Strong Delusions produce Lying Wonders

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Keith.Stanglins.Letter.and.the.Spirit.of.Biblical.Interpretation.html
Max Lucado Selling Water to the Thirsty
Max Lucado and Anathema
Max Lucado on Antichrist
Max Lucado A Christian?
Max Lucado Instrumental Music in Worship is idolatry
Max Lucado on the Mark of the Beast

Revised 5.13.13 WHAT ARE THE SIGHTS AND SOUNDS OF LYING WONDERS?

See Matthew 28 CENI versus LYING WONDERS.

ONE OF MANY WARNINGS OF THE BABYLONIAN MOTHER OF HARLOTS (LUSTED AFTER FRUITS) WHOSE PRIESTHOOD AS SINGERS, INSTRUMENT PLAYERS AND CRAFTSMEN (RELIGIOUS STAFF) ARE CALLED SORCERERS AND WILL BE CAST ALIVE INTO THE LAKE OF FIRE:

http://www.pineycom.com/Jude.There.Should.Be.Mockers.in.the.Last.Time.html

ADDITIONAL MATERIAL ADDED  7.10.23 PROOF THAT THERE IS NOT A SINGLE PERSON IN HOLY SCRIPTURE OR BEFORE THE FOURTH CENTURY EVERS SAID TO HAVE WORSHIPPED THE LORD-GOD BY PREACHING, LISTENING, SINGING, PLAYING AN INSTRUMENT, ACTING OR PAY TO PLAY

http://www.pineycom.com/Psalm.35.html Psalms 35:16 With hypocritical mockers in feasts,         they gnashed upon me with their teeth. http://www.pineycom.com/Isaiah.28.html Isaiah 28:22 Now therefore be ye not mockers, lest your bands be made strong:         for I have heard from the Lord GOD of hosts a consumption,         even determined upon the whole earth. The SPEAKING in speaking with tongues identifies INSTRUMENTAL INSTRUMENTS. Jeremiah.15.The.Mark.of.The.Beast.html The BEAST is Theiron meaning A New Style of Music and Satyric (perverse) Drama. The MARK is following with Apollyon's LOCUSTS or adulterous Musicians called SORCERERS to be CAST ALIVE INTO THE LAKE OF FIRE. Pl. Bac. 1.1 Note: Your Bacchanalian den: "Bacchanal" was properly the place where the Bacchanalia,  or orgies, were celebrated. He styles them "Bacchantes," and their house a "Bacchanal," in allusion both to their names and their habits 7 Mischievous serpent: "Mala tu's bestia." Literally, "you are an evil beast;" which sounds harsh to an English ear, even when applied to such an animal as Bacchis. Baccha  Mainas or Thuias, I. a Bacchanet, a female attendant of Bacchus, who, in company with Silenus and the Satyrs, celebrated the festival of that deity with a raving madness carried even to insensibility, and with hair loose and flying wildly about, to initiate into the festivals of Bacchus, Mūsa , ae, f., = Mousa, II. mousa, as Appellat., music, song, “m. stugera” A.Eu.308 13 A soft cloak: It was the custom at entertainments for the revellers to exchange their ordinary clothes for fine vestments, elaborately embroidered. 5 A womanish race: "Muliersous" generally means "fond of women." It clearly however, in this passage means "womanish," or "womanlike." Jeremiah 15:17 I sat not in the assembly of the mockers, nor rejoiced;         I sat alone because of thy hand: for thou hast filled me with indignation. 9 Use a drum: The priests of Cybele, who were either eunuchs, or persons of effeminate and worthless character, walked in their processions beating a "tympanum." a "drum" or "tambourine." The Captain, by his question, contemptuously implies that Agorastocles is such a character. See the Truer lentus, l. 608, and the Note

http://www.pineycom.com//2.Peter.3.End.Time.Mockers.html In 2 Peter 2 Peter MARKS those who corrupt the Word by the use of the performing arts to make the lambs dumb before the slaughter. 2 Peter 2:10 But chiefly them that         walk after the FLESH in the lust of uncleanness,         and despise government. Presumptuous are they,         selfwilled, they are not afraid to speak evil of dignities. [i.e. Lie TO God and ABOUT God] 2 Peter 2:11 Whereas angels, which are greater in power and might,         bring not railing accusation against them before the Lord. 2 Peter 2:12 But these, as natural [instinctive] brute [Anti-Logical] brute beasts, [Zoon, Zao, Zoe]           made to be taken and destroyed,           speak evil of the things that they understand not; [through lack of knowledge]           and shall utterly perish in their own corruption; Natural: G5446 phusikos foo-see-kos' From G5449 [natural descent] ; “physical”, that is, (by implication) instinctive:--natural. Compare G5591 III. later, belonging to occult laws of nature, magical, ph. pharmaka spells or amulets, Alex. Trall.1.15; “phusikois khrēsthai” Gp.2.18.8; ph. therapeia ib.2.42.3; ph. daktulioi Sch.Ar.Pl.884. Adv. “-kōs” Gp.9.1.5. Bruit: G249 alogos [Anti-Logical] al'-og-os From G1 (as a negative particle) and G3056 ; irrational:--brute, unreasonable. alogos , on, The word LOGOS as in speaking in the church is the OPPOSITE to music and poetry. Beasts: G2226 zōon dzo'-on Neuter of a derivative of G2198 [Zao, Zoe] ; a live thing, that is, an animal:--beast: ZOE also means to "make a living by religious means."  BEASTS are identified as the Massed Multitudes MARKS that Jesus isn't there.. contemptuously, hopōs hē khōra tou toioutou zōou kathara gignētai may be free from this kind of animal (i.e. beggars), Pl.Lg. 936c; z. ponēron, of women, Secund Zôê A. living, i.e. one's substance, property, to get one's LIVING by Hdt.8.105 II.zôê,= graus11 , the scum on milk "old Wives Tales." graus , gen. gra_os, hê: Ion. grêus , grêos, voc. grêu: poet. also grêüs , voc. grêü: barbarous voc. grao in Ar.Th.1222: nom. pl. graes Ar.Fr.350 , Timocl.25: acc. graus E.Andr.612 , etc.:--old woman, Hom., esp. in Od., 1.191, al., A.Eu.38, etc.; g. palaiê Od. 19.346 : prov., graôn huthlos old wives' fables, Pl.Tht.176b: with Subst., g. gunê E.Tr.490 , Ar. Th.345, D.19.283: Com., ho graus of an old man, Ar.Th.1214 cod. R. Speak Evil: G987 blasphēmeō From G989 ; to vilify; specifically to speak impiously:--(speak) blaspheme (-er, -mously, -my), defame, rail on, revile, speak evil. Understand Not: G50 agnoeō ag-no-eh'-o, not to know (through lack of information or intelligence); by implication to ignore (through disinclination):(be) ignorant (-ly), not know, not understand, unknown.   Corruption: G5356 phthora fthor-ah' From G5351 ; decay, that is, ruin (spontaneous or inflicted, literally or figuratively):--plague take thee! away with thee, corruption, destroy, perish. deprave Phtheiro b. with a Prep., luroidou, phtheiresthai pros tous plousious, of hangers-on and flatterers, Luroidou “akouō se lurōdou gunaikos eran kai eis ekeinēs phtheiromenon pasan tēn ephēmeron agran katatithesthai         lur-aoidos         A.one who sings to the lyre, harmonia meaning: In music, stringing, of bows and lyres,         musical scale, generally music: rhythm, acting, dancing.         hudr-aulês one who plays the water organ        Corruption Hebrew: H2490  châlal khaw-lal' figuratively to profane..         denominatively (from H2485) to play (the flute), take inheritance, pipe, player on instruments, pollute,         (cast as) profane  [of Lucifer](self), prostitute They are ANTI MIND: G3539 noieō noy-eh'-o From G3563 ; to exercise the mind (observe), that is, (figuratively) to comprehend, heed:  consider, perceive, think, understand.

