meretrix  D. In gen., she that is first, a leader, directress, mistress (mostly poet.): “silvestris regina chori,” i. e. the leader, She who earns moncy; hence, a prostitute, harlot, courtesan: “ita sunt hic meretrices omnes elecebrae argentariae,
chŏrus , i, m., = khoros [cf. Lidd. and Scott under khoros].  a troop or band of dancers and singers, a chorus, choir: “saltatores, citharistas,

cŭpĭdĭtas;'    'lĭbīdo        
        'cŭpĭdĭtas  Agitators: b. Carnal desire, lust, Plin. 36, 5, 4, § 21; “of animals,” Col. 6, 27, 4.—

HOW DOES A HARLOT SING

Is. 23:16 Take an [1] harp, go about the city, [2] thou harlot that hast been forgotten;
        make sweet [3] melody, [4] sing many songs,
        that thou mayest be remembered.
Is. 23:17 And it shall come to pass after the end of seventy years, that the LORD will visit Tyre,
        and she shall turn to her hire,
        and shall commit fornication with all the kingdoms of the world upon the face of the earth.


Acts 7:41 And they made a calf in those days,
        and offered sacrifice unto the idol,
        and rejoiced in the works of their own hands

euphrainō
II. Pass., make merry, enjoy oneself, “euphrainesthai hekēlon” Pind. I. 1
yield, island of Apollo; indeed, with the help of the gods I shall accomplish the end of both graceful songs, honoring in the dance both Phoebus with the unshorn hair

[60] But the brief limits of my song prevent me from telling of all the victories that Hermes, lord of games, granted to Herodotus and his horses.

Truly, often that which is hushed in silence actually brings greater pleasure.
        May he, raised up on the splendid wings of the Pierian Muses with their lovely voices,
        [65] also arm his hand with wreaths from Pytho, with exquisite wreaths from the Alpheus and the Olympian games, thus winning glory for seven-gated Thebes.
        But if someone hoards hidden wealth at home, and attacks others with mockery, he fails to consider that he is giving up his soul to Hades without glory.

Latin Illudo  as a female: Applied as a term of reproach, effeminate men, eloquence, rhētor but with idea of contempt, caneret,”
A. Of men: “si absurde canat, of the crooked race, a reed pipe, a guitar, crowing of a hen tibiae, tubae,  Gallus , i, m., = Gallos Strab., A. Galli , the priests of Cybele, on account of their emasculated condition) Gallic: “turma,” the troop of the priests of Isis, Ov. Am. 2, 13, 18.  “resupinati cessantia tympana Galli,”

Gallos , ho, A. priest of Cybele, gallazō , A. practise cult of Cybele, Galli. Eunuch priests of Cybele or the great mother: begun under the reign of Erichthonius, king of Attica, B.C. 1506;

Galli A form gallantes, as if from gallare, "to rave like a priest of Cybelé," is cited from Varro (ap. Non. p. 119Non., 5). In their wild, enthusiastic, and boisterous rites the Galli recalled the legends of the Corybantes (q.v.). According to an ancient custom, they were always castrated (spadones, semimares, semiviri, nec viri nec feminae), and it would seem that, impelled by religious enthusiasm, they performed this operation on themselves... Other names, however, are of distinctly Semitic affinities; Rhea perhaps=the Babylonian Ri (Mulita or Mylitta), and Nana more certainly=the Babylonian Nana, modern Syrian Nani.  Nana motherof Attis

Tac. Ann. 14.52 Of Nero:  They further alleged against him that he claimed for himself alone the honours of eloquence, and composed poetry more assiduously, as soon as a passion for it had seized on Nero. "Openly inimical to the prince's amusements, he disparaged his ability in driving horses, and ridiculed his voice whenever he sang

Acts 7:42 Then God turned,
        and gave them up to worship the HOST of heaven; 
        as it is written in the book of the prophets,
        O ye house of Israel,  have ye offered to me slain beasts and sacrifices
        by the space of forty years in the wilderness

Young, David /David.Young.Romans.1.html

Rom. 1:24 Wherefore God also gave them up to uncleanness through the lusts of their own hearts,
        to dishonour their own bodies between themselves:
Rom. 1:25 Who changed the truth of God into a lie, and worshipped and served the creature more than the Creator, who is blessed for ever. Amen.
Rom. 1:26 For this cause God gave them up unto vile affections: for even their women did change the natural use into that which is against nature:
Rom. 1:27 And likewise also the men, leaving the natural use of the woman, burned in their lust one toward another; men with men working that which is unseemly, and receiving in themselves that recompence of their error which was meet.
Rom. 1:28 And even as they did not like to retain God in their knowledge,
        God gave them over to a reprobate mind, to do those things which are not convenient;
Rom. 1:29 Being filled with all unrighteousness, fornication, wickedness, covetousness, maliciousness; full of envy, murder, debate, deceit, malignity; whisperers,
Rom. 1:30 Backbiters, haters of God, despiteful, proud, boasters, inventors of evil things, disobedient to parents,
Rom. 1:31 Without understanding, covenantbreakers, without natural affection, implacable, unmerciful:
Rom. 1:32 Who knowing the judgment of God, that they which commit such things are worthy of death, not only do the same, but have pleasure in them that do them.

