THE PATTERN OF JUSTIN MARTYR AND OTHERS ON
WEEKLY WORSHIP.
Justin Martyr Chapter LXVII.-Weekly
Worship of the Christians.
"And we afterwards
continually remind each other of these things. And the
wealthy among us help the needy; and we always keep together; and for
all things wherewith we are supplied, we bless the Maker of all
through His Son Jesus Christ, and through the Holy
Ghost.
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JUSTIN:
And on the day called Sunday, all
who live in cities or in the country gather
together to one place,
and the memoirs
of the APOSTLES or the writings of PROPHETS the are READ,
as long as
time permits;
then, when the reader has ceased,
the president verbally
instructs,
and EXHORTS to the imitation of these
good things.
Luke 4:16 And he came to
Nazareth, where he had been brought up: and, as
his custom was, he went into the synagogue on
the sabbath day, and stood up for to read.
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Acts 13:15 And
after the
READING of the law
and the prophets
the rulers of the synagogue sent unto them,
saying,
Ye men and brethren, if ye have
any word of EXHORTATION
for the people, say on.
\AND IN THE CHURCH: GOD NEEDS NO HELPERS.
Eph. 2:20 And are built upon [Educated in the
Ekklesia]
the foundation of the APOSTLES and PROPHETS,
Jesus Christ himself being the chief corner stone;
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Acts 15:21 For Moses of old time hath
In every
city them that PREACH
him,
being READ in the
synagogues every sabbath day.
SABBATH MEANS REST: QUARANTINED FROM JERUSALEM
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`Acts
13:27 For they that dwell at Jerusalem,
and their RULERS,
because
they knew him not,
nor
yet the VOICES
of the PROPHETS
which
are READ every sabbath
day,
they
have fulfilled them in
condemning him |
Soon Of the predestined New Hermeneutic, those whom
Jesus permits to read BLACK text on BROWN paper know that the
spirit or INTERCESSOR are DEMONS..
CLICK BELOW
Rick Atchley and the Worship of the Beast.
God Sends forth Musicians to REMOVE all that
offends. They will be baptized with spirit (wind
or hot air) and FIRE. Jude says that they were
FOREORDAINED to this Judgment.
Literal, visible-audible, worship often is defined
as falling on your face. Spiritual worship,
Romans 10, demands silencing of all show and tell
and give attention to the WORD. The Logos of god
outlaws rhetoric, singing, playing instruments,
acting or PAY TO PLAY. The Christian School
us UNFUNDED, once each week Reading assembly.
When this happens it is the MARK of the BEAST--a new
style of music and drama. In Deuteronomy and exodus
32, profaning God,s day of REST God gave to the
laity- At Sinai and Revelation 18, it was sorcery
and beyond redemption.
Matt. 13:38 The field is the
world;
the good SEED
are the children of the KINGDOM;
but the tares
are the children of the wicked one;
Matt. 13:39 The enemy that sowed [dna] them is the DEVIL;
the harvest is
the end of the world; [Aion messianic Age]
and the REAPERS
are the ANGELS
God sends forth MUSICIANS meaning to make the
lambs dumb before the slaughter. The MUSES are
led by the spirit of Apollyon are the LOCUSTS who
separate the good from the bad. Apollyon's
Locusts are his musical worship girls (whatever the
sex) recorded in John's world as filthy
adulteresses. God hides from the wise or
SOPHISTS: rhetoricians, singers, instrument players,
actors where you PAY TO PLAY.
The Baptism of spirit (wind) and fire separates the
grain from the chaff.
Aggelos
Arabios
a.,
of a loquacious person, 2.
generally, one that announces
or tells, e.g. of birds of augury, Il.24.292, 296;
Mousōn
aggelos,a.
kai
arkhaggeloi
Mousōn
Dios
aigiokhoio
thugateres”
Daughters whatever the sex led by Apollyon.
“kanakhan
.gnashing of teeth,
clanging brass, k.
aulōn
sound of flutes, of the
lyre
HH
3 185 To Pythian Apollo, Apollyon:
Leto's all-glorious son goes to rocky Pytho,
playing upon his hollow lyre, clad in divine,
perfumed garments;
and his lyre,
[185] at the TOUCH of the golden key,
sings sweet.
Thence, swift as thought, he speeds from earth
to Olympus,
to the house of Zeus,
to join
the gathering of the other gods:
then straightway the undying gods think only of
the lyre and song, and all the
Muses together,
voice
sweetly answering voice, [190] hymn the
unending gifts the
all that
they endure at the hands of the deathless gods,
and how
they live witless and helpless
and cannot
find healing for death or defence
against old age.
Meanwhile the rich-tressed GRACES and
cheerful Seasons dance with [195] Harmonia
and Hebe and Aphrodite, daughter of Zeus,
holding each other by the wrist.
And among them SINGS
ONE, not mean nor puny, but tall to look
upon and enviable in mien, Artemis who
delights in arrows, sister of
APOLLYON. [200] Among them sport
Ares and the keen-eyed Slayer of Argus, while
Apollo plays his lyre stepping high and featly
and a radiance shines around him, the gleaming
of his feet and close-woven vest.
ka^na^kh-eō
k.
melos
to let a song ring loud, A.R.4.907.
There is no musical melos or melody in
Scripture.
Od.6.82;
odontōn
men
k.
pele
GNASHING OF TEETH, k.
aulōn
sound of flutes, Pi.P.10.39
(pl.), B.2.12,
cf. S.Tr.642
(lyr.); ofthelyre, h.Ap.185.
THE KITHERA MYSTERIES:
suddenly organised and pianists lost their
role and the GUITAR PICKER AND FAT GIRLS
invaded;
"The psaltery a
triangular instrument similar to a harp,
produced gentler sound and would be
more suitable for somewhat restrained and
low-key events, as would be the kithara,
an instrument similar to the lyre.
Both were
traditional instruments
played in a variety of events, public and
private, and were often accompanied
by song, either by the performer him/herself
or a singer. Aristotle
attests that those musicians came from
the lower social strata, and many
of them, both men and women, were
prostitutes hired to entertain guests in
private parties.6
Aeschines, for example, attests
that Misgolas, one of the alleged
lovers of Timarchos, had a reputation for
being very fond of kithara boys,
while Antiphanes and Alexis confirm this
with jokes about Misgolas and his kithara
boys. In Xenophon’s Symposion
the beautiful boy who could
play the kithara and dance aroused
enthusiasm among the guests and made his
master a lot of money.
Xenophon.Symposium.Lying.Wonders.Music.html
Mousōn
[Locusts]
theias
antiluron
mousas”
S.Tr.643
(lyr.); “
A.to be inspired,
frenzied, [WRATH] frenzy obtained
inspiration through ritual,
II. worship as divine, Id.59.27;
“Puthagoran
kai
Platōna”
Mousōn
[Locusts]
Aiakō
moisan
pherein”
Pi.N.3.28
[LADED BURDEN]“adein
adokimon
m.”
Pl.Lg.
829d: i
The MUSES are
adokimon
3. DISREPUTABLE
“lakismat'
adokim'
olbiois
ekhein”
E.Tr.497;
“mousa”
Ep.Rom.1.28.
4. of persons, Pl.R.618b;
discredited, reprobate, X.Lac.3.3,
2 Ep.Tim.3.8,
etc.
Mousōn
[Locusts]
adein
aeidō
crow as cocks, Pl.Smp..223c;
hoot as owls, Arat.1000;
croak as frogs, a.
pros
aulon
ē
luran
sing to . sing of,
chant, “ mēnin
aeide”
Il.1.1;
“ paiēona”
. A Song to 2. title of APOLLON
(later as epith.,
“ Apollōni
Paiani”
OPPOSITE . logos
Mousikos
kai
melōn
poētēs”
2. generally, votary of the
Muses, The Muses were the LOCUSTS
unleashed with Apollon their "musical worship
leaders." The Greek and Latin literature
identifies them as dirty adulteresses
http://www.pineycom.com/DocHesTheog.html
[25] the Muses of Olympus,
daughters of Zeus who holds the aegis: “Shepherds
of the wilderness,
wretched
things of SHAME,
mere bellies,
we know
how to speak many false things
as though they were true;
but we
know, when we will, to utter true things.”
...and they bade me SING of the
race of the blessed gods that are eternally,
but
ever to SING OF
THEMSELVES both first and last.
1Cor. 14:34 Let your women keep
silence in the churches:
for
it is not permitted unto them to speak;
but
they are commanded to be under
obedience,
as
also saith the law.
1Cor. 14:35 And if they will LEARN
any thing, let them ask their husbands at
home:
for
it is a SHAME
for women to SPEAK
in the church.
1Cor. 14:36 WHAT? came the WORD
of God out from you? or came it unto you
only?
la^l-eō I.
chatter, OPPOSITE articulate
speech, as of locusts, chirp, Theoc.5.34;
mesēmbrias
lalein
tettix
(sc. eimi),
a very grasshopper to chirp at midday, Aristopho
10.6; “anthrōpinōs
III.
of MUSICAL sounds, “aulō
laleō”
Theoc.20.29;
of trees, v.supr.1.2;
“di'aulou
ē
salpiggos
l.”
D.C.74.14:
also c.acc. cogn., magadin
lalein
sound the magadis,
Matt. 13:40 As therefore the
tares are gathered
and burned
in the fire; so shall it be in the end of
this world.
Matt. 13:41 The Son of man shall send forth his angels,
and
they shall gather out of his kingdom all
things that offend, [A Trap;]
and them which
do iniquity; “anti
autonomias
.
Of
Women being seduced into calling God and
Paul Liars.
autonomias
. A. .freedom
to use its own laws, independence, Th.3.46,
X.HG5.1.36,
Isoc.9.68,
3. dogmatism, Olymp.in
Mete.151.21.
poi-ētikos
, ē,
on,
A. capable of making, creative,
productive, opp. praktikos
(active
2. of persons, inventive,
ingenious, “p.
kai
mousikoi”
Id.Lg.802b,
Id.Lg.802b,
For this purpose we shall call in the advice
of poets and musicians, and make use
of their poetical ability, without, however, trusting
to their tastes or their wishes,
Plat. Laws 700d there arose
as leaders of unmusical illegality poets who,
though by nature poetical, were ignorant of
what was just and lawful in music; and they,
being frenzied and unduly possessed by a
spirit OF pleasure, mixed dirges with
hymns and paeans with dithyrambs, and imitated
flute-tunes with harp-tunes, and blended every
kind of music with every other
Matt. 13:42 And shall cast
them into a furnace of fire:
there shall
be wailing and gnashing of teeth.
Matt. 13:43 Then shall the righteous shine forth as
the sun in the kingdom of their Father.
The worship with music always points to demons and
burning.
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Jude 3 Beloved, when I gave all
diligence to write unto you of the common
salvation, it was needful for me to write unto
you, and exhort you that ye should earnestly
contend for the faith which was once delivered unto
the saints.
Jude 4 For there are certain men crept in unawares,
who were before of old ordained to this
condemnation, ungodly men, turning the grace of our
God into lasciviousness, and denying the only Lord
God, and our Lord Jesus Christ.
Jude 14 And Enoch also, the seventh from Adam,
prophesied of these, saying, Behold, the Lord
cometh with ten thousands of his saints,
Jude 15 To execute judgment upon all, and to convince
all that are ungodly among them of all their ungodly
deeds which they have ungodly committed, and of all
their hard speeches which ungodly sinners have spoken
against him.
Jude 16 These are murmurers, complainers,
walking after their own lusts; and their mouth
speaketh great swelling words, having men’s persons in
admiration because of advantage.
Jude 17 But, beloved, remember ye the words which were
spoken before of the apostles of our Lord Jesus
Christ;
Jude 18 How that they told you there should be mockers
in the last time, who should walk after their own
ungodly lusts.
Jude 19 These be they who separate themselves,
sensual, having not the Spirit.
Mark.10.They.Shall.Mock.Him.With.Music.html
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Rick Atchley and the Worship of the Beast.
The BEAST from the EARTH exerciseth
all the POWER of the
first BEAST before him,
and causeth the
earth and them which dwell therein
to worship the first BEAST, whose
deadly wound was healed. Rev.
13:12
CONTRARY AND ANTITHETICAL to the worship
of God, THE WORSHIP OF THE BEAST is--
Thera^p-euō
II.
do service to the gods, athanatous, theous
th.,
Hes.Op.135,
Hdt.2.37,
X.Mem.1.4.13,
etc.; “daimona”
Pi.P.3.109;
Dionuson,
Mousas,
E.Ba.82 (lyr.), IT1105(lyr.); th.
Phoibou
[“Apollon”]
naous
serve them, Id.Ion111 (anap.):
abs., worship, Lys.6.51; do
service or honour to one's parents, E.Ion183 (lyr.), Pl.R.467a,
Men.91a;
serve, wait upon a master, Id.Euthphr.13d,
cf. Ar.Eq.59,
1261, etc.;
th.
tas
thēkas
reverence men's graves, Pl.R.469a.