Jude 13 Raging waves of the sea, foaming out their own shame; wandering stars, to whom is reserved the blackness of darkness for ever. Jude 14 And Enoch also, the seventh from Adam, prophesied of these, saying, Behold, the Lord cometh with ten thousands of his saints, Jude 15 To execute judgment upon all, and to convince all that are ungodly among them of all their ungodly deeds which they have ungodly committed, and of all their hard speeches which ungodly sinners have spoken against him. Jude 16 These are murmurers, complainers [blaming Fate], walking after their own lusts; and their mouth speaketh great swelling words, having mens persons in admiration because of advantage. 1113.  goggustes, gong-goos-tace´; from 1111; a grumbler: — murmurer. 1114.  goes, go´-ace; from goa¿w goao (to wail); properly, a wizard (as muttering spells), i.e. (by implication) an imposter: — seducer. goês  A. sorcerer, wizard, Phoronis 2, Hdt.2.33,4.105, Pl.R. 380d, Phld.Ir.p.29 W.; g. epôidos Ludias apo chthonos E.Ba.234 , cf. Hipp.1038; prob. f.l. for boêisiHdt.7.191. Epôidos [epaidô] I. singing to or over: as Subst. an enchanter, Eur.: c. gen. acting as a charm for or against, Aesch., Plat. 2. pass. sung or said after, morphês epôidonc alled after this form,  II. in metre, epôidos, ho, a verse or passage returning at intervals, a chorus, burden, refrain, as in Theocr. E.Ba.234 Euripides, BacchaePentheus [215]  I happened to be at a distance from this land, when I heard of strange evils throughout this city, that the women have left our homes in contrived Bacchic rites, and rush about in the shadowy mountains, honoring with dances [220]  this new deity Dionysus, whoever he is. I hear that mixing-bowls stand full in the midst of their assemblies, and that they each creep off different ways into secrecy to serve the beds of men, on the pretext that they are Maenads worshipping; [225]  but they consider Aphrodite before Bacchus. 2. juggler, cheat, deinos g. kai pharmakeus kai sophistês Pl.Smp.203d ; deinonkai g. kai sophistên . . onomazôn D.18.276 ; apistos g. ponêrosId.19.109 ; magoskai g. Aeschin.3.137 : Comp. goêtoteros Ach.Tat.6.7 (s. v. l.). (Cf. Lith. žavēti 'incantare'.) Sophis-tês , ou, ho, A.master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, meletan sophistais prosbalon Pi.I.5(4).28 , cf. Cratin.2; of musicians, sophistês . . parapaiôn chelun  sophistêiThrêiki (sc. Thamyris) E.Rh.924, cf. Ath.14.632c: with modal words added, hoi s. tônhierônmelôn Pi.I.5(4).28 Pindar Isthmiah 5. But my heart [20] cannot taste songs without telling of the race of Aeacus. I have come with the Graces for the sons of Lampon [22] to this well-governed city. If Aegina turns her steps to the clear road of god-given deeds, then do not grudge [25] to mix for her in song a boast that is fitting recompense for toils. In heroic times, too, fine warriors gained fame, and they are celebrated with lyres and flutes in full-voiced harmonies [28] for time beyond reckoning. Heroes who are honored by the grace of Zeus provide a theme for skilled poets Chelus  2.lyre (since Hermes made the first lyre by stretching strings on a tortoise's shell, which acted as a sounding-board), ib.25,153, Sapph.45, A.Fr.314; kath'heptatonon oreian ch. E.Alc.448 (lyr.), cf. HF683 (lyr.). Oreios A.of or from the mountains,mountain-haunting,numphênoureiên The Horae were among the mathematici 'learned mothers' who defined the Zodiac and the star movements marking the seasons, one translation of the word 'hora.' Another is 'hour,' and the Horae developed various means to mark time. Hence the word for time keeping, 'horology' and the French word for clock 'horlogue.' The patriarchs became the most incensed over the sacred women of Agape. Among their symbols were the lotus, lily, and dove, all representations of the vulva. Among their mysteries was ritual cunnilingus, which demands respect for female pleasure and the female body. This aspect of the sacred feminine was among the first to be erased. The effort began early. Originally, the land of the 'Lotus Eaters' was in the Amazon territories of North Africa, then was moved further away still, to beyond the Southern Sea. Source 3. the constellation Lyra, Magos  3.enchanter, wizard, esp. in bad sense, impostor, charlatan Pharmak-eus    gnêsioi sophistaika Pharmakos sorcerer, Magician Rev. 18:22 And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; Rev. 18:23 And the light of a candle shall shine no more at all in thee; and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived. Rev. 18:24 And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth.  Rev. 21:8 But the fearful, and unbelieving, and the abominable, and murderers, and whoremongers, and sorcerers, and idolaters, and all liars, shall have their part in the lake which burneth with fire and brimstone: which is the second death. goêt-euô , A. bewitch, beguile, Pl.Grg.483e, etc.:--Pass., Id.R.412e, 413b, D.19.102, etc.; fascinate, as a snake, Plot.4.4.40. 2. abs., play the wizard, D.L.8.59 Jude 17 But, beloved, remember ye the words          which were spoken before of the apostles of our Lord Jesus Christ; Jude 18 How that they told you there should be mockers in the last time,         who should walk after their own ungodly lusts. Jude 19 These be they who separate themselves, sensual, having not the Spirit.

