Tonya Prewett Unitus Review
REV 9.30.24 SOME PRAYERFUL OBSERVATIONS ON THE " NEW AWAKENING." Notice that the large conversion of Jews on the day of Pentecost was among people who, like Timothy, was wise unto salvation because his family had trained him and he probably attended Synagoge as a SCHOOL ONLY. Other awakenings such as at Salem and Cane Ridge left people pretty upset that they had been controlled by the 'Mass demonstration", lights, loud music (None in holy scriptue) and expectations. ANYTHING beyond reading the story of JESUS especially is MIND ALTERING.
Contact Kenneth Sublett still a Bible Scholar at almost 94. I remember Miriam and I am concerned.
Worship means to bow with face to the ground or FALL ON YOUR FACE in Reverence and Godly Fear. Jesus founded a SCHOOL OF THE WORD,.
John 7:16 Jesus answered them, and said,
My doctrine is not mine, but his that sent me.
John 7:17 If any man will do his will,
he shall know of the doctrine,
whether it be of God, or whether I speak of myself.
John 7:18 He that SPEAKETH of himself seeketh his own glory:
but he that seeketh his glory that sent him, the same is true, and no unrighteousness is in him.
8:31 Then said Jesus to those Jews which believed on him,
IF ye continue in my WORD, THEN are ye my disciples indeed
John 8:37 I know that ye are Abraham’s seed;
but ye seek to kill me, because my WORD hath no place in you.
.John 8:38 I SPEAK that which I have seen with my Father:and ye DO that which ye have seen with your father. [The Devil]
John 8:38 I SPEAK that which I have SEEN with my Father:
and ye DO that which ye have seen with YOUR FATHER
Devil Do: poiētai 4. after Hom., of Poets, compose, write, p. dithurambon, epea, Hdt.1.23, 4.14; “p. theogoniēn
Epos joined with muthos, 1. song or lay accompanied by music, 8.91,17.519.
2. fiction (OPPOSITE. logos, historic truth), THE REGULATIVE PRINCIPLE
Devil Do: LATIN: făcĭo , to make in all senses, to do, perform, accomplish, prepare, produce, bring to pass, cause, effect, create, commit, perpetrate, form, fashion, operor Lying Wonder, “poëma,” to compose, id. Pis. 29, 70: “carmina,” Juv. 7, 28: “versus,” id. 7, 38: “sermonem,” Cic. Fam. 9, 8, 1; cf. “litteram,” id. Ac. 2, 2, 6: ludos, to celebrate, exhibit, admirationem alicujus rei alicui,” to excite [the Laded Burden],Hdt. 1.23 Periander, who disclosed the oracle's answer to Thrasybulus, was the son of Cypselus, and sovereign of Corinth. The Corinthians say (and the Lesbians agree) that the most marvellous thing [Lying Wonders] that happened to him in his life was the landing on Taenarus of Arion of Methymna, brought there by a dolphin. This Arion was a lyre-player second to none in that age; he was the first man whom we know to compose and name the dithyramb1 which he afterwards taught at Corinth.
1 The dithyramb was a kind of dance-music particularly associated with the cult of Dionysus.
Devil Do: carmen I.a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation (cf.: cano, cantus, and canto). note, sound, both vocal and instrumental “also versus, numeri, modi): carmen tuba ista peregit ( = sonus),” Enn. Ann. 508 Vahl.: “carmine vocali clarus citharāque Philammon,” Ov. M. 11, 317; cf. “vocum,” id. ib. 12, 157: “per me (sc. Apollinem) concordant carmina nervis
“barbaricum,” id. M. 11, 163.—
There Pan among the fayrye elves that dawnced round togither
In setting of his conning out for singing and for play
Uppon his pype of reedes and wax, presuming for to say
Apollos musick was not like to his, did take in hand
1Cor. 14:7 And even things without life giving sound, whether pipe or harp, except they give a distinction in the sounds, how shall it be known what is piped or harped?Devil Do: Commercium sermonis,” 7 In mercant. lang., to practise, exercise, follow any trade or profession: 8. In relig. lang., like the Gr. rhezein, to perform or celebrate a religious rite; to offer sacrifice, make an offering, to sacrifice: God provided NO FUNDING Isaiah 55 “commercium habere cum Musis,” Cic. Tusc. 5, 23, 66:
1Cor. 14:8 For if the trumpet give an uncertain sound, who shall prepare himself to the battle?
1Cor. 14:9 So likewise ye, except ye utter by the tongue words easy to be understood, how shall it be known what is spoken? for ye shall speak into the air.
1Cor. 14:11 Therefore if I know not the meaning of the voice,
I shall be unto him that speaketh a barbarian,
and he that speaketh shall be a barbarian unto me.
Devil Do: Mousa II. mousa, as Appellat., music, song, “m. stugera” A.Eu.308 (anap.); “euphamos” Id.Supp.695 “Kanakhan .Clanging BrassCicero.Tusculan.Disputations.FINAL.html heir entertainments, to sing the praises of famous men to the sound of the flute; but a speech of Cato’s shows this kind of poetry to have been in no great esteem, as he censures Marcus Nobilior for carrying poets with him into his province; for that consul, as we know, carried Ennius with him into Ætolia. Therefore the less esteem poets were in, the less were 10those studies pursued; though even then those who did display the greatest abilities that way were not very inferior to the Greeks. Do we imagine that if it had been considered commendable in Fabius,3 a man of the highest rank, to paint, we should not have had many Polycleti and Parrhasii? Honor nourishes art, and glory is the spur with all to studies; while those studies are always neglected in every nation which are looked upon disparagingly. The Greeks held skill in vocal and instrumental music as a very important accomplishment, and therefore it is recorded of Epaminondas, who, in my opinion, was the greatest man among the Greeks, that he played excellently on the flute; and Themistocles, some years before, was deemed ignorant because at an entertainment he declined the lyre when it was offered to him. For this reason musicians flourished in Greece; music was a general study; and whoever was unacquainted with it was not considered as fully instructed in learning. Geometry was in high esteem with them, therefore none were more honorable than mathematicians. But we have confined this art to bare measuring and calculating
Theias as many as made them hope by divinations, Madness caused by Ritual
worship as divine, “Puthagoran [Of the Cosmos, the Ecumenical, Kingdom of the Devil."
Antiluron mousas” S.Tr.643 (lyr.); PLAYING THE LYRE
“Aiakō moisan pherein”I. bear or carry a load, A Laded Burden
http://www.pineycom.com/Worship.Androgyny.The.Pagan. Sexual.Ideal.html
Believing in Albert Einstein doesn't make you a physicist ANYMORE that believing in Jesus Christ makes you a Christian.
ACU-OSBURN.html the ACU Agenda
If we are to have a truly significant IMPACT upon the national and INTERNATIONAL scene,
faculties of religion must play leading PROPHETIC roles in CHANNELLING and FACILITATING whatever changes loom ahead.
Trainers use PROPHETIC roles to Channel and Facilitate the method of
SUBVERTING the 'hierarchial " views of JESUS and PAUL.
"Feminist HERMENEUTICS stands over AGAINST patriarchal HERMENEUTICS"
its goal achieved "by small, often unnoticed acts of SUBVERSION.
Numerous such incremental changes, like EROSION,
will eventually bring DOWN the FORTRESS "
"The Bible is not so much a 'heaven-sent answer book'
The large conversion on the day of Pentecost was a ONE TIME EVENT. The Jews who gathered in Jerusalem were pilgrims from many nations. They were not aroused by music but had endured hard work in synagogues;
as a historical book PRODUCED within and for a historical COMMUNITY--
yet it SERVES as Scripture today
because people find themselves accountable to it.
