The Mark of The Beast

The.Devils.Musical.Worship.Team

Apollon.Abaddon.Apollyon is-has been unleashed as the leader of the Musical Worship Teams.  The Locusts are the Muses identifieid as prostitutes (selling) who became the SHEPHERDESSES when men fall into the swamp of effeminancy.

Moses wrote or COMPILED his writings after the Hebrews had fallen into Instrumental-Trinitarian-Perverted Idolatry.  Moses may have had Egyptian or Babylonian Clay tablets containing the accounts of cosmology and theology.  He wrote to DEBUNK the accounts that the "gods" who did all of the work such as digging canals and other tasks being heaped upon people who had been free hunters and gathers and were collectivized to clear land and expand agriculture.

Gen. 1:2 And the earth WAS
        autem , nevertheless, antithetical, but,
        sum.   to become; to be, Of events, to be, happen, occur, befall, take place: dēfectĭo   
        [A failing, failure, deficiency, want, disappearance].

"WAS" in Hebrew:
h1961.  hayah, become), accomplished, committed, like), break, cause, come (to pass)
H1961 to happen, fall out, occur, take place, come about, come to pass  to come about, come to pass, to come into being, become. to arise, to become, come to pass
BDB9470 1. come to pass Dan 2:28; Dan 2:29 (twice in verse); Dan 2:45.
2. come into being, arise Ezra 7:23 become, come to be, withpredicate noun Dan 4:24 [which is come upon my lord]; Dan 5:29 and ( = represent) Dan 7:23 with כְ like Dan 2:35 a, with  predicate Dan 2:35 b, with adjective predicate Ezra 6:6, with adverb phrase Ezra 5:5; Dan 4:22 often periphrastic, with participlיְדִי become known Dan 3:18; Ezra 4:12; Ezra 4:13; Ezra 5:8 let it be given Ezra 6:8; Ezra 6:9, also Ezra 7:26; Dan 2:20.

SHAME ON PEOPLE WHO CALL THE SPIRIT OF GOD A LIAR:

Is. 45:18 For thus saith the Lord that created the heavens;
         God himself that formed the earth and MADE it; he hath ESTABLISHED it, he created it not in vain,
         he FORMED it to be inhabited: I am THE Lord; and there is none else.
Jer. 10:11 Thus shall ye say unto them,
        The gods that have not made the heavens and the earth,
         even they shall perish from the earth, and from under these heavens.

Moses is WARNING that the "gods" they worshipped at Mount Sinai was NOT the Creator God:  the Lord-God of Abraham, Isaac and Jacob.

THIS IS WHAT THE JEWS WANTED AND GOD HEARD IT AS A PRAYER.  The Jews would be blind and deaf until Another Prhophe like me comes.

Acts 7:37 This is that Moses, which said unto the children of Israel,
        A PROPHET shall the Lord your God raise up unto you of your brethren,
        like unto me; him shall ye hear.
Acts 7:38 This is he, that was in the church in the wilderness
        with the angel which spake to him in the mount Sina, and with our fathers:
        who received the lively oracles to give unto us:
Acts 7:39 To whom our fathers would not obey,
        but thrust him from them, and in their hearts turned back again into Egypt,
Acts 7:40 Saying unto Aaron, Make us gods to go before us:
        for as for this Moses, which brought us out of the land of Egypt, we wot not what is become of him.

Acts 7:41 And they made a calf in those days,
        and offered sacrifice unto the idol,
        and rejoiced in the works of their own hands.

Euphrainō , Ep. euphr-, fut. Att.155.12, Pi.I.7(6).3   II. Pass., make merry, enjoy oneself, to sing,
i. mēkhanēn, [sound, lights ]in the theatre,  merriment of a feast
4. take up and bear, as a burden, “moron” A.Pers.547; “athlon” S.Tr.80; “algos” A.R.4.65.
2. raise by words, hence, praise, extol, E.Heracl.322, etc.; ai. logō to exaggerate, D.21.71.
mēkha^n-ē   [OUTLAWED FOR THE CHURCH OF CHRIST (THE ROCK) IN THE WILDERNESS]

Epithu_m-ia , Ion. -iē, hē,  A.  desire, yearning, “e. ektelesai” Hdt.1.32; epithumia by passion, Opposite pronoia, [forethought, purpose] Th.6.13: generally, appetite, Pl.Cra.419d, etc.; hai kata to sōma e. Id.Phd.82c; esp. sexual desire, lust, Democr.234 (pl.), Pl.Phdr.232b, etc.; hai pros tous paidas e. X.Lac.2.14.

Notice the Wind, String and percussion instruments Lucifer Christ calls the "singing and harp playing prostitute" brought into the garden of Eden. Isaiah 30 they are used to drive God's Enemies into HELL.

APOLLO,  APOLLYON OR ABADDON WAS IN EGYPT BEFORE THE EXODUS.

“… historical accounts, myths, and legends, and some monuments of Delphi indicate that the oracle [of Apollo] was established there by Pharoahs of the Ethiopian Dynasty. This is the reason why the Greeks portrayed Delphos, the eponymous hero of Delphi, as a Negro…”

God sentenced the people to go into captivity and death because the musical play was the mark that they could not be redeemed.



1Chr. 25:1 Moreover David and the captains of the host separated to the SERVICE
        of the sons of Asaph, and of Heman, and of Jeduthun,
        who should prophesy with harps, with psalteries, and with cymbals:
        and the number of the workmen according to their service was:

Service is h5656.   {abodah, ab-o-daw´; or h∂dwøbSo {abowdah, ab-o-daw´; from 5647; work of any kind:—act, bondage, + bondservant, effect, labour, ministering(-try), office, service(-ile, -itude), tillage, use, work, x wrought.

h11. ABADDOWN ab-ad-done´; intensive from 6; abstract, a perishing; concrete, Hades:—destruction.

THE JEWS HAD A COVENANT WITH DEATH AND HELL: THE PATTERN OF ANY MUSIC IN THE SCHOOL OF CHRIST.

Hos. 13:9 O Israel, thou hast destroyed thyself; but in me is thine help.
Hos. 13:10 I will be thy king: where is any other that may save thee in all thy cities?
        and thy judges of whom thou saidst, Give me a king and princes?
Hos. 13:11 I gave thee a king in mine anger, and took him away in my wrath.

THE VOCAL AND INSTRUMENTAL PATTERN IS A MARK THAT AS IN AMOS 8 GOD "HAS BEEN THERE AND WILLL NOT PASS BY AGAIN."



WHAT IS A PLAGUE:  PLESSO 3. strike or stamp as one does a coin, Kuprios kharaktēr . .
         en gunaikeiois tupois “peplēktai”   Strike a string with a key,

4. OF MUSICAL SOUNDS, houtôsi plêgenta houtôs ephthenxato ta phônêenta 
EPHTHENXATO--trumpet (thunder), flute, lyre, Phormigx (ABADDON'S instrument), melody in a holy place, CLAPPING HANDS

Psallo has NO musical content: it means to STRIKE a string or hair with your FINERS and never with a plecktron or key. Psallo excludes wind instruments, percussion instruments or a guitar pick.

The SOP Jesus fed Judas to invite the Devil to come into him has the same root meaning as PSALLO.

A.Supp.283 Kharakter includes one's personal nature shared  with others of the group
Sting of a Skorpion (John's code word for the Muses:  Apollyon's musical worship team)
2. to be smitten emotionally, “himerō peplēgmenoi” Struck by bribes, smitten emotionally.
Erotes,  

Plat. Sym. 218a Now I have been bitten by a more painful creature, in the most painful way that one can be bitten: in my heart, or my soul, or whatever one is to call it I am stricken and stung by his philosophic discourses, which adhere more fiercely than any adder when once they lay hold of a young and not ungifted soul, and force it to do or say whatever they will

A Lying Wonder: The phrase recals 182 E thaumasta erga...tolmōē poiein:

God HIDES from the wise or SOPHISTS: rhetoricians, singers, instrument players or actors. 

PLAGUE: The Muses or sorcerers (Rev 18:23) were known as dirty adulterers (selling at retail) were the "musical worship team" of Apollo (Abaddon, Apollyon). They were sentenced underground as LOCUSTS and have been UNLEASHED out of their SMOKEY exile for these end times. 

PLAGUE: b. sting, plêgeisa hupo skorpiou  Plato, Euthydemus   S. Fr.37, V. an engine of war for discharging arrow

EXAMPLE: Plato, Euthydemus

[289e] For not only do these speech-writers themselves, when I am in their company, impress me as prodigiously clever, Cleinias, but their art itself seems so exalted as to be almost inspired.  However, this is not surprising; for it is a part of the sorcerer's art,

Rev. 19:20 And the beast was taken,
        and with him the false prophet that wrought miracles before him,
        with which he deceived them that had received the mark of the beast,
        and them that worshipped his image. 
        These both were cast alive into a lake of fire burning with brimstone.

BEAST: Thērion , 

to (in form Dim. of thēr),  A. wild animal, esp. of such as are hunted, mala gar mega thērion ēen, of a stag, Od.10.171, 180 (never in Il.); in Trag. only in Satyric drama

Sikinnis
sikinn-i^s si^, or siki_nis (E.Cyc.37), idos,
A. “Sikinnin” D.H.7.72:—Sicinnis, a dance of Satyrs used in the Satyric drama, S.Fr.772, E. l.c., D.H. l.c., Luc.Salt.22: named from its inventor Sicinnus, Ath.1.20e, cf. Scamon 1; or from Sicinnis, a nymph of Cybele, although originally danced in honour of Sabazios, Arr.Fr.106J.— Also written Sikinnon , to/, Suid.; Sikinna ,

Sa^bazios , ho, (Sabos) a Phrygian deity, whose mysteries resembled the teletai of Dionysus, Thphr.Char.27.8 (but Sabadion [acc.] ib.16.4, cf. Dessau Inscr.Lat.Sel.2189), Nymphis 11; hence afterwards taken as a name of Dionysus himself, Ar.V.9, Av.875, Lys.388; A.“theō Sabaziō pagkoiranō” CIG3791 (Bithynia), cf. IG12(5).27 (Sicinus); “Di Sabaziō”

Cybele or Kubebes: CII. Kubêbês. The ‘Great Mother’ goddess of the Phrygians worshipped at Pessinus, the mêtêr Dindumênê of i. 80. 1. For the Anatolian ‘Great Mother’ cf. App. I. 2, Frazer, G. B. iv, Bk. II, Attis, &c.; Ramsay, in Hastings' Bible Dictionary, extra vol., p. 120 f. The Atys myth which involved her cult is connected with Sardis by H.'s story of the son of Croesus (i. 34. 2 n.). The Great Mother was worshipped at Athens in the days of Sophocles (Phil. 391), and identified by the Greeks with Rhea, mother of the gods (cf. iv. 76; Strabo 469), with Aphrodite, with Demeter, and with Artemis as the lady of the wild woods. But here she is regarded as a foreign goddess.

She is the facilitator or organon a musical instrument of Rhea (Eve, Zoe)

“anthrōpos pantōn th. theeidestaton”

pas , A.= patēr pasa, pan, Aeol. pais ,  ;pasa alētheiē all the truth, pan kratos the whole power, sovereign power,
2. panta gignomenos becoming all things, i. e. assuming every shape, Od.4.417. 3. panta einai tini to be everything to one, “ēn hoi . . ta panta hē Kunō” Hdt.1.122;

ku^n-ō , ous, hē, A.bitch: hence, = anaidestatē, Hdt. 1.110; title of Hecate,

III. as a term of reproach, beast, creature, , cf. Eq.273; “kolaki, deinō thēriō” Pl.Phdr.240b;

Deilos cowardly, vile, worthless, lowborn, mean

Plat. Phaedrus 240b has mingled with most of them some temporary pleasure; so, for instance, a flatterer is a horrid creature and does great harm, yet Nature has combined with him a kind of pleasure that is not without charm, and one might find fault with a courtesan as an injurious thing, and there are many other such creatures and practices which are yet for the time being very pleasant; but a lover is not only harmful to his beloved.

hēdonē , Dor. hadona to speak so as to please another, “dēmēgorein” D.4.38; “ou pros hē. hoi ēn ta aggellomena” Hdt.3.126; 3. Pl., desires after pleasure, pleasant lusts, X.Mem.1.2.23, Ep.Tit.3.3, al.

Kolax ,  [Philippians 3 Dogs or Catamites]  A. flatterer, fawner, Ar.Pax756, Lys.28.4, Pl.Phdr. 240b, etc.; “tukhēs kolakes” ; parasite,  D.L.6.4.

 2.   Att. goēs, Moer. p.113 P.

II.  lisping pronunciation of korax, Ar.V.45.

NEVER 

amous-os , on,  A. without song, of fishes, Emp. 74; but usu. without the Muses, i.e. without taste or refinement, rude, E.Ion526, Ar.V.1074; “a. kai aphilosophos” Pl.Sph.259e; a. hēdonē, hamartēmata, gross pleasure, faults, Pl.Phdr.240b, Lg.863c; a. esti, c. inf., it is incongruous, Ar.Th.159; tōn Leibēthriōn amousoteros, PROVERB. for lowest degree of mental cultivation, Zen.1.79: Sup., “glōtta -otatē” Agath.2.28. Adv. “-ōs” Pl.Hp.Ma.292c.

