David Young Psalm 33 Instrumental Music
1.27.20 Debbie.Boggs.Psallo.Instrumental.Music.in.Worship
Original
Shepherding
Max Lucado and
Oak Hills
Church Elders
into
Instrumental
Sorcery
You may comment About Debbie
Debbie
Anderson Boggs
Dogma at
Tapetalk
2.03.20 added. Notes
added about
the "locusts"
or the Muses
led by
Apollyon
2.05.20
http://www.piney.com/G.E.Jones.Spiritual.Understanding.E.R.Harper.html
John
T. Willis
credits Jo
Bass as his
high school
mentor. Jo
Bass used G.
E. Jones'
Baptist list
of proof texts
promoting the
present
Supernatural
Guidance of
THE Holy
Spirit.
Missing
"prepositions
101a" most
theologians
SEE "The
Spirit OF Go "
or Christ as
ANOTHER GOD
which, they
claim, is
required to
make the Words
of the Father
and Son gods
INTELLIGIBLE
I have
reviewed just
a few of Jones-Jo
Bass proof
texts being
used to ATTACK
E.R. Harper
as a FEMINIST
attack on
Scripture as
the ONLY
resource for
Faith
http://www.piney.com/John.T.Willis.and.Jo.Bass.The.Holy.Spirit.html
http://www.piney.com/G.E.Jones.Spiritual.Understanding.E.R.Harper.html
John
T. Willis
credits Jo
Bass as his
high school
mentor. Jo
Bass used G.
E. Jones'
Baptist list
of proof texts
promoting the
present
Supernatural
Guidance of
THE Holy
Spirit.
Missing
"prepositions
101a" most
theologians
SEE "The
Spirit OF Go "
or Christ as
ANOTHER GOD
which, they
claim, is
required to
make the Words
of the Father
and Son gods
INTELLIGIBLE
1. Jesus
does not pray for the World,
Ecumenical or the kingdom of Satan
trying to Silence or Steal from the
Kingdom of God.
2. Jesus
said that God HIDES from the Wise or
Sophists: Self-authoring Hireling
speakers, singer, singers or
instrument players.
3. Jesus MARKED
the Scribes and Pharisees as
Hypocrites: Hireling speakers,
singers or instrument players. In
the Prophets by the Spirit OF Christ
which means that "God puts His WORDS
into the MOUTH of the Prophets.
4. The
PROPHET Jesus of Nazareth defined
Holy Scripture as the PROPHETS and
other prophecies CONCERNING ME. The
Scribe's records of an abandoned
King, Kingdom, Priests, Levites,
Animal Slaughter is defined as "the
lying pen of the Scribes."
There is not a single Command,
Example or Remote inference in
Scripture or until after the
Reformation with any godly people
being called out of their REST
(school only) for group singing with
or without musical instruments
defined as "machined for doing hard
work.
The following
Anti and Anti-Christ practices are
all the RESULT of Singing with or
without instruments. These
sounds shut down the
Masculine-Rational-Logos mine and
takes control of the Feminine-Anti
Logos or Anti-rational principle and
Scripture and Recorded history
proves that SOPHIA is Erotic,
Musical, and Trinitarian based on
the Babylon Triple Goddesses or
Mother Goddess (can be male).
Women are to LEARN in
SILENCE (along with men) so that we
might all be SAFE and come to a
knowledge of THE TRUTH or The Word,
Logos or Regulative. Jesus
died to make the Word FREE (Isaiah
55) and commanded that REST (never
worship) made possible when no one
seeks their own pleasure (music has
no other role even thought being a
Laded Burden) NOT Speaking YOUR OWN
WORDS.
"Abomination, Witchcraft, the BEASTS,
sorcery,
Charming,
Soothsaying,
enchantment,
harlots,
beguile,
serpents,
vipers, Serpo,
Herpo,
inducing
wine-dranking,
Cunning
Craftsmen or
Sophists,
Rhetoricians,
Dogs or
Catamites,
Magic, Voodoo
in primitive
America Cane
Ridge.
ALL CAUSED BY METRICAL
OR TUNEFUL
SOUNDS WHICH
ASSAULTS the
"Fight,
Flight, Sexual
Impulse" and
is
historically
always defined
as Purpose
Driven Hurt.
12.18.16 The elders and
"leader" makes the following accusations
intending, as they boast, to infiltrate
and divert your congregation to their own
wicked purposes. These false
teachings have been gleaned from
difficult to endure sermons. The
simple statements are Anti Biblical and various
self-speak is not discussed.
David
Young was hired and rehired with
fundamental dogmas which repudiated
the views of the historic Church of
Christ defined as the Church of Christ
(the
Rock):
First,
the public boast that he convinced
other preachers never
to speak against the use of
instrumental "muusic."
Second, supports
"instrumental" music by
the use of passages such as
Psalm 33 and Revelation 5.
Psalm
150
is part of the hymnbook of the church: He concludes
that everything that has BREATH including the musical
instruments
Revelation 5
depicts the end of time.
worship God, heaven,
Use
musical instruments back to god.
Third,
the beginning and most-recent
attempts to reproduce the
Cane Ridge
"Revival". He and they
believe that "a" spirit
caused people to sing,
shout, roll in the
floor, bark up trees to
get the devil, fight
over garbage and other
mental abberations
Fourth,
a constant "false accuser"
role accusing the
other
congregations with inventing
as "traditional,
legalism" NOT
using instruments.
Fifth,
Promoting a "Christian
World View" including
lifting your
congregation to welcome
everyone
but the
"fleecees".
The World is the
Kosmos
or Ecumenical
which is
defined as the
Kingdom of the
Devil. Jesus
said that He
did not
pray for the
"world"
and that
neither He nor
His disciples
(students
only) are not
OF this
world
Sixth,
David
Young and church
defends and
supports Messianic
Judaism which accepts
Jesus as the
messiah of the
JEWS but
continues to
practice
legalism. This
teaches that the
New Covenant was
the
OLD Covenant
given to Jews
but
"available" to
Christians.
Church institutional
structures are
built upon the
Jewish or
Babylonish
model to which
God abandoned
the Jews
because of
Instrumental-Trinitarian-Perverted
"play."
- Legalistic 2 times
-
Just our Tradition or Traditional 20 Times.
[This is
a lie: vocal and instrumental rejoicing was outlawed for
the Church of Christ
in the Wilderness.
- Style or Styles of WORSHIP
16 Times
Jesus said that the kingdom does not come with
religious observations: the School of Christ is the
antithesis of the always-pagan worship rituals.
Jesus named
self-speakers, singers and instrument players
hypocrites.
- Method or Methods 9 Times
[Elders as THE pastor-teachers
are commanded to TEACH that which HAS BEEN TAUGHT.
- Customs 2 [Not
using instruments is a Direct Command known by all bible
students]
- A NEW Language
7 Times [They claim that
the Bible is to be interpreted by a NEW REVELATIONS: the 20/20 vision CASTING is a
witchcraft or sorcery word]
- Just our Heritage 2 [That's a lie]
- Freedom 22 Times--is
something WE OFFER YOU. [Christ freed us
from laded burden and burden laders: performance musicians a a TAX not in
time of war.
- Just our Opinions 11
Times [That's a lie]
- Pharisee 2 [Jesus
called preachers for hire, singers and instrument
players PHARISEES]
- Continuity with the Past
2 [He means WE
will OFFER both vocal and instrumental]
- Judgment 8 [Judgment is
the Purpose Driven
Cults Infiltrate and Divert your newly financed property]
- Not using INSTRUMENTS HINDERS
the Work of God
- Because
this is DISCORDING WE will move slowly. [Frogs
might jump out of the Collection plate vat]
North.Boulevard.Church.Of.Christ.Change
- A New Day's
thesis is that we have been wrong for these 2,000 years but
WE have a new vision by a Direct Operation of THE holy
spirit. Missed Prepositions 101.
The
Kairos Church Planting Plot: Kairos
(Hermes-Mercury) is the demon son of Zeus among pagans. He
is the false Christ Who is the only mediator between God and
Man. Kairos means the right time to mount an attack as
Jesus came at the right time to put down the
Civil-Military-Clergy robbing and enslaving those God
liberated. Christ's Covenant is to the LAITY exclusive of
Priests or Levites.
David
Young Minister North Boulevard Church of Christ
David
Young Northwest Church Predestination
North
Boulevard Church of Christ Tithing
Elders.North.Boulevard.Church.Approve.Instrumental.Worship
David.Young.Psalm.33.Instrumental.Music.html
David.Young.Extreme.Discipleship.Following.Jesus
The Extreme Discipling Dilema: Lynn Anderson Hope
Network. Jimmy Adcox The Kairos Cult
North.Boulevard.Church.of.Christ.Unity.in.Diversity.html
Lee.Strobel.North.Boulevard.Church.of.Christ
NACC.2013.Victorius.Review
- Bible and History
The.Progressive.Church.Of.Christ
- piney.com - Bible and ..
Coming: North Boulevard Church of Christ Trinitarian:
John writes that ANTI-christs deny. Among Pagans:
Jesus was called a Son only after He was baptized and He was
not Lord or Christ until the One God the Father MADE HIM TO
BE:
Acts 2:36 Therefore let all the house of Israel know
assuredly, that God hath made that same Jesus, whom ye
have crucified, both Lord and Christ.
1Cor. 8:5 For though there be that are
called gods,
whether in heaven
or in earth, (as there be gods many, and
lords many,)
1Cor. 8:6 But to us there is but one God [Theos],
the Father,
of whom are all
things, and we in him;
and one Lord [Kurios]
Jesus Christ, by whom are all things, and we by h
David Young God commanded
Instrumental Music: This is not
a set of rituals but Psalm 33
invites us to a rich EXPERIENCE with God "Praise God
with the harp, shout for joy, INVITATION
to give everything I have."
Only if you are Lost: can't get God's attention and
praise or halal God meaning to "make yourself vile" but not
having much luck since God did not command kings, kingdom,
temple, animal slaughter, priests or Jacob-cursed and
God-Abandoned levites: their instrumental prophesying was
soothsaying-sorcery trying to get the god's attention.
Only if you have been abandoned to worship the starry
host even if you call the golden calf your "god."
Mizmors used in an UGLY Anti-God sense
Psa. 33:1 Rejoice in the LORD, O ye righteous: for
praise is comely for the upright.
h7442. ranan, raw-nan´; a primitive
root; properly, to creak (or emit a stridulous sound),
i.e. to shout (usually for joy):—aloud for joy, cry
out, be joyful (greatly, make to) rejoice, (cause to)
shout (for joy), (cause to) sing (aloud, for joy,
out), triumph.
h8416, teh-hil-law´; from 1984; laudation;
specifically (concretely) a hymn:—praise.
h1984 halal, haw-lal´; a primitive
root; to be clear (orig. of sound, but usually of
color); to shine; hence, to make a show, to boast;
and thus to be (clamorously) foolish; to rave;
causatively, to celebrate; also to stultify:—(make)
boast (self), celebrate, commend, (deal, make),
fool(-ish, -ly), glory, give (light), be (make,
feign self) mad (against), give in marriage, (sing,
be worthy of) praise, rage, renowned, shine.
h1966. heylel, hay-lale´; from 1984
(in the sense of brightness); the morning-star:—lucifer.
Is. 14:9 Hell from beneath is moved for thee
to meet thee at thy coming: it stirreth up the dead
for thee, even all the chief ones of the earth; it
hath raised up from their thrones all the kings of
the nations.
Is. 14:10 All they shall speak and say unto thee,
Art thou also become weak as we? art thou become
like unto us?
