Rev. 12:9 And the great dragon was cast out, that old serpent, called the Devil, and Satan,Tag: Royce Money: The Siburt Institute for Christian Ministry helps churches to Reject The New Covenant, use Legalism to impose Instrumental Music always defined as Sorcery. Most if not all once Christian Schools of Bible have been "infiltrated and diverted" into a WORLD or ecumenical view which is the kingdom of the Devil making war against the Kingdom of Christ, it is well documented to be Effeminate and Gender Confused.Siburt Institute for Church Ministry
John 8:29 And he that sent me is with me:The Doctors of the Law who "take away the key to knowledge" all insist that THEY have suddenly been given A New Way of Interpreting Scripture. Theology is defined as MYTHOLOGY and historical pointed to Apollyon the leader of the Locusts or His Muses or Musicianss. Revelation 18f calls the SORCERERS and they WILL BE or ARE BEING CAST ALIVE INTO THE LAKE OF FIRE.
the Father hath not left me alone;
for I DO always those things that PLEASE him.
John 8:30 As he spake these WORDS, many believed on him.
John 8:31 Then said Jesus to those Jews which believed on him,
IF ye continue in my WORD, THEN are ye my disciples indeed
Reflections from Royce Money, Siburt Institute founding director and Abilene Christian University chancellor.
Royce.Money.ACU.Christian.Church.html
Royce.Money.On.This.Rock.I.Will.build.My.Church.html
Royce etal are quite ignorant of Holy Scriptures because their credentials are from Theologians who lie about all historical scholars.
Royce Money called for unity between the two churches,
Royce Wants you to just GIVE UP and not use Holy Scripture. The demand to INTERPRET Scripture first has to declare God, Jesus, the Apostles and Church History a lie.
and asked mainline Churches of Christ
to set aside their differences with the Christian Churches,
and to repent of their past contentiousnes
Jude 3 Beloved, when I gave all diligence to write unto you of the common salvation,
it was needful for me to write unto you, and exhort you
that ye should EARNESTLY CONTEND for THE faith which was once delivered unto the saints.
Jude 4 For there are certain men crept in unawares, who were before of old ordained to this condemnation,
ungodly men, turning the grace of our God into lasciviousness,
and denying the only Lord God, and our Lord Jesus Christ.
Jude 5 I will therefore put you in remembrance, though ye once knew this,
how that the Lord, having saved the people out of the land of Egypt,
afterward destroyed them that believed not.
Jude 6 And the angels which kept not their first estate, but left their own habitation,
he hath reserved in everlasting chains under darkness unto the judgment of the great day.
Jude 7 Even as Sodom and Gomorrha, and the cities about them in like manner,
giving themselves over to fornication, and going after strange flesh, are set forth for an example, suffering the vengeance of eternal fire.
Jude 8 Likewise also these filthy dreamers defile the flesh,
despise dominion, and speak evil of dignities.
Jude 16 These are murmurers, complainers [blaming Fate], walking after their own lusts; and their mouth speaketh great swelling words, having mens persons in admiration because of advantage. thaumazontes lying wonders for HIRE.
1113. goggustes, gong-goos-tace´; from 1111; a grumbler: — murmurer.
1114. goes, go´-ace; from goa¿w goao (to wail); properly, a wizard (as muttering spells), i.e. (by implication) an imposter: — seducer.goês A.sorcerer, wizard, Phoronis 2, Hdt.2.33,4.105, Pl.R. 380d, Phld.Ir.p.29 W.; “g. epōdos Ludias apo khthonos” E.Ba.234, cf. Hipp.1038; prob. f.l. for boēsi Hdt.7.191
Epôidos [epaidô]I.singing to or over: as Subst. an enchanter, Eur.: c. gen. acting as a charm for or against, Aesch., Plat. 2. pass. sung or said after, morphês epôidonc alled after this form,
