The
music- and Dionysus- perverted Clergy tried to initiate
Jesus into the Dionysus or Bacchus worship which had been
part of the Abomination of Desolation at the temple.
But Jesus refused to sing and dance. As well, He cast out
the Musical Mourning Team more or less violently as one expels
dung.
They also thought or
hoped, according to Jesus, that John wore the SOFT
clothing of the king's catamite.
All "religions" which put
the focus on song and dance rituals were dedicated to the
goddesses. The "income" was gained and the SEEKERS
attracted because one act was to have a sexual encounter
through fornication or Sodomy. The modern Vineyard concept
sees "a Climatic" experience just before the final act:
giving of means:
"their
greatest competition for the hearts of the people were the
many pagan religions
already in existence,
many of which would have been mother goddess or fertility cults."
Jesus and
John refused to participate and were murdered: you simply
could not be Dionysus the hoped for Messiah without being
initiated.
However,
C. S. Lewis articulated an end-time foe of Jesus Christ.
His Aslan is Salan a name for Satan who LEADS the boys and
girls in the end-time perverted rituals of Dionysus. Sure,
people who adopt terms like Jubilee, Halal, A Cappells,
and Zoe Group are secretly MARKED by God for those who
have eyes and ears. Remember that Cain was marked by his
name--meaning a "musical note" and the ancestor of Jubal
or Genun used by Satan to seduce people away from the
LIVING WORD with music and perverted sexuality.
Aslan from Narnia best describes the
ancient Babylonian New Style Worship.
In C. S. Lewis'
attempt to displace Jesus Christ as the lion of the
Tribe of Judah, Aslan, the lion finally joins in, leads
the children and participate in the song and dance of
Dionysus.
However, this is a
plague begun in heaven by Lucifer (Zoe), into the garden
of Eden and into many religious commercial states. We
cannot look at all of the history but the holy whore
standing on the LION is an old theme.
In the end-time Lucy
(Lucifer, Zoe?) rides on the back of Aslan or Salan who
pretends to be the lion of the tribe of Judah. And Aslan
leads the procession!
"According
to the Dictionary of Mythology, Folklore, and Symbols by
Gertrude Jobes, the sun is "The active or male principle in
nature, wanderer, lion, gold, symbolised by the bow and arrow." Notes from.
In
The Lion, the Witch and the Wardrobe.
p.65
"At the name of Aslan, Lucy got the feeling you
get when you wake in the morning and realize
it's the beginning of spring."
p.74
"Tell us about Aslan...once again that strange feeling -
like the first sings of spring had come over them."
p.74
"An old rhyme in these parts...when he bares his teeth
winter meets its death and when he shakes his mane we shall have spring again."
In the
musical worship of
Tammuz and Ishtar in Ezekiel:
He said
also unto me, Turn thee yet again, and thou shalt see
greater abominations that they do. Eze 8:13
Then he
brought me to the door of the gate of the Lords house
which was toward the north; and, behold, there sat women
weeping for Tammuz. Eze 8:14
Lewis
clearly associates Lucy as Lucifer or Zoe who in
paganism gave birth to Jehovah and placed him on the
earth.
Only by
singing praise songs to Sophia and Zoe could Jehovah get
promoted up to the seventh heaven, just below the supreme
God. Of course, Jehovah had to organize musical worship
teams to keep on honoring His maker, Zoe or Lucifer or
Lucy.
p.105
"Father
Christmas" gives Susan a bow and arrows and Lucy a dagger
and a cordial in a
bottle, made from the
fire-flowers that grow in the mountains of the sun.
One of the children received a goblet or chalice.
This has
some interesting implications. First, of all "Father
Christmas" is none other than that old wretch, Santa
Clause; emblem on that sun festival that was "christened" by the pope
centuries ago.