Is. 14:11 Thy pomp is brought down to the grave,
and the noise
of thy viols: the worm is spread under thee,
and the worms cover thee.
Is. 14:12 How art thou fallen from heaven, O Lucifer,
son of the
morning! how art thou cut down to the ground, which
didst weaken the nations!
Zech. 11:1 Open thy doors, O Lebanon, that the fire
may devour thy cedars.
Zech. 11:2 Howl, fir tree; for the cedar is fallen;
because the mighty are spoiled: howl, O ye oaks of
Bashan; for the forest of the vintage is come down.
Fir: 1265. browsh, ber-osh´; of
uncertain derivation; a cypress (?) tree; hence, a
lance or a musical instrument (as made of that
wood):—fir (tree).
Zech. 11:3 There is a voice of the howling of the
shepherds; for their glory is spoiled: a voice of
the roaring of young lions; for the pride of Jordan
is spoiled.
Zech. 11:4 Thus saith the LORD my God; Feed the
flock of the slaughter;
Zech. 11:5 Whose possessors slay them, and hold
themselves not guilty: and they that sell them say,
Blessed be the LORD; for I am rich: and their own
shepherds pity them not.
Psa. 33:2 Praise the LORD with harp: sing unto
him with the psaltery and an instrument of ten strings.
Praise is: h3034. yadah, yaw-daw´; a
primitive root; used only as denominative from 3027;
literally, to use (i.e. hold out) the hand; physically,
to throw (a stone, an arrow) at or away; especially
to revere or worship (with extended hands);
intensively, to bemoan (by wringing the
hands):—cast (out), (make) confess(-ion),
praise, shoot, (give) thank(-ful, -s, -sgiving).
h5035. nebel, neh´-bel; or lRb´n
nebel, nay´-bel; from 5034; a skin-bag for
liquids (from collapsing when empty); hence, a vase
(as similar in shape when full); also a lyre (as
having a body of like form):—bottle, pitcher,
psaltery, vessel, viol.
h5034. nabel,
naw-bale´; a primitive root; to wilt; generally,
to fall away, fail, faint; figuratively, to be
foolish or (morally) wicked; causatively, to
despise, disgrace:—disgrace, dishounour, lightly
esteem, fade (away, -ing), fall (down, -ling,
off), do foolishly, come to nought, x surely,
make vile, wither.
Psa. 33:3 Sing unto him a new song; play skilfully with
a loud noise.
7891. shiyr, sheer; or (the original form) r…wv
shuwr (1 Sam. 18:6), shoor; a primitive root (identical
with 7788 through the idea of strolling minstrelsy); to
sing:—behold (by mistake for 7789), sing(-er, -ing man,
-ing woman).
h7788. shuwr, shoor; a primitive root;
properly, to turn, i.e. travel about (as a harlot
or a merchant):—go, singular See also 7891.
1Sam. 18:6 And it came to pass as they came,
when David was returned from the slaughter of the
Philistine, that the women came out of all cities of
Israel, singing and dancing, to meet king Saul, with
tabrets, with joy, and with instruments of musick.
h 7789. shoor; a primitive root (identical
with 7788 through the idea of going round for
inspection); to spy out, i.e. (generally) survey, (for
evil) lurk for, (for good) care for:—behold, lay wait,
look, observe, perceive, regard, see.
Play: 5059. nagan, naw-gan´; a primitive root;
properly, to thrum, i.e. beat a tune with the fingers;
expec. to play on a stringed instrument; hence
(generally), to make music:—player on instruments, sing
to the stringed instruments, melody, ministrel,
play(-er, -ing).
5060. naga , naw-gah´; a primitive
root; properly, to touch, i.e. lay the hand upon (for
any purpose; euphem., to lie with a woman); by
implication, to reach (figuratively, to arrive,
acquire); violently, to strike (punish, defeat,
destroy, etc.):—beat, (x be able to) bring (down),
cast, come (nigh), draw near (nigh), get up, happen,
join, near, plague, reach (up), smite, strike, touch.
Loud Noise is: 8643. ruwah, ter-oo-aw´; from 7321;
clamor, i.e. acclamation of joy or a battle-cry;
especially clangor of trumpets, as an alarum:—alarm,
blow(- ing) (of, the) (trumpets), joy, jubile, loud
noise, rejoicing, shout(-ing), (high, joyful)
sound(-ing).
Outlawed for the assembly Numbers 10:7
|
In a good sense the INDIVIDUAL sings TO
God and the HARPS are from God: the OGRANON as the
tongue.
When one Speaks or Meditates they use the TONGUE
ONLY. God always speaks ANTITHESIS: of the LITERAL
harp or psaltery:
Job said of the organ players who
were probably star worshippers
They take the
timbrel and harp, and rejoice (make merry) at the
sound of the organ. Jb.21:12
........ Therefore they say unto God,
Depart from us; for we desire not the knowledge of
thy ways. Jb 21:14
The sexual context of the organ is
well documented throughout history:
"It (the pipe
meaning to love passionatelyí) was apparently a
secular instrument and is never listed in the
temple orchestra; only in Ps. 150:4 it is
mentioned in a religious (but not ritual) function. Its ethos
was not blameless at all, ase we see from Genesis
Rabbah 50:
"The angels said
to Lot: There are players of the pipe (organ) in the
country, hence it ought to be destroyed. Its rabbinical
identification with the aboda, the flute of the notorious Syrian
bayaderes, emphasizes the erotic element which
already the Hebrew name suggests. (Interpreter's
Dictionary of the Bible, p. 460, Abingdon). Click Here for more details.
God had abandoned the Civil-Military-Clergy over to
WORSHIP the Starry host and sentenced them to captivity
and death in babylon. The Temple, in fact, is
pictured as a Ziggurat or Tower of Jerusalem called the
mother of harlots
"The name
of psaltery entered Christian
literature in the 3rd century B.C. translation of
the Old Testament called the Septuagint where, in the Psalms,
nebel was translated psalterion. Thus, Nebuchadnezzar's
idolatrous ensemble included the Aramic psantria. Notice, also, that
the book of Psalms has also become known as the
Psalter (or psalterium), from the hymns sung with this harp. Source
Psa. 71:22 I will also
praise thee with the psaltery, EVEN thy truth, O my
God:
THEE will I
sing with the harp, O thou Holy One of Israel
Psa. 71:23 MY LIPS shall greatly
rejoice when I sing UNTO THEE; and my SOUL,
which thou hast redeemed.
h2167.
zamar, zaw-mar´; a primitive root (perhaps
ident. with 2168
through the
idea of striking with the fingers);
properly, to touch
the strings or parts of a musical
instrument,
i.e. play upon it; to
make music, accompanied by the voice;
hence to
celebrate in song and music:—give praise, sing
forth praises, psalms.
Command:
Psa. 149:5 Let the
saints be joyful in glory: let them sing
aloud upon their BEDS.
BUT: Psa.
71:24 My TONGUE also shall TALK of thy
righteousness ALL THE DAY LONG
for they are
confounded, for they are brought unto shame, that
seek my hurt.
h1897. hagah,
daw-gaw´; a primitive root (compare 1901) by
implication, to ponder:—imagine, meditate,
mourn, mutter,
sore, speak, study, talk, utter.
mĕdĭtor Suet. Tib. 65:
“cor tuum meditabitur timorem,” i. e. promote
by meditation, Vulg. Isa.
33, 18.—
to meditate, study, exercise
one's self in, practise a thing
Locutus Speech
Is. 33:14 The sinners in Zion are afraid;
fearfulness hath surprised the HYPOCRITES.
Who among us
shall dwell with the devouring FIRE?
who among us
shall dwell with everlasting BURNINGS?
Is. 33:15 He that walketh righteously,
and speaketh uprightly;
he that despiseth
the gain of oppressions,
that shaketh
his hands from holding of bribes,
That stoppeth
his ears from hearing of blood,
and shutteth
his eyes from seeing evil;
Is. 33:16 He shall dwell on high: his place
of defence shall be the munitions of rocks:
bread shall be
given him; his waters shall be sure.
Is. 33:17 Thine eyes shall see the king in his
beauty:
they
shall behold the land that is very far off.
Is. 33:18 Thine heart shall meditate terror.
Where is the scribe? [doctor of the law]
where is the receiver?
[of Shekals]
where is he
that counted the towers? [Podiums]
Is. 33:19 Thou shalt not see a fierce
people,
a people of a
deeper speech than thou canst perceive;
of a
stammering tongue, that thou canst not understand.
Paul affirms the Spirit OF Christ
1
Corinthians 1:20 Where is the wise? (singer, player, actor)
where is the scribe? (writer of sermons
and songs)
where
is the disputer of this world?
hath
not God made foolish [moronic] the wisdom of
this world?
I
will cry unto him
........ from my
whole HEART:
I will praise and exalt Him
........ with all my MEMBERS." Ode 26:1-4
A
new psalm with song
........ in gladness
of HEART,
the fruit of the lips
.........with the well-tuned INSTRUMENT
of the TONGUE,
the first fruits
of the lips
......... from a pious and righteous heart" Psalms of Solomon, 15:3
That
is what Paul commanded meaning to TEACH the Word
of God and not MAKE MUSIC.
The Community
Rule (1QS) reads in part much like Ephesians 5 and
Colossians 3:
DSS: And at the beginning of their
weeks
for the season of
Jubilee.
........ All my life the engraved Precept shall be on my tongue
........ as the fruit of praise
........ and the portion of my lips.
I
will sing with knowledge and all my music
shall be for the glory of God.
........ (My) lyre (and) my harp shall sound
........ for His holy order
........ and I will tune the pipe of my lips
........ to His right measure.
Is. 57:19 I create the fruit of
the lips; Peace, peace to him that is
far off, and to him that is near,
saith the LORD; and I will heal
him.
Heb. 13:15 By him therefore let
us offer the sacrifice of praise to God
CONTINUALLY,
THAT IS, the fruit of our lips giving
thanks to his name.
|
The Ekklesia consisting of all of the saved GATHERES itself as
Synagogue: both the civil and religious ekklesia or synagogue
was to READ, discuss and comprehend something handed down from a
HIGHER AUTHORITY.
Hab. 2:13 Behold, is it not of
the LORD of hosts that the people shall labour
in the very fire,
and the people shall weary
[assemble, themselves] for very vanity?
--lăbōro
A. To work out, elaborate, to form, make,
prepare: “n“ laborat
carmen
in
fine,
--ignis
“quae
simul
aethereos
animo
conceperat
ignes,
ore
dabat
pleno
carmina
vera
dei,”
Ov. F. 1, 473: “(Dido)
caeco
carpitur
igni,”
the secret fire of love,
B. Figuratively of that which brings
destruction, fire, flame:
--carmen
, “citharae
liquidum
carmen,
lyrae
carmen
With allusion to playing on the cithara: “
5. A magic formula,
an incantation:
--fīnis
borders, and hence territory,
land, country enclosed within boundaries:
“civitatum
fines
incolere,
ejectus
sum,
quos,
etc.,
Sal.
Jug. 14 Sounds like Psalm 33
where these gods were worshipped,
The end of life, latter end, death
Vanity --văcŭus
, empty, void,
free, clear, devoid of, without
something (freq. and class.; cf. inanis.)
“cetera,
quae
vacuas
tenuissent
carmine
mentes,”
Verg. G. 3, 3
Verg.