Pi.N.7.81 Pindar, Nemean Odes 7 The rich man and the poor man alike travel together to the boundary of death. [20]         And I expect that the story of Odysseus came to exceed his experiences,         through the sweet songs of Homer [22] since there is a certain solemnity in his lies and winged artfulness,         and poetic skill deceives, seducing us with stories,         and the heart of the mass of men is blind. For if [25] they had been able to see the truth,         then mighty Aias, in anger over the arms,         would never have planted in his chest the smooth sword—         Aias, who was the most powerful in battle, (Lactantius, The Divine Institutes, Ante-Nicene Fathers, VII, p. 188 "But we have already spoken of spectacles: there remains one thing which is to be overcome by us,         that we be not captivated by those things which penetrate to the innermost perception. (emotions only)         For all those things which are unconnected with words, (just speaking in tongues)         that is, pleasant sounds of the air and of strings,         may be easily disregarded, because they do not adhere to us, and cannot be written... 1Corinthians 14:8 For if the trumpet give an uncertain sound, who shall prepare himself to the battle? 1Corinthians 14:9 So likewise ye, except ye utter by the tongue words easy to be understood,         how shall it be known what is spoken? for ye shall speak into the air. Is God, therefore, the contriver both of the mind, and of the voice, and of the tongues, unable to speak eloquently?  Yea, rather, with the greatest foresight,         This: He wished those things which are divine to be without adornment, [Kosmos or Cosmos]         that all might understand the things which He Himself spoke to all."  Therefore God made all things to supply a contest between two things. Not This: Those enticements of pleasures,         Then, are the instruments of that         whose only business it is to subdue virtue,         and to shut out justice from men.         With these soothing influences and enjoyments it captivates their souls;         for it knows that pleasure is the contriver of death.  Aristotle: Melody Deceives: "Poets also make use of this in inventing words, as a melody "without strings" or "without the lyre"; for they employ epithets from negations, a course which is approved in proportional metaphors.. The form of diction should be neither metrical nor without rhythm. If it is metrical, it lacks persuasiveness, for it appears artificial, and at the same time it distracts the hearer's attention, since it sets him on the watch for the recurrence of such and such a cadence.. According to Philo, the gods of the pagans exploit this weakness of men.       For the sake of a better effect, and with the intention of more easily cheating their devotes,       that they have set their lies to melodies, rhythms and meters.."  Aristot. Nic. Eth. 1175b.1 But things that are akin to things of different kinds must themselves differ in kind.         [3] A still clearer proof may be drawn         from the hindrance that activities         receive from the pleasure derived from other activities. For instance, persons fond of the flute         cannot give their attention to a philosophical discussion [The LOGOS or Regulative Principle]         when they overhear someone playing the flute,         because they enjoy music more than the activity in which they are engaged;                 therefore the pleasure afforded by the music of the flute                 impairs the activity of study. [4] The same thing occurs in other cases when a man tries to do two things at once; the pleasanter activity drives out the other, the more so if it is much more pleasant, until the other activity ceases altogether. Hence, when we enjoy something very much, we can hardly do anything else; and when we find a thing only mildly agreeable, we turn to some other occupation; for instance, people who eat sweets at the theater do so especially when the acting is bad. [ 5] And since our activities [of the flute] are sharpened, prolonged and improved by their own pleasure, and impaired by the pleasures of other activities, it is clear that pleasures differ widely from each other. In fact alien pleasures have almost the same effect on the activities as their own pains; since,         when an activity causes pain, this pain destroys it,         for instance, if a person finds writing or doing sums unpleasant and irksome;         for he stops writing or doing sums, because the activity is painful. Holy Scripture is filled with warnings heard only by "Sons FROM God" who are "Taught BY GOD" to honor His Son when He says: John 8:28 Then said Jesus unto them, When ye have lifted up the Son of man,     then shall ye know that I am he,     and that I do nothing of myself;     but as my Father hath taught me, I speak these things. John 8:29 And he that sent me is with me:     the Father hath not left me alone;     for I do always those things that please him. John 8:30 As he spake these words, many believed on him. John 8:31Then said Jesus to those Jews which believed on him,         IF ye continue in my word,        THEN are ye my disciples indeed; Baptism calls on God and ASKS for A holy spirit or A good conscience, consciousness or a CO-perception of the Word and TAUGHT BY CHRIST John 8:32 And ye shall know the truth, and the truth shall make you free. From Jubal onward, music is identified as witchcraft or sorcery: it is called by Girard Holy Violence because the Alpha Mail "makes the lambs dumb before the slaughter." Of the Instrumental-Trinitarian-Perverted "play" at Mount which was beyond redemption, Jude says that they are FOREORDAINED to that Judgment.  Anything beyond A School of Christ's  Thoughts led by literate elders is a CULT and the Pastor-Person needs to keep you busy every moment of the week.

From Time Magazine Consider the following three types of damage that takes place in our bodies under exposure to loud volume. First, loud volume slows down our ability to memorize and do other brain functions by constricting the flow of blood to the brain. In the words of Dr. Arnold Scheivel, professor of medicine at UCLA and an expert on brain growth, "If there is a bottom line, it is that no neuron is healthier than the capillary that supplies it. We have a very strong feeling that in the capillary supply system is the story of the maintenance or slow decline of the brain." How does volume effect blood supply? The blood vessels undergo a narrowing of caliber in the presence of loud sound. This narrowing decreases the flow of blood to the different parts of the body, including the mind. A person studying under the influence of loud music has a decrease in the amount of blood flowing to the brain. This makes it more difficult to memorize and to understand their studies. Second, loud music can cause a form of schizophrenia. When a person is exposed to high level sound, a chemical is formed in the brain that is normally found in schizophrenia patients in mental institutions. A music therapist, investigating the effects of loud music, gave an emotional stability test to 240 teenagers while they listened to music. A psychologist, who was unaware of how it was given, examined the results and determined that the test had been given in a mental institution. Martin Polo, the director of Audio Visual Services at UCLA and noise consultant for the aerospace industry and related technologies writes, "Lastly, the presence of continued exposure to high level sound can trigger psychopathological impacts on individuals." These impacts can range from depressions noted among females during the menstrual period to actual presence in the brain of chemicals normally found in schizophrenia and psychosis. There are a number of other interesting reaction to the presence of high level sound which involve the brain, including interference with vision. Third, loud music can cause ulcers. When susceptible individuals are exposed to loud sound over a period of time, certain stomach functions are disrupted and an increase of hydrochloric acid is released, causing ulceration of the stomach. Martin Polon of UCLA writes, "The continuing exposure to high energy sound creates a stress reaction in the body that significantly involves the gastrointestinal system. Certain stomach functions are disrupted by abnormal contractions of the abdominal area, and increased infusion of hydrochloric acid causing dyspepsia. Recurring activation of this syndrome will lead to peptic ulceration in susceptible individuals. "On pages 90, and 131, of this book Battle for the Mind Dr. William Sargent, a leading scientific authority on the human nervous system, writes, "Electrical recordings of the human brain show that it is particularly sensitive to the rhythmic stimulation by percussion and bright light among other things, and certain rates of rhythm can build up recordable abnormalities of brain function and explosive states of tension sufficient enough to produce convulsive fits in predisposed subjects. Of the results caused by such disturbances, the most common one is temporarily impaired judgement and heightened suggestibility "Rhythm induced stress shows up in many ways, including decreased performance, hyperactivity, increase in errors in the work force, decreased decision making ability,

I felt the need to jump ahead of the story to prove that at SOME TIME people will be deceived with "Biblical proportions" and now may be the time.  One lying wonder would be to sow discord to add a performing "Musical Worship Team." There are two lies: the unique worship word for the Church of Christ in the wilderness was to rest, read and rehearse the Word of God: the Campbell's knew that "church is a school of the Bible" and "worship is reading and musing the Word."  Both Paul and Peter define that over and over.  Worship would be to give heed to "that which is written" or the Word of Christ in the never-musical passages.

If using the performing artists singing their own compositions is claimed to give heed to Christ and His word it is both a lie and a wonder or "show" of godliness. Such "teams" were introduced as having the power to "lead the worshipers into the presence of God" which claims the role of God in Christ standing in the holy places of church architecture.  The Son of Perdition's Judas Bag -- always attacked to aflute case -- was for carrying the mouthpieces of wind instruments: so you can MARK and AVOID.

They were added as ONE STEP of the Mystery of Iniquity: the musical performers speaking "Lying wonders" (because they are not Biblical and all poetry and music is defined as lying). The effect is a divided leadership, an exodus of "owners" from their own property, church family and even personal family. The Purpose Driven goal is to calculate the loss of a large number of "sheep" so the "goats" can play.  When the smell wafts away, the "blowing of winds" increase until the next massive discord. In time the mystery of iniquity produces fruit (fruits in Amos and Revelation).  However, the Spirit of Christ allows this iniquity to work: the "locust" parable of John proves that the "musicians" divide the flock into two MARKED groups.

IF NOT NOW UNDER YOUR WATCH THEN WHEN COULD THE PATTERN FIT MORE PERFECTLY?

