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God made
certain that He was the Father of a SON and that
Jesus spoke only what He heard from the FATHER.
This was to debunk the pagan women who gained power by
claiming, that in their madness, they spoke for the gods
and demanded pay. Heredotus2.html This was what I heard from the priests at Thebes; at Dodona,
however, the women who deliver the oracles relate the matter as
follows:- "Two
black doves flew away from Egyptian
Thebes, and while one directed
its flight to Libya, the other came to them. She
alighted on an oak, and sitting there began to speak with a human
voice, and told them that on
the spot where she was, there should henceforth be an
oracle of
Jove. The Dodonaeans called the women doves because they were
foreigners, and seemed to them to make a noise like birds. "The spirits were thought to speak in
murmurings or piping sounds (Isa 8:19), which
could be imitated by the medium (ventriloquist)...Most
spiritual and popular was the interpretation of
dreams. It also was the case that mediums intentionally would convert themselves into
a semi-waking trance. In this way the suitable mediums
attained to a certain kind of clarvoyance, found among
various peoples. This approaches the condition of an ecstatically aroused
pseudo-prophet.. In Greece, too, oracles were
pronounced by the Phythian prophetess who by vapors and the like was aroused
to a practice of the mantic art. (Int Std Bible Ency, p.
2466) |
the good SEED are the children of the kingdom;
but the tares are the children of the wicked one;
Matt. 13:39 The enemy that sowed them is the devil;
the harvest is the end of the world; [Aion messianic Age]
and the REAPERS are the ANGELS
God sends forth MUSICIANS meaning to make the lambs dumb before the slaughter.
aggelos Arabios a., of a loquacious person, 2. generally, one that announces or tells, e.g. of birds of augury, Il.24.292,296; Mousōn aggelos,a. kai arkhaggeloiMatt. 13:40 As therefore the tares are gathered
Mousōn Dios aigiokhoio thugateres” Daughters whatever the sex led by Apollyon.
“kanakhan . .gnashing of teeth, clanging brass, k. aulōn sound of flutes, of the lyre
HH 3 185 To Pythian Apollo, Apollyon: Leto's all-glorious son goes to rocky Pytho, playing upon his hollow lyre, clad in divine, perfumed garments;Mousōn [Locusts]
and his lyre, [185] at the TOUCH of the golden key, sings sweet.
Thence, swift as thought, he speeds from earth to Olympus, to the house of Zeus,
to join the gathering of the other gods:
then straightway the undying gods think only of the lyre and song, and all the Muses together,
voice sweetly answering voice, [190] hymn the unending gifts the
all that they endure at the hands of the deathless gods,
and how they live witless and helpless
and cannot find healing for death or defence against old age.
Meanwhile the rich-tressed GRACES and cheerful Seasons dance with [195] Harmonia and Hebe and Aphrodite, daughter of Zeus, holding each other by the wrist.
And among them SINGS ONE, not mean nor puny, but tall to look upon and enviable in mien, Artemis who delights in arrows, sister of APOLLYON. [200] Among them sport Ares and the keen-eyed Slayer of Argus, while Apollo plays his lyre stepping high and featly and a radiance shines around him, the gleaming of his feet and close-woven vest.
ka^na^kh-eō k. melos to let a song ring loud, A.R.4.907. There is no musical melos or melody in Scripture.
Od.6.82; odontōn men k. pele GNASHING OF TEETH, k. aulōn sound of flutes, Pi.P.10.39 (pl.), B.2.12, cf. S.Tr.642 (lyr.); ofthelyre, h.Ap.185.
THE KITHERA MYSTERIES: suddenly organised and pianists lost their role and the GUITAR PICKER AND FAT GIRLS invaded;
"The psaltery a triangular instrument similar to a harp, produced gentler sound and would be more suitable for somewhat restrained and low-key events, as would be the kithara, an instrument similar to the lyre.
Both were traditional instruments played in a variety of events, public and private, and were often accompanied by song, either by the performer him/herself or a singer. Aristotle attests that those musicians came from the lower social strata, and many of them, both men and women, were prostitutes hired to entertain guests in private parties.6
Aeschines, for example, attests that Misgolas, one of the alleged lovers of Timarchos, had a reputation for being very fond of kithara boys, while Antiphanes and Alexis confirm this with jokes about Misgolas and his kithara boys. In Xenophon’s Symposion the beautiful boy who could play the kithara and dance aroused enthusiasm among the guests and made his master a lot of money.