II. in metre, epôidos, ho, a verse or passage returning at intervals, a chorus, burden, refrain, as in Theocr.
E.Ba.234 Euripides, BacchaePentheus2.juggler, cheat, “deinos g. kai pharmakeus kai sophistēs” Pl.Smp.203d; “deinon kai g. kai sophistēn . . onomazōn” D.18.276; “apistos g. ponēros” Id.19.109; “magos kai g.” Aeschin.3.137: Comp. “goētoteros” Ach.Tat.6.7 (s. v. l.). (Cf. Lith. žavēti 'incantare'.)[215] I happened to be at a distance from this land, when I heard of strange evils throughout this city, that the women have left our homes in contrived Bacchic rites, and rush about in the shadowy mountains, honoring with dances[220] this new deity Dionysus, whoever he is. I hear that mixing-bowls stand full in the midst of their assemblies, and that they each creep off different ways into secrecy to serve the beds of men, on the pretext that they are Maenads worshipping;[225] but they consider Aphrodite before Bacchus.
sophis-tēs , ou, ho, A.master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, “meletan sophistais prosbalon” Pi.I.5(4).28, cf. Cratin.2; of musicians, “sophistēs . . parapaiōn khelun”
Royce Money cannot repent. According to Jude the end time repeat of the Mount Sinai Instrumental-Trionitarian-Perverted Idolatry. The Repudiate the Once Delivered Truth and claim to be God by rejecting Holy Scripture and substituting Instrumental Sorcery.
Aggelos , ho, hē, 2. generally, one that announces or tells, e.g. of birds of augury, Il.24.292,296; Mousōn aggelos, of a poet, Thgn.769; “aggele earos . . khelidoi” prov., Arabios a., of a loquacious person, Men.32.
Mousa “kanakhan [clanging .brass] . theias antiluron mousas” S.Tr.643 (lyr.); “Aiakō moisan pherein
Theias frenzied, divinations, sorcery, obtained inspiration through ritual,
II. worship as divine, Id.59.27; “Puthagoran [ SERPENT] kai Platōna” KOINE prostitute,
Pȳtho Pythian, Delphic, Apollonian: Delphis prognatus Pythius Apollo the priestess who uttered the responses of the Delphic Apollo, the Pythoness, Pythia celebrated games with “qui Pythia cantat Tibicen,
Antiquity set Apollo as their leader, Apollon Mousagetēs ("Apollo Muse-leader").[9] Not only are the Muses explicitly used in modern English to refer to an artistic inspiration, as when one cites one's own artistic muse, but they also are implicit in words and phrases such as "amuse", "museum" (Latinised from mouseion—a place where the muses were worshipped), "music", and "musing upon"GOD SENT THEM AT THE END OF DAY SIX cad 2000,
Matt. 13:38 The field is the world;
the good SEED are the children of the kingdom;
but the tares are the children of the wicked one; [Jesus: Those who speak their own words are sons of the Devil]
Matt. 13:39 The enemy that sowed them is the devil;
the harvest is the end of the world; [Aion messianic Age]
and the REAPERS are the angels.
God sends forth MUSICIANS meaning to make the lambs dumb before the slaughter.
Aggelos Arabios a., of a loquacious person, 2. generally, one that announces or tells, e.g. of birds of augury, Il.24.292,296; Mousōn aggelos,a. kai arkhaggeloi
Mousōn Dios aigiokhoio thugateres” Daughters whatever the sex led by Apollyon.
“kanakhan . .gnashing of teeth, clanging brass, k. aulōn sound of flutes, of the lyre
Mousōn [Locusts]
theias antiluron mousas” S.Tr.643 (lyr.); “
A.to be inspired, frenzied, [WRATH] frenzy obtained inspiration through ritual,Mousōn [Locusts]
II. worship as divine, Id.59.27; “Puthagoran kai Platōna”
Aiakō moisan pherein” Pi.N.3.28 [LADED BURDEN]“adein adokimon m.” Pl.Lg. 829d: i
The MUSES are adokimon 3. DISREPUTABLE “lakismat' adokim' olbiois ekhein” E.Tr.497; “mousa” Ep.Rom.1.28. 4. of persons, Pl.R.618b; discredited, reprobate, X.Lac.3.3, 2 Ep.Tim.3.8, etc.Mousōn [Locusts]
adein aeidō crow as cocks, Pl.Smp..223c; hoot as owls, Arat.1000; croak as frogs, a. pros aulon ē luran
sing to .sing of, chant, “mēnin aeide” Il.1.1; “paiēona” . A Song to 2. title of Apollo (later as epith.,
“Apollōni Paiani” OPPOSITE . logos
There are 150 psalms in the canon of Scripture; 150 songs to the Lord.
And yet, the church is a living, breathing example that our song to the Lord continues.
How does a congregation live – or “sing” – in the midst of sorrow, hope, and joy?
Centered on WORSHIP ministry, this pathway provides some conversations about leading in crisis,
as well as practical tips on developing young leaders,
leading in multicultural settings, and working with teams.
Psalm 151 Version Comparison
Psalm 151 A and B in 11QPsa
Psalm 151 in the Septuagint
(Psalm 151A)
Hallelujah! A Psalm of David, son of Jesse.
This psalm is autographical, ascribed to David (but outside the number), after he had fought with Goliath in single combat.1 I was smaller than MY brothers,
and the youngest of MY father’s sons,
so he made ME shepherd of his flock
and ruler over his little goats.
2 MY hands fashioned a reed pipe,
and my fingers a lyre;1 I was small among my brothers,
and the youngest in my father’s house;
I would shepherd my father’s sheep.2 My hands made a harp;
my fingers fashioned a lyre.and so I gave glory to the LORD.
I said IN MY MIND [Sillent]
3 “The mountains cannot testify to him,
nor can the hills proclaim—
lift up MY WORDS, you trees,
and MY compositions, you sheep.3 And who will tell
my Lord? The Lord himself; it is he who hears.
4 For who can announce, and who can declare,
and who can recount my deeds?
The Lord of everything has seen,
the God of everything has heard, and he has paid attention.
5 He sent his prophet to anoint me,
Samuel to raise me up.
My brothers went out to meet him,
handsome of figure, handsome in appearance.
6 Although they were tall of stature
and handsome because of their hair,
the LORD God did not choose them.
7 But he sent and fetched me from behind the flock
and anointed me with the holy oil,
and he made me prince of his people
and ruler over the sons of his covenant.
(Psalm 151B)
At the beginning of po[we]r for [Dav]id,
after God’s prophet had anointed him.
4 a It was he who sent his messenger4b Then he took me from my father’s sheep,
4c and anointed me with his anointing oil.
5 My brothers
were handsome
and tall, but the Lord was not pleased with them.6 I went out to meet the Philistine,
and he cursed me by his idols.
7 But I drew his own sword; I beheaded him,
and took away disgrace from the people of Israel.1 Then I s[a]w the Philistine,
throwing out taunts from the r[anks of the enemy].
2 …I…the…
Hosted by Sam Souder, this pathway took place in ACU’s Onstead-Packer Biblical Studies Building on Tuesday, September 17, 2019.
Sessions
Lessons Learned: Words of Wisdom for Young Worship Leaders (Randy Gill)
Drawing on two decades of adventures in full-time worship ministry, Gill shares practical tips on dealing with people, politics, and preferences without losing your passion for praise.
Worship: From Diversity to Inclusion (Stephen Maxwell)
God calls worship leaders to take into account his beautiful diversity and to inspire the church to become inclusive when preparing worship. Using North Atlanta’s story, Maxwell discusses how a wonderfully diverse community of people is using corporate worship to become the inclusive body God intends us to be.
Leading in the Dark (Laura Burnett)
What does it look like to lead worship when your heart is breaking? How do you encourage your congregation to be strong when your world is crumbling around you? Look at what Scripture says about trial and heartache and discover practical steps to stay strong, yet transparent, when faced with the trials of life.
Let’s Go Team! (Taylor Belt)
Learn what it takes to build the foundations of a strong ministry team, with resources you can use to determine how different personalities blend. Discover different ways to assess gifting for your worship ministry, along with a variety of ways to lead these teams into a season of growth, production, and peace.
Reflections on We Are 151 (Pathway Presenters)
Speakers
TAYLOR BELT
Taylor Belt is the worship arts and media minister at the Vancouver Church of Christ. Taylor has a music education degree from Stephen F. Austin State University, and before going into ministry he spent 10 years teaching band in Texas. He is a lifelong musician and loves to worship through creative media. He and his wife Kristi have two boys, Carter and Jackson.
LAURA BURNET husband Jason have four girls, ranging from 2-18 years old. During the gender reveal of their last pregnancy, they learned their baby was missing a leg and potentially had many other issues. Through this dark season in their lives, Laura and Jason fought through the struggle of being present and transparent with their congregation, all while struggling to define their “new normal” and pressing in to the Lord.
RANDY GILL
Randy Gill is an associate professor of worship ministry and the assistant dean of the College of Entertainment and the Arts at Lipscomb University in Nashville. Before coming to Lipscomb in December 2018,
Randy served as the worship minister at the Otter Creek Church in Brentwood, Tennessee; Campus Church in Atlanta, Georgia; and Woodmont Hills Church in Nashville. Prior to that Randy worked for 13 years at Pepperdine University in Malibu, California, where he served as an associate professor of music and associate director of church relations. He has also served on the faculties of Rochester University and Oklahoma Christian University. Randy is a successful songwriter and arranger whose work is used by churches across the United States. In addition to his activities as a worship leader, teacher, and musician, Randy is a popular speaker at churches, conferences and retreats. He was a founding member of the ZOE Group and remains active in their annual conferences, recordings, and publishing projects. Randy has degrees from Rochester University, Harding University, University of Michigan, and the University of Southern California. He has been married to LaJuana Case Gill since 1976 and they have an adult son named Christopher.
Look.To.The.Hills.Zoe.Group.html
Brandon.Scott.Thomas.Highland.Church.of.Christ.html
John.T.Willis.Women.in.Worship.Highland.Church.of.Christ.htmlS
http://www.pineycom.com/Becky.Frazier.Golden.Calves.Then.Now.html
http://www.pineycom.com/Spirit.Rest.of.Us.Woodruff.html
Fourth.Avenue.Church.of.Christ.Women.html
STEPHEN MAXWELL
Stephen Maxwell serves at the North Atlanta Church of Christ as a worship and communications minister.
http://www.pineycom.com/Don.McLaughlin.Instrumental.Music.Worship.html
http://www.pineycom.com/North.Atlanta.Church.of.Christ.Instrumental.Music.html
https://www.tapatalk.com/groups/sundayschoolinexilecom/north-atlanta-church-of-christ-instrumental-idolat-t952.html
He is passionate about WORSHIP and sharing the good news of Christ through singing, speaking, and teaching.
Stephen has served in local congregations in Oregon, Washington, Idaho, Oklahoma, Texas, Alabama, and Tennessee, and holds a Master of Arts in Christian ministry from Harding School of Theology in Memphis, Tennessee. Stephen has worked with the internationally-known Christian music group Acappella for the past 19 years, touring Europe, Africa, South America, and the continental United States. Stephen and his family share a passion for worship and ministry with young adults and college students. They have worked closely with universities in Arlington, Texas; Portland, Oregon; Florence, Alabama; and Memphis, Tennessee. Stephen is married to Alasha, his wife of 19 years, and they have three boys: Jonah, Judah, and Josiah. Stephen loves to sing and spend time with his family.
SAM SOUDER
OUR MISSION
Equipping and serving church leaders and other Christ-followers for God’s mission in the world.
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