G. 3.3 Thee too, great Pales, will I
hymn, [cano
canite, play, sing, enchant Of
men: “si
absurde
canat]
and thee, Amphrysian shepherd, worthy to be sung,
You, woods and waves Lycaean. All themes beside,
Which else had charmed the vacant mind with
song,
Are now waxed common. Of harsh Eurystheus who
The story knows not, or that praiseless king
Busiris, and his altars? or by whom
Hath not the tale been told of Hylas young,
Latonian Delos and Hippodame,
And Pelops for his ivory shoulder famed,
Keen charioteer? Needs must a path be tried,
By which I too may lift me from the dust,
And float triumphant through the mouths of men.
Yea, I shall be the first, so life endure,
To lead the Muses with me, as I pass
To mine own country from the Aonian height;
Hab. 2:14 For [BECAUSE]
the earth shall be filled
[Replenished
again; disseminated the Gospel]
with the knowledge of
the glory of the LORD,
as the waters
cover the sea.
Hab. 2:18 What profiteth the graven image that the maker
thereof hath graven it;
the molten image, and
a teacher of lies,
that the maker
of his work trusteth therein, to make dumb idols?
Hab. 2:19 Woe unto him that saith to the wood,
Awake; to the
dumb stone, Arise, it shall teach!
Behold, it is
laid over with gold and silver,
and there is no breath
at all in the midst of it.
Hab. 2:20 But the LORD is in his holy temple:
let all the earth
keep silence before him.
David wanted to AWAKEN his lyre so that he could
AWAKEN the dawn. Fits with the kings being
abandoned to worship the starry host (re the Star of
David) OR "poems tend to be poetic."
Nonetheless, the uneducated fall sucker for poetic
speech (says Jesus of speaking parables):
We even have a mention at a
later date of a similar custom in connection with the cult
in Jerusalem, where certain Levites, called me'oreim,
'arousers," sang every morning this verse from Ps
44: 'Awake, Lord, awake! Do not abandon us for
ever." The Talmud tells us that Johy Hyrcanus suppressed
the practice because it recalled too readily a pagan
custom.
A
similar practice is attested in connection with the cult
of Herakles-Melkart.
According to Menander, as he is quoted by Josephus, the
king Hiram, who was a contemporary of Solomon, rebuilt
the temples of Tyre and, 'he was the first to celebrate
the awakening of Heracles in the month of Peritius." (de
Vaux, p. 247)
In
an
inscription from Cyprus, in one from Rhodes and in
several from around the district of Carthage, there are
references to important personages who bear the title Mqm"lm
which we can translate as 'arouser of the god."
(de Vaux, p. 247).
David was KING: God did not command king, kingdom, temple,
animal slaughter, priests or Jacob-cursed and God-abandoned
Levites.
David is never seen in the Synagogue or the Church of Christ
(the Rock) where "vocal or instrumental rehoicing of speaking
your own words was outlawed." Godly people understood to be
reverent when the synagogue as a school of the Word only was
assembled.
When David was healed of the illness
mentioned previously, he then wrote the 32nd Psalm. It
is a penitential Psalm, which means that David was repenting
of his sin. He was also praising God for forgiveness and for
healing.
Psa. 32:2 Blessed is the MAN unto whom the LORD
imputeth not iniquity,
and in whose spirit
there is no guile.
Psa. 32:3 When I kept silence, MY
bones waxed old through MY roaring all the day
long
Psa. 32:4 For day and night thy hand was heavy upon
ME:
MY moisture is
turned into the drought of summer. Selah.
Psa. 33:2 Praise the LORD with harp: sing unto him with the
psaltery and an instrument of ten strings
H2167 zâmar zaw-mar'
A primitive root (perhaps identical with H2168 through the
idea of striking with the fingers); properly to touch
the strings or parts of a musical instrument, that
is, play upon it; to make music, accompanied by the voice;
hence to celebrate in song and music:—give praise, sing
forth praises, psalms.
But, you must notice that the instruments must always be
named
Psa. 33:2 Praise the LORD WITH
harp: [1] sing unto him [2] WITH the
[3] psaltery and [WITH] an instrument of ten
strings.
Psa. 33:3 Sing unto him a new song; play
skilfully with a loud noise.
Psa. 33:4 For the word of the LORD is right; and all his
works are done in truth.
Notice that David always had trouble getting God to recognize
him: halal is the source of the LUCIFER word and it means to
make self vile or disgusting or any outrageous thing to get
God to recognize Him even as a mad man.
H7891 shı̂yr shûr sheer, shoor The second
form being the original form, used in (1 Sam. 18:6 ); a
primitive root (rather identical with H7788 through the idea
of strolling minstrelsy); to sing:—behold [by
mistake for H7789 ],
H7788 shûr shoor A primitive root; properly to turn,
that is, travel about (as a harlot or a merchant):—go,
sing.
NONE of the Plucking words permit using a plektron or guitar
pick: they never mean to beat a drum or blow a wind
instrument.
Play is h5059. nagan, naw-gan´; a primitive
root; properly, to thrum, i.e. beat a tune with
the fingers; expec. to play on a stringed instrument;
hence (generally), to make music:—player on instruments,
sing to the stringed instruments, melody, ministrel,
play(-er, -ing).
h5060 nagan, naw-gah´; a primitive root;
properly, to touch, i.e. lay the hand upon (for any
purpose; euphem., to lie with a woman); by
implication, to reach (figuratively, to arrive, acquire);
violently, to strike (punish, defeat, destroy,
etc.):—beat, (x be able to) bring (down), cast, come
(nigh), draw near (nigh), get up, happen, join, near,
plague, reach (up), smite, strike, touch.
Gath (h1660) gath; prob. from
5059 (in the sense of treading out grapes); a wine-press (or vat for holding the
grapes in pressing them): - (wine-) press (fat).
A great noise is h8643. from 7321; clamor, i.e.
acclamation of joy or a battle-cry; especially clangor
of trumpets, as an alarum:—alarm, blow(- ing) (of,
the) (trumpets), joy, jubile, loud noise, rejoicing,
shout(-ing), (high, joyful) sound(-ing).
David was a WARRIOR but when the SYNAGOGUE or CHURCH was to be
gathered this was OUTLAWED.
Num. 10:7 But when the
congregation is to be gathered together, ye shall blow,
but ye shall not sound an alarm.
Psalm
32[2] confitemini Domino in cithara in psalterio decem cordarum psallite illi
Tada h3034 to bemoan by wringing the hands,
Lev 16:21 And Aaron shall lay both his hands upon
the head of the live goat, and confess H3034
over him all the iniquities of the children of Israel, and
all their transgressions in all their sins, putting them
upon the head of the goat, and shall send him away
by the hand of a fit man into the wilderness:
David is using all of the
mechanical noise he can find to try to MAKE HIMSELF
KNOWN TO GOD.
confĭtĕor to acknowledge, confess, own, avow (an
error, mistake, or a fact previously denied or doubted,
etc., implying a sacrifice of will or a change of
conviction;
confessing defeat, to make one's
self known, With de: “de
maleficio,
confessing, that has acknowledged, pleaded guilty,
etc, criminals who have confessed their
guilt: to be notorious, everywhere known,
Ov.
Met. 5.177
David Young: Psalm 150
is part of the hymnbook of the church: He concludes
that everything that has BREATH
including the musical instruments
Paul commanded that we SPEAK psalms, hymns or spiritual
songs. In Romans 15 "that which is written for our
learning. In Colossians 3 the WORD of Christ. SPEAK is the
opposite of ODE and PSALLO which includes plucking hairs while
you pluck a young boy.
http://www.piney.com/Shofar.html
# 150 is not a PSALM but a MIZMOR
or HALAL meaning make yourself vile as the root word for
LUCIFER.
"Only
in Ps 150:3 is it (shophar) mentioned with most of the
other really musical instruments. Hence, we must
conclude that the function of the shophar was to make
noise--be it of earthly or of eschatological
character--but NOT to make
music After the destruction of the temple and the
general banishment of all instrumental music,
the shophar alone
survived, just because it was not a musical
instrument."(International Dictionary of the
Bible, p. 473, Abingdon).
![[linked image]](h2165Zamar.gif)
David
was a king over a kingdom which God did not command:
the NOT APT elders demanded "set a SENIOR PASTOR
OVER US." God knew that they wanted to WORSHIP LIKE
THE NATIONS of GENTILES. The worshipped the starry
HOST and not the CREATOR of the HOST.
Furthermore, these instruments were almost always
associated with making WAR or making LOVE.
David was not of the Aaronic priesthood was
FORBIDDEN to perform religious music AND HE NEVER
DID.
ALL pagans believed that their musical instruments
WERE their gods or the HOUSE of their gods.
http://www.piney.com/MuLamech.html
David was a king over
a kingdom which God did not command: the NOT APT elders
demanded "set a SENIOR PASTOR OVER US." God knew that they
wanted to WORSHIP LIKE THE NATIONS of GENTILES. The
worshipped the starry HOST and not the CREATOR of the
HOST.
Furthermore, these instruments were almost always
associated with making WAR or making LOVE.
David was not of the Aaronic priesthood was FORBIDDEN to
perform religious music AND HE NEVER DID.
ALL pagans believed that their musical instruments WERE
their gods or the HOUSE of their gods.
http://www.piney.com/MuLamech.html
The Word ODE is the opposite of SPEAKThe LOGOS or regulative
principle Word are "for our learning." Mature men do not sing
and clap and shout while teaching the Word.
Both ODE and PSALLO are in the HEART which is a place and in 1
Corinthings 14 means SILENT.
Because of instrumental idolatry at Mount Sinai God abandoned
the Jews to worship the starry hosts, therefore, David wants to
praise (make himself vile) in the FIRMAMENT. None of these
instruments were played around the temple and anyone who played
an instrument into the Holy Places as types of the Church was
commanded to be executed.
David Young Revelation
5 depicts the end of time.
worship God, heaven,
Use musical
instruments back to god.
The Elders as those who FIRED God and demanded a Senior
Pastor so that they could worship LIKE the nations fall on their
face in submission. The BEASTS are are defined as "A New Style
of Music or Satyric (cappella) drama."
Jesus died to give US rest and liberty FROM any
and all religious cunning craftsmen or sophists: speakers,
singers, instrument players or actors. All religionism including
the Jewish sacrificial system called them PARASITES. The
Church of Christ is defined as an UMBRELLUM which is a SAFE
HOUSE to get in out of the violent antics of angels of light.
THE MARK OF STRONG DELUSIONS PRODUCING LYING WONDERS
AFTER PEOPLE HAVE TAMPERED WITH THE WORD.
Jingling, banging, and
rattling accompanied heathen cults, and
the frenzying
shawms
of a dozen ecstatic cries intoxicated the masses. Amid
this euphoric
farewell feast of a dying civilization, the voices of
nonconformists were emerging from places of Jewish and
early Christian worship ..." (Encyclopaedia Judaica,
1971 ed., s.v. "Music")
"In this fashion evey
common tribal
interest--the
recurrence
of the seasons, the increase of the food supply,
successful hunting-- was likely
to become embodied in some regularly repeated ceremony, which
usually included group dancing, singing, and feasting. Besides
enabling men to express, and
- thereby to allay, anger
and anxiety,
- such ceremonies
also promoted tribal unity and
- strengthened
the loyalty of the individual to tribal traditions,
for the emotional excitement they aroused had the effect of breaking down the
barriers
between individuals and thus fusing all tribesmen into a collective whole.