Jude 1 Jude, the servant of Jesus Christ, and brother of James,         to them that are sanctified by God the Father,         and preserved in Jesus Christ, and called: Jude 2 Mercy unto you, and peace, and love, be multiplied. Jude 3 Beloved, when I gave all diligence         to write unto you of the common salvation,          it was needful for me to write unto you,         and exhort you that ye should earnestly         contend for the faith which was once delivered unto the saint Jude 4 For there are certain men crept in unawares,         who were before of old ordained to this condemnation,         ungodly men, turning the grace of our God into lasciviousness,         and denying the only Lord God [Theos], and our Lord [Kurios] Jesus Christ. THIS HAPPENED WITH THE PROPHESIED RESULTS North.Boulevard.Church.of.Christ.Elders.Vision.htmlJ Jude 5 I will therefore put you in remembrance, though ye once knew this,         how that the Lord, having saved the people out of the land of Egypt,         afterward destroyed them that believed not.
	Ex. 32:6 And they rose up early on the morrow, and offered burnt offerings, and brought peace offerings; and the people sat down to eat and to drink, and rose up to play Ludo  A. To sport, play with any thing, to practise as a pastime, amuse one's self with any thing, B. To sport, dally, wanton Esp., to play on an instrument of music, to make or compose music or song: A. To sport, play with any thing, to practise as a pastime, amuse one's self with any thing: “illa ipsa ludens conjeci in communes locos, Cic. Par. prooem.: Prima Syracosio dignata est ludere versu Nostra ... Thalia,” Verg. E. 6, 1.—Esp., to play on an instrument of music, to make or compose music or song: 1Cor. 10:7 Neither be ye idolaters, as were some of them; as it is written, The people sat down to eat and drink, and rose up to play.       Paizō pais  I. properly, to play like a child, to sport,  alla pepaistai metriōs hēmin, of the chorus, Ar. Th.1227.  4. play on a musical instrument, h.Ap.206: “Pan ho kalamophthogga paizōn”   WORSHIP MINISTER dance and sing,
Jude 6 And the angels which kept not their first estate, but left their own habitation,          he hath reserved in everlasting chains          under darkness unto the judgment of the great day. SEE [3] Muses, Muusicians, Locusts are unleashed from HADES.   zophos , ho, A.  nether darkness, Aidēs d' elakhe zophon ēeroenta obtained the realms of gloom for his share, Haidēs or hadēs , ou, ho, Att.; Ep. Aidēs , 2. gen. hadou with nouns in adjectival sense, devilish, “thuousan ha. mēter'” A.Ag.1235; “ha. mageiros” E.Cyc.397; fatal, deadly, mētēr , Aphrodite of the Loves,
	THIS HAPPENED AT THE UNIVERSALLY PROPHESIED DATE Rev. 9:1 And the fifth angel sounded, and I saw a star fall from heaven unto the earth:         and to him was given the key of the bottomless pit. Rev. 9:2 And he opened the bottomless pit;          and there arose a smoke out of the pit, as the smoke of a great furnace;          and the sun and the air were darkened by reason of the smoke of the pit. Rev. 9:3 And there came out of the smoke locusts upon the earth:         and unto them was given power, as the scorpions of the earth have power. Antiquity set Apollo as their leader, Apollon Mousagetēs ( According to Herodotus, they surfaced some 2,000 years after that as an effeminate priesthood in what is now southern Russia and present-day Ukraine. They were called the ENAREE, "endowed by the goddess Venus with the gift of prophecy."  18 Five hundred years on, they were holy priests telling the future, still dressing like women as they worshipped the mother earth Nerthus in the cult of the ALCI, the German version of the gay Twins CASTOR AND POLLUX. The variations of the cults that evolved are infinite and can be found beneath upwards of thirty or more of the FOUNDING MYTHS OF HOMOSEXUALITY in the Greek pantheon alone. Be they CURETES or KUROI, they became the later masked SATYRS and SILENI or THYIADES in the thesauri rites of the Horned Gods. Their emphasis on music and dancing, such as with the BACCHI and TITYRI, was dotted throughout the land. As the islanders were conquered, the human dancing KUROI were similarly transformed into deities, first associated with the gay god APOLLO, then the effeminate DIONYSOS, and finally as the attendants at the birth of ZEUS himself. Indeed, ZEUS came to be known as the "Greatest of the KUROI," and from these beginnings came the Cults of ZEUS in which the worshippers, like the KUROI, came to feel themselves one with the cosmos as if struck by a thunderbolt. Yet before the coming of the patriarchal invaders, the homosexual KUROI were already spread far and wide. Originally from Asia Minor, roughly around where Syria or Lebanon and parts of old Turkey are located today, they were carried on the trade routes between Asia Minor, Mesopotamia and Egypt. "Apollo Muse-leader").[9] Not only are the Muses explicitly used in modern English to refer to an artistic inspiration, as when one cites one's own artistic muse, but they also are implicit in words and phrases such as "amuse", "museum" (Latinised from mouseion—a place where the muses were worshipped), "music", and "musing upon".[10] A Charmer is an Abomination https://en.wikipedia.org/wiki/Muses#Cult As the patron deity of Delphi (Apollo Pythios), Apollo is an oracular god—the prophetic deity of the Delphic Oracle. Apollo is the god who affords help and wards off evil; various epithets call him the "averter of evil". Delphic Apollo is the patron of seafarers, foreigners and the protector of fugitives and refugees. As the god of Mousike (art of Muses), Apollo presides over all music, songs, dance and poetry. He is the inventor of string-music, and the frequent companion of the Muses, functioning as their chorus leader in celebrations. The lyre is a common attribute of Apollo. In Hellenistic times, especially during the 5th century BCE, as Apollo Helios he became identified among Greeks with Helios, Titan god of the sun.[2]   incantātor , ōris, m. incanto, I. an enchanter, wizard (post-class.), Tert. Idol. 9; Isid. 8, 9, 15; Mos. et Rom. Leg. Coll. 15, 1, 2. pythones consŭlo (a). In the lang. of religion, to consult a deity, an oracle, omens, etc.: “Apollinem de re,” Cic. Leg. 2, 16, 40: “deum consuluit auguriis, quae suscipienda essent,” Liv. 1, 20, 7: “deos hominum fibris,” Tac. A. 14, 30 fin.: “Phoebi oracula,” Ov. M. 3, 9; Suet. Vesp. 5: “Tiresiam conjectorem,” Plaut. Am. 5, 1, 76: Cantus A. Prophetic or oracular song: “veridicos Parcae coeperunt edere cantus,” Cat. 63 cf. Tib. B. An incantation, charm, magic song, etc.: cantusque artesque magorum. “cantus e curru Lunam deducere tentat,” 2. With instruments, a playing, music: “in nervorum vocumque cantibus,” Cic. Tusc. 1, 2, 4; id. Rosc. Am. 46, 134: “citharae,” Hor. C. 3, 1, 20: “horribili stridebat tibia cantu,” Cat. 64, 264: “querulae tibiae,”
Angĕlus , i, m., = aggelos. B.  In mal. part.: “Diabolus et angeli ejus,” Vulg. Matt. 25, 41: “angelus Satanae,” ib. 2 Cor. 12, 7 al.  Aggelos  2. generally, one that announces or tells, e.g. of birds of augury, Il.24.292,296; Mousōn aggelos, of a poet, Thgn.769; “aggele earos . . khelido Mousa , ēs, hē, Aeol. Moisa II. mousa, as Appellat., music, song, “m. stugera” A.Eu.308 (anap.); “euphamos” Id.Supp.695 (lyr.); “kanakhan . . theias antiluron mousas” S.Tr.643 (lyr.); “Aiakō moisan pherein” Pi.N.3.28; tis hēde mousa; Mousa , Apollyon's Musical Worship Teams-LocustsDios aigiokhoio thugateres” [Daughters whatever the sex]
	[1] MUSICIANS stugeros A .hated, abominated, loathed, or hateful, abominable, loathsome   mousa   music, song, “m. stugera      kanakhan . .1Cor. 13:1  Though I speak with the tongues of men and of angels,  and have not charity, I am become as sounding brass, or a tinkling cymbal. THEIAS  etheiazon obtained inspiration through ritual   antiluron    responding to the lyre or guitar. Aoidos , ho, (aeidō) A.singer, minstrel, bard  THEIOS a  Enchanter, Sorcerer [2] MUSICIANS “adein [singers are] adokimon  mousa              adokimon   disreputable, discredited, reprobate, [3] MUSICIANS They are from  Aidēs” Haidēs   Aidao domoisi in the nether world to the nether world, 2. place of departed spirits,      2. gen. hadou with nouns in adjectival sense, devilish,         “thuousan ha. mēter'” A.Ag.1235; “ha. mageiros” thuousan Silenced in Romans 12 so that Worship is Spiritual, rational or teaching the Word, Logos, Regulative Principle only [4] MUSICIANS are FOREORDAINED to this JUDGMENT and a "Locusts" chase the GODLY out.         Jude.There.Should.Be.Mockers.in.the.Last.Time.html [5] MUSICIANS MOCKED      Worship.Androgyny.The.Pagan.Sexual.Ideal.html      Jeanene.Reese.LGBT.MUST.be.Included.html [6] MUSICIANS They Do NOT know God nor Christ        2.John.1.9.The.Doctrine.of.Christ.html 2John 9 Whosoever transgresseth,         and abideth not in the doctrine of Christ, hath not God.         He that abideth in the doctrine of Christ,         he hath both the Father and the Son

