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282 The Economics of
Ancient Prostitution
Diogenes
of Babylon believed that the music of the flute
was not conducive to love, and that background
listening music was much
better for that, while Plato and Plutarch complain
that the flute kills conversation, because it
is too loud for the guests to hear their own
voice.
The
psaltery a triangular instrument similar to a harp,
produced gentler sound and would be more
suitable for somewhat restrained and low-key
events, as would be the kithara, an
instrument similar to the lyre.
Both
were traditional instruments
played in a variety of events, public and private,
and were often accompanied by song, either by
the performer him/herself or a singer.
Aristotle attests that those musicians came from
the lower social strata, and many
of them, both men and women, were
prostitutes hired to entertain guests in private
parties.
A play of Anaxandrides was entitled Kitharistria while the masculine Kitharistes was the title of plays by Antiphanes and
Menander, which might also refer to male
sex workers. Antiphanes, Klearchos, Alexis,
Nikon, Anaxippos, Diphilos and Sophilos wrote
plays entitled
(kithara player and singer), where the gender could
be either masculine or feminine. Moreover there are
numerous specific references to psaltery and
kithara players employed as prostitute
entertainers. Aeschines, for example, attests
that Misgolas, one of the alleged
lovers of Timarchos, had a reputation for being very
fond of kithara boys, while Antiphanes
and Alexis confirm this with jokes about
Misgolas and his kithara boys.
Jesus was sent INTO but not OF the World to rescue a tiny
band of Lost Spirits. Those OF the World, the Kosmos,
the Ecumenical or the kingdom of the Devil who is a ruler of
the world and almost all of the Aborigines. Jesus said that
He and His Disciples were from ABOVE but those from whom God
hides are from BENEATH or Tartarus. There is nothing
musical in the messsage to the WAY (pattern) that is called
a SECT. The world is separated out by Apollyon's
Locusts or the Muses as his 'musical worship Team." All
Sorcery, witchcraft or anything that artificially attacks
the human spirit is proven to be MUSIC of any kind.
ALL colleges who prepare pulpit pastors for whom there is no
role and no dole INDOCTRINATE and do the opposite of
EDUCATE. Faithful evangelists will neve be rich or
popular.
Jesus said that God HIDES from the Wise or Sophists who
speak their own words and are called by Jesus "the sons of
the Devil", singers, instrument players or anything beyond
TEACH that which has been taught. We want to call
deliberate sowers of discord Biblically Illiterate but Jesus
had Paul say that
THEY ARE LYING
IN WAIT TO DECEIVE.
FIRST: As BEASTS or
Therion they are New Style Musicians or Satyric
Actors.
The.Mark.of.The.Beast
The BEAST is "a new style of music or Satyric
(cappella) Drama with Christ's enemy of almost all
pulpits.
Satyric Drama One
of the three varieties of the Attic drama. Its origin
may be traced back to Pratinas of Phlius (about B.C. 500).
It is probable that, after settling in Athens, he
adapted the old dithyramb with its chorus of Satyrs,
which was customary in his native place, to the form of
tragedy which had been recently invented in Athens. This
new kind of drama met with so much approval and was so
much developed by Pratinas himself as well as by his son
Aristeas, by Choerilus, by Aeschylus, and the
dramatists who succeeded him, that it became the custom
to act a satyric drama after a set of three tragedies.
The intensity of the preceding plays was thus relieved,
while the chorus of Satyrs and Sileni, the companions of
Dionysus, served to indicate the original connection
between that divinity and the drama. The material for a
satyric drama, like that for a tragedy, was taken from
an epic or legendary story, and the action, which took
place under an open sky, in a lonely wood, the haunt of
the Satyrs, had generally an element of tragedy; but the
characteristic solemnity and stateliness of tragedies
was somewhat diminished, without in any way impairing
the splendour of the tragic costume and the dignity of
the heroes introduced. The amusing effect of the play
did not depend so much on the action itself, as was the
case in comedy, but rather on the relation of the chorus
to that action.
Strab. 10.3.10 And on this account Plato, and
even before his time the Pythagoreians, [Puthagoreioi] called
philosophy music;1
and they say that the universe is constituted in
accordance with harmony,2
assuming that every form of music is the work of the
gods.
And in this sense, also, the Muses
are goddesses,
and Apollo
is leader of the Muses, and poetry as a whole is
laudatory of the gods.
And by the same course of
reasoning they also attribute to music the upbuilding
of morals, believing that everything which tends to
correct the mind is close to the gods.
When Paul
wanted everyone to pray for peace and silence to
prevent and outbreak of WRATH the word is Orge or
Orgy. Work (ergon) and a musical instrument
(organon) are all ORGY words.
Now most of the Greeks assigned
to Dionysus, Apollo, Hecate, the Muses,
and above all to Demeter, everything of an orgiastic
or Bacchic or choral nature, as well as the
mystic element in initiations; and they give the name
"Iacchus" not only to Dionysus but also to the
leader-in-chief of the mysteries, who is the genius of
Demeter. And branch-bearing, choral dancing, and
initiations are common elements in the worship
of these gods. As for the Muses and Apollo, the Muses
preside over the choruses, whereas Apollo
presides both over these and the rites of divination
[mantikos daimonion].
But all educated men, and especially the musicians,
are ministers of the Muses; and both these and those
who have to do with divination are ministers
of Apollo; and the initiated and torch-bearers
and hierophants, of Demeter; and the Sileni
and Satyri and Bacchae, and also the
Lenae and Thyiae and Mimallones and Naοdes and Nymphae
and the beings called Tityri, of Dionysus.
1
Plat. Phaedo 61.
2
Philolaus, Fr. 4 (Stobaeus 1.
458-460) See also Athenaeus 14.632b-c
Aristot. Met. 1.5,
Sextus Empiricus Adv. Math. 4.6
Cp. Plat. Tim. 32c, 36d,
37a, 41b, Plat. Rep. 617b,
Plat. Epin. 991e.
BEASTS impose "a new form of music and SATYRIC
DRAMA." All self-exhibition is defined as
perversion.
Satyri
Satu^ros
, ho,
Dor. Tituros
(q.v.), Satyr, first in Hes.
(
2. lewd,
goatish fellow,
Jul.Caes.309d;
basileus
Saturōn,
of
Pericles,
Hermipp.46;
satura
,
hē,
of a
courtesan, Socrates is called
hode
ho
S.
from his appearance,
Pl.Smp.216c.
Tom Burgess Pericles and
Instrumental Music
The master that
taught him music, most authors are
agreed, was Damon (whose name, they
say, ought to be pronounced with the first
syllable short). Though Aristotle tells us that he
was thoroughly practised in all accomplishments of
this kind by Pythoclides.
Damon, it is not
unlikely, being a sophist, out of policy, sheltered himself
under the
profession of music to conceal from people in general his
skill in other things, and under this pretence attended Pericles, the young athlete of politics, so to
say, as his training - master in these
exercises.
Damon`s lyre, however, did not
prove altogether a successful blind; he was banished the country by
ostracism for ten years, as a dangerous inter -
meddler and a favorer of arbitrary power,
...........
and, by
this means, gave the stage occasion to
play upon him.
b. a
fabulous
people in Ethiopia,
D.S.1.18.
II. in pl., a play in which the Chorus
consisted of Satyrs, Satyric drama, forming
the fourth piece of a Tragic tetralogy, hotan
Saturous
poiēs
Ar.Th.157;
poētai
saturōn
Menedēmon
epegrapsen
Lukophrōn]
D.L.2.140; en
Omphalē
Saturois
Str.1.3.19. [Sa^tu^ros;
so that when the 1st syll. is long, Dor. Tituros
(q.v.) should prob. be restored.]
SECOND: The Serpent,
Beast, Serpo, Herpo in the Garden of Eden.
Elelizō
redupl. of helissō
(v. infr.), rare in pres., as Pi.O.9.13;
impf.
III. cause
to vibrate,
megan
d'
elelixen
Olumpon,
of Zeus, ib.
1.530, cf.
8.199;
phormigga
e.
make its strings quiver,
Pi.O.9.13;
asteropan
elelixais
Id.N.9.19:Med.,
hippon
. . agōniō
elelizomenos
podi
mimeo
Simon.29:Pass.,
quake,
tremble, quiver,
elelikhthē
guia
Il.22.448;
elelikto,
of a
brandished spear,
13.558;
amphi
de
peplos
elelizeto
possin
h.Cer.183;
megas
d'
elelizet'
Olumpos
h.Hom. l.c.;
phormigx
elelizomena
Pi.P.1.4.
(In
Hom. elel-
may have been substituted for
ewel-
（
wewel-
in
elelikto);
cf.
helissō.)
elegos ,
ho,
A.song,
melody, orig. accompanied by the flute, cf.
aluros e.
E.Hel.185
(lyr.),
IT146
(lyr.);
Asias e. iēios
Id.Hyps.Fr.3(1)iii9; so
Elegoi, title of a
nomos aulōdikos,
Plu.2.1132d; of the
song
of the nightingale,
Ar.Av.218(pl.);
elegon oiton, of the
halcyon,
E.IT1091
(lyr.); later,
lament, song of mourning,
A.R.2.782.
II. poem
in elegiac distichs,
Call.Fr.121;
hilaroi e.
AP10.19 (
Apollonid.). (Commonly
derived from
e e legein, to cry woe!
woe!
EM326.49.)
Eur. Hel. 185
Chorus
Beside the deep-blue water [180] and on the
tangled grass, I happened to be drying purple
robes in the sun's golden blaze near the young
reed shoots; from my mistress, from where she
cried aloud her misery, [185] I heard a sound, a
mournful song not fit for the lyre, because she
was then shrieking, lamenting with her wails;
just as a Naiad nymph, who sends a song of woe
ringing over the hills, cries out, under the
rocky hollows, with screams [190] at the rape of
Pan.
THIRD:
1.
Israel fell from grace beyond redemption
because of Instrumental-Trinitarian-Perverted
Idolatry at Mount Sinai.
2.
The NOBILITY turned the REST of God into
a day of the Worship as the ABOMINATION
they brought from Egypt.
3.
The REST of God is Sabbath or the Greek
PAUO and demands STOPPING anything
beyond Rest, Reading and Rehearsing the
Word delivered by Moses.
4.
The Civil-Military-Clergy were abandoned
behind closed gates to engage in the
Lust of Blood and Flesh and the
HOLOCAUST of INFANTS and GOATS.