II. of persons, unmusical, Id.Sph.253b, al.

2. of sounds, unmusical, discordant, “amous' hulaktein” E.Alc.760; “amousotatai ōdai” Ph.807, etc. Adv. “-ōs” Jul.Or.8.247d.

Goēs , ētos, ho, A. sorcerer, wizard epōdos Ludias apo khthonos” E.Ba.234
2. juggler, cheat, “deinos g. kai pharmakeus kai sophistēs” Pl.Smp.203d; “deinon kai g. kai sophistēn . . onomazōn” D.18.276; “apistos g. ponēros” Id.19.109; “magos kai g

Sophis-tēs , ou, ho, A. master of one's craft, adept, expert, of diviners, with modal words added, “hoi s. tōn hierōnmelōn ” [MELODY IN THE HOLY PLACE]
3. later of the rhētores, Professors of Rhetoric, and prose writers of the Empire, such as Philostratus and Libanius, Suid.; “Apollōnidē sophistē” [Abaddon, Apollyon]

PHARMAKIA identifies the speakers, singers and instrument players in Revelation 18: John called them sorcerers and says they will be (are) cast alive into the lake of fire.

 “hē mousikē aei ti kainon thērion tiktei” 

mousikê aei ti kainon thêrion tiktei
A.  Mousikos, musical, agônes m. kai gumnikoi  choroi te kai agônes ta mousika music,  

II. of persons, skilled in music,  kuknos [minstrel]  kai alla zôia; peri aulous - professional musicians, mousikos kai melôn poêtês, use with singing, skilled in speaking before a mob. Melody, 

B. aei always
C. kainos , esp. of new dramas, the representation of the new tragedies,  (Aphrodisias dedicated to Aphrodite (ZOE); comedy, sexual love, pleasure, a woman's form of oath, Aster or Venus or ZOE Lucifer
D. Therion
E. Tikto mostly of the mother  of Rhea one of the zoogonic or vivific principles

sunestiōmenon, of woman

Sunesti^-aō , A. help to entertain, AP4.3.24 (Agath.):—Pass., live or feast along with or together, Lys.Fr.53.2, Is.3.70, D.19.190, etc.; [theois] Plu.2.121f; “meta tinōn” IG22.12

2 Peter 2:12 But these, as natural brute beasts, [Zoon, Zao, Zoe căprīlis , e, of or pertaining to the goat: “semen, i. e. capellae,”
          made to be taken and destroyed,
          speak evil of the things that they understand not;
          and shall utterly perish in their own corruption;

THE IMAGE is "turning the Word of God into a song[

Imāgo , ĭnis, f. cf. imitor, I.an imitation, copy of a thing, Juv. 7, 29: “hoc tibi sub nostra breve carmen imagine vivat,” “epistula atque imago me certum fecit,” i. e. the image on the seal, the signet,
I. Transf., a reverberation of sound, an echo (mostly poet.): “(mellaria facere oportet) potissimum ubi non resonent imagines, 2. With the idea predominating of mere imitation, in OPPOSITION to what is original or real, a mere form, image, semblance, appearance, shadow:

The command is to SPEAK that which is written for our learning
Logos or Lexis is OPPOSITE to an ODE and ODE is the opposite of LEXUS.
If they do not SPEAK that which is Written THERE IS NO LIGHT IN THEM.  Isaiah 8

Both ODE and PSALLO is IN (Eis) the HEART which means keep both SILENT.

1Corinthians 14:28 But if there be no interpreter, let him keep silence in the church;
        and let him speak to himself, and to God.

Again, speaking in tongues is GIBBERISH or playing an instrument: you cannot INTERPRET either.

La^l-eō, Mark of the Locusts II.  chatter, Opposite. articulate speech, as of locusts, chirp, Theoc.5.34; mesēmbrias lalein tettix (sc. eimi), a very grasshopper to chirp at midday,  III.  of musical sounds, “aulō [flute] laleō” Theoc.20.29; “di'aulou [flute] ē salpiggos l.”[trumpet] Arist. Aud.801a29; of Echo,  magadin lalein sound the magadis,  [double flute]

MARK: 

kharag-ma kha^, atos, to, (kharassō) A.any mark engraved, imprinted, or branded, kh. ekhidnēs the serpent's mark, i. e. its bite, sting, ekhein to kh. tou thēriou” Apoc.16.2, cf. 13.16; to kh. tou thēriou the mark of the beast,

3. metaph., mark, stamp, character, “to tēs monados sēmantikon kh.”

sēman-tikos , ē, on, ; “rhēma . . phōnē sunthetē s. meta khronou” Id.Po.1457a14

phōn-ē , hē, A.sound, tone, prop., the sound of the voice, whether of men or animals with lungs and throat battle-cry, 15.686; of the battle-cry of an army,
4. of sounds made by inanimate objects, mostly Poet., “kerkidos ph.” S.Fr.595; “suriggōn” E.Tr.127 (lyr.); “aulōn” Mnesim.4.56 (anap.); rare in early Prose, “organōn phōnai” BOASTING

khronos , ho, 3. in Rhythmic and Music, time, “diaireitai ho kh. hupo tōn rhuthmizomenōn”

Khronos is TIME and the grandfather of KAIROS of the Church Planting Plot

Revelation 12:12 Therefore rejoice, ye heavens, and ye that dwell in them. Woe to the inhabiters of the earth and of the sea! for the devil is come down unto you, having great wrath,
         because he knoweth that he hath but a short time.  kairo

com-mŏvĕo (conm- ), A. To remove from a place, to carry away, displace, to start, set in motion, move: if I put my instruments (artifices, tricks, etc.) in motion.
frantic, crazed, Ludo .Especially, to play on an instrument of music, to make or compose music or song: “ludere quae vellem calamo permisit agresti,” Verg. E. 1, 10: “talia fumosi luduntur mense Decembri,” Ov. Tr. 2, 491: “quod tenerae cantent, lusit tua musa, puellae,” id. Am. 3, 1, 27: amorous play
G. To delude, deceive: “auditis, an me ludit amabilis Insania?”

THEY MUSICALLY MOCKED JESUS AND BEAT HIM WITH A FLUTE!

Gallus , i, m., = Gallos Strab., A. Galli , ōrum, m., the priests of Cybele, so called because of their raving, “resupinati cessantia tympana Galli,” Juv. 8, 176.—And satirically (on account of their emasculated condition)
AT MOUNT SINAI: Of or belonging to the priests of Isis, Gallic: “turma,” the troop of the priests of Isis, Ov. Am. 2, 13, 18.

The DOGS or CONCISION were emasculated priests of the Mother Goddess..

Revelation 12:14 And to the woman were given two wings of a great eagle,
        that she might fly into the wilderness, into her place,
        where she is nourished for a time, and times, and half a time,
        from the face of the serpent.
Revelation 14:15 And another angel came out of the temple,
        crying with a loud voice to him that sat on the cloud,
        Thrust in thy sickle, and reap: for the time is come for thee to reap;
        for the harvest of the earth is ripe.
WHAT IS A PLAGUE:  PLESSO 3. strike or stamp as one does a coin, Kuprios kharaktēr . .
         en gunaikeiois tupois “peplēktai”   Strike a string with a key,

4. of musical sounds, houtôsi plêgenta houtôs ephthenxato ta phônêenta 
EPHTHENXATO--trumpet (thunder), flute, lyre, Phormigx (ABADDON'S instrument), melody in a holy place, CLAPPING HANDS

Psallo has NO musical content: it means to STRIKE a string or hair with your FINERS and never with a plecktron or key. Psallo excludes wind instruments, percussion instruments or a guitar pick.

The SOP Jesus fed Judas to invite the Devil to come into him has the same root meaning as PSALLO.

A.Supp.283 Kharakter includes one's personal nature shared  with others of the group
Sting of a Skorpion (John's code word for the Muses:  Apollyon's musical worship team)
2. to be smitten emotionally, “himerō peplēgmenoi” Struck by bribes, smitten emotionally.
Erotes,  

Plat. Sym. 218a Now I have been bitten by a more painful creature, in the most painful way that one can be bitten: in my heart, or my soul, or whatever one is to call it I am stricken and stung by his philosophic discourses, which adhere more fiercely than any adder when once they lay hold of a young and not ungifted soul, and force it to do or say whatever they will

A Lying Wonder: The phrase recals 182 E thaumasta erga...tolmōē poiein:

God HIDES from the wise or SOPHISTS: rhetoricians, singers, instrument players or actors. 

PLAGUE: The Muses or sorcerers (Rev 18:23) were known as dirty adulterers (selling at retail) were the "musical worship team" of Apollo (Abaddon, Apollyon). They were sentenced underground as LOCUSTS and have been UNLEASHED out of their SMOKEY exile for these end times. 

PLAGUE: b. sting, plêgeisa hupo skorpiou  Plato, Euthydemus   S. Fr.37, V. an engine of war for discharging arrow

EXAMPLE: Plato, Euthydemus

[289e] For not only do these speech-writers themselves, when I am in their company, impress me as prodigiously clever, Cleinias, but their art itself seems so exalted as to be almost inspired.  However, this is not surprising; for it is a part of the sorcerer's art,

Rev. 19:20 And the beast was taken,
        and with him the false prophet that wrought miracles before him,
        with which he deceived them that had received the mark of the beast,
        and them that worshipped his image. 
        These both were cast alive into a lake of fire burning with brimstone.

BEAST: Thērion , 


to (in form Dim. of thēr),  A. wild animal, esp. of such as are hunted, mala gar mega thērion ēen, of a stag, Od.10.171, 180 (never in Il.); in Trag. only in Satyric drama

Sikinnis
sikinn-i^s si^, or siki_nis (E.Cyc.37), idos,
A. “Sikinnin” D.H.7.72:—Sicinnis, a dance of Satyrs used in the Satyric drama, S.Fr.772, E. l.c., D.H. l.c., Luc.Salt.22: named from its inventor Sicinnus, Ath.1.20e, cf. Scamon 1; or from Sicinnis, a nymph of Cybele, although originally danced in honour of Sabazios, Arr.Fr.106J.— Also written Sikinnon , to/, Suid.; Sikinna ,

Sa^bazios , ho, (Sabos) a Phrygian deity, whose mysteries resembled the teletai of Dionysus, Thphr.Char.27.8 (but Sabadion [acc.] ib.16.4, cf. Dessau Inscr.Lat.Sel.2189), Nymphis 11; hence afterwards taken as a name of Dionysus himself, Ar.V.9, Av.875, Lys.388; A.“theō Sabaziō pagkoiranō” CIG3791 (Bithynia), cf. IG12(5).27 (Sicinus); “Di Sabaziō”

Cybele or Kubebes: CII. Kubêbês. The ‘Great Mother’ goddess of the Phrygians worshipped at Pessinus, the mêtêr Dindumênê of i. 80. 1. For the Anatolian ‘Great Mother’ cf. App. I. 2, Frazer, G. B. iv, Bk. II, Attis, &c.; Ramsay, in Hastings' Bible Dictionary, extra vol., p. 120 f. The Atys myth which involved her cult is connected with Sardis by H.'s story of the son of Croesus (i. 34. 2 n.). The Great Mother was worshipped at Athens in the days of Sophocles (Phil. 391), and identified by the Greeks with Rhea, mother of the gods (cf. iv. 76; Strabo 469), with Aphrodite, with Demeter, and with Artemis as the lady of the wild woods. But here she is regarded as a foreign goddess.

She is the facilitator or organon a musical instrument of Rhea (Eve, Zoe)

“anthrōpos pantōn th. theeidestaton”

pas , A.= patēr pasa, pan, Aeol. pais ,  ;pasa alētheiē all the truth, pan kratos the whole power, sovereign power,
2. panta gignomenos becoming all things, i. e. assuming every shape, Od.4.417. 3. panta einai tini to be everything to one, “ēn hoi . . ta panta hē Kunō” Hdt.1.122;

ku^n-ō , ous, hē, A.bitch: hence, = anaidestatē, Hdt. 1.110; title of Hecate,

III. as a term of reproach, beast, creature, , cf. Eq.273; “kolaki, deinō thēriō” Pl.Phdr.240b;

Deilos cowardly, vile, worthless, lowborn, mean

Plat. Phaedrus 240b has mingled with most of them some temporary pleasure; so, for instance, a flatterer is a horrid creature and does great harm, yet Nature has combined with him a kind of pleasure that is not without charm, and one might find fault with a courtesan as an injurious thing, and there are many other such creatures and practices which are yet for the time being very pleasant; but a lover is not only harmful to his beloved.

hēdonē , Dor. hadona to speak so as to please another, “dēmēgorein” D.4.38; “ou pros hē. hoi ēn ta aggellomena” Hdt.3.126; 3. Pl., desires after pleasure, pleasant lusts, X.Mem.1.2.23, Ep.Tit.3.3, al.

Kolax ,  [Philippians 3 Dogs or Catamites]  A. flatterer, fawner, Ar.Pax756, Lys.28.4, Pl.Phdr. 240b, etc.; “tukhēs kolakes” ; parasite,  D.L.6.4.

 2.   Att. goēs, Moer. p.113 P.

II.  lisping pronunciation of korax, Ar.V.45.

NEVER 

amous-os , on,  A. without song, of fishes, Emp. 74; but usu. without the Muses, i.e. without taste or refinement, rude, E.Ion526, Ar.V.1074; “a. kai aphilosophos” Pl.Sph.259e; a. hēdonē, hamartēmata, gross pleasure, faults, Pl.Phdr.240b, Lg.863c; a. esti, c. inf., it is incongruous, Ar.Th.159; tōn Leibēthriōn amousoteros, PROVERB. for lowest degree of mental cultivation, Zen.1.79: Sup., “glōtta -otatē” Agath.2.28. Adv. “-ōs” Pl.Hp.Ma.292c.