Mark.10.They.Shall.Mock.Him.With.Music

HOLY SCRIPTURE SAYS THAT SELF-THRUSTING WOMEN EXERCISING AUTHORITY (AUTHENTIA, SEXUAL ANS SELF-AUTHORED) WAS A SHAME, IS A SHAME AND OFFENDS THE MASSES WHO FLEE THEIR OWN "INVESTMENT" BEFORE "THAT WHICH IS WRITTEN FOR OUR LEARNING"  ONE-ONLY (1 cor 12) MAN IN A CONGREGATION has the supernatural power to prophesy or SPEAK THE WORD OF GOD ONLY. 1Cor. 14:32 And the spirits of the prophets are subject to the prophets. 1Cor. 14:33 For God is not the author of confusion, but of peace,         as in all churches of the saints. 1Cor. 14:34 Let your women keep silence in the churches:         for it is not permitted unto them to SPEAK;         but they are commanded to be under obedience, as also saith the law. lŏquor  1.   To speak out, to say, tell, talk about, mention, utter, name id. Am. 2, 2, 64: “quas tu mulieres quos tu parasitos loquere, Alc. Quid enim censes? te ut deludam [Go play false, to mock, deceive, make sport of, delude./contra lusorem meum, 65qui nunc primum te advenisse dicas, modo 2. The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode: “vocum,” Cic. Div. 2, 3, 9: “musici,” Quint. 1, 10, 14: “lyrici, mŭlĭer    “mulieres omnes dicuntur,  [ALWAYS SPEAKING] I. Transf., as a term of reproach, a woman, i. e. a coward, poltroon: “non me arbitratur militem, sed mulierem,” Plaut. Bacch. 4, 8, 4. părăsītus , i, m., = parasitos, lit. one who eats with another; hence, CHURCH WAS NOT A VENUE FOR MALE OR FEMALE TO SPEAK BEYOND THAT WHICH IS WRITTEN:  There is a dozen PATTERNS to prove that the once each week READING and CONFESSING assembly was to take a LECTION or part of the WORD home to discuse and understand the passage all week. This was to prevent the LEARNING and FELLOWSHIP assembly from growing into a SYMPOSIUM. 1Cor. 14:35 And if they will LEARN ANYTHING, let them ask their husbands at home:         for it is a shame for women to speak in the church. inter-rŏgo  A To interrogate judicially, to examine B.  o argue, reason syllogistically: Acts 13:27 For they that dwell at Jerusalem, and their RULERS,         because they knew him not,         nor yet the voices of the prophets         which are read every sabbath day,         they have fulfilled them in condemning him Acts 15:21 For Moses of old time hath         in every city them that PREACH him, being READ         in the synagogues every sabbath day. PLATO LAWS -[941a-b]   If anyone, while acting as ambassador [presbeutēs] or herald [kērux], conveys false messages from his State to another State, or fails to deliver the actual message he was sent to deliver, or is proved to have brought back, as ambassador or herald, either from a friendly or hostile nation, their reply in a false form,  —against all such there shall be laid an indictment for breaking the law by sinning against the sacred messages and injunctions of Hermes1 and Zeus, and an assessment shall be made of the penalty they shall suffer or pay, if convicted.         Theft of property is uncivilized, open robbery is shameless: neither of these has any of the sons of Zeus practiced, Through delight in fraud or force. Let no man, therefore, be deluded concerning this or persuaded either by poiētōn or by any perverse myth-mongers [muthologōn] into the belief that, when he thieves or forcibly robs, he is doing nothing shameful, but just what the gods themselves do.1 That is both unlikely and untrue; and whoever acts thus unlawfully is neither a god at all nor a child of gods; 1 Cp.Plat. Rep 378 ff., Plat. Rep. 388 ff. Hermes is specially in mind, as notorious for his thefts and frauds; cp. Homer Iliad 5. 390; 24. 395, etc. 1Cor. 14:35 And if they will learn any thing, let them ask their husbands at home: for it is a shame for women to speak in the church 149. αἰσχρόν aischron, ahee-skhron´; neuter of 150; a shameful thing, i.e. indecorum: — shame. -Anaischuntos , on,  A. shameless, impudent, II. of things, shameful, abominable, bora E.Cyc.416 ; thêkai Th.2.52 . Pl.Lg.671c671c] in the hands of the man who has the skill and the ability to train and mould them. And now, even as then, the man who is to mould them is the good legislator; he must lay down banqueting laws, able to control that banqueter who becomes confident and bold and unduly shameless, and unwilling to submit to the proper limits of silence and speech, of drinking and of music, making him consent to do in all ways the opposite,— kai ouk ethelonta taxin kai to kata meros sigēs kai logou kai poseōs kai mousēs hupomenein, ethelein poiein panta toutois tanantia, kai eisionti tō mē kalō tharrei Eur. Cycl. 416 Dearest friend, you give me fine drink on top of a fine meal.’ [420] Seeing it had given him pleasure, I gave him another cup, knowing that wine would be his undoing and he would soon pay the penalty. In due course he proceeded to sing, and I plied him with one cup after another and heated his heart with drink. [425] Now hard by my weeping crew he sings his tuneless songs while the cavern echoes with it. -Poets Poi-êtês  maker, “mēkhanēmatōn II. composer of a poem, author, “p. kōmōdias” Pl.Lg.935e; “p. kainōn dramatōn, tragōdiōn ktl. b. composer of music, Pl.Lg.812d. 2. author of a speech, [muthologōn] Narrative Theology which repudiates Holy Scripture as does the Elder's VISION. GOD THROUGH PAUL WOULD ASK THE SELF-THRUSTING WOMEN WHETHER TRUTH BEGAN WITH THEM. AND, WORSHIP TEAMS SAY, 'YES, WE JUST COMPOSED A SILLY DITTY BECAUSE WE REFUSE TO "SPEAK WHAT CHRIST DELIVERED.' 1Cor. 14:36 WHAT? came the WORD of God out from you? or came it unto you only? YES, they say. Their silly songs INTEND to silence the WORD of Christ which is intended to be READ or SPOKEN ONLY. FURTHER MORE, THEY MOUNT THE STAGE AND TELL THE YOUTH THAT GOD, JESUS, PAUL AND CHURCH EXPERIENCE IS A LIE. SILLY WOMEN CAN BE LED INTO SIN BECAUSE THEIR MISLEADERS ARE IGNORANT OF THE MEANING OF THE WORD OR LOGOS. WHEN JESUS SPOKE WHAT THE FATHER TAUGHT HIM, HE WAS MAKING GOD AS HIS WORD BOTH VISIBLE AND AUDIBLE. AND ANY STAGE PERFORMER IS FOREORDAINED TO SILENCE THE WORDS OF GOD. Theology.Logos.Mythos.Word.Versus.Music.html Logos, verbal noun of lego         Opposite kata pathos         Opposite music, poetry or rhetoric         Opposite human reasoning         Opposite Epagoge bringint in to one's aid, introductionAlurement, enticement, incantation, spell Opposite Pathos  A. that which happens to a person or thing, incide4.speech, delivered in court, assembly VI. verbal expression or utterance, lego, lexis       -Lexis A.speech, OPPOSITE ôidê -ôidê, 1.art of song 5. = eppsdê, spell, incantation 4. text of an author,  OPPOSITE exegesis [Peter's private interpretation outlaws exegesis] Arist.En1142a26 SILLY WOMEN, EVEN IF YOU ARE A PROPHET ORDAINED BY AN APOSTLE 2,000 YEARS AGO! 1Cor. 14:37 If any man think himself to be a prophet, or SPIRITUAL,         let him acknowledge that the things that I write unto you         are the commandments of the Lord. LEADER OF THE CHORUS -Aristoph. Thes.[947] Let us now devote ourselves to the SPORTS which the women are accustomed to celebrate here, when time has again brought round the mighty Mysteries of the GREAT GODDESSES sacred days which Pauson himself honours by fasting and would wish feast to succeed feast, that he might keep them all holy. Spring forward with a light step, whirling in mazy circles; let your hands interlace, let the eager and rapid dancers sway to the MUSIC  and glance on every side as they move. -  Great Goddesses: Paizo dance, play a game,  4. play on a musical instrument, h.Ap.206: c. acc., Pan ho kalamo phthongapaizôn [played on a reed]Ar.Ra.230 ; dance and sing, Pi. O.1.16.5. play amorously, prosallêlous X.Smp.9.2 ; metatinosLXX Ge.26.8 ; of mares, Arist.HA572a30.   -Aristoph. Thes.[947] Let us now devote ourselves to the SPORTS which the women are accustomed to celebrate here, when time has again brought round the mighty Mysteries of the great goddesses, the sacred days which Pauson himself honours by fasting and would wish feast to succeed feast, that he might keep them all holy. Spring forward with a light step, whirling in mazy circles; let your hands interlace, let the eager and rapid dancers sway to the music and glance on every side as they move. -  Great Goddesses: Paizo dance, play a game,  4. play on a musical instrument, h.Ap.206: c. acc., Pan ho kalamo phthongapaizôn [played on a reed]Ar.Ra.230 ; dance and sing, Pi. O.1.16.5. play amorously, prosallêlous X.Smp.9.2 ; metatinosLXX Ge.26.8 ; of mares, Arist.HA572a30. -Orgia sacrifices to Aphrodite A.secret rites, secret worship, practised by the initiated, of the Cabeiri and Demeter Achaia, most freq. of the rites of Dionysus, Cogn erdō, rhezō, cf. ergon, orgeōn.） Kukleo whirl round and round, encompass [959] Chorus Let the chorus sing likewise and praise the Olympian gods in their pious transport. It's wrong to suppose that, because I AM A WOMAN and in this temple, I am going to speak ill of men; [966] but since we want something fresh, we are going through the rhythmic steps of the round dance for the first time. Ludo  A. To sport, play with any thing, to practise as a pastime, amuse one's self with any thing, B. To sport, dally, wanton Esp., to play on an instrument of music, to make or compose music or song: "Philodemus considered it paradoxical that music should be regarded as veneration of the gods while musicians were paid for performing this so-called veneration. Again, Philodemus held as self deceptive the view that music mediated religious ecstasy. He saw the entire condition induced by the noise of cymbals and tambourines as a disturbance of the spirit. He found it significant that, on the whole, only women and effeminate men fell into this folly. Accordingly, nothing of value could be attributed to music; it was no more than a slave of the sensation of pleasure, which satisfied much in the same way that food and drink did. "Women and girls from the different ranks of society were proud to enter the service of the gods as singers and musicians. The understanding of this service was universal: these singers constituted the 'harem of the gods'." (End of Quasten)

CLICK BELOW: Matt. 11:28 Come unto me, all ye that labour and are heavy laden, and I will give you rest.

From Clay Tablets onward the evidence is that any tuneful or metrical speech or songs are INTENDED to Hurt and Afflict. Medical science agrees about anything beyond MELODY which is a series of single notes OPPOSITE of Harmony.

Luke 17:1 Then said he unto the disciples,
        It is impossible but that offences will COME:
        but woe unto him, through whom they come!

HOW DO THEY COME or bring on an offense: God ordained NO worship SHOWS but silent BOWING or falling on your face: Worship in spirit is a "place" and giving heed to God by giving heed to the WORD.the Word is the only "act."

vĕnĭo , tumulum antiquae Cereris,  “mercator venit huc ad ludos,” “parasitus modo venerat aurum petere,    Plaut. Bacch. 4, 3, 18: “

“mercator a trader, merchant, esp. a wholesale dealer (opp. to caupo, a retailer; class.). A. A dealer, speculator: “non consules, sed mercatores provinciarum,”

modo Modos Melody   2. The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode: “vocum,” Cic. Div. 2, 3, 9: “musici,” Quint. 1, 10, 14: “lyrici,” Ov. H. 15, 6: “fidibus Latinis Thebanos aptare modos, “nectere canoris Eloquium [RHETORIC] vocale modis

Lūdus  2. Stage-plays, 1. Ludi, public games, plays, spectacles, shows, exhibitions, which were given in honor of the gods, etc. “hoc praetore ludos Apollini faciente,” [Abaddon, Apollyon]
“Dionysius Corinthi dicitur ludum aperuisse,” id. Fam. 9, 18, 1:
“in sermonem alicujus,” i. e. to enter into conversation,

The Mark of the Beast: Beast meaning a new style of music and satyric (perverted drama]

WHAT IS A PLAGUE:  PLESSO 3. strike or stamp as one does a coin, Kuprios kharaktēr . .
         en gunaikeiois tupois “peplēktai”   Strike a string with a key,

4. OF MUSICAL SOUNDS, houtôsi plêgenta houtôs ephthenxato ta phônêenta 
EPHTHENXATO--trumpet (thunder), flute, lyre, Phormigx (ABADDON'S instrument), melody in a holy place, CLAPPING HANDS

Luke 17:2 It were better for him that a millstone were hanged about his neck,
         and he cast into the sea, than that he should
         offend one of these little ones.