Secondly,
the bow and arrow symbolize the sun. J.E. Cirlot's A Dictionary of Symbols
states, "Benoist remarks that the bow and arrow, as
attributes of Apollo, stand for the sun's energy, its rays
and its fertilising and purifying powers." (p.31)
See Homer defining Apollo. He is the father of "musical harmony,
shooting arrows (symbolic), liers and thieves.
Apollo
is Abaddon or Apollyon. He was worshipped at his
Seeker-Center, the Oracle of Delphi. His "muses" messed
up with the mother goddess and were turned into Locusts
or Grasshoppers or "musical performers." In the book of
Revelation Abaddon will be identified when the church
(named after Circe of John's arena) turns from school of
the Bible to a "musical worship center." As the
king/queen of Tyre model of Lucifer he was identified as
the "harp playing prostitute." As king/queen of Babylon
he would go into Sheol with his harps and harpists to
rot on a bed of Maggots. In Revelation 18, she will
finally be defeated and her musicians or muses or
locusts with scorpion stings and instrumentalists will
finaly go to the ultimate hell of fire.
"Third,
we note again the fact that a cordial is an alcoholic
drink or stimulant
flavored with plant
parts. This one
presented to Lucy is said to be made from fire-flowers
that grow on the mountains
of the sun. According
to the book by Jobes, fire flowers themselves represent
the sun. Here they are said to grow on the
mountains of the sun which are
associated with Leo,
the lion of the
zodiac.
The
modern incarnation is the NEW WINESKINS and the
toleration for wine even in the fellowship halls.
Dionysus was the "father" of both wine and NEW
WINESKINS. You had to be drunk to enter into the
perverted singing, playing and dancing to worship the
S.U.N. God.
In fact,
the name Lucy itself means "light." It is from the Latin, and relates to
"luce," as in Lucifer. Leo is also said to be the ruler of
the heart which is interesting in that cordials are often heart stimulant and the goblet symbolizes the human
heart according to Cirlot. [Note: Lewis' fire-flowers
are listed on a web page of herbs for "use" in Role
Playing Games. This is hardly surprising since the
Chronicles of Narnia were recommended reading by the makers of Dungeons and Dragons!]
In the Book of
Enoch, Jubilees, Adam and Eve and other documents it
was the belief that the bisexual Lucifer taught the
youth the use of mixed-sex choirs, musical
instruments, the cutting of roots or herbs, wine and
homosexuality.
p.124
Speaks of Aslan's golden eyes, p.138 his golden face,
p.159 his warm breath, and p.162 his golden fur.
Jobes'
book again: "GOLDEN HAIR Light of the morning and evening sun as
an attribute of sun
deities; typifies
rays of the sun. GOLD The dawn; solar energy and light the sun." Cirlot's book: "Gold is the image of
solar light..." (p.119) "...golden hair is related to
the sun's rays..." (p.135). Breath
symbolizes the sun's rays. To alchemists, breathing
symbolizes absorption of the sun's "astral gold."
On page
150 we find that before the Witch kills Aslan,
she shaves off his mane and around his face. In the
symbolism of sun worship hair cutting represents ray cutting.
This ritual of shaving is perhaps the very reason why
God forbids the priests to shave their heads in the
future temple. Ezekiel 44:20 Neither shall they shave
their heads, nor suffer their locks to grow long; they
shall only poll their heads. Shaving of the head in the
Bible, in general typifies uncleanness or removing of
uncleanness. In Corinth, it was the prostitutes that
shaved their heads. (1Corinthians 11:6)
Paul
condemned the pagan form of "prophesying" which the
uncovered women in paganism performed with music. The
goal was to seduce the Word believers into Dionysus or
other form of paganism.
We also
find that when the Witch kills the lion (sun), she calls
him "Fool."
This also relates to the sun worship customs. According
to Jobe's book, "The sun deity has spells in which he
suffers a wrong daily, a death at the hands of night, as
affliction necessary for rebirth." The rebirth or
resurrection comes at dawn.