II. of persons, unmusical, Id.Sph.253b, al.

2. of sounds, unmusical, discordant, “amous' hulaktein” E.Alc.760; “amousotatai ōdai” Ph.807, etc. Adv. “-ōs” Jul.Or.8.247d.

Goēs , ētos, ho, A. sorcerer, wizard epōdos Ludias apo khthonos” E.Ba.234
2. juggler, cheat, “deinos g. kai pharmakeus kai sophistēs” Pl.Smp.203d; “deinon kai g. kai sophistēn . . onomazōn” D.18.276; “apistos g. ponēros” Id.19.109; “magos kai g

Sophis-tēs , ou, ho, A. master of one's craft, adept, expert, of diviners, with modal words added, “hoi s. tōn hierōnmelōn ” [MELODY IN THE HOLY PLACE]
3. later of the rhētores, Professors of Rhetoric, and prose writers of the Empire, such as Philostratus and Libanius, Suid.; “Apollōnidē sophistē” [Abaddon, Apollyon]

PHARMAKIA identifies the speakers, singers and instrument players in Revelation 18: John called them sorcerers and says they will be (are) cast alive into the lake of fire.

 “hē mousikē aei ti kainon thērion tiktei” 

mousikê aei ti kainon thêrion tiktei
A.  Mousikos, musical, agônes m. kai gumnikoi  choroi te kai agônes ta mousika music,  

II. of persons, skilled in music,  kuknos [minstrel]  kai alla zôia; peri aulous - professional musicians, mousikos kai melôn poêtês, use with singing, skilled in speaking before a mob. Melody, 

B. aei always
C. kainos , esp. of new dramas, the representation of the new tragedies,  (Aphrodisias dedicated to Aphrodite (ZOE); comedy, sexual love, pleasure, a woman's form of oath, Aster or Venus or ZOE Lucifer
D. Therion
E. Tikto mostly of the mother  of Rhea one of the zoogonic or vivific principles

sunestiōmenon, of woman

Sunesti^-aō , A. help to entertain, AP4.3.24 (Agath.):—Pass., live or feast along with or together, Lys.Fr.53.2, Is.3.70, D.19.190, etc.; [theois] Plu.2.121f; “meta tinōn” IG22.12

2 Peter 2:12 But these, as natural brute beasts, [Zoon, Zao, Zoe căprīlis , e, of or pertaining to the goat: “semen, i. e. capellae,”
          made to be taken and destroyed,
          speak evil of the things that they understand not;
          and shall utterly perish in their own corruption;

THE IMAGE is "turning the Word of God into a song[

Imāgo , ĭnis, f. cf. imitor, I.an imitation, copy of a thing, Juv. 7, 29: “hoc tibi sub nostra breve carmen imagine vivat,” “epistula atque imago me certum fecit,” i. e. the image on the seal, the signet,
I. Transf., a reverberation of sound, an echo (mostly poet.): “(mellaria facere oportet) potissimum ubi non resonent imagines, 2. With the idea predominating of mere imitation, in OPPOSITION to what is original or real, a mere form, image, semblance, appearance, shadow:

The command is to SPEAK that which is written for our learning
Logos or Lexis is OPPOSITE to an ODE and ODE is the opposite of LEXUS.
If they do not SPEAK that which is Written THERE IS NO LIGHT IN THEM.  Isaiah 8

Both ODE and PSALLO is IN (Eis) the HEART which means keep both SILENT.

1Corinthians 14:28 But if there be no interpreter, let him keep silence in the church;
        and let him speak to himself, and to God.

Again, speaking in tongues is GIBBERISH or playing an instrument: you cannot INTERPRET either.

La^l-eō, Mark of the Locusts II.  chatter, Opposite. articulate speech, as of locusts, chirp, Theoc.5.34; mesēmbrias lalein tettix (sc. eimi), a very grasshopper to chirp at midday,  III.  of musical sounds, “aulō [flute] laleō” Theoc.20.29; “di'aulou [flute] ē salpiggos l.”[trumpet] Arist. Aud.801a29; of Echo,  magadin lalein sound the magadis,  [double flute]

MARK: 

kharag-ma kha^, atos, to, (kharassō) A.any mark engraved, imprinted, or branded, kh. ekhidnēs the serpent's mark, i. e. its bite, sting, ekhein to kh. tou thēriou” Apoc.16.2, cf. 13.16; to kh. tou thēriou the mark of the beast,

3. metaph., mark, stamp, character, “to tēs monados sēmantikon kh.”

sēman-tikos , ē, on, ; “rhēma . . phōnē sunthetē s. meta khronou” Id.Po.1457a14

phōn-ē , hē, A.sound, tone, prop., the sound of the voice, whether of men or animals with lungs and throat battle-cry, 15.686; of the battle-cry of an army,
4. of sounds made by inanimate objects, mostly Poet., “kerkidos ph.” S.Fr.595; “suriggōn” E.Tr.127 (lyr.); “aulōn” Mnesim.4.56 (anap.); rare in early Prose, “organōn phōnai” BOASTING

khronos , ho, 3. in Rhythmic and Music, time, “diaireitai ho kh. hupo tōn rhuthmizomenōn”

Khronos is TIME and the grandfather of KAIROS of the Church Planting Plot

Revelation 12:12 Therefore rejoice, ye heavens, and ye that dwell in them. Woe to the inhabiters of the earth and of the sea! for the devil is come down unto you, having great wrath,
         because he knoweth that he hath but a short time.  kairo

com-mŏvĕo (conm- ), A. To remove from a place, to carry away, displace, to start, set in motion, move: if I put my instruments (artifices, tricks, etc.) in motion.
frantic, crazed, Ludo .Especially, to play on an instrument of music, to make or compose music or song: “ludere quae vellem calamo permisit agresti,” Verg. E. 1, 10: “talia fumosi luduntur mense Decembri,” Ov. Tr. 2, 491: “quod tenerae cantent, lusit tua musa, puellae,” id. Am. 3, 1, 27: amorous play
G. To delude, deceive: “auditis, an me ludit amabilis Insania?”

THEY MUSICALLY MOCKED JESUS AND BEAT HIM WITH A FLUTE!

Gallus , i, m., = Gallos Strab., A. Galli , ōrum, m., the priests of Cybele, so called because of their raving, “resupinati cessantia tympana Galli,” Juv. 8, 176.—And satirically (on account of their emasculated condition)
AT MOUNT SINAI: Of or belonging to the priests of Isis, Gallic: “turma,” the troop of the priests of Isis, Ov. Am. 2, 13, 18.

The DOGS or CONCISION were emasculated priests of the Mother Goddess..

Revelation 12:14 And to the woman were given two wings of a great eagle,
        that she might fly into the wilderness, into her place,
        where she is nourished for a time, and times, and half a time,
        from the face of the serpent.
Revelation 14:15 And another angel came out of the temple,
        crying with a loud voice to him that sat on the cloud,
        Thrust in thy sickle, and reap: for the time is come for thee to reap;
        for the harvest of the earth is ripe.

THE MOTHER OF HALOTS RIDES TO USE SORCERY TO TAKE AWAY YOUR INHERITANCE. I will try to place this in order. Jesus said that truth had been hidden in parables from the foundation of the World. This was to prevent false prophets from pretending that "a" spirit spoke to them in addition to the God-chosen apostles and prophets.

They are created now, and not from the beginning;
        even before the day when thou heardest them not;
        lest thou shouldest say, Behold, I knew them. Isaiah 48:7

    Yea, thou heardest not; yea, thou knewest not;
    yea, from that time that thine ear was not opened:
    for I knew that thou wouldest deal very treacherously,
    and wast called a transgressor from the womb. Isaiah 48:8

The purpose of the Scriptural record is most often to REPUDIATE the world's religions.  That most often depended on worship of the gods by sacrificing animals to appease or even threaten the gods. "Praise Singers" or Encomiansts are the world's oldest profession. By chanting, beating on metal or plucking on strings they pretended or believed that the sounds could cause the paying customer to hear the voice of a god.  H. Bamford Parks says that the emotionally or sexually abnormal were believed to be the best priests.

Beasts were also the massed multitudes necessary to convince the doubters that the great demonstration for the  SEEKERS caused them to gamble away their kingdoms. Hitler called such people "human material" to be used and disposed of.

Scripture defines the people who use and abuse God's people as "beasts" and connects that to forcing "a new style of music or drama" where the Satyric drama was popular.

The Jewish and other systems were "covenants with death and hell" and they pretended that no evil could touch them.  God in Christ ordained the qahal, synagogue, ekklesia or Church in the wilderness to quarantine the godly people from the Civil-Military-Clergy called robbers and parasites in the prophets.

A Church of Christ is narrowly defined as worship IN THE SPIRIT as opposed to worship IN THE FLESH. Paul says that this excludes the concision and dogs. These were the emasculated priests of the Mother Goddess.

First: The command is to assemble to teach the Word of God: A disciple goes to Bible School and not to engage in ceremonial legalism.
Second: the command is to "speak that which is written for our learning. SPEAK as related to LOGOS is defined to exclude rhetoric, poetry or music. God does not need and will not tolerate aids and aiders.

1. God rescued Israel from Captivity by pure grace: because he promised it. His justice would have left them to self destruct because He says they were WORSE than the nations.
2. God gave them The Book of The Covenant of Grace: the Abrahamic covenant made by God IN Christ.
3. They refused to listen to God and demanded a mediator (that clergy folly)
4. Israel rebuked God by rising up to "play" which was instrumental worship of the Egyptian (etal) trinity under the image of Apis the bull calf.  "The pantheon included bull, cow and calf divinities . "Young braided girls, dressed in short skirts with bands crossed over their breasts, are shown performing sacred songs and dances for Hathor [female cow] who are accompanied by women muscians, playing flutes or clapping their hands in rhythm. Over the dancers and musicians in the lower register is a powerful invocation to the starry snake goddess of the night, Hathor "Gold," whom they call on to rise and be propitiated though the dances they perform in her honor.
   
   
   Real men cannot be induced: we had to wait for David before female roles were performed by male Levites but only after they had been turned over to worship the starry host: COSMIC WORSHIP.
   
   
5. The golden calf represented real bull calves worshiped musically in Egypt. Probably a Babylonian connection to SUN worship to which God abandoned Israel because of musical idolatry.
   
1. The Spirit OF Christ affirms that God never commanded such sacrifices and proves that the Mount Sinai musical idolatry was without redemption.
   
   
   
   
   

   Acts 7:41 And they made a calf in those days, 
   

           and offered sacrifice unto the idol, 
           and rejoiced in the works of their own hands.
   
   Euphrainō , Ep. euphr-, fut. Att.155.12, Pi.I.7(6).3   II. Pass., make merry, enjoy oneself,
   i. mēkhanēn, [sound, lights ] in the theatre,
   4. take up and bear, as a burden, “moron” A.Pers.547; “athlon” S.Tr.80; “algos” A.R.4.65.
   2. raise by words, hence, praise, extol, E.Heracl.322, etc.; ai. logō to exaggerate, D.21.71.
   mēkha^n-ē   3. theatrical machine by which gods, etc., were made to appear in the air “sophistōn m.” Pl.Lg.908d:
   Musical instruments are "machines for doing hard work mostly making war."
   
   The STAR god to whom God abandoned Israel included Apollo, Abaddon or Apollyon. The SERVICE to the star gods was Abadown and the Levites prophesied with instruments meaning they were soothsayers often interchangeable with sorcerers.
   
   Pind. I. 1 Yield, island of Apollo; indeed, with the help of the gods I shall accomplish the end of both graceful songs, honoring in the dance both Phoebus with the unshorn hair, in wave-washed Ceos with its mariners, and the sea-dividing reef of the Isthmus. [10] Since the Isthmus gave to the people of Cadmus six garlands from her games, the glory of triumph for my fatherland, Yield, island of Apollo; indeed, with the help of the gods I shall accomplish the end of both graceful songs, honoring in the dance both Phoebus with the unshorn hair, in wave-washed Ceos with its mariners, and the sea-dividing reef of the Isthmus. [10] Since the Isthmus gave to the people of Cadmus six garlands from her games, the glory of triumph for my fatherland,
   
   Plat. Laws 908d and from it, too, there spring sometimes tyrants and demagogues and generals, and those who plot by means of peculiar mystic rites of their own, and the devices of those who are called “sophists.” Of these there may be many kinds;
      sophis-tēs , ou, ho,
   A. master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, “meletan sophistais prosbalon” Pi.I.5(4).28, cf. Cratin.2; of musicians, “sophistēs . . parapaiōn khelun” A.Fr.314, cf. Eup.447, Pl.Com. 140; sophistē Thrēki [IMPURE religion] with modal words added, “hoi s. tōn hierōn melōn” {melody in the holy places}
   3. later of the rhētores, Professors of Rhetoric, and prose writers of the Empire, such as Philostratus and Libanius, Suid.; “Apollōnidē sophistē”
   plek-ō plots 2. of Poets, p. humnon, rhēmata, Pi.O.6.86, N.4.94; “ōdas”
   
   
2. 
   