As Jesus spoke in parables to fool the foolish Paul and John looked to the Greek world's understanding to that even a school boy would understand not to believe in the lies and "magic" of the pagan religionists.

At this time we need to watch for the lying wonders which you will miss if you follow the misdirection as promoted in Navigating the Winds of Change.  Christ the Rock ordained the Church of Christ in the wilderness: it was A School of the Word as defined in Exodus 18 and later for the synagogue.  The AntiChrist refused to give full glory to Jesus Christ Who commanded nothing more than PREACHING the Word by READING the Word for comfort and doctrine.  The Church of Christ is one of the few Bible-based groups which have never and will never be seduced into the use of MUSIC meaning "to make the lambs dumb before the slaughter." Only those not ALREADY moved or shaken in this last great shaking are warned NOT to take the mark.

Matthew 24:24 For there shall arise false Christs, and false prophets, and shall shew great signs and wonders; insomuch that, if it were possible, they shall deceive the very elect

2 Peter 1 Identifies a false teacher as one who private interprets or further expounds the prophets by Christ and the prophecies made more certain by Jesus Christ.  2 Peter 2 identifies these destined deceivers and polluters as replacing that Word with all of the hypocritic arts and crafts.

2Th. 2:2 That ye be not soon shaken in mind, or be troubled,
        neither by spirit, nor by word, nor by letter as from us,
        as that the day of Christ is at hand.

2 Thessalonians those who are warned not to be moved are tempted by:

1. Purpose Driven or deliberate deceivers.
2. Something unknown: a piece of ignorance. Epithet for those who are predestinated who HAD deceived the whole world.
3. Members is defined as "A Member of the Church of Christ."
4. The METHOD of deception is musical melody.

I didn't make this up! That is why they are in the Davidic MAKING WAR mode and will not or cannot hear what you say. That's fine: seems the WORLD and the WISE (Sophists speakers, singers, instrument players) are marked as NOT supposing to hear (Matthew 23). Since the BEAST is clearly defined as "A new style of singing or drama" the MARK will be anyone who can be seduced. It's all in the book.

2Thessalonians 2:1 Now we beseech you, brethren,
        by the coming of our Lord Jesus Christ,
        and by our gathering together unto him,
2Thessalonians 2:2 That ye be not soon shaken in mind, or be troubled,
       neither by spirit, nor by word, nor by letter as from us,
       as that the day of Christ is at hand.

Mŏvĕo , I. To move, stir, set in motion; to shake, disturb, remove,
A. Lit.: “movit et ad certos nescia membra modos,” “ut festis matrona moveri jussa diebus,” to dance, Hor. A. P. 232: by dancing (gesticulating),  “et fila sonantia movit,” struck, Ov. M. 10, 89: “citharam cum voce,” id.“tympana,” id. H. 4, 48; to disturb: “novis Helicona cantibus,” Manil. Astron. 1, 4: “signum movere loco,” to move from the place,

Ov. Met. 10.89
Sumtime a boay beloved of the God that with a string
Dooth arme his bow, and with a string in tune his Violl bring.
For hallowed to the Nymphes that in the feeldes of Carthye were
There was a goodly myghty Stag whose homes such bredth did beare,
As that they shadowed all his head. His homes of gold did shyne,
And downe his brest hung from his necke, a cheyne with jewels fyne.
Amid his frunt with prettie strings a tablet beeing tyde,
Did waver as he went: and from his eares on eyther syde

MARK OF SATAN MOVING MEMBERS OF THE CHURCH OF CHRIST
movit et ad certos nescia membra modos,”

1 Certus purpose driven, resolved, deliberate,
2 Nescĭus an unknown thing, a piece of ignorance unknowing, ignorant, unaware, not understanding, unable II. An epithet of all those objects whose existence or reality is fixed, determined (hence in connection with definitus, Quint. 7, 10, 7; “with praefinitus,” Suet. Galb. 14)

Revelation 18:22 And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee;
Revelation 18:23 And the light of a candle shall shine no more at all in thee; and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries WERE all nations deceived.

3 Membrum includes:  A Member Of the Church of Christ: “singuli autem alter alterius membra,” Vulg. Rom. 12, 5; cf. “the context: membra sumus corporis ejus,” i. e. Christ's, id. Eph. 5, 30.
4 Mŏdus , Musical Melody: you have to cut the word Limb from Limb to make melody
2. The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode: “vocum,” Cic. Div. 2, 3, 9: “musici,” Quint. 1, 10, 14: “lyrici,” Ov. H. 15, 6: “fidibus Latinis Thebanos aptare modos,” Hor. Ep. 1, 3, 12: Bacchico exsultas (i. e. exsultans) modo, Enn. ap. Charis. p. 214 P. (Trag. v. 152 Vahl.): “flebilibus modis concinere,” Cic. Tusc. 1, 44, 106: saltare ad tibicinis modos, to the music or sound of the flute, Liv. 7, 2: “nectere canoris Eloquium vocale modis,” Juv. 7, 19.—Fig.: “verae numerosque modosque ediscere vitae,” moral harmonies,

Citharam  1.the cithara, cithern, guitar, or lute
II. Meton., the music of the cithara, or, in gen., of a stringed instrument, the art of playing on the cithara,
And Voice

Cantus , ūs, m. id., I.the production of melodious sound, a musical utterance or expression, either with voice or instrument; hence, song, singing, playing, music  A. Of persons. 1. With the voice, a singing, song; in full, cantus vocum,  cock, a crowing
B. An incantation, charm, magic song, etc.: cantusque artesque magorum. SORCERY Cic. Div. 2.26

2Th. 2:3 Let no man deceive you by any means: for that day shall not come,
        except there come a falling away first,
        and that man of sin be revealed, the son of perdition;
2Th. 2:4 Who opposeth and exalteth himself above all that is called God,
        or that is worshipped; so that he as God sitteth in the temple of God,
        shewing himself that he is God.
2Th. 2:5 Remember ye not, that, when I was yet with you, I told you these things?
2Th. 2:6 And now ye know what withholdeth that he might be revealed in his time.

2Th. 2:7 For the mystery of iniquity doth already work:
        only he who now letteth will let,
        until he be taken out of the way.

There has been a sudden rise in men willing to "infiltrate and divert" non-instrumental Churches of Christ intending to "turn YOUR school of the Word into THEIR "theater for holy entertainment. The MYSTERY is held and practiced by a small select group being a "leadership in exile." They slowly introduce LAWLESS activities but gradually until they get the message from "a" spirit that it is time to mount an Ambush. 2 Chron 20:21 And when he had consulted with the people, he appointed singers unto the Lord, and that should praise the beauty of holiness, as they went out before the army, and to say, Praise the Lord; for his mercy endureth for ever. And when they began to sing and to praise, the Lord set AMBUSHMENTS against the children of Ammon, Moab, and mount Seir, which were come against Judah; and they were smitten. 2 Chron 20: 22