THE
HOLY PROSTITUTE IN BABYLON
Feminist destruction of
the "male" God has its national beginning in Babylon. This
is prophetic of the end time Babylon Whore of Revelation
18. Inanna got Ea the patron god of music
drunk and stole the ME. Included was the power
of the ELDERSHIP where females preside over the flock with
a tune. Another gift was the control of music and
instruments, the power of the GATES OF HELL and perverted
sexuality.
This gives her power to
make her temple most powerful. However, she often gets mad
and SOWS DISCORD AMONG otherwise
peacable brothers. She also is very powerful in tearing
down the "temples" she has built with her music and
sexuality. She is the eternal holy whore but inside she is
Crone, ugly hag, Satan wearing only light like an angel.
The goddess Inanna, associated with the
winged LION, or while subjugating the lion. having
assumed on themself the wings "Qedesha, also spelled kedesha or kedeshah ,
Akkadian qadishtu one of a class of sacred prostitutes found throughout the ancient Middle
East, especially in the worship of the fertility goddess
Astarte (Ashtoreth, Astarte (easter), Inanna).
Prostitutes, who often played an important part in
official temple worship, could be either male or female.
That
is why no singer or musician could enter into the
holy place as a carnal type of the Body of Church of
Christ. They were only fit to enhance the
temple-state and make a loud noise while the
thousands of types of Lord Jesus Christ were being
slaughtered outside of the temple.
Loud
music still intends to silence the quiet voice of
Jesus.
THE HOLY PROSTITUTE IN EGYPT:
DOMINATING THE TRUE LION
In
Egypt, a goddess named Qedeshu, Lady of Kadesh (Syria), was worshiped in the 19th
and 20th dynasties (1292&endash;c. 1075 BC). Her
representation is found on private stelae of
middle-class workers. She is shown nude, posed
frontally on a lioness (or a leopard), holding
arrows in her hands. Although Israelite prophets and
reformers repeatedly denounced sacred prostitution, the early Israelites seem to have adopted the local
Canaanite rites, which they apparently practiced
publicly until the reform of King Josiah about 621
BC. Britannica
The
singers which plagued Jerusalem were identified as
prostitutes, and the musicians were identified as
Sodomites. Miriam meaning "bitter and rebellious"
pretended that she was a prophetess of Jehovah. However,
she got smacked with a case of leprosy for her trouble.
Miriam of the royal Egyptian household would have been a
prophetess of Hathor:
Hathor as Qadesh the Syrian fertility
goddess with
phallic Min. Note the Hathor crown and
headdress. She
stands on a lion, holding a serpent and ears of grain (Graves 1946,
Pritchard 1954)
And I wept much, because no man was
found worthy to open and to read the book, neither to
look thereon. Revelation 5:4
And
one of the elders saith unto me, Weep not: behold,
the Lion of the tribe of Juda, the Root
of David, hath prevailed to open the book, and
to loose the seven seals thereof. Revelation 5:5
Many of our children
have been taught more about Aslan
and Narnia than about
Jesus Christ. C. S. Lewis pretending to be a
Christian was a primary facilitator of the end-time
prostitute religion into which the Jews tried to
INITIATE Jesus. Some Narnia quotations are taken from
Mary Van Nattan
THE INTERTESTAMENT PERIOD AMONG THE
JEWS
In the Bible, the
Jewish nation was to be destroyed because it was almost
totally consumed with the left over rituals of Zeus
and Dionysus. Music and the Gymnasium were the
MARKS of false religion.
This worship into which
Jesus would not be initiated was the Abomination
of Desolation in the Jerusalem temple. Singing,
dancing, clapping, playing instruments resounded while
animals were sacrificed in the Holy Places as the carnal
type of the church of Christ. Sexual and homosexuality
was common in both the holy places and especially the
GYMNASIUM. Guards were often posted to keep the NEW
GYMNASIUM CULT under control.