THAT is what make its SCRIPTURE" (p. 46).
2Tim. 3:12 Yea, and all that will live godly in Christ Jesus SHALL SUFFER PERSECUTION .
WARNING ABOUT THE FEMININE AND EFFEMINATE PROPHESIED FOR THIS MAD TIME.
Isaiah.3.Women.and.Children.Rule.Over.Them.html
WHAT PAUL OUTLAWED
Acts 8:9 But there was a certain man, called Simon, which beforetime in the same city
used SORCERY, and BEWITCHED the people of Samaria,
giving out that himself was some great one:
Carmen, . In gen., a tune, song, air, lay, strain, note, sound, both vocal and instrumental (mostly poet.; in prose, instead of it, cantus; cf. “also versus, numeri, modi): carmen tuba ista peregit ( = sonus),” Enn. Ann. 508 Vahl.: “carmine vocali clarus citharāque [GUITAR] Philammon, per me (sc. Apollinem) concordant carmina nervis,”
Epōd-os , on, (epadō)2Tim. 3:13 But evil men and seducers shall wax worse and worse, deceiving, and being deceived.A.singing to or over, using songs or charms to heal wounds, “epōdoi muthoi” Pl.Lg.903b.b. Subst., enchanter, “e. kai goēs” E.Hipp. 1038 (but “goēs e.” Ba.234): sung to music, “phōnai”
GOD'S WORD CAN ONLY BE READ OR SPOKEN: NEVER SUNG!
Logos computation, reckoning 2. statement of a theory, argument, ouk emeu alla tou l. akousantas prob. in Heraclit.50; logon ēde noēma amphis alētheiēs discourse and reflection on reality,
IV. inward debate of the soul, reflection, deliberation
Regulative and formative forces, derived from the intelligible and operative in the sensible universe,
4.speech, delivered in court, assembly
VI. verbal expression or utterance, lego, lexis
-Lexis A.speech, OPPOSITE ôidê
-ôidê, 1.art of song 5. = eppsdê, spell, incantation
4. text of an author, OPPOSITE exegesis [Peter's private interpretation outlaws exegesis]
Arist.En1142a26
2. common talk, report, tradition d. the talk one occasions, repute, mostly in good sense, good report, praise, honour,
3. discussion, debate, deliberation, c. dialogue, as a form of philosophical debate,
The meaning of the sunagogue or syllogimos or syllogism
Logos is the OPPOSITE emmetra, ib.1450b15 (pl Id.Rh.1404a31
There is NO meter in the Bible: you could not "sing" it tunefully if your life depended on it: that is PREDESTINED.
John 3:34 For he whom God hath sent SPEAKETH the words of God: for God giveth NOT the Spirit by measure unto him.
-Metron II. metre, Ar.Nu.638, 641, etc.; opp. melos (music) and rhuthmos (time), Pl.Grg.502c, etc.; logous psilous eis metra tithentes putting into verse, Id.Lg.669d; “ta en metrō pepoiēmena epē” X.Mem. 1.2.21.
Seduction, Sophistry, and the Woman with the Rhetorical Figure
p. 74 Logos is incommunicable to itself--as its referential instability precludes stable meaning. Plato accounts for this instability by suggesting
this is the result of willfully deceitful and manipulative rhetors
who use language to lead audiences away from the truth.
Plato theorizes that sophists uses of language
have the purpose of flattering and deceiving hearers and obfuscating the truth,
Sophis-tēs , master of one's craft, adept, expert, of diviners, musicians, “sophistēs . . parapaiōn khelun” with modal words added, “hoi s. tōn hierōn melōn” Melody in a Holy Place Sophist, i.e. one who gave lessons in grammar, rhetoric, politics, mathematics, for money “Apollōnidē sophistē This is Apollyon the leader of the LOCUSTS who are musicians JUST RELEASED FROM THE SMOKEY PIT..
Pi.N.7.81 Pindar, Nemean Odes 7THE ONLY PATTERN FOR A CHRISTIAN OR STUDENT OF CHRIST.
The rich man and the poor man alike travel together to the boundary of death. [20]
And I expect that the story of Odysseus came to exceed his experiences,
through the sweet songs of Homer
[22] since there is a certain solemnity in his lies and winged artfulness,
and poetic skill deceives, seducing us with stories,
and the heart of the mass of men is blind.
For if [25] they had been able to see the truth, then mighty Aias, in anger over the arms, would never have planted in his chest the smooth sword—Aias, who was the most powerful in battle,
Aristotle: Melody Deceives: "Poets also make use of this in inventing words, as a melody "without strings" or "without the lyre"; for they employ epithets from negations, a course which is approved in proportional metaphors..
According to Philo, the gods of the pagans exploit this weakness of men. For the sake of a better effect, and with the intention of more easily cheating their devotes, that they have set their lies to melodies, rhythms and meters..
- The form of diction should be neither metrical nor without rhythm. If it is metrical, it lacks persuasiveness, for it appears artificial, and at the same time it distracts the hearer's attention, since it sets him on the watch for the recurrence of such and such a cadence..
2Tim. 3:14 But continue thou in the things which thou
hast learned and hast been assured of,
knowing of whom thou hast learned them;
2Tim. 3:15 And that from a child thou hast known the holy scriptures,
which are able to make thee wise unto salvation through faith which is in Christ Jesus
Jesus was sent for Lost Spirits IN the world but not OF the World.
Luke 4:17 And there was delivered unto him the book of
the prophet Esaias. And when he had opened the book,
he found the place where it was written,
The Holy Spirit is THE SPIRIT OF THE LORD..
Luke 4:18 The SPIRIT OF THE LORD IS UPON ME,
because he hath anointed me to PREACH THE GOSPEL to the POOR;
he hath sent me to heal the brokenhearted,
to preach deliverance to the captives,
and recovering of sight to the blind,
to set at liberty them that are bruised,
Luke 4:19 To preach the acceptable year of the Lord.
THE GOSPEL IS SILENCED BY VOODOO ROCK BAND
Rom. 1:16 For I am not ashamed of the gospel of Christ:
for it is the power of God unto salvation to every one that believeth;
to the Jew first, and also to the Greek.
Rom. 10:17 So then faith cometh by HEARING, and hearing by the WORD of God.
Logos computation, reckoning 2. statement of a theory, argument, ouk emeu alla tou l. akousantas prob. in Heraclit.50; logon ēde noēma amphis alētheiēs discourse and reflection on reality,
IV. inward debate of the soul, reflection, deliberation
Regulative and formative forces, derived from the intelligible and operative in the sensible universe,
Opposite to epithumia
A. desire, yearning, longing after a thing, desire of or for it, Theaomai :--gaze at, behold, mostly with a sense of wonder, 3. view as spectators
Opposite Pathos A. that which happens to a person or thing, incident, accident, Moralizing Rhetoric
Opposite Poiein to excite passion, Arist.Rh.1418a12; V. Rhet., emotional style or treatment,
Opposite Enthousi-astikos , ē, on, A. inspired, “phusis” Pl.Ti.71e; esp. by music,
Prose, OPPOSITE -poiêsis, Id.R.390a;
OPPOSITE -poiêtikê, D.H.Comp.6; OPPOSITE poiêmata, onomatopoeic word
OPPOSITE emmetra Modus 2. The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode:Mūsĭcus a, um, adj., = mousikos.