- Meanwhile, whole
systems of magical devices were gradually elaborated." (Parkes, Henry
Bamford, Gods and Men The Origins of Western
Culture, p. 26, Knopf), p. 29)
The religion of Babylon
implicates female
musicians
as the second oldest profession. Therefore, rather than
being "contemporary" or culturally-friendly, they are the
oldest "giants" implicated by Jesus as the Jewish temple
people:
"The development both
of religion and of the arts can
be traced back in a continuous line to the hunting
era. The group ritual of the primeval tribesmen were
the origin not only of all religious ceremonial, but
also of the drama and of poetry and music, while magic gave birth to the visual arts."
(Parkes, p. 30).
"Awed by the mysteries
of his
own spirit no less
than by those of nature, primitive man was likely to
attribute to divine influence any abnormal
emotional state, whether above or below the usual
level. Medicine men customarily went into states of trance in which they were believed to be in communication with
the gods, and many tribes supposed lunatics
and sexual deviants to be divinely possessed.
JUST AFTER THE FLOOD
Clement
wrote: "But when all these things were done,
men turned again to impiety;
[There is a similar chapter in Homily IX. 7, but in a
discourse: on the following day.-R.] and
on this account a law was given by God to instruct them in
the manner of living.
But in process of time, the worship of
God and righteousness were corrupted by the unbelieving
and the wicked, as we shall show more fully by and
by.
Moreover, perverse and erratic religions were introduced, to which the
greater part of men gave themselves up, by
occasion of holidays and solemnities, instituting drinkings and banquets, following pipes, and flutes, and harps, and
diverse kinds of musical
instruments, and indulging
themselves in all kinds of drunkenness and luxury.
Hence every kind of error took rise;
hence they invented groves and altars, fillets and victims, and after drunkenness
they were agitated as if with mad emotions.
By this means power was given to the demons to enter into minds of this sort, so that they seemed to lead insane dances and to rave
like Bacchanalians;
hence were invented the gnashing of teeth, and bellowing
from the depth of their bowels; hence a terrible
countenance and a fierce aspect in men, so that he whom
drunkenness had subverted and a demon had instigated,
was believed by the deceived and the erring to be filled
with the Deity.
While the Gentiles (none spiritual Israelites) are TRAMPLING THE
COURTS in their lost faith you should get in out of the storms.
Psalm 32 comes before Psalm 33 and explains why David had
lost his first love,
Psalm 32:2 Blessed is the man unto whom
.........the Lord imputeth
not iniquity,
.........and
in whose spirit there is
no guile.
dŏlus
device, artifice,
fallaciam, machinationem, “per
sycophantiam
atque
per
doctos
dolos
[
the learned: “doctorum
est
ista
consuetudo,”
Cic. Lael. 5, 17
] “voces
Pythagoreorum,”
vox
, vōcis, f. voco, I.a voice, sound,
tone, cry, call. “inclinata
ululantique
voce
canere,”
“theatrum
ita
resonans,
Pythagoreorum
defines the World or Kosmos for which Jesus does not
pray.
Psalm 32:3 When I kept silence, my bones
waxed old
through
my roaring all the day long.
David did not have the ability to KEEP SILENT:
unless he was jumping and shouthing he felt the heave hand
of God on him.
clāmo
, to call, cry out, shout aloud, to
complain with a loud voice, vociferari, Of a vehement
bawling before a tribunam, chirping of a cricket: [the
locust] the roaring of waters,
exercĭto
to vex, agitate, disturb. disquiet
Psalm 76.6 At your rebuke, God of Jacob, Both
chariot and horse are cast into a deep sleep.
Psalm 32:4 For day and night thy hand was heavy
upon me:
my moisture is
turned into the drought of summer. Selah. dĭapsalma
a pause in music: time to MEDITATE on what has been
chanted.
grăvo
weighed down, oppressed, To
burden, oppress, incommode:
IN
PSALM 33 WE SEE THAT "EXULTING" IS WHAT ONE DOES WHEN THEY
HAVE BEEN ABANDONED BY GOD.
David Young God commanded
Instrumental Music:
This is not a set of rituals but Psalm 33 invites us to a rich
EXPERIENCE with God "Praise God
with the harp, shout for joy,
INVITATION to give everything I
have."
Psalm
150 is part of the hymnbook of the
church: He concludes that everything that has BREATH
including the musical instruments
First:
Bible Scholars understand that David is using figurative
languages since musical instruments have no breath in
them.
Second: Because David wants to worship God in the FIRMAMENT
we understand that God did not command the King, kingdom, animal slaughter, temple and that the
Levites were commanded to stand in ranks and make a
noise ready to slaughter any godly Jew who can near
the Babylonish temple and evil sacrificial system. God turned them over to worship the
starry host BECAUSE of musical idolatry.
The
Worsip of the Jews was Sabazianism as
the initial bacchus or dionysus
worship in Egypt and as Mount
Sinai.
Iamblichus wrote Of the
Hebrew Kadeshim and the Eleusinian. Thus "Bacchus was directly called upon," he says. The Sabazian
worship was Sabbatic; the names Evius, or Hevius, and Luaios
are identical with Hivite and Levite. The French name Louis is the Hebrew Levi; Iacchus again
is Iao or Jehovah; and Baal or Adon,
like Bacchus, was a phallic
god. "Who shall ascend
into the hill (the high place) of the Lord?" asks the holy
king David, "who shall stand in the place of his Kadushu "?
(Psalms xxiv. 3). Kadesh may mean in one sense to devote,
hallow, sanctify, and even to initiate or to set
apart; but it also means the ministers
of lascivious rites (the Venus-worship)
and the true interpretation of the word Kadesh is
bluntly rendered in Deuteronomy xxiii. 17; Hosea
iv. 14; and Genesis xxxviii., from verses 15 to 22. The
"holy" Kadeshuth of the Bible were identical as to the
duties of their office with the Nautch-girls of the later
Hindu pagodas.
h6945.
qadesh, kaw-dashe´; from 6942; a (quasi) sacred person,
i.e. (technically) a (male) devotee (by prostitution) to
licentious idolatry:—sodomite, unclean.
Deut 23:17 There shall be no whore of the
daughters of Israel, nor a sodomite
of the sons of Israel.
Deut 23:18 Thou shalt not bring the hire of a
whore, or the price of a dog, into the house of the Lord thy God for
any vow: for even both these are abomination unto the
Lord thy God.
Hos 4:14 I will not punish your daughters when
they commit whoredom, nor your spouses when they
commit adultery: for themselves are separated with
whores, and they sacrifice with harlots: therefore the
people that doth not understand shall fall.
The Hebrew Kadeshim or galli lived "by the house of the Lord, where the
women wove hangings for the grove," or bust of Venus-Astarte,
says verse the seventh in the twenty-third
chapter of 2 Kings.
The dance performed by David round the ark was the "circle-dance" said
to have been prescribed by the Amazons for the Mysteries.
Such was the dance of the daughters
of Shiloh (Judges xxi.
21, 23 et passim), and the leaping
of the prophets of Baal
(I Kings xviii. 26). It was simply a characteristic of
the Sabean worship, for it denoted the motion of the
planets round the sun.
That the dance was a Bacchic frenzy is apparent. Sistra were used on the occasion, and the taunt of Michael and the king's reply are very expressive.
"The king of Israel uncovered himself before his
maid-servants as one of the vain (or debauched)
fellows shamelessly uncovereth himself." And he retorts:
"I will play (act wantonly) before and I will be yet more vile
than this, and I will be base in my own sight."
2Sam.
6:20 Then David returned to bless his household.
And Michal the daughter
of Saul came out to meet David, and said,
How glorious was the king
of Israel to day,
who uncovered himself to
day in the eyes of the handmaids of his servants,
as one of the vain
fellows shamelessly uncovereth [nudatus] himself!
2Sam. 6:21 And David said unto
Michal,
It was before
the LORD, which chose me before thy father,
and before all his
house, to appoint me ruler over the people of
the LORD,
over Israel:
therefore will I play before [sight, presence]
the LORD.
2Sam. 6:22 And I will yet be
more vile than thus,
and will be base
in mine own sight:
and of the
maidservants which thou hast spoken of,
of them shall I
be had in honour.http://www.piney.com/MuHeresyDow.html
Jer.
49:10 But I have made Esau bare,
I have uncovered
his secret places,
and he shall not be able
to hide himself:
his seed is spoiled,
and his brethren, and his neighbours, and he is not
g1540. galah, gaw-law´; a
primitive root; to denude (especially in a disgraceful
sense); by implication, to exile (captives being
usually stripped); figuratively, to reveal:—+
advertise, appear, bewray, bring, (carry, lead, go)
captive (into captivity), depart, disclose, discover,
exile, be gone, open, x plainly, publish, remove,
reveal, x shamelessly, shew, x surely, tell,
uncover.
THE SPIRIT OF CHRIST SPEAKS ONLY THROUGH THE
PROPHETS AND APOSTLES. He Refutes
David Young.
Habakkuk 2:18 What profiteth the graven
image that the maker thereof hath graven it; the molten
image,
and a teacher of lies, that the maker of
his work trusteth therein, to make dumb
idols?
Habakkuk 2:19 Woe unto him that saith to the wood, Awake;
to the dumb stone, Arise, it shall teach!
Behold, it is laid over with gold and silver,
and there is no breath at all in the midst of it.
Dawn was the "mother" of Lucifer or Venus:
Lucifer is Abaddon or Apollyon figure.
Psalms 57:8 Awake up,
my glory; awake, psaltery and harp: I myself will
awake early.
Psalms 108:2 Awake, psaltery
and harp: I myself will awake early.
We even have a mention at
a later date of a similar custom in connection with
the cult in Jerusalem, where certain Levites,
called me'oreim, 'arousers," sang every
morning this verse from Ps 44: 'Awake, Lord, awake!
Do not abandon us for ever." The Talmud tells us
that Johy Hyrcanus suppressed the practice because
it recalled too readily a pagan custom.
Psalms 44:23 Awake, why
sleepest thou, O Lord? arise, cast us not off
for ever.
Psalms 44:24 Wherefore hidest
thou thy face, and forgettest our affliction and our
oppression?
A
similar practice is attested in connection with the cult
of Herakles-Melkart. According to Menander, as he is quoted
by Josephus, the king Hiram, who was a
contemporary of Solomon, rebuilt the temples of Tyre
and, 'he was the first to celebrate the awakening of
Heracles in the month of Peritius." (de Vaux, p.
247)
This
was the personification of Lucifer whom Christ called the
"singing and harp-playing harlot" in the gardenof Eden
In
an
inscription from Cyprus, in one from Rhodes and in
several from around the district of Carthage,
there are references to important personages who bear
the title Mqm"lm which we can
translate as 'arouser of the god."
(de Vaux, p. 247).
BUT,
refuting David Young and all of the Musical Idolaters
Christ says;
Habakkuk 2:20 BUT the LORD is in his
holy temple:
let all the earth keep silence before him
Paul wants the men
to lift holy palms (to the Word) to prevent an
outbreak of wrath or and ORGY defined by singing,
clapping, playing.
Paul wants the women to be silent
because "there is one Mediator between man and God,
the MAN Jesus Christ."
Both men and women are to KEEP
SILENCE so that the command from the wilderness
onward could be obeyed: to PREACH the Word (only)
by READING the Word (only).
Paul says that
if men and women sit down and shut up then "we
can all be saved or safe and COME TO A
KNOWLEDGE OF THE TRUTH."
David Young compares eveyone else as worshiping
like PAINTING BY NUMBERS. He assumes or presumes
as personally heard that "no one can understand the Scriptures." He
meant that HE could understand the Word and teach
if FOR A PRICE.