THUS SAITH THE LAW:

Gen. 3:2 And the woman said unto the serpent, We may eat of the fruit of the trees of the garden:

mŭlĭer , “mulieres omnes propter infirmitatem consilii, majores in tutorum potestate esse voluerunt,” Cic. Mur. 12, 27; “of a virgin,”
II. [select] Transf., as a term of reproach, a woman, i. e. a coward, poltroon: “non me arbitratur militem, sed mulierem,” Plaut. Bacch. 4, 8, 4.

h802. אִשָּׁה ʾishshah, ish-shaw´; feminine of 376 or 582; irregular plural, נָשׁיִם ʾashiym, naw-sheem´; a woman (used in the same wide sense as 582):—(adulter)ess, each, every, female, x many, + none, one, + together, wife, woman. Often unexpressed in English.

h582. אֱנוֹשׁ ʾenowsh, en-oshe´; from 605; properly, a mortal (and thus differing from the more dignified 120); hence, a man in general (singly or collectively):—another, x (blood-)thirsty, certain, chap(-man); divers, fellow, x in the flower of their age, husband, (certain, mortal) man, people, person, servant, some (x of them), + stranger, those, + their trade. It is often unexpressed in the English versions, especially when used in apposition with another word . Compare 376.

Gen. 2:17 But of the tree of the knowledge of good and evil, thou shalt not eat of it: for in the day that thou eatest thereof thou shalt surely die.

mălus , bad, in the widest sense of the word (opp. bonus), evil, wicked, injurious, destructive, mischievous, hurtful; of personal appearance, ill-looking, ugly, deformed; of weight, bad, light; of fate, evil, unlucky, “conscientia,” Quint. 12, 1, 3: “mens,” id. ib.: “mores,” Sall. C. 18: “fures,” Hor. S. 1, 1, 77: “Furiae,” id. ib. 2, 3, 135: “virus,” Verg. G. 1, 129: “cicuta,” Hor. S. 2, 1, 56: “libido,” Liv. 1, 57: “falx,” Verg. E. 3, 11: “gramina,” id. A. 2, 471: carmen, i. e. an incantation, Leg. XII. Tab. ap. Plin. 28, 2, 4, § 17: “abi in malam rem,” go and be hanged! Ter. And. 2, 1, 17: “pugna,

Gen. 3:3 But of the FRUIT of the tree which is in the midst of the garden, God hath said, Ye shall not eat of it, neither shall ye touch it, lest ye die.

fructus , for my mental enjoyment Enjoyment derived from riches

“voluptatum,” id. Lael. 23, 87: “jucunditatis,” id. Mur. 19, 40: “graviore sono tibi Musa loquetur Nostra, dabunt cum maturos mihi tempora fructus,

sŏno   Pythius in longā carmina veste sonat,” sings, pours forth, accompanies on the Lyre, id. 2, 31 (3, 29), 16; cf.: “sonante mixtum tibiis carmen lyra,”

“pecuniae, means of earning money

cŭpĭdĭtas   longing, desire gloriae,”a passionate desire, lust, passion, cupidity. “praeceps et lubrica dominandi,” “vel libido vel cupiditas,”b. Carnal desire, lust, d. The lust of power, ambition

        dŏmĭnor   to be lord and master, to have dominion, bear rule domineer

“voluptatum,B. Voluptates, sports, shows, spectacles, given to the people,  C. The desire for pleasure, bent, passion:  D. The male semen,

tango   3.  To touch, i. e., a.  To strike, hit, beat (mostly poet.): “chordas,” tange utramvis digitulo minimo modo,” cubito,”

cubito,” b. Of sexual intercourse, to lie:

b. To take hold of, to touch, handle, etc.; “esp. in mal. part.: virginem,” Ter. Ad. 4, 5, 52: Ov. M. 11, 308:

Ov. Met. 11.308
A thousand Princes liking her did for hir favour sew.
By fortune as bryght Phebus [APOLLON] and the sonne of Lady May
Came t'one from Delphos, toother from mount Cyllen, by the way

They saw her bothe at once, and bothe at once were tane in love.
Apollon till the tyme of nyght differd his sute to move.
But Hermes could not beare delay. He stroked on the face
The mayden with his charmed rod which hath the powre to chace
And bring in sleepe: the touch whereof did cast her in so dead
A sleepe, that Hermes by and by his purpose of her sped
As soone as nyght with twinckling starres the welkin had beesprent,

Apollo in an old wyves shape to Chyon clocely went,
And tooke the pleasure which the sonne of Maya had forehent.
Now when shee full her tyme had gone, shee bare by Mercurye
A sonne that hyght Awtolychus, who provde a wyly pye,
And such a fellow as in theft and filching had no peere.
He was his fathers owne sonne right: he could mennes eyes so bleere,
As for to make the black things whyghlt, and whyght things black appeere.

And by Apollon (for shee bare a payre) was borne his brother
Philammon, who in musick arte excelled farre all other,
As well in singing as in play. But what avayled it
To beare such twinnes, and of two Goddes in favour to have sit?
And that shee to her father had a stowt and valeant knight,
Or that her graundsyre was the 1

John 3:12 Not as Cain, who was of that wicked one, and slew his brother. And wherefore slew he him? Because his own works were evil, and his brother’s righteous.

1John 3:12 Not as Cain, who was of that wicked one, and slew his brother. And wherefore slew he him? Because his own works were evil, and his brother’s righteous.

Gen. 3:4 And the serpent said unto the woman, Ye shall not surely die:
Gen. 3:5 For God doth know that in the day ye eat thereof, then your eyes shall be opened, and ye shall be as gods, knowing good and evil.
Gen. 3:6 And when the woman saw that the tree was good for food, and that it was pleasant to the eyes, and a tree to be desired to make one wise, she took of the fruit thereof, and did eat, and gave also unto her husband with her; and he did eat.

Eve submitted willingly to the seduction.

dē-do    , to give away, give up from one's self; hence, with respect to the term. ad quem, to give up any thing to one, to surrender, deliver, consign, yield
B. to deliver up, surrender some one or something to the enemy; and with se, to surrender one's self, capitulate:
se penitus [Came Prepared with] musicis, 
“nec studio citharae nec Musae deditus ulli,” Hor. S. 2, 3, 105 al.: “
“animus libidini deditus,

Eve Taught Adam: “se doctrinae

mūsĭca , ae, and mūsĭcē , ēs, f., = mousikē, I.the art of music, music; acc. to the notions of the ancients, also every higher kind of artistic or scientific culture or pursuit:

mūsĭcus . a, um, adj., = mousikos.

I. Of or belonging to music, musical (class.).

A. Adj.: “leges musicae,” the rules of music, Cic. Leg. 2, 15, 39: “sonus citharae,” Phaedr. 4, 18, 20: “pedes,” Plin. 29, 1, 5, § 6.—

B. Subst. et omnia musicorum organa,” Vulg. 1 Par. 16, 42.—
aetatem, you are in clover, i. e. living luxuriously at another's expense, Plaut. Most. 3, 2, 40.

Eve was given as ancilla or maid servant to Adam. However, before Adam she became the ancilla , the Serpent

Gen. 2:23 And Adam said, This is now bone of my bones, and flesh of my flesh: she shall be called Woman, because she was taken out of Man.

vĭrāgo , ĭnis, f. virgo,

I. [select] a man-like, vigorous, heroic maiden, a female warrior, heroine, virago (poet. and in post-Aug. prose): “virago aliqua ancilla,” i. e. vigorous, stout, Plaut. Merc. 2, 3, 79:

ancilla , II. Trop.: “terrā usus mortalium semper ancillā,” Plin. 2, 63, 63, § 155.—As a term of reproach, of one servilely devoted to any thing: “Fufidius ancilla turpis,” Sall. H. 1, 15, p. 218 Gerl.

terra ( B. Personified, Terra, the Earth, as a goddess; “usu. called Tellus, Magna Mater, Ceres, Cybele, etc.: jam si est Ceres a gerendo, Terra ipsa dea est et ita habetur: quae est enim alia Tellus?”

Gen. 3:20 And Adam called his wife’s name Eve; because she was the mother of all living.