6. Moses broke the tablets which were preambles to The Book of The Covenant of Grace. They are never restated in the same form.
7. He gave them The Book of The Law to regulate the lawless.
8. He sentenced them to return beyond Babylon for captivity and death.
9. The Levites executed 3,000 of the idolaters and God commanded that they stand in ranks and execute any godly person who came near any of the horrors of the now-Egyptian, Greece, Canaanite and Babylon worship of the starry host: the COSMIC worship the false agents are trying to restore.
10. Because of this fall from Grace Moses wrote an inverted verson of the Babylonian Clay Tablets maybe 1,000 years old when Abraham was born.
11. The story in the Torah defines the Naga, Nachash or serpent worship imported from the east to which God scattered them.
12. This beginning-time worship of the musical enchanters is to be restored in the end time worship of the BEAST or SERPENT which the pagans called into their presece the whispering and ringing noise of musical instruments. The Serpent is connected to "bell metal which rings when struck."  It was used by the Babylonians and in the Jubal story of the wind, string and percussion noises. The Spirit OF Christ defined this as the marks of God driving His enemies into "hell."
    
    
    "Glueck explained the associations of the three major meanings of nachash as follows: The production of copper was seen in the Bronze Age as conferring magical powers on the smelter. When the smelted copper, or molten brass or bronze, was poured out into the sand, it would form a long, sinuous ingot of metal—the brazen snake or serpent that became the symbol of his magic.
            5175.  nachash, naw-khawsh´; from 5172; a snake (from its hiss):—serpent.
    

            5153.  nachuwsh, naw-khoosh´; apparently passive participle of 5172 (perhaps in the sense of ringing,
            i.e. bell-metal; or from the red color of the throat of a serpent (5175, as denominative) when hissing);
           coppery, i.e. (figuratively) hard:—of brass.
    

    Gen. 3:14 And the LORD God said unto the serpent, Because thou hast done this,
            thou art cursed above all cattle, and above every beast of the field;
            upon thy belly [emotions] shalt thou go,
            and dust shalt thou eat all the days of thy life:
    Genesis 3:15 And I will put enmity between thee and the woman,
            and between thy seed and her seed;
            it shall bruise thy head, and thou shalt bruise his heel.     
    
    When Nahash (the name must be an Israelite caricature: it means “snake”), the king of the Ammonites, agreed to spare the Israelites of Jabesh-Gilead only if the Israelites allowed Nahash to gouge out the right eye of every man by the soon-to-be king of the Israelites,
    
    King Nachash was no snake. He was, perhaps, a smelter of copper (or an importer of copper from the lands to the south of Ammon), perhaps a soothsayer or diviner, perhaps simply a smart man.
    

13. It was not only in Judah, Israel, Ammon, Moab and Edom that copper and its serpentine associations were assumed to have magical powers. The Greek caduceus with its two brazen serpents was the symbol of Mercury’s power, and later of the medical profession. In rabbinic Hebrew, Nachushtan is the serpent of brass that Moses (and Aaron) used to impress Pharaoh’s sorcerers (who had, apparently, learned similar magic from the coppersmiths); in modern Hebrew, nachushtan means caduceus.
    
    
14. This began to be restored after the Great American Awakenings by merchants going church to church selling the now brass-enabled reed organ and this led to other instruments "to make the lambs dumb before the slaughter."

Moreover the multitude of thy strangers shall be like small dust,
and the multitude of the terrible ones shall be as chaff that passeth away:
yea, it shall be at an instant suddenly. Isa 29:5

Thou shalt be visited of the Lord of hosts [Israel worshipped the HOST]
        with thunder, and with earthquake,
        and great noise, with storm and tempest,
        and the flame of devouring fire. Isa 29:6

Wherefore the Lord said,
        Forasmuch as this people draw near me with their mouth,
        and with their lips do honour me,
        but have removed their heart far from me,
        and their fear toward me is taught by the precept of men: Isa 29:13 Genesis 3:1

SO DON'T TRY TO DO COSMIC WORSHIP

"It is remarkable that the verb nachash always means to enchant, fascinate, bewitch; or of one having and using occult knowledge. See Gen. 30:27; 44:5, 15. Lev. 19:26. Deut. 18:10. 1Kings 20:33. 2Kings 17:17; 21:6. 2Chron. 33:6. So also is the noun used in Num. 23:23; 24:1."

PAUL KNEW ALL ABOUT EVE

EVE is Moses' effort to warn the Israelites abandoned to return to "beyond Babylon."  We know that Eve is mentioned only twice in the New Testament: both times to warn the readers of the ancient-and modern despisers of the Word of Truth.
 
First, students as wise as Paul would understand that as Jesus said TRUTH had been hidden in parables from the foundation of the world. That was to fool the Scribes and Pharisees. Jesus called them HYPOCRITES by quoting Isaiah an Ezekiel: hypocrites are self-preachers, singers and instrument players. The musical instruments are the common MARK that 'we will not listen to the Word of God."

The serpents, however, of the magicians-(that is,) the gods of destruction-withstood the power of Moses in Egypt, but the rod of Moses reduced them all to subjection and slew them. This universal serpent is, he says, the wise discourse of Eve. This, he says, is the mystery of Edem, this the river of Edem;

this the mark that was set upon Cain,
that any one who findeth him might not kill him. This, he says, is Cain, [Gen. iv. 15] whose sacrifice [Gen. iv. 5. ] the god of this world did not accept.

Theophilus to Autolycus 

This Eve, on account of her having been in the beginning deceived by the serpent, and become the author of sin, the wicked demon, who also is called Satan, who then spoke to her through the serpent, and who works even to this day in those men that are possessed by him, invokes as Eve.⁵⁸ And he is called "demon" and "dragon," on account of his revolting from God. For at first he was an angel. And concerning his history there is a great deal to be said; wherefore I at present omit the relation of it, for I have also given an account of him in another place.

⁵⁸ Referring to the bacchanalian orgies in which " Eva " was shouted, and which the Fathers professed to believe was an unintentional invocation of Eve, the authoress of all sin.

The word "abomination" is also key to understanding the context. In Hebrew, the word "to 'evah," (abomination) is almost invariably linked to idolatry. In the passages from which both verses are taken, God tells Moses to tell the people not to follow the idolatrous practices of the people around them, people who sacrificed their children to Molech, or who masturbated into the fire to offer their semen to Molech, for example. Chapter 20 starts off with the same warning.

Leviticus 20:2 Again, thou shalt say to the children of Israel, Whosoever he be of the children of Israel, or of the strangers that sojourn in Israel, that giveth any of his seed unto Molech; he shall surely be put to death: the people of the land shall stone him with stones.
1Kings 11:7 Then did Solomon build an high place for Chemosh, the abomination of Moab, in the hill that is before Jerusalem, and for Molech, the abomination of the children of Ammon.

"To 'evah" also means "something which is ritually unclean."

But also, concerning music, some have fabled that Apollo [Abaddon, Apollyon]  was the inventor, and others say that Orpheus discovered the art of music from the sweet voices of the birds. Their story is shown to be empty and vain, for these inventors lived many years after the flood. And what relates to Noah, who is called by some Deucalion, has been explained by us in the book before mentioned, and which, if you wish it, you are at liberty to read.

Jesus as Holy Spirit let Paul see and hear him to qualify him for speaking the Words of God in Christ.  Those who despise the Word will always be the MANY in Paul's letters saying long prayers (hymns) to eat up the living of the poor and widows.

Second, even simple simons would want to define words and grasp that Paul is hiding some deep truth in PLAIN VIEW according to Peter.

Third, the object was to obey the Words of God and not the Words of the hypocritic class: rhetoricians, singers and instrument players the latter musicians almost always being women or excluded effeminate males.

2Corinthians 11:3 But I fear, lest by any means, as the serpent beguiled [wholly seduced] Eve
        through his subtilty,
        so your minds should be corrupted from the simplicity that is in Christ.

Exa^pa^taō , deceive or beguile, deceive thoroughly, seduce a woman, Hdt.2.114:

sumbol-aion  A MARK III. intercourse, “andros pros gunaika” Plu.Alex.30, cf. Ant.25.

Euazō , euazō , A. cry euai, in honour of Bacchus, S.Ant.1134 (lyr.), E.Ba. 1034 (lyr.); “Dionusō” AP9.363.11 (Mel.), cf. D.S.4.3, Callistr.Stat.2: c. acc. cogn., “melōdon eu. khoron” Sopat.10:—Med., “Bakkhion -omena” E. Ba.68

Euriipides Bacchae
[64] From Asia o'er the holy ridge of Tmolus hasten to a pleasant task, a toil that brings no weariness, for Bromius' sake, in honour of the Bacchic god. Who loiters in the road? who lingers 'neath the roof? Avaunt!

I say, and let every lip be hushed in solemn silence;
for I will raise a hymn to Dionysus [Lit. shouting the ritual cry euoi.]
as custom aye ordains.

[73] O happy he! who to his joy is initiated in heavenly mysteries and leads a holy life, joining heart and soul in Bacchic revelry upon the hills,

purified from every sin; observing the rites of Cybele, the mighty mother, and brandishing the thyrsus, with ivy-wreathed head, he worshis Dionysus.
Go, Bacchae, go, Bacchae, escorting the god Bromius, child of a god, [85] from the Phrygian mountains to the broad streets of Hellas—Bromius,

The Mysteries Judaism Dunlap Latin Havam Arise, see, the Splen- dor (light) of the Newest MAN 1 (i. e. of Fetahil) has failed, the decrease of this Splendor is visible. Rise up, lie with thy MOTHER, and free thee from limits by which thou art held, and those more ample than the whole world. Which having been heard, that Wicked One, 2 his bones jumping, lay with the i " The Son of the MAN." Novissimus = Newest, Latest.

2 Compare the Vallis Eegia, xxxii. 11 ; xlii. 2, where the Serpent lay with Chava.
— Kabbal. Den., II. 306. Chava is Heuah (Eua, Eve.) 52 sod, SPIRITUS.

Understanding that at Mount Sinai because of instrumental idolatry God turned Israel over to worship the starry host: whatever they called their gods under the Monarchy it was a SUN god always worshipped on the SEVENTH day

The God Ell was the primal God of the Semite race known to the Hebrews as Hael (Hel), the Greek Aelios and Helios. The Cretan God Abel (Abelios) is in Babylon Bel, the Bal, Abel, or Habol of the Jews, the Greek Apolldn, Cretan Apellon. The Tower of Bel at Babylon with its seven stages is duplicated in the Syrian and Hebrew-Gheber High Places and in the Pyramids of Egypt,—without however the seven stages of Bel's tower at Babylon; Bel's temples were on the High Places. ....Only that when the Priests of the Jewish Temple in the Second Century before our era compiled or wrote the Hebrew Old Testament they substituted the God of tire, life, and rain instead of Bal (Baal), abused the Chaldaean stargazers (2 Kings, xxiii.), and left out as much of the-religion of Babylon as they possibly could. For Bel and Astarta, As and Aisah, or Osiris and Esi (Isis), they wrote Adam and Eua (Heuah), because they did not choose to surrender the doc. GHEBEBS OF HEBBO, SAMUEL FALES DUNLAP 

     so your minds should be corrupted from the simplicity that is in Christ.

-Panourg-êma  A. knavish trick, villainy, S.El.1387 (lyr.), LXX Si.1.6 (v.l.); sophistry, Gal.5.251; cf. panourgeuma.

Cunning craftiness has the same meaning as SOPHOS:
-Sophia A. cleverness or skill in handicraft and art, as in carpentry, tektonos, hos rha te pasēs eu eidē s. Il.15.412; of the Telchines, Pi.O.7.53; hē entekhnos s., of Hephaestus and Athena, Pl.Prt.32 1d; of Daedalus and Palamedes, X.Mem.4.2.33, cf. 1.4.2; in music and singing, tekhnē kai s. h.Merc.483, cf. 511; in poetry, Sol.13.52, Pi.O.1.117

1Cor. 3:18 Let no man deceive himself. If any man among you
        seemeth to be wise [sophos] in this world,
        let him become a fool, that he may be wise.
1Cor. 3:19 For the wisdom of this world is foolishness with God.
        For it is written,
        He taketh the wise  sophia
        in their own craftiness. pa^nourg-ia
1Cor. 3:20 And again,
        The Lord knoweth the thoughts of the wise, sophōn
        that they are vain. matai-os 

Eph 4:14 That we henceforth be no more children, tossed to and fro, 
        and carried about with every wind of doctrine,
        by the sleight of men, and cunning craftiness whereby they lie in wait to deceive;

Feminists Theology insists on imposing female ROLES for which there is no DOLE and no Biblical function. Sophia is opposite of the WORD and intends to lead people astray. THE MEANING OF THE BEAST.

Sophia Zoe The Origin - she who is with Sabaoth - had anticipated them. And she laughed at their decision. For they are blind: against their own interests they ignorantly created him. And they do not realize what they are about to do.
          The reason she anticipated them and made her own man first,
          was in order that he might instruct their modeled form how to despise them, and thus to escape from them.

Now the production of the instructor came about as follows.
          When Sophia let fall a droplet of light, it flowed onto the water,
        and immediately a human being appeared, being androgynous.

That droplet she molded first as a female body. Afterwards, using the body she molded it in the likeness of the mother, which had appeared. And he finished it in twelve months.

