Matt. 13:38 The field
is the world;
the good SEED
are the children of the KINGDOM;
but the tares
are the children of the wicked one;
Matt. 13:39 The enemy that sowed [dna] them is the DEVIL;
the harvest is the
end of the world; [Aion messianic Age]
and the REAPERS
are the ANGELS
Jude 14 And Enoch also,
the seventh from Adam, prophesied of these, saying,
Behold, the Lord
cometh with ten thousands of his saints,
Jude 15 To execute judgment upon all, and to convince
all that are ungodly among them of all their ungodly
deeds which they have ungodly committed, and of all
their hard speeches which ungodly sinners have spoken
against him.
Jude 16 These are murmurers, complainers,
walking after their own lusts;
and their mouth
speaketh great swelling words,
having men’s
persons in admiration because of advantage.
goês
A.sorcerer, wizard,
Phoronis 2, Hdt.2.33,4.105,
Pl.R. 380d,
Phld.Ir.p.29
W.; “g. epōdos Ludias apo khthonos” E.Ba.234,
cf. Hipp.1038;
prob. f.l. for boēsi Hdt.7.191
Epôidos [epaidô] I.singing to or over:
as Subst. an enchanter, Eur.:
c. gen. acting as a charm for or against,
Aesch., Plat.
2. pass. sung or said after, morphês epôidonc alled
after this form,
II. in metre, epôidos, ho, a verse
or passage returning at intervals, a
chorus, burden,
refrain, as in Theocr.
E.Ba.234 Euripides, BacchaePentheus[215] I
happened to be at a distance from this land, when I
heard of strange evils throughout this city, that
the women have left our homes in contrived Bacchic
rites, and rush about in the shadowy
mountains, honoring with dances [220] this new deity
Dionysus, whoever he is. I hear that mixing-bowls
stand full in the midst of their assemblies,
and that they each creep off different ways into
secrecy to serve the beds of men, on the pretext
that they are Maenads worshipping;
[225] but they consider Aphrodite before Bacchus.
2.juggler, cheat, “deinos
g.
kai
pharmakeus kai sophistēs” Pl.Smp.203d;
“deinon
kai
g.
kai
sophistēn
. . onomazōn”
D.18.276;
“apistos
g.
ponēros”
Id.19.109;
“magos
kai
g.”
Aeschin.3.137:
Comp. “goētoteros”
Ach.Tat.6.7
(s. v. l.). (Cf. Lith. žavēti 'incantare'.)
sophis-tēs , ou,
ho,
A.master of one's craft, adept, expert,
of diviners, Hdt.2.49;
of poets, “meletan
sophistais
prosbalon”
Pi.I.5(4).28,
cf. Cratin.2; of
musicians, “sophistēs
. . parapaiōn
khelun”
Jude 17 But, beloved, remember ye
the WORDS which were spoken
before of the
APOSTLES of our Lord Jesus Christ;
Jude 18 How that they told you there should be mockers
in the last time,
who should walk
after their own ungodly lusts.
Empaig-ma
, atos, to, A.
jest, mocking, delusion, LXX
Is.66.4; magikês empaigmata technês
-Prospaizô , 2.
abs., sport, jest, 3. laugh at, make fun or sport of, sing
to the gods, sing in
their praise or honour, 2. banter, tous rhêtoras
Jude 19 These be they who separate
themselves, sensual, having not the Spirit.
God sends forth MUSICIANS meaning to make the
lambs dumb before the slaughter.
aggelos
Arabios a.,
of a loquacious person, 2.
generally, one that announces or tells,
e.g. of birds of augury, Il.24.292,296;
Mousōn
aggelos,a.
kai
arkhaggeloi
Mousōn Dios
aigiokhoio
thugateres”
Daughters whatever the sex led by Apollyon.
“kanakhan
. .gnashing of
teeth, clanging brass, k.
aulōn
sound of flutes, of
the lyre
HH 3 185 To
Pythian Apollo, Apollyon: Leto's
all-glorious son goes to rocky Pytho,
playing upon his hollow lyre, clad in divine, perfumed
garments;
and his lyre,
[185] at the TOUCH of the golden key, sings
sweet.
Thence, swift as thought, he speeds from earth to Olympus,
to the house of Zeus,
to join the
gathering of the other gods:
then straightway the undying gods think only of the lyre
and song, and all the Muses together,
voice sweetly
answering voice, [190] hymn the unending gifts
the
all that they
endure at the hands of the deathless gods,
and how they live
witless and helpless
and cannot find healing for
death or defence against old age.
Meanwhile the rich-tressed GRACES and cheerful Seasons
dance with [195] Harmonia and Hebe and
Aphrodite, daughter of Zeus, holding each other by the
wrist.
And among them SINGS ONE,
not mean nor puny, but tall to look upon and enviable in
mien, Artemis who delights in arrows,
sister of APOLLYON. [200] Among them sport
Ares and the keen-eyed Slayer of Argus, while Apollo
plays his lyre stepping high and featly and a radiance
shines around him, the gleaming of his feet and
close-woven vest.
ka^na^kh-eō
k.
melos
to let a song ring loud, A.R.4.907. There
is no musical melos or melody in Scripture.
Od.6.82;
odontōn
men
k.
pele
GNASHING OF TEETH, k.
aulōn
sound of flutes, Pi.P.10.39
(pl.), B.2.12,
cf. S.Tr.642
(lyr.); ofthelyre, h.Ap.185.
THE KITHERA MYSTERIES: suddenly
organised and pianists lost their role and the
GUITAR PICKER AND FAT GIRLS invaded;
"The psaltery a
triangular instrument similar to a harp,
produced gentler sound and would be more
suitable for somewhat restrained and low-key
events, as would be the kithara, an
instrument similar to the lyre.
Both were
traditional instruments
played in a variety of events, public and private,
and were often accompanied
by song, either by the performer him/herself or a
singer. Aristotle attests that
those musicians came from the lower social
strata, and many of them, both men and
women, were prostitutes hired to entertain
guests in private parties.6
Aeschines, for example, attests
that Misgolas, one of the alleged lovers of
Timarchos, had a reputation for being very fond
of kithara boys, while Antiphanes and
Alexis confirm this with jokes about Misgolas and
his kithara boys. In
Xenophon’s Symposion the beautiful boy who could play the kithara and dance aroused
enthusiasm among the guests and made his master a
lot of money.
Xenophon.Symposium.Lying.Wonders.Music.html
Mousōn [Locusts]
theias antiluron
mousas”
S.Tr.643
(lyr.); “
A.to be inspired, frenzied,
[WRATH] frenzy obtained inspiration through
ritual,
II. worship as divine, Id.59.27;
“Puthagoran kai
Platōna”
Mousōn
[Locusts]
Aiakō
moisan
pherein”
Pi.N.3.28
[LADED BURDEN]“adein adokimon
m.”
Pl.Lg. 829d:
i
The MUSES are adokimon
3. DISREPUTABLE “lakismat'
adokim'
olbiois
ekhein” E.Tr.497;
“mousa”
Ep.Rom.1.28. 4.
of persons, Pl.R.618b;
discredited, reprobate, X.Lac.3.3,
2 Ep.Tim.3.8, etc.
Mousōn [Locusts]
adein aeidō
crow as cocks, Pl.Smp..223c; hoot as owls, Arat.1000;
croak as frogs, a.
pros
aulon
ē
luran
sing to .sing of, chant, “mēnin
aeide”
Il.1.1;
“paiēona”
. A Song to 2. title of APOLLON (later as
epith.,
“Apollōni
Paiani”
OPPOSITE . logos
Mousikos
kai
melōn
poētēs”
2. generally, votary of the Muses,
The Muses were the LOCUSTS unleashed with Apollon
their "musical worship leaders." The Greek and Latin
literature identifies them as dirty adulteresses
http://www.pineycom.com/DocHesTheog.html
[25] the Muses of Olympus,
daughters of Zeus who holds the aegis: “Shepherds
of the wilderness,
wretched things
of SHAME,
mere bellies,
we know how to
speak many false things as though they
were true;
but we know,
when we will, to utter true things.”
...and they bade me SING of the race of the
blessed gods that are eternally,
but ever to
SING OF THEMSELVES both
first and last.
1Cor.
14:34 Let your women keep silence in the churches:
for it is
not permitted unto them to speak;
but they are
commanded to be under obedience,
as also
saith the law.
1Cor. 14:35 And if they will LEARN any
thing, let them ask their husbands at home:
for it is a
SHAME
for women to SPEAK
in the church.
1Cor. 14:36 WHAT? came the WORD
of God out from you? or came it unto you only?
la^l-eō I. chatter,
OPPOSITE articulate speech, as of locusts,
chirp, Theoc.5.34;
mesēmbrias
lalein
tettix
(sc. eimi),
a very grasshopper to chirp at midday, Aristopho 10.6; “anthrōpinōs
III.
of MUSICAL sounds, “aulō
laleō”
Theoc.20.29;
of trees, v.supr.1.2; “di'aulou
ē
salpiggos
l.”
D.C.74.14:
also c.acc. cogn., magadin
lalein
sound the magadis,
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