Gen. 3:12 And the man said, The woman whom thou gavest to be with me, she gave me of the tree, and I did eat.

1Tim. 2:11 Let the woman learn in silence with all subjection.
1Tim. 2:12 But I suffer not a woman to teach, nor to usurp authority over the man, but to be in silence.
1Tim. 2:13 For Adam was first formed, then Eve.
1Tim. 2:14 And Adam was not deceived, but the woman being deceived was in the transgression.
1Tim. 2:15 Notwithstanding she shall be saved in childbearing, if they continue in faith and charity and holiness with sobriety

They all boast about telling people to get over it or get out.

Shannon.Clarkson.Rains.Women.in.Worship.html
Footnote Also, while the membership of a local church may decline,  [And we women sowed massive discort] the new connection FELT by women to the church and the possibility of an increase in SELF-esteem and self-efficacy of women throughout their younger years MAY have a positive impact further into the future.

WOMEN WHO SHOW AND TELL SAY THAT PAUL WAS A LIAR AND JESUS WHO SPOKE TO HIM WAS WORSE. THAT IS THE MEANING OF WOMEN BEING OR KEEPING SAFE CONCERNING THEIRS AND OTHER YOUTH. THEY ALSO VALIDATE PAUL'S WARNING.

There is no one in Holy Scripture said to worship by preaching, listening, singing, plaing an instrument, acting (the podium nor takers of shekals does not exist) nor PAY TO PLAY.

Click Below of Ephesians 5:18-20 David M. Young Translation.

Moral and Psychological effects of music:

Schopenhauer, on this point, echoes Plato.
        By means of massive irruptions,  [overtones]
        MUSIC takes up residence in our intimate self
        and seemingly elects to make its home there.
The man inhabited and possessed by this intruder,
        the man ROBBED of a self, is no longer himself:
        he has become nothing more than a vibrating string, a sounding pipe.
He trembles madly under the bow or the fingers of the instrumentalist;
        and just as APOLLON fills the Pythia’s lungs,
        so the organ’s powerful voice
        and the harp’s gentle accents take possession of the listener.

This process, at once IRRATIONAL and SHAMFUL, takes place on the margins of truth,
        and thus borders more on magic than on empirical science.

1Cor. 14:30 If any thing be revealed to another that sitteth by, let the first hold his peace.
1Cor. 14:31 For ye may all prophesy one by one,
        THAT ALL MAY LEARN, [The one piece pattern]
        and all may be comforted.
1Cor. 14:34 Let your women keep SILENCE in the churches:
        for it is not permitted unto them to speak;
        but they are commanded to be under obedience,
        as also saith the law.

WHY WILL REVERENT MALE AND FEMALE REFRAIN FROM VISIBLE-AUDIBLE SELF-EXHIBITION"

1Cor. 14:36  WHAT? came the word of God out from you? or came it unto you only?

Any self-composed sermons or songs PROVE that people believe that TRUTH began with them.

John 8:44 Ye are of your father the devil, and the lusts of your father ye will do.
        He was a murderer from the beginning, and abode NOT IN THE TRUTH
        because there is no truth in him.
        When he speaketh a lie, he speaketh of his own: for he is a liar, and the father of it

Isaiah 55 spoke when God put His WORDS into His MOUTH (the meaning of SPIRIT)
God through Isaiah compares His Word to FREE water which comes from Above.
WE are forbidden to PAY for any person for what Jesus died to give in WORDS.
Neither Jesus nor Paul provided any FUNDING for religious performers who are defined as SORCERERS AND PARASITES

http://www.pineycom.com/Isaiah.55.Word.Spirit.html

Isaiah 58 outlaws seeking your own pleasure or SPEAKING your own WORDS.

http://www.pineycom.com/Isaiah.58.html

Historical it has only been by females and the effeminate who lust to perform by singing and playing. The SILENCE command also prohibits:

Lal-eo  chat, prattle, OPPOSITE. ARTICULATE speech, chirp locusts,
III.of musical sounds, “aulō laleō” Theoc.20.29; of trees, v.supr.1.2; “di'aulou ē salpiggos
magadin lalein   an instrument with twenty strings arranged in octaves

The magical induction becomes a seduction and thus trickery,
        and an ADULT refuses to be captivated,
        resisting the beliefs suggested to him by the auletic. [piper?]

A WOMAN who persuades solely by means of her presence and its perfumes,
        that is, by the magical exhalations of her being,
        the night that envelops us, MUSIC, which secures our allegiance
        solely through the Charm engendered by a TRILL or an ARPEGGIO,
        will therefore be the object of a  deep suspicion.

-Jactant Th throw, cast, hurl, to scatter semen. To throw, toss about, make gestures, throw kisses, to be restless, rebellius, sow serpen's seed. “irrita sacrilega jactas incendia dextra,” id. M. 14, 539: “hastas,” Cic. de Or. 2, 78, 3 [cause controversy about questions]

Ovid, Meta 14.527
When the holy mother of the gods, recalling
how those same pines were felled on Ida's crest,
filled the wind with a sound of cymbals clashed
and TRILL of boxwood flutes. Borne through light air
by her famed lion yoke, she came and said,
“In vain you cast the fire with impious hand,
Turnus, for I will save this burning fleet.
I will not let the greedy flame consume
trees that were part and members of my grove.”

1.Timothy.2.Women.Authority.Authentia.html

Female OR Male Authority or Authentia Outlalwed beyond PREACHING the Word by READING the Word.

http://www.pineycom.com/Isaiah.3.Children.and.Women.Rule.Over.Them.html

Boys: -Effeminoto make womanish, effeminate, to enervate: “fortitudinis praecepta“illa elocutio
res ipsas effeminat,”  “mollis, luxuriosus, dissolutus): ne quid effeminatum aut molle sit,”
Cic. Off. 1, 35, 129; cf. id. Tusc. 4, 30: “intolerabile est servire impuro, impudico, effeminato, 

“illa elocutio res ipsas effeminat,” Quint. 8 prooëm. § 20.— ēlŏcūtĭo  I. Transf., in rhet. lang., oratorical delivery, elocution; “furialis illa vox, religiosis altaribus effeminata,”that submits to unnatural lust: “pathicus,” Suet. Aug. 68; Cinaedos: a sodomite, catamite, one who dances publicly

Praise teams,  from clay tablets onward, intend to inflict pain and TRIBULATE.
The OWNERS are cast out of their own synagogue (school only) because of the LADED BURDEN and the PERSONA--whatever the facts--

Worship.Androgyny.The.Pagan.Sexual.Ideal.html

I Certify that even the trauma caused by massive complex harmony (opposite of melody) and the false preaching caused me to flee to the Library.

When the team slinks up to the podium you understand that Jesus has been there, removed his candlestick and strong delusions sets in and it is impossible to change.  The Instrumental-Trinitarian-Perverted play at Mount Sinai was BEYOND REDEMPTION.
ANATHEMA means any person or thing dedicated to ADORN the word and school of Christ: it means that they cannot be redeemed and MUST BE BURNED.

---

Matt. 11:28 Come unto me, all ye that labour and are heavy laden, and I will give you rest.

phora , Ion. phorē , hē: (pherō):—A. as

A.an act,

I. (from Act.) carrying, phoras . . phthonēsis ou genēsetai there shall be no refusal to carry thee, S.Tr.1212; en phora, i. e. in their arms, Id.Fr.327; thurōtoin phoras payment for carrying . . , IG42(1).102.305 (Epid., iv B. C.); psēphou ph. casting one's vote, E.Supp.484, cf. Pl.Lg.949a; hē ph. kathaper pettōn movement as of the men in draughts, ib.739a.

b. gestation, trietēs ph. cj. in IG42(1).121.10 (Epid., iv B. C.).

2. bringing in of money, payment, “khrēmatōn” Th.1.96; dasmou, dasmōn, Pl.Lg. 706b, X.Cyr.8.6.16; hai hupoloipoi phorai the remaining instatments, Lys.Fr.1.4, cf. Ostr.Bodl.iii 280 (i A. D.), al.

Thuc. 1.96. When the Athenians had thus gotten the command by the confederates' own accord for the hatred they bare to Pausanias, they then set down an order which cities should contribute money for this war against the barbarians, and which galleys. For they pretended to repair the injuries they had suffered by laying waste the territories of the king. [2] And then first came up amongst the Athenians the office of treasurers of Greece, who were receivers of the tribute, for so they called this money contributed. And the first tribute that was taxed came to four hundred and sixty talents. The treasury was at Delos, and their meetings were kept there in the temple.

b. ph. ergatou, = latura, perh. a workman's pay, Gloss. (latura is also glossed phoretron, ibid.; also onus, sarcina, ibid.).

c. fare, freight, “posē tis hē ph.;” Eup.271, cf. Ar.Fr.300.

3. bringing forth, productiveness, “karpou” Thphr.CP3.14.5; opp. aphoria, Pl.R.546a, cf. Arist.GA750a23; of animals, Ael.NA17.40; “ptēnōn” Gp.1.8.9.