David
Young makes a common perhaps demeaning mistake by the analogy
(forbidden by the LOGOS word) as a Paint By
Numbers as opposed to a Masterpiece. The Artists is
compared to worship as the Masterful EXPERIENCE of a powerful God.
I think David means singing, playing instruments,
shouting, hugging and kissing: this human EXPERIENCE
is somehow to replace the WORD
which is to be PREACHED by being READ so that no
body language or personal charisma can MASK the simple Word of Christ in
the commanded Prophets and Apostles.
The ONLY worship concept for the Spiritual
people beginning in the church and the
wilderness, practiced and commanded by Jesus,
commanded and practiced by the Apostles
and the historic
church before SOWERS OF DISCORD added
Singing as an ACT of liturgy in the
year 373. Worship is IN THE
SPIRIT as a place as opposed to houses
build by human hands or the WORKS of human hands.
The Biblical Definition of ekklesia-synagogue
Episun-agō a^,
A. collect and bring
to a place,
Plb.1.75.2 (Pass.),
5.97.3, Wilcken
Chr.11A5
(ii B.C.) ;
gather together, LXX Ge.6.16, al.,
Ev.Matt.23.37,
etc.:—Pass.,
OGI90.23 (Rosetta,
ii B. C.),
Placit. 3.4.1,
Ph.1.338
; “
hoi -sunēgmenoi en Xoei Boiōtoi”
Supp.Epigr.2.871
(Egypt, ii B. C.) ;
to be combined, “
ta ek tōn plēthuntikōn eis ta henika -omena”
Longin.24.1
;
episunakhthentes tokoi accumulated
interest,
PGrenf.2.72.8
(iii/iv A. D.), cf.
PFlor.1.46.14
(ii A. D.) ; “
episunagomenos arithmos”
counted up,
Ptol.Tetr.43.
Click on “sullogizomenoi
PETER DEFINED THE MARKS OF ANY PERFORMANCE: SPEAKING,
SINGING, PLAYING INSTRUMENTS.
David Young God commanded
Instrumental Music: This is not
a set of rituals but Psalm 33
invites us to a rich EXPERIENCE with God "Praise
God with the harp, shout for joy,
INVITATION to give everything I have."
Psalm
150
is part of the hymnbook of the church: He concludes that
everything that has BREATH including the musical instruments
Revelation
5 depicts the end of time.
worship God, heaven,
Use musical instruments
back to god.
It appears that it is not possible to
be a Doctor of the Law and not fall
under the ban of Jesus Who said that they take away the key
to knowledge. Music
derived from mystery means "to
make the lambs dumb before the
slaughter." That was
prophesied of Messiah 41 and
fulfilled as the Jews
MUSICALLY MOCKED Jesus up to the
food of the Old Rugged Cross.
David
was a KING and the
Levite Prophesiers are
called
soothsayer-sorcerers
always involved with
sacrificing other
people's lambs and are
called PARASITES.
David wrote warrior
music intending as in
the halal (Lucifer word)
intending to threaten
them with the usual
ALPHA MALE intimidation.
God had turned the Jews
over to worship the
Starry host (missed Acts
and Amos?) and that was
the same
Abadddon-Apollyon figure
which they worshipped.
That happened as a sin
beyond redemption at
Mount Sinai when the
golden calf
represented the
always-pagan trinity
of father, mother
(spirit) and little
bad son,
Horus. When
preachers usurp the
male leadership the
PATTERN is also
defined in Revelation
17 when the
end-time Babylon
Mother of harlots
uses "lusted after
fruits" (same as
in Amos 8) as
speakers, singers,
instrument players
and craftsmen:
these are the
ministry
team called
PARASITES in all
religious
institutions
antithetical to
the School of
Christ.
Horus was
the posthumous son and heir of the god Osiris,
the primordial king and giver of life. He was invited by
his uncle, Seth, to spend a day. Seth’s real motive was
not to show him hospitality but to disqualify him
from inheriting his father’s royal power. To this
end, while Horus slept Seth committed an act of sodomy
upon him. Since sodomy was inflicted as a punishment
on a defeated enemy and was a symbol of
domination, Seth could then claim that he had conquered
Horus and demand the kingship in his place.
Historically,
the rape of males was more widely recognized in ancient
times. Several of the legends in Greek mythology
involved abductions and sexual assaults
of males by other males or gods. The rape of
a defeated male enemy was considered the special
right of the victorious soldier in some
societies and was a signal of the totality of the
defeat. There was a widespread belief that a male
who was sexually penetrated, even if it was by forced
sexual assault, thus "lost his manhood," and could no
longer be a warrior or ruler. Gang rape of a male was
considered an ultimate form of punishment and, as such,
was known to the Romans as punishment for adultery and
the Persians and Iranians as punishment for violation of
the sanctity of the harem (Donaldson, 1990). Donaldson, Donald. (1990).
"Rape of Males," in Dynes, Wayne, ed. Encyclopedia of
Homosexuality. New York: Garland Publications.
What is
called Psalm 150 as part of the
hymnbook of the church is not a psalm:
it is a HALAL. David wants to
HALAL his god in
the FIRMAMENT: that is because the
kings had been abandoned to worship
the starry host because of
instrumental idolatry of the trinity
at Mount Sinai. This was a sin
beyond redemption. Halal is
the root meaning of Lucifer: The
Spirit OF Christ identified
the king-queen of Tyre with "Lucifer the
singing and harp-playing
prostitute in the garden of
Eden."
It was
because of instrumental idolatry that
God gave Israel The Book of the Law and
turned them over to
worship the Starry
host. We wonder how
one could read Acts 7
and NOT know that all
of the history of the
Monarchy defines the
not-commanded rituals
of an abandoned
people.
"The triumphal hymn of Moses had unquestionably a religious
character about it; but the employment of music in religious services, though
idolatrous, is more distinctly marked in the festivities which
attended the erection of the golden calf." (Smith's Bible
Dictionary, Music, p. 589).
Acts 7:41 And they made a calf in those days,
and
offered sacrifice unto the idol,
and
rejoiced in the works of
their own hands.
lūdo
, si, sum 84: “in
numerum,”
dance, Verg. E. 6, 28:
“hic
juvenum
series
teneris
immixta
puellis
ludit,”
—Esp., to play on an
instrument of music, to make or compose
music or song: “ludere
quae
vellem
calamo
permisit
agresti,”
Verg. E. 1, 10:
“talia
fumosi
luduntur
mense
Decembri,”
Ov. Tr. 2, 491:
“quod
tenerae
cantent,
lusit
tua
musa,
puellae,”
id. Am. 3, 1, 27:
“coloni
Versibus
incomptis
ludunt,”
Verg. G. 2, 386:
“carmina
pastorum,”
id. ib. 4, 565; Suet. Ner. 3:
“si
quid
vacui
sub
umbra
Lusimus
tecum,”
Hor. C. 1, 22, 2.—
“ludere
opus,”
to imitate work, make believe work,
Lucifer the singing
and harp-playing prostitute was cast as profane
(chalal) into the garden of Eden with wind string
and percussion instruments.
The golden calf
was worshipped with wind string and percussion
instruments.
Christ in Isaiah 30
says that the SOUNDS of God driving His enemies into HELL will
be wind, string and percussion
instruments.
Voice of
harpers, musicians, pipers and
trumpeters in Revelation 18 will
signal Jesus removing the LAMPS (seven
spirits of knowledge) from a
pseudo-church in preparation for CASTING THEM
ALIVE INTO THE LAKE OF FIRE.
Euphrainō , Ep. euphr-, fut. Att.155.12, Pi.I.7(6).3
Pind.
I. 6 Just as we mix
the second bowl of wine when the men's symposium
[crooked race] is flourishing, here is the second
song of the Muses for Lampon's children and
their athletic victories: first in Nemea, Zeus,
in your honor they received the choicest of
garlands,
This is the Crooked Race we are warned to
save ourselves FROM.
Pind.
I. 7 In which of the local glories
of the past, divinely blessed Thebe, did you most delight
your spirit? Was it when you raised to eminence the one
seated beside Demeter of the clashing bronze cymbals,
flowing-haired
[5] Dionysus? Or when you received, as a snow-shower of gold
in the middle of the night, the greatest of the gods, when
he stood in the doorway of Amphitryon, and then went in to
the wife to beget Heracles? But since
ancient grace sleeps, and mortals are forgetful of
whatever does not reach the highest bloom of skillful
song, joined to glorious streams of words, [20]
then begin the victory procession with a sweet-singing
hymn for Strepsiades;
Bishop
Hislop
Nimrod was
known as the god of the Chaldean Mysteries.
That name, as we have seen, was Saturn. Saturn and Mystery are both Chaldean words, and they are correlative
terms. As Mystery signifies the Hidden system, so
Saturn signifies the Hidden
god. *
* In the Litany of the Mass, the worshippers are taught thus to
pray: "God Hidden, and my Saviour, have mercy upon
us." (M'GAVIN'S Protestant) Whence can this invocation of the
"God Hidden" have come, but from the ancient worship of Saturn, the "Hidden God"? As the Papacy has
canonised the Babylonian god by the name of St. Dionysius, and St. Bacchus, the "martyr," so by this very name
of "Satur" is he also enrolled in the
calendar; for March 29th is the festival of "St. Satur," the martyr. (CHAMBER'S Book of Days)
Adonis, Attis, Osiris and
Dionysus are the same.
To those who were initiated
the god was revealed; to all else he was hidden.
Now, the name Saturn in Chaldee is pronounced Satur; but, as every Chaldee scholar
knows, consists only of four letters, thus--Stur.
This name contains exactly the Apocalyptic number
666:--
Aristoph. Ach. 5 I was in ecstasy
and I love the Knights for this deed; ‘it is an honour to Greece.’ But the day when I
was impatiently awaiting a piece by Aeschylus, what tragic
despair it caused me when the herald called, “Theognis, introduce
your Chorus!” Just imagine how this blow struck
straight at my heart!
Xen. Sym. 7.5
However, these questions also fail to promote the same
object that wine does; but if the young people were to have
a flute accompaniment and dance figures depicting the Graces,
the Horae, and the Nymphs, I believe that
they would be far less wearied themselves and that the charms
of the banquet would be greatly enhanced.”
“Upon my word, Socrates,” replied the
Syracusan, “you are quite right; and I will bring in a
spectacle that will delight you.”
Acts 7:42
Then God turned,
and gave them up to
worship the host of
heaven;
as
it is written in the
book of the prophets,
O
ye house of
Israel, have ye
offered to me slain
beasts and sacrifices
by
the space of forty
years in the
wilderness?
Acts 7:43 Yea, ye took
up the tabernacle
of Moloch,
and
the star of your god
Remphan,
figures which ye made
to worship them:
and
I
will
carry you away
beyond Babylon.
David
Young's trying to induce the same
fall from grace quotes:
Psalms 33:1 Rejoice in the LORD, O ye
righteous: for praise is comely for the upright.
h8416. thillah, teh-hil-law´; from 1984; laudation;
specifically (concretely) a hymn:—praise.
exsulto
(exult
B. In partic., to exult, rejoice
exceedingly; to run riot, to revel; to vaunt, boast:
1. Boastful, vain-glorious: “turbati
aut
exsultantis
animi
motus,”
2. Of an orator or an oration, diffuse, prolix:
riot, gambol,
exsultātĭo
(
exult-
), ōnis, f. id.,
I.a springing up,
leaping, frisking (post-Aug.).
