Rh๊tor-ikos , ๊, on, oratorical, h๊ rh๊torik๊ (sc. techn๊) rhetoric, ...
2. of persons, skilled
in speaking, fit to be an orator, Isoc.3.8,
Pl.Phdr.260c, 272d, al.; phusei rh. ib.269d, etc.;
scholastikos rh. OGI693 (Egypt).
The super speakers,
rather than applauded, were the craftsmen. They were
the Lamech family whose techne was KORESH.
Techn๊ 1 [tikt๔]
I. art, skill, craft
in work, cunning of hand, esp. of
metal-working, Od.; of a shipwright, Il.; of a soothsayer, Aesch., Soph.
2. art, craft, cunning, in bad sense, doli๊ t.
Od.; in pl. arts, wiles, cunning devices, id=Od., etc.
3. the way, manner or means whereby a
thing is gained, without any sense of art or craft,
m๊demi๊i techn๊i in no wise, Hdt.; pas๊i techn๊i by all
means, Ar.; pantoi๊i t. Soph.
Word appears with:
Rhaps๔id-ikos , ๊, on, of or for a
rhapsodist: h๊ -k๊ (with and without techn๊) the rhapsodist's art,
Pl.Ion 538b, 540a, al. Adv. -k๔s Eust. 3.55 .
Let Socrates convince you NOT to
applaude those who depend on their HUMAN ART AND SKILL.
Cithari-zo , a-re, v n., = kithariz๔, to
play on or strike the cithara, Nep. Epam. 2, 1; Vulg. Apoc. 14, 2..
Same meaning in
Greek:
Parasitor . a-ri, v. dep. [id.] , to
play the parasite, to sponge:
parasitarier, Plaut. Stich. 4, 2, 54 : parasitando
pascere ventres suos, id. Pers. 1, 2, 3
Prosana-phusao , play on the flute,
Pl.Com.69.6 (leg. proana-).
Hupaule๔ , play on the flute in
accompaniment, melos tisi Alcm. 78 ; penthimon ti D.C.74.5 ;
hu. lusi๔idois Posidon.4J. ; Pandionidi Luc. Harm.1 :
abs., Id.Salt.83.
Kithara the Lat. cithara (whence
guitar), a kind of lyre or lute, Hhymn., Hdt., attic:
--it was of triangular shape, with seven strings, Eur.
Cf. ki^tha^riz๔
Latin with similar definitions
Parasi-tor . a-ri, v. dep. [id.] , to
play the
parasite,
to sponge: parasitarier, Plaut.
Stich. 4, 2, 54 : parasitando pascere ventres suos, id.
Pers. 1, 2, 3 .
Clement writes of the common tribe:
why should we assume that we are exempt?
"Appropriate designations of such people
as so indulge are flies, weasels, flatterers, gladiators, and the monstrous tribes of parasites-the
one class surrendering reason, the other friendship, and
the other life, for the gratification of the belly;
crawling on their bellies, beasts in human shape
after the image of their father, the voracious beast.
People first called the abandoneda 0sw/touj, and so appear to me to indicate
their end, understanding them as those who are
(a0sw/souj) unsaved, excluding the j. For those that are
absorbed in pots, and exquisitely prepared niceties of
condiments, are they not plainly abject, earth-born,
leading an ephemeral kind of life, as if they were not
to live [hereafter]?
But these speak evil
of those things which they know not: but what they know
naturally, as brute beasts, in those things they corrupt
themselves. Jude 10
These are spots in
your feasts of charity, when they feast with you, feeding themselves without fear: clouds they are without
water,
carried about of winds; trees whose fruit withereth, without
fruit, twice dead, plucked up by the roots; Jude 12
Raging waves of
the sea, foaming out their own shame; wandering
stars, to whom is reserved the blackness of darkness
for ever. Jude 13
And Enoch also, the
seventh from Adam, prophesied of these, saying, Behold,
the Lord cometh with ten thousands of his saints, Jude
14
Enoch defines the
musical performers taught by fallen angels as those
for whom God will come with ten thousand of his
saints. Begin Here.
Brother bashing always
involved the sectarians dividing the church by adding choirs and instruments to compete with Catholics or
Anglican-derived churches.
If we didn't introduce instruments then
war would not
be started by the rise of the "legalists" just
resisting being tossed out of the building they have
paid for.
Literate Baptists and Presbyterians know
that faithful
members
resisted instrumental
manipulation along with churches of Christ and many
(the majority) of religious people who do not attempt to
worship god with a machine.
I don't know of a fratricidal war begun by the "laity" or even
by the elders who were, in Biblical jargon, the only pastor-teachers in the local
flock.
If people would not approve (yea, demand) of
instrumental music by making it an opinion then the musical wing would never have become sectarian by adding music when a straight-line
back to the Tower of Babylon proves that
not attempting to move the
worshipers into the presence of God was the "truth held en toto"
This consensus view was
sected-out by ursurping "pastors"
such as Pendleton who bragged that he was the first sectarian in the new Restoration
Movement. That is, he ignored the total rejection of music
by post-biblical scholarship (even the Catholic
Encyclopedia) and imposed an organ over the forceful
removal of the organ (melodian) by an elder.
The first lawsuit of the
Christian church stealing church
property was held in Tennessee. The leaders of the
evangelistic music and institution adders freely
confessed:
> That if instruments are a part
of the worship then adding instruments is sinful.
> However, they claimed
with a straight face, the instrument is not a part of the worship
but only
an aid
to worship.
> The Judge ruled that it
was nonsense that the instrument would not be part of
the worship.
> Therefore, the musical sectarians confessed and the Judge
agreed that adding instruments (spite of hell and
church division) was a sin.
Dr. Rubel Shelly may
think that to "defend" against an "attack" (re: Second Incarnation) is fratricidal but this may just be
psychological intimidation?
By what stretch of the
imagination does anyone believe that they can achieve unity in a forum when those who attend have already become united in principle against the clear Biblical and
historical evidence which is opposed to trying to worship
a Spirit God with the "works of human hands" and truly
ceremonial legalism of musical ritual performance?
> There is no evidence that
spiritual worship, even among the Jews, was ever attempted
by the pure-legalism of using a machine to assualt the
vaults of heaven.
> God excluded the people's
congregation when the "noise" signaled the beginning and
ending of animal sacrifices.
> The synagogue had no praise service.
> The New Testament church
worship is not remotely related to "praise." People
assembled but they "did" synagoguing.
> The historical church did not
use self-composed (carnal) songs or instruments.
> The first music was a
Seeker-System to pay for cathedrals even as the official
Catholic view as late as 1913 repudiated instrumental
worship for the mass. The Sistine chapel excluded
instruments and "A Cappella" is not "A Biblical" but was
choirs to entertain the pope who could not participate
with instrumental music.