An androgynous human being was produced, whom the Greeks call Hermaphrodites; and whose mother the Hebrews call

Eve of Life (Eve-Zoe), namely, the female instructor of life. Her offspring is the creature that is lord.
Afterwards, the authorities called it "Beast", so that it might lead astray their modeled creatures.
The interpretation of "the beast" is "the instructor". For it was found to be the wisest of all beings.

FOURTH: THAT'S WHY  THE BIBLICAL COMMAND IS ABSOLUTE FOR BELIEVERS

1Timothy 2:11 Let the woman learn in silence with all subjection.
1Timothy 2:12 But I suffer not a woman to teach,
        nor to usurp authority over the man, but to be in silence.
1Timothy 2:13 For Adam was first formed, then Eve.
1Timothy 2:14 And Adam was not deceived,
        but the woman being deceived was in the transgression.

Sē-dūco ,
Exodus 22:16 And if a man entice a maid that is not betrothed, and lie with her, he shall surely endow her to be his wife.

Praevārĭcātĭo a stepping out of the line of duty, a violation of duty; esp. of an advocate who has a secret understanding with the opposite party, the making of a sham accusation or defence, collusion, prevarication

The daughters of Eve--feminists and the effeminate-seek to betray their friends to LOOSEN them from any laws or commandments. absolvam, In-culco , ram down: B. To force upon, to impress on or inculcate in
mixed or foisted in: “inania verba,” Cic. Or. 69, 250: arkhetupon crebris locis inculcatum et refectum, emphasized by additions,

Rick Atchley and Chris Seidman working with the NACC defines the PATTERN

The generation of Boomers has enough denominational loyalty that they’re going to find the least legalistic

Well, we discipled the children of those progressive churches
        for a whole generation to grow past us Boomers.
        They never heard the sermons we heard.
        They never heard the rationale for a cappella music.

We sent them to youth rallies and Church of Christ events
        with some of the finest Christian bands in the world.
        We discipled our children to leave our Movement!

Isaiah 5 warns that the wine, women and instruments at their religious festivals invited God to break down the fenses and let the BEAST people in.

Aristotle: Melody Deceives: "Poets also make use of this in inventing words, as a melody "without strings" or "without the lyre"; for they employ epithets from negations, a course which is approved in proportional metaphors..

The form of diction should be neither metrical nor without rhythm.

 If it is metrical, it lacks persuasiveness, for it appears artificial, and at the same time it distracts the hearer's attention, since it sets him on the watch for the recurrence of such and such a cadence..

According to Philo, the gods of the pagans exploit this weakness of men. For the sake of a better effect, and with the intention of more easily cheating their devotes, that they have set their lies to melodies, rhythms and meters.." Click for more.

FIFTH that the women not get involved with the AUTHENTIA authority which is imposed by female "musical worship teams" knowing that they will seduce in more SEEKERS: a favorite word of Hitler.

1Timothy 2:15 Notwithstanding she shall be saved [SAFE] in childbearing,
        if they continue in faith and charity and holiness with sobriety. 

Strabo comments:

For instance, the Bendideian rites are mentioned by Plato, and the Phrygian by Demosthenes,
          when he casts the reproach upon Aeschines' mother and Aeschines himself
          that he was with her when she conducted initiations,
          that he joined her in leading the Dionysiac march,
          and that many a time he cried out "evoe saboe," and "hyes attes, attes hyes";
          for these words are in the ritual of Sabazius (Dionysus) and the Mother.

[10.3.19] Further, one might also find, in addition to these facts concerning these genii (spirits or demons) and their various names, that they were called,
          not only ministers of gods,
          but also gods themselves.

For instance, Hesiod says that five daughters were born to Hecaterus and the daughter of Phoroneus, from whom sprang the mountain-ranging nymphs, goddesses,
          and the breed of Satyrs (Effeminate musical clergy),
          creatures worthless and unfit for work,
          and also the Curetes, sportive gods, dancers.

And the author of Phoronis speaks of the
          Curetes as "flute-players" and "Phrygians"; and
          others as "earth-born" and "wearing brazen shields."

In the Babylonian epics, Inana fills this role:

321-326 Your lady Inana, the ......,

the singular woman, the dragon who speaks hostile words to
who shines in brightness, who goes against the rebel land,

through whom the firmament is made beautiful in the evening, the great daughter of Suen, holy Inana, has erected a house in your precinct, O house Zabalam, and taken her seat upon your dais.

328-345 O house inspiring terror like a great lion, making as clear as day the decisions for those on the high plain, house of Ickur, at your front is abundance, at your rear is celebration.

Your foundation is a horned bull, a lion. Holy staff, teat of heaven with rain for fine barley, the pilasters of your house are a wild bull with lowered horns, your ......,

foundation and wall rising of their own accord, ......, thick cloud, ...... snake, ...... moonlight, ...... Ickur, a sweeping flood, ...... a storm and seven raging winds, ......, blowing raging winds, ...... running from the ......, splits the ...... hillside, diorite, stones and .......

The Parable of the Serpent;

1Samuel 11:2 And Nahash the Ammonite answered them,
        On this condition will I make a covenant with you,
        that I may thrust out all your right eyes,
        and lay it for a reproach upon all Israel.
1Samuel 11:3 And the elders of Jabesh said unto him,
        Give us seven days’ respite, that we may send messengers unto all the coasts of Israel:
        and then, if there be no man to save us, we will come out to thee.

They worshipped the STARRY HOST because of musical idolatry at Mount Sinai

2Chronicles 33:5 And he built altars for all the host of heaven [COSMIC WORSHIP]
        in the two courts of the house of the LORD.
2Chronicles 33:6 And he caused his children to pass through the fire in the valley of the son of Hinnom: also he observed times, and used enchantments, and used witchcraft, and dealt with a familiar spirit, and with wizards: he wrought much evil in the sight of the LORD, to provoke him to anger.

[6] transireque fecit filios suos per ignem in valle Benennon observabat somnia sectabatur auguria maleficis artibus inserviebat habebat secum magos et incantatores multaque mala operatus est coram Domino ut inritaret eum

ignis , Charis A. (Mostly poet.) The fire or glow of passion, in a good or bad sense; of anger, rage, fury: “exarsere ignes animo,” Verg. A. 2, 575: “saevos irarum concipit ignes,” Val. Fl. 1, 748
“quae simul aethereos animo conceperat ignes, ore dabat pleno carmina vera dei,”  “(Dido) caeco carpitur igni,” the secret fire of love, Verg. A. 4, 2 

ars , artis, f. v. arma,
(a). Rhetorical : “quam multa non solum praecepta in artibus, sed etiam exempla in orationibus bene dicendi reliquerunt!” Cic. Fin. 4, 3, 5: “ipsae rhetorum artes, quae sunt totae forenses atque populares,” id. ib. 3, 1, 4: neque eo dico, quod ejus (Hermagorae) ars mihi mendosissime scripta videatur; nam satis in eā videtur ex antiquis artibus (from the ancient works on rhetoric) ingeniose et diligenter electas res collocāsse, id. Inv. 1, 6 fin.: “illi verbis et artibus aluerunt naturae principia, hi autem institutis et legibus,” id. Rep. 3, 4, 7: “artem scindens Theodori,” Juv. 7, 177.—

carmen  1. In gen., a tune, song, air, lay, strain, note, sound, both vocal and instrumental sc. Apollinem [Apollo, Abaddon] concordant carmina nervis, “barbaricum,

Augŭrātrix , īcis, f. id.,I. a female soothsayer or diviner (post-class.), Vulg. Isa. 57, 3 (as transl. of the Heb. ; but in Paul. ex Fest. p. 117, the correct reading is argutatrix; v. Müll. ad h. l.).

Isa 57:3 But draw near hither, ye sons of the sorceress, the seed of the adulterer and the whore.
2K.21:6 And he made his son pass through the fire, and observed times, and used enchantments, and dealt with familiar spirits and wizards: he wrought much wickedness in the sight of the Lord, to provoke him to anger.

Canto carmen ,I. In gen., a tune, song, air, lay, strain, note, sound, both vocal and instrumenta, carmen tuba,  citharāqueWith allusion to playing on the cithara:

Incantātĭo , a means of BINDING

I. an enchanting, enchantment (post-class.): “magicae, Firm. Math. 5, 5: incantationum
in-canto , I. To sing in, with dat.: “passer incantans saepiculae (i. e. in saepicula),
A. To say over, mutter, or chant a magic formula against some one
Mostly women: “incantata mulier,” id. ib.: “pileum vetitis artibus,”

No ancient was so ignorant that they did not understand when a man came speaking to them with singing and instruments: Plato says they should be "tarred and feathered and driven across state line."

Aristotle: Melody Deceives: "Poets also make use of this in inventing words, as a melody "without strings" or "without the lyre"; for they employ epithets from negations, a course which is approved in proportional metaphors..

The form of diction should be neither metrical nor without rhythm.

 If it is metrical, it lacks persuasiveness, for it appears artificial, and at the same time it distracts the hearer's attention, since it sets him on the watch for the recurrence of such and such a cadence..

According to Philo, the gods of the pagans exploit this weakness of men. For the sake of a better effect, and with the intention of more easily cheating their devotes, that they have set their lies to melodies, rhythms and meters.." Click for more.

Serpo ,
I.  Lit. (only of animals; while repo is also used of persons who creep or go slowly; “
“serpentes quasdam (bestias), quasdam esse gradientes,” id. Tusc. 5, 13, 38: “(anguis) per humum,” Ov. M. 15, 689: “vipera imā humo,
“exsistit sacer ignis et urit corpore serpens,” slowly spreading, Lucr. 6, 660; so, “flamma per continua,” Liv. 30, 6: “aestus aetheris,” Lucr. 5, 523; 6, 1120
Of disease, etc.: “si ulcus latius atque altius serpit,” gradually spreads,
II. Trop., to creep, crawl; to extend gradually or imperceptibly; to spread abroad, increase, prevail
“serpere occulte coepisti nihil dum aliis suspicantibus,” id. de Or. 2, 50, 203:
—Of a low, grovelling poetic style: “(poëta)

CLICK TO SEE THE BEASTIA BELOW

grădĭor
I. To take steps, to step, walk, go

vīpĕra  B. Viper! serpent! as a term of reproach for a dangerous person: “saevissima,” Juv. 6, 641:
tandem, vipera, sibilare

Cic. Har. 24.50 Is it possible that any virtuous men could have cherished in their bosom and have taken pleasure in, that poisonous and deadly viper? By what bribe were they cajoled? I wish, say they, that there should be some one in the assembly to disparage Pompeius. Can he disparage him by his abuse?
saevus , “tyrannus, Tib. 1, 1, 18: “catenae,” Hor. C. 3, 11, 45: tympana, sounding harshly or terribly,

sībĭlo
to hiss, i. e. to hiss at, hiss down a person, “at mihi plaudo Ipse domi,” Hor. S. 1, 1, 66.
“tandem, vipera, sibilare desiste,” Flor. 4, 12, 37; cf. Don. Ter. Eun. 5, 1, 8.

Mūsa , ae, f., = Mousa, I. [select] a muse, one of the goddesses of poetry, music, and the other liberal arts.
A. [select] A song, a poem: “musa procax,” Hor. C. 2, 1, 37:
Mousa , “kanakhan  liberal arts, accomplishments,
2. hautē hē Sōkratous m. that was Socrates's way,
II. mousa, as Appellat., music, song, “m. stugera” [women only]

Aesch. Supp. 695 Chorus
May Zeus cause the earth to bring forth its tribute of fruit [690] by the produce of every season; may their grazing cattle in the fields have abundant increase, and may they obtain all things from the heavenly powers. [695] May minstrels sing hymns of praise at the altars; and from pure lips let there proceed the phorminx-loving chant. [harp of Apollo, Abaddon, Apollyon]

Matthew 23:29 Woe unto you, scribes and Pharisees, hypocrites!
        because ye build the tombs of the prophets,
        and garnish the sepulchres of the righteous,

The Spirit OF Christ warned about the Lying Pen of the Scribes as they spoke about the temple because in Isaiah 1 and Jeremiah 7 (etal) He says that God did not command the Civil-Military-Clergy complex whom He calls robbers and parasites.

Matthew 23:33 Ye serpents [serpo], ye generation of vipers [vīpĕra], how can ye escape the damnation of hell?

Matthew 23:34 Wherefore, behold, I send unto you prophets, and wise men, and scribes: and some of them ye shall kill and crucify; and some of them shall ye scourge in your synagogues, and persecute them from city to city:

Christ's ROPHECY OF THE BEAST

Jeremiah 15:2 And it shall come to pass,
        if they say unto thee, Whither shall we go forth?
        then thou shalt tell them, Thus saith the LORD;
        Such as are for death, to death;
        and such as are for the sword, to the sword;
        and such as are for the famine, to the famine;
        and such as are for the captivity, to the captivity.

Jeremiah 15:3 And I will appoint over them four kinds, saith the LORD:
        the sword to slay,
        and the dogs to tear,
        and the fowls of the heaven,
        and the beasts of the earth,
        to devour and destroy.