5.
The Godly Jews were never gathered to
engage in group singing with or without
instruments: this was outlawed for the SYNAGOGUE
as A School--only of the Word-only.
6.
Any kind of musical or theatrical
performance would MARK the Effeminate
and their refusal to HEAR the Word of
God.
7.
Even worse any kind of self-exhibition
especially SINGING is that which MARKS
and produces ALL of the data defining:
Abomination, Witchcraft,
the BEASTS, Demon
worship, Viper,Sorcery, Charming,
Soothsaying,
enchantment, harlots, beguile,
serpents, vipers, Serpo, Herpo,
inducing wine-drinking, Cunning Craftsmen
or Sophists, Rhetoricians,
Dogs or Catamites,
magic, Voodoo in primitive
America, Melodies to
deceive, Deceiver, Cunning
Crafts, Techne. religious
craftsmen, Lucifer, Locusts,
Apollyon, Levi-Leviathan
Paul commanded SPEAKING
the Biblical Text (Word of Christ,
SPIRIT
Paul commanded that ODE and PSALLO be IN the
heart or mind and therefore SILENT as in 1
Corinthings 14
Paul absolutely SILENCED anything beyond SPEAK or READ as
commanded for the Church in the Wilderness and exampled by
Jesus.
Acts 8:28 Was returning, and
sitting in his chariot read Esaias the
prophet.
Acts 15:21 For Moses of old time hath
in every city
them that preach him,
being read
in the synagogues every sabbath day.
2Cor. 3:14 But their minds were blinded:
for until this
day remaineth the same vail untaken away
in the reading
of the old testament; which vail is done away in
Christ.
Col. 4:16 And when this epistle is read among you,
cause that it be
read also in the church of the Laodiceans;
and that ye
likewise read the epistle from
Laodicea.
The word that is employed for this "anaginosko,
anagnosis) is the technical term for the cultic reading aloud of the Old Testament in
the synagogue. By applying this terminology to the
reading of his own epistles he not only ascribes the
same authority to the apostolic word as to the Old
Testament writings...he also combines a quotation from
the Old Testament with a word of Jesus and introduces
the whole with the familiar formula: 'for the
Scripture says.'" (Ridderbos, Hermon, Paul, P.
483 an Outline of His Theo., Eerdmans)
Suneimi A.ibo) go
or come together, assemble (eimi 3. attend,
associate with, a teacher, X.Mem.1.2.8,24,
etc.; also of the teacher, Id.Cyr.3.1.14,
Pl.Tht.151a,
etc.; of a fellowpupil, emoi sunōn pote peri mathēmata hoi sunontes
followers,
partisans, associates, disciples, Antipho 5.68,
Pl.Ap.25e,
Tht.168a,
FIFTH:
Paul SILENCED Psallo because when used by
pagans.
The Greek
PSALLO used as THE foundation for imposing any
kind of MUSICAL PERFORMANCE is most often used of
an older male such as Alexander the Great Plucking
his lyre to seduce a young male whos pubic hairs
had been plucked
The
Evil Psallo
psallo
, i, 3, v. n., = psallō.
I. In gen., to play upon a
stringed instrument; esp., to
play upon the cithara, to
sing to the cithara: psallere saltare elegantius, Sall. C.
25, 2
canituri, SING
and cantare marked as SORCERY.
saltare et cantare;
Cic. Catil. 2.10.23
Suet. Tit. 3
Sal. Cat. 25 Sempronia: She
had frequently, before this period, forfeited her word,
forsworn debts, been privy to murder, and hurried into the
utmost excesses by her extravagance and poverty. But her
abilities were by no means despicable;3
she could compose verses, jest, and join in conversation
either modest, tender, or licentious. In a word, she was
distinguished4
by much refinement of wit, and much grace of expression.
1
XXV. Sempronia] Of the same gens
as the two Gracchi. She was the wife of Decimus Brutus.
2
Sing, play, and dance] Psallere,
saltare.
As psallo
signifies both to play on a musical instrument, and to
sing to it while playing, I have thought it necessary to
give both senses in the translation.
Not
included
by Paul: PsalmOidia singing TO
a harp.
Not
included
by Paul: PsaltOideo sing to
the harp
2 Chron
5:[13] it happened, when the trumpeters and
singers were as one, to make one sound to be
heard [one tuned note all in unison]
Not
included
by Paul: Psaltos
sung to the harp, sung OF Translated sing
in Psalm 119:54
Saltatio Dancing
was originally closely connected with religion. Plato
thought all dancing should be based on religion, as it was,
he says, among the Egyptians. It has been shown under
Chorus
that the chorus in the oldest times consisted of the whole
population of a city, who met in a public place to offer up
thanksgivings to the god of their country by singing hymns
and performing dances. These dances, which, like all others,
were accompanied by music,
--dēlĭcĭae
, ārum, f. (sing. dēlĭcĭa
, ae, f.; [delicio; that which allures, flatters the
senses], delight, pleasure, charm, allurement;
deliciousness, luxuriousness, voluptuousness,
curiosities of art; sport, frolics, etc. (freq. and
class.; for syn. cf.: voluptas, libido, delectatio,
oblectatio, delectamentum, oblectamentum).
The Evil Psallo
psallere
saltare
ēlĕgans
I. In the ante-class. period in a bad
sense,
luxurious,
effeminate,
fastidious,
nice: elegans homo non dicebatur
cum laude
mulier
(Phrynewith
formosa),
Cic. Catil. 2.10.23 In these
bands are all the gamblers,
all the
adulterers, all the unclean and shameless citizens.
These boys,
so witty and delicate,
have learnt not
only to love and to be loved,
not
only to sing and to dance,
but also to
brandish daggers and to administer poisons;
and unless they are
driven out,
unless they die, even
should Catiline die,
I warn you that the school of
Catiline would exist in the republic.
But what do those wretches want? Are they going to take
their wives with them to the camp? how can they do without
them, especially in these nights? and how will they endure
the Apennines,
and these frosts, and this snow?
unless they think that they
will bear the winter more easily
because they have been in the
habit of dancing naked at their feasts. O
war much to be dreaded, when Catiline is going to have his
bodyguard of prostitutes!
Suet. Tit. 3 While yet a
boy, he was remarkable for his noble endowments both of
body and mind; and as he advanced in years, they became
still more conspicuous.
He had a fine
person, combining an equal mixture of majesty and grace;
was very strong,
though not tall, and somewhat corpulent.
Gifted with an excellent memory, and a capacity for all
the arts of peace and war; he was a perfect master
of the use of arms and riding; very ready in the Latin and
Greek tongues,
both in verse
and prose; and such was the facility he possessed in both,
that he would
harangue and VERSIFY extempore.
Nor was he
unacquainted with MUSIC,
but could both SING and PLAY
upon the HARP sweetly and scientifically.
I have likewise been
informed by many persons,
that he was remarkably quick in writing
short-hand,
would in merriment and jest engage with
his secretaries
in the imitation of any hand-writing he
saw, and often say, "
that he was admirably
qualified for forgery."
The Evil Psallo
includes:
Phrȳnē
, ēs, f., =
Phrunē.
II. A Roman courtesan,
Hor. Epod. 14, 16.
SIXTH
Musical
Worship Teams Mark the Effeminate
See the Nimrod at At Babylon
Vineyard New
Wineskin Worship
See Charismatic and Homosexual
connection among the Greeks
Effeminization
of Church and Christianity
Music and Effeminate Worship
Number Two
Dionysia
Drama Theater Music
Why Males in the
Post-Biblical Effeminate Church are Disguised as Empty
Pews or Hostile Masculines: it Will Get Worse! "Of
the Effeminate Willow-Creek "Holy Entertainment"
System: "The cost of this approach is hard work and loads of strife with church
insiders." Christianity Today
"Philodemus
considered it paradoxical that music should be regarded
as veneration of the gods while musicians were paid for performing this so-called veneration.
Again, Philodemus held as self deceptive the view that
music mediated religious ecstasy. He saw the entire
condition induced by the noise of cymbals and
tambourines as a disturbance of the spirit.
He found it
significant that, on the whole, only women and
effeminate men fell into this folly.
Accordingly, nothing of value could be
attributed to music; it was no more than a slave of the sensation of pleasure, which
satisfied much in the same way that food and drink did.
"Women and girls from the different ranks
of society were proud to enter the service of
the gods as singers and musicians. The understanding of this
service was universal: these singers constituted the 'harem of the gods'." (End of Quasten)
Delitzsch on Psalms: Moreover,
we must take into consideration the facts that the
compass of the tenor extends even into the soprano,
that the singers were of different ages down to
twenty years of age, and that Oriental, and more
particularly even Jewish, song is fond of
falsetto singing. We therefore adopt Perret-
Gentil's rendering, chant avec voix de femmes, and
still more readily Armand de Mestral's, en soprano;
whereas Melissus' rendering, "upon musical
instruments called Alamoth (the Germans would say,
upon the virginal)," has nothing to commend it.
"Hebrew music... was used in the
luxurious times of the later monarchy the effeminate gallants of israel, reeking with perfumes,
and stretched upon their couches of ivory, were wont at
their banquets to accompany the song with the tinkling of the
psaltery or guitar (Am. v1. 4-6), and amused
themselves with devising musical instruments while their nation
was perishing... music was the legitimate expression of
mirth and gladness, and the
indication of peace and prosperity." (Smith's Bible
Dictionary, Music, p. 590).
The
Abomination of Desolation:
first defined as the
instrumental-trinitarian worship
at Mount Sinai.
The
Israelites fell into instrumental-trinitarian idolatry at
Mount Sinai and God removed The Book of the Covenant of
Grace from the Civil-Military-Clergy. In the Second
Law given because of Transgression they were warned that
their sin beyond redemption was conditional:
Jude 3 Beloved, when I gave all diligence
to write unto you of the common salvation, it was
needful for me to write unto you, and exhort you that ye
should earnestly contend for the faith which was once
delivered unto the saints.
Jude 4 For there are certain men crept in unawares,
who were before of old ordained to this condemnation,
ungodly men, turning the grace of our God into
lasciviousness, and denying the only Lord God, and our
Lord Jesus Christ.
Jude 5 I will therefore put you in remembrance, though ye
once knew this, how that the Lord, having saved the people
out of the land of Egypt, afterward destroyed them
that believed not.