APOLLYON- Phoebus
, i, m., = Phoibos
(the radiant), I. a poetical appellation of
Apollon as the god of light: “quae
mihi
Phoebus
Apollon,
Val. Fl. 1, 228: “Circe,”
[CHURCH AS WORSHIP CENTER] daughter of Sol, Petr. 135.—
Phoebus ,
i, m., = Phoibos
(the radiant), I.a poetical appellation of Apollo as
the god of light: “quae
mihi
Phoebus
Apollo,
Val. Fl.
1, 228: “Circe,”
daughter of Sol, Petr. 135.—
B.
Phoe-bēus
, a, um, adj.,
Phśbean,
Apollinean: “
carmina,”
Lucr. 2, 504:
“
lampas,”
the sun,
Verg. A. 4, 6:
“
virgo,”
Daphne,
Ov. P. 2,
2, 82: “
laurus,”
id. Tr. 4,
2, 51: “
Rhodos,”
where the worship of Apollo prevailed,
id. M. 7,
365: “
lyra,”
id. H. 16,
180: “
sortes,”
oracle,
id. M. 3,
130: “
tripodes,”
id. A. A. 3,
789: “
Phoebeā
morbos
pellere
arte,”
id. F. 3,
827.—
Female Worship Leater C.
Phoebas
, ădis, f.,
a PRIESTESS of Apollo; hence
the
inspired one,
the PROPHETESS Ov. Am. 2, 8,
12;
id. Tr. 2, 400;
Luc. 5, 128;
165.
-therap-ōn
henchman, attendant
[1] “Mousaōn
[2]
therapontes”
[1] Mousa
music, song [3 below]
stu^ger-os
, Mousa
“kanakhan
. theias
antiluron
mousas”
II. mousa,
as Appellat., music, song, “m.
stugera”
A.Eu.308
Muses as: moisan
pherein
LADED
BURDEN
Muses as: adokim-os
, disreputable,
discredited, reprobate,
Muses as: “kanakhan
. . theias
antiluron
mousas
clanging and harp-players
Rev. 17:5 And upon her forehead was a name
written,
MYSTERY, BABYLON THE
GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.
TIME IS SHORT: TELL
SOMEONE!
[1 of 6] THE HOLY SPIRIT MEANING "GOD PUTS HIS WORD INTO
THE MOUTH OF THE PROPHETS AND JESUS FOR THE LAST TIME and
defines the PATTERN for assembly.
Isaiah.4.The.Branch.of.the.Lord
Theology Repudiates.
Isaiah 4: 5 And the Lord will create upon
every dwelling place of
mount Zion,
and upon her assemblies [Invoco
called], a cloud and smoke by day,
and the shining of a flaming fire by
night:
for upon all the glory shall be a
defence.
Isaiah
4:6 And there shall be a tabernacle for a shadow
in the daytime from the heat,
and for a place of refuge,
and for a covert from storm and from rain.
Umbrācŭlum
, I. any thing that furnishes
shade). I Lit., a shady
place, bower, arbor,Verg.
E. 9, 42.— B. Transf., a
school: “in
solem
et
pulverem,
ut
e
Theophrasti
doctissimi
hominis
umbraculis,”
Cic.
Brut. 9, 37: “ex
umbraculis
eruditorum
in
solem
atque
in
pulverem,”
id.
Leg. 3, 6, 14.—II. A
sunshade, parasol, umbrella, Ov.
F. 2, 311; id.
A. A. 2, 209; Mart.
14, 28, 1;
First: A solitary
place [Angle: cornerstorn: to protect the vines
against the sun to dŏcĕo
to speak to instruct a subject to
moral humans in the umbrācŭlum
Second: eruditorum
to eduate, instruct, opposite popular orato,
in a solem or solitary place, and
where "vines" are protected from the sun. “in
his
(scholis)
Leisure given to learning, a
learned conversation or debate, a
disputation, lecture, dissertation,
1. A place for learned conversation
or instruction, a place
of learning, a school
. The disciples or followers
of a teacher, a school,
sect:
schŏla
(scŏla
), ae, f., = skholē
(spare time, leisure; hence, in partic.),
Leisure given to learning, a
learned conversation or debate, a
disputation, lecture, dissertation
1. A place for
learned conversation or instruction, a
place of learning, a school
2. The
disciples or followers of a teacher, a
school, sect
skholē
, hē,
A.leisure, rest, ease, skholēn
agein
to be at leisure, enjoy ease, keep
quiet
2. c. gen., leisure,
rest from a thing, “en
tini
skholē
kakou
2. at
one's leisure, i.e. scarcely, hardly, not at all
A covert sēcūrĭtas FROM
perturbatione,
“securitas
inaffectatae
orationis,”
quietness,
tranquillĭtas
, ātis, f. tranquillus, I.quietness, stillness,
tranquillity.
Tac. Agr. 40 fin.
REST FROM
Operosus
, [Lying Wonders] costs
much trouble, troublesome, toilsome, laborious,
difficult, elaborate , costly, sumptuous
Temple, from “carmina,
[vocal or instrumental music] ” elaborate,
Hor.
C. 4, 2, 31 “artes,”
skill in constructing, profession as music, FROM “rhetorica,”
Quint.
2, 17, 4: “musica,”
poetry, Ter.
Hec. prol. 23: “musica,”
music, ars
oratoris,
oratoris
autem
omnis
actio
opinionibus,
REST
FROM mūsĭca
, ae, and mūsĭcē
, ēs, f., = mousikē,
I.the art of music, music;
acc. to the notions of the ancients, also every higher
kind of artistic or scientific culture
or pursuit: “musicam
Damone
aut
Aristoxeno
tractante?
etc.,”
Cic.
de Or. 3, 33, 132: “socci
et
cothurni,”
i. e. comic and dramatic poetry,
Aus. Ep. 10, 43: “musice
antiquis
temporibus
tantum
venerationis
habuit,
ut,”
Quint.
1, 10, 9.
I.a philosopher and
musician, pupil of Aristotle, Cic.
Tusc. 1, 10, 20; id.
de Or. 3, 33, 132 al.
Quint.
Inst. 1 10.9 Who is ignorant
of the fact that music, of which I will speak
first, was in ancient times the object not
merely of intense study but of veneration:
in fact Orpheus [Romans 14 from
Synagogue From Babylon]
http://www.pineycom.com/MuTammuz.html
and Linus, to mention no
others,
were regarded as uniting the roles of
musician, poet and philosopher.
Both were of divine
origin, while the former, because by the
marvel of his music he soothed the
savage breast, is recorded to have drawn after
him not merely beasts
Quint.
Inst. 1 10.10 So too
Timagenes asserts that music is the oldest of
the arts related to literature, a statement
which is confirmed by the testimony of the
greatest of poets in whose songs we read that
the praise of heroes and of gods were
sung to the music of the lyre at the feasts
of kings. Does not lopas, the Vergilian
bard, sing
The wandering moon and
labours of the SunAen. i. 742.
and the like? whereby the
supreme poet manifests most clearly
that music is united with the knowledge
even of things divine.
REST FROM Musica
, mūsĭcus
. a, um, adj., = mousikos.
I. Of or belonging to music,
musical (class.).A. Adj.:
“leges
musicae,”
the rules of music, Cic.
Leg. 2, 15, 39: “sonus
citharae,”
Phaedr.
4, 18, 20: “pedes,”
Plin.
29, 1, 5, § 6.—
REST FROM 1.
mūsĭcus
, i, m., a musician: “musicorum
aures,”
Cic.
Off. 1, 41, 146.—
2. mūsĭ-ca
, ōrum, n., music: “in
musicis
numeri,
et
voces,
et
modi,”
Cic.
de Or. 1, 42, 187: “dedere
se
musicis,”
id. ib. 1, 3, 10: “et
omnia
musicorum
organa,”
Vulg.
1 Par. 16, 42.— [Of hydraulic
engines, an organ, water-organ: “organa
hydraulica,”
Suet.
Ner. 41]
mousikōs:
musice hercle agitis aetatem,
REST FROM you
are in clover, i. e. living
luxuriously at another's expense, Plaut.
Most. 3, 2, 40.
POST MODERN THEOLOGY AND PARASITIC BLASPHEMERS.
The collection
of documents in our bound volume, which we call the "Bible",
have been honored by all honorable people as documents by
Civil and Religious experiences with God.
No one would say that Plato was incompetent and unable to
leave us a record of Plato's thoughts.
The Biblical Prophets
The New Covenant fulfilled the DEFINITION of the future
REST (from clergy) for The Church of Christ both inclusively
and exclusively.
2Pet. 1:3 According as his divine power
hath given unto us all
things that pertain unto life and godliness,
through the
knowledge of him that hath called us to glory and virtue:
2Pet. 1:4 Whereby are given unto us exceeding great and
precious promises:
that by these ye
might be
1. partakers of the divine nature,
2. having escaped the corruption that is
in the world through lust.
GOD DIDN'T GIVE RICK ATCHLEY OR ANY HUMAN THE RIGHT TO
FILTER THE WORK OF THE HOLY SPIRIT OR COLLECT A WIDOW'S
MITE.
2Pet. 1:19 We have also a more SURE WOR
of prophecy;
whereunto YE do well
that ye take HEED, as unto a light that shineth in a
dark place,
until the day
dawn, and the day star arise in your hearts:
2Pet. 1:20 Knowing this first, that no prophecy of the
scripture is of any private
interpretation.
2Pet. 1:21 For the prophecy came not in old time by the will
of man:
but holy men of
God SPAKE as they were moved by the Holy SPIRIT.
Private Interpretation would be Rick
Atchley FURTHER EXPOUNDING that which Jesus expounded and
died to be the ONLY TEACHER.
Spirit has never and cannot be the name of a god or
person. In relationship with God communicating His WORDS,
God always has the power to put His WORD into the MOUTH of
Jesus for the last time.
Keith.Stanglin.Private.Interpretation.Rejects.The.Holy.Spirit.html
The New Covenant called the Christian
System was defined and somewhat granted to the Godly Jews
who went to the Synagogue ONCE each week to hear the WORD
(only) PREACHED by being READ.
The "house" of God is the FAMILY of a local assembly and
EXTRA help from outside is excluded. The Assembly is commanded to exclude personal
pleasure including rhetoric, music, scenic.
HERE IS THE ONE PIECE PATTERN WHICH PROFESSIONAL
RELIGIONISTS HAVE NEVER BEEN ABLE TO READ:
Rom. 15:4 For whatsoever things
were WRITTEN
AFORETIME
were written for
our learning,
that we through
patience and comfort of the SCRIPTURE might
have hope.
Rom. 15:5 Now the God of patience and consolation
grant you to be
likeminded one toward another according
to Christ Jesus:
Rom. 15:6 That ye may with ONE
MIND one MOUTH
glorify God,
even the Father
of our Lord Jesus Christ.
GOD PROVIDE NO FUNDING FOR ANY "STAFF" TO PROVIDE ANYTHING
BEYOND EDUCATION IN HOLY SCRIPTURE WITHOUT ANY INPUT.
JESUS PROVIDED THE COMMAND AND EXAMPLE: YOU CAN INFER THAT
HE WAS LYING.
Rick
Atchley and Cohort are NOT
Christians.
John 8:26 I have many things to say and to
judge of you:
but he that sent me
is TRUE;
and I SPEAK to the world those
things which I have HEARD
of him.
ALL Theologians who have rejected Scripture which they
must define based on the historical theologians. They are
saying that God was the incompetent MIND and Jesus is out
of date.
http://www.pineycom.com/Rick.Atchley.Law.of.Silence.html
John 8:27 They understood not that he spake to them of the
Father.
John 8:28 Then said Jesus unto them,
When ye have lifted
up the Son of man,
then shall ye know
that I am he,
and that I do
NOTHING of myself;
but as my Father
hath TAUGHT me,
I SPEAK these things.
Jesus defined Holy Scripture as the
PROPHETS and PROPHECIES "Concerning me." The
prophets define the REST from Atchley both inclusively
and exclusively. That is an APPROVED example and
INFERENCE for any literate
John 8:29 And he that sent me is with me:
the Father hath not
left me alone;
for I do always
those things that please him.
John 8:30 As he spake these words, many believed on him.
John 8:31 Then said Jesus to those Jews which believed on
him,
IF ye continue in MY word, THEN are ye my disciples
indeed;
John 8:32 And ye shall know the truth,
and the truth shall
make you free.
Disciples are BAPTIZED to receive A
holy spirit without which you CANNOT know the Truth and
therefore people are underbondage to Rick Atchley.
Jude uses the Mount Sinai
Instrumental-Trinitarian-Perverted Idolatry to show that
NOT Continuing in THE FAITH once delivered were
FOREORDAINED to force people to take the MARK were the
BEAST is a sudden New Style of Music and Satyric (all
self exhibition is effeminate.) Apollyon put's HIS
WORDS into the mouth of the Locusts or Muses over which
he is the Musical Worship Ministers.