BAPTISM IS ENACTING THE DEATH, BURIAL AND RESURRECTION OF JESUS: BAPTIZING PEOPLE AROUSED BY MUSIC AND MASS EXPERIENCE IS MOCKING JESUS WHO ASKS US TO COME TO HIM AS STUDENTS;
Christianity Today Sara Groves & W. David O. TaylorI am certain that a lot of people get help but it is temporary and DIVERTS people from Christ Who died to give us Rest.
Here, I’d like to draw attention to two phenomena: entrainment and interactional synchrony.
What is entrainment? As Jeremy Begbie defines it, entrainment is “the synchronization of one rhythmic process with another.” In other words, it describes the way the body gradually syncs with another body or with an external rhythm, often UNCONSCIOUSLY
Here, I’d like to draw attention to two phenomena: entrainment and interactional synchrony.
Scientists have shown how certain practices of music—
such as a congregation singing the doxology at full volume—
evoke “neural activation that is shared among listeners
in key emotion areas such as the amygdala, insula and caudate nucleus.”These experiences create a surge of endorphins [morphine-like) and a release of oxytocin, resulting in a heightened sense of “fellow feeling,” a deepening of “social bonds,” a loss of self-protective “boundaries,” and an increased sense of “feeling felt by another”—which is to say, an increased sense of empathy
Mousa , Apollyon's Musical Worship Teams-Locusts
Dios aigiokhoio thugateres”THEIAS [Daughters whatever the sex]
[1] stugeros A. hated, abominated, loathed, or hateful, abominable, loathsome daimōn,
mousa music, song, “m. stugera
kanakhan . .1Cor. 13:1
THEIAS etheiazon obtained inspiration through ritual antiluron responding to the lyre or guitar.
Aoidos , ho, (aeidō) A.singer, minstrel, bard THEIOS a
Enchanter, Sorcerer
[2] “adein [singers are] adokimon mousa
adokimon disreputable, discredited, reprobate,
However, the CHRISTIAN teaching is the ANTITHESIS of all religions OF THE WORLD. The invention of sounds of wind, strings or percussion were found to be MIND ALTERING by claiming that these sounds were of the gods. The idea of SORCERY (Miriam and the Levites) was call 'prophesying' inn the musical-magical sense.
This is the meaning of LADED BURDENS which Jesus died to remove and ABSOLUTELY NECESSARY when the Gospel as the ONLY POWER TO SALVATION is Preached. An Apostle and Preacher are both defined as EYE WITNESSES sent by God and Taught by Jesus. Their only RESOURCE is the Last Will and Testament of Jesus which was PROBATED and RECORDED and CERTIFIED once for all times. Loud music is the LADED BURDEN and was always used to MAKE THE LAMBS DUMB BEFORE THE SLAUGHTER.
Worship of Moloch with Instrumental, Trinitarian, Perverted worship Overpowering of the HOLOCAUST screams of the YOUTH at Jerusalem
Image of Miriam leading the women to escape and perform her role as a defacto Egyptian Priestess..
When Miriam prophesied as a sorceress claimed that she was also "visionary" and Spoke for God, He slapped here with a dose of leprosy.
Lam. 3:3 Surely against me is he turned; he turneth his hand against me all the day.
Lam. 3:4 My flesh and my skin hath he made old; he hath broken my bones.eeLam.
3:14 I became the laughingstock of all my people;
THEY MOCK ME IN SONG ALL DAY LONG
cantĭcum , i, n. cantus. I. Lit., a song in the Roman comedy, sung by one person, and accompanied by music and dancing
“chorus canticum Insonuit,” B. A magic formula, incantation,Jeremiah 11:19 But I was like a lamb or an ox that is brought to the slaughter; and I knew not that they had DEVISED DEVISES against me, saying, Let us destroy the tree with the fruit thereof, and let us cut him off from the land of the living, that his name may be no more remembered.in-sŏno , I.to make a noise in or on, to sound, sound loudly, resound calamis,” to play upon, id. ib. 11, 161:
mansŭesco , I. Act., to tame, to make tame B. Trop., to render mild, gentle, or peaceable: gentes mild, soft, gentle, quiet
“nam me jam ab orationibus dijungo fere, referoque ad mansuetiores Musas,”
Mūsa , ae, f., = Mousa, I.a muse, one of the goddesses of poetry, music,
“ Musarum delubra, 1. To scoff or mock at, to make a laughing-stock of, to ridicule ipsa praecepta (rhetorum),” Cic. de Or. 1, 19, 87: “voces Neronis, quoties caneret,” Tac. A. 14, 52: verbis virtutem superbis, Verg. A. 9, 634.—Mark.10.They.Shall.Mock.Him.With.Music.html
THE ONLY ASSEMBLY OF CHRIST IS IN SECRET AND SILENT PLACES: THE GOSPEL IS TO DISCIPLES OF CHRIST ONLY
PROPHESIED:
Wherefore the Lord said,
Therefore, behold, I will proceed to do a marvellous work among this people,
Forasmuch as this people draw near me with their mouth,
and with their lips do honour me,
but have removed their heart far from me,
and their fear toward me is taught by the precept of men: Isa 29:13
even a marvellous work and a wonder:
for the WISDOM of their wise men shall perish,
and the understanding of their prudent men shall be hid. Isa 29:14
WHAT IS A WISE WOMAN ?I. Sapientia ” Mart. 9, 6, 7: “sapisset,” Plaut. Rud. 4, 1, 8), 3, v. n. and a. [kindr. with opos, saphēs, SophiaPROPHESY FULFILLED:
and sophos] A. skilled in any handicraft or art, clever
Sophia A. cleverness or skill in handicraft and art, as in carpentry, tektonos, hos rha te pasēs eu eidē s. Il.15.412; of the Telchines, Pi.O.7.53; hē entekhnos s., of Hephaestus and Athena, Pl.Prt.32 1d; of Daedalus and Palamedes, X.Mem.4.2.33, cf. 1.4.2; in music and singing, tekhnē kai s. h.Merc.483, cf. 511; in poetry, Sol.13.52, Pi.O.1.117, Ar.Ra.882, X.An.1.2.8,
Sophos A. skilled in any handicraft or art, clever, mostly of poets and musicians,
Sophis-tês , ou, ho, master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets,
Pi.O.1.9, P.1.42, 3.113; en kithara s. E.IT1238 (lyr.), cf. Ar.Ra.896 (lyr.),
meletan sophistais prosbalon Pi.I.5(4).28 , cf. Cratin.2; of musicians, sophistês . .
parapaiôn chelun A.Fr.314 , cf. Eup.447, Pl.Com. 140; sophistêi Thrêiki
Cergy Musicians. panu thaumaston legeis s. Pl.R.596d;
3. later of the rhētores, Professors of Rhetoric, and prose writers
Matt. 11:25 ¶At that time Jesus answered and said, I thank thee, O Father, Lord of heaven and earth,
because thou hast HID THESE THINGS FROM THE WISE AND PRUDENT
and hast revealed them unto babes.
Matt. 11:26 Even so, Father: for so it seemed good in thy sight.
Matt. 11:27 ALL THINGS are delivered unto me of my Father:
and no man knoweth the Son, but the Father;
neither knoweth any man the Father, save the Son,
and he to whomsoever the Son will reveal him.
ONLY THOSE WHO HAVE REQUESTED A HOLY SPIRIT OR A GOOD CONSCIENCE WHEN 'BAPTISM SAVES'
Matt. 11:28 Come unto me, all ye that labour and are heavy laden,
and I will give you REST.