II. Trop.,
excessive rejoicing,
exultation: gaudium
enim exsultatio, exsultationem tumor et nimia aestimatio
sui sequitur, Sen. de Ira, 2, 21; cf.: “
laetitia
dicitur
exsultatio
quaedam
animi
gaudio
efferventior,”
Gell. 2, 27, 31;
Sen. Tranq. 15 fin.;
Tac. H. 1, 72 al.
Exsŭlāris
(
exul-
), e, adj. exsul,
I.of or
belonging
to exile or
to exiles (late Lat.): “
poena,”
Amm. 15, 3: “
maeror,
maeror (moer-I.a
mourning, sadness, grief, sorrow, lamentation,
whether secret or open
exsŭlātor
(
exul-
), ōris, m. id.,
I.a banisher,
expeller:
“
primi
hominis,
pŭĕrīlis
, e, adj. puer. I Lit., boyish,
childish, youthful
boyish, childish, puerile, trivial,
silly
Childishly, foolishly, sillily:
“stultus,”
Not used by the Text
Laudatio
“laudationes
modulatae,”
[of singing, speaking, dancing, melodiously: modulate
canentes tibiae, *] songs of praise, Suet. Ner. 20.—
Applied to Nero: again playing the harp in many examples is a
prelude to BURNING the faithful.
H7442 rânan raw-nan' A primitive root; properly to
creak (or emit a stridulous sound), that is, to shout (usually
for joy):—aloud for joy, cry out, be joyful, (greatly, make
to) rejoice, (cause to) shout (for joy), (cause to) sing
(aloud, for joy, out), triumph.
Catullus Carmine 63
"Haste you together, she-priests, to
Cybele's dense woods, together haste, you vagrant
herd of the dame Dindymene, you who inclining towards
strange places as exiles, following in my footsteps, led
by me, comrades, you who have faced the ravening sea and
truculent main, and have castrated your bodies in your
utmost hate of Venus, make glad our mistress speedily with
your minds' mad wanderings.
Let dull
delay depart from your thoughts, together haste you,
follow to the Phrygian home of Cybele, to the
Phrygian woods of the Goddess, where sounds the cymbal's
voice, where the tambour resounds, where
the Phrygian flutist pipes deep notes on
the curved reed, where the ivy-clad Maenades furiously
toss their heads, where they enact their sacred orgies with shrill-sounding ululations
[Halal praise word],
where that wandering band of the Goddess flits about:
there it is meet to hasten with hurried mystic
dance."
When Attis, spurious
woman, had thus chanted to her comity, the chorus
straightway shrills with trembling tongues, the light tambour
booms, the concave cymbals clang, and the troop swiftly hastes with rapid
feet to verdurous Ida.
Then raging wildly,
breathless, wandering, with brain distraught, hurries Attis with her tambour, their
leader through dense woods, like an untamed heifer
shunning the burden of the yoke: and the swift Gallae press
behind their speedy-footed leader. So when the home of
Cybele they reach, wearied out with excess of toil and
lack of food they fall in slumber. Sluggish sleep shrouds
their eyes drooping with faintness, and raging fury [Wrath warned Paul] leaves
their minds to quiet ease.
See Paul in Galatians
5 music and witchcraft of the effeminate
Galatians 5:12 I
would they were even cut off which trouble you.
A. Based
on the words Paul uses pointed to the emasculated
priests of the mother goddess, Paul intends to CUT OFF
the musical performers in the same way the priests were
made eunuchs:
First:
Apo-koptō , a.ta gennētika, of eunuchs,
Ph.1.89: abs., “apokekommenos” eunuch,
LXXDe.23.1,
cf.Luc.Eun.8:—Med.,
make oneself a eunuch, Ep.Gal.5.12, cf. Arr.Epict.2.20.19.
This would apply to the musical fall from grace at Mount
Sinai: the worship of the Mother Goddess allowed males
to "perform the role of women." David's stola was worn by the
office of prostitute and the Ephod was a phallic symbol which
David cast off and went naked.
Second:
3. esp.
of voice or breath, cut short, “ton tou pneumatos tonon” D.H.Comp.14, cf. 22:—Pass., “apokekoptai tini hē phōnē” Plu.Dem.25,
cf. Dsc.Eup.1.85.
Ton-os , o(, (teinō) 2. of
sounds, raising of the voice,
Aeschin.3.209,210, D.18.280,
Phld.Lib.p.19
O., etc.: hence, a. pitch of the
voice, Pl.R. 617b,
Arist.Phgn.807a17,
etc.; including volume, “tonoi phōnēs: oxu, baru, mikron, mega” X.Cyn.6.20;
of a musical instrument, Plu.2.827b, etc.;
diatonic scale,
3. esp.
of voice or breath, cut short,
“ton tou pneumatos tonon” D.H.Comp.14, cf. 22:—Pass., “apokekoptai tini hē phōnē” Plu.Dem.25,
cf. Dsc.Eup.1.85.
phōn-ē , 4.
of sounds made by inanimate objects,
mostly Poet., “kerkidos ph.” S.Fr.595;
“suriggōn” (pipe)
E.Tr.127
(lyr.); “aulōn”(flute)
Mnesim.4.56 (anap.);
rare in early Prose, “organōn phōnai” Pl.R.397a;
freq. in LXX, “hē ph. tēs salpiggos” (harp)
LXX Ex.20.18;
ph. brontēs ib. Ps.103(104).7;
“hē ph. autou hōs ph. hudatōn pollōn” Apoc.1.15.
John
Chrysostom understood Paul's message.
Chrysostom's Commentary on Galatians:
Galatians
5:1.-"With freedom did Christ set us free; stand fast
therefore.115 ."
Ver.
12.
"I would that they which unsettle you
would even cut themselves off." And he says
well "that unsettle you."
"A
man that is heretical after the first and second
admonition refuse." (Tit. iii: 10) If they will,
let them not only be circumcised, but
mutilated.
Where then
are those who dare to mutilate themselves;
seeing that they draw down the Apostolic
curse, and accuse the workmanship of God, and
take part with the Manichees? ... But if
you will not allow this,
why do you not mutilate
the tongue for blasphemy, the hands
for rapine, the feet for their evil courses, in short,
the whole body?
For the ear enchanted
by the sound of a flute hath
often enervated the soul;
and the perception of a sweet perfume by the
nostrils hath bewitched the mind, and made it frantic
for pleasure .
The
HALAL mark
In David Young's early sermons he wanted to
REPRODUCE the Cane Ridge Revival which alert
people defined as witchcraft of silly preachers and
black singers helping to drive the people into a
Voodoois charismac breakdown. He still wants a
REVIVAL wheree he imagines tha the Holy Spirit (whose
name is Jesus Christ the Righteous) can produce the
same outrages at North Boulevard Church of Christ. He wants everyone to
sing, shout, dance, hug and kiss.
1Chr. 15:19 So the singers,
Heman, Asaph, and Ethan, were appointed to sound
with cymbals of brass;
SOUND: 8085. shama,
shaw-mah´; a primitive root; to hear intelligently
(often with implication of attention, obedience,
etc.; causatively, to tell, etc.):—x attentively, call
(gather) together CYMBALS: 6750. = tsalal,
tsaw-lal´; a primitive root (identical with 6749
through the idea of vibration); to tinkle,
i.e. rattle together (as the ears in reddening
with shame, or the teeth in chattering with
fear):quiver, tingle.
6767. tslatsal, tsel-aw-tsal´;
from 6750 reduplicated; a clatter, i.e. (abstractly)
whirring (of wings); (concretely) a cricket;
also a harpoon (as rattling), a cymbal (as
clanging):--cymbal, locust,
shadowing, spear.
tympănŏtrĭba
, ae, m., =
tumpanotribēs,
I.a taborer,
a timbrel-player, a term of reproach for a
soft,
effeminate person (alluding to the priests of
Cybele),
Plaut. Truc. 2, 7, 49;
cf. tympanum.
tumpa^no-tribēs
i^,
ou,
ho,
A. drummer, esp. used of the Galli
in the worship of Cybele, in Lat. form
tympanotriba,
Plaut.Truc.611
T. Maccius Plautus, Truculentus,
or The Churl
He looks at me as he groans. He
heaved a sigh from the very bottom of his breast. Observe
that now; he gnashes his teeth; he strikes his thigh.
Prithee, is he deranged6, that he's beating his
own self?
STRATOPHANES to PHRONESIUM.
What say you? Why have you dared to say that you love
another man?
PHRONESIUM I chose to.
STRATOPHANES Say you so,
indeed? I'll first make trial of that. Do you, for the
sake of such a shabby present, vegetables, and
comestibles, and vinegar-water, bestow your love upon an
effeminate, frizzle-pated, dark-haunt frequenting,
drum-drubbing debauchee7,
a fellow not worth a nutshell?
6 Is he
deranged: "Hariolus." Literally, "a
soothsayer," or "diviner." In their prophetic frenzy,
these persons often had the appearance of being mad,
and were so considered.
7 Drum-drubbing
debauchee: "Typanotriba." Literally, "drum,"
or "tambourine beater." He alludes to the eunuch-priests
of Cybele, who used to beat tambourines in her
procession-probably in allusion to debauchees, emasculated
by riot and dissipation.
The first
Assault against people who would not BEGIN to do what
they refused to do by direct command of Christ the Rock
and the very masculine nature of a godly leadership.
Stark:
Who put the twelfth commandment into God's
law, saying, "Thou shalt not have an instrument of music
in the congregation of the saints?" David
[Lipscomb], the destructive critic, when, like
the "man of sin," he sits in the temple of God,
says: "Thou shalt not." That is the corner
stone of his departure--the foundation of his
schism. Their church is built upon it, and
a few old fogies have made it a test of
fellowship. God will shake their thunder
out of them and put some lightning into them one of
these days. [p.28]
Jameson Fawcett Brown notes: Vulgate translates, "They turn thy words into a song of their mouths."
heart goeth after
covetousness--the
grand rival to the love of God; therefore called "idolatry," and therefore associated with impure carnal love, as both alike transfer the heart's affection from the Creator to the creature
Clement of Alexander: "After
having paid reverence to the discourse about God, they leave within [at church] what they have heard.
And outside they foolishly amuse themselves with
impious playing, and amatory quavering (feminine vibrato), occupied with flute-playing, and dancing, and intoxication, and all kinds of
trash.
But
now to pass from this to the shameless corruption of
the stage. I am ashamed to tell what things
are said; I am even ashamed to denounce the things
that are done-the tricks of arguments, the cheatings of adulterers, the immodesties of women, the scurrile jokes, the sordid parasites,
David Young and the North Boulevard
Church of Christ Elders:
Psalms 33:2 Praise the LORD with harp:
sing unto him with the psaltery and an instrument
of ten strings.
This is David's song and not a command for
worship even in the synagogue to which the godly Jews
went as A School of the Word as God
quarantined them from the worship of the starry host
(Abaddon, Apollyon etc) at the Temple which God DID
NOT COMMAND
H3034 yâdâh yaw-daw' A primitive root; used only as
denominative from H3027 ; literally to use (that is,
hold out) the hand; physically to throw (a stone, an
arrow) at or away; especially to revere or
worship (with extended hands); intensively to bemoan (by
wringing the hands):—cast (out), (make) confess
(-ion), praise, shoot, (give) thank (-ful, -s,
-sgiving).
H3027 yâd yawd A
primitive word; a hand (the open one
(indicating power, means, direction, etc.), in
distinction from H3709 , the closed one);
The Greek
Halal quoted above means to Make Self
Vile: this is not the worship of a saved believer but of
a warrior. If anything, the Psalmist CONFESSSES his
VILENESS by playing on the Psaltery which was always
attached to a women prostitute. This is because
the kings had been turned over to worship the starry
host BECAUSE of instrumental idolatry at Mount Sinai.