II. (from Pass. pheromai) being borne or carried along, motion, of the universe and heavenly bodies. “hē . . theia tou ontos ph.” Pl.Cra.421b, cf. Ti.39b, 81a; “hē sumpasa ouranou hodos kai ph.” Id.Lg.897c; “hē tōn astrōn ph. kai hēliou” Id.Grg.451c; “astrōn phorai” Id.Smp.188b; “kheirōn ph.” Hp.Prog.4; “sphairas phorai” Pl.Lg.898b;

“hē ph. kai kinēsis” Id.Cra.434c, Tht.152d; “

khronos . . metron phoras”

khronos , ho, 2. time or quantity of a syllable, Longin.39.4, A.D.Synt.130.4, al.: brakhus kh. a short syllable, ib.309.23; of the augment, ib.237.10.

3. in Rhythmic and Music, time, “diaireitai ho kh. hupo tōn rhuthmizomenōn” Aristox.Rhyth.p.79 W., etc.; ho prōtos kh.] time-unit, ibid., Aristid. Quint.1.14, etc.; khronos kenos ib.18: freq. in pl., “lexis eis khronous tetheisa diapherontas” Aristox.Rhyth.p.77 W., cf. Anon.Rhythm.Oxy. 9ii6; [“metra prokhōrei heōs l khronōn” Aristid.Quint.1.23.

metron , to,

II. metre, Ar.Nu.638, 641, etc.; opp. melos (music) and rhuthmos (time), Pl.Grg.502c, etc.; logous psilous eis metra tithentes putting into verse, Id.Lg.669d; “ta en metrō pepoiēmena epē” X.Mem. 1.2.21.

2. pl., verses, Pl.Ly.205a. (I.-E. *métro-m from *métro-m 'measuring instrument', cf. Goth. mitan 'measure'.)

met...1.178; iskhas m. a fair-sized fig, Diocl.Fr.140; of Time, m. mēkos logōn the proper length of speech, Pl.Prt.338b; m. khronos akmēs a fair average time of maturity, Id.R. 460

---

Ephesians 5:18-20 David M. Young Translation.
And don't get drunk on alcohol, which leads to decadence;
instead, be filled with the Spirit BY speaking to one another
with psalms, hymns, and spiritual songs,
singing. and MAKING MUSIC WITH your heart to the Lord,
always giving thanks to God the Father for everything,
in the name of our Lord Jesus Christ.

That is a direct CONTRADICTION of Holy Scripture. It abuses simple text. The assembly is a School of Christ. You must first fill up with "that which is written for our LEARNING" before you can speak intelligibly.  There is not a single verse given by God as LYRIC poetry or fit for performance by the Lyre.  Melody has the same meaning as Grace and both are conditions of the heart or spirit.

David.Young.Ephesians.5.and.Dionysus.Sorcery.html

The only pattern for the once each week assembly is to read and mutually confess the Word of God. Jesus said that His Words were SPIRIT and LIFE.

First, melody IN the heart or mind means SILENT especially if you want to teach what GOD commanded.
Second, the words for SPEAK are the opposite of the word for SING.
Third, the words for sing implicate enchantment or Sorcery: making Christ silent.
Fourth, Psallo is to be silent because it is an evil destructive word.

The Evil Psallo Latin Psallo “psallere saltare   ēlĕgans   I. In the ante-class. period in a bad sense, luxurious, effeminate, fastidious, nice: elegans homo non dicebatur cum laude “mulier (Phryne—with formo

saltara means dancing or any gestures.

Elĕgans  E-lēg   I.to convey away (from the family) by bequest, to bequeath away, Petr. 43, 5; Gai. Inst. 2, 215. oratorium,

--dēlĭcĭae , ārum, f. (sing. dēlĭcĭa  [delicio; that which allures, flatters the senses], delight, pleasure, charm, allurement; deliciousness, luxuriousness, voluptuousness, curiosities of art; sport, frolics, etc. (freq. and class.; for syn. cf.: voluptas, libido, delectatio, oblectatio, delectamentum, oblectamentum).

The Evil Psallo includes:  căno , cĕcĭni, cantum (ancient I.imp. cante = canite, “once canituri,” Vulg. Apoc. 8, 13), 3, v. n. and a. [cf. kanassō, kanakhē, konabos; Germ. Hahn; Engl. chanticleer; kuknos, ciconice; Sanscr. kōkas = DUCK; A. With carmen, cantilenam, versus, verba, etc., to sing, play, rehearse, recite

ka^na^kh-ē , Dor. -Kha, hē, (kanassō) Od.6.82; odontōn men k. pele gnashing of teeth, Il.19.365, Hes.Sc.164:
k. aulōn sound of flutes, Pi.P.10.39 (pl.), B.2.12, cf. S.Tr.642 (lyr.); of the lyre, h.Ap.185.

ka^na^kh-eō , a Verb expressing various sounds, kanakhēse de Khalkos

A.r ang, clashed, Od.19.469; kanakhousi pēgai plash, Cratin.186; kanakhōn holophōnos alektōr crowing, ., k. melos to let a song ring loud, A.R.4.907.

CLANGING BRASS khalkos    “sidēros de kai kh. polemōn organa” Pl.Lg.956a  SUITABLE FOR OFFERINGS IN TEMPLES OR ANATHEMA
organon , to, (ergon, erdō) A.instrument, implement, tool, for making or doing a thing,
3. musical instrument, Simon.31, f.l. in A.Fr.57.1 ; ho men di' organōn ekēlei anthrōpous, of Marsyas, Pl.Smp.215c ; aneu organōn psilois logois ibid., cf. Plt.268b ; “o. polukhorda” Id.R.399c, al.; “met' ōdēs kai tinōn organōn” Phld.Mus.p.98K.; of the pipe, Melanipp.2, Telest.1.2.

Shawn Frazier: "My responsibilities include planning for and overseeing all aspects of five church assemblies each week at two campuses, rehearsing the 50 member praise team, leading worship during most assemblies and School of Christian Thought, singing for funerals, planning special events like Christmas and Easter, leading the praise team at special events like Lipscomb Summer Celebration and community events, recruiting, and discipling. I am also committed to loving God, Jesus Christ, the Holy Spirit, church, scripture, people, disciple making, church planting, prayer, and holy and righteous living.

The only "worship" concept in Holy Scripture is most often to Fall on your face in Reverence and Godly Fear.

Jesus exists in the STATE of Holy Spirit. He is still the only RABBI:

John 8:31Then said Jesus to those Jews which believed on him,
        IF ye continue in my word, THEN are ye my disciples indeed;
John 14:6 Jesus saith unto him, I am the way, the truth, and the life:
        no man cometh unto the Father, but by me.
Heb. 7:25 Wherefore he is able also to save them to the uttermost
        that come unto God by him,
        seeing he EVER LIVETH make INTERCESSION for them.

John 14:15  If ye love me, keep my commandments.
John 14:23 Jesus answered and said unto him,
        If a man love me, he will keep my WORDS: and my Father will love him,
        and WE will come unto him, and make OUR abode with him.
John 15:10 If ye keep my commandments, ye shall abide in my love;
        even as I have kept my Father’s commandments, and abide in his love.

The Spirit means that God puts His WORDS into the MOUTH of Moses, Elijah (the prophets) and LASTLY the Man Christ Jesus. Spirit never speaks of a god or man because Jesus said that my WORDS that I SPEAK are SPIRIT and LIFE (John 6:63).. That is because the Spirit OF God or man is their mental disposition.

THE ONLY WAY THAT DISCIPLES CAN OR WANT TO PRAISE GOD!

The ONLY verbal praise of God is both a Disciple- and Gender Trap. Paul prohibits females and the effeminate is:

1Pet. 4:11 If any man speak, let him SPEAK as the oracles of God;  [Oracles are Portions of THE WORD.]
        if any man minister, let him do it as of the ability which God giveth:
        that God in all things may be glorified through Jesus Christ,
        to whom be PRAISE and dominion for ever and ever. Amen.

g1391.  doxa, dox´-ah; from the base of 1380; glory (as very apparent), in a wide application (literal or figurative, objective or subjective): — dignity, glory(-ious), honour, praise, worship.

Rom. 15:3 For even Christ pleased not himself; but, as it is written,
        The reproaches of them that reproached thee fell on me.
Rom. 15:4 For whatsoever things were WRITTEN AFORETIME
        were WRITTEN for our LEARNING, that we through patience
        and comfort of the scriptures might have hope.
Rom. 15:5 Now the God of patience and consolation
        grant you to be likeminded one toward another according to Christ Jesus:
Rom. 15:6 That ye may with ONE MIND and ONE MOUTH GLORIFY God,
        even the Father of our Lord Jesus Christ.

g1392. doxazo, dox-ad´-zo; from 1391; to render (or esteem) glorious (in a wide application): — (make) glorify(-ious), full of (have) glory, honour, magnify.