Matt. 11:29 Take my yoke upon you, and learn of me;
for I am meek and lowly in heart: and ye shall find REST unto your souls.
Matt. 11:30 For my yoke is easy, and my burden is light.
BUT NOT UNTIL BOTH MEN AND WOMEN BECOME SILENT "So that all might be SAFE and come to a knowledge of the Truth. If we REST with Jesus we first are liberated from:
Pauo STOP: a 1.1 of one singing or speaking, 17.359, Hdt.7.8.d : forced, cessation.take one's rest,
STOP lupas ōdais p. E.Med.197 (anap.), etc. ; p. toxon let the bow rest, Od.21.279 ; “
lupas the PAIN of ODES: called enchantment always known to cause mental pain.
Psallo is derived from twitching the toxon or bow: a one-stringed harp: STOP it
A. psalmoi toxôn E.Ion173 (lyr.);
I forbid you to approach the walls and the golden house. I will reach you with my bow, herald of Zeus, though you conquer [160] with your beak the strength of all other birds. Here comes another, a swan, to the rim of the temple. Move your crimson foot elsewhere! Phoebus' lyre, that sings with you, [165] would not protect you from my bow. Alter your wings' course; go to the Delian lake; if you do not obey, you will steep your lovely melody in blood. [170] Ah, ah! what is this new bird that approaches; you will not place under the cornice a straw-built nest for your children, will you? My singing bow will keep you off.
Pindar, Isthmian 2.[1] The men of old, Thrasybulus, who mounted the chariot of the Muses with their golden headbands, joining the glorious lyre, lightly shot forth their honey-voiced songs for young men, if one was handsome and had [5] the sweetest ripeness that brings to mind Aphrodite on her lovely throne. [6] For in those days the Muse was not yet a lover of gain, nor did she work for hire. And sweet gentle-voiced odes did not go for sale, with silvered faces, from honey-voiced Terpsichore. But as things are now, she bids us heed [10] the saying of the Argive man, which comes closest to actual truth: [11] “Money, money makes the man,” he said, when he lost his wealth and his friends at the same time
1.2 “pausai pharmakopōlōn” hinder, keep back, or give one rest, from a thing, p thamurin aoidēs, tōn epithumiōn”
-aoidēs 1. art of song, “autar aoidēn thespesiēn 2. act of singing, song,
5. = eppsdē, spell, incantation, “okhēes ōkeiais . . anathrōskontes aoidais”
-ōdē , h(, contr. for aoidē, opp. lexis,
-lexis , eōs, h(, (legō B) A. speech, opp. ōdē, Pl.Lg.816d; l. ē praxis speech or action, Id.R.396c; ho tropos tēs l. ib.400d; ta lexei dēloumena orders given by word of mouth,
epithumiōn” desire for entertainment, wine passion, Opposite. pronoia, desire for learning.
paue STOP! have done! be quiet! “paue, mē lexēs pera”paue, paue, mē boa” Ar.Av.1504, cf. V.1194 ;
STOP -boē , Dor. boa , hē, also, song of joy, “itō xunaulos boa khara” E.El.879(lyr.),
of oracles, “aeidousa . . boas as an Apollōn keladēsē” E.Ion 92
shout, murmur of a crowd sound of musical instruments, “auloi phormigges te boēn ekhon” Therion: the BEAST: A new style of musici or Satyric Drama.
“b. salpiggos”
STOP-kela^d-eō 2. of persons, shout aloud, atar keladēsan Akhaioi, in applause, Kinuran phamai” Pi.P.2.15 humnous” of bells, ring, tinkle, E.Rh.384; of the flute, “ Kinnor kinnor, a stringed instrument played with the hand,STOP 1.3 rest or cease from a thing klaggēs
klagg-ē any sharp sound, e.g. twang of the bow, Il.1.49; scream of birds, esp. cranes, to which are compared confused cries of a throng hissing of serpents, A.Th.381 (pl.); baying of dogs, X.Cyn.4.5, etc.; also, of musical instruments,STOP 5.II “pausai legousa” E.Hipp.706 ; “pausai pharmakopōlōn” [sorcery]; “p. melōdous'”
Pauo means: STOP the: p. melōdous ,
A.chant, sing, Ar.Av.226, 1381, Th.99:—Pass., to be chanted, “ta rhēthenta ē melōdēthenta” Pl.Lg.655d,. Ath. 14.620c; to be set to music,; ta melōdoumena diastēmata used in music,
II. chant, choral song, melôidias poiêtês, lullaby, generally, musicKata-Pauo means: Stop worshipping the MUSES
kata-pauô Mousas depose them from their honours, cease to worship them, E. HF685
Heracles the founder of gendder-confused worship INSIDE of temples
Euripides, Heracles (ed. E. P. Coleridge) Never will I cease to link in one the Graces and the Muses, [675] sweetest union. Never may I live among uneducated boors, but ever may I find a place among the crowned! [680] Yes, still the aged singer lifts up his voice of bygone memories: still is my song of the triumphs of Heracles, whether Bromius the giver of wine is near, or the strains of the seven-stringed lyre and the Libyan pipe are rising; [685] not yet will I cease to sing the Muses' praise, my patrons in the dance.
ŏnus (in good MSS. also wr. hŏnus ), ĕris, n. etym. dub.; cf. Sanscr. anas, a wagon for freight,I.a load, burden (cf. pondus).
A. A burden, in respect of property, i. e. a tax or an expense (epici carminis onera lyrā sustinere,” Quint. 10, 1, 62.
.sustĭnĕo .“flumina Threiciā lyrā,” Prop. 3, 2, 2 “se ab omni assensu,” i. e. to refrain, I......sustĭnĕo .“flumina Threiciā lyrā,” Prop. 3, 2, 2 “se ab omni assensu,” i. e. to refrain, Impure Threskia was invented by Orpheus "that Thracian." Pure
Religion is James 1:27 Pure religion and undefiled before God and the Father is this, To visit the fatherless and widows in their affliction, and to keep himself unspotted from the world.C. (Eccl. Lat.) The burden of a prophecy, the woes predicted against any one: “Babylonis,” Vulg. Isa. 13, 1: “Tyri,” id. ib. 23, 1.—With subj.gen.: “Domini,” Vulg. Jer. 23, 33: “verbi Domini,” id. Zach. 12, 1.
Tyrus o “ductor,” i. e. Eteocles, id. ib. 11, 205: “exsul,” i. e. Polynices, id. ib. 3, 406: “plectrum,” i. e. of Amphion, id. S. 3, 1, 16; cf. “chelys, “Apollonius cum mercede doceret,” id. de Or. 1, 28, 126: “mercedibus scenicorum recisis,” the players' salaries, Suet. Tib. 34: “poscere mercedes,” to work for hire
Is. 23:15 And it shall come to pass in that day,
that Tyre shall be forgotten seventy years, according to the days of one king:
after the end of seventy years SHALL TYRE SING AS AN HARLOT
HOW DOES A HARLOT SING
Is. 23:16 Take [1] an harp, go about the city, thou harlot that hast been forgotten;
[2] make sweet melody, [3] sing many songs, that thou mayest be remembered.