THE BEAST
-Besta 2.As a term of reproach (cf. belua and our beast): “mala tu es bestia,” Plaut. Bacch. 1, 1, 21; -Pl. Poen. 5.5.—And, humorously, of the odor of the armpits (cf. ala and caper. cappella), Cat. 69, 8.— II. Transf., as a constellation, the wotf, Vitr. 9, 4 (7)
cănis (cănes , Plaut. Men. 5, 1, 18; id. Trin. 1, 2, 133;
B. “bestiarum vocabulum proprie convenit leonibus, pardis et lupis, tigribus et vulpibus,
a. A shameless, vile person, Plaut. Most. 1, 1, 40; Ter. Eun. 4, 7, 33
2. As the regular designation of the hangers-on or parasites of an eminent or rich Roman; a follower, dog, creature:
a. Tergeminus, i. e. Cerberus. Ov. A. A. 3, 322; id. Tr. 4, 7, 16; “called also viperius,” id. Am. 3, 12, 26: “Tartareus,” Sen. Herc. Fur. 649: “triformis,” id. Herc. Oet. 1202: Echidnaea. Ov. M. 7, 409; cf.: “infernae canes,” Hor. S. 1, 8, 35; Verg. A. 6, 257; Luc. 6, 733. ——

Trĭformis , e, adj. ter - forma,

I. having three forms, shapes, or natures; threefold, triple, triform (poet.): “Chimaera,” Hor. C. 1, 27, 23: “canis,” i. e. Cerberus, Sen. Herc. Oet. 1202: “Geryon,” id. Agam. 841: All pagan god heads were trinitarian.

diva, i. e. Diana, who was also Luna and Hecate, Hor. C. 3, 22, 4; called also triformis dea,

Ov. M. 7, 94: “mundus, because composed of air, earth, and water,” id. ib. 15, 859

Pl. Bac. 1.1 Note: Your Bacchanalian den: "Bacchanal" was properly the place where the Bacchanalia,  or orgies, were celebrated. He styles them "Bacchantes," and their house a "Bacchanal," in allusion both to their names and their habits

7 Mischievous serpent: "Mala tu's bestia." Literally, "you are an evil beast;" which sounds harsh to an English ear, even when applied to such an animal as Bacchis. Bacchanet minister of Bacchus.

Baccha  Mainas or Thuias,
I. a Bacchanet, a female attendant of Bacchus, who, in company with Silenus and the Satyrs, celebrated the festival of that deity with a raving madness carried even to insensibility, and with hair loose and flying wildly about, to initiate into the festivals of Bacchus, Mūsa , ae, f., = Mousa, II. mousa, as Appellat., music, song, “m. stugera” A.Eu.308 DAUGHTERS: Always Daughters

13 A soft cloak: It was the custom at entertainments for the revellers to exchange their ordinary clothes for fine vestments, elaborately embroidered.

But what went ye out for to see? A man clothed in soft raiment? behold, they that wear soft clothing are in kings houses. Mat 11:8
Matthew 11:16 But whereunto shall I liken this generation? It is like unto children sitting in the markets, and calling unto their fellows,
Matthew 11:17 And saying, We have piped unto you, and ye have not danced; we have mourned unto you, and ye have not lamented. 

Malakos g. of reasoning, weak, loose, logosIsoc.12.logoslian m. Arist.Metaph.1090b8 . Adv. -kôs, sullogizesthai to reason loosely
2. music to which a song is set, tune, logou te kai harmonias kai rhuthmoum
III. of persons or modes of life, soft, mild, gentle, malakōteros amphaphaasthai easier to handle, of a fallen hero, Il.22.373;
c. morally weak, lacking in self-control, Hdt.7.153 (Comp.); “antikeitai tō m. ho karterikos” Arist.EN1150a33: c. inf., “malakos karterein pros hēdonas te kai lupas” Pl.R.556c; “to truphōn kai m.” Ar.V.1455 (lyr.); not to give in from weakness or want of spirit,   indulgences

2 Peter 2:12 But these, as natural [instinctive] brute [Anti-Logical] brute beasts, [Zoon, Zao, Zoe]
          made to be taken and destroyed,
          speak evil of the things that they understand not;
            [through lack of knowledge]
          and shall utterly perish in their own corruption;
 2 Peter 2.13 receiving the wages of unrighteousness; people who count it pleasure to revel in the day-time, spots and blemishes, reveling in their deceit while they feast with you;

See 2 Peter2 Instrumental Music Marks Corruption

d. = pathētikos, PHib.1.54.11 (iii B.C.), 1 Ep.Cor.6.9, Vett.Val.113.22, D.L.7.173.

e. of music, soft, effeminate, “m. harmoniai” Pl.R.398e, 411a, cf. Arist.Pol.1290a28; tuned to a low pitch, opp. “suntonos, khrōma m.” Cleonid.Harm.7, etc.

-Pl. Poen. 5.5

ANTHEMONIDES
to himself . I'm delaying. Looking in his hand. I can now pretty nearly cater a breakfast for myself with this. Raising his eyes. But what's this? How's this? What's this? What's this I see? How now? What means this strange conjunction? What's this coupling together? Who's this fellow with the long skirts, just like a tavern-boy? Do I quite see with my eyes? Isn't this my mistress, Anterastylis? Why, surely it is she. For some time past I've perceived that I'm set at nought. Isn't the girl ashamed to be hugging a tawny fellow in the middle of the street? I faith, I shall give him up forthwith to the executioner to be tortured all over. Surely this is a womanish race⁵, with their tunics hanging down to their heels. But I'm determined to accost this African female lover. To HANNO. Hallo! you woman, I say, are you not ashamed? What business have you with her, pray? Tell me.

ANTHEMONIDES
Why didn't you use a drum while you were saying that? For I take you to be more of an effeminate wretch than a real man.

AGORASTOCLES
Do you understand what sort of effeminate wretch I am? Calling aloud. Servants, come out of doors, bring out some cudgels!

5 A womanish race: "Muliersous" generally means "fond of women." It clearly however, in this passage means "womanish," or "womanlike."

9 Use a drum: The priests of Cybele, who were either eunuchs, or persons of effeminate and worthless character, walked in their processions beating a "tympanum." a "drum" or "tambourine." The Captain, by his question, contemptuously implies that Agorastocles is such a character. See the Truer lentus, l. 608, and the Note.

cănis

“canem inritatam imitarier,” Plaut. Capt. 3, 1, 25:

Verg. A. 3.374
that shapeless Scylla in her vaulted cave,
where grim rocks echo her dark sea-dogs' roar.
Yea, more, if aught of prescience be bestowed
on Helenus, if trusted prophet he,
and Phoebus to his heart true voice have given,
o goddess-born, one counsel chief of all
I tell thee oft, and urge it o'er and o'er.
To Juno's godhead lift thy Ioudest prayer;
to Juno chant a fervent votive song,
and with obedient offering persuade
that potent Queen. So shalt thou, triumphing,
to Italy be sped, and leave behind
Trinacria.

rĕ-sŏno  to send forth a roaring noise,  B. [select] Trop., to resound, re-echo: “in vocibus nostrorum oratorum
“(sonus) in fidibus testudine resonatur aut cornu,” Cic. N. D. 2, 57, 144. — Poet., with acc. of a place, to make resound or re-echo: “ubi Solis filia lucos Assiduo resonat cantu,” Verg. A. 7, 

lŭpus  Plin. 8, 22, 34, § 80.—Prov.: lupus in fabulā or sermone, said of the appearance of a person when he is spoken of; as we say in English, talk of the devil, and he appears: “
Lupus observavit, dum dormitaret canes, of one who watches his opportunity to be unobserved, Plaut. Trin. 1, 2, 133.—

The Prototype of Babylon-Tyre Israel. Sodom not spiritual Israel.	Jesus referenced Isaiah and Ezekiel to define the national Worship of the Starry Host--Abaddon	The End-Time Fulfillment
For thus saith the Lord God; Behold, I will bring upon Tyrus Nebuchadrezzar king of Babylon, a king of kings, from the north, with horses, and with chariots, and with horsemen, and companies, and much people. Ezek 26:7 They will plunder your wealth and     loot your merchandise;     they will break down your walls     and demolish your fine houses and throw your stones, TIMBER and rubble into the sea. Ezek 26:12	Also, thou son of man, the children of thy people still are talking against thee by the walls and in the doors of the houses, and speak one to another, every one to his brother, saying, Come, I pray you, and hear what is the word that cometh forth from the Lord. Eze 33:30	Rev 17:3 So he carried me away in the spirit into the wilderness: and I saw a woman sit upon a scarlet coloured BEAST, full of names of blasphemy, having seven heads and ten horns.    Rev 17:4 And the woman was arrayed in purple and scarlet colour, and decked with gold and precious stones and pearls, having a golden cup in her hand full of abominations and filthiness of her fornication:    Rev 17:5 And upon her forehead was a name written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.    Rev 17:6 And I saw the woman drunken with the blood of the saints, and with the blood of the martyrs of Jesus: and when I saw her, I wondered with great admiration.
I will put an end to your noisy songs, and the music [sound] of your harps will be heard no more. Ezek 26:13 The LXX is more forceful in showing that both the music and the musicians would be silenced--- "And he shall destroy the multitude of thy musicians, and the sound of thy psalteries shall be heard no more." Ezek. 26:13 L	My people come to you, as they usually do, and sit before you to listen to your words,    but they do not put them into practice. With their mouths they express devotion (Lord, Lord as amorousness - inordinate love),      but their hearts are greedy for unjust gain (commerce or trade or attendance). Eze 33:3  Ezekiel 33:32 And, lo, thou art unto them as a very lovely song of one that hath a pleasant voice, and can play well on an instrument:   for they hear thy words,      but they do them not.	Rev 18:1 And after these things I saw another angel come down from heaven, having great power; and the earth was lightened with his glory. 2 And he cried mightily with a strong voice, saying, Babylon the great is fallen, is fallen, and is become the habitation of devils, and the hold of every foul spirit, and a cage of every unclean and hateful bird.  And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; Rev 18:22
I will make thee a terror, and thou shalt be no more: though thou be sought for, yet shalt thou never be found again, saith the Lord God. Ezek 26:2	When all this comes true-- and it surely will-- then they will know that a prophet has been among them." Eze 33:33	Revelation 19:19 And I saw the beast, and the kings of the earth, and their armies, gathered together to make war against him that sat on the horse, and against his army.    Revelation 19:20 And the beast was taken, and with him the false prophet that wrought miracles before him, with which he deceived them that had received the mark of the beast, and them that worshipped his image. These both were cast alive into a lake of fire burning with brimstone

2 PETER 2

THE BEAST THE MOTHER OF HALOTS RIDES TO USE SORCERY TO TAKE AWAY YOUR INHERITANCE

da^pa^n-aō  2. consume, use up, “hē phusis d. ton thoron” Arist.GA757a25; “khronon eis
of persons, to be destroyed, “hupo thēriōn” Ph.2.43; kathaper hupo puros ib.433; “pros thēriōn” App. BC5.79; “en tartarois kai barathrois
puri kai phonō kai sidērō panta dapanēsasthai   “en tartarois kai barathrois dapanōmenous”

WASTE THE PUBLIC'S MONEY

thērion , III. as a term of reproach, beast.
“kolaki, deinō thēriō” Pl.Phdr.240b;
“hē mousikē aei ti kainon thērion tiktei”

Meaning: A new style of music or drama!

Tarta^r-os , the nether world generally,

And altogether the ancient philosoj)hy of the Greeks appears to have been very much addicted to music; and on this account they judged Apollo to have been the most musical and the wisest of the gods, and Orpheus of the demigods. And they called every one who devoted himself to the study of this art a sophist, as
Aeschylus does in the verse where he says — And then the sophist sweetly struck the lyre.

Musae (Mousai). In Greek mythology the Muses were originally the nymphs of springs, whose waters gave inspiration, such as Hippocrené, Castalia, etc.; then goddesses of song in genera. They are all female and are considered goddesses dwelling in Olympus, who at the meals of the gods sing sweetly to the lyre of Apollo. They are the nine daughters of Zeus. 

Sophis-tês , ou, ho, master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, meletan sophistais prosbalon Pi.I.5(4).28 , cf. Cratin.2; of musicians, sophistês . . parapaiôn chelun A.Fr.314 , cf. Eup.447, Pl.Com. 140; sophistêi Thrêiki (sc. Thamyris) E.Rh.924, cf. Ath.14.632c: with mod

II. from late v B.C., a Sophist, i.e. one who gave lessons in grammar, rhetoric, politics, mathematics, for money, such as Prodicus, Gorgias, Protagoras, a quibbler, cheat,  a RHETORICIAN as the primary meaning of a HYPOCRITE.

hoi s. tōn hierōn melōn” A sophist, serpent, makes MUSICAL MELODY with a congregation AS a harp and cannot grasp that IN THE HEART is a place.

2 Peter 2:12 But these, as natural brute beasts, [Zoon, Zao, Zoe]
          made to be taken and destroyed,
          speak evil of the things that they understand not;
          and shall utterly perish in their own corruption;

Natural: G5446 phusikos foo-see-kos' From G5449 [natural descent] ; “physical”, that is, (by implication) instinctive:--natural. Compare G5591
Bruit: G249 alogos [Anti-Logical] al'-og-os From G1 (as a negative particle) and G3056 ; irrational:--brute, unreasonable.
Beasts: G2226 zōon dzo'-on Neuter of a derivative of G2198 [Zao, Zoe] ; a live thing, that is, an animal:--beast.

căprīle , is, n. caper, like equile, ovile, bubile, etc., I. an enclosure or stall for goats, Varr. R. R. 2, 3, 8; Col. 7, 6, 6; Plin. 28, 10, 42, § 153; Vitr. 6, 9.—Adj.: căprīlis , e, of or pertaining to the goat: “semen, i. e. capellae,

2 Peter 2:13 And shall receive the reward of unrighteousness,
          as they that count it pleasure to riot in the day time.
          Spots they are and blemishes, sporting themselves
          with their own deceivings [delusions] while they feast with you;

          All musicians and rhetoricians are equated to parasites.