Further more, beginning with Clay Tablets, religion approached their gods in a sexual or homosexual sense.  The persona of "worship leaders" is a common joke. While this may be intended, it explains why the--beyond Scripture-service is a female thing and males are reluctant

Markus in Reciting the Book:  These effects have implications for understanding who controls the production and dissemination of a prestigious high genre like epic (the politics of literary production) and what role the public, non-dramatic, authorial reading aloud of epic plays in the construction of gender and social status....  In that regard, epic's position is parallel to that of rhetoric. Beginning with Aristotle's Rhetorica (1404a), critics of rhetorical performance have ascribed to lively delivery the same effect as that of acting. There is a persistent association between theatrics, bad rhetoric and effeminacy.

Nevertheless, I think that I need to be more explicit in stating that the music which I prescribe is not the modern music which has been emasculated by the lascivious melodies of the effeminate stage and has to no small extent destroyed the amount of manly vigor that we still possessed.

I refer rather to the music of old with which people used to sing the praises of brave men and which the brave themselves used to sing.

Matt. 11:27 All things are delivered unto me of my Father:
        and no man knoweth the Son, but the Father;
        neither knoweth any man the Father, save the Son,
        and he to whomsoever the Son will reveal him.
Matt. 11:28 Come unto me,
        all ye that labour and are HEAVY LADEN, and I will give you rest.
Matt. 11:29 Take my yoke upon you, and LEARN of me;
        for I am meek and lowly in heart:
        and ye shall find rest unto your souls.
Matt. 11:30 For my yoke is easy, and my burden is light.

Aristot. Rh. 1404a
 And rightly considered it is thought vulgar.
NOTE: HEAVY LADEN 1 Cope prefers: “is thought vulgar, and rightly so considered.” phort-i^kos , II. [of the nature of a burden: metaph. (cf. “phortos” 11), tiresome, wearisome, “to legein . . ph. kai epakhthes” D.5.4; “tois sunousi ph.” Plu.2.456e, cf. 44a, etc.; ph. akolouthōn okhlō because of the crowd . . , Luc.Nigr.13; “-ōtatē leitourgia” most onerous, .
hapanta mimoumenē tekhnē phortikē art that imitates with a view to any and every man is vulgar, vulgar arrogance, Aeschin.1.41; of an inflated rhetorical style, “ph. kataskeuē”

epain-os , ho, A.approval, praise, commendation
“logon eipein epainon Erōtos” Id.Smp.177d; “
Misgolas, son of Naucrates, of the deme Collytus, a man otherwise honorable, and beyond reproach save in this, that he is bent on that sort of thing like one possessed, and is accustomed always to have about him singers or cithara-players.

"Philodemus considered it paradoxical that music should be regarded as veneration of the gods while musicians were paid for performing this so-called veneration. Again, Philodemus held as self deceptive the view that music mediated religious ecstasy. He saw the entire condition induced by the noise of cymbals and tambourines as a disturbance of the spirit.

He found it significant that, on the whole, only women and effeminate men fell into this folly.

Accordingly, nothing of value could be attributed to music; it was no more than a slave of the sensation of pleasure, which satisfied much in the same way that food and drink did.

"Women and girls from the different ranks of society were proud to enter the service of the gods as singers and musicians. The understanding of this service was universal: these singers constituted the 'harem of the gods'." (End of Quasten)

Because of such idolatry, many passages say that:

Acts 7:41 And they made a calf in those days, and offered sacrifice unto the idol,
        and rejoiced in the works of their own hands
Acts 7:42 Then God turned, and gave them up to worship the host of heaven;
         as it is written in the book of the prophets, O ye house of Israel, have ye offered to me slain beasts
         and sacrifices by the space of forty years in the wilderness

Jerusalem was already set up to Worship The Starry Host so Solomon boasted

Ecclesiastes 2:8 I gathered me also silver and gold, and the peculiar treasure of kings and of the provinces:
        I gat me men singers and women singers, and the delights of the sons of men,
        as musical instruments, and that of all sorts.

cantor , cantor Apollo,”[Apollōn,] Hor. A. P. 407 (cf. Apollo): “(Caligula) Threx et auriga idem cantor atque saltator,” Suet. Calig. 54.—In a contemptuous sense: “cantor formularum,” [Legalistic Pattern] (mutato nomine cantorem pro musico dicit,
2 “Pythia cantica” Hor. Ars 414, songs like the hymns which were sung in honor of Apollo, by the chorus

Women still make themselves and their children UNSAFE.. Music and Burning are the PATTERN. Telling your children that Paul and Scripture is a lie is a major contributor to wide-spread lawlesness.

PRAISE BEYOND THE FRUIT OF THE LIPS IS BASED ON THE LEVITES WHOSE PROPHESYING IS DEFINED AS SOOTHSAYING OR SORCERY.  This is the word used by those before ordained to this judgment.

Isa 57:19 I create the fruit of the lips; 
        Peace, peace to him that is far off, and to him that is near, saith the Lord; and I will heal him.

h1984. halal, haw-lal´; a primitive root; to be clear (orig. of sound, but usually of color); to shine; hence, to make a show, to boast; and thus to be (clamorously) foolish; to rave; causatively, to celebrate; also to stultify:—(make) boast (self), celebrate, commend, (deal, make), fool(-ish, -ly), glory, give (light), be (make, feign self) mad (against), give in marriage, (sing, be worthy of) praise, rage, renowned, shine.

h1966. heylel, hay-lale´; from 1984 (in the sense of brightness); the morning-star:—lucifer.

"In Christian times Lucifer came to be regarded as the name of Satan before his ... a priest of Apollo, so as to appease the wrath of Apollo, ...
In Revelation, the 'king' of the bottomless pit, abyss, is directly named as Abbadon in the Hebrew meaning 'the destroyer' and Apollyon in the Greek, also meaning 'the destroyer'. Apollyon is one of the spellings of the Greek god Apollon. The devil is also 'the destroyer'."

The PRAISE concept is based on Old Testament words such as Halal associated with helel or Lucifer. Lucifer and Apollyon are similar.
Men like David understood that God could punish mad men.

PERFORMANCE MUSICAL SOUNDS WERE ALWAYS MYSTERIOUS AND ALLOWED SUPERSTITIOUS PEOPLE TO GIVE UP THEIR PROPERTY TO MEN CLAIMING THAT THE GODS SPOKE THROUGH INSTRUMENTS.

The development both of religion and of the arts can be traced back in a continuous line to the hunting era. The group ritual of the primeval tribesmen were the origin not only of all religious ceremonial, but also of the drama and of poetry and music, while magic gave birth to the visual arts." (Parkes, Henry Bamford, On Gods and Men, p. 30).

"Awed by the mysteries of his own spirit no less than by those of nature, primitive man was likely to attribute to divine influence any abnormal emotional state, whether above or below the usual level. Medicine men customarily went into states of trance in which they were believed to be in communication with the gods, and many tribes supposed lunatics and sexual deviants to be divinely possessed.

"What primative men... wanted from the gods was health and strength, riches and long life, and they hoped to attain these things chiefly by ritual and sacrifice rather than by good conduct. The methods of early religion always remained largely magical, and its motivations thoroughly materialistic." (Parkes, p. 36).

Real or performed, the persona offends and causes people to show up as empty pews.

Jude 3  Beloved, when I gave all diligence to write unto you of the common salvation,
        it was needful for me to WRITE unto you, and exhort you
        that ye should earnestly contend for THE FAITH which was once delivered unto the saints.
Jude 4 For there are certain men CREPT in unawares,
        who were before of old ORDAINED to this condemnation,
        ungodly men, turning the grace of our God into lasciviousness,
        and denying the ONLY LORD GOD [Theos]
        AND
        our LORD [Kurios] Jesus Christ.

The Word, Logos is the Regulative Principle: it outlaws opinions, experiences, rhetoric, singing, playing an instrument, acting or PAY TO PLAY.

Eph. 1:13 In whom ye also trusted,
        after that ye heard the WORD of TRUTH,
        the GOSPEL of your salvation:
        in whom also after that ye BELIEVED
        ye were sealed with THAT holy Spirit of promise,

Antiph. 5 50 Why, quite apart from the torture employed,
    those who consistently keep to one statement about one set of facts          [logous]  are more to be trusted than those who contradictthemselves.
    logous legontes pistoteroi to be trusted or believed: I. [select] of persons, faithful, trusty, “trustworthy, worthy of credit,
pledge, security, warrant, “to p. tēs alētheias

pist-euō  COMPLY, hōs oukh hupeixōn oude pisteusōn legeis; S.OT625, cf. 646 ; opp. apisteō, Id.Tr.1228.  S.Aj.371,

hupeik-ō  2. yield, give way II. metaph., yield, give way, comply,

In Christian times Lucifer came to be regarded as the name of Satan before his ... a priest of Apollo, so as to appease the wrath of Apollo, ...
In Revelation, the 'king' of the bottomless pit, abyss, is directly named as Abbadon in the Hebrew meaning 'the destroyer' and Apollyon in the Greek, also meaning 'the destroyer'. Apollyon is one of the spellings of the Greek god Apollo. The devil is also 'the destroyer'.