Is. 23:17 And it shall come to pass after the end of seventy years,
that the LORD will visit Tyre, and she shall turn to her hire,
and shall commit fornication with all the kingdoms of the world upon the face of the earth.
g7892. שׁיִר shiyr, sheer; or feminine שׁיִרָה shiyrah, shee-raw´; from 7891; a song; abstractly, singing:—musical(-ick), x sing(-er, -ing), song.
g7891. שׁיִר shiyr, sheer; or (the original form) שׁוּר shuwr (1 Sam. 18:6), shoor; a primitive root (identical with 7788 through the idea of strolling minstrelsy); to sing:—behold (by mistake for 7789), sing(-er, -ing man, -ing woman).
g7788. שׁוּר shuwr, shoor; a primitive root; properly, to turn, i.e. travel about (as a harlot or a merchant):—go, singular See also 7891.
lyra , ae, f., = λύρα, I.a lute, lyre, a stringed instrument resembling the cithara, fabled to have been invented by Mercury and presented to Apollo, “Threiciam digitis increpuisse lyram,” Ov. H. 3, 118: “mox cecinit laudes prosperiore lyrā,”
Lesbos
the Sapphic metre (because Sappho [a LESBIAN] was a native of Lesbos)
C. Lesbōus , a, um, adj., Lesbian: nec Polyhymnia Lesboum refugit tendere barbiton, the Lesbian lyre, i. e. lyric songs (like those of Alcæus and Sappho), Hor. C. 1, 1, 34.—D. Lesbĭ-as , ădis, f., = Λεσβιάς, a Lesbian woman: “Lesbiadum turba,” 1. pūblĭcūs B. General, in a bad sense, i. e. common, ordinary, bad (very rare): “structura carminis,”
Prostitution in the Ancient Greek World
The Kithera Mysteries (Wrath or Orgy in Paul's warning.
WHY THE POISONER-SORCERERS WHO MAKE THE LAMBS DUMB BEFORE THE SLAUGHTER WILL SOON BE GONE.
Rev. 18:21 And a mighty angel took up a stone like a great millstone, and cast it into the sea, saying, Thus with violence shall that great city Babylon be thrown down, and shall be found no more at all.
Rev. 18:22 And the voice of harpers, and musicians, and of pipers, and trumpeters,
shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be,
shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee;
Rev. 18:23 And the light of a candle shall shine no more at all in thee;
and the voice of the bridegroom and of the bride shall be heard no more at all in thee:
for thy merchants were the great men of the earth;
for by thy SORCERIES were all nations deceived.
Rev. 18:24 And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth.
Sorcery in Latin.
Veneficium
II. The preparation of magic potions, magic, sorcery: subito totam causam oblitus est: “idque veneficiis et cantionibus Titiniae factum esse dicebat,
vĕnēfĭcus , a, um, adj. venenum-facio,I. poisoning, poisonous; sorcerous, magic, magical.
ars artis, f Ta.: dicendi, oratory: belli, L.: arte canere, O.
canō cecinī, —, ere (P. perf. supplied by canto) I. I. Intrans, to utter melodious notes, make music, sing, sound, play.—Of men: celebrare dapes canendo, I. II. Trans. with cognate acc., to sing, play, rehearse, recite, compose: id carmen: in eum carmina incondita, L.: versūs: verba ad certos modos, O.: praecepta, H.: indoctum,venēficus adj. venenum+2 FAC-, poisoning, poisonous, sorcerous, magic, magical: verba, O.: percussor, Cu.—As subst m., a poisoner, sorcerer, wizard: Mihi res erat cum venefico.
Cantĭo , ōnis, f. cano, lit. a singing, playing; hence meton. abstr. pro concr..percutiō cussī (percusti, H.), cussus, ere V.: lyram, play , O.: (lacernae) male percussae pectine, i. e. poorly woven
I. A song (rare; “mostly ante-class.),” Plaut. Stich. 5, 4, 25; 5, 5, 19; 5, 6, 8; Suet. Ner. 25; “of birds,” App. Flor. 2, p. 349, 11; Fronto ad Ver. 1 (cf. cantatio).—II. An incantation, charm, spell, Cato, R. R. 160: “subito totam causam oblitus est, idque veneficiis et cantionibus Titiniae factum dicebat
Luke 2:49 And he said unto them, How is it that ye sought me?CLICK BELOW: SUBJECTING YOUNG PEOPLE TO ANXIETY IS DANGEROUS AND CONDEMNED
wist ye not that I must be about my Father’s business?
Luke 2:50 And they understood not the saying which he spake unto them.
Luke 2:51 And he went down with them, and came to Nazareth,
and was subject unto them: but his mother kept all these sayings in her heart.
Luke 2:52 And Jesus increased in wisdom and stature, and in FAVOR WITH GOD and man.
Luke 4:16 And he came to Nazareth,
where he had been brought up: [EDUCATION]
and, as his custom was,
he went into the synagogue on the sabbath day,
and STOOD UP TO READ.
READING OR SPEAKING HOLY SCRIPTURE IS THE ONLY REASON THE CHURCH FOUNDEDL.
JESUS WAS SANCTIFIED OR GIVEN "A" HOLY SPIRIT AFTER HE WAS BAPTIZED.
John 10:36 Say ye of him, whom the Father HATH SANCTIFIED,
and sent into the world, Thou blasphemest; because I said, I am the Son of God?
SANCTIFIED MEANS MEANS THE SAME THING AS IN ACTS 2:38
SANCTIFIED IS: g37. ἁγιάζω hagiazo, hag-ee-ad´-zo; from 40; to make holy, i.e. (ceremonially) purify or consecrate; (mentally) to venerate: — hallow, be holy, sanctify.
Acts 2:38 Then Peter said unto them, Repent, and be baptized every one of you in the name of Jesus Christ
FOR the remission of sins, and ye shall receive the gift of A Holy Ghost.
HOLY IS: g40. ἅγιος hagios, hag´-ee-os; from ἅγος hagos (an awful thing) (compare 53, 2282); sacred (physically, pure, morally blameless or religious, ceremonially, consecrated): — (most) holy (one, thing), saint.
Acts 2:39 For the promise is unto you, and to your children, and to all that are afar off, even as many as the Lord our God shall call.
Wherefore do the wicked live, become old, yea, are mighty in power? Job 21:7
- Their seed is established in their sight with them, and
- Their offspring before their eyes. Job 21:8
- Their houses are safe from fear, neither is the rod of God upon them. Job 21:9
- Their bull gendereth, and faileth not; their cow calveth, and casteth not her calf. Job 21:10
- They send forth their little ones like a flock, and
- their children dance. Job 21:11
- They take the timbrel and harp, and rejoice at the sound of the organ. Job 21:12 [Organ instrument of the prostitute]
- They spend their days in wealth, and in a moment go down to the grave. Job 21: 13
- The Logical conclusion is:
- Therefore they say unto God, Depart from us; for we desire not the knowledge of thy ways. Job 21:14
- What is the Almighty, that we should serve him? and what profit should we have, if we pray unto him? Job 21:15
CLICK BELOW: WHAT HAPPENS WHEN PEOPLE CALL PAUL AND HOLY SCRIPTURE A LIE..
CLICK BELOW WHY PAUL SILENCED BOTH MALE AND FEMALE WHEN THE ASSEMBLY MET
CLICK BELOW: SALVATION ACTS 16:31
For non-believers to hear a clear presentation of the Gospel in a welcoming environment. Acts 16:31; Romans 10:9
FREEDOM not yet
For believers to know and experience true freedom from sin and burdens on their hearts. Galatians 5:1
COMMUNITY not yet
For students to find community and discipleship through connection to local ministries and the local church. Ephesians 4:1-6
SUBJECTING YOUNG PEOPLE TO ANXIETY IS DANGEROUS AND CONDEMNED
WHAT HAPPENS WHEN PEOPLE CALL PAUL AND HOLY SCRIPTURE A LIE..XV Theatrical performance creates spiritual anxiesty
Tertullian understood the destructive effect of spectacle on the human body. For instance we discuss the creation of endorphins in the body by music or any visual-audible performance.
Having done enough, then, as we have said, in regard to that principal argument, that there is in them all the taint of idolatry-having sufficiently dealt with that,
let us now contrast the other characteristics of the show with the things of God.
because these things are alone in keeping with the goodness of His nature,
God has enjoined us to deal calmly, gently, quietly, and peacefully with the Holy Spirit,
with His tenderness and sensitiveness,"and not to vex Him with rage, ill-nature, anger, or grief.
Well, how shall this be made to accord with the shows?
- For the show always leads to spiritual agitation,
- since where there is pleasure,
- there is keenness of feeling giving pleasure its zest;
- and where there is keenness of feeling,
- there is rivalry giving in turn its zest to that.
- Then, too, where you have rivalry,
- you have rage, bitterness, wrath and grief."
- (Tertullian, de Spectaculis, Ante-Nicene, III, p. 86).
"Philodemus considered it paradoxical that music should be regarded as veneration of the gods while musicians were paid for performing this so-called veneration. Again, Philodemus held as self deceptive the view that music mediated religious ecstasy. He saw the entire condition induced by the noise of cymbals and tambourines as a disturbance of the spirit.
He found it significant that, on the whole, only women and effeminate men fell into this folly.
Accordingly, nothing of value could be attributed to music; it was no more than a slave of the sensation of pleasure, which satisfied much in the same way that food and drink did.
PAUL WARNED THAT WOMEN WHO WANTED TO "TEACH OVER WITH AUTHORITY, or AUTHENTIA would not be saved and their born children would not be safe. Paul asked in 1 Corinthians 14 'DID TRUTH BEGIN WITH YOU.'
Both Male and Female are restricted from TEACHING over: The authority outlawed for women is AUTHENTIA which is sexual and murderous because it is SELF--AUTHORING which silencint the WORD and denies Christ authority as only MEDIATOR, Comforter Intercessor with the only one with a Right to speak in secret and silent places.
PAUL KNEW THAT ONLY WOMEN AND EFFEMINATE MEN WILL BRING GOD'S WRATH INTO AN ASSEMMBLY
"Philodemus considered it paradoxical that music should be regarded as veneration of the gods while musicians were paid for performing this so-called veneration. Again, Philodemus held as self deceptive the view that music mediated religious ecstasy. He saw the entire condition induced by the noise of cymbals and tambourines as a disturbance of the spirit.
He found it significant that, on the whole, only women and effeminate men fell into this folly.
Accordingly, nothing of value could be attributed to music; it was no more than a slave of the sensation of pleasure, which satisfied much in the same way that food and drink did.
In false religions, which are not ashamed of criticising what is noble, will ask: how can there be a feast without carousing and overeating, without the pleasant company of hosts and guests, without quantities of unmixed wine, without richly set tables and highly stacked provisions of everything that pertains to a banquet, without pageantry and jokes,
bantering and merry-making to the accompaniment of flutes and citharas, the sound of drums and cymbals and other effeminate and frivolous music of every king,
enkindling unbridled lusts with the help of the sense of hearing. For in and through the same [pleasures] those persons openly seek their joy, for what true joy is their they do not know.
"Women and girls from the different ranks of society were proud to enter the service of the gods as singers and musicians. The understanding of this service was universal: these singers constituted the 'harem of the gods'." (End of Quasten)
In that regard, epic's position is parallel to that of rhetoric. Beginning with Aristotle's Rhetorica (1404a), critics of rhetorical performance have ascribed to lively delivery the same effect as that of acting. There is a persistent association between theatrics, bad rhetoric and effeminacy.
Rhetoric was forever at pains to disentangle itself from unwanted associations with female deception and histrionic art, because it was viewed as the art of socially weak women and slaves,and rhetoricians of all ages have assiduously fought against any trace of bodily and vocal practice associated with these groups.
However, from the examples that I have just used, it is evident, I believe, which art of music I consider appropriate in the training of the orator and to what extent.
Nevertheless, I think that I need to be more explicit in stating that the music which I prescribe is not the modern music which has been emasculated by the lascivious melodies of the effeminate stage and has to no small extent destroyed the amount of manly vigor that we still possessed.
I refer rather to the music of old with which people used to sing the praises of brave men and which the brave themselves used to sing.
But this fact does not justify degeneration into sing-song or the effeminate modulations now in vogue. There is an excellent saying on this point attributed to Gaius Caesar while he was still a boy:
"If you are singing, you sing badly; if you are reading, you sing."
Musical Worship Teams-Effeminate Worship [hard work]
Worship.Androgyny.The.Pagan.Sexual.Ideal
WHY PAUL SILENCED BOTH MALE AND FEMALE WHEN THE ASSEMBLY MET TO "USE ONE MIND AND ONE MOUTH" TO SPEAK THAT WHICH WAS WRITTEN FOR OUR LEARNING..
1Tim. 2:3 For this is good and acceptable in the sight of God our Saviour;
1Tim. 2:4 Who will have all men to be SAVED,
and to COME UNTO THE KNOWLEDGE OF THE TRUTH.
Is. 11:2 And the SPIRIT OF THE LORD shall rest upon him,1Tim. 2:5 For there IS ONE GOD and one mediator between God and men, THE MAN JESUS CHRIST.
the SPIRIT of wisdom and understanding, the spirit of counsel and might,
the spirit of knowledge and of the fear of the LORD;
Eph. 1:17 That the God of our Lord Jesus Christ,
the Father of glory, may give unto you
the spirit of wisdom and revelation in the knowledge of him:
1Tim. 2:6 Who gave himself a ransom for all, to be testified in due time.
1Tim. 2:7 Whereunto I am ordained a preacher, and an apostle, (I speak the truth in Christ, and lie not;)
a teacher of the Gentiles in faith and verity.
1Tim. 2:8 I will therefore that men pray every where, lifting up holy hands, WITHOUT WRATH
Eph. 5:6 Let no man deceive you with vain words:
for because of these things cometh the WRATH OF GOD
upon the children of DISOBEDIENCE. diffīdentĭa
diffīdentĭa want of confidence, mistrust, distrust Want of faith, disobedience (eccl. Lat.): “ira Dei in filios diffidentiae,”
2Th. 1:8 In flaming fire taking vengeance on them that know not God,
and that obey not the gospel of our Lord Jesus Christ:
1Pet. 4:17 For the time is come that judgment must begin at the house of God:
and if it first begin at us, what shall the end be of them that obey not the gospel of God?perturbātĭo , ōnis, f. perturbo,In ancient Greek religion, an orgion (ὄργιον, more commonly in the plural orgia) was an ecstatic form of worship characteristic of some mystery cults.[1] The orgion is in particular a cult ceremony of Dionysos (or Zagreus), celebrated widely in Arcadia, featuring "unrestrained" masked dances by torchlight and animal sacrifice by means of random slashing that evoked the god's own rending and suffering at the hands of the Titans.[2][3] The orgia that explained the role of the Titans in Dionysos's dismemberment were said to have been composed by Onomacritus.[4] Greek art and literature, as well as some patristic texts, indicate that the orgia involved snake handling.[5]I.confusion, disorder, disturbance.I. Lit.: “caeli (opp. serenitas),” Cic. Div. 2, 45, 94: “hostium,” Vulg. 2 Macc. 13, 16.—
OPPOSITE: serenitas quietness, stillness, tranquillity.
Baptism REMOVES:
Perturbātĭo , ōnis, f. perturbo, I. confusion, disorder, disturbance.
Ex-ercĕo , ŭi, itum, 2, v. a. arceo, .Opere to drive on, keep busy, keep at work; to oversee, superintend; with an inanimate object, to work, work at, employ one's self about a thing B. To practise, follow, exercise any employment; to employ one's self about, to make use of any thing:
“rhetoricen,” Quint. 2, 1, 3; 2, 15, 27: “eloquentiam,” id. 1, 4, 6: “artem,” id. 3, 6, 18; cf.
Orgia may have been earlier manifestations of cult than the formal mysteries, as suggested by the violently ecstatic rites described in myth as celebrated by Attis in honor of Cybele and reflected in the willing self-castration of her priests the Galli in the historical period. The orgia of both Dionysian worship and the cult of Cybele aim at breaking down barriers between the celebrants and the divinity through a state of mystic exaltation:[6]
Dionysian orgy allowed the Bacchant to emerge from the 'ego' to be united with the god in the ecstatic exaltation of omophagia, dancing and wine. … This kind of bodily mysticism and psychosomatic liberation had only temporary effects each time — the period of the ekstasis.[7]
https://en.wikipedia.org/wiki/Senatus_consultum_de_Bacchanalibus
One ceremony was pharmakos, a ritual involving expelling a symbolic scapegoat such as a slave or an animal, from a city or village in a time of hardship. It was hoped that by casting out the ritual scapegoat, the hardship would go with it.
1Tim. 2:9 In like manner also, that women adorn themselves in modest apparel,
with shamefacedness and sobriety; not with broided hair, or gold, or pearls, or costly array;
1Timothy 2:10 But (which becometh women professing godliness) with good works.
1Timothy 2:11 Let the woman LEARN in silence with all subjection.
1Timothy 2:12 But I suffer not a woman to teach,
nor to usurp authority OVER the man,
[A substituting, forging: “testamentorum Liv. 39 18
Isaiah 4:3 And it shall come to pass, that he that is left in Zion, and he that remaineth in Jerusalem,
shall be called holy, even every one that is written among the living in Jerusalem:
Isaiah 4: 4 When the Lord shall have washed away the filth of the daughters of Zion, and shall have purged the blood of Jerusalem from the midst thereof by the spirit of judgment, and by the spirit of burning.
Ab-lŭo , “abluere sitim,” to quench, Lucr. 4, 876; and: abluere sibi umbras, to remove darkness (by bringing a light), id. 4, 378.—Of the washing away of earth by a shower, Varr. R. R. 1, 35.—In eccl. Lat., of baptism: munere divinitatis abluti, Cod. Th. 19, 6, 4.—
II. Trop., of CALMING THE PASSIONS passions: omnis ejusmodi perturbatio animi placatione abluatur, be removed (fig. derived from the religious rite of washing in expiation of sin), Cic. Tusc. 4, 28, 60: “maculam veteris industriae laudabili otio,” to wash out, Plin. Ep. 3, 7, 3: “perjuria,” Ov. F. 5, 681 al.
Titus 3:5 Not by works of righteousness which we have done, but according to his mercy he saved us, by the washing of regeneration, and renewing of the Holy Ghost;
There is not a single person from Genesis to Revelation who is said to worship the LORD GOD by preaching, listening, singing, playing an instrument, acting or PAY TO PLAY
Pi.N.7.81 Pindar, Nemean Odes 7God POURED OUT HIS OWN Spirit as prophesied in Joel over two thousand years ago on the day of Pentecost. ALL active verbs about God's OWN Spirit such as poured, fell upon or come upon is in WORDS.
The rich man and the poor man alike travel together to the boundary of death. [20]
And I expect that the story of Odysseus came to exceed his experiences,
through the sweet songs of Homer
[22] since there is a certain solemnity in his lies and winged artfulness,
and poetic skill deceives, seducing us with stories,
and the heart of the mass of men is blind.
For if [25] they had been able to see the truth, then mighty Aias, in anger over the arms, would never have planted in his chest the smooth sword—Aias, who was the most powerful in battle,
Aristotle: Melody Deceives: "Poets also make use of this in inventing words, as a melody "without strings" or "without the lyre"; for they employ epithets from negations, a course which is approved in proportional metaphors..
- The form of diction should be neither metrical nor without rhythm. If it is metrical, it lacks persuasiveness, for it appears artificial, and at the same time it distracts the hearer's attention,
- since it sets him on the watch for the recurrence of such and such a cadence..
According to Philo, the gods of the pagans exploit this weakness of men. For the sake of a better effect, and with the intention of more easily cheating their devotes, that they have set their lies to melodies, rhythms and meters.." Click for more.
Pl. Bac. 1.1 Note: Your Bacchanalian den: "Bacchanal" was properly the place where the Bacchanalia, or orgies, were celebrated. He styles them "Bacchantes," and their house a "Bacchanal," in allusion both to their names and their habits
7 Mischievous serpent: "Mala tu's bestia." Literally, "you are an evil beast;" which sounds harsh to an English ear, even when applied to such an animal as Bacchis.
Baccha Mainas or Thuias,13 A soft cloak: It was the custom at entertainments for the revellers to exchange their ordinary clothes for fine vestments, elaborately embroidered.
I. a Bacchanet, a female attendant of Bacchus, who, in company with Silenus and the Satyrs, celebrated the festival of that deity with a raving madness carried even to insensibility, and with hair loose and flying wildly about, to initiate into the festivals of Bacchus, Mūsa , ae, f., = Mousa, II. mousa, as Appellat., music, song, “m. stugera” A.Eu.308
5 A womanish race: "Muliersous" generally means "fond of women." It clearly however, in this passage means "womanish," or "womanlike."
Jeremiah 15:17 I sat not in the assembly of the mockers, nor rejoiced;
I sat alone because of thy hand: for thou hast filled me with indignation.
9 Use a drum: The priests of Cybele, who were either eunuchs, or persons of effeminate and worthless character, walked in their processions beating a "tympanum." a "drum" or "tambourine." The Captain, by his question, contemptuously implies that Agorastocles is such a character. See the Truer lentus, l. 608, and the Note
John 6:63 It is the spirit that quickeneth;Unless you are over 2,000 years old, sent by God, selected by and EDUCATED by Jesus, any HOLY SPIRIT manifestation was and will be a sign of judgement---God pouring out His WRATH (rhetoric, music or scenic displays. This is Tragic
the flesh profiteth nothing:
the words that I speak unto you,
they are spirit, and they are life.
John 6:64 But there are some of you that believe not.
For Jesus knew from the beginning who they were that believed not, and who should betray him.
John 6:65 And he said, Therefore said I unto you,
that no man can come unto me, except it were given unto him of my Father.
John 16:7 Nevertheless I tell you the truth;SPEAKING ONLY OF THE APOSTLES.
It is expedient for you that I go away: for if I go not away,
the Comforter will not come unto you;
but if I depart, I will send him unto you.
John 16:8 And when he is come, he will reprove the world of sin, and of righteousness, and of judgment:
John 16:9 Of sin, because they believe not on me;
John 16:10 Of righteousness, because I go to my Father, and ye see me no more;
John 16:11 Of judgment, because the prince of this world is judged.
Matt. 10:33 But whosoever shall deny me before men,
him will I also deny before my Father which is in heaven.
Matt. 10:34 Think not that I am come to send peace on earth:
I came not to send peace, but a sword.
Matt. 10:35 For I am come to set a man at variance against his father,
and the daughter against her mother, and the daughter in law against her mother in law.
Matt. 10:36 And a man’s foes shall be they of his own household.
Matt. 10:37 He that loveth father or mother more than me is not worthy of me:
and he that loveth son or daughter more than me is not worthy of me.
John 16:12 I have yet many things to say unto YOU, but ye cannot bear them now.WHILE JESUS IN THE SAFE STATE (NEVER A GOD) OF HOLY SPIRIT IS DESTROYING THE WORLD ORDER OF SATAN
John 16:13 Howbeit when he, the Spirit of truth, is come, he will guide YOU into all truth: for he shall not speak of himself; but whatsoever he shall hear, that shall he speak: and he will shew YOU things to come.UniteUS PURPOSE #1: On September 12, 2023, thousands of college students gathered at Auburn University’s Neville Arena with one singular focus–to lift the name of Jesus.
John 16:14 He shall glorify me: for he shall receive of mine, and shall shew it unto YOU.
John 16:15 All things that the Father hath are mine:
therefore said I that he shall take of mine, and shall shew it unto YOU
What began in Auburn, Alabama has continued to grow into a movement reaching college campuses across the nation.
Every Unite gathering has three main objectives:
1 SALVATION ACTS 16:31
For non-believers to hear a clear presentation of the Gospel in a welcoming environment. Acts 16:31; Romans 10:9
The Question which determins salvation.
Acts 16:30 And brought them out, and said, Sirs, WHAT MUST I DO TO BE SAVED?
PAUL PREACHED THE SAME GOSPEL IN ACTS. OF THOSE WHO WERE EDUCATED TO EXPECT MESSIAH..ANSWER;
Acts 2:37 Now when they heard this, they were pricked in their heart, and said unto Peter and to the rest of the apostles, Men and brethren, WHAT SHALL WE DO?
Acts 16:31 And they said, Believe ON the Lord Jesus Christ, and thou shalt be saved, and thy house.
BELIEVE ON: pist-euō , trust, put faith in, rely on a person, thing, or statement, “tō logō” Pass., to be trusted or believed, 2. COMPLY, hōs oukh hupeixōn oude pisteusōn legeis; S.OT625, cf. 646 ; opp. apisteō, Id.Tr.1228.Acts 16:32 AND they SPAKE unto him the WORD of the Lord, and to all that were in his house.
II. p. tini ti entrust something to another, tini hēgemonian, khrēmata, X.Mem.4.4.17, Smp.8.36; “tan ōnan tō theō” GDI1684
Acts 16:33 And he took them the same hour of the night,
WHAT MUST BE EXCLUDED WHEN YOU SPEAK THE WORD OF THE LORD.
John 6:63 It is the SPIRIT that quickeneth;
the flesh profiteth nothing:
the WORDS that I SPEAK unto you, they are SPIRIT, and they are LIFE.
John 6:64 But there are some of you that believe not.
For Jesus knew from the beginning who they were that believed not, and who should BETRAY HIM
Deut. 18:11 Or a charmer, or a consulter with familiar spirits, or a wizard, or a necromancer
A Charmer is an Abomination
incantātor , ōris, m. incanto, I. an enchanter, wizard (post-class.), Tert. Idol. 9; Isid. 8, 9, 15; Mos. et Rom. Leg. Coll. 15, 1, 2.
consŭlo (a). In the lang. of religion, to consult a deity, an oracle, omens, etc.: “Apollinem de re,” Cic. Leg. 2, 16, 40: “deum consuluit auguriis, quae suscipienda essent,” Liv. 1, 20, 7: “deos hominum fibris,” Tac. A. 14, 30 fin.: “Phoebi oracula,” Ov. M. 3, 9; Suet. Vesp. 5: “Tiresiam conjectorem,” Plaut. Am. 5, 1, 76:
B. An incantation, charm, magic song, etc.: cantusque artesque magorum.
“cantus e curru Lunam deducere tentat,”
2. With instruments, a playing, music: “in nervorum vocumque cantibus,” Cic. Tusc. 1, 2, 4; id. Rosc. Am. 46, 134: “citharae,” Hor. C. 3, 1, 20: “horribili stridebat tibia cantu,” Cat. 64, 264: “querulae tibiae,”
and washed their stripes;
and was BAPTIZED, he and all his, straightway.
Acts 16:34 And when he had brought them into his house, he set meat before them,
and rejoiced, BELIEVING in God with all his house.
He was NOT a BELIEVER until AFTER HE WAS BAPTIZED.
Gal. 1:9 As we said before, so say I now again, If any man preach any other gospel unto you than that ye have received, let him be accursed.
Mark 16:15 And he said unto them, Go ye into all the world,
and preach the gospel to every creature.
Mark 16:16 He that believeth AND is baptized shall be saved;
Andocides 1. [3] With defendants who face a trial of their own free will, gentlemen, it stands to reason that you should
feel as CONVINCED
[pist-euō—trust, put faith in, rely on a person, thing,
or statement
2. COMPLY, hōs oukh hupeixōn oude pisteusōn legeis;
S.OT625, cf. 646 OPPOSITE ; . Apisteō, Id.Tr.1228.FAITH and is BAPTIZED asks God to give you A holy spirit so that you can read BLACK text on BROWN paper.Believeth NOT doesn't mean one who has not YET come to belief. Believeth NOT MARKS TRAITORS.
but he that believeth not shall be damned.
but he that believeth not shall be damned.
Believeth Not is pisteō, Id.Tr.1228.BELIEVETH NOT IS: Apistos , on,Soph. Trach. 1228
No other man but you must ever marry
this woman who has lain with me in love;
no, you, my son, must take her for your own.
Consent! To disrespect me in small matters
destroys the greater favors you have done.
I. Pass., not to be trusted, and so:1. of persons and their acts, not trusty, faithless,
by untrustworthy, groundless confidence, Th.1.120; shifty, unreliable,
APISTEO of those who REFUSED to obey. I. disbelieve, distrust, was distrusted, i.e. no one could be sure of knowing, is not believed to be possible, II. = apeitheō, disobey, “tini” Hdt.6.108
ēn d' apistōsi but if they refuse to comply,
2. to be faithless, “ei hēmeis apistoumen, ekeinos pistos menei” 2 Ep.Tim. 2.13.
ii 2. disobedient, disloyal, S.Fr. 627:
b. treacherously, Ph.1.516.Those who COMPLY NOT Apist-eô I. disbelieve, distrust, was distrusted, i.e. no one could be sure of knowing,
II. = apeitheô, disobey, to be DISOBEDIENT, they refuse to comply, They are not to be trusted, and so of persons and their acts, not trusty, faithless, Act., mistrustful, incredulous, suspicious, Treacherously, cause to REVOLT from. also kleptô meaning: seize or occupy secretly, effect or bring about clandestinely, gamon, to be 'smuggled in' get rid of imperceptibly
Apistia (g570) ap-is-tee'-ah; from 571; faithlessness, i.e. (neg.) disbelief (want of Chr. faith), or (pos.) unfaithfulness (disobedience): - unbelief.
Apistos (g571) ap'-is-tos; from 1 (as a neg. particle) and 4103; (act.) disbelieving, i.e. without Chr. faith (spec. a heathen); (pass.) untrustworthy (person), or incredible (thing): - that believeth not, faithless, incredible thing, infidel, unbeliever (-ing)
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