WHAT IS THE ABOMINATION IN A HOLY PLACE AS
UNBELIEF?:
Deut. 18:9 When thou art come
into the land which the LORD thy God giveth thee, thou
shalt not learn to do after the abominations of
those nations.
Deut. 18:10 There shall not be
found among you any one that maketh his son or his
daughter to pass through the fire, or that useth divination,
or an observer of times, or an enchanter, or a witch,
hărĭŏlus soothsayer,
prophet, prophetess
somnĭo , to
dream; to dream of or see in a dream, to
dream, i. e. to think idly or vainly,
to talk foolishly:
psaltrĭa , ae, f.,
= psaltria,
. a female player on the cithara,
a lutist, ineptias,
Col. 1, 8, 2:
ah
stulte!
tu
de
Psaltriā
me
somnias
Agere,
Ter. Ad. 4, 7, 6;
Plaut. Pers. 2, 3, 5.Absol.:
vigilans
somniat
portenta
non
disserentium
philosophorum
sed
somniantium,
Cic. N. D. 1, 8, 18.
Deut. 18:11 Or a charmer, or a
consulter with familiar spirits, or a wizard, or
a necromancer
A Charmer is an Abomination
incantātor
, ōris, m. incanto, I. an enchanter,
wizard (post-class.), Tert.
Idol. 9; Isid. 8, 9,
15; Mos. et Rom. Leg. Coll. 15, 1, 2.
consŭlo (a).
In the lang. of religion, to consult a deity,
an oracle, omens, etc.: Apollinem
de
re,
Cic. Leg. 2, 16, 40:
deum
consuluit
auguriis,
quae
suscipienda
essent,
Liv. 1, 20, 7:
deos
hominum
fibris,
Tac. A. 14, 30 fin.:
Phoebi
oracula,
Ov. M. 3, 9;
Suet. Vesp. 5:
Tiresiam
conjectorem,
Plaut. Am. 5, 1, 76:
B. An incantation,
charm, magic song, etc.: cantusque
artesque magorum.
cantus
e
curru
Lunam
deducere
tentat,
2. With instruments, a playing,
music: in
nervorum
vocumque
cantibus,
Cic. Tusc. 1, 2, 4;
id. Rosc. Am. 46, 134:
citharae,
Hor. C. 3, 1, 20:
horribili
stridebat
tibia
cantu,
Cat. 64, 264:
querulae
tibiae,
This was outlawed for the Church of Christ (the Rock) in the
wilderness
These ăb-ōmĭnor are
always MARKED semimares,
Liv. 31, 12, 8
Signs or wonders " Liv. 31, 12, 8
Along with "plundering" the temples,
among the Sabines, a child of uncertain sex was born,
while another was found whose sex, at the age of
sixteen, could not be determined. All these disgusting
and monstrous creatures seemed to be signs that nature
was confusing species; but beyond all else the
hermaphrodites caused terror,... In addition, they
directed that a hymn be sung throughout the city by
thrice nine maidens, and that an offering be made to
Queen Juno.
Galli A form gallantes,
as if from gallare, "to rave like a priest of
Cybelι," is cited from Varro (ap. Non. p. 119Non.,
5). In their wild, enthusiastic, and boisterous rites
the Galli recalled the legends of the Corybantes
(q.v.). According to an ancient custom, they were always
castrated (spadones, semimares, semiviri, nec
viri nec feminae), and it would seem that, impelled
by religious enthusiasm, they performed this operation
on themselves... Other names, however, are of
distinctly Semitic affinities; Rhea perhaps=the Babylonian Ri (Mulita or
Mylitta), and Nana more certainly=the Babylonian Nana, modern Syrian Nani. Nana motherof Attis
Paul hoped that the concision's knife slipped.
Paizo, 4. play on a
musical instrument, h.Ap.206:
c. acc., Pan ho kalamophthogga paizōn Ar.Ra.230;
dance and sing, Pi. O.1.16.
5. play amorously,
pros allēlous X.Smp.9.2
Chrysostom's Commentary on Galatians:
Galatians 5:1.-"With freedom
did Christ set us free; stand fast therefore.115 ."
Ver. 12. "I would that they which unsettle
you would even cut themselves off." And he says well "that
unsettle you." "A man that is heretical after the
first and second admonition refuse." (Tit. iii: 10) If
they will, let them not only be circumcised, but
mutilated. Where then are those who dare to mutilate themselves; seeing that
they draw down the Apostolic curse, and accuse the workmanship
of God, and take part with the Manichees?
Chrysostom understood that the pagans
used vocal or instrumental noise to stir up or create
anxiety so that they could steal your food money. Christ
outlawed this in Isaiah 55. Christ outlawed
BLASPHEMY in the modern context of saying that God commanded
instrumental distractions when He DID NOT.
But if you
will not allow this, why do you not mutilate the
tongue
for blasphemy, the hands for rapine,
the feet for their evil courses, in short, the whole
body?
For the
ear enchanted by the sound
of a flute hath often enervated
the soul;
and the perception
of a sweet perfume by the nostrils hath bewitched
the mind, and made it frantic for pleasure .
David's PRAISE word threatened the same sexual proof of
superiority:
Ululo Ulŭlo
I. Neutr.,
to howl,
yell,
shriek,
utter a mournful cry. B.Transf.,
of places,
to ring,
resound, re-echo
with howling: penitusque cavae plangoribus aedes Femineis ululant,
Verg.
A. 2, 488 :
resonae ripae, Sil. 6, 285 :
Dindyma sanguineis Gallis, Claud. Rapt. Pros. 2, 269 .--
11.15.13
Brock Paulk: Sermon
Review of
Matthew 21 and
the reluctance
to repent.
AS PROPHESIED AND FULFILLED BY THOSE PREDESTINED FROM
OLD.
It is bad news when people fail to
read the
PROPHECY by
Christ which
is defined in
Matthew 21 and
elsewhere. Why
should people
be reluctant
to give an
answer for the
hope they have
when sowing
massive
discord and
violating
directions?
When
we quote from the prophets you should
understand that the Spirit OF Christ
defined the REST Messiah would bring:
this defined the future church both
inclusively and exclusively. And
Levite instrumentalists are called
parasites and speakers, singers and
instrument players are called
hypocrites. A hypocrite is
literally only such
performers claiming that they
speak for a god who says that
you must pay them for their
"pretend work."
11.11.13
Johnny
Miles Heritage Church of Christ Instrumental Music
Authority.
Apparently the elders HEAR the Holy Spirit "person" tell
them that they have authority to deliberately so discord
and violate all of the direct commands and examples
MARKING instrumental noise as the sounds of God repaying
His enemies and driving them into "hell" to the sound of
wind, string and percussion instruments. These are the
same instruments Christ said that Lucifer (Venus, Zoe)
brought into the garden of Eden as the "singing and harp
playing prostitute." The Serpent in the garden was a
musical Enchanter(ess) and SERPO in Latin specificially
defines the new style of music which is defined as the
BEAST in Revelation. We will show that this is the
Lying Wonder of those who have invited Strong Delusions by
loosing the love for the WORD or LOGOS which is
specificially defined as the Regulative Principle but only
for the FEW chosen out of the MAN (most) who are invited.
Revised 10.08.13 the
"spirit" guiding the musical idolaters is the
SPIRITUS
of Abaddon or Apollyon the LEADERS of the Muses marked as
adulteresses.
Revelation 17:7 And the angel said unto me, Wherefore didst
thou marvel?
I will tell thee
the mystery of the
woman,
and of the
beast
that
carrieth her, which hath the seven
heads
and ten
horns.
Revelation 17:8 The beast that thou sawest was, and is not;
and shall ascend out
of the bottomless pit, and go into perdition:
and they that dwell on
the earth shall wonder,
whose names were not
written in the book of life from the foundation of the
world,
when they behold the
beast that was, and is not, and yet is.
The
BEAST is an unleashed New Style of Music or
Drama: that's so those with A holy spirit able to read BLACK
text on BROWN paper can flee Babylon and not look
back.
thērion , to (in form Dim. of thēr), A. wild animal, esp. of
such as are hunted, mala gar mega thērion ēen, of a stag, Od.10.171,
180
(never in Il.); in Trag.
only in Satyric drama
Sikinnis
sikinn-i^s
si^,
or siki_nis
(E.Cyc.37),
idos,
A. Sikinnin
D.H.7.72:Sicinnis,
a dance of Satyrs used in the Satyric drama,
S.Fr.772,
E. l.c., D.H. l.c., Luc.Salt.22:
named from its inventor Sicinnus, Ath.1.20e, cf. Scamon 1; or from Sicinnis,
a nymph of Cybele, although originally danced in
honour of Sabazios,
Arr.Fr.106J. Also
written Sikinnon
, to/, Suid.; Sikinna
,
Sa^bazios
, ho,
(Sabos)
a Phrygian deity, whose mysteries resembled the teletai
of Dionysus, Thphr.Char.27.8
(but Sabadion
[acc.] ib.16.4,
cf. Dessau Inscr.Lat.Sel.2189),
Nymphis 11; hence
afterwards taken as a name of Dionysus himself,
Ar.V.9,
Av.875,
Lys.388;
A.theō
Sabaziō
pagkoiranō
CIG3791
(Bithynia), cf. IG12(5).27
(Sicinus); Di
Sabaziō
Cybele or Kubebes: CII.
Kubκbκs.
The Great Mother goddess of the Phrygians worshipped at Pessinus, the mκtκr Dindumκnκ of i. 80. 1.
For the Anatolian Great Mother cf. App. I. 2, Frazer, G. B.
iv, Bk. II, Attis, &c.; Ramsay, in Hastings' Bible
Dictionary, extra vol., p. 120 f. The Atys myth which involved her cult is
connected with Sardis by H.'s story of the son of Croesus (i. 34. 2 n.). The Great Mother was worshipped at Athens in the days of Sophocles (Phil. 391), and identified by the Greeks with Rhea, mother of the gods (cf.
iv. 76; Strabo 469), with Aphrodite, with Demeter, and with Artemis as the lady of the wild woods. But
here she is regarded as a foreign goddess.
She is the facilitator or organon a musical
instrument of Rhea (Eve, or Zoe)
Deilos cowardly, vile,
worthless, lowborn, mean
Plat.
Phaedrus 240b has mingled with most of them
some
temporary pleasure; so, for
instance, a
flatterer is a horrid creature and
does great harm, yet Nature has combined with him a kind
of
pleasure that is not
without
charm, and one might find fault with a
courtesan
as an injurious thing, and there are many other such
creatures and practices which are yet for the time being
very pleasant; but a
lover is not only harmful
to his beloved.
hēdonē , Dor. hadona to speak so
as to please another, dēmēgorein
D.4.38;
ou
pros
hē. hoi
ēn
ta
aggellomena
Hdt.3.126;
3. Pl., desires
after pleasure, pleasant lusts,
X.Mem.1.2.23,
Ep.Tit.3.3,
al.
Kolax ,
[Philippians 3 Dogs or Catamites]
A. flatterer, fawner,
Ar.Pax756,
Lys.28.4,
Pl.Phdr. 240b,
etc.; tukhēs kolakes ; parasite, D.L.6.4.
2. Att. goēs, Moer. p.113 P.
II. lisping pronunciation of
korax, Ar.V.45.
NEVER
amous-os ,
on,
A. without
song, of fishes,
Emp. 74;
but usu.
without the Muses, i.e.
without
taste or
refinement, rude, E.Ion526,
Ar.V.1074;
a. kai aphilosophos
Pl.Sph.259e;
a. hēdonē, hamartēmata, gross
pleasure, faults,
Pl.Phdr.240b,
Lg.863c;
a. esti, c. inf., it is
incongruous,
Ar.Th.159;
tōn Leibēthriōn amousoteros, PROVERB.
for lowest degree of mental cultivation,
Zen.1.79: Sup.,
glōtta -otatē
Agath.2.28. Adv.
-ōs
Pl.Hp.Ma.292c.
Goēs , ētos, ho, A. sorcerer,
wizard epōdos Ludias apo khthonos E.Ba.234
2. juggler, cheat, deinos g. kai pharmakeus kai sophistēs
Pl.Smp.203d;
deinon kai g. kai sophistēn . . onomazōn D.18.276;
apistos g. ponēros Id.19.109;
magos kai g
Sophis-tēs , ou, ho, A. master of
one's craft, adept, expert, of diviners, with modal
words added, hoi s. tōn hierōnmelōn
[MELODY IN THE HOLY PLACE]
3. later of the rhētores, Professors
of Rhetoric, and prose writers of the
Empire, such as Philostratus and Libanius, Suid.; Apollōnidē sophistē [Abaddon, Apollyon]
PHARMAKIA identifies the speakers, singers and
instrument players in Revelation 18: John
called them sorcerers and says they will be (are)
cast alive into the lake of fire.
hē mousikē aei ti kainon thērion tiktei
mousikκ aei ti kainon
thκrion tiktei
A. Mousikos, musical, agτnes m. kai gumnikoi
choroi te kai agτnes ta mousika
music,
II. of persons, skilled in music,
kuknos [minstrel] kai alla zτia;
peri aulous - professional
musicians, mousikos
kai melτn poκtκs, use with singing, skilled
in speaking before a mob. Melody,
B.
aei always
C. kainos , esp. of new
dramas, the representation of the new
tragedies, (Aphrodisias dedicated to Aphrodite
(ZOE); comedy, sexual love, pleasure, a
woman's form of oath, Aster or Venus
or ZOE Lucifer
D. Therion
E. Tikto mostly of
the
mother
of Rhea
one of the zoogonic or vivific principles
Sunestiōmenon,
of woman Sunesti^-aō
,
A. help to entertain,
AP4.3.24 (
Agath.):Pass.,
live or
feast
along with or
together,
Lys.Fr.53.2,
Is.3.70,
D.19.190,
etc.; [
theois]
Plu.2.121f;
meta
tinōn
IG22.1214
2 Peter 2:12
But these, as natural brute beasts, [Zoon, Zao, Zoe căprīlis , e,
of
or
pertaining to the goat:
semen, i. e. capellae,
made to
be taken and destroyed,
speak
evil of the things that they understand not;
and shall
utterly perish in their own corruption;
Revised
8.27.13 From the "singing and harp playing
prostitute in the garden of Eden to the Babylonian mother of
harlots (Rev 17) who uses lusted after fruits (same as in
Amos 8) as speakers, singers and instrument players when
people INVADE with instruments which make a singing or
clanging noise the absolute understanding is that they
INTEND to take you captive and PREVENT you from giving
attention to the Word of Christ in the prophets and
apostles. What did Jeus say about the WISE?
Matthew 11:25 At that time Jesus answered and
said, I thank thee, O Father, Lord of heaven and earth,
because thou hast hid these things from the wise and
prudent, and hast revealed them unto babes.
sophis-tēs ,
ou,
ho,
A.master of
one's craft, adept, expert, of diviners,
Hdt.2.49;
of poets,
meletan sophistais prosbalon
Pi.I.5(4).28,
cf.
Cratin.2; of
musicians,
sophistēs . . parapaiōn khelun
with modal words added,
hoi s. tōn hierōn melōn
Ael.NA11.1
Melody in a holy place
3. later of the
rhētores,
Professors
of Rhetoric, and
prose writers
[395]
Sophistry is not wisdom, and to indulge in thoughts beyond
man's ken is to shorten life; and if a man on such
poor terms should aim
too high, he may
miss the pleasures in his reach.
These, to my
mind, are the ways of madmen
and idiots. Oh! to make my way to Cyprus,
isle of Aphrodite, where dwell the love-gods strong to soothe
man's soul, or to Paphos, which that foreign river, never fed
by rain, enriches with its hundred mouths!
[402]
Oh! lead me, Bromian
[Dionysus "to roar"] god, celestial guide of Bacchic pilgrims, to the hallowed slopes of Olympus,
where Pierian Muses have their haunt most fair.
Bromian
also of music, lura bremetai kai aoida
Pi.N.11.7
Pindar
Nemean
11. [6] often they worship you, first
of the gods, with libations, and often with the
savor of burnt sacrifice. Lyres and songs
peal among them, and Themis, who belongs to Zeus
the god of hospitality,
There dwell the Graces;
there is soft desire; there thy votaries may hold their revels
freely.
The joy [417]
of our god, the son of Zeus, is in banquets,
his delight is in peace, that giver of riches
and nurse divine of youth. Both to rich and poor alike hath he
granted the delight of
wine, that makes all pain to cease;
INSTRUMENTAL DIVERTERS ARE NOT WHAT THEY APPEAR
TO BE: THEIR SKILL IS THAT THEY CAN LIE TO
YOU AND MAKE YOU APPLAUD AND SMILE.
(Lactantius,
The Divine Institutes, Ante-Nicene Fathers, VII, p.
188
"But we have already spoken
of spectacles: [lying wonders]
there remains
one thing which is to be overcome by us,
that we be not
captivated
by those things which penetrate to the innermost
perception. (emotions only)
For all those
things which are unconnected
with words, (just
speaking in tongues)
that is, pleasant sounds of the air and of strings,
may be easily
disregarded, because they do not adhere to us, and cannot be written...
PAUL WAS
NOT SILENT
1Corinthians 13:1
Though I speak with the tongues
of men and
of
angels,
(condemned)
and have not charity,
(Grace) (condemned)
I am become
as sounding brass, or a tinkling
cymbal.
La^l-eō, Mark of
the Locusts
II. chatter, Opposite. articulate
speech, as of locusts, chirp, Theoc.5.34;
mesēmbrias lalein tettix (sc. eimi), a very grasshopper
[LOCUST] to chirp at midday, III. of musical
sounds, aulō [flute] laleō Theoc.20.29;
di'aulou [flute] ē salpiggos l.[trumpet]
Arist. Aud.801a29;
of Echo, magadin lalein sound the
magadis, [double
flute]
Aggelos , of a loquacious
person 2. generally, one that
announces or tells, e.g. of birds of augury,
Il.24.292,296; Mousōn aggelos, of a poet
Aggelos , ho, hē,
A. messenger,
envoy, Il.2.26,
etc.; di' aggelōn homileein tini Hdt.5.92.z, cf. SIG229.25
(Erythrae): prov., Arabios a., of a loquacious
person, Men.32.
2. generally, one that announces or tells,
e.g. of birds of augury, Il.24.292,296; Mousōn aggelos, of a
poet,aggelon glōssan logōn E.Supp.203;
aisthēsis hēmin a. Plot.5.3.3;
neut. pl., aggela nikēs Nonn.D.34.226.
nik-ēi_, hē, II.
pr. n., Nike, the goddess of victory,
Hes.Th.384,
cf. Pi.I.2.26,
etc.; Nikē Athana Polias S.Ph.134,
cf. E. Ion457
(lyr.), 1529.
1Corinthians 14:8 For if the
trumpet give an uncertain sound, who
shall prepare himself to the battle?
1Corinthians 14:9
So likewise ye, except ye utter by the tongue words
easy to be understood,
how shall it be known what is
spoken? for ye shall speak
into the air.
Is
God, therefore, the contriver both of the mind, and
of the voice,
and of the tongues, unable to speak eloquently?
Yea, rather, with the greatest foresight,
He wished those things which are divine to be without
adornment,
that all might understand
the things which He Himself spoke to all."
MUSICAL
DISCORDERS ARE CONTRIVERS OF DEATH: THE JEWS HAD A
COVENANT WITH DEATH AND HELL
Therefore
God made all things to supply
a contest between two things.
Those enticements of pleasures, then, are the instruments
of that whose
only business it is to subdue
virtue,
and to shut out justice from men.
With these soothing influences and enjoyments it
captivates their souls;
for it knows that pleasure
is the contriver of death.
MUSICAL DISCORDERS SET THEIR LIES TO
MELODIES TO HIDE THE WORD OF GOD
Aristotle:
Melody Deceives: "Poets also make use of
this in inventing words, as a melody "without
strings" or "without the lyre"; for they employ epithets
from negations, a course which is approved in
proportional metaphors..
- The form of diction should be neither metrical nor without rhythm.
- If it is metrical, it lacks persuasiveness, for it appears artificial, and at the same time it
distracts
the hearer's attention, since it sets him on
the watch for the recurrence of such and such a cadence..
According to Philo,
the gods of the pagans exploit this weakness of
men. For the sake of a better effect, and with the intention of
more easily cheating their devotes, that they have set their
lies to melodies, rhythms and meters.." Click for
more.
MUSICAL DISCORDERS HAVE ALWAYS BEEN
GENDER-COMPROMISED AND THE SUBJECT OF LOTS OF JOKES:
"Philodemos considered it paradoxical
that music should be regarded as veneration of the gods
while musicians were paid for performing this so-called veneration.