Is. 14:5 The LORD hath broken the staff of the wicked, and the sceptre of the rulers.
Is. 14:6 He who smote the people in wrath with a continual stroke,
         he that ruled the nations in anger, is persecuted, and none hindereth.
Is. 14:7 The whole earth is at rest, and is quiet: they break forth into singing.
Is. 14:8 Yea, the fir trees rejoice at thee, and the cedars of Lebanon, saying, Since thou art laid down, no feller is come up against us.
Is. 14:9 Hell from beneath is moved for thee to meet thee at thy coming:
         it stirreth up the dead for thee,
        even all the chief ones of the earth;
        it hath raised up from their thrones all the kings of the nations.
Is. 14:10 All they shall speak and say unto thee, Art thou also become weak as we? art thou become like unto us?
Is. 14:11 Thy pomp is brought down to the grave, and the NOISE of thy viols:
         the worm is spread under thee, and the worms cover thee.
Is. 14:12 How art thou fallen from heaven, O LUCIFER, son of the morning!
        how art thou cut down to the ground, which didst weaken the nations!
Is. 14:13 For thou hast said in thine heart, I will ascend into heaven,
        I will exalt my throne above the stars of God:
        I will sit also upon the mount of the congregation, in the sides of the north:
Is. 14:14 I will ascend above the heights of the clouds; I will be like the most High.

homiletic.” of or relating to homiletics also : preachy

 marked by obvious moralizing : didactic put off by the speaker's preachy tone " If I shall therefore go preachy so shah I lay and SHAME myself and God there to, and make them the more to despise God, and set the less by bim^ antl to be the more cruel unto his peopl This is outlawed by the Word, LOGOS or Regulative Principle:

Opposite Pathos  A. that which happens to a person or thing, incident, accident,
where this incident took place, unfortunate accident,  2. what one has experienced, good or bad, experience
II. of the soul, emotion, passion
Opposite Poiein to excite passion, Arist.Rh.1418a12; V. Rhet., emotional style or treatment, to sphodron kai enthousiastikon p. Longin.8.1; “pathos poiein” Arist. Rh.1418a12; 

SCRIPTURE AND THE LATIN AND GREEK TEXT AND HISTORICAL SCHOLARS PROVE THAT MUSIC IS SORCERY.


Moral and Psychological effects of music:Schopenhauer

Music acts upon human beings, on their nervous systems and their vital processes: in 1849 Liszt wrote a song, “Die Macht der Musik” to a text by the Duchess Hele`ne d’Or le ́ans: MUSIC paying tribute to its own capacities.

This power— which poems and colors possess occasionally and indirectly—
        is in the case of MUSIC particularly immediate, drastic, and indiscreet:
        “it penetrates to the center of the soul,” Plato says, “and gains P0SSESSION of the soul in the most energetic fashion,” ?.1   on this point, echoes Plato.
        By means of massive irruptions,  [overtones]
        MUSIC takes up residence in our intimate self
        and seemingly elects to make its home there.
The man inhabited and possessed by this intruder,
        the man ROBBED of a self, is no longer himself:
        he has become nothing more than a vibrating string, a sounding pipe.
He trembles madly under the bow or the fingers of the instrumentalist;
        and just as APOLLON fills the Pythia’s lungs,
        so the organ’s powerful voice
        and the harp’s gentle accents take possession of the listener.

This process, at once IRRATIONAL and SHAMFUL, takes place on the margins of truth,
        and thus borders more on magic than on empirical science.

Unless Sara Barton is an inspired Prophet, everything has been REVEALED and everyone's natural response will be to LEARN IN SILENCE.
1Cor. 14:30 If any thing be revealed to another that sitteth by, let the first hold his peace.
1Cor. 14:31 For ye may all prophesy one by one,  THAT ALL MAY LEARN, [The one piece pattern] and all may be comforted.Cor. 14:34 Let your women keep SILENCE in the churches:  for it is not permitted unto them to speak; but they are commanded to be under obedience,  as also saith the law.

Historical it has only been by females and the effeminate who lust to perform by singing and playing. The SILENCE command also prohibit
Lal-eo  chat, prattle, OPPOSITE. ARTICULATE speech, chirp locusts,  III.of musical sounds, “aulō laleō” Theoc.20.29; of trees, v.supr.1.2; “di'aulou ē salpiggos magadin lalein   an instrument with twenty strings arranged in octaves

Something that wants to persuade us with singing,
         rather than convince us with reason,
         implements an art of pleasing that addresses the passions,
         that is, one that subjugates in suggesting and that enslaves the listener
         through the fraudulent and charlatan power of melody,
         weakens him through harmonic glamour or the fascinations of rhythm.

To accomplish this, the process does not tap the logistical or governing aspects of the mind
        but rather engages the mind’s entire psychosomatic element.

If mathematical discourse is thinking that wishes to make itself comprehensible
        to other thought by becoming transparent to it,
a harmonic modulation is an act that expects to influence a being;
        and by “influence” one must also understand a clandestine causality,
        just as in astrology or sorcery: illegal maneuvers, black arts.

Solon the lawmaker is a sage, but Orpheus the enchanter is a magician.
         A vocalization is not an excuse and a perfume is not an argument.

Thus, when a human being reaches the age of reason,
        he struggles against this unseemly and illegal seizure of his person,
        not wanting to give in to enchantment,
        that is, to go where the SONGS ARE LEADING


The magical induction becomes a seduction and thus trickery,
        and an ADULT refuses to be captivated,
        resisting the beliefs suggested to him by the auletic. [piper?]

A woman who persuades solely by means of her presence and its perfumes,
        that is, by the magical exhalations of her being,
        the night that envelops us, MUSIC, which secures our allegiance
        solely through the Charm engendered by a TRILL or an ARPEGGIO,
        will therefore be the object of a  deep suspicion.

-Jactant Th throw, cast, hurl, to scatter semen. To throw, toss about, make gestures, throw kisses, to be restless, rebellius, sow serpen's seed. “irrita sacrilega jactas incendia dextra,” id. M. 14, 539: “hastas,” Cic. de Or. 2, 78, 3 [cause controversy about questions]

Ovid, Meta 14.527 mother of the gods, recalling
how those same pines were felled on Ida's crest,
filled the wind with a sound of cymbals clashed
and trill of boxwood flutes. Borne through light air
by her famed lion yoke, she came and said,
“In vain you cast the fire with impious hand,
Turnus, for I will save this burning fleet.

Being BEWITCHED is not worthy of a rational person. Just as a MASCULINE
        Will insists that its decisions are made on concrete grounds—
        and will never admit a preference founded in emotion—
        so MASCULINE Reason will never admit itself prone to seduction.
What is science for if not to sustain us against the intoxications of night
        and the temptations exercised by the ENCHANTRESS appearance?
Music, the sonorous phantasm, is the most futile of mere appearances,
         and appearance, which with neither the force to probe
        nor any intelligible determinism is nonetheless
        able to persuade the DAZZLED fool, is in some way the objectification of our weakness.
A man who has sobered up, a demystified man,
        does not forgive himself for having once been
        The dupe of misleading powers; a man who is abstaining,
         having awakened from his nocturnal exhilaration,
         blushes for having given in to dark causality.
Plato thinks that the power to drive onlookers MAD should not be left to any random flutist; t
        That the MUSICian, like the orator,
        plays with dangerous forms of enchantment;
        and that the state should regulate the use of MUSICal influences
        and contain them within a framework of sound medicine.
That which is “musical,” however, is not the voice of the Sirens but rather Orpheus’s songs. The mermaid sirens, enemies of the Muses, have only one goal: to reroute, mislead, and delay Odysseus. In other words, they derail the dialectic, the law of the itinerary that leads our mind toward duty and truth.
In Mikha ́ıl Lermontov’s poem The Demon, perfidious Ta mara’s songs
        captivate the voyager and lead him astray on the path that leads to death


God is His WORD or Logos: Jesus made God as LOGOS both visible and audible. Logos actually OUTLAWS PREACH.
Logos  computation, reckoning 2. statement of a theory, argument, ouk emeu alla tou l. akousantas prob. in Heraclit.50; logon ēde noēma amphis alētheiēs discourse and reflection on reality,

X. the Word or Wisdom of God, personified as his agent in creation and world-government,

Opposite to epithumia
 A. desire, yearning, longing after a thing, desire of or for it, Theaomai :--gaze at, behold, mostly with a sense of wonder, 3. view as spectators
Opposite Enthousi-astikos , ē, on, A. inspired, “phusis” Pl.Ti.71e; esp. by music,
Prose,  OPPOSITE -poiêsis, Id.R.390a;
OPPOSITE -poiêtikê, D.H.Comp.6; OPPOSITE poiêmata, onomatopoeic word
OPPOSITE  emmetra Modus   2. The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode: Mūsĭcus a, um, adj., = mousikos

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9.18.24 159

 
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