Xenophon.Symposium.Lying.Wonders.Music.html
theias antiluron mousas” S.Tr.643 (lyr.); “
A.to be inspired, frenzied, [WRATH] frenzy obtained inspiration through ritual,Mousōn [Locusts]
II. worship as divine, Id.59.27; “Puthagoran kai Platōna”
Aiakō moisan pherein” Pi.N.3.28 [LADED BURDEN]“adein adokimon m.” Pl.Lg. 829d: i
The MUSES are adokimon 3. DISREPUTABLE “lakismat' adokim' olbiois ekhein” E.Tr.497; “mousa” Ep.Rom.1.28. 4. of persons, Pl.R.618b; discredited, reprobate, X.Lac.3.3, 2 Ep.Tim.3.8, etc.Mousōn [Locusts]
adein aeidō crow as cocks, Pl.Smp..223c; hoot as owls, Arat.1000; croak as frogs, a. pros aulon ē luran
sing to .sing of, chant, “mēnin aeide” Il.1.1; “paiēona” . A Song to 2. title of APOLLON (later as epith.,
“Apollōni Paiani” OPPOSITE . logos
Mousikos kai melōn poētēs” 2. generally, votary of the Muses, The Muses were the LOCUSTS unleashed with Apollon their "musical worship leaders." The Greek and Latin literature identifies them as dirty adulteresses
http://www.pineycom.com/DocHesTheog.html
[25] the Muses of Olympus, daughters of Zeus who holds the aegis: “Shepherds of the wilderness,
wretched things of SHAME, mere bellies,
we know how to speak many false things as though they were true;
but we know, when we will, to utter true things.”
...and they bade me SING of the race of the blessed gods that are eternally,
but ever to SING OF THEMSELVES both first and last.
1Cor. 14:34 Let your women keep silence in the churches:la^l-eō I. chatter, OPPOSITE articulate speech, as of locusts, chirp, Theoc.5.34; mesēmbrias lalein tettix (sc. eimi), a very grasshopper to chirp at midday, Aristopho 10.6; “anthrōpinōs
for it is not permitted unto them to speak;
but they are commanded to be under obedience,
as also saith the law.
1Cor. 14:35 And if they will LEARN any thing, let them ask their husbands at home:
for it is a SHAME for women to SPEAK in the church.
1Cor. 14:36 WHAT? came the WORD of God out from you? or came it unto you only?
III. of MUSICAL sounds, “aulō laleō” Theoc.20.29; of trees, v.supr.1.2; “di'aulou ē salpiggos l.” D.C.74.14: also c.acc. cogn., magadin lalein sound the magadis,
Logos computation, reckoning 2. statement of a theory, argument, ouk emeu alla tou l. akousantas prob. in Heraclit.50; logon ēde noēma amphis alētheiēs discourse and reflection on reality,
IV. inward debate of the soul, reflection, deliberation
Regulative and formative forces, derived from the intelligible and operative in the sensible universe,
Opposite to epithumia
A. desire, yearning, longing after a thing, desire of or for it, Theaomai :--gaze at, behold, mostly with a sense of wonder, 3. view as spectators
Opposite Pathos A. that which happens to a person or thing, incident, accident, Moralizing Rhetoric
Opposite Poiein to excite passion, Arist.Rh.1418a12; V. Rhet., emotional style or treatment,
Opposite Enthousi-astikos , ē, on, A. inspired, “phusis” Pl.Ti.71e; esp. by music,
Prose, OPPOSITE -poiêsis, Id.R.390a;
OPPOSITE -poiêtikê, D.H.Comp.6; OPPOSITE poiêmata, onomatopoeic word
OPPOSITE emmetra Modus 2. The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode:Mūsĭcus a, um, adj., = mousikos.
X. the Word or Wisdom of God, personified as his agent in creation and world-government,
Theologians are doomed to call God a liar or INCOMPETENT. If God had wanted any kind of music in the tuneful sense He was INTELLIGIBLE But denied by C. Leonard Allen.
mousikos kai melōn poētēs” 2. generally, votary of the Muses, The Muses were the LOCUSTS unleashed with Apollon their "musical worship leaders." The Greek and Latin literature identifies them as dirty adulteresses
http://www.piney.com/DocHesTheog.html
[25] the Muses of Olympus, daughters of Zeus who holds the aegis: “Shepherds of the wilderness,
wretched things of shame, mere bellies,
we know how to speak many false things as though they were true;
but we know, when we will, to utter true things.”
...and they bade me sing of the race of the blessed gods that are eternally,
but ever to sing of themselves both first and last.
pharma^kon 3. enchanted potion, philtre: hence, charm, spell, Od.4.220 sq., Ar.Pl.302, [Circe, Church, Corinth mother of harlots] Theoc.2.15
The singers [Muses], instrument players and craftsmen as sorcerers in Revelation 18.
pharma^kon 3. enchanted potion, philtre: hence, charm, spell, Od.4.220 sq., Ar.Pl.302, [Circe, Church, Corinth mother of harlots] Theoc.2.15
Of the Instrumental-Trinitarian-Perverted "play" at Mount Sinai which was without redemption
Romans 1.28 Even as they refused to have God in their knowledge,
God gave them up to a reprobate mind, to do those things which are not fitting;
2Tim. 3:7 Ever learning, and never able to come to the knowledge of the truth.
2Tim. 3:8 Now as Jannes and Jambres withstood Moses,
so do these also resist the truth:
men of corrupt minds, reprobate concerning the faith.
and burned in the fire; so shall it be in the end of this world.
Matt. 13:41 The Son of man shall send forth his angels,
and they shall gather out of his kingdom all things that offend, [A Trap;]
and them which do iniquity; “anti autonomias .
autonomias . A. .freedom to use its own laws, independence, Th.3.46, X.HG5.1.36, Isoc.9.68,Matt. 13:42 And shall cast them into a furnace of fire: there shall be wailing and gnashing of teeth.Matt. 13:43 Then shall the righteous shine forth as the sun in the kingdom of their Father.
3. dogmatism, Olymp.in Mete.151.21.
poi-ētikos , ē, on, A.capable of making, creative, productive, opp. praktikos (active
2. of persons, inventive, ingenious, “p. kai mousikoi” Id.Lg.802b,
Id.Lg.802b, For this purpose we shall call in the advice of poets and musicians, and make use of their poetical ability, without, however, trusting to their tastes or their wishes,
Plat. Laws 700d there arose as leaders of unmusical illegality poets who, though by nature poetical, were ignorant of what was just and lawful in music; and they, being frenzied and unduly possessed by a spirit of pleasure, mixed dirges with hymns and paeans with dithyrambs, and imitated flute-tunes with harp-tunes, and blended every kind of music with every other
Who hath ears to hear, let him hear.
John 10:23 And Jesus walked in the temple in Solomon’s porch.
John 10:24 Then came the Jews round about him, and said unto him,
How long dost thou make us to doubt? If thou be the Christ, tell us plainly.
John 10:25 Jesus answered them, I told you, and ye believed not:
the works that I do IN MY FATHER'S NAME they bear witness of me.
John 10:26 But ye believe not, because ye are not of my sheep, as I said unto you.
John 10:27 My sheep hear my voice, and I know them, and they follow me:
Plat. Laws [906b] what saves us, justice and temperance combined with wisdom,
which dwell in the animate powers of the gods,
and of which some small trace may be clearly seen here also residing in us.
But there are certain souls that dwell on earth and have acquired unjust gain which,
being plainly bestial, [thēri^-ōdēs] beseech the souls of the guardians—
whether they be watch-dogs or herdsmen or the most exalted of masters—
trying to convince them by fawning words [906c]
and prayerful incantations [logōn kai en euktaiais tisin epōdais]
that (as the tales of evil men relate)
they can profiteer among men on earth without any severe penalty:
but we assert that the sin now mentioned, of profiteering or “over-gaining,”
is what is called in the case of fleshly bodies “disease,”3 in that of seasons and years “pestilence,”
and in that of States and polities, by a verbal change, this same sin is called “injustice.”
Epōdais song sung to or over: hence, [Laded Burden] enchantment, spell, “ “oute [SORCERY] pharmaka..oud' au epōdaiCertainly.
Rev 9:21] They didn't repent of their murders, nor of their SORCERIES, nor of their sexual immorality, nor of their thefts.
Rev. 18:21 And a mighty angel took up a stone like a great millstone,
and cast it into the sea, saying,
Thus with violence shall that great city Babylon be thrown down,
and shall be found no more at all.
Rev. 18:22 And the VOICE of HARPERS, and MUSICIANS, and of PIPERS, and TRUMPETERS,
shall be heard no more at all in thee;
and no CRAFTSMAN, of whatsoever craft he be, shall be found any more in thee;
And the sound of a millstone shall be heard no more at all in thee;
Rev. 18:23 And the light of a candle shall shine no more at all in thee;
and the voice of the bridegroom and of the bride
shall be heard no more at all in thee:
for thy MERCHANTS were the great men of the earthh;
for by thy SORCERIES [PHARMAKEA] were all nations deceived.
Rev. 18:24 And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth
for by thy SORCERIES were all nations deceived.
The SORCERER'S art is the charming of snakes and tarantulas and SCORPIONS and other beasts and diseases, while the other is just the charming and soothing of JURIES, assemblies, crowds, and so forth. Or does it strike you differently? I asked. [The other being lyre-makers in regard to their lyres]empor-os , on “e. kakōn” A.Pers.598; e. biou a trafficker in life, E.Hipp.964; “e. peri ta tēs psukhēs mathēmata” Pl.Sph.231d; hōrēs e. a dealer in beauty, AP9.416 (Phil.); “e. gunaikōn”
Plat. Soph. 231d the number of forms in which the SOPHIST has appeared to us.
First, I believe, he was found to be a paid hunter after the YOUNG AND WEALTHY
SOPHIST master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, “meletan sophistais prosbalon” Pi.I.5(4).28, cf. Cratin.2; of musicians, “sophistēs . . parapaiōn khelun”
with modal words added, “hoi s. tōn hierōn melōn [MELODY IN A HOLY PLACE]
QUIBBLER, CHEAT, Ar.Nu.331,1111, al., Pl.Sph. 268d; “goēta kai sophistēn onomazōn” D.18.276. 3. later of the rhētores, Professors of Rhetoric, and prose writers of the Empire, such as Philostratus and Libanius, Suid.; “Apollōnidē sophistē”
Aristoph. Cl. 331 For you do not know, by Jupiter! that these FEED very many sophists, Thurian soothsayers, practisers of medicine, lazy-long-haired-onyx-ring-wearers, song-twisters for the cyclic dances, and meteorological quacks. They feed idle people who do nothing, because such men celebrate them in verse.
goēs , ētos, ho,A.sorcerer, wizard, Phoronis 2, Hdt.2.33,4.105, Pl.R. 380d, Phld.Ir.p.29 W.; “g. epōdos Ludias apo khthonos” E.Ba.234, cf. Hipp.1038; prob. f.l. for boēsi Hdt.7.191.
2. juggler, cheat, “deinos g. kai PHARMAKEUS kai sophistēs” Pl.Smp.203d; “deinon kai g. kai sophistēn . . onomazōn” D.18.276; “apistos g. ponēros” Id.19.109; “magos kai g.” Aeschin.3.137: Comp. “goētoteros” Ach.Tat.6.7
Theaetetus
Yes.Stranger
And secondly a kind of merchant in articles of KNOWLEDGE FOR THE SOUL.
Theaetetus
Certainly.Stranger
And thirdly did he not turn up as a retailer of these same articles of knowledge?Aesthetes
Yes, and fourthly we found he was a SELLER of his own productions of knowledge.
Athenian
Such must necessarily be the account of the matter given by
the man
qqwho says that the gods are always merciful to unjust men
[906d]
and those who act unjustly,
PROVIDED that one gives
them a share of one's unjust gains;
it is just as if wolves were to give small bits of their prey
to watch-dogs,
and they being
mollified by the gifts were to
allow them to go
ravening among the flocks.
Is not this the
account given by the man who asserts that the gods are open to
bribes?