Furthermore, David was a king and the Jacob-cursed and
God-abandoned Levites were under the King and Commanders
of the army. When they sang TAUGHT
songs and made themelves vile the
message was to spook the enemy by
Boasting that our god (the astrial
deities) can destroy your gods.
If you don't turn coward
and run (the instrumental
invasion)
We will ROB you
We will rape or
sodomize you
Then we
will rapture your head off.
By CONFESSING His vileness
with the instrument of the female prostitute, David
confesses his Pre-destined
role of carrying out the captivity and death sentence imposed
because of musical idolatry. David was not a
worship leader and he did NOT write Worship Music for
a Church of Christ using the instruments of the
vile prostitute.
This is not the Shock and Awe of charismatic "worship"
claiming the power to lead people into the presence of God: a
job Jesus died to get. However, the AWE is the utter
terror while claiming to speak for the One God Almighty Who
spoke only through the Spirit OF Christ to the Apostles and
through Jesus of Nazareth to the Apostles. There is room
for reverence and godly fear because the Word of God cannot be
private interpreted or further exounded. That iswhy the
command from the wilderness onward was to PREACH the
Word by READING the Word for Comfort and Doctrine.
Confĭtĕor , fessus,
2 (arch.
I.inf.
confiterier, Plaut. Cist. 1, 3,
22), v. dep. fateor, to
acknowledge, confess, own, avow (an
error, mistake, or a fact previously
denied or doubted, etc., implying a sacrifice
of will or a change of conviction; while fate
or expresses a simple acknowledgment, and profiteor a
voluntary avowal), to concede, allow, grant
Cat. 86, 2:
se, to make one's self known (sc.
Jovem), Ov. M. 3, 2;
(d). With de:
“de
maleficio,”
Cic. Rosc. Am. 41,
119; so id.
ib. 42, 123; Tac. A. 14, 59;
cf. supra, a fin.—
confessedly, beyond
doubt, Quint. 3, 5, 3;
Sen. Ep. 76, 12:
“in
confesso
esse,”
to be notorious, everywhere known,
id. Ben. 3, 11, 2;
id. Brev. Vit. 2, 3;
Catul.
1
To thee (Cornelius!); for
wast ever fain
To deem my trifles somewhat boon contain;
E'en when thou single 'mongst Italians found
Daredst all periods in three Scripts expound
Learned (by Jupiter!)
elaborately.
Then take thee whatso in this booklet be,
Such as it is, whereto O Patron Maid
To live down Ages lend thou lasting aid!
Lĭbellus
, 7. A libel, lampoon, pasquinade (post-Aug.):
“libellos
aut
carmina
ad
infamiam
cujuspiam
edere,”
Suet. Aug. 55;
id. Caes. 80;
id. Vit. 14:
“sparsos
de
se
in
Curia
famosos
libellos,”
id. Aug. 55:
“sive
quis
ad
infamiam
alicujus
libellum
aut
carmen
scripseri
Iuppiter
(Iūpi-)
Iovis, m
DIV-,
Jupiter, Jove, son of Saturn,
brother and husband of Juno, chief of the gods, god
of the sky, Cs.,
C.,
L.,
H.,
V.,
O.:
Iovis
stella,
the planet Jupiter.—Heaven, sky, air:
sub
Iove
frigido,
H.:
metuendus
(i. e. pluvius),
V.:
sub
Iove,
in the open air,
O.:
loci,
temperature,
O.:
Iuppiter
Stygius,
i. e.
Pluto,
V.:
Iovis
auribus
ista
Servas,
i. e.
of Augustus,
H.
mălĕfĭcĭum
, ĭi, n. maleficus, I.an evil deed, misdeed,
wickedness, offence, crime.
A. In gen. (class.): “ne
conscii
sint
ipsi
malefici
suis,”
Plaut. Rud. 4, 7, 21:
“conscientia
maleficiorum,”
Cic. Phil. 5, 6, 15:
“committere,
admittere,”
to commit, id. Rosc. Am. 22, 62:
1. Fraud, deception, adulteration: “me
maleficio
vinceres?
2. Enchantment, sorcery, Tac. A. 2, 69
măgĭcē
vinco
, I.to conquer, overcome, get the
better of, defeat, subdue,
vanquish, be victorious, etc. (syn.: supero,
debello). i subitam et fortuitam orationem commentatio et
cogitatio facile vincit
2. To prove triumphantly,
show or demonstrate conclusively. constrained,
compelled
Tac.
Ann. 2.69 Then he left for Seleucia
and awaited the result of the illness which had again
attacked Germanicus. The terrible intensity of the malady
was increased by the belief that he had been poisoned by
Piso. And certainly there were found hidden in the floor and
in the walls disinterred remains of human bodies, incantations
and spells, and the name of Germanicus inscribed on
leaden tablets, half-burnt cinders smeared with blood,
and other horrors by which in popular belief souls are
devoted so the infernal deities. Piso too was accused of
sending emissaries to note curiously every unfavourable
symptom of the illness.
Carmen
I.a tune, song; poem, verse; an
oracular response, a prophecy; a form of
incantation (cf.: cano, cantus, and canto)
I. In gen., a tune, song, air,
lay, strain, note, sound,
both vocal and instrumental (mostly poet.; in prose,
instead of it, cantus; cf. “also
versus,
numeri,
modi):
carmen
tuba
ista
peregit
( = sonus),
“carmine
vocali
clarus
citharāque
Philammon,”
Ov. M. 11, 317;
cf. “vocum,”
id. ib. 12, 157:
“per
me
(sc.
Apollinem)
concordant
carmina
nervis,”
id. ib. 1, 518;
4. A response
of an oracle,
a prophecy,
prediction:
“
ultima
Cumaei
venit
jam
carminis
aetas,”
Verg. E. 4, 4;
so
Ov. M. 6, 582;
Liv. 1, 45, 5;
23, 11, 4;
25, 12, 4;
29, 10, 6; 38, 45, 3;
Tac. A. 3, 63;
4, 43;
6,
12 al.—
5. A magic formula,
an incantation: MALVM, Fragm. XII. Tab. ap. Plin. 28, 2, 4, § 17;
cf. “Fragm.
XII.
Tab.
8, 1, a.
ap.
Wordsw.
Fragm.
and
Spec.
p.
260: polleantne
aliquid
verba
et
incantamenta
carminum,”
Plin. 28, 2, 3, § 10:
carmina vel caelo possunt deducere lunam; “Carminibus
Circe
socios
mutavit
Ulixi,
7. Moral sentences composed in verses:
măgĭcē
, ēs, f., =
magikē
(sc.
tekhnē),
I.the magic
art, magic, sorcery (post-Aug.): pariter utrasque
artes effloruisse, medicinam dico magicenque,
Plin. 30, 1, 2, § 10;
30, 1, 2, § 7:
“
magices
factio,”
id. 30, 1, 2, § 11.
factĭo , ōnis, f.
id..Anything you make with your hands or compose
A company of persons associated or acting
together, a class, order, sect,
faction, party (syn.: pars, partes,
causa, rebellio, perduellio, seditio).
“lascivientium,”
Vulg. Amos, 6, 7.—
Amos 6:5 That chant to the sound of the viol,
and invent to themselves instruments of
musick, like David;
Amos 6:6 That drink wine in bowls, and anoint
themselves with the chief ointments: but they are not
grieved for the affliction of Joseph.
Amos 6:7 Therefore now shall they go captive with
the first that go captive,
and the
banquet of them that stretched themselves shall be
removed.
Amos 6:8 The Lord GOD hath sworn by himself, saith the
LORD the God of hosts, I abhor the excellency of
Jacob, and hate his palaces: therefore will I deliver
up the city with all that is therein.
Amos 6:9 And it shall come to pass, if there remain
ten men in one house, that they shall die.
măgĭcus
, a, um, adj., = magikos,
I.of or belonging to magic, magic, magical
(poet. and in post-Aug. prose): “artes,”
“superstitiones,”
Tac. A. 12, 59:
“vanitates,”
di magici, that were invoked by incantations
(as Pluto, Hecate, Proserpine), Tib. 1,
2, 62; Luc. 6, 577:
“linguae,”
i. e. hieroglyphics, id. 3, 222;
“but
lingua,”
skilled in incantations, Ov. M. 7, 330;
Luc. 3, 224:
“cantus,”
Juv. 6, 610:
“magicae
resonant
ubi
Memnone
chordae,”
mysterious, id. 15, 5.
psaltērĭum
, ĭi, n., = psaltērion
(e scanned short, Ven. Fort. 2, 19, 43).
II. Transf.,
a song sung to the psaltery.
A. A satire,
Varr. ap. Non. 101, 3;
Paul. Sent. 5, 4, 16.—
B. The songs of David, the Psalms, Hier. Ep. 53, 8; 125, 11 et saep.
Cic. Har. Resp. 21, 44
All these men had a reason,—not an adequate one, indeed,
(for no one can have an adequate reason for proving a bad
citizen to the republic,) but still they had a serious
reason, and one connected with some indignation of mind not
unbecoming to a man.
Publius Clodius came
out as a popular character from saffron gowns and
turbans,
and woman's
slippers, and purple bands, and stomachers,
and singing,
and iniquity, and adultery.
If the women had not caught him in this dress, if he had
not been allowed to escape by the indulgence of
the maid servants, from a place which it was impious for
him to enter, the Roman people would have lost their
devoted friend, the republic would have been
deprived of so energetic a citizen. It is in consequence
of this insane conduct, amid our dissensions, for
which we are by these recent prodigies admonished by the
immortal gods, that one of the patricians has been taken
from their number to be made a tribune of the people, in
direct violation of the laws.
David sang, danced and played
instruments with the camp-following servants and godly
Michal said that HE WENT NAKE: he was wearing the garments
of a female used in the abandonement to the sacrificial
system:
|
 |
Worship
Androgyny the Pagan Sexual Ideal
Mystical Eroticism Pg 59.The worship of Aphrodite
in Greece and Astartis (Ishtar) in Mesopotamia involved ritual
prostitution. Under Canaanite influence, this same
abominable practice was introduced into Israel.. 1 Kings 15:12;
1 Kings 22:47; 2 Kings 23:7
Wikipedia
verifies that The dress of
the whore of Babylon is similar to the Jerusalem High Priest
(Exodus 28:6).
Several Old Testament prophets referred to Jerusalem as
being a spiritual harlot and a mother of such
harlotry (Isaiah 1:21; Jeremiah 2:20; Jeremiah
3:1–11; Ezekiel 16:1–43; Ezekiel 23, Galatians 4:25). Some
of the these Old Testament prophecies as well as the
warnings in the New Testament concerning Jerusalem are in
fact very close to the text concerning Babylon in
Revelation, suggesting that John may well have actually been
citing those prophecies in his description of Babylon.
For example, in Matthew 23:34–37 and Luke
11:47–51, Jesus himself assigned all of the bloodguilt
for the killing of the prophets and of the saints (of
all time) to the Pharisees of Jerusalem, and, in Revelation
17:6 and 18:20,24, almost identical phrasing is used in
charging that very same bloodguilt to Babylon. This is
also bolstered by Jesus' statement that "it's not possible for
a prophet to be killed outside of Jerusalem." (Luke 13:33).[50]
THE UNIVERSAL DESPISING OF RELIGIOUS
MUSICIANS ALWAYS GENDER BENT.
D.