Again, Philodemus held as self-deceptive the view that music mediated
religious ecstasy. He saw the entire condition
induced by the noise of cymbals and tambourines
as a disturbance
of the spirit. (Paul called it
mad or insane) He found it significant
that, on the whole, only women and effeminate men
fell into this folly."
MUSIC MEANS "TO MAKE THE
LAMBS DUMB BEFORE THE SLAUGHTER": IT WORKS
Aristot.
Nic. Eth. 1175b.1
But things that are akin to things of
different kinds must themselves differ in kind.
[3] A still clearer proof may
be drawn
from the hindrance
that activities
receive from the pleasure
derived from other activities.
Self-pleasure in Romans 15 is identified by
rhetoric, singing, playing, dancing or drama which
creates "mental excitement" which is the "laded burden"
Jesus died to remove meaning "spiritual anxiety created
by religious ritual." The BURDEN in Hebrew, Greek and
Latin identifies the performance or hypocritic arts and
crafts INTENDING to "make the lambs dumb before the
slaughter.
For instance, persons fond of the flute
cannot give their attention to a
philosophical discussion [The LOGOS or Regulative Principle]
when they overhear someone playing the flute,
because they enjoy music more than the activity
in which they are engaged;
therefore the pleasure
afforded by the music of the flute
impairs the activity of
study.
[4] The
same thing occurs in other cases when a man tries to
do two things at once; the pleasanter
activity drives out the other, the more so if it is much
more pleasant, until the other activity ceases
altogether.
Hence, when we enjoy something very
much, we can hardly do anything else; and when we find a
thing only mildly agreeable, we turn to some other
occupation; for instance, people who eat sweets at the
theater do so especially
when the acting is bad.
[ 5] And since our activities
[of the flute] are sharpened, prolonged and improved
by their own pleasure, and impaired by the pleasures of
other activities, it is clear that pleasures differ widely
from each other. In fact alien pleasures have almost the
same effect on the activities as their own pains; since,
when an activity causes pain, this pain destroys it, for
instance, if a person finds writing or doing sums
unpleasant and irksome;
for he stops writing or doing sums, because the activity
is painful.
PAUL
OUTLAWED SELF-PLEASURE IN ROMANS 15 AND CONNECTED IT
TO THE REPROACHES OR EXPOSING THE NAKEDNESS OF CHRIST.
Aristotle
on Politics 8
2. or whether we ought rather to
think that music tends
in some degree to virtue
(music being
capable of producing a certain quality of character
just as gymnastics are
capable of producing a certain quality of body,
music accustoming men to be
able to rejoice rightly);
3. or that it contributes something to
intellectual entertainment and culture (for this must be set down as
a third alternative among those mentioned).
Now it is
not difficult to see that one must not make amusement
the object of the education
of the young;
for
amusement does not go with
learning--learning
is a painful process.
UNITY
WITH THOSE WHO DESPISE THE WORD OF GOD IS THE WORK OF
THE DEVIL
John 17:14 I have given them thy
word;
and the world hath hated them,
because they are not
of the world,
even as I am
not of the world.
John 17:15 I pray not that thou shouldest take them out of
the world,
but that thou
shouldest keep them from the evil.
John 17:17 Sanctify them through thy truth:
thy word is truth.
John 17:18 As thou hast sent me into the world,
even so have I also
sent them into the world
MUSICAL
DISCORDS FOLLOWS JUDAS WHO WAS SERVANT OF KOSMOKRATOR
Pind.
O. 11 My tongue wants to foster such themes;
[10] but it is by the gift of a god that a man flourishes
with a
skillful mind, as with anything else. For
the present rest assured, Hagesidamus son of Archestratus:
for the sake of your boxing victory,
I shall
loudly sing a sweet song,
an
adornment for your garland of golden olive,
[15] while I honor
the race of the Western Locrians.
There,
Muses, join in the victory-song; I shall
pledge my word to you that we will find there a race that
does not repel the stranger, or is inexperienced in fine
deeds,
but one that is wise and
warlike too.
Kosmo-krator
epith. of ouranos,
Orph.H.4.3;
Zeus Mitras Hēlios k.
Dam.Pr.131;
hoi k. tou skotous toutou the
cosmic rulers
of this sinful world,
Ep.Eph.6.12;
hoi k. hoi ta hupo selēnēn stoikheia dioikountes
The Judas Bag is connected to the flute case of naked,
perverted, drunk on wine worship teams.
glōssokomon glōssa III, komeō
a case for the mouthpiece of a pipe:
generally,
a case, casket,
NTest.
A. glōssa , Ion.
glassa ,
Herod.3.84, al.,
SIG1002.7 (Milet.),
Schwyzer 692 (Chios),
Att.
glōtta ,
ēs, h(,
THE
SPIRIT OF CHRIST IN ISAIAH 30 GIVES THE PROTOTYPICAL
TYPE OF THOSE BEING DRIVEN INTO THE LAKE OF FIRE.
Paul would have understood the Classics as would
even young people who received much of their
education by watching performances at the theaters,
forums or School of Tyrannus.
Isaiah 30 a message from
the Spirit OF Christ:
And his breath [SPIRIT], as rushing water in a valley, reach reach
as far as the neck, and be divided, to confound the nations for their vain error; error also shall pursue
them and overtake
them.
Isaiah 30:28 LXX
Must ye always
rejoice,
and go into my holy places
continually, as they that keep a feast? and must ye go with a pipe, as those that rejoice
into the mountain of the Lord, to the God of Israel
Isaiah 30:29 LXX
and the Lord shall
make his glorious
voice to be heard and the wrath of his arm, to make a display with wrath and anger and devouring flame: he shall lighten terribly, and his wrath
shall be as
water
and violent
hail.
Isaiah 30:30 LXX
For by the voice of
the Lord the Assyrians shall be overcome, even
by the
stroke
where with he shall smite them. Isaiah 30:31 LXX
And it shall happen
to him from every side, that they from whom their hope
of assistance was, in which he trusted, themselves shall war against him in turn with drums and with harp. Isaiah 30:32 LXX
For thou shalt be
required before thy time: has it been prepared for thee also
to reign? nay, God has prepared for thee a deep trench, wood piled fire and much wood: the wrath of the Lord shall be as
a trench kindled with sulphur. Isaiah 30:33 LXX
After sowing discord the elders have demanded that you not
discuss this unless you speak to an elder because YOU would
be guilty of sowing discord. You are invited to ask any
question or challenge anything we have written by
CLICKING
HERE. You don't have to give your name so
you don't have to fear the elders.
George
Cunningham Heritage Church of Christ Colossians
Authorizes Instruments.
From the wilderness
onward God only calls people out on their REST to to
Rest, Read and Rehearse the Word of God. The
Church or synagogue quarantined the godly people FROM
the worship of the starry host later at the temple:
God had abandoned the Jacob-Cursed Levites and warned
everyone NOT to enter into covenant with them or even
attend their assemblies. They were to Wait for
Shiloh and the only spiritual Covenant made by God in
Christ to Abraham.
The synagogue continued to LOCK DOWN the godly people
so that they could not attend any "worship services"
all which depended on loud singing and instruments to
terrorize the people into thinking that the fear was a
spiritual feeling from their God.
Jesus endorsed the synagogue by standing up to read
the TEXT in the Prophets by the Spirit OF Christ:
quite decently and in order He SAT DOWN.
All of the epistles define the gathering in terms of a
synagogue which always excluded sermonizing, singing
or playing: this would exclude those trying to keep
the godly people from hearing the Word of God.
The historic Church of Christ continued that until
long after Calvin. The text was the commanded
resource and the text was SPOKEN by Jesus as God
Breathed (spirit) into him without METRON which most
often speaks of poetic or musical performance.
Singing as an ACT was imposed from the Syrian unwashed
bishop in the year 373 and this split the east from
the west churches and ended the unique Church of
Christ who sent out poor preachers to found schools,
teach the people the Bible and bring civilization to
our ancestors.
The Catholics never sang congregationally with the
organ: it signaled processions, intercessions and
recessionals.
Only after Calvin was some songs radiclally REwritten
and set to a simple meter to be sung in unison only.
George Cunningham is quite mistaken by finding any
early use of instruments in the Lord's Day
assembly. He may be thinking of Clement of
Alexander speaking of 'How to Conduct Ourselves at
Feasts."
Taking Colossians 3 I want to show that there is no
audible context in the command to SPEAK the Biblical
Text.
11.11.13
Johnny
Miles Heritage Church of Christ Instrumental Music
Authority.
Beginning with the "serpent" or musical enchanter, to the
Spirit OF Christ in the prophets, to John in Revelation and
all recorded tradition, the only "tradition" is that the
Devil
gave people authority to "make the lambs dumb before the
slaughter." Added notes to prove that musical performance is
the PROOF of men being strongly deluded and PERFORMING lying
wonders which point to religious operations using
rhetoricians, singers, instrument players, actors, dancers
and other "hypocritic" art or craft outlawed by Christ in
Ezekiel 33.
7.04.13
Tom
Moulder Heritage Church of Christ Traditionalism
6.21.13
"Prior to
coming to Heritage in 2009, they [Tom Moulders]
were part of a small group
that planted a church in
Flower Mound that was
sponsored by the Richland
Hills Church of Christ."
This suggests that
Heritage Church of Christ
has been targeted to be a
DAUGHTER of the MOTHER
CHURCH under Rick Atchley.
The
elders BEGAN
with Rick
Atchley's willingness
to argue
with three
empty chairs.
The costume is
stunningly
elegant
but his stare
is quite
empty.
Actors are
called
hypocrites:
Christ named
self-speakers,
actors,
singers and
instrument
players.
- If
you say that
God is silent
about Musical
Instruments
- And
the Bible is
filled with
condemnation
of
instrumentalists
as sorcerers
or witches
plaging the superstitions.
- Then
the Spirit OF
Christ in
Jeremiah says
that you
BLASPHEME the
Holy Spirit
OF Christ who
warned
about
instruments
and
instrumentalists
in the
Prophets.
Blasphemy Against the
Holy Spirit in Jeremiah by Christ
Jer 23:17 They say still unto them that despise
me,
The Lord hath said, Ye shall have peace;
and they say unto every one that walketh
after the imagination of his own heart,
No evil shall come upon you. "You can SOW
discord and steal from the owners"
Rick
Atchley and
the Law of
Silence.
Rick Atchley
says: Jesus never deals with the
issue. The ANTI-instrumental advocates
must speak where Jesus never did. You would
think He would if this was worth splitting His church
over.
That's what we call BLASPHEMY.
But, consistent with the Jesters, Rick Atchley
and his agents are QUITE WILLING to
split churches! Further strong delusions cannot know
that Jesus DID deal with issues: the most important was
to SILENCE the burden laders with their laded burdens
which is defined as any and all arousal music claiming
that GOD MADE THEM DO IT when all of the Bible and
tradition says that "the Devil made them do it."
Arnobius
on
Heresies takes note of this eternal problem;
noting that John calls the rhetoricians, singers and
musicians"sorcerers." Here is how to solve your CASH FLOW
problem:
24. These are your ideas, these are your sentiments, impiously
conceived, and more impiously believed.
Nay, rather, to speak out more
truly,
the augurs,
the
dream interpreters,
the soothsayers, the prophets, and the priestlings,
ever vain, have devised these
fables;
for they, fearing that their own arts be brought to nought,
and that they may extort but scanty
contributions from
the devotees,
now few and infrequent,
whenever they have found you to be willing Note
38 that
their craft should come into disrepute, cry aloud, "The gods are neglected, and in the temples
there is now a very thin
attendance."
38 "us to be making good
progress, are envious, enraged, and cry
aloud," etc.- nos belle
provenire compererunt, invident, indignantur,
declamitantque, etc.
Former ceremonies are exposed to derision, and
the time -
honoured rites of
institutions once
sacred
have sunk
before the superstitions
of new religions.
Justly is the human race afflicted by so many
pressing
calamities,
justly is it racked by the hardships of so
many toils.
And men-a senseless
race-being unable,
from their inborn blindness,
to see even that
which is placed in open light,
dare to assert in
their frenzy
what you in your sane mind do not blush to
believe.
AT
ABOUT THE RIGHT TIME if we
have finished "6 days."
A mystery of iniquity is the Greek Musteri-on
,
A. mystery or
secret rite: mostly
in pl.,
ta
m.
the mysteries, first in
Heraclit.14,
cf.
Hdt.2.51
(of
the mysteries of the
Cabiri in
Samothrace),
2. mystic implements
and
ornaments b. later,
object
used in magical rites, talismanAnomia
A.
lawlessness, lawless conduct 2 Ep.Thess.2.7;
2. the negation of law, Opposite nomos,
D.24.152.
Dem.
24 152 Our
commonwealth, gentlemen of the jury, is administered by
laws and by votes of the people; and if once decisions
by vote are repealed by a new law, where will be
the end of it? Can we justly call this thing a law? Is
it not rather the negation of law? Does not
such a lawgiver merit
our strongest resentment?
Eur.
Ion
443 How then is it just for you to write
laws for mortals, and yourselves incur a charge of lawlessness?
Iffor it is not so, but I will handle the subject [445]
you pay the penalty to mortals for rape, you and
Poseidon, and Zeus, who rules heaven, you will empty
your temples paying for your crimes. For you do
wrong to go eagerly after your pleasures without
thinking.
Isoc.
6
64 For by revolting from us they have
gained nothing of what they anticipated; on the contrary,
they have got just the opposite of freedom; for having
slain the best of their citizens, they are now in
the power of the worst; instead of securing
self-government, they have been plunged into misgovernment
of many terrible kinds;
Plat.
Rep.
575a but the passion that dwells in him as
a tyrant will live in utmost anarchy and lawlessness,
and, since it is itself sole autocrat, will urge the
polity, so to speak, of him in whom it dwells to dare
anything and everything in order to find support for
himself and the hubbub of his henchmen, in part
introduced from outside by evil associations, and
in part released and liberated within by the same habits
of life as his. Is not this the life of such a one? It
is this, he said. And if, I said, there are only a few
of this kind in a city,
[575b] and the
others, the multitude as a whole, are sober-minded, the
few go forth into exile and serve some tyrant elsewhere as
bodyguard or become mercenaries in any war there
may be. But if they spring up in time of peace and
tranquillity they stay right there in the city and
effect many small evils. What kind of evils do you
mean? Oh, they just steal, break into houses, cut
purses, strip men of their garments, plunder temples,
and kidnap, and if they are fluent speakers they
become sycophants and bear false witness and take
bribes.
Mustes
one
initiated
Orgia
most freq. of the
rites of Dionysus, of
the
rites of the
Cabeiri and Demeter Achaia,
Hdt.2.51,
5.61; of
Orpheus
Hdt.2.81,
E.Ba.34,
al.,
Theoc.26.13.
orgia
Mousōn
Ar.Ra.356.
most freq. of the
rites of Dionysus,
Hdt.2.81,
E.Ba.34,
al.,
Theoc.26.13.
A common ridicule of the Musical Worship Minister is
identical to being initiated into always "gay priestood."
Jesus refused to lament and dance when the Dionysus priests
in Jerusalem PIPED. WHAT PAUL WANTED TO PREVENT: WRATH
OR AN OGRY
Alal-azτ (formed from the cry
alalai): --raise the war-cry shout the shout of victory,
nikκn alalazein 2.
generally,
cry, shout
aloud, Pi.l.c., E.El.855; esp. in orgiastic
rites, A.Fr.57; of Bacchus and Bacchae,
E.Ba.593 (in Med.), 1133, etc.; τloluxan hai gunaikes,
κlalaxan de hoi andres Hld.3.5 . II.
rarely also of other sounds than the voice,
sound loudly, psalmos d' alalazei; kumbalon
alalazon 1 Ep.Cor.13.1
Orgi-azτ , A. celebrate orgia, E.Ba.415
(lyr.),; thusias, pompas, choreias Plu.Num.8 : c.
dat., pay ritual service to a god or goddess, tautκi
Str.10.3.12 :--so in Med., orgiazesthai daimosi, orgia Mousτn
choral dance with music aoidē
khor-eios , 2.
fee for right of attendance at rites of humnōdoi,
choral dance with music aoidē
Kabeiroi
[a^,
hoi,
A. the Cabeiri, divinities worshipped
especially in Lemnos, Samothrace, and Boeotia, and more of a Semitic or Egyptian
origin
where they are mentioned as powerful magicians,
spoken of as the sons of Vulcan, the volcano
god. The KABIRI were also the protectors of culture, such as dance and poetry, and they afterwards
worshipped in the mysteries of the Twin gay deities
of CASTOR AND POLLUX,
As old and powerful
shamans, the KABIRI were later turned into legendary
figures or gods, originally only two in number. The
older of the KABIRI was identified with the Horned
God, DIONYSOS, and the younger with
the Horned God PAN's father, the Greek Trickster HERMES. Their cult was early on
merged with those of Demeter and Ceres resulting in
two sets of THE MYSTERY RELIGIONS. The early Greek
geographer,
Strabo, identifies the KABIRI
as the hierophant
priests,
often transvestites presiding over the
mysteries as ministers of the goddess Hecate. And as these "showers
of sacred things" they were also the cross-dressing MEGABYZOS of the goddess Artemis
at Ephesos, and, elsewhere, in service of the goddess
Aphrodite/Astarte.
Hdt. 2.51 [2] [3] Samothrace
was formerly inhabited by those Pelasgians who came to
live among the Athenians, and it is from them that the
Samothracians take their rites. [4]
The Athenians, then, were the first Greeks to make ithyphallic
images of Hermes, and they did this because the
Pelasgians taught them. The Pelasgians told a certain
sacred tale about this, which is set forth in the
Samothracian mysteries.
Since God turned primarily the tribe of Levi over to worship
the starry host, those are the "gods" they wordhipped.
Apollo is a primary sun god and the Jews had been involved
with Dionysus or Bacchus worship in Egypt. The Levites
were an old Infant Burning priesthood in Egypt. The
Jewish Encyclopedia notes that the
Jews worshipped the
Astrial Deities.
Plutarch:
What gods are worshipped by the Jews?
Here Symmachus, greatly wondering
at what was spoken, says: What, Lamprias,
will you permit our tutelar god,called Evius, the inciter of women, famous for the honors he has conferred upon him by
madmen, to be inscribed and enrolled in the mysteries
of the Jews? Or is there any solid reason that can
be given to prove Adonis to be the same with Bacchus? Here Moeragenes
interposing, said: Do not be so fierce upon him, for I
who am an Athenian answer you, and tell you, in short,
that these two are the very same.
When all the company
requested and earnestly begged it of him; first of all
(says he), the time and manner of the greatest and
most holy solemnity of the Jews is exactly agreeable to the
holy rites of Bacchus; for that which they
call the Fast they celebrate in the midst of the
vintage, furnishing their tables with all sorts of
fruits while they sit under tabernacles made of vines and ivy; and the day
which immediately goes before this they call the day
of Tabernacles.
Within a few days
after they celebrate another feast, not darkly but openly,
dedicated to Bacchus, for they have a feast
amongst them called Kradephoria, from carrying palm-trees, and Thyrsophoria, when they enter into
the temple carrying thyrsi. What they do within I
know not; but it is very probable that they perform the
rites of Bacchus. First they have little trumpets, such as the Grecians
used to have at their Bacchanalia to call upon their
gods withal.
Others go before
them playing upon harps, which they call Levites, whether so named from Lusius or Evius,--either word agrees
with Bacchus. And I suppose that
their Sabbaths have some relation to Bacchus; for even now many call
the Bacchi by the name of Sabbi, and they make use of
that word at the celebration of Bacchus's orgies. And this may be
discovered out of Demosthenes and Menander. Nor would
it be out of place, were any one to say that the name Sabbath was given to this feast
from the agitation and excitement [enthousi-astikos
] which the priests of
Bacchus display.
Stephen agrees that the Law was IMPOSED and the Levites
abandoned because of musical idolatry at Mount Sinai. The
Spirit OF Christ throughout the prophets denies that God
commanded anything connected with the
Civil-Military-Clergy rulers (in a church near you).
Isaiah 28:15 Because ye
have said, We have made a covenant with death, and
with hell are we at agreement; when the
overflowing scourge shall pass through, it shall not
come unto us: for we have made lies our refuge, and
under falsehood have we hid ourselves:
Isaiah 28:18 And your covenant with death shall be
disannulled, and your agreement with hell shall not
stand; when the overflowing scourge shall pass through,
then ye shall be trodden down by it.
I didn't say that those willing to sow discord to IMPOSE
musical performers into the decent mainstream were guilty: I
just said that recorded history knows of no exception among
religious musicians in recorded history. This has to
be Purpose Driven and intentional because it simply isn't
possible to be a Disciple of Christ in the Word and believe
that musical or any kind of hypocritic performance is not
condemned. Those who are being led back to Babylon are OF
the World or Cosmos and Jesus does not even PRAY for the
World. And God HIDES from the wise or Sophists:
self-speakers, singers and instrument players.
THE book of the Law of Moses was imposed because of musical
idolatry: "Keeping" the Sabbath as REST outlawed any
self-speak, singing, playing instruments and as the MARK,
playing with one another. Rest means REST and never "a day
of worship" except for the Jacob-cursed and God-abandoned
Levites who had no inheritance.
After the Law, the Spirit OF Christ in the prophets did not
write laws which were for lawless people. He defined the
REST from the LAW of which "making music" is one of the most
works-intensive acts: it is called soothsaying, sorcery or
witchcraft because the hard work intends by definition to
"make the lambs dumb before the slaughter. Christ did
not say Thou Shall not be a Hypocrite but Jesus called the
Scribes and Pharisees, hypocrites. In the Ezekiel 33
example.
Ezekiel 33:3 If when he
seeth the sword come upon the land, he blow the
trumpet, and warn the people;
Christ in the Qahal or Synagogue
outlawed the alarm which was "vocal or instrumental
noise including self-speaking. You don't use
instruments which create alarm in the School of the
Word.
Ezekiel 33:4 Then whosoever heareth the sound of the
trumpet, and taketh not warning;
if the sword
come, and take him away, his blood shall be upon his own
head.
Ezekiel 33:5 He heard the sound of the trumpet, and took
not warning;
his blood shall be
upon him. But he that taketh warning shall deliver
his soul.
Ezekiel 33:6 But if the watchman see the sword come, and
blow not the trumpet, and the people be not warned; if
the sword come, and take any person from among them, he
is taken away in his iniquity; but his blood will I
require at the watchmans hand.
Ezekiel 33:7 So thou, O son of man, I have set thee a watchman
unto the house of Israel;
therefore thou
shalt hear the word at my mouth, and warn them
from me.
Sermo , Of prose as
opposed to poetry, of verses in a conversational style,
a satire: B. A language, the
speech of a nation,
The Prototype of Babylon-Tyre Israel.
Sodom
not spiritual Israel.
|
Jesus referenced
Isaiah and Ezekiel to define the national
Worship of the Starry Host--Abaddon
|
The End-Time Fulfillment
|
|
For thus saith the Lord
God; Behold, I will bring upon Tyrus
Nebuchadrezzar king of Babylon,
a king of kings, from the north, with horses, and with chariots, and with horsemen, and companies, and much people. Ezek 26:7
They will plunder your wealth and
loot your merchandise;
they will break down your
walls
and demolish your fine houses
and throw your stones, TIMBER and
rubble into the sea. Ezek 26:12
|
Also, thou son of man, the children
of thy people still are talking against thee
by the walls and in the doors of the houses,
and speak one to another, every one
to his brother, saying,
Come, I pray you, and hear what is
the word that cometh forth from the Lord.
Eze 33:30
|
Rev 17:3 So he
carried me away in the spirit into the
wilderness: and I saw a woman sit upon a scarlet
coloured beast, full of names of
blasphemy having seven heads and ten
horns.
Rev 17:5 And upon her forehead was a name
written, MYSTERY, BABYLON THE GREAT, THE MOTHER
OF HARLOTS AND ABOMINATIONS OF THE
EARTH. "
Rev 17:6 And I saw the woman
drunken with the blood of the saints, and
with the blood of the martyrs of Jesus:
and when I saw her, I wondered with great
admiration.
Revelation
17:9 And here is the mind which hath
wisdom. The seven heads are seven
mountains, on which the woman sitteth.
|
I will put an
end to your noisy songs, and the
music [sound] of your harps will
be heard no more. Ezek 26:13
cantĭcum A
song, in gen.: chorus canticum Insonuit,
A song, in gen.: chorus canticum Insonuit, Phaedr. 5,
7, 25: canticum repetere, id. 5, 7,
31
cĭthăra ,
ae, f., = kithara, the
cithara, cithern, guitar,
or lute, of a stringed instrument,
the art of playing on the cithara,
kithara player
The LXX is more
forceful in showing that both the music and
the musicians would be silenced---
"And he shall destroy the multitude
of thy musicians, and the sound
of thy psalteries shall be heard no
more." Ezek. 26:13 LXX
|
My people come to you, as they usually do,
and sit before you to listen to your words,
but they do not put them into practice.
With their mouths they express devotion
(Lord, Lord as amorousness - inordinate love),
but their hearts are greedy for unjust gain
(commerce or trade or attendance). Eze
33:31
|
Rev 18:1 And
after these things I saw another angel come
down from heaven, having great power; and
the earth was lightened with his glory. 2
And he cried mightily with a strong voice,
saying, Babylon
the great is fallen, is fallen, and
is become the habitation of devils,
and the hold of every foul spirit,
and a cage of every unclean and hateful
bird.
And the voice of
harpers, and musicians,
and of pipers, and trumpeters,
shall be heard no more at all in
thee; and no craftsman, of whatsoever craft
he be, shall be found any more in thee; and
the sound of a millstone
shall be heard no more at all in thee; Rev
18:22
|
|
then I will bring you down
with those who go down to the pit,
to the people of long ago
I will make you dwell in the earth below,
as in ancient ruins, with those who go down to
the PIT,and you will not return or
take your place in the land of the living.
Ezek 26:20
Isaiah 14:11
Thy pomp is brought down to the
grave, and the noise of thy viols:
the worm is spread under thee, and the worms
[maggots] cover thee.
Amos 5:23 Take thou away from me the noise [tŭmultus]
of thy
songs [ carmen] for I will
not hear the melody [cantĭcum] of
thy viols
|
Indeed, to them you are
NOTHING MORE
than one who sings love songs with a
beautiful voice
and [NOTHING MORE than one
who]
plays (make melody on) an instrument
well,
for they hear your words
but do not put them into practice.
Eze 33
|
Rev 18:23 And the light of a candle shall shine no more at all
in thee;
and the voice of the
bridegroom and of the bride shall be heard
no more at all in thee:
for thy merchants were the great men of the
earth; for
by thy sorceries were all nations
deceived.
The BEAST:
Thκrion
III. as a term of
reproach, beast, creature, hκ mousikκ aei
ti kainon thκrion tiktei.
[A new style of music or drama]
|
I
will make thee a terror, and thou shalt
be no more:
though thou be sought for,
yet shalt
thou never be found again, saith the Lord
God. Ezek 26:2
|
When all this comes true--
and it surely will--
then they will know that a prophet has
been among them." Eze 33:33
|
Revelation
19:19 And I saw the beast, and the kings
of the earth, and their armies, gathered
together to make war against him that sat on the
horse, and against his army.
Revelation 19:20 And the beast was taken,
and with him the false prophet
that wrought miracles before him, with which he
deceived them that had received the mark of the
beast, and them that worshipped his image. These both were cast alive
into a lake of fire burning with brimstone.
|
THE BEAST THE
MOTHER OF HALOTS
RIDES TO USE SORCERY TO TAKE AWAY YOUR
INHERITANCE
da^pa^n-aō
2. consume, use up, hē phusis d. ton thoron Arist.GA757a25; khronon eis
of persons, to be destroyed, hupo thēriōn Ph.2.43; kathaper hupo puros ib.433; pros thēriōn App. BC5.79;
en tartarois kai barathrois
puri kai phonō kai sidērō panta dapanēsasthai en tartarois kai barathrois dapanōmenous
WASTE THE PUBLIC'S MONEY:
The Beast in the Garden of Eden and in the Prophets
is not a snake:
thērion , III.
as a term of reproach, beast.
kolaki, deinō thēriō Pl.Phdr.240b;
hē mousikē aei ti kainon thērion tiktei
Meaning: A new style
of music or drama!
Tarta^r-os ,
the nether world generally,
And
altogether the ancient philosoj)hy of the Greeks
appears to have been very much addicted to music;
and on this account they judged Apollo to
have been the most musical and the wisest of the gods,
and Orpheus of the demigods. And they called
every one who devoted himself to the study of this
art a sophist, as
Aeschylus does in the verse where he says And then
the sophist sweetly struck the lyre.
Musae (Mousai). In Greek
mythology the Muses were originally the nymphs
of springs, whose waters gave inspiration, such as
Hippocrenι, Castalia, etc.; then goddesses of song in genera. They
are all female and are considered goddesses dwelling in
Olympus, who at the meals of the gods
sing
sweetly to the lyre of Apollo. They are the nine daughters of
Zeus.
Sophis-tκs , ou, ho, master
of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, meletan
sophistais prosbalon Pi.I.5(4).28 , cf.
Cratin.2; of musicians, sophistκs . . parapaiτn chelun A.Fr.314 , cf.
Eup.447, Pl.Com. 140; sophistκi Thrκiki (sc.
Thamyris) E.Rh.924, cf. Ath.14.632c: with mod
II. from late v B.C., a
Sophist, i.e. one who gave lessons
in grammar, rhetoric, politics, mathematics, for
money, such as Prodicus, Gorgias,
Protagoras, a quibbler, cheat, a RHETORICIAN
as the primary meaning of a HYPOCRITE.
hoi s. tōn hierōn melōn A
sophist, serpent, makes MUSICAL MELODY with a
congregation AS a harp and cannot grasp that IN
THE HEART is a place.
2
Peter 2:12 But these, as natural brute beasts,
[Zoon, Zao, Zoe]
made to be taken and destroyed,
speak evil of the things that they
understand not;
and shall utterly perish in their own corruption;
Natural:
G5446 phusikos foo-see-kos' From G5449 [natural
descent] ; physical, that is, (by implication)
instinctive:--natural. Compare G5591
Bruit:
G249 alogos [Anti-Logical]
al'-og-os From G1 (as a negative particle) and
G3056 ; irrational:--brute, unreasonable.
Beasts:
G2226 zōon dzo'-on Neuter of a
derivative of G2198 [Zao, Zoe] ; a live
thing, that is, an animal:--beast.
căprīle , is,
n. caper, like equile, ovile, bubile, etc., I. an
enclosure or stall for goats, Varr. R. R. 2, 3, 8; Col. 7, 6, 6; Plin. 28, 10, 42,
§ 153; Vitr. 6, 9.Adj.:
căprīlis , e, of
or pertaining to the goat: semen, i. e. capellae,
2
Peter 2:13 And shall receive the reward of
unrighteousness,
as they that count it pleasure to riot in
the day time.
Spots
they are and blemishes, sporting themselves
with
their own deceivings
[delusions] while they feast with
you;
All musicians and
rhetoricians are equated to parasites.
Entrupo
(g1792)
en-troo-fah'-o; from 1722 and 5171; to revel in: -
sporting selves.
gamκliτi lechei [marriage
couch-bed] hκdonais,
playing
in the wind, exult over, treat haughtily or
contemptuously, made a mock of, tinos sumphorais,
III. use
or abuse at pleasure
Entru^ph-aō
,
Paison paizτ [pais]
4.
to
play (on an instrument), Hhymn. II. to
sport, play, jest, joke, Hdt., Xen., etc.; p.
pros tina to make sport of one, mock him,
Jim
Hackney's justification for imposing musical
instruments defined as "machines for doing hard
work" mostly in making war.
The
Spirit OF Christ for the Church of Christ (the Rock)
in the wilderness ordained the Qahal, ekklesia or
synagogue to quarantine the godly people from the
Jacob-cursed and God-abandoned Levites involved in
musical idolatry at mount Sinai. They got their job
because they volunteered to execute 3,000 of their
brethren. The synagogue pattern continued
without change to the time Jesus affirmed it:
Acts 15:21 For Moses of old
time
hath in every
city
them that preach
him,
being read
in the synagogues every sabbath day.
Jesus "patterned" the
synagogue as devoted only to Rest, Reading
and Rehearsing the Word on the REST
days when the Levites and most pagans held a "worship
of the starry host" service and profaned the REST. The
command is to "use one mind and one mouth to teach and
learn that which is written for our learning and
Comfort. The elders are commanded to teach that
which has been taught: both the synagogue and the
Christian Assembly continued to READ the Word for
Teaching and Comfort.
Paul didn't command men to
LEAD a rote prayer. Lifting up holy palms was and is
the symbol of men reading the Word of God. The
women had been "teachers over" men in their old
paganism. The command is that both are to be
silent other than men like Jesus and Paul reading the
assigned text. If men obeyed the direct commands
they would not have to worry about women wanting to
get a degree and ALSO become professionals "seeing
Godliness as a means of financial gain" or occupation.
1Timothy 2:12 But I suffer not
a woman to teach, nor to usurp authority
over the man, but to be in silence.
Si_gaō
, means silent and not just VOCAL while being
ORDERLY. Men have NO AUTHORITY to transmit to women
to TEACH in the self-referenced or authentia authority
form.keep silence, used by Hom. only in imper. siga,
hush! be still! I 2.
metaph. of things, sigōn
d'
olethros
kai
mega
phōnount'
. . amathunei
A.Eu.935
(anap.); surigges
ou
sigōsin
Id.Supp.181;
The command SILENCES: phōn-eō , (phōnē)
Anaxarch.1: abs., cry
aloud, as in joy, S.Tr.202;
of a singer, aoidos
. . aiola
phōneōn
Theoc.16.44:Pass.,
ta
phōnēthenta
sounds or words uttered, Pl.Sph. 262c,
Ti.72a,
cf. Longin.39.4.
4. of a musical instrument, sound,
E.Or.146
(lyr.); of sounds, hēdu
phōnein
sound sweetly, Plu.2.1021b;
but brontē
ph.
it has a voice, is significant, X.Ap.12.
The command
SILENCES: surigx
, iggos,
hē,
A.shepherd's pipe, Panspipe, aulōn
suriggōn
t'
enopē
Il.10.13;
nomēes
terpomenoi
surigxi
18.526;
suriggōn
enopē
h.Merc.512;
hupo
ligurōn
suriggōn
hiesan
audēn
Hes.Sc.278;
ou
molpan
suriggos
ekhōn
S.Ph.213
(lyr.); kalaminē
s.
Ar.Fr.719; kat'
agrous
tois
nomeusi
surigx
an
tis
eiē
Pl.R.399d.
Lifeless instruments are are Carnal
Weapons and primarily women and gender-altered males
performed with instruments and gibberish produced by
driving themselves into mania or a state called
"prophesying with instruments."
Paul said that women cannot be part of a Musical Worship Team (a
heresy) nor can she
play instruments.
Jim Hackney says
that she can.
Men are to life HOLY hands (palms) in
prayer--didn't say lead prayer as an ACT--to
prevent wrath or an ORGY from breaking
out. Orgy would be defined as singing,
clapping and moving around claiming to worship A
god: This is not a normal, rational act and is
defined as "prophesying" in the pagan sense
which does and intends to "take the eyes and
mind off Jesus Christ and His Words." Paul
used the word mania or madness a practice of the
Mad Women of Corinth and their gender-bent male
counterparts.
The PURPOSE never grasped by the "worship and
gender cult" is that Everyone be saved and
come to a knowledge of the Truth which is
the Word of Christ in the prophets and apostles
as the only building or educating resource for
those calling themselves Christian.
Paul puts performing men or women as OBSTACLES
to hearing the Word of Truth.
Instrumental
Music in Worship is
a sin without
redemption. The singing and harp-playing
prostitute in the
garden of Eden wholly seduced Eve. The Word is
filled with warnings until Romans 17 when the old
Babylon Mother of Harlots uses self-speakers,
singers and instrument players: John called them
SORCERERS and said they will be cast alive into
the lake of fire. He is
Apollo, Abaddon or Apollyon
and his musical worship team
is the LOCUSTS
which for the elect means the
MUSES.
See
Part Two with the usual "proof text" which all radically refute the
Words of God.
Jim
Hackney says: WE
realize this will be uncomfortable
for some of our members, as it is for
some of us.
WE are going to
sow discord and violate all of the commands, examples (all
negative) and inferences if you grasp the meaning of
Church as a School of Christ which provides COMFORT
through the Word (Romans 15).
WE are going to hurt you, split your families and
steal your "investment" with the "lord" but WE
need to do radical surgery because WE will make
you better as soon as you grow used to "machines for doing
hard work mostly in making war."
YOU don't get a choice
because WE HIRELING are now WE LEADERSHIP and WE don't
take votes. An elder's
ruling is based on teaching that which has been taught
already. Physical
property is held jointly and to turn a time-share condo
into a crack house is not legal or moral.
That's just what Machiavelli, LeBon, Hitler and Lynn
Anderson at Oak
Hills ex church of christ
Jim
Hackney says that GOD or "a spirit sperson" is leading
the transistion into Instrumental Music: and you have
to endure the massive discord until you get cultified.
Good news: go through
changes: god is in the MIDDLE of your transistion; Your
transistion is God's opportunity.
Most good happens during this discord.
We will look at Christ in Isaiah 3
to warn that WOMEN and BOYS (the effeminate as mark of
all religious music) will rule over you.
To PROTECT us Christ
provided us a TABERNACLE to get in out of the
roaring attacks of Satan knowing that his time is short.
This is an UMBRELLA or SAFE house
for the tiny remnant under violent attack by the
hireling-changelings.
God HATES music in the temple and He HATES those who sow
discord: no one can hint about the use for INSTRUMENTS in
the School of Christ and HIS WORD in the prophets and
apostles who is not tasked to lead as many astray as
possible. It is simply impossible to be so Biblically
challenged that they do not know that God used the
INSTRUMENT as the MARK of Scribes and Pharisees,
hypocrites which in Ezekiel 33 means self-speakers,
singers and instrument players.
In fact, the WHITE PAPER
was written by a Female at Oak Hills lusting to
Rock and Roll: a woman will ALWAYS be the
dominant influence when the men decided to IMPOSE
music as the exclusive role of females or effeminate
males: the Bible and history knows no exception.
Lynn Anderson etal:
While WE
want to be considerate of feelings and comfort
zones, WE
should be much more interested in being obedient
to God and considering what He desires.
Am
I now seeking the favor of men, or of God? Or am I
trying to please men? If I were still pleasing
men, I should not be a servant of Christ.
Gal.1:10. Rather than asking what kind of worship
WE
are comfortable with, each of us should be asking what
kind of worship is pleasing to God.
The musical idolatry at Mount Sinai
was a sin without redemption.
While the Babylonian etal people served the clergy
who rested on the seventh day,
God ordained that the normal
seventh day for the worship of the Astrial
gods be a day of rest FROM
religious rituals because you cannot do
anything to ASSIST God. Joshua could
not give Israel REST because the people
participated in Canaanite Baalism. Messiah
promised a day of REST where the
assembly is defined by an ULMBRELLA word. This meant
that the Church would be a Safe House
from all of the thunder,
lightening, rain and hail inflected by
religious tyrants. In fact, the
Assembly or REST day
permitted only an assembly for
Reading and Remembering the Word
of Christ: A church of Christ is
built upon the Prophets and Apostles and not on the
curse of the sacrificial system.
Qahal, ekklesia,
synagogue or Church of Christ
(the ROCK) is
exclusively our
COMFORT ZONE.
Those who intend to
lade you with
burdens to make
"worship services"
one of the most
stressful days of
the week are in
fact
ANTI-Christian.
Wouldn't
God have had to issue a
directive expressing HIS WILL to impose instruments?
Because of the lifted prooftexts,
the instrumental discorders CLAIM that they are obeying the Command
principle. We contend that any minimal
Disciple can understand that God uses musical
machines to identify the "serpent" or in
Christ's Words "the singing and harp playing
prostitute in the garden of Eden" and the
Babylon Mother of Harlots in these end times
when John calls the self-speakers, singers,
instrument players, craftsmen (any religious
teknokrat) and grinders or prostitutes.
John calls them SORCERERS and says they WILL be
cast alive into the Lake of Fire. Christ
defined the
Music-Means-Burning prophetic warning in
Isaiah 30.
Jesus said that the
Kingdom is WITHIN and it does not come with
observation meaning Religious Services. That is why Christ (the Rock) instituted A
School of the Word of God
Jim Hackney Sunday morning May 19th the following
announcement was made to the congregation.
Isaiah 3.4 has Christ defining WOMEN
and HOMOSEXUALS ruling over.