Entrupo (g1792) en-troo-fah'-o; from 1722 and 5171; to revel in: - sporting selves.
gamêliôi lechei [marriage couch-bed] hêdonais, playing in the wind, exult over, treat haughtily or contemptuously, made a mock of, tinos sumphorais, III. use or abuse at pleasure
Entru^ph-aō , 

Paison paizô [pais]
4. to play (on an instrument), Hhymn. II. to sport, play, jest, joke, Hdt., Xen., etc.; p. pros tina to make sport of one, mock him,

REVELATION CHAPTER 4

Revelation 4:6 And before the throne there was a sea of glass like unto crystal:
        and in the midst of the throne, and round about the throne,
        were four beasts full of eyes before and behind.

Anĭmālis , B. In the lang. of sacrifice: “hostia animalis,” an offering of which only the life is consecrated to the gods, but the flesh is destined for the priests and others, Macr. S. 3, 5; Serv. ad Verg. A. 3, 231; 4, 56.—Dii animales, gods who were formerly men, Opposite. spiritualiter

zōē   living, i.e. one's substance, property, to get one's living by [parasites]
II.  zōē,= “graus” 11, the scum on milk, Eust.906.52; zoē: to epanō tou melitos

Esthiō —Pass., esthietai moi oikos my house is eaten up, I am eaten out of house and home, 4.318
Pass., esthietai moi oikos my house is eaten up, I am eaten out of house and home, 4.318 ;
4. take in one's mouth, “glōttan aulou” Philostr.Im.1.20.

Mark 12:38 And he said unto them in his doctrine,
        Beware of the scribes, which love to go in long clothing,
        and love salutations in the marketplaces,
Mark 12:39 And the chief seats in the synagogues, and the uppermost rooms at feasts:
Mark 12:40 Which devour widows’ houses,
        and for a pretence make long prayers [hymns]: these shall receive greater damnation.

Religious Musicians are defined by the words Beastia or Theiron.  Sacrificial instrument players used as modern patters were soothsayers and were called parasites.

All musical terms and names of instrument relate to enchantment, soothsaying (Miriam, the Levites) or Sorcery (The effeminate ministers of the Babylonian mother of harlots in Revelation) John identified as speakers, singers, instrument players, all religious craftsmen and GRINDERS: the sound of the millstone located the local prostitute.

The MARK or BITE of the Beasts or musical sorcerers which connects musical sounds to the Spirit of God is a terminal addiction which cannot be repented of: you become hard wired and addicted to something more powerful than Cocaine.

Adam Smikth in 1778 wrote: The institutions for the instruction of people of all ages are chiefly those for religious instruction. This is a species of instruction of which the object is not so much to render the people good citizens in this world, as to prepare them for another and a better world in a life to come. The teachers of the doctrine which contains this instruction, in the same manner as other teachers, may either depend altogether for their subsistence upon the voluntary contributions of their hearers, or they may derive it from some other fund to which the law of their country may entitle them; such as a landed estate, a tithe or land tax, an established salary or stipend.

Their exertion, their zeal and industry, are likely to be much greater in the former situation than in the latter. In this respect the teachers of new religions have always had a considerable advantage in attacking those ancient and established systems of which the clergy, reposing themselves upon their benefices, had neglected to keep up the fervour of faith and devotion in the great body of the people, and having given themselves up to indolence, were become altogether incapable of making any vigorous exertion in defence even of their own establishment.

Such a clergy, when attacked by a set of popular and bold, though perhaps stupid and ignorant enthusiasts, feel themselves as perfectly defenceless as the indolent, effeminate, and full-fed nations of the southern parts of Asia when they were invaded by the active, hardy, and hungry Tartars of the North... 

Upon such occasions the advantage in point of learning and good writing may sometimes be on the side of the established church.

But the arts of popularity, all the arts of gaining proselytes, are constantly on the side of its adversaries.

The mendicant orders derive their whole subsistence from such oblations. It is with them as with the hussars and light infantry of some armies;

no plunder, no pay.

To Ask "Instrumental Music in Worship?" proves that most do not know the meaning of  Church or Worship. Many (most) are called but few (nil) are chosen. That is because the call or invitation is to be extended by evangelists going into all the world and preaching the gospel. 

Markus, Reciting the Book: These effects have implications for understanding who controls the production and dissemination of a prestigious high genre like epic (the politics of literary production) and what role the public, non-dramatic, authorial reading aloud of epic plays in the construction of gender and social status.

"Although the sermon was not an essential part of the synagogue service, the translation and explanation of the Scripture lesson was a step in the direction of a preaching service. There is evidence that an exposition of the lesson formed a part of the Sabbath afternoon service. In earliest times the sermon seems to have been connected with the reading from the Prophets. Anyone able to instruct might be asked to preach (Acts 13:15). The preacher spoke from a sitting position on an elevated place (Luke 4:20). (feiffer, Charles F., Between the Testaments, p. 63 Baker Book House).

"The word that is employed for this "anaginosko, anagnosis) is the technical term for the cultic reading aloud of the Old Testament in the synagogue. By applying this terminology to the reading of his own epistles he not only ascribes the same authority to the apostolic word as to the Old Testament writings...he also combines a quotation from the Old Testament with a word of Jesus and introduces the whole with the familiar formula: 'for the Scripture says.'" (Ridderbos, Hermon, Paul, P. 483 an Outline of His Theo., Eerdmans)

They were taught the doctrines concerning God, creation, providence, sacred history, the fall, the incarnation, the resurrection, and future rewards and punishments. Their books were portions of the Bible.

In that regard, epic's position is parallel to that of rhetoric. Beginning with Aristotle's Rhetorica (1404a), critics of rhetorical performance have ascribed to lively delivery the same effect as that of acting. There is a persistent association between theatrics, bad rhetoric and effeminacy.

Rhetoric was forever at pains to disentangle itself from unwanted associations with female deception and histrionic art,

because it was viewed as the art of socially weak women and slaves,
and rhetoricians of all ages have assiduously fought against any trace of bodily and vocal practice associated with these groups. Such gendering of aesthetic categories prevails not only in antiquity but appears also in Kant's distinction between the passive feminine beautiful and the active masculine sublime and in Rousseau's association of art and the theater with the feminine. I have in mind Kant's "The Beautiful and the Sublime" and "The Fair Sex" and Jean-Jacques Rousseau's "On Theater and Morals," in Kramnick (1995) 339;36.

Nevertheless, I think that I need to be more explicit in stating that the music which I prescribe is not the modern music which has been emasculated by the lascivious melodies of the effeminate stage and has to no small extent destroyed the amount of manly vigor that we still possessed.

I refer rather to the music of old with which people used to sing the praises of brave men and which the brave themselves used to sing.

Christ in Isaiah 3 warned about the rise of WOMEN and BOYS or the EFFEMINATE taking control away from the Father God and worshipping the feminist or now Lesbian goddess.

ON THE ORIGIN OF THE WORLD

Now the production of the instructor came about as follows.When Sophia let fall a droplet of light, it flowed onto the water, and immediately a human being appeared, being androgynous.

That droplet she molded first as a female body.
Afterwards, using the body she molded it in the likeness of the mother, which had appeared. And he finished it in twelve months.  An androgynous human being was produced, whom the Greeks call Hermaphrodites; and whose mother the Hebrews call

Eve of Life (Eve-Zoe), namely, the female instructor of life. Her offspring is the creature that is lord.

Afterwards, the authorities called it "Beast", so that it might lead astray their modeled creatures.
The interpretation of "the beast" is "the instructor". For it was found to be the wisest of all beings.

The gospel or good news is that Jesus died to terminate the laded burden and the burden laders: He called the Scribes and Pharisees, hypocrite. The reference to "mouth religion" was laid out in great detail by the Spirit OF Christ in the prophets: in the Ezekiel 33 version the hypocrites were entertaining preachers for profit, talented singers and skillful instrument players. They are NOTHING MORE than entertainers because the preacher nor the audience has any intention of obeying anything that comes to Ezekiel by the Spirit OF Christ.

John Calvin called for the Restoration of the Church of Christ by removing anything but the Word which he said carried the Spirit.  Calvin did not REMOVE instruments from worship because they had not be used in the official parts of the Catholic mass.  In fact, there was nothing that could be sung tunefully or accompanied when people were honorable enough to speak that which was written for out learning.

The Campbells brought the Restoration Principle to America: In the Christian Baptists 1824

Thomas Campbell in blue: "who, at the same time are ignorant of, and even averse to, the religion it inculcates; and whilst others profess to embrace it as a system of religion,

without imbibing the spirit, realizing the truth, and experiencing the power of its religious institutions; but merely superstruct to themselves, rest in, and are satisfied with, a form (acts) of godliness; and that, very often, a deficient, imperfect form, or such as their own imagination has devised;

"let us, with an open bible before us, distinguish and contemplate that religion which it enjoins and exhibits--I mean the religion of christianity, for it also exhibits the religion of Judaism;
...    but with this, in the mean time,
...    we christians have nothing directly to do--
...    we derive our religion immediately from the New Testament. TC

See Why Thomas Paine was a Deist.

But the men most and best informed upon the subject of theology rest themselves upon this universal article, and hold all the various superstructures erected thereon to be at least doubtful, if not altogether artificial.
The intellectual part of religion is a private affair between every man and his Maker, and in which no third party has any right to interfere.
 
The practical part consists in our doing good to each other.
  But since religion has been made into a trade, [NOTE: French: "since the most scandalous hypocrisy has made of Religion a profession and the basest trade." -- Editor.

the practical part has been made to consist of ceremonies performed by men called priests;
and the people have been amused with ceremonial shows, processions, and bells.
 
By devices of this kind true religion has been banished; and such means have been found out to extract money even from the pockets of the poor, instead of contributing to their relief. 

[NOTE: French adds: "du superflu de la richesse." (from their superfluous wealth). -- Editor.]

No man ought to make a living by Religion. It is dishonest so to do.

However, Christianity  is A School of Christ in the Prophets and Apostles. Anyone who adds buffoonery, self-speak (anti logos), musical instruments (machines for doing hard work, making war or creating the mental derangement of religious ceremonialism, is defined as IMPURE religion and is not the Qahal, Synagogue, Ekklesia or Church of Christ (the Rock) defined inclusively and exclusively as A School of the Word QUARANTINED from the pagan, sacrificial religion to which God abandoned Israel BECAUSE of instrumental idolatry at Mount Sinai.

While the Clergy SUPERSTRUCT and make war over what they call A Worship Service service with or without machines, the MARK OF THE BEAST- ancient and modern worship of the Babylonian Mother of harlots is defined for the FEW who are chosen to sit down, shut up and listen to the Word of God.

MARK: she uses lusted after FRUITS as Self-Speakers, singers and ALL of the players of musical instruments.
MARK: this is proof that Jesus has been there and will not pass by there again.

SEE AMOS 8 PROPHESYING THE MARK OF THE BEAST

Amos 8:2  And he said, Amos, what seest thou? And I said, A basket of summer fruit. Then said the LORD unto me, The end is come upon my people of Israel; I will not again pass by them any more.

Aristophanes Archarnians
DICAEOPOLIS
Peace, profane men! Let the basket-bearer come forward, and thou Xanthias, hold the phallus well upright.

1. The maiden who carried the basket filled with fruits at the Dionysia in honour of Bacchus.
   kanēphoros: [pherô] carrying a basket:-- Kanêphoroi, hai, Basket-bearers, at Athens, maidens who carried on their heads baskets containing the sacred things used at the feasts of Demeter, Bacchus and Athena, Ar. title of priestess, “k. theas Artemidos”
2. The emblem of the fecundity of nature; it consisted of a representation, generally grotesquely exaggerated, of the male genital organs; the phallophori crowned with violets and ivy and their faces shaded with green foliage, sang improvised airs, call `Phallics,' full of obscenity and suggestive `double entendres.'

DICAEOPOLIS   Xanthias, walk behind the basket-bearer and hold the phallus well erect; I will follow, singing the Phallic hymn; thou, wife, look on from the top of the terrace.Forward!

DICAEOPOLISOh, Phales, [god of generation, worshipped in the form of a phallus]  companion of the orgies of Bacchus, night reveller, god of adultery, friend of young men, these past six years I have not been able to invoke thee.

CHORUS Here is a man truly happy. See how everything succeeds to his wish. Peacefully seated in his market, he will earn his living; ....without being accosted on the public place by any importunate fellow,

neither by Cratinus, shaven in the fashion of the debauchees, nor by this musician, who plagues us with his silly improvisations, Artemo, with his arm-pits stinking as foul as a goat, like his father before him. You will not be the butt of the villainous Pauson's jeers, nor of Lysistratus, the disgrace of the Cholargian deme, who is the incarnation of all the vices, and endures cold and hunger more than thirty days in the month.