L. 6.2 [65]
Seeing a young man behaving effeminately,
"Are you not ashamed," he said, "that your own intention
about yourself should be worse than nature's :
for nature made you a man, but you are forcing
yourself to play the woman."
Observing
a fool tuning a psaltery, "Are you not ashamed," said
he,
"to give this wood concordant sounds, while you
fail to harmonize your soul with life ?"
To one who protested that he was ill
adapted for the study of philosophy, he said, "Why
then do you live, if you do not care to live well ?" To one
who despised his father, "Are you not ashamed," he
said, "to despise him to whom you owe it that you can so
pride yourself ?"
Noticing a handsome youth chattering in unseemly fashion,
"Are you not ashamed," he said,
"to draw a dagger of
lead from an ivory scabbard ?"
Ath. 4.81 [3.] And
while we were now all amusing ourselves with
agreeable trifling, some flute-playing women and
musicians, and some Rhodian players on the sambuca
came in, naked as I fancied, but some said that they
had tunics on. And they having played a prelude,
departed; and others came in in succession, each of them
bearing two bottles of perfume, bound with a golden
thong
aphrōn
, on,
gen. onos,
(phrēn)
A.senseless, of statues, X. Mem.1.4.4:—
and so, crazed, frantic, “aphrona
kourēn”
Il.5.875,
cf. 761, A.Eu.377
(lyr.); silly, foolish,
WHAT THE MINIMALIST BIBLE STUDENT UNDERSTANDS UNLESS
DETRACTED BY EFFEMINATE WORSHIP SERVICES.
"Women and girls
from the different ranks of society were proud to enter the service of
the gods as singers and musicians. The understanding of
this service was universal: these singers
constituted the 'harem of the gods'." (Quasten)
"The
name of psaltery
entered Christian literature in the 3rd century
B.C. translation of the Old Testament called the
Septuagint
where, in the Psalms, nebel was
translated psalterion.
Thus, Nebuchadnezzar's
idolatrous ensemble
included the Aramic psantria.
Notice, also, that the book of Psalms has also
become known as the Psalter (or psalterium), from the
hymns sung with this harp. Source
http://www.s-hamilton.k12.ia.us/antiqua/psaltery.htm
NEBUCHADNEZZAR the
king made an image
of gold, whose height was
threescore cubits (60), and
the breadth thereof six (6)
cubits: he set it up in the
plain of Dura (circle), in
the province of Babylon. Dan 3:1
That
at what time ye hear the sound of the (1) cornet,
(2) flute, (3) harp, (4) sackbut, (5) psaltery,
(6) dulcimer, and all kinds of musick, ye fall
down and worship the golden image that
Nebuchadnezzar the king hath set up: Dan 3:5
"Its (pipe = to love
passionately) was apparently a secular instrument
and is never
listed in the temple orchestra; only in Ps. 150:4 it is mentioned in a religious (but not ritual) function. Its ethos was not blameless at all, as we see from
Genesis
Rabbah 50:
'The angels
said to Lot: 'There are players of the pipe (organ) in the
country, hence it ought to be destroyed'." Its rabbinical
identification with the aboda, the flute of the notorious Syrian bayaderes, emphasizes the
erotic element which already the Hebrew name
suggests." (Interpreter's Dictionary of the Bible,
p. 460, Abingdon).
H5036 nâbâl naw-bawl' From H5034 ; stupid;
wicked (especially impious):—fool (-ish, -ish man,
-ish woman), vile person.
H5035 nebel nêbel neh'-bel, nay'-bel From
H5034 ; a skin bag for liquids (from collapsing when
empty); hence, a vase (as similar in shape when
full); also a lyre (as having a body of like
form):—bottle, pitcher, psaltery, vessel, viol
WHAT STUDENTS OF THE ANCIENT NEAR EAST UNDERSTANDS
"The development both
of religion and of the arts can
be traced back in a continuous line to the hunting
era. The group ritual of the primeval tribesmen were the origin not only of all
religious ceremonial, but also of the drama and of poetry and music, while magic gave birth to the visual arts."
"Awed by the mysteries
of his
own spirit no less
than by those of nature, primitive man was likely to
attribute to divine
influence
any abnormal emotional
state, whether above
or below the usual level. Medicine men customarily
went into states of
trance in which they
were believed to be in
communication with the gods, and many tribes supposed lunatics
and sexual deviants to be divinely possessed. (Parkes,
Henry Bamford, On Gods and Men, p. 30).
Fool also called JESTER, a comic entertainer whose madness or imbecility, real or pretended, made
him a source of amusement and gave him license to abuse and
poke fun at even the most exalted
of his patrons. Professional
fools flourished from
the days of the Egyptian pharaohs until well into the
18th century, finding a place in societies as diverse
as that of the Aztecs of Mexico and the courts of
medieval Europe.
Often deformed, dwarfed, or crippled, fools may have been kept for luck as well as for amusement, in the belief that deformity can
avert the evil eye and that abusive
raillery can transfer ill luck from the abused
to the abuser. Fool
figures played a part in the religious rituals of
India and pre-Christian Europe, and, in some
societies, such as that of Ireland in the 7th
century BC, they were regarded as being inspired
with poetic and prophetic powers.
The raillery of the
fool and his frequent ritual
association with a
mock king suggest
that he may have originated as a sacrificial scapegoat substituted for a royal victim.
A resemblance between
the sacrificial
garments of ancient
ritual and the costume of a household jester in the Middle Ages--coxcomb, eared hood,
bells, and bauble, with a motley coat--has been noted.
In most early
societies, moreover, men evolved techniques for deliberaly inducing the abnormal forms of consciousness in which they supposed themselves to achieve union with divine power, sometimes by the use of drugs and
other physiological stimuli, sometimes by hypnotic dances and music. The wild utterances to which they
gave vent on such occasions were regarded as the
words of a god and were interpreted as divine
commands or predictions of future events." (Parkes,
p. 32-33).
"Many peoples
attributed any violent or unusual emotion to one of
the gods as a matter
of course; the individual was then no longer held
responsiblie for his actions, though the gods were
sometimes mischievous or even malevolent and the
result might be catastrophic." (Parkes, p. 33).
"The flash of insight
that enabled an individual to achieve an original act of
creation, whether in art or in
technology, was always mysterious, and for early
mankind it could be due only to the intervention of a
god. Long after the advent of civilization, in fact, poets continued to believe that they
wrote from divine dictation; inventors attributed their discoveries
to divine aid." (Parkes, p. 34).
"in Primitave religion
any violent or abnormal emotional state was attributed to the
gods and regarded as mystical. Both in the Bible and in Homer there
are examples of misleading and catastrophic
inspiritation. When Jehovah wished King Ahab to be
killed in battle, he put a 'lying spirit'
in the mouths of his prophets in order that they might
encourage the king to go to war (I Kings, xxii, 22)."
(Parkes, p. 33)
"What primative men...
wanted from the gods was health and strength, riches and
long life, and they hoped to attain these things chiefly
by ritual
and sacrifice rather
than by good conduct. The methods of early religion
always remained largely magical, and its motivations
thoroughly materialistic." (Parkes, p. 36).
"Agriculture may at
first have been a feminine occupation. It is a plausible
theory that the women of a tribe first realized that
seeds thrown away near their encampment were producing
sprouts and deduced the possiblity of deliberately
planting them. Early agriculture was associated
everywhere with an emphasis on the femine principle in
nature and among the gods on the analogy between human
sexuality and the fertility of the earth." (Parkes, p.
40-41)
The almost supernatural lust to impose Musical "machines for
doing hard work mostly making war" and always defining
sorcery, is based on the word PSALLO. While Psallo
included smiting a string with the FINGERS but never with the
PLECTRUM and is wholly derived from shooting real arrows or
Abaddon-Apollyon shoothing LOVE ARROWS by the power of his
lyre.
H5034 nâbêl naw-bale' A primitive root; to wilt;
generally to fall away, fail, faint; figuratively to be
foolish or (morally) wicked; causatively to despise,
disgrace:—disgrace, dishonour, lightly esteem, fade (away,
-ing), fall (down, -ling, off), do foolishly, come to nought,
X surely, make vile, wither.
H5036 nâbâl naw-bawl' From H5034 ; stupid; wicked (especially
impious):—
fool (-ish, -ish man, -ish woman), vile person.
David Young says this is a command to
us
Psalms 33:3 Sing unto him a new song; play
skilfully with a loud noise.
H8643 terû‛âh
ter-oo-aw' From H7321 ; clamor,
that is, acclamation of joy or a battle cry; especially
clangor of trumpets, as an alarum:—alarm, blow
(-ing) (of, the) (trumpets), joy, jubile, loud noise,
rejoicing, shout (-ing), (high, joyful) sound (-ing).
H7321 rûa‛ roo-ah' A primitive root; to mar
(especially by breaking); figuratively to split the
ears (with sound), that is, shout (for alarm or
joy):—blow an alarm, cry (alarm, aloud, out), destroy, make
a joyful noise, smart, shout (for joy), sound an
alarm, triumph.
Christ the Rock
outlawes this "vocal or instrumental rejoicing" when
the assembly was called for REST, READING AND REHEARSING THE WORD.
David Young and
the Elders:
Psalms 33:4 For the word of the LORD is right; and
all his works are done in truth.
21For our heartH3820
shall rejoiceH8055 in him, becauseH3588 we have
trustedH982 in his holyH6944 nameH8034.
Psalm
32.21 quia in eo laetabitur cor nostrum et in nomine sancto eius speravimus
laetor
rejoice, feel joy, be joyful or
glad at any
thing (syn. gaudeo
delightful, cheerful, agreeable
H8055 saw-makh' A primitive root; probably to brighten
up, that is, (figuratively) be (causatively make) blithe or
gleesome:—cheer up, be (make) glad, (have make) joy (-ful), be
(make) merry, (cause to, make to) rejoice, X very.
John
Calvin: There is a distinction, however, to be
observed here, that we may not indiscriminately consider
as applicable to ourselves, every thing which was formerly
enjoined upon the Jews. I have no doubt that playing upon
cymbals, touching the harp and the viol, and all that kind
of music, which is so frequently mentioned in the Psalms,
was a part
of the education; that
is to say, the puerile
instruction of the law: I
speak of the stated service of the temple.
[The SERVICE of the clergy musicians is called HARD BONDAGE.
That is because they had been turned over to worship
LIKE THE NATIONS and all animal sacrifices were a form
of legalistic appeasement and exorcism.
The "people's" congregation were
quarantined from the temple when the trumpets signaled
the beginning of sacrifice. Only the civil-temple state
sacrificed tens of thousands of innocent animals as
their TYPE of the future sacrifice of Jesus Christ with
the mocking music of the warrior Levites whose service
was "hard bondage."]
For even now, if believers choose to
cheer themselves with musical instruments, they should, I think, make it their
object not to dissever their cheerfulness from the
praises of God.
But when they
frequent their sacred assemblies, musical instruments in celebrating the
praises of God would be no more suitable than the
burning of incense, the lighting up of lamps, and the
restoration of the other shadows of the law.
The Papists, therefore,
have
foolishly borrowed this,
as well as many other things, from the Jews. Men who are
fond of outward pomp may delight in that noise; but the
simplicity which God recommends to us by the apostle is
far more pleasing to him. Paul allows us to bless God in
the public assembly of the saints only in a known tongue, (1
Corinthians 14:16.)
See
David Young Instrumental Music in
Revelation 5
Revelation 5
depicts the end of time.
worship God, heaven,
Use musical
instruments back to god.
2.18.16
41 12.18.16 164.
2.05.20. 394
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