This was a continuation
of ancient paganism in Babylon and later in the known
world. ZOE was the mother of the gods who hatched
"jehovah." Jehovah had to use praise songs to Sophia and
Zoe before he could go ALMOST into the presence of the
supreme God. Jehovah had to continue with his musical
worship teams to keep the MATRIARCHAL urge appeased.
It fully destroyed the
leadership of the Jews in the intertestament period
which has no approved prophetic message from God. In the
post Biblical period this continued as the worship of
Zeus and Dionysus in Gnosticism.
1 - Not long
after this, the king sent an Athenian senator to compel
the Jews to forsake the laws of their fathers
and cease to live by the laws of God,
2 - and also to
pollute the temple
> in Jerusalem and
call it the temple of Olympian Zeus,
> and to call the
one in Gerizim the temple of Zeus the Friend of
Strangers, as did the people who dwelt in that
place.
>
Ganymede was the lover of Zeus:
"Upon
hearing that Ganymede was to be cup
bearer (male lover) as well as Zeus' lover, the infinitely jealous Hera was
outraged. Therefor Zeus set Ganymede's image among
the stars as the constellation Aquarius, the water carrier. Aquarius was
originally the Egyptian
god over the
Nile. The Egyptian god poured water not wine from a flagon.
This IS the age of Aquarius!
3 -
Harsh and utterly grievous was the onslaught of evil.
4 -
For the temple was filled with debauchery and reveling by the
Gentiles,
who dallied
with harlots and
had intercourse with women within
the sacred precincts,
and
besides brought in things for sacrifice that were unfit.
Sodomy was a particular problem with
the GYMNASIUM which is also a mark of the age of
Aquarius
Jesus repudiated the musical
water-carrying ritual in the temple. But not among
the vilest Jews were the flutes permitted on the
Sabbath or any holy day!
Remember that because of the musical
idolatry at Mount Sinai God turned Israel over to
worship the Starry Host. This was the musical
worship of Molech and Chiun (Saturn = 666) in Israel
and of Molech in Judah in the "king's music grove."
>
"All of Zeus'
scandalous liaisons have allegorical meanings. Zeus' torrid affair with Ganymede was a religious justification for homosexuality within the Greek culture.
Before
the popularity of the Zeus and Ganymede myth spread, the only
toleration for sodomy was an external form of goddess worship. Cybele's male devotees tried to
achieve unity with her by castrating themselves and dressing like women.
"While
Platonic love needed women for regeneration purposes (grow the attendance)
the philosopher used this myth
to justify his sexual feelings towards his all
male pupils.
>
"During the fourth
century the Jews came under the influence of Greek Rationalism. In 332 BC Alexander of Macedonia
defeated Darius III of Persia and the Greeks began
to colonize Asia and Africa. The founded city-states
in Tyre, Sidon, Gaza, Philadelphis (Amman) and
Tripolis and even in Shechem.
The
Jews of Palestine and the diaspora were surrounded
by a Hellenic culture which some found disturbing,
but
others were excited by Greek theater, philosophy, sport and poetry.
They learned
Greek, exercised at the gymnasium and took Greek names. Some
fought as mercinaries in the Greek armies.
"Thus
some Greeks came to know the God of Israel and decided
to worship Yahweh (Iao) alongside Zeus and Dionysus.
Some
were attracted to the synagogue... There they read
scriptures, prayed and listened to sermons
(explanations).
The
synagogue was unlike anything else in the
rest of the ancient religous world.
Since there was no ritual or sacrifice, it must have seemed more like a
school of philosophy, and many flocked in the
synagogue if a well-known Jewish preacher came to
town...
"By
the second century BC this hostility was entrenched:
in Palestine there had even been a revolt when
Antiochus Epiphanes, the Selucid governor,
had
attempted to Hellenize Jerusalem
and introduce
the cult of Zeus into the temple....
"In the second century BC Jesus Ben Sira...
made
Wisdom (Sophia) [Life
was ZOE or Lucifer]
- stand up in the Divine Council
- and sing her praises:
she had come forth from the mouth of the Most High as the Divine Word by which God had created the
world...
Wisdom
leaving God to wander through the world in search of
humanity, it is hard not to be reminded of the
pagan goddesses such as Ishtar, Anat and Isis, who had also
descended from the divine world in a redemptive.
"When
monotheists fell in love with
Greek
philosophy, they inevitably
wanted to try to adapt its God to their own." (Armstrong, Karen, A History of
God, p. 67f)
Zoe, the daughter of Sophia gave birth
through her son/husband to "Jehovah" in the physical
world of chaos. However, Jehovah easily learned how
to appease Sophia-Zoe and by singing praise to THEM. Through this music, Jehovah was
moved "almost to the presence of the supreme god."
This, the modern ZOE groups or Musical Worship Teams
still promise. Don't speak the Word of the Living
Word or her satyrs will kill you.
BUT ZEUS IS REALLY DIONYSUS
But
when it is known that "Zeus the
Saviour" was only
a title of Dionysus, the "sin-bearing Bacchus," his character, as "The Saviour," appears in quite a different
light. In Egypt, the Chaldean god was held up as the
great object of love and adoration, as the god
through whom "goodness and truth were revealed to mankind." He was
regarded as the predestined heir of all things; and,
on the day of his birth, it was believed that a
voice was heard to proclaim, "The Lord of all the earth is born." In this character he was styled "King of kings, and Lord of lords," it being as a professed
representative of this hero-god that the celebrated
Sesostris caused this very title to be added to his
name on the monuments which he erected to perpetuate
the fame of his victories. Hislop shows how this fits seeing the S.U.N.
god to think of the S.O.N. God as Rubel Shelly recommends. And as seen in Cosmic Christmas
which is the worship of Shamash.
Plutarch was the son of Aristobulus,
himself a biographer and philosopher. In
66&endash;67, Plutarch studied mathematics and
philosophy at Athens under the philosopher Ammonius:
Plutarch of Chaeronea held that the God of the Jews was none other than Dionysos. "First the time and character of
the greatest, most sacred holiday of the Jews clearly befit Dionysos. When they celebrate their
so-called Fast, at the height of the vintage, they
set out tables of all sorts of fruit under tents and
huts plaited for the most part of vines and ivy.
They
call the first of the two days
Tabernacles. A
few days later they celebrate another festival,
this time identified with Bacchos not through obscure hints but
plainly called by his name, a festival that is a
sort of 'Procession
of Branches' or
'Thyrsos Procession' in which they enter the Temple
each carrying a thyrsos.
This
is defined fully which made the Feast of Tabernacles into the common but ancient
FERTILITY RITUAL. You remember that Jesus refused to
go up to the opening ceremonies. His task was to
teach the WORD and He knew that the Jewish clergy
would be looking for Him to murder him! After the
feast things really became perverted.
Dionysus was the expected messiah
and for this reason Jesus refused to speak to the
clergy in clear language. They had "predestinated"
themselves to destruction because they had destroyed
their souls in joining in the musical--always
perverted--worship of deities who were AGENTS of
Satan.
No
wonder that it came at last to be firmly believed that the Messiah, on whom the hopes of the world
depended, was Himself the "seed
of the serpent"!
This was manifestly the case in Greece; for the
current story there came to be,
that
the first Bacchus was brought forth in consequence of
a connexion on the part of his mother with the father of the gods, in the
form of a "speckled snake." *
*
OVID, Metam. So deeply was the idea of "the seed of the serpent" being the great World-king imprinted (marked)
on the Pagan mind, that when a man set up to be a god
upon earth, it was held
essential to establish his title to that
character,
that
he prove himself to be the "serpent's seed."
Thus,
when Alexander the Great claimed divine honours, it is
well known that his mother Olympias, declared that he
was not sprung from King Philip, her husband, but from
Jupiter, in the form of a serpent. In like manner, says the authoress of Rome
in the 19th Century, the Roman emperor,
"Augustus,
pretended that he was the son
of Apollo, and
that the god had assumed the form of a serpent for the purpose of giving him
birth." Hislop
"Bacchus/Dionysus
was immensely popular with women, especially as the worship of him
provided the cloistered Greek wife an opportunity to
leave her home under divine compulsion and afforded a
vent for sex
hostility. Virgil
describes a queen who tried to use a Bacchic revel to
arouse public opinion against her husband: 'Evoe, Bacchus,' she shrieks . . . 'Ho, mothers of
Latium, give ear, where'er ye be! If in your loyal
hearts still lives affection for unhappy Amata, if
care for a mother's rights still stings in your souls,
doff the fillets from your hair, join the revels with
me' (Aeneid, VII, 384ff.)
[Lat
was Saturn or Chaldee 666]
"So
great was the repugnance that in the initiation of certain mystery religions, men crawled through a
stone tunnel to effect a 'new birth' not dependent on women. It is thought that this marked
distaste for women and their sexuality was, at least
in part, responsible for the pederasty (homosexual love of boys) which
permeated Greek life and thought.
Psalm 41 prophesied that Judas
carrying his "bag for carrying the mouthpieces of
wind instruments" would try--with the priests--to
seduce Jesus into this initiation ritual:
Hoping that Jesus was Bacchus or
Dionysus:
But
whereunto shall I liken this generation? It is like
unto children sitting in the markets, and
calling unto their fellows,
And
saying, We have piped unto you, and ye have not danced; we have mourned unto you, and ye have not lamented. Mt.11:17 Mt 11:16
The dance is the naked Greek
choral dance which Aslan as the "lion of the tribe of
Judah" would join in the end times when the True
jesus REFUSED:
Mourned is:
Threneo (g2354) thray-neh'-o; from
2355; to bewail: - lament, mourn.
Thriambeuo (g2358) three-am-byoo'-o; from
a prol. comp. of the base of 2360 and a der. of
680 [touch or set on fire] (mean. a noisy
iambus, sung in honor of Bacchus); to make an
acclamatory procession, i.e. (fig.) to conquer
or (by Hebr.) to give victory: - (cause) to
triumph (over).
Throeo (g2360) thro-eh'-o; from
threomai , (to wail); to clamor, i.e. (by impl.)
to frighten: - trouble
"This
cry of Zeus, the Thunder-hurler, to the child,
his son, Dionysos, sounds the leitmotif of the Greek
mysteries of the
initiatory second
birth (Second Incarnation)..
The
word 'Dithyrambos' itself, as an epithet of the killed and resurrected Dionysos, was understood by the Greeks to
signify 'him of the double
door', him who
had survived the awesome miracle of the second birth." - Joseph Campbell, The Hero With a Thousand Faces
"A
fourth-century BC hymn in honor of dionysus contains
the invocation: 'Come to us, King Dithyramb, Bacchus, god
of the holy chant.'"
Dithurambos, Dithyramb "comes to be used of a
Dionysiac song which possessed some infectious quality that led his votaries to take it
up as a ritual
chant.
Later it became the subject for competition at Dionysiac festivals, and with
its formalization it lost any spontaneity it may
have possessed originally."
"At
the beginning of the fifth century BC tragedy formed
part of the Great Dionysia, the Spring festival of Dionysos Eluethereus. Three poets completed, each contributing three tragedies and one satyric play.
The
latter was performed by choruses of fifty singers in a circle, dressed as satyrs, part human,
part bestial, and bearing before them huge
replicas of the erect
penis (i.e.
church steeples or columns or asherahs), as they sang dithyrambs." - John M. Allegro, The Sacred Mushroom and the
Cross