A BOEOTIAN By Heracles! my shoulder is quite black and blue. Ismenias, put the penny-royal down there very gently, and all of you, musicians from Thebes, pipe with your bone flutes

Amos 8:3 And the songs of the temple shall be howlings in that day, saith the Lord GOD: there shall be many dead bodies in every place; they shall cast them forth with silence.
Amos 8:4 Hear this, O ye that swallow up the needy, even to make the poor of the land to fail,

MARK: and TURNED OUT THE LAMPS (seven spirits of Christ all forms of divine knowledge)

Amos 8:11 Behold, the days come, saith the Lord GOD, that I will send a famine in the land,
        not a famine of bread, nor a thirst for water,
        but of hearing the words of the LORD:
Amos 8:12 And they shall wander from sea to sea, and from the north even to the east, t
        hey shall run to and fro to seek the word of the LORD, and shall not find it.
Amos 8:13 In that day shall the fair virgins and young men faint for thirst.
Amos 8:14 They that swear by the sin of Samaria, and say,
        Thy god, O Dan, liveth; and, The manner of Beersheba liveth;
        even they shall fall, and never rise up again.

PROPHECY OF THE BEAST BY CHRIST IN ISAIAH

Isaiah 3:4 And I will give children to be their princes, and babes shall rule over them.

Isaiah 3:4 et dabo pueros principes eorum et effeminati dominabuntur eis
        dominabuntur Ruler,  MARK Women or the Effeminate as  oratio,
        MARKWomen or effeminate who are consilium the person who forms the purpose, 
        MARKWomen or the effeminate who Teach Over  aedĭfĭco  in a religious sense, to build up, instruct, edify.

Isaiah 3:12 As for my people, children are their oppressors, and women rule over them.
        O my people, they that lead thee cause thee to err, and destroy the way of thy paths.

mŭlĭer as a term of reproach, a woman, i. e. a coward, poltroon: arbĭtror to make a decision, give judgment or sentence: OR mŭlĭĕro, to make womanish, render effeminate

Boys: -Effemino II.Trop., to make womanish, effeminate, to enervate, A.Womanish, effeminate,

II. Trop., to make womanish, effeminate, to enervate: “fortitudinis praecepta
“illa elocutio res ipsas effeminat,” Quint. 8 prooëm. § 20.—
A. Womanish, effeminate (cf.: “mollis, luxuriosus, dissolutus): ne quid effeminatum aut molle sit,” Cic. Off. 1, 35, 129; cf. id. Tusc. 4, 30: “intolerabile est servire impuro, impudico, effeminato,  “furialis illa vox, religiosis altaribus effeminata,” Cic. Planc. 35, 86 —B. In mal. part., that submits to unnatural lust: “pathicus,” Suet. Aug. 68;

Cic. Planc. 35.86 When no one knew what were the feelings of those men who by means of their armies, and their arms, and their riches, were the most powerful men in the state, then that voice, rendered insane by its infamous debaucheries,
    made effeminate by its attendance on holy altars,
     kept crying out in a most ferocious manner
        that both these men
        and the consuls were acting in concert with him.
Needy men were armed against the rich,  abandoned men against the good, slaves against their masters.

--rĕlĭgĭōsus Eccl. Lat., of or belonging to the clergy, clerical (opp. saecularis)

--per-sŏno    A. To sound through and through, to resound: “cum domus cantu et cymbalis personaret,” Cic. Pis. 10, 22: “ut cotidiano cantu vocum et nervorum et tibiarum nocturnisque conviviis tota vicinitas personet,”
A.  To fill with sound or noise, to make resound
B.  To make a sound on a musical instrument, to sound, play: “citharā Iopas Personat,” Verg. A. 1, 741: “cymbalis,” Vulg. 1 Par. 16, 5: “buccinis,” id. Jos. 6, 13.—
C. To sound or blow upon an instrument (post-class.): “personavit classicum,” gave the signal for attack,

        Histrio, stage-player, actor, mimus, II. Transf., a boaster: “histrionis est parvam rem attollere,”
                ragoediarum histrionis,  Hilarus comoediarum histrio,
        Scaena, 1. Of a place like a scene of a theatre Verg. A. 1, 164.—, display of eloquence.
           
Isaiah 3:5 And the people shall be oppressed, every one by another, and every one by his neighbour: the child shall behave himself proudly against the ancient, and the base against the honourable.
Tŭmultŭor , Esp. of oratory, to storm, rant, talk at random, etc
Per-turbo “clamore perturbari  confused visions, perverted truths: “reliquos

PROPHECY OF THE BEAST BY CHRIST IN JEREMIAH

And I will appoint over them four kinds, saith the Lord:
        the sword to slay,
        and the dogs to tear,
        and the fowls of the heaven,
        and the beasts of the earth,
        to devour and destroy. Je.15:3

Beast, the Wolves or pederasts Paul warns about or a term of reproach of the "new wineskin worship." Jesus consigned the pipers, singers and dancers to the marketplace because of their vile practices:

-Besta 2.As a term of reproach (cf. belua and our beast): “mala tu es bestia,” Plaut. Bacch. 1, 1, 21; -Pl. Poen. 5.5.—And, humorously, of the odor of the armpits (cf. ala and caper. cappella), Cat. 69, 8.—
II. Transf., as a constellation, the wotf, Vitr. 9, 4 (7)
cănis (cănes , Plaut. Men. 5, 1, 18; id. Trin. 1, 2, 133;
a. A shameless, vile person, Plaut. Most. 1, 1, 40; Ter. Eun. 4, 7, 33
2. As the regular designation of the hangers-on or parasites of an eminent or rich Roman; a follower, dog, creature:
a. Tergeminus, i. e. Cerberus. Ov. A. A. 3, 322; id. Tr. 4, 7, 16; “called also viperius,” id. Am. 3, 12, 26: “Tartareus,” Sen. Herc. Fur. 649: “triformis,” id. Herc. Oet. 1202: Echidnaea. Ov. M. 7, 409; cf.: “infernae canes,” Hor. S. 1, 8, 35; Verg. A. 6, 257; Luc. 6, 733. ——

Trĭformis , e, adj. ter - forma,

I. having three forms, shapes, or natures; threefold, triple, triform (poet.): “Chimaera,” Hor. C. 1, 27, 23: “canis,” i. e. Cerberus, Sen. Herc. Oet. 1202: “Geryon,” id. Agam. 841:

All pagan god heads were trinitarian.

diva, i. e. Diana, who was also Luna and Hecate, Hor. C. 3, 22, 4; called also triformis dea, Ov. M. 7, 94: “mundus, because composed of air, earth, and water,” id. ib. 15, 859

Speaking in tongues, a baptism of fire and women ruling over you

Pl. Bac. 1.1 Note: Your Bacchanalian den: "Bacchanal" was properly the place where the Bacchanalia,  or orgies, were celebrated. He styles them "Bacchantes," and their house a "Bacchanal," in allusion both to their names and their habits

7 Mischievous serpent: "Mala tu's bestia." Literally, "you are an evil beast;" which sounds harsh to an English ear, even when applied to such an animal as Bacchis.

Baccha  Mainas or Thuias,
I. a Bacchanet, a female attendant of Bacchus, who, in company with Silenus and the Satyrs, celebrated the festival of that deity with a raving madness carried even to insensibility, and with hair loose and flying wildly about, to initiate into the festivals of Bacchus, Mūsa , ae, f., = Mousa, II. mousa, as Appellat., music, song, “m. stugera” A.Eu.308

13 A soft cloak: It was the custom at entertainments for the revellers to exchange their ordinary clothes for fine vestments, elaborately embroidered.

5 A womanish race: "Muliersous" generally means "fond of women." It clearly however, in this passage means "womanish," or "womanlike."

But what went ye out for to see? A man clothed in soft raiment? behold, they that wear soft clothing are in kings houses. Mat 11:8
Matthew 11:16 But whereunto shall I liken this generation? It is like unto children sitting in the markets, and calling unto their fellows,
Matthew 11:17 And saying, We have piped unto you, and ye have not danced; we have mourned unto you, and ye have not lamented. 

Malakos g. of reasoning, weak, loose, logosIsoc.12.logoslian m. Arist.Metaph.1090b8 . Adv. -kôs, sullogizesthai to reason loosely
2. music to which a song is set, tune, logou te kai harmonias kai rhuthmoum
III. of persons or modes of life, soft, mild, gentle, malakōteros amphaphaasthai easier to handle, of a fallen hero, Il.22.373;
c. morally weak, lacking in self-control, Hdt.7.153 (Comp.); “antikeitai tō m. ho karterikos” Arist.EN1150a33: c. inf., “malakos karterein pros hēdonas te kai lupas” Pl.R.556c; “to truphōn kai m.” Ar.V.1455 (lyr.); not to give in from weakness or want of spirit,   indulgences

2 Peter 2:12 But these, as natural [instinctive] brute [Anti-Logical] brute beasts, [Zoon, Zao, Zoe]
          made to be taken and destroyed,
          speak evil of the things that they understand not;
            [through lack of knowledge]
          and shall utterly perish in their own corruption;
 2 Peter 2.13 receiving the wages of unrighteousness; people who count it pleasure to revel in the day-time, spots and blemishes, reveling in their deceit while they feast with you;

See 2 Peter2 Instrumental Music Marks Corruption

d. = pathētikos, PHib.1.54.11 (iii B.C.), 1 Ep.Cor.6.9, Vett.Val.113.22, D.L.7.173.

e. of music, soft, effeminate, “m. harmoniai” Pl.R.398e, 411a, cf. Arist.Pol.1290a28; tuned to a low pitch, opp. “suntonos, khrōma m.” Cleonid.Harm.7, etc.

9 Use a drum: The priests of Cybele, who were either eunuchs, or persons of effeminate and worthless character, walked in their processions beating a "tympanum." a "drum" or "tambourine." The Captain, by his question, contemptuously implies that Agorastocles is such a character. See the Truer lentus, l. 608, and the Note

cănis

“canem inritatam imitarier,” Plaut. Capt. 3, 1, 25:

Verg. A. 3.374
that shapeless Scylla in her vaulted cave,
where grim rocks echo her dark sea-dogs' roar.
Yea, more, if aught of prescience be bestowed
on Helenus, if trusted prophet he,
and Phoebus to his heart true voice have given,
o goddess-born, one counsel chief of all
I tell thee oft, and urge it o'er and o'er.
To Juno's godhead lift thy Ioudest prayer;
to Juno chant a fervent votive song,
and with obedient offering persuade
that potent Queen. So shalt thou, triumphing,
to Italy be sped, and leave behind
Trinacria.

rĕ-sŏno  to send forth a roaring noise,  B. [select] Trop., to resound, re-echo: “in vocibus nostrorum oratorum
“(sonus) in fidibus testudine resonatur aut cornu,” Cic. N. D. 2, 57, 144. — Poet., with acc. of a place, to make resound or re-echo: “ubi Solis filia lucos Assiduo resonat cantu,” Verg. A. 7, 

lŭpus  Plin. 8, 22, 34, § 80.—Prov.: lupus in fabulā or sermone, said of the appearance of a person when he is spoken of; as we say in English, talk of the devil, and he appears: “
Lupus observavit, dum dormitaret canes, of one who watches his opportunity to be unobserved, Plaut. Trin. 1, 2, 133.—

CHURCH IS A SAFE HOUSE TO HIDE FROM THE BEASTS

Jer 15:16 Thy words were found,
        and I did eat them; and
        thy word was unto me the joy
        and rejoicing of mine heart: 
              for (because) I am called by thy name, O Lord God of hosts.

The Word was Christ's joy or gaudĭum  was inward joy, joy, gladness, delight ratione (rational Logos) and  dicitur (spoken)

This was OPPOSITE of laetĭtĭa , I. joy, esp. unrestrained joyfulness, gladness, pleasure, delight (cf.: gaudium, hilaritas), another outbreak of joy. Of speech, sweetness, grace: “laetitia et pulcritudo orationis, Bacchus,,” to be transported with joy,

IN the -membrum , Not in the members of the human body:

Jeremiah 4.4[4]  Circumcise yourselves to Yahweh, and take away the foreskins of your heart, you men of Judah and inhabitants of Jerusalem; lest my wrath go forth like fire, and burn so that none can quench it, because of the evil of your doings.
1Cor. 4:5 Therefore judge nothing before the time, until the Lord come, who both will bring to light the hidden things of darkness, and will make manifest the counsels of the hearts: and then shall every man have praise of God.

But 4. Of the Church of Christ: “singuli autem alter alterius membra,” Vulg. Rom. 12, 5; cf. “the context: membra sumus corporis ejus,” i. e. Christ's, id. Eph. 5, 30.

WORSHIP SAYS JESUS AND THE SINFUL WOMAN UNDERSTOOD IS IN THE PLACE OF THE HUMAN HEART OR SPIRIT DEVOTED SOLELY TO TRUTH OR THE WORD OF CHRIST.

Romans 12:1 I beseech you therefore, brethren, by the mercies of God, that YE present your bodies a living sacrifice, holy, acceptable unto God,  which is your reasonable service.

Peter and Paul always demand sacrificinng or "burrning up" the fleshly nature. Then, our spirit is ready to engage in worship which can NEVER include music.
 
         tēn logikēn latreian humōn:
         Rătĭōnābĭlis , e, adj. ratio (post-Aug.; = rationalis, which is in better use),
          I. reasonable, rational: he pure milk of reason, id.
        1 Pet. 2, 2: “sententia vera et rationabilis,”

Romans 12:2 And be not conformed to this world:  but be ye transformed (metamorph-oō ) by the renewing of your mind,
        that ye may prove what is that good, and acceptable,
        and perfect, will of God.
Romans 12.[5] so we, who are many, are one body in Christ, and individually members one of another.