Musteri-on , A. mystery or secret rite: mostly in pl., ta m. the mysteries, first in Heraclit.14, cf. Hdt.2.51 (of the mysteries of the Cabiri in Samothrace), 2. mystic implements and ornaments b. later, object used in magical rites, talismanAnomia A. lawlessness, lawless conduct   2 Ep.Thess.2.7; 2. the negation of law, opp. nomos, D.24.152. Eur. Ion 443 How then is it just for you to write laws for mortals, and yourselves incur a charge of lawlessness? If—for it is not so, but I will handle the subject— [445] you pay the penalty to mortals for rape, you and Poseidon, and Zeus, who rules heaven, you will empty your temples paying for your crimes. For you do wrong to go eagerly after your pleasures without thinking. Isoc. 6 64 For by revolting from us they have gained nothing of what they anticipated; on the contrary, they have got just the opposite of freedom; for having slain the best of their citizens, they are now in the power of the worst; instead of securing self-government, they have been plunged into misgovernment of many terrible kinds; Plat. Rep. 575a but the passion that dwells in him as a tyrant will live in utmost anarchy and lawlessness, and, since it is itself sole autocrat, will urge the polity, so to speak, of him in whom it dwells to dare anything and everything in order to find support for himself and the hubbub of his henchmen, in part introduced from outside by evil associations, and in part released and liberated within by the same habits of life as his. Is not this the life of such a one?” “It is this,” he said. “And if,” I said, “there are only a few of this kind in a city, Mustes one initiated Orgia most freq. of the rites of Dionysus, of the rites of the Cabeiri and Demeter Achaia, Hdt.2.51,5.61; of Orpheus Hdt.2.81, E.Ba.34, al., Theoc.26.13. “orgia Mousōn” Ar.Ra.356. most freq. of the rites of Dionysus, Hdt.2.81, E.Ba.34, al., Theoc.26.13. Kabeiroi [a^, hoi, A. the Cabeiri, divinities worshipped especially in Lemnos, Samothrace, and Boeotia, Hdt. 2.51 [2] For the Athenians were then already counted as Greeks when the Pelasgians came to live in the land with them and thereby began to be considered as Greeks. Whoever has been initiated into the rites of the Cabeiri, which the Samothracians learned from the Pelasgians and now practice, understands what my meaning is. [3] Samothrace was formerly inhabited by those Pelasgians who came to live among the Athenians, and it is from them that the Samothracians take their rites. [4] The Athenians, then, were the first Greeks to make ithyphallic images of Hermes, and they did this because the Pelasgians taught them. The Pelasgians told a certain sacred tale about this, which is set forth in the Samothracian mysteries. Mousa II. mousa, as Appellat., music, song,(dirty adulteresses, musicians in Rev 18 called sorcerers) (Prob. cogn. with erdō, rhezō, cf. ergon, [WORK] orgeōn. org-eōn , ōnos (nom. pl. once A. “orgeōnai” IG22.2361.18 (iii A. D.)), o(, at Athens, member of a religious association, Is. 2.14,16, al., Philoch.94, IG22.1252 (iv B. C.), etc.: poet., generally, for hiereus, priest, A.Fr.144 :—a poet. form orgeiōn (in codd. sts. orgiōn), ōnos, o(, is used by Antim.Eleg.Fr.2, Hermesian.7.19 : in acc. with o for ō“, orgionas” h.Ap.389 codd. :—a gen. pl. “orgeōn” Lys. Fr.112 S. is prob. f.l. for orgeōnōn :—a fem. pl. orgeōnai, = hiereiai,

2Th. 2:8 And then shall that Wicked be revealed,
        whom the Lord shall consume with the spirit [breath] of his mouth,
        and shall destroy with the brightness of his coming:
2Th. 2:9 Even him, whose coming is after the working of Satan
        with all power and signs and lying wonders,

2Th. 2:10 And with all deceivableness of unrighteousness in them that perish;
        because they received not the love of the truth,
        that they might be saved.
2Th. 2:11 And for this cause God shall send them strong delusion,
        that they should believe a lie:
2Th. 2:12 That they all might be damned who believed not the truth,
        but had pleasure in unrighteousness.

Lying Wonders: -Teratourg-eô, A. WORK wonders, pseudôsti Sch.Pi.I.7(6).13.

logos , o(, verbal noun of lego; (B), with senses corresponding to leg0 (B) II and III (on the various senses of the word v. Opposite Pathos or peacher's tales
Opposite epag;g- , 2. bringing in to one's aid, introduction, 4. allurement, enticement b. incantation, spell, leading away into captivity.

Aristot. Rh. 3.6.3 [3] Use metaphors and epithets by way of illustration, taking care, however, to avoid what is too poetical. Aristot. Rh. 3.6.7   Poets also make use of this in inventing words, as a melody "without strings" or "without the lyre"; for they employ epithets from negations, a course which is approved in proportional metaphors, as for instance, to say that tNhe sound of the trumpet is a melody without the lyre.

Note: Psallo is never translated "melody" in the Greek literature.  If you want to sow discord instead of psallo and add TUNEFUL MELODY with an instrument the word is Melos. That's why Paul nor the Bible ever uses the word and why it is A LIE to make "melody or grace IN the heart mean melody WITH a harp.  The word PSALLO would absolute outlaw using any instrument you cannot pluck WITH YOUR FINGERS and never with a plectrum.
    From the Church in the wilderness onward and defined by the Campbells the command was to speak the Words of God externally and rehearse or meditate on them in the heart.

-[3. 8. 1 The form of diction should be neither metrical nor without rhythm. If it is metrical, it lacks persuasiveness, for it appears artificial, and at the same time it distracts the hearer's attention, since it sets him on the watch for the recurrence of such and such a cadence.

-Pindar, Pythian, Odes 4:[216] Aphrodite [ZOE] of Cyprus brought the maddening bird to men for the first time, and she taught the son of Aeson skill in prayerful incantations, so that he could rob Medea of reverence for her parents. and a longing for Greece would lash her, her mind on fire, with the whip of Persuasion.

ŏpĕrātĭo , a working, work, labor, operation A religious performance, service, or solemnity, a bringing of offerings: operationes Lying Wonders incluses all of the performing roles claiming to worship God.

A lying wonder is: Spectācŭlum  I. a show, sight, spectacle, A. Lit., in the theatre, circus, etc., a public sight or show, a stageplay, spectacle,
A lying wonder is: Scaena , [outlawed as SELF-pleasure in Romans 15 to ENABLE teaching that which is WRITTEN. 2. (Post-Aug.) Of the schools of rhetoric, as scenes for the display of eloquence in scaenas scholasticorum, qui rhetores [meaning of hypocrite] vocantur,
A lying wonder is: The-ama ,  A. sight, spectacle, ei tis orchoit' eu, theam' ên Pl.Com.130 ;
And Theama is Opposite to mathêma, of a sight which gives pleasure,X.Smp.2.2 , ; orchêseis kai theamata    

A WORK OR WONDER WOULD BE TO PERFORM ANY RITUAL CLAIMING THAT IT IS DOING A DIVINE WORK OR WORSHIP.  A heretic is someone who chooses to CARRY AWAY something that belongs to another.

-Plato Athenian Laws  [884a] Next after cases of outrage we shall state for cases of violence one universally inclusive principle of law, to this effect:--
        No one shall carry or drive off anything which belongs to others,
        nor shall he use any of his neighbor's goods unless he has gained the consent of the owner;
        for from such action proceed all the evils above mentioned--past, present and to come.
Of the rest, the most grave are the licentious and outrageous acts of the young; and outrages offend most gravely when they are directed against sacred things, and they are especially grave when they are directed against objects which are public as well as holy, or partially public, as being shared in by the members of a tribe or other similar community. [885a] As to temple-robbing, whether done by open violence or secretly...

Most deliberate sowing of discord has been fueled by Lynn Anderson's Navigating the Winds of Change. The message is how to BLOW the winds of change SLOWLY and pushy enough not to get fired.

Then after boasting, in some circles, of "infiltrating and diverting" to turn the church house of widows into a "theater for holy entertainment" the patternism never changes and therefore sometimes prophecy is based on human nature.

Plato Athenian Laws [885b] it has been already stated summarily what the punishment should be...  [885d] For as it is, this and such as this is the account of them we hear from those who are reputed the best of poets [poiêtôn], orators [rhêtorôn], seers [Mantis, oida], priests [hieros], and thousands upon thousands of others; and consequently most of us, instead of seeking to avoid wrong-doing, do the wrong and then try to make it good.

Because all arts are second or third imitations of nature, using art is in fact nature worship.

Lying wonders think that they can make music (sorcery says John) and appease God or make the performers look appealing:

-Plato Laws 10.909 But as to all those who have become like ravening beasts, and who, besides holding that the gods are negligent [909b] or open to bribes, despise men,
        charming the souls of many of the living,
        and claiming that they charm the souls of the dead,
        and promising to persuade the gods by bewitching them,
        as it were, with sacrifices, prayers and incantations,²
and who try thus to wreck utterly not only individuals, but whole families [Oikia  and States for the sake of money,—if any of these men be pronounced guilty, the court shall order him to be imprisoned according to law in the mid-country jail,

-Plat. Rep. 364b and disregard those who are in any way weak or poor, even while admitting that they are better men than the others. But the strangest of all these speeches are the things they say about the gods and virtue,
         how so it is that the gods themselves assign to many good men misfortunes
        and an evil life but to their opposites a contrary lot
and begging priests and soothsayers go to rich men's doors
        and make them believe that they by means of sacrifices
        and incantations have accumulated a treasure of power from the gods
         that can expiate and cure with pleasurable festivals

Epomacr;d , Ion. and poet. epaoid , h(, A. song sung to or over: hence, enchantment, spell,
Agur-ts , ou, o(, (ageirō) prop. A. collector, esp. begging priest of Cybele, “Mtros a.” AP6.218 (Al.); “Gallois a.”

Gallos  A. priest of Cybele, Schwyzer 633.11 (Eresus, ii/i B. C.), Arr. Epict.2.20.17, AP6.234 (Eryc.), 220 (Diosc.):—fem. form Gallai Lyr.Adesp.121.

II. eunuch, J.AJ4.8.40, PGnom.244, D.L.4.43.

The radical invasion of "musical worship teams" made the claim that they could "lead the worshipers into the presence of God."  Fittingly this was the role of Hermes the father of the "new hermeneutic" which was old at the Towers of Babylon.

-Psuchagogeo Hermes Melodia singing, chanting, choral songs, speakers, play upon senses, lead or attract the souls of the living, win over, persuade, allure, lead away   -mousikos
Melodia -poietes a maker, Craftsman, composer of comedies,
         new dramas, composer of music or the performer, singing,
        chanting, E.Rh.923 choral song,  Inventing new texts (nomos or tradition)
        claims to invent new Gods:

-Plato Euthyphro 3b Absurd things, my friend, at first hearing. For he says I am a maker of gods; and because I make new gods and do not believe in the old ones, he indicted me for the sake of these old ones, as he says. Euthyphro I understand, Socrates; it is because you say the divine monitor keeps coming to you. So he has brought the indictment against you for making innovations in religion, and he is going into court to slander you, knowing that slanders on such subjects are readily accepted by the people. Why, they even laugh at me and say I am crazy

Poietes or maker of new dramas or songs is always used with the word HYPOCRITE one who responds, interprets or expounder, plays a part on the stage, orator, recites, pretender, dissenbler.

-Rhesus 915 Yes, for it was your pride, your own undoing, and your rivalry with the Muses that made me mother of this poor son of mine. For as I crossed the river's streams [920]  I came too near to Strymon's fruitful couch, that day we Muses [locusts] came to the brow of Mount Pangaeus with its soil of gold,
         furnished forth with all our music for one great trial of minstrel skill with that clever Thracian bard;
        and we blinded him, [925]  Thamyris, the man who often reviled our craft.

-Pindar Istmian 7 Odes: [1] In which of the local glories of the past, divinely blessed Thebe, did you most delight your spirit? Was it when you raised to eminence the one seated beside Demeter of the clashing bronze cymbals, flowing-haired [5] Dionysus? [The New Wineskins god]
    [15] the Aegeids, captured Amyclae according to the Pythian oracles? But since ancient grace sleeps, and mortals are forgetful [18] of whatever does not reach the highest bloom of skillful song, joined to glorious streams of words,
    [20] then begin the victory [nikao-trumps-laity] procession with a sweet-singing hymn for Strepsiades; for he is the victor in the pancratium at the Isthmus, both awesome in his strength and handsome to look at; and he treats excellence as no worse a possession than beauty.
    [23] He is made radiant by the violet-haired Muses [dirty adulterers], and he has given a share in his flowering garland to his uncle and namesake,

-N.7.23 Pindar Nemean 7.
[22] since there is a certain solemnity in his lies and winged artfulness, and poetic skill deceives,
          seducing us with stories, and the heart of the mass of men is blind.

For IF [25] they had been able to see the truth, then mighty Aias, in anger over the arms,
        would never have planted in his chest the smooth sword--
        Aias, who was the most powerful in battle, except for Achilles, and whom the breath of the
        unswerving Zephyr [navigating winds] conveyed in swift ships,
        to bring back the wife of golden-haired Menelaus

ALL OF THE HYPOCRITIC ARTS AND CRAFTS INTEND TO REPLACE LEARNING AS COMMANDED. 

Beginning as the Church in the Wilderness the PURPOSE was MATHEMA or learning which is opposite to THEMA.

-The-ama , Ion. theêma , atos, to, ( [theaomai] ) A. sight, spectacle,   orchoit' eu, theam' ên Pl.Com.130 ; Opposite mathêma, Th.2.39; freq. of a sight which gives pleasure, theamata kai akroamata hêdista parecheis X.Smp.2.2 , cf. 7.5; orchêseis kai theamata the seven wonders of the world,

-X.Smp.2.1  When the tables had been removed and the guests had poured a libation and sung a hymn, there entered a man from Syracuse, to give them an evening's merriment. He had with him a fine flute-girl, a dancing-girl--one of those skilled in acrobatic tricks,--and a very handsome boy, who was expert at playing the cither and at dancing; the Syracusan made money by exhibiting their performances as a spectacle.

-Xenophon, Symposium  II. [2] They now played for the assemblage, the flute-girl on the flute, the boy on the cither; and it was agreed that both furnished capital amusement. Thereupon Socrates remarked: “On my word, Callias, you are giving us a perfect dinner; for not only have you set before us a feast that is above criticism, but you are also offering us very delightful sights and sounds.”

-Thauma , atos, to/, Ion. thōma (cf. thaumazō): (v. theaomai): 2. in pl., also, puppetshow, toy theatre, mechanical devices,

ALL INTENDING TO SILENCE THE WORDS OF CHRIST IN SONG AND SERMON AND STARVE PEOPLE TO DEATH.

Thema is OPPOSITE to Learning.

-Math-êma , atos, to, ( [mathein] ) A. that which is learnt, lesson 2. learning, knowledge
-Math-sis , , h(, (mathein) A. the act of learning, getting of knowledge

-Amath- , es, (mathein) b. of moral defects, unfeeling, inhuman, “a. tis ei theos” E.HF347.
2. of things, a. parr sia boorish freedom of speech, E.Or.905; a. rhōm brute force, Id.Fr.732; “a. dunamis” Plu.Demetr.42; a. phronma barbarous pride, E.Heracl.459.

At no time in church history has so many (numerically) lies been told by so few who were PURPOSE DRIVEN to restructure Churches of Christ into instrumental churches.  It is simply NOT possible to see MUSIC as part of the School of the Bible of Christ without performing some supernatural signs and wonders. Paul warned that the "elect" or the true members of the ekklesia would come close but NOT fully deceived.

ALL RITUALS CLAIMING INFLUENCE WITH GOD ARE LYING WONDERS

-Teras III. in colloquial language, “teras legeis kai thaumaston” Pl.Hp.Ma.283c, cf. Tht.163d; “teras
a sign of coming battle, Il.11.4  legeis, ei . . ” Id.Men.91d; 'a marvel' of a cup, Theoc.1.56: pl., of incredible statements,

Lying Wonders: -Thaumatourg-eô, A. = thaumato poieô, X.Smp.7.2; work wonders or miracles, Ph.2.18,185; but ta perigeia th. 'play tricks with', of Xerxes, Id.1.674; tatethaumatourgêmena wonderful phenomena

AN EXAMPLE OF A LYING WONDER

-Xenophon, Socrates, Symposium 2 When the tables had been removed and the guests had poured a libation and sung a hymn, there entered a man from Syracuse, to give them an evening's merriment. He had with him a fine flute-girl, a dancing-girl—one of those skilled in acrobatic tricks,—and a very handsome boy, who was expert at playing the cither and at dancing; the Syracusan made money by exhibiting their performances as a spectacle. [2] They now played for the assemblage, the flute-girl on the flute, the boy on the cither; and it was agreed that both furnished capital amusement. Thereupon Socrates remarked: “On my word, Callias, you are giving us a perfect dinner; for not only have you set before us a feast that is above criticism, but you are also offering us very delightful sights and sounds.” [3] “Suppose we go further,” said Callias, “and have some one bring us some perfume, so that we may dine in the midst of pleasant odours, also.”

3 After this the boy, attuning his lyre to the flute, played and sang, and won the applause of all; and brought from Charmides the remark,
        “It seems to me, gentlemen, that, as Socrates said of the wine,
        so this blending of the young people's beauty and of the notes of the music
        lulls one's griefs to sleep and awakens the goddess of Love.”

WHICH IS THE OPPOSITE OF RIGHTEOUSNESS.

[4] “Very well, then,” said Callias, “I will now tell you what I take greatest pride in. It is that I believe I have the power to make men better.”

“How?” asked Antisthenes. “By teaching them some manual trade, or by teaching nobility of character?”The latter, if righteousness is the same thing as nobility.”“Certainly it is,” replied Antisthenes, “and the least debatable kind, too;

for though courage and wisdom appear at times to work injury both to one's friends and to the state,
righteousness and unrighteousness never overlap at a single point.”

DANGEROUS WISDOM IS:

Sophia, in music and singing, tekhn kai s. h.Merc.483, cf. 511; in poetry, Sol.13.52, Pi.O.1.117, Ar.Ra.882, X.An.1.2.8, in divination, S.OT 502

ANOTHER EXAMPLE

-7.5 Nor is it any more diverting to watch the young and beautiful going through bodily contortions and imitating hoops than to contemplate them in repose [5] However, these questions also fail to promote the same object that wine does; but if the young people were to have a flute accompaniment and dance figures depicting the GRACES, the Horae, and the Nymphs, I believe that they would be far less wearied themselves and that the charms of the banquet would be greatly enhanced.
        “Upon my word, Socrates,” replied the Syracusan, “you are quite right; and I will bring in a spectacle that will delight you.”
          Note: Or, the Seasons. Or it may be used here in the Homeric sense of the maidens who kept the cloud gate of Heaven.  The Horae are the goddesses of FRUITS associated with Aphrodite (Zoe, Lucifer), Apollo (Abaddon, Apollyon) and Helios (the Sun. Opora ripe virginity, ripe for plucking, fruits. Belonging to Bakch-eios and his rites

-Pind. I. 2 The men of old, Thrasybulus, who mounted the chariot of the Muses with their golden headbands, joining the glorious lyre, lightly shot forth their honey-voiced songs for young men, if one was handsome and had [5] the sweetest ripeness that brings to mind Aphrodite on her lovely throne. [6] For in those days the Muse was not yet a lover of gain, nor did she work for hire. 
      And sweet gentle-voiced odes did not go for sale,
      with silvered faces, from honey-voiced Terpsichore.
But as things are now, she bids us heed [10] the saying of the Argive man, which comes closest to actual truth: [11] “Money, money makes the man,” he said, when he lost his wealth and his friends at the same time.

He also welcomed all the banquets for the gods, [40] and the force of the blowing wind never made him furl his sail around his hospitable table;

-The Horae [Whore or any priestess performing religious rites]

Yet another version of Aphrodite as Triple Goddess,
        Agape 'love feast,'
        Irene 'peace,' and
        Chione 'snow queen.'
Irene was also a Goddess in her own right, and she had an attendant named Opora 'autumn.' The Horae who 'greeted' Aphrodite on the shores of Kyprus were her three high priestesses who carried her statue through the shallows, clothing it on the beach during her bathing and purification festival. Irene was the Crone, bringer of the peace of death,  Agape the ruler of sacred sexual rites, and Chione was the new year, born at Winter Solstice, unapproachable and serene.

Regarding the cultic associations and the Love-Feast, Rudolph comments: the ceremony only superficially resembles the Christian eucharist, but rather continues older Greek and Hellenistic secret cults (like that of Eleusis and that of the god Sabazios,

in which the snake was worshipped as a symbol of the chthonic deity and fertility). For the Ophites or Nassene gnostics the snake was a medium of revelation and mouthpiece of the most sublime... Resource GNOSIS: The Nature & History of Gnosticism by Kurt Rudolf p. 242

Hêdonê [hêdomai] 1. delight, enjoyment, pleasure, Lat. voluptas, Hdt., etc.; hêdonêi hêssasthai, charizesthai to give way to pleasure, Thuc., Plat., etc.:--often with Prepositions in adv. sense, pros or kath' hêdonên legein to speak so as to please another,

B. Voluptates, sports, shows, spectacles, given to the people, 

-Theskelos , A.s et in motion by God ( [kellô] ), and so marvellous, wondrous, always of things. erga deeds or works of wonder,  it was wondrous like him, Il.23.107; prob. taken by later poets as,= God-inspired ( [keleuô] Hermês  

-Areskos appease, conciliate, please, satisfy, prevailing opinion, expressing the opinion or resolution of a public body. Dogmas of philosophers.

Paul's command for what he called gatherings or "synagogue" are absolute: both exclusive and inclusive.

Rom. 15:1 We then that are strong ought to bear the infirmities of the weak,
        and not to please ourselves.

Lynn Anderson and family says we should LOAD BURDENS of people's COMFORT ZONES to condition them to do what "self-pleasure" forbids.

Rom. 15:2 Let every one of us please his neighbour for his good to edification. [education]
Rom. 15:3 For even Christ pleased not himself; but, as it is written,
        The reproaches of them that reproached thee fell on me.
Rom. 15:4 For whatsoever things
        were written aforetime were written for our learning,
        that we through patience and comfort of the scriptures might have hope
Rom. 15:5 Now the God of patience and consolation grant you to be likeminded
        one toward another according to Christ Jesus:
Rom. 15:6 That ye may with one mind and one mouth glorify God, even the Father of our Lord Jesus Christ.

700. aresko, ar-es´-ko; probably from 142 (through the idea of exciting emotion); to be agreeable (or by implication, to seek to be so): — please.

Christ died to silence them: a laded burden is:

G5412 phortizō for-tid'-zo From G5414 ; to load up (properly as a vessel or animal), that is, (figuratively) to overburden with ceremony (or spiritual anxiety):—lade, be heavy laden.

Let no man beguile you of your reward
in a voluntary humility and worshipping of angels, [Meaning Pastors or Preachers]
intruding into those things which he hath not seen,
vainly puffed up by his fleshly mind, Col.2:18

HERESY or SECTARIANISM is defined as ADDING something not required for church as "school of the Word" in order to TAKE it over for  self and friends.

"Voluntary" (g2309) means determined, delightful, pleasurable. It is from:
Haireomai (g138) hahee-reh'-om-ahee; prob. akin to 142; to take for oneself,

Romans XV. debemus autem nos firmiores inbecillitates infirmorum sustinere et non nobis placere

Rom 8:1There is therefore now no condemnation to them which are in Christ Jesus, who walk not after the flesh, but after the spirit

-Outlawed: Placeo to please, to be pleasing or agreeable, to be welcome, acceptable, to satisfy (class.). 1. In scenic lang., of players or pieces presented, to please, find favor, give satisfaction: scenico placenti

-Outlawed: Scaenicus I. of or belonging to the stage, scenic, dramatic, theatrical
I. Lit.: poëtae, dramatic poets, ludi, stage-plays, theatrical representations: fabula, a drama, organa, Suet. Ner. 44 : coronae, id. ib. 53 : habitus, id. ib. 38 : gestus,: modulation, Comedy. fictitous, pretended,  Orator

I. Lit.: poëtae, dramatic poets, ludi, stage-plays, theatrical representations, : fabula, a drama, organa, Suet. Ner. 44 : coronae, id. ib. 53 : habitus, id. ib. 38 : gestus, Cic. de Or. 3, 59, 220 : modulatio Comedy. Orator

Poi-êtês II. composer of a poem, author, p. kômôidias Pl.Lg.935e ; p. kainôn dramatôn, b. composer of music, 2. author of a speech

Facio faction, make something ones own, to reduce to subjection under a person or power
4.To represent a thing in any manner, to feign, assert, say
5.To make believe, to pretend
8. In religious language, like the Gr. rhezein, to perform or celebrate a religious rite; to offer sacrifice, make an offering, to sacrifice

Vergil 7  
CORYDON
“Libethrian Nymphs, who are my heart's delight,
grant me, as doth my Codrus, so to sing--
next to Apollon he--or if to this [Wolf god, Abaddon, Apollyon]
we may not all attain, my tuneful pipe
here on this sacred pine shall silent hang.”

THYRSIS
“Arcadian shepherds, wreathe with ivy-spray
your budding poet, so that Codrus burst
with envy: if he praise beyond my due,
then bind my brow with foxglove, lest his tongue
with evil omen blight the coming bard.”

Outlawed:  Organum itr. 10, 1.--Of musical instruments, a pipe,. Gen. 4, 21, an organ, water-organ: organa hydraulica, -Organon (ergon work) 3. musical instrument,, poluchorda, songs and playing an instrument.

Gen 4:21 And his brother's name was Jubal: he was the father of all such as handle the harp and organ.

H8610 manipulate, figuratively to use unwarrantably:--catch, handle, (lay, take) hold (on, over), stop, X surely, surprise, take.

H8608 taphaph to drum, that is, play (as) on the tambourine:taber, play with timbrels.

H8611 tôpheth to'-feth From the base of H8608 ; a smiting, that is, (figuratively) contempt:--tabret. MEANING HELL

Outlawed: Modulatio. In partic., a rhythmical measure, modulation; hence, singing and playing, melody, in poetry and music: modulatione produci aut corripi (verba), : modulatio pedum, id. 1, 6, 2 : scenica: vocis, melody, : musica, 

Phaedo [61b] before making sure that I had done what I ought, by obeying the dream and composing verses.
So first I composed a hymn to the god whose festival it was; and after the god,
        considering that a poet, if he is really to be a poet,
        must compose myths and not speeches,
since I was not a maker of myths, I took the myths of Aesop, which I had at hand and knew, and turned into verse the first I came upon. So tell Evenus that, Cebes, and bid him farewell, and tell him, if he is wise, to come after me as quickly as he can.

No one willing to sow massive discord can possibly be speaking the truth: any Bible reader knows that all of the "proof texts" are from those whom God turned over to worship the starry host.

You have to go OUTSIDE of the massed multitudes to find Jesus and suffer reproaches before He will give you rest to "come learn of Me."
God's Word is intentionally NOT metrical (with measure) because the Spirit or Mind of Christ is not an enchanter or sorcerer.

NO ENLIGHTENED PERSON IN HISTORY DID NOT KNOW THAT THE "LOCUSTS" LULL YOU TO SLEEP SO THEY CAN GIVE YOU THE STING OF DEATH.

The Bible points outside of itself to identify the false religionists before it defines the church or ekklesia as a synagogue or school of the Bible.  Those familiar with the musical fall from grace at Mount Sinai will know that MUSICAL noises were excluded when the common people assembled ONLY for instruction from God.

Lying Wonders:  hierourg-ia
Pindar, Olympian 1 

Muthos  2. fiction (OPPOSITE logos, historic truth), Pi.O.1.29  [logic, thinking, reasoning, reflection)

Logos or the Word is: 

Opposite to poi-êsis , eôs, hê, A.fabrication, creation, production, opp. praxis (action) 2. of Poetry, hêtôn dithurambôn,
"a chapter of life," illuminates the meaning, since praxis includes what the hero does and what happens to him."

Opposite to PATHOS or one's personal experience. opposite of arousing passion, emotional style or treatment. 
Opposite to Melos, melody of an instrument. B. esp. musical member, phrase: hence, song, strain, en meleï poieein to write in lyric strain: with harmony and thythm. 2. music to which a song is set, tune  3.melody of an instrument, phorminx d'au phthengoith' hieron m. êdekai aulos

Rhetoric 1.1. Further, in dealing with certain persons, even if we possessed the most accurate scientific knowledge,
       we should not find it easy to persuade them by the employment of such knowledge.
       For scientific discourse is concerned with instruction,
      but in the case of such persons instruction is impossible;

Examples

Pindar Olympian 1 But if, my heart, you wish to sing of contests, [5] look no further for any star warmer than the sun, shining by day through the lonely sky, and let us not proclaim any contest greater than Olympia. From there glorious song enfolds the wisdom of poets, so that they loudly sing [10] the son of Cronus, when they arrive at the rich and blessed hearth of Hieron,

[12] who wields the scepter of law in Sicily of many flocks,
        reaping every excellence at its peak, and is glorified
[15] by the choicest music, which we men often play around his hospitable table.
        Yes, there are many marvels, 
        and yet I suppose the speech of mortals beyond the true account can be deceptive,
        stories adorned with embroidered lies;
[30] and Grace, who fashions all gentle things for men,
        confers esteem and often contrives to make believable the unbelievable.

SPEAK is defined inclusive of a conversational style: it is definned EXCLUSIVE of rhetoric, poetry or music which is the MARK of those conceiving to d

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