The WORD in
John 1 was never a person but the MIND of God made visible
and audible in Jesus who came in the flesh. What the
predestined Musical Church Stealers can never understand
Logos
computation, reckoning
2. statement of a theory, argument, ouk emeu
alla
tou l.
akousantas
prob. in Heraclit.50; logon
ēde
noēma
amphis
alētheiēs
discourse and reflection on reality, IV.
inward debate of the soul,
reflection, deliberation
Regulative and
formative forces, derived from the intelligible and operative in
the sensible universe,
Opposite to epithumia
A. desire, yearning, longing after
a thing, desire of or for it, Theaomai :--gaze at,
behold, mostly with a sense of wonder, 3.
view as spectators
Opposite Pathos A. that
which happens to a person or thing, incident,
accident, Moralizing Rhetoric
Opposite
Poiein to excite passion,
Arist.Rh.1418a12;
V. Rhet., emotional style or
treatment,
Opposite Enthousi-astikos , ē, on, A. inspired, “phusis” Pl.Ti.71e;
esp. by music,
Prose, OPPOSITE -poięsis, Id.R.390a;
OPPOSITE -poiętikę, D.H.Comp.6;
OPPOSITE poięmata, onomatopoeic
word
OPPOSITE emmetra Modus 2. The
measure of tones, measure, rhythm, melody, harmony, time;
in poetry, measure, metre, mode: Mūsĭcus a, um, adj., = mousikos.
X. the Word or Wisdom
of God, personified as his agent in creation and
world-government,
Theologians are doomed to call God a liar or
INCOMPETENT. If God had wanted any kind of music in the
tuneful sense He was INTELLIGIBLE But denied by C. Leonard
Allen.
Since Jesus whom God made to be both Lord and Christ 30
years after HE CAME IN THE FLESH is the WORD MADE AUDIBLE.
Those who impose Rhetoric or any kind of music are therefore
ANTICHRISTS and there is nothing they can do about it.
mousikos
kai
melōn
poētēs”
2. generally, votary of the Muses, The
Muses were the LOCUSTS unleashed with Apollon their "musical
worship leaders." The Greek and Latin literature identifies
them as dirty adulteresses
http://www.piney.com/DocHesTheog.html
[25] the Muses of Olympus,
daughters of Zeus who holds the aegis: “Shepherds of
the wilderness,
wretched things of shame,
mere bellies,
we know how to speak
many false things as though they were true;
but we know, when we
will, to utter true things.”
...and
they bade me sing of the race of the blessed gods that are
eternally,
but ever to sing of themselves both
first and last.
pharma^kon
3. enchanted potion, philtre:
hence, charm, spell, Od.4.220
sq., Ar.Pl.302,
[Circe, Church, Corinth mother of harlots] Theoc.2.15
The singers [Muses], instrument players and craftsmen
as sorcerers in Revelation 18.
1.25.21
See Rick
Atchley's Bible Below
Jesus was sent
INTO but not OF the World to
rescue a tiny band of Lost
Spirits. Those OF the
World, the Kosmos, the
Ecumenical or the kingdom of the
Devil who is a ruler of the
world and almost all of the
Aborigines. Jesus said that He
and His Disciples were from
ABOVE but those from whom God
hides are from BENEATH or
Tartarus. There is nothing
musical in the messsage to the
WAY (pattern) that is called a
SECT. The world is
separated out by Apollyon's
Locusts or the Muses as his
'musical worship Team." All
Sorcery, witchcraft or anything
that artificially attacks the
human spirit is proven to be
MUSIC of any kind.
ALL colleges who prepare pulpit
pastors for whom there is no
role and no dole INDOCTRINATE
and do the opposite of
EDUCATE. Faithful
evangelists will neve be rich or
popular.
Jesus said that God HIDES from
the Wise or Sophists who speak
their own words and are called
by Jesus "the sons of the
Devil", singers, instrument
players or anything beyond TEACH
that which has been
taught. We want to call
deliberate sowers of discord
Biblically Illiterate but Jesus
had Paul say that THEY ARE
LYING IN WAIT TO DECEIVE.
FIRST: As BEASTS or
Therion they are New Style Musicians or Satyric
Actors.
The.Mark.of.The.Beast
The BEAST is "a new style of music or Satyric
(cappella) Drama with Christ's enemy of almost all
pulpits.
Satyric Drama One
of the three varieties of the Attic drama. Its origin may be
traced back to Pratinas of Phlius (about B.C. 500).
It is probable that, after settling in Athens, he adapted
the old dithyramb with its chorus of Satyrs, which
was customary in his native place, to the form of tragedy
which had been recently invented in Athens. This new kind of
drama met with so much approval and was so much developed by
Pratinas himself as well as by his son Aristeas, by
Choerilus, by Aeschylus, and the dramatists who
succeeded him, that it became the custom to act a
satyric drama after a set of three tragedies. The
intensity of the preceding plays was thus relieved, while
the chorus of Satyrs and Sileni, the companions of Dionysus,
served to indicate the original connection between that
divinity and the drama. The material for a satyric drama,
like that for a tragedy, was taken from an epic or legendary
story, and the action, which took place under an open sky,
in a lonely wood, the haunt of the Satyrs, had generally an
element of tragedy; but the characteristic solemnity and
stateliness of tragedies was somewhat diminished, without in
any way impairing the splendour of the tragic costume and
the dignity of the heroes introduced. The amusing effect of
the play did not depend so much on the action itself, as was
the case in comedy, but rather on the relation of the chorus
to that action.
Strab. 10.3.10 And on this account Plato, and even
before his time the Pythagoreians, [Puthagoreioi] called
philosophy music;1
and they say that the universe is constituted in accordance
with harmony,2
assuming that every form of music is the work of the
gods.
And in this sense, also, the Muses
are goddesses,
and Apollon is
leader of the Muses, and poetry as a whole is laudatory
of the gods.
And by the same course of reasoning
they also attribute to music the upbuilding of morals,
believing that everything which tends to correct the mind
is close to the gods.
When Paul
wanted everyone to pray for peace and silence to prevent
and outbreak of WRATH the word is Orge or Orgy.
Work (ergon) and a musical instrument (organon) are all
ORGY words.
Now most of the Greeks assigned to Dionysus,
Apollon, Hecate, the Muses, and above all
to Demeter, everything of an orgiastic or Bacchic or
choral nature, as well as the mystic element in
initiations; and they give the name "Iacchus" not
only to Dionysus but also to the leader-in-chief of the
mysteries, who is the genius of Demeter. And
branch-bearing, choral dancing, and initiations are
common elements in the worship of these gods. As for the
Muses and Apollo, the Muses preside over the choruses,
whereas Apollo presides both over these and the
rites of divination [mantikos
daimonion].
But all educated men, and especially the musicians, are
ministers of the Muses; and both these and those who have
to do with divination are ministers of Apollo;
and the initiated and torch-bearers and hierophants, of Demeter;
and the Sileni and Satyri and Bacchae,
and also the Lenae and Thyiae and Mimallones and Naďdes
and Nymphae and the beings called Tityri, of Dionysus.
1
Plat. Phaedo 61.
2
Philolaus, Fr. 4 (Stobaeus 1. 458-460)
See also Athenaeus 14.632b-c
Aristot. Met. 1.5,
Sextus Empiricus Adv. Math. 4.6
Cp. Plat. Tim. 32c, 36d, 37a,
41b, Plat. Rep. 617b,
Plat. Epin. 991e.
BEASTS impose "a new form of music and SATYRIC
DRAMA." All self-exhibition is defined as perversion.
Satyri Satu^ros
, ho,
Dor. Tituros
(q.v.), Satyr, first in Hes.
(
2. lewd, goatish
fellow,
Jul.Caes.309d;
basileus
Saturōn,
of
Pericles,
Hermipp.46;
satura
,
hē,
of a
courtesan, —Socrates is called
hode
ho
S.
from his appearance,
Pl.Smp.216c.
Tom Burgess Pericles and Instrumental
Music
The master that
taught him music, most authors are agreed, was Damon (whose name, they say,
ought to be pronounced with the first syllable short).
Though Aristotle tells us that he was thoroughly
practised in all accomplishments of this kind by
Pythoclides.
Damon, it is not
unlikely, being a sophist, out of policy, sheltered himself
under the
profession of music to conceal from people in general his skill
in other things, and under this pretence attended Pericles, the young athlete of politics, so to
say, as his training - master in these exercises.
Damon`s lyre, however, did not prove
altogether a successful blind; he was banished the country by ostracism
for ten years, as a dangerous inter - meddler and a favorer of
arbitrary power,
........... and, by this means, gave
the stage
occasion to play upon him.
b. a
fabulous
people in Ethiopia,
D.S.1.18.
II. in pl., a play in which the Chorus
consisted of Satyrs, Satyric drama, forming the
fourth piece of a Tragic tetralogy, “hotan
Saturous
poiēs”
Ar.Th.157;
“poētai
saturōn”
Menedēmon
epegrapsen
Lukophrōn]
D.L.2.140; “en
Omphalē
Saturois”
Str.1.3.19. [Sa^tu^ros;
so that when the 1st syll. is long, Dor. Tituros
(q.v.) should prob. be restored.]
SECOND: The Serpent,
Beast, Serpo, Herpo in the Garden of Eden.
Elelizō
redupl. of helissō
(v. infr.), rare in pres., as Pi.O.9.13;
impf.
III. cause
to vibrate,
megan
d'
elelixen
Olumpon,
of Zeus, ib.
1.530, cf.
8.199;
phormigga
e.
make its strings quiver,
Pi.O.9.13;
“
asteropan
elelixais”
Id.N.9.19:—Med.,
“
hippon
. . agōniō
elelizomenos
podi
mimeo”
Simon.29:—Pass.,
quake,
tremble, quiver, “
elelikhthē
guia”
Il.22.448;
elelikto,
of a
brandished spear,
13.558; “
amphi
de
peplos
elelizeto
possin”
h.Cer.183;
megas
d'
elelizet'
Olumpos
h.Hom. l.c.; “
phormigx
elelizomena”
Pi.P.1.4.
(In
Hom. elel-
may have been substituted for
ewel-
（
wewel-
in
elelikto);
cf.
helissō.)
elegos ,
ho,
A.song,
melody, orig. accompanied by the flute, cf.
aluros
e.
E.Hel.185
(lyr.),
IT146
(lyr.); “
Asias
e.
iēios”
Id.Hyps.Fr.3(1)iii9; so
Elegoi,
title of a
nomos
aulōdikos,
Plu.2.1132d; of the
song
of the nightingale,
Ar.Av.218(pl.);
elegon
oiton,
of the halcyon,
E.IT1091
(lyr.); later,
lament, song of mourning,
A.R.2.782.
II. poem in
elegiac distichs,
Call.Fr.121;
hilaroi
e.
AP10.19 (
Apollonid.). (Commonly
derived from
e
e
legein,
to cry woe! woe!
EM326.49.)
Eur. Hel. 185 Chorus
Beside the deep-blue water [180] and on the tangled
grass, I happened to be drying purple robes in the
sun's golden blaze near the young reed shoots; from
my mistress, from where she cried aloud her misery,
[185] I heard a sound, a mournful song not fit for
the lyre, because she was then shrieking, lamenting
with her wails; just as a Naiad nymph, who sends a
song of woe ringing over the hills, cries out, under
the rocky hollows, with screams [190] at the rape of
Pan.
THIRD:
1.
Israel fell from grace beyond redemption
because of Instrumental-Trinitarian-Perverted
Idolatry at Mount Sinai.
2. The
NOBILITY turned the REST of God into a day
of the Worship as the ABOMINATION they
brought from Egypt.
3. The
REST of God is Sabbath or the Greek PAUO and
demands STOPPING anything beyond Rest,
Reading and Rehearsing the Word delivered by
Moses.
4. The
Civil-Military-Clergy were abandoned behind
closed gates to engage in the Lust of Blood
and Flesh and the HOLOCAUST of INFANTS and
GOATS.
5. The
Godly Jews were never gathered to engage in
group singing with or without instruments:
this was outlawed for the SYNAGOGUE
as A School--only of the Word-only.
6. Any
kind of musical or theatrical performance
would MARK the Effeminate and their refusal
to HEAR the Word of God.
7. Even
worse any kind of self-exhibition especially
SINGING is that which MARKS and produces ALL
of the data defining:
Abomination, Witchcraft, the
BEASTS, Demon worship,
Viper,Sorcery, Charming,
Soothsaying, enchantment,
harlots, beguile, serpents, vipers,
Serpo, Herpo, inducing wine-drinking,
Cunning Craftsmen or Sophists,
Rhetoricians, Dogs or Catamites,
magic, Voodoo in primitive
America, Melodies to
deceive, Deceiver, Cunning
Crafts, Techne. religious craftsmen,
Lucifer, Locusts,
Apollyon, Levi-Leviathan
Paul commanded SPEAKING the
Biblical Text (Word of Christ, SPIRIT
Paul commanded that ODE and PSALLO be IN the heart
or mind and therefore SILENT as in 1 Corinthings
14
Paul absolutely SILENCED anything beyond SPEAK or READ as
commanded for the Church in the Wilderness and exampled by
Jesus.
Acts 8:28 Was returning, and sitting
in his chariot read Esaias the prophet.
Acts 15:21 For Moses of old time hath
in every city them
that preach him,
being read
in the synagogues every sabbath day.
2Cor. 3:14 But their minds were blinded:
for until this day
remaineth the same vail untaken away
in the reading
of the old testament; which vail is done away in Christ.
Col. 4:16 And when this epistle is read among you,
cause that it be read
also in the church of the Laodiceans;
and that ye likewise
read the epistle from Laodicea.
The word that is employed for this "anaginosko, anagnosis)
is the technical term for the cultic reading aloud of the Old Testament in the
synagogue. By applying this terminology to the reading of
his own epistles he not only ascribes the same authority
to the apostolic word as to the Old Testament
writings...he also combines a quotation from the Old
Testament with a word of Jesus and introduces the whole
with the familiar formula: 'for the Scripture says.'"
(Ridderbos, Hermon, Paul, P. 483 an Outline of His Theo.,
Eerdmans)
Suneimi A.ibo) go or come
together, assemble (eimi
3. attend, associate with,
a teacher, X.Mem.1.2.8,24,
etc.; also of the teacher, Id.Cyr.3.1.14,
Pl.Tht.151a,
etc.; of a fellowpupil, “emoi
sunōn
pote
peri
mathēmata”
hoi sunontes
followers,
partisans, associates, disciples, Antipho 5.68,
Pl.Ap.25e,
Tht.168a,
FIFTH:
Paul SILENCED Psallo because when used by
pagans.
The Greek PSALLO
used as THE foundation for imposing any kind of
MUSICAL PERFORMANCE is most often used of an older
male such as Alexander the Great Plucking his lyre to
seduce a young male whos pubic hairs had been plucked
The Evil Psallo
psallo , i,
3, v. n., = psallō. I.
In gen., to play upon a stringed
instrument; esp., to
play upon the cithara, to
sing to the cithara: “psallere saltare elegantius,” Sall. C. 25, 2
canituri,” SING and
cantare marked as SORCERY. saltare
et cantare; Cic. Catil. 2.10.23
Suet. Tit. 3
Sal. Cat. 25 Sempronia: She had
frequently, before this period, forfeited her word, forsworn
debts, been privy to murder, and hurried into the utmost
excesses by her extravagance and poverty. But her abilities
were by no means despicable;3
she could compose verses, jest, and join in conversation
either modest, tender, or licentious. In a word, she was
distinguished4
by much refinement of wit, and much grace of expression.
1
XXV. Sempronia] Of the same gens
as the two Gracchi. She was the wife of Decimus Brutus.
2
Sing, play, and dance] “Psallere,
saltare.”
As psallo
signifies both to play on a musical instrument, and to sing
to it while playing, I have thought it necessary to give
both senses in the translation.
Not
included by
Paul: PsalmOidia singing TO
a harp.
Not
included by
Paul: PsaltOideo sing to
the harp
2 Chron 5:[13]
it happened, when the trumpeters and singers were as one,
to make one sound to be heard [one tuned note all in
unison]
Not
included
by Paul: Psaltos
sung to the harp, sung OF Translated sing
in Psalm 119:54
Saltatio Dancing was
originally closely connected with religion. Plato thought all
dancing should be based on religion, as it was, he says, among
the Egyptians. It has been shown under Chorus
that the chorus in the oldest times consisted of the whole
population of a city, who met in a public place to offer up
thanksgivings to the god of their country by singing hymns and
performing dances. These dances, which, like all others, were
accompanied by music,
--dēlĭcĭae
, ārum, f. (sing. dēlĭcĭa
, ae, f.; [delicio; that which allures, flatters the senses],
delight, pleasure, charm, allurement; deliciousness,
luxuriousness, voluptuousness, curiosities of art; sport,
frolics, etc. (freq. and class.; for syn. cf.: voluptas,
libido, delectatio, oblectatio, delectamentum, oblectamentum).
The Evil Psallo “psallere
saltare
ēlĕgans
I. In the ante-class. period in a bad sense,
luxurious, effeminate, fastidious,
nice: elegans homo non dicebatur cum laude “mulier
(Phryne—with
formosa),”
Cic. Catil. 2.10.23 In these bands
are all the gamblers,
all the adulterers,
all the unclean and shameless citizens.
These boys, so
witty and delicate,
have learnt not only
to love and to be loved,
not
only to sing and to dance,
but also to
brandish daggers and to administer poisons;
and unless they are
driven out,
unless they die, even
should Catiline die,
I warn you that the school of
Catiline would exist in the republic.
But what do those wretches want? Are they going to take their
wives with them to the camp? how can they do without them,
especially in these nights? and how will they endure the Apennines,
and these frosts, and this snow?
unless they think that they
will bear the winter more easily
because they have been in the habit
of dancing naked at their feasts. O
war much to be dreaded, when Catiline is going to have his bodyguard
of prostitutes!
Suet. Tit. 3 While yet a boy, he
was remarkable for his noble endowments both of body and mind;
and as he advanced in years, they became still more
conspicuous.
He had a fine person,
combining an equal mixture of majesty and grace;
was very strong, though
not tall, and somewhat corpulent.
Gifted with an excellent memory, and a capacity for all the arts
of peace and war; he was a perfect master of the use of arms
and riding; very ready in the Latin and Greek tongues,
both in verse
and prose; and such was the facility he possessed in both,
that he would harangue
and VERSIFY extempore.
Nor was he
unacquainted with MUSIC,
but could both SING and PLAY
upon the HARP sweetly and scientifically.
I have likewise been
informed by many persons,
that he was remarkably quick in writing
short-hand,
would in merriment and jest engage with his
secretaries
in the imitation of any hand-writing he
saw, and often say, "
that he was admirably qualified for forgery."
The Evil Psallo
includes: Phrȳnē
, ēs, f., = Phrunē.
II. A Roman courtesan, Hor. Epod. 14, 16.—
SIXTH
Musical
Worship Teams Mark the Effeminate
See the Nimrod at At Babylon
Vineyard New Wineskin Worship
See Charismatic and Homosexual
connection among the Greeks
Effeminization
of Church and Christianity
Music and Effeminate Worship
Number Two
Dionysia Drama Theater Music
Why Males in the
Post-Biblical Effeminate Church are Disguised as Empty Pews or
Hostile Masculines: it Will Get Worse! "Of the
Effeminate Willow-Creek "Holy Entertainment" System: "The
cost of this approach is hard work and loads of strife with church
insiders." Christianity Today
"Philodemus
considered it paradoxical that music should be regarded as
veneration of the gods while musicians were paid for performing this so-called veneration.
Again, Philodemus held as self deceptive the view that music
mediated religious ecstasy. He saw the entire condition induced by the
noise of cymbals and tambourines as a disturbance of the spirit.
He found it significant
that, on the whole, only women and effeminate men fell into this folly.
Accordingly, nothing of value could be
attributed to music; it was no more than a slave of the sensation of pleasure, which satisfied
much in the same way that food and drink did.
"Women and girls from the different ranks of
society were proud to enter the service of the gods as singers and
musicians.
The
understanding of this service was universal: these singers
constituted the 'harem of the gods'." (End of Quasten)
Delitzsch on Psalms: Moreover,
we must take into consideration the facts that the
compass of the tenor extends even into the soprano,
that the singers were of different ages down to twenty
years of age, and that Oriental, and more particularly
even Jewish, song is fond of falsetto singing.
We therefore adopt Perret- Gentil's rendering, chant
avec voix de femmes, and still more readily Armand de
Mestral's, en soprano; whereas Melissus' rendering,
"upon musical instruments called Alamoth (the Germans
would say, upon the virginal)," has nothing to commend
it.
"Hebrew music... was used in the luxurious
times of the later monarchy the effeminate gallants of israel, reeking with perfumes, and
stretched upon their couches of ivory, were wont at their
banquets to accompany the song with the tinkling of the
psaltery or guitar (Am. v1. 4-6), and amused themselves
with devising musical instruments while their nation was
perishing... music was the legitimate expression of mirth and gladness, and the
indication of peace and prosperity." (Smith's Bible
Dictionary, Music, p. 590).
Christians
assemble to Read Together the
LECTIONS which were circulated
before collected to become "that
which is perfect" the Perfict
Will of God if you are A
Christian.
Preaching as HOMILECTICS is the
ANTITHESIS and, like Rhetoric,
is used by unbelievers to STEAL
IN while you are put to sleep by
the Locusts or Muses.
Anyone who claims that they can
use RHETORIC or Hermeneutics OR
Homilectios to that which is
once delivered cannot and will
never be able to read BLLACK
text on BROWN
PAPER.
The
Abomination of
Desolation:
first defined as the
instrumental-trinitarian
worship at Mount Sinai.
5.07.16
Before the POST-CIVILIZED dying of civilization Cicero
had a few words for priests parallel to the Bible which says
Jesus, God HID from the Wise, Sophists meaning self-authoring
preachers for sale, singers, instrument players or ANY audience
feeds them with a dole for which Jesus excluded any role.
- Jesus said that Doctors of the law take away the key to
knowledge: so we manufacture a host of doctors of the law.
- Jesus said that these doctors as Scribes or Pharisees are
hypocrites.
- The Spirit OF Christ in Isaiah 29 and Ezekiel 33 named
self-authoring preachers, singers or instrument players as
these hypocrites.
- The universal mark of musical noises in the "school of the
Word" is silencing the Teacher and also of BURNING.
CICERO one of the scholars the people need to dig
themselves out of Control-Religionists DARK AGES. They missed
that when John
T. Willis the father of the prophesied apostasy says that
MELODY always demands musical INSTRUMENTS. He
learned that the Spirit OF God was another God Person
who led a lady beyond the sacred pages. Grammar grade 6
debunks those who cannot grasp prepositions and John said that
to deny the ONE GOD THE FATHER and ONE LORD or Son Jesus
was the mark of ANTICHRIST.
Behold, behold, O priests, this religious man,
and if it seems good
to you, (and it is only the duty of virtuous priests,)
warn him that there are
some fixed limits to religion
that a man ought not
to be too superstitious.
Why was it necessary for you, O
fanatical man, with an old woman's superstition,
to go to see a sacred
ceremony which was being performed at another person's
house?
And
how was it that you were possessed with such
weakness of mind
as to think it not
possible for the gods to be sufficiently propitiated,
unless YOU
intruded yourself into the religious ceremonies of women?
Can you, O priests, avoid being
influenced by the authority of this man,
so chaste, so
religious, so holy, so pious a man,
when he says that he,
with his own hands,
pulled down the
house of a most virtuous citizen,
and with the same
hands consecrated it to the gods?
Been there, done that three times under the COHORTS organized
for the last time (KAIROS).
What was that consecration of
yours?
“I had carried a bill,”
says he, “to make it lawful for me to act.”
What? had you not
inserted this clause in it,
that if there was
anything contrary to what was right in the bill, it should be
invalid?
will you then, O priests, by your decision,
establish the point that
it is right that the home of every one of you,
and your altars,
and your hearths, and your household gods,
should be at the mercy
of the caprice of the tribunes?
that it is right for any one, not only to throw down the
house of that man
whom he may have chosen
to attack with a body of excited men,
and may have driven away
by violence,—which is an act of present insanity,
like the effect of a sudden terror,—
but for him to bind that man and property
for all future time
by the everlasting obligation of
religion?
Excited Men performing religious rhetoric, singing, playing
instruments were not considered manly and were priests of the
Mother Goddess who might also be male.
Excited.
ĭbīdo
minimisque
libido,”
Juv. 6, 349: “saltante
libidine,”
i. e. passion goading on, id. 6, 318.—Esp.,
of unnatural lust, Suet. Aug. 71;
Paul. Sent. 5, 23, 13. —Of
unbridled indulgence: “vinulentiam
ac libidines,
grata
barbaris,
usurpans,”
Tac. A. 11, 16.—
A. Unlawful or inordinate desire, passion,
caprice, wilfulness, wantonness:
Nah. 3:16 Thou hast multiplied thy merchants
above the stars of heaven:
the cankerworm spoileth,
and flieth away.
Nah. 3:17 Thy crowned are as the locusts,
and thy captains as the
great grasshoppers,
which camp in the hedges
in the cold day,
but when the sun ariseth
they flee away,
and their place is not
known where they are.
Nah. 3:18 Thy shepherds slumber,
O king of Assyria: thy
nobles shall dwell in the dust:
thy people is
scattered upon the mountains, and no man gathereth them.
Assyria was the dominant power including the worship of the
starry host (including Apollon) in Jerusalem which is called
SODOM.
Matt. 23:14 Woe unto you, scribes and
Pharisees,
hypocrites!
[Isaiah 29; Ezekiel 33 self-authoring preacher, singer,
instrument player, audience]
for ye devour widows’
houses [homes and families],
and for a pretence make long
prayer: [hymns among the Greeks.]
therefore ye shall receive
the greater damnation.
A Critic of the NACC noted that only the NOBILITY
including key agents claiming to belong to Christ dominate and
only they have the right to SELL books, bookings and sermons.
The denominational leaders presumed to lay hands on and ordain
their new AGENT to the CHILDREN. Atchley said we taught
our youth to leave our movement. That would be fine but
the movement is back to babylon. NONE of the obscene "worship
leaders" look any better:
Surprise! God doesn't love fleecers who bring any kind of music
in the holy places and He turns it into howling. That is
the "praise singing" as the world's OLDEST profession. This is
what the godly show up as EMPTY PEWS see and hear when the guys
begin to sell themselves in the name of love. Neither does God
love sowers of discord.
Amos 8:2 And he said, Amos,
what seest thou?
And I said, A basket
of summer fruit [gay troubadours] .
Then said the LORD unto me,
The end is
come upon my people of Israel;
I will not again pass
by them any more.
Amos 8:3 And the songs of the temple shall be howlings
in that day, saith the Lord GOD:
there shall be many
dead bodies in every place;
they shall cast them
forth with silence.
They and their harps will be tossed into Sheol
Those who sang at the PLACE of CAPPELLA sang ORGANUM and the
Sistine Chapel is named after a goat skin shrine. Cappella is
the SHE goat althought she may be male: she sings tragedies or
songs intended to MOVE which history calls sorcery (Revelation
18).
When God pours out His Wrath or Orgy Paul warned about from both men and
women He turns them into BUFFOONS and the WORLD, Kosmos,
Ecumenical or the kingdom of Satan just
claps and claps and claps.
"The music over ruled the
veto
of destiny and filled the entire space, imparting
to all of us with its impetuous, invincible bounty a
feeling of exultation, as thought a torrent of
strange energies had sprung from the dauntless melody the clown blew on
his flute as he sat on the railing of the circus.
Later I thought of
this clown of the flute as a grotesque modern
form of the great god Pan of the forest whom the Greeks worshipped as the symbol
of cosmic
vitality--serene, goat-footed Pan who plays the sacred syrinx (pan
pipes) in the sinking dusk and with its magic sound evokes an echo in all things: leaves and
fountains shiver, the stars begin to tremble, and the
shaggy
goats dance at the edge of the grove. (qtd. in
Kinsley, David R. The Sword and the Flute: 33, n. 49)
Judas was prophesied to RESTORE the vocal or instrumental
rejoicing God left as a MARK of those who would and did
musically mock Jesus to the cross. The Judas Bag or Box
was left for us on EARTHEN VESSELS and it is always attached to
a tipsy and naked New Wineskins assassins. It is always
attached to the flute case: watch for it the next time the Peter
Pans assault the godly:
Jesus stood at the GATES HELL to denounce those who think they
can destroy the REST Jesus died to give US from YOU. This was
the temple of PAN:
The instrumental-trinitarian-perverted rising up AGAINST God in
PLAY engaged in unnatural lust. God sentenced
them to captivity and death. He gave the Jacob-cursed and
God-abandoned Levites to stand guard and execute any of those
not of the abandoned Civil-Military-Clergy who came near the
BURNING of Goats which is Rick Atchley's pattern it seems that A
spirit told him was his pattern. The only personified
spirit is named Apollon-Abaddon and he is the leader of the
Muses or Locusts
All musical terms and names of instruments point to sorcery or
witchcraft. That is because the witch of Endor used an old
wineskin stretched over a hole in the ground as her "familiar
spirit." Bone flutes made a sound the earliest witch doctor
understood to create the laded burden or "spiritual anxiety"
through rituals performed by cunning craftsmen or sophists:
rhetoricians, singers, instrument players, actors, dancers or
even prostitute who could "bring you into the presence of the
gods" -- for a price.
Jude 3 Beloved, when I gave all diligence to write unto you of
the common salvation,
it was needful for me to
write unto you,
and exhort you that ye
should earnestly contend for THE FAITH
which was once delivered
unto the saints.
Jude 4 For there are certain men crept in unawares,
who were before of old
ordained to this condemnation,
ungodly men, turning the grace
of our God into lasciviousness,
and denying the
only Lord God,
and
our Lord Jesus Christ. [Trinitarian Antichrists according to John]
Jude 5 I will therefore put you in remembrance, though ye once
knew this,
how that the Lord, having
saved the people out of the land of Egypt,
afterward destroyed them
that believed not.
Jude 6 And the angels which kept not their first estate,
but left their own
habitation,
he hath reserved in
everlasting chains under darkness unto the judgment of the
great day.
WHAT IS THE ABOMINATION IN A HOLY PLACE:
Deut. 18:9 When thou art come into
the land which the LORD thy God giveth thee, thou shalt not
learn to do after the abominations of those nations.
Deut. 18:10 There shall not be found
among you any one that maketh his son or his daughter to
pass through the fire, or that useth divination,
or an observer of times, or an enchanter, or a witch,
hărĭŏlus
soothsayer, prophet, prophetess
somnĭo
, to dream; to dream of or see in a dream,
to dream, i. e. to think idly or vainly,
to talk foolishly:
psaltrĭa
, ae, f., = psaltria,
. a female player on the cithara,
a lutist, “ineptias,”
Col. 1, 8, 2: “ah
stulte!
tu
de
Psaltriā
me
somnias
Agere,”
Ter. Ad. 4, 7, 6;
Plaut. Pers. 2, 3, 5.—Absol.:
“vigilans
somniat
“portenta
non
disserentium
philosophorum
sed
somniantium,”
Cic. N. D. 1, 8, 18.
Deut. 18:11 Or a charmer, or a
consulter with familiar spirits, or a wizard, or a
necromancer
A Charmer is an Abomination
incantātor
, ōris, m. incanto, I. an enchanter, wizard
(post-class.), Tert. Idol. 9;
Isid. 8, 9, 15; Mos. et Rom.
Leg. Coll. 15, 1, 2.
consŭlo
(a). In the lang. of religion, to consult
a deity, an oracle, omens, etc.: “Apollinem
de
re,”
Cic. Leg. 2, 16, 40:
“deum
consuluit
auguriis,
quae
suscipienda
essent,”
Liv. 1, 20, 7:
“deos
hominum
fibris,”
Tac. A. 14, 30 fin.:
“Phoebi
oracula,”
Ov. M. 3, 9;
Suet. Vesp. 5:
“Tiresiam
conjectorem,”
Plaut. Am. 5, 1, 76:
B. An incantation,
charm, magic song, etc.: cantusque artesque
magorum.
“cantus
e
curru
Lunam
deducere
tentat,”
2. With instruments, a playing,
music: “in
nervorum
vocumque
cantibus,”
Cic. Tusc. 1, 2, 4;
id. Rosc. Am. 46, 134:
“citharae,”
Hor. C. 3, 1, 20:
“horribili
stridebat
tibia
cantu,”
Cat. 64, 264:
“querulae
tibiae,”
This was outlawed for the Church of Christ (the Rock) in the
wilderness
These ăb-ōmĭnor are always MARKED “semimares,”
Liv. 31, 12, 8
Signs or wonders " Liv. 31, 12, 8 Along with "plundering" the temples, among
the Sabines, a child of uncertain sex was born, while
another was found whose sex, at the age of sixteen, could
not be determined. All these disgusting and monstrous
creatures seemed to be signs that nature was confusing
species; but beyond all else the hermaphrodites caused
terror,... In addition, they directed that a hymn be sung
throughout the city by thrice nine maidens, and that an
offering be made to Queen Juno.
Galli A form gallantes,
as if from gallare, "to rave like a priest of
Cybelé," is cited from Varro (ap. Non. p. 119Non., 5).
In their wild, enthusiastic, and boisterous rites the Galli
recalled the legends of the Corybantes (q.v.).
According to an ancient custom, they were always castrated
(spadones, semimares, semiviri, nec viri nec feminae),
and it would seem that, impelled by religious
enthusiasm, they performed this operation on themselves...
Other names, however, are of distinctly Semitic affinities;
Rhea perhaps=the Babylonian Ri (Mulita or Mylitta), and Nana more certainly=the Babylonian Nana, modern Syrian Nani. Nana motherof Attis
RICK ATCHLEY'S COMMAND TO IMPOSE "INSTRUMENTAL PRAISE."
2Chr. 29:27 And Hezekiah commanded to
offer the burnt offering upon the altar.
And when the burnt
offering began, the song of the LORD began also
with the trumpets,
and with the
instruments ordained by David king of Israel.
Hezekiah stopped the sacrifice of infants with the instrumental
noise of the Levites who were an old Egyptian Infant burning
priesthood. As soon as Hezekiah died the sacrifices to
Moloch began all over again. And THIS IS THE PATTERN of those LYING IN WAIT TO DECEIVE.
The triumphal
hymn of Moses had
unquestionably a religious character about it; but the
employment of music
in religious services, though idolatrous, is more distinctly marked
in the festivities which attended the erection of the
golden calf." (Smith's Bible Dictionary, Music, p. 589).
ACTS
7 IS A DIRECT PARALLEL TO AMOS WHOM DAVID CLAIMS WERE
JUST INTERNAL WRONG.
Acts
7:37 This is that Moses, which said unto the children of
Israel,
A PROPHET shall the Lord
your God raise up unto you of your brethren,
like unto me; him shall
ye hear.
Acts 7:38 This is he, that was in the church in
the wilderness
with the angel which spake
to him in the mount Sina, and with our fathers:
who received the lively
oracles to give unto us:
Acts 7:39 To whom our fathers would not obey,
but thrust him from
them, and in their hearts turned back again into Egypt,
Acts 7:40 Saying unto Aaron, Make us gods to go
before us:
for as for this Moses,
which brought us out of the land of Egypt, we wot not
what is become of him.
Acts 7:41 And they made a calf in those days,
and offered sacrifice
unto the idol,
and rejoiced
in the works of their own
hands.
Euphrainō , Ep. euphr-, fut. Att.155.12, Pi.I.7(6).3
II. Pass., make merry, enjoy oneself,
to sing,
i. mēkhanēn, [sound, lights
]in the theatre, merriment of a feast
4. take up and bear, as a burden,
“moron” A.Pers.547;
“athlon” S.Tr.80;
“algos” A.R.4.65.
2. raise
by words, hence, praise, extol, E.Heracl.322,
etc.; ai. logō to exaggerate,
D.21.71.
mēkha^n-ē
Acts 7:42 Then God turned,
and gave them up to
worship the HOST of heaven;
as it is written in
the book of the prophets,
O ye house of
Israel, have ye offered to me slain beasts and
sacrifices
by the space of forty
years in the wilderness?
Acts 7:43
Yea, ye took up the tabernacle of Moloch,
and the star of
your god Remphan,
figures which ye
made to worship them:
and
I will carry you away beyond Babylon.
Paul hoped that the concision's knife slipped.
Paizo, 4. play on a musical
instrument, h.Ap.206:
c. acc., “Pan ho kalamophthogga paizōn” Ar.Ra.230;
dance and sing, Pi. O.1.16.
5. play amorously,
“pros allēlous” X.Smp.9.2
Chrysostom's Commentary on Galatians:
Galatians 5:1.-"With freedom
did Christ set us free; stand fast therefore.115 ."
Ver. 12. "I would that they which unsettle
you would even cut themselves off." And he says well "that
unsettle you." "A man that is heretical after the
first and second admonition refuse." (Tit. iii: 10) If
they will, let
them not only be circumcised, but mutilated.
Where then are those
who dare to mutilate themselves; seeing that they
draw down the Apostolic curse, and accuse the workmanship
of God, and take part with the Manichees?
Chrysostom understood that the pagans
used vocal or instrumental noise to stir up or create
anxiety so that they could steal your food money. Christ
outlawed this in Isaiah 55. Christ outlawed
BLASPHEMY in the modern context of saying that God commanded
instrumental distractions when He DID NOT.
But if you
will not allow this, why do you not mutilate the tongue for
blasphemy, the hands for rapine, the feet
for their evil courses, in short, the whole body?
For the ear
enchanted by the sound of a flute
hath often enervated the soul;
and
the perception of a sweet perfume by the nostrils
hath bewitched the mind, and made it frantic
for pleasure
.
David's PRAISE word HALAL threatened the same sexual proof of
superiority:
Ululo Ulŭlo
I. Neutr., to howl, yell, shriek,
utter a mournful cry. B.Transf., of
places, to ring, resound, re-echo
with howling: penitusque cavae plangoribus aedes Femineis ululant,Verg.
A. 2, 488 : resonae ripae, Sil. 6, 285 : Dindyma sanguineis Gallis, Claud. Rapt. Pros. 2, 269 .--
AS PROPHESIED AND FULFILLED BY THOSE PREDESTINED FROM OLD.
Matthew
27 They Mocked Him Hail King of the Jews.
Mark 10 They Shall
Mock Him with Music
Led
As A Lamb Before The Slaughter: Proven when the
preacher and singers won't let Jesus get a word in
edgewise
Divination and Lectio Divina
People DO hear a spirit
telling them that God commanded instrumental praise.
Spiritus in latin speaks of the spirit OF Abaddon or
Apollyon; he is unleashed as the king of the LOCUSTS.
The Locusts for the reading public are the MUSES.
The muses were dirty adulterers and SHEPHERDS under
Apollo at Delphi just up the road
from Corinth.
Those who get a vision to MOCK JESUS in fulfillment
of prophecy ALSO rush to remove CHRIST from
their public confession. The Levites were called
soothsayer- sorcerers: they played loud instruments to make
the lambs AND INFANTS dumb before the slaughter or burning.
Ex. 32:25 And when Moses saw that the people were naked; (for
Aaron had made them naked unto their shame among
their enemies:)
Ex. 32:25 Moses saw that the people were running wild and
that Aaron had let them get out of control and so become a
laughingstock to their enemies
Lam. 3:14 I became the laughingstock of all my people; they mock
me in song all day long.
mansŭesco
,
I. Act.,
to tame, to make tame B. Trop., to
render mild, gentle, or peaceable: gentes
mild, soft, gentle,
quiet
“nam me jam ab orationibus dijungo fere, referoque ad mansuetiores Musas,” Cic. Fam. 1, 9,
23: “ira,” Ov. Tr. 3, 6, 23.—
dēlūbrum
, i, n. de-luo, the place of expiation, cella [holy
place as a house only for a god]“noctu
audita
ex
delubro
vox
est,
etc.,”
Liv. 29, 18:
“so
coupled
with
templa,”
id. 30, 20:
wickedly, profanely illūdo
to play at or with any thing, to sport
with, amuse one's self with
(syn. colludo; cf. ludificor). 1. To
make sport or game of, to jest, mock,
or jeer at, to ridicule (class.).
1. To scoff or mock at, to
make a laughing-stock of, to
ridicule ipsa
praecepta
(rhetorum),”
Cic. de Or. 1, 19, 87:
“voces
Neronis,
quoties
caneret,”
Tac. A. 14, 52:
verbis virtutem superbis, Verg. A. 9, 634.—
Mūsa
, ae, f., = Mousa,
I.a muse, one of the goddesses of
poetry, music,
“Musarum
delubra,”
Cic. Arch. 11, 27:
“hic
Musarum
parens
domusque
Pieria,
Mela,
2, 3, 2: crassiore
Musā,
A. A song, a poem: “musa
procax,”
Hor. C. 2, 1, 37
Dumb means the inability to MEDITATE
on what is going on.
cōgĭto
The command is to SPEAK the Word and MEDITATE in the heart:
not to make music.
Cogitation in a rational sense can be stopped by (d).
With de: “cogitavit
etiam
de
Homeri
carminibus
abolendis,”
WHY
SAYING THAT GOD COMMANDS (AND DOES NOT OUTLAW) MUSICAL
INSTRUMENTS (MACHINES) FOR THE ASSEMBLY (SCHOOL ONLY OF
THE WORD ONLY) IS
BLASPHEMY EVEN IF DELIBERATELY
SOWING DISCORD AND FLEECING THE LAMBS TO FEED THE STAFF ALWAYS IDENTIFIED IN
RELIGIONISM AS PARASITES.
Isaiah 5:5 And now go to;
I will tell you what I will do to my vineyard:
I
will take away the hedge thereof, and it shall be
eaten up;
and
break down the wall thereof, and it shall be trodden
down:
Isaiah 5:6 And I will lay it waste: it shall not be pruned,
nor digged; but there shall come up briers and thorns:
I
will also command the clouds that they rain no rain upon
it.
Amos 8:11 Behold, the days come, saith the Lord GOD,
that I will send a famine in the land, not a famine of bread,
nor a thirst for water, but of hearing the words of the LORD:
Amos 8:12 And they shall wander from sea to sea, and from the
north even to the east, they shall run to and fro to seek the
word of the LORD, and shall not find it.
Amos 8:13 In that day shall the fair virgins and young men
faint for thirst.
Isaiah 5:7 For the vineyard
of the LORD OF hosts is
the house of Israel, and the men of Judah his pleasant
plant:
and
he looked for judgment, but behold oppression; for
righteousness, but behold a cry.
Because of musical idolatry of
the Egyptian trinity at Mount Sinai God turned the over to worship the
HOSTS of heaven insteadof the Creator
of the hosts. (Acts 7)
clāmo
celebrate, call, assembly for money, applause,
“triumphum,”
Ov. Am. 1, 2, 25:
“Saturnalia,”
Of the chirping of a cricket: “(cicada)
multo
validius
clamare
occoepit,”
Phaedr. 3, 16, 7.—Of
the roaring of waters, the rustling of trees, gaudĕo
,
gaudĕo
to take pleasure in, be pleased with,
“carmine
(with
delectari
iambis),
delight in any thing (mostly poet. and
in post-Aug. prose): “nec
tantum
Phoebo
[Apollyon, Abaddon] gaudet
Parnasia
rupes,
“oratio
gaudebit
Isaiah 5:8 Woe unto them
that join house to house, that lay field to field,
till there be no place,
that they may be placed alone
in the midst of the earth!
Isaiah 5:9 In mine ears said the LORD of hosts, Of a truth
many houses shall be desolate,
even
great and fair, without inhabitant.
Isaiah 5:10 Yea, ten acres of vineyard shall yield one bath,
and the seed of an homer shall yield an ephah.
Isaiah 5:11 Woe unto them
that rise up early in the morning,
that
they may follow strong drink; that continue until night, till
wine inflame them!
And (they have) the harp, and the viol, the tabret, and pipe, and wine, are in their feasts:
BUT
they regard not the work of the Lord, neither consider
the operation of his hands. Is 5:12
BUT has this meaning:
1. The Pilot used the operation of his hands playing a
video game
2. BUT, he was not considering the operation of his
instrument panel.
3. THEREFORE, the plane crashed.
Therefore my people
are gone into captivity, because they have no knowledge:
and their honourable men
are famished, and their multitude dried up
with thirst. Is 5:13
Isaiah 5:14 Therefore hell hath
enlarged herself, and opened her mouth without measure:
and
their glory, and their multitude, and their pomp,
and he that rejoiceth, shall descend into it.
Isaiah 5:15 And the mean man shall be brought down,
and
the mighty man shall be humbled,
and
the eyes of the lofty shall be humbled:
Isaiah 5:16 But the LORD of hosts shall be exalted in judgment,
and God that is holy shall be sanctified in
righteousness.
In Amos 8 the
people hungered and thirsted for the WORD of God and were
taken into captivity:
God said I WILL NOT PASS THIS WAY
AGAIN, FOR EVER.
MUSIC in
the Bible and other literature MEANS "to make the
lambs dumb before the slaughter."
Jesus
pleads: could you not tarry with me for one
hour. Can you REALLY think that "a spirit"
told you that God commanded instrumental praise in
YOUR happy church of Christ and I INTEND to make
certain that YOU do not disobey
what "a" spirit told me to
do: Sorry, I promised not to do that to you but THAT was THEN and THIS is NOW.
Sorry that we have discorded your happy family but our LADIES
will help your life-long wife escape you because YOU dared to
oppose us. Sorry that up to half of the owners will have
to cast themselves our of their synagogue they paid for but we
will help you find ANOTHER institution. "Besides, we
warned you--like they said to J.W.McGarvey--that you have to get
over it or get out.
ventus
, B. Plur., personified as deities, the
winds: te, Apollo sancte, fer opem; teque,
omnipotens Neptune, invoco; Vosque adeo, Venti!
Turpil. ap. Cic. Tusc. 4, 34, 73
(Com. Rel. v. 119 Rib.); Lucr. 5, 1230
(1228); cf. Ov. H. 17
(18), 37.—
spīrĭtus
The air: imber et ignis,
The breath of a god, inspiration: “
spiritum Phoebus [Apollo, Abaddon, Apollyon] mihi,
Phoebus artem Carminis dedit, poetic
spirit or inspiration,
MUSIC in the Bible and other literature
MEANS "to make the lambs dumb before the
slaughter." The Levites were soothsaysers or
sorcerers which is the PURPOSE DRIVING both
instruments and instrumentalists.
The Spirit OF Christ gave APT elders to a
TRUE Church of Christ as A School of the Word or
Logos which is the Regulative principle. Before
Paul defines that education-only asssembly with no
parasitic staff, any APT elder must first eject or
cast out the Musical Madhatters just as Jesus CAST
OUT the minstrels and NOISE makers which define
the Covenant with Death and Hell in Amos. They are
cunning craftsmen or SOPHISTS: God does not speak
to or through the WIDE or Sophists and HIDES from
them: they are self speakers violating the PATTERN
Christ defined in Isaiah 58 and Ezekiel 33,
singers and instrument players.
From the singing and harp playing
prostitute in the Garden of Eden to the Babylon
Mother of Harlots (fruits) in Revelation 17, they
as Paul said in Ephesians 4 LIE IN WAIT TO
DECEIVE. Religious music is therefore called
SORCERY using the name for the original Babylon
Mother of Harlots. All of the Bible and
historic literature proves that they intend to
HURT you by inducing a charismatic or madness
(says Paul) which they CLAIM is a spirit person
speaking to you THROUGH them--and you must pay
them, too.
ALL instrument SMITING words carry the meaning of a violent
attack. Nimrod and modern science knows that music is an
emotional attach upon a large part of the population.
REJOICE AND BE GLAD the major HIT
happened exactly 6,000 years after Moses wrote the history
of Israel AFTER the fall into instrumental idolatry at
Mount Sinai, God sentenced them to captivity and death and
Moses wrote a godly version of the Babylon Tablets to warn
the tiny remnant able to read BLACK
text on BROWN paper.
John agrees with Scripture and
recorded history to MARK the rhetoricians, singers,
instrument players (Sophists, Hypocrite says Jesus) as
SORCERERS. Paul warned about them by the word
Concision and Dogs or Catamites. People who claim that God
did NOT use instruments as the MARK are liars: Sorcerers,
Dogs and Liars will be (being) cast alive into the Lake of
Fire.
Don't drink no KoolAid and drink no SPIRITS of people whom
Paul in Ephesians 4 LIE IN WAIT TO DECEIVE.
Arnobius,
Heresies IV May it not happen, may it not come
to pass, although you craftily conceal it, that the one
should take the other's place, deluding, mocking,
deceiving, and presenting the appearance of the deity
invoked?
If the magi,
who ares o much akin to soothsayers [Levites],
relate that, in their incantations, pretended gods steal
in frequently instead of those invoked; that
some of these, moreover, are spirits of grosser substance,
who pretend that they are gods, and delude the ignorant
by their lies and deceit,- why should we not
similarly believe that here, too, others substitute
themselves for those who are not, that they may both
strengthen your superstitious beliefs, and rejoice that
victims are slain in sacrifice to them under names not their
own?
33. Your gods, it is recorded, dine on celestial
couches, and in golden chambers, drink,
and are at last
soothed by the music of the lyre, and singing
.
You fit them
with ears not easily wearied;
and do not think it
unseemly to assign to the gods
the pleasures by
which earthly bodies are supported,
and which are sought
after by ears enervated by the frivolity of
an unmanly spirit.
2.26.10
Kairos-Ethos Church Planting Daimon has come down to
you
See
Rick Gibson Pepperdine approves the
Kairos-Ethos Church Planting scheme.
Rick Gibson and Mike Cope plan to establish a group (sect)
to DEprogram young preachers and teach them how to leave
the Biblical definition of A Church of Christ as A School
(only) of the Prophets and Apostles as the only
EDUCATIONAL resource for building up or educating
Disciples of Christ who do not attend pagan worship
rituals were music from mystery means to "make the lambs
dumb before the slaughter."
WOE:
for the devil is come
down unto you, having great wrath,
because he knoweth that he hath but a
short TIME [kairon ekhei ETHOS.’] Rev. 12:12
"Just
remember: when you're reading your Greek Testament and
come upon kairos: stop, look and
listen, because the Holy Spirit is flashing
a caution light, warning of a
coming crisis, an eminent judgment.
That's why Jesus used the word more than once to predict
his own crucifixion." Quote
The "harp"
passages in Revelation used as AUTHORITY prove that no one
PLAYS harps: when you hear the SOUNDS-LIKE harps from your
musical worship team, another angel warns of JUDGMENT
where such sounds produce panic and commands that the
living preach the gospel to ALL NATIONS.
Paul in Ephesians
4 says that Christ gave the gift of APT elders as the only
pastor teachers: that is the limit of a Church. First,
they have to root out the cunning craftsmen or Sophists:
Sophists or rhetoricians, singers, instrument players or
actors. Jesus said that God HIDES from all of these
CRAFTY CRAFTS and He called the Scribes and Pharisees,
hypocrites: in Ezekiel 33 Christ names the same speakers,
singers or instrument players. Better to debate with
three empty chairs than dig up one example of any music
connected with the Qahal, synagogue, ekklesia or Church of
Christ (the Rock) in the wilderness.
Paul insists that
the gifted ELDERS eject the rhetoricians, singers and
instrument players because they are not just Bible
illititerate (bad enough with a PhDuh) but THEY LIE IN
WAIT TO DECEIVE. That is their ordained destiny because
they are OF the WORLD doing COSMIC WORSHIP for whom Jesus
will not even pray. John said that the speakers,
singers and instrument players in Revelation 18 are
SORCERERS (named after the original Babylon mother of
harlots) who HAD deceived the whole world once (Genesis
1:1 where the Elohim cast down or made the earth vain and
ignorant).
Paul warned against people who CORRUPT the Word (Logos:
regulative principle). The word means to sell learning at
wholesale and also means prostitution. All of history and
modern observations of the Androgynous
Worship Leader explains why people leave such
churches which gladly remove CHRIST from their public
confession.
Heredotus
1: Cyrus was told how to NEUTER captives to keep them under control. Power grabbing preachers who want to be MASTERS (Authoratative
Teachers) have KEEPING THEM UNDER CONTROL is
absolutely necessary less they grasp that Jesus died
to pry the burden laders off our backs: the Laded Burdens
are types of repeating
songs which perform the act of
WITCHCRAFT with a boiling pot
of frog yes.
Grant, then, forgiveness to the Lydians, and to make sure of their never
rebelling against thee, or alarming thee more,
send and forbid them to keep any
weapons of war,
command them to wear tunics under their cloaks,
and to put buskins upon
their legs,
.........and make them bring up their sons to cithern-playing (Kitharizein),
and singing (psallein),
..........and shop-keeping (Hucksterism). [Corrupting the Word]
So wilt thou
soon see them become WOMEN
instead of men,
and there will be no more fear of their revolting from
thee."
Any
kind of performing music when Jesus told us to SPEAK
that which is written INTENDS to bring glory and more
"Authority" to THE Alpah Malel.
-[4] Ludoisi de sungnômęn echôn tade autoisi epitaxon,
hôs męte aposteôsi męte deinoi toi eôsi: apeipe men sphi
pempsas hopla aręia mę ektęsthai, keleue de spheas
kithônas -[khiton
David's garment] te hupodunein toisi heimasi kai kothornous
hupodeesthai, proeipe d' autoisi -kitharizein te kai psallein kai kapęleuein [prostitutes, petty trade,
playing tricks, corrupting] paideuein tous paidas. kai
tacheôs spheas ô basileu gunaikas ant' andrôn opseai
gegonotas, hôste ouden deinoi toi esontai mę aposteôsi."
The word kitharizo means
to PLAY THE CITHARA and does not include singing.
- -Kitharizô 1 [kitharis] to play
the cithara, phormingi [Apollo, Abaddon, Apollyon]
kitharize Il., Hes.; luręi eraton kitharizôn
Hhymn. (so that there can have been no great difference
between the kithara, lura, and phorminx ); kitharizein
ouk epistatai, of an uneducated person,
-
-Kithar-isis , eôs, hę, playing on the
cithara, Pl.Prt.325e; k. psilę, i.e. without
the voice, Id.Lg.669e, cf.
Pae.Delph.15; aulęsis kai k. Phld.Mus.p.23 K.
The PSALLO word used to GRASP POWER is an Abaddon word from plucking the Bow String to kill you or plucking the Lyre to
mollest you.
-Arassô ,of any violent impact, with collat. notion of rattling, clanging, as of horses, hoplais, pound in a mortar, strike with a shower of stones.
a). kitharēn strike the lyre,
Orph.A.382; humnon, melos, etc., Nonn.D.1.15,440, etc.
2. c. dat. modi, arassein
tina oneidesi, kakois, assail with reproaches or threats,
II. Pass., to be dashed against, dash one against the other
Pound in a mortar, “holmō a.” Nic.
Th.508
Croesus thought the
Lydians would even so be better off than
if they were sold
for slaves,
and therefore gave the above advice to Cyrus, knowing
that, unless he brought forward some notable suggestion, he would not be able to
persuade him to alter his mind. He was likewise afraid
lest,after
escaping the danger which now pressed, the Lydians at some future
time might
revolt from the Persians and so bring themselves to ruin.
Of Course, the invasion of the "Musical
Worship Ministers" proves that they had rather NOT be slaves
2.23.14
WHY ONLY A LITTLE FLOCK ARE WILLING TO UNDERGO THE
DISCIPLINE OF A DISCIPLE OR APPRENTICE.
"Not surprisingly, most
Israelites declined the prophet's invitation to enter into a dialog with Yahweh. They
preferred a less demanding religion of cultic
observance either in the Jerusalem Temple or in the old fertility cults of
Canaan.
This continues to be the case: the religion of
compassion is followed only by a minority; most religious
people are content with decorous worship in synagogue, church, temple
and mosque.
"The ancient Canaanite religions were still
flourishing in Israel... the Israelites were still taking
part in fertility
rites and sacred sex there, as we see in the oracles of the prophet
Hosea, Amos' contemporary. (Armstrong, Karen, A
History of God, p. 47).
Matthew 22:13 Then said the king to the
servants,
Bind him hand and
foot, and take him away,
and cast him into
outer darkness; there shall be weeping and gnashing of
teeth.
Matthew 22:14 For many [most]
are called [kleto invited], but few are chosen. [eklektoi]
Eklektoo separated or purified
Eklektos
picked out, selected choice, pure II. chosen of
God, elect, LXXIs.43.20,
Ev.Marc.13.20,
Hebrews 11:6 But without faith it is
impossible to please him:
for he that cometh
to God must believe that he is,
and that he is a rewarder
of them that diligently seek him. [the
only 'worship' concept]
Matthew 22:15 Then went the Pharisees,
and took counsel how
they might entangle him in his talk.
The Jews were ignorant of the Prophets and mercinary wanted
Jesus to tell them something beyond the text.
Matthew 22:18 But Jesus perceived their
wickedness,
and said, Why
tempt ye me, ye hypocrites?
Jesus called the Scribes and Pharisees, hypocrites: in the
Ezekiel 22 version the Spirit OF Christ named favor-seeking
speakers, singers and instrument players.
It's a fact: Jesus never said "thou shalt NOT be a
hypocrite" but the GOSPEL is:
Matthew 11:25 At that time
Jesus answered and said, I thank thee, O Father, Lord of
heaven and earth, because thou hast HID these things
from the wise [sophōn] and prudent,
and hast revealed them unto babes.
The Wise are Sophists: speakers, singers, instrument
players especially "melody in a holy place." This marks the
worship of Sophia the goddess as opposed to patriarchal
worship.
Matthew 11:26 Even so, Father: for so it
seemed good in thy sight.
Matthew 11:27 All things are delivered unto me of my
Father:
and no man knoweth the
Son, but the Father;
neither knoweth any
man the Father, save the Son,
and he to whomsoever
the Son will reveal him.
Those who are washed with water INTO
the Word or Logos or into the School of Christ. A
babe never presumes to REtell and correct the Father.
The Son will not reveal the Father among the "many"
which will never collect around the Word.
Matthew 11:28 Come unto me, all ye that labour and
are heavy laden,
Heavy
laden by the wise or Sophists means "arousal
music and tithes and offerings
and I will give you REST.
Rest as Sabbath and rest as PAUO means
to Stop the speaking, singing, playing or acting.
Why a
Disciple of Christ or a Christian will STOP whatever they
invent:
Matthew 11:29 Take my yoke upon you,
and learn of ME;
for I am meek and lowly in heart:
and ye shall find rest
unto your souls.
A Christian is a Disciple
What is a Disciple? A
Disciple is a student. Students do not add staff (parasites)
or musical performers to assist their learning.
What does a Christian-Disciple Study?
Jesus commanded that everyone be taught to observe what HE
commanded to be taught.
What did Jesus teach to be TAUGHT?
Jesus said that all that was prophesied about Him would be
fulfilled.
Peter said that theprophecies had been made more certain by
Jesus of Nazareth. He commanded that this not be private
interpreted or further expounded. He said that anyone who does
not teach that which has been revealed is a false
teacher. That includes the Prophets and Apostle's
writing inspired for the Spiritual Community which was
quarantined from Jerusalem and other sun and star worship
centers.
What is the Purpose for this
restricted curriculum?
Ephesians 2:18 For through
him [Jesus] we both have access by one Spirit [Jesus]
unto the Father.
Jesus wants MEN and WOMEN to be
sedentary and silent.
1Timothy 2:1 I exhort therefore, that,
first of all, supplications,
prayers,
intercessions, and giving of thanks, be made for all men;
1Timothy 2:2 For kings, and for ALL that are in authority;
that we may lead a quiet
and peaceable life in all godliness and honesty.
That includes preachers (sermonizers) Christ failed to GIFT
in Ephesians 4.
Why?
1Timothy 2:4 Who will have all men to be saved,
and to come
unto the knowledge of the truth. [The WORD or LOGOS is TRUTH]
To MARK those who claim to see visions or hear
"spirits" telling them to DESTROY the peace
and quiet!
1Timothy 2:5 For there is one God,
and one mediator
between God and men,
the man
Christ Jesus
The ONE God the Father is the only Holy (wholly) Spirit
which God breathed (spirit) into the One Lord Jesus. After
His glorification Jesus received the promise or EVANGEL
OFFICE as the Mind or Spirit of God to we mortals who do NOT
hear voices!!
In that role, Jesus as Holy Spirit (1 John 2) MEDIATES by
dispensing His Word (the only pattern) but ONLY when there
are APT elders who "teach that which has been taught" and exclude
those who oppose or need to ENHANCE the Word.
1John 2:1 My little children, these
things write I unto you, that ye sin not.
And if any man sin,
we have an ADVOCATE [paraklete]
with the Father,
Jesus Christ the
righteous:
1John 2:3 And hereby we do know that we know him, if we keep
his commandments.
1John 2:4 He that saith, I know him, and keepeth not his
commandments,
is a liar, and the
truth is not in him.
- The Spirit OF Christ radically marked the
Civil-Military-Clergy as robbers and parasites. He
defined the REST both inclusively and exclusively.
If the promise that God's enemies would MOCK the Son
meaning Rhetoric, singing and playing instruments.
And preacher A says that a spirit commanded him to MOCK
Jesus with instruments the Scripture marks that person
as:
- WISE or Sophists: performance preacher for
hire, singing, playing instruments. Jesus said that
God HIDES from them.
- HYPOCRITES: Scribes and Pharisees. Speakers,
singers, instrument players. Ezek 33
- OF the WORLD or Kosmos: Performing COSMIC
worship. Outlawed in Rome by Paul.
Strab. 10.3.10 And on this account Plato, and even
before his time the Pythagoreians [KOSMOS],
called philosophy music;1 and they say that
the universe is constituted in accordance with harmony,2
assuming that every form of music is the work of the
gods. And in this sense, also,
the Muses
are goddesses,
and Apollo is
leader of the Muses,
and poetry as a whole is laudatory of the gods. And by
the same course of reasoning they also attribute to
music the upbuilding of morals, believing that
everything which tends to correct the mind is close to
the gods. Now most of the Greeks assigned to Dionysus,
Apollo, Hecate, the Muses, and
above all to Demeter,
everything
of an orgiastic [wrath] or Bacchic or
choral nature,
as well as the mystic
element in initiations; [Into the
gay brotherhood]
and they give the name "Iacchus" not only to Dionysus
but also to the leader-in-chief of the mysteries, who is
the genius of Demeter.
And
branch-bearing, choral dancing, and initiations are
common elements in the worship of these gods.
As for the Muses
and Apollo, the Muses preside over the choruses,
whereas Apollo presides both over these and the
rites of divination. But all educated men, and
especially the musicians, are ministers of the
Muses; and both these and those who have to do with divination
are ministers of Apollo; and the initiated and
torch-bearers and hierophants, of Demeter; and
the Sileni and Satyri and Bacchae, and
also the Lenae and Thyiae and Mimallones and Naďdes
and Nymphae and the beings called Tityri,
of Dionysus.
As the Leader of
the Musicians is Apollo, Abaddon, Apollyon,
the leader of Judas and His BAG is the
Devil.
SELF-SPEAKERS AND MUSICIANS CLAIM THE ROLE OF JESUS AND
DENY THE PERSONAL NATURE OF BEING A CHRISTIAN.
Ephesians 2:19 Now therefore ye
are no more strangers and foreigners,
but fellowcitizens
with the saints, and of the household of God;
A Church of Christ has no clergy nor
staff not directly connected to teaching the Word: no, all
of the programs or MINISTRIES are a copy of
Babylonianism. iIn Jerusalem and all religions they
are called PARASITES because the hinder the PREACHING of
the Word by READING the Word for Comfort and Doctrine.
Ephesians 2:20 And are built upon the foundation
of the apostles and prophets,
Jesus Christ himself
being the chief corner stone;
Ephesians 2:21 In whom all the building fitly framed
together
groweth unto an holy
temple in the Lord:
Ephesians 2:22 In whom ye also are builded together for an habitation
of God through the Spirit.
Built upon means Educated in the Ekklesia. Neither
synagogue nor ekklesia had any other role than to READ
material handed down from a higher authority, discuss it and
reach a conclusion: Synagogoue speaks of the syllogism.
Any singer or instrument player would be hurt real bad if they
tried to perform in either assemblies.
INDIVIDUALS and not massed multitudes (beasts) worship
God IN the spirit as they give heed to THE TRUTH. There is
nothing else defined as "worship" even in the old testament
for the godly people who attended small group synagogues to
REST FROM the clergy, Read and Rehearse or Meditate on the
Word.
HOW GOD MARKS FOR AVOIDANCE ON DISCIPLES AS OPPOSED
TO CEREMONIAL LEGALISTS:
Habakkuk 2:18 What profiteth
the graven image that the maker thereof hath graven it;
the molten image, and
a teacher of lies,
that the maker of his
work trusteth therein, to make dumb idols?
Habakkuk 2:19 Woe unto him that saith to the wood,
Awake; to the dumb
stone, Arise, it shall teach!
Behold, it is
laid over with gold and silver,
and there is no breath
at all in the midst of it.
Habakkuk 2:20 But the LORD is in his holy temple:
let all the earth keep silence before
him.
David was Abandoned to Worship the Starry Host (Acts 7)
Psalms 57:8 Awake up, my glory; awake, psaltery and harp:
I myself will awake early.
Psalms 108:2 Awake, psaltery and harp: I myself will
awake early.
Euripides-Ion
- O thou, that wakest on thy seven-string'd
lyre
- Sweet notes, that
from the rustic lifeless horn [-Keras]
- Enchant the ear with heavenly
melody,
- Son of Latona, thee
before this light
- Will I reprove. Thou
camest to me, with gold
- Thy locks all
glittering, as the vermeil flowers
-
- And now my son and
thine, ill-fated babe,
- Is rent by
ravenous vultures; thou, meanwhile,
- Art to thy lyre attuning strains of joy.
We even have a mention at a
later date of a similar custom in connection with the cult
in Jerusalem, where certain Levites,
called me'oreim,
'arousers," sang every morning this verse from Ps
44: 'Awake, Lord, awake! Do not abandon us
for ever." The Talmud tells us that Johy Hyrcanus
suppressed the practice because it recalled too readily a
pagan custom.
A
similar practice is attested in connection with the cult
of Herakles-Melkart.
According to Menander, as he is quoted by Josephus, the
king Hiram, who was a contemporary of Solomon, rebuilt
the temples of Tyre and, 'he was the first to
celebrate the awakening of Heracles in the
month of Peritius." (de Vaux, p. 247)
In
an
inscription from Cyprus, in one from Rhodes and in
several from around the district of Carthage, there are
references to important personages who bear the title Mqm"lm
which we can translate as 'arouser of the god."
(de Vaux, p. 247).
THE MARK OF WOMEN AND "BOYS" RULING OVER YOU.
FIRST: the Logos directly outlaws anything beyond PREACHING
the WORD by READING the Word (in context) for Comfort
and Doctrine: that is what Paul commanded Timothy.
Christ in the Prophets and Jesus making the prophecies more
certain and left for our MEMORY told all of the stories and
wrote all of the songs: these are great EPICS (Never Lyric)
and the Mind or Spirit of God is transferred by READING which
is defined over and over as the ONE PIECE PATTERN for A School
of Christ. The School has no other purpose whatever the
noble but diverting opinions of mankind repudiating the WORD
and therefore repudiating Christ who Spoke ONLY what the
Father Breathed (Spirit) into Him. Jesus set the
PATTERN: He spoke only what God breathed into him. The
WORK is done and legalism is thinking you can guild the
lillies.
-LOGOS
or rational discord of God. If you add or
subtract to the Word then you have less interest in God and
His Word than yourself.
Logos
is Opposite Pathos A. that
which happens to a person or thing, incident,
accident, where this incident took place, unfortunate
accident,
2. what
one has experienced, good or bad, experience
II. of the
soul, emotion, passion (“legō de pathē . . holōs hois hepetai hēdonē ē lupē” Arist.EN1105b21),
“sophiē psukhēn pathōn aphaireitai”
2. incidents of things, changes or happenings
occurring in them,
V. Rhetoric, emotional style or treatment,
to
sphodron
kai
enthousiastikon
A.inspired, “phusis”
Pl.Ti.71e;
especially by music
Logos is
Opposite Sophia, A. cleverness
or skill in handicraft and art in music
and singing, tekhnē kai s. h.Merc.483,
cf. 511; in
poetry, Sol.13.52,
Pi.O.1.117,
Ar.Ra.882,
X.An.1.2.8,
in divination, S.OT 502 e.
ekstasis If you get too
aroused Paul would call it MANIA.
Logos is Opposite Poiein to excite passion,
Arist.Rh.1418a12;
V. Rhet., emotional style or
treatment, to sphodron kai enthousiastikon p. Longin.8.1;
“pathos poiein” Arist.
Rh.1418a12;
“
4.speech,
delivered in court, assembly
VI. verbal expression or utterance,
lego, lexis
-Lexis
A.speech, OPPOSITE ôidę |
|
-ôidę,
1.art of song 5. = eppsdę, spell,
incantation
4. text of an author, OPPOSITE exegesis
[Peter's private interpretation outlaws exegesis]
Arist.En1142a26 |
- The ONLY Purpose is to TEACH and COMFORT:
Paul told Timothy to READ the Word for Comfort and Doctrine.
- The METHOD is to SPEAK "that which is
written for our learning." SPEAK is audible and effective.
Paul silenced all of the theatrical crowd (marked) and "use
one mind and one mouth to speak that which is written for
our learning. WHY do you think that Doctors of the Law
cannot grasp that? Jesus said their job is to take away the
key to knowledge.
- The ODE and PSALLO are in the heart,
spirit or SILENT. That is because the ODE was a form of
enchantment or sorcery and Psallo speaks primarily of
plucking the bow to make it twang to send forth a singing
arrow. It speaks of Abaddon or Apollo who also carried his
lyre to shoot LOVE ARROWS into his friends. Psallo has
NO musical content.
- If there is no one who can interpret or TRANSLATE
the sound of a musical machine then Paul commanded:
1Corinthians 14:28 But if there be no
interpreter,
let him keep SILENCE
in the church;
and let him speak to HIMSELF,
and to GOD
A TONGUE defines both an unknown language OR a musical
instrument: a lifeless instrument meaning carnal weapon.
1Corinthians 13:1 Though I speak with
the tongues of men and of angels,
and have not charity,
I am become as sounding brass, or a tinkling
cymbal.
The SPEAKING which Paul outlaws with a
DIRECT COMMAND IS
La^l-eō ,Mark of the Locusts
III. of musical sounds,
“aulō [flute] laleō” Theoc.20.29; of
trees, v.supr.1.2; “di'aulou [flute] ē salpiggos l.”[trumpet]
of Echo, magadin lalein sound
the magadis, [double
flute]
THE ANGELS which would mark Abaddon or
Apollyon leader of the MUSES are:
Aggelos , of a loquacious person 2.
generally, one that announces or tells, e.g.
of birds of augury, Il.24.292,296; Mousōn aggelos,
In Revelation 18 the speakers, instrument players and MUSES
are called sorcerers who HAD deceived the whol world.
A Christian is a Disciple or a Student: The command of Jesus was
to teach what HE commanded to be taught. If you add your
own words and body performance then you are violating a Direct
command and are proven NOT to care much about what you get paid
for.
SECOND: CHRIST MARKED THOSE WHO DO NOT TEACH THAT WHICH IS
WRITTEN FOR OUR LEARNING:
Isaiah 8:19 And when they shall say unto
you,
Seek unto them that have
familiar spirits [pythonibus], and unto wizards
that peep,
and that mutter:
should not a people seek
unto their God? for the living to the dead?
incantātĭo
, ōnis, f. id., I. an enchanting, enchantment:
“magicae,
Firm.
Math.
5, 5: incantationum
vires,”
singing and playing instruments
strīdeo
“serpentum
Cerberus
ore
Stridet,”
gnash
“barbaraque
horribili
stridebat
tibia
cantu,
Isaiah 8:20 To the law and to the
testimony: [No music in
the Law or Prophets]
if they speak not
according to this WORD,
it
is because there is no light in them.
Isaiah 8:21 And they shall pass through it, hardly bestead and
hungry: and it shall come to pass,
that when they shall be
hungry, they shall fret themselves,
and curse their king
and their God, and look upward.
Isaiah 8:22 And they shall look unto the earth;
and behold trouble
and darkness, dimness of anguish;
and they shall be driven
to darkness.
Jude 17 But, beloved, remember ye the words which were
spoken before
of the apostles of our
Lord Jesus Christ;
Jude 18 How that they told you there should be mockers
in the last time, [khronou]
who should walk after
their own ungodly lusts.
empaiktēs
,
ou,
ho,
A.mocker, deceiver,
LXXIs.3.4,
2 Ep.Pet.3.3,
Ep.Jud. 18.
Isaiah 3.4 I will give boys
[childish] to be their princes, And children [effeminati] shall rule
over them.
Isaiah
3.4 et dabo pueros principes eorum et effeminati dominabuntur eis
princeps
C. A chief,
head,
author,
originator,
leader,
contriver,
first among their
playfellows,
chief,
superior,
director
ef-fēmĭno , āvi, ātum, 1,
v. a. femina, I.to make feminine.
II. Trop., to make womanish, effeminate,
to enervate:
A. Womanish, effeminate (cf.: “mollis,
luxuriosus,
dissolutus)
“furialis
illa
vox,
religiosis
altaribus
effeminata,”
Cic. Planc. 35, 86:
“effeminata
ac
levis
opinio,”
id. Tusc. 2, 22, 52:
“effeminata
et
enervis
compositio,
histrio
I.a stage-player, actor,
either tragic or comic
II. Transf., a boaster: “histrionis
est
parvam
rem
attollere,”
Cels. 5, 26, 1.
Cic.
Planc. 35.86 When no one knew what were the
feelings of those men who by means of their armies, and
their arms, and their riches, were the most powerful men
in the state, then that voice, rendered insane by its
infamous debaucheries, made effeminate by its attendance
on holy altars, kept crying out in a most ferocious manner
that both these men and the consuls were acting in concert
with him.
Needy men were armed against the rich, abandoned men
against the good, slaves against their masters.
Jude 19 These be they who separate themselves, sensual,
having not the Spiri
2
Peter 3 Marks End-Time Mockers
Even in the worst pagan temples including the one in
Jerusalem a self-speaker, singer or instrument players was
commanded to be executed for getting close to a presumed
"holy" thing and place. The REAL command of God was for the
Jacob-cursed and God-abandoned Levite were to STAND IN RANKS
and make an instrumental noise (never music) to warn any godly
person that they would be killed if they were inside the gates
where God quarantined the sacrificial which Christ says
(Isaiah 1; Jeremiah 7; Acts 7) that God did not command.
There is no command, example or remote inference of any group
singing with or without instruments when God quarantined the
godly people from those abandoned to worship the starry host.
From Genesis where Lucifer (part of the Kairos-Saturn-Zeus
group) where Christ calls him-her-it "a singing and harp
playing prostitute to Revelation 17 where the end-time return
of the Babylon Mother of harlots uses "lusted after fruits"
(same as Amos 8) as sself-speakers, singers and instrument
players whom Jesus has John call them the SAME Sorcerers who
had deceived the whole world (the c. BC 4000 Time) who will be
cast alive into the lake of fire, the MARK of rhetoric,
singing and playing MARKS God visiting and promising "I will
not pass by again" marks the removal of the LAMPS or "seven
Spirits of Divine Knowledge" (Isaiah 11)
The COMMAND is to SPEAK that which is written for our
LEARNING and COMFORT.
Both ODE and PSALLO (never musical melody) is in the heart or
SILENT as Paul commanded in 1 Corinthians 14.
That is because LEXIS (and all of the LOGOS words) are the
opposite to ODE, and ODE is the opposite to LOGOS words.
No historical scholar failed to note that the ODE and MELODY
was silent but since singing as an ACT was imposed c ad 373
some concluded that it would not be a SIN to sing
audibly. Both Paul and Peter make certain that all of
the self-pleasure or hypocritic arts including the musical and
scenic IN THE FLESH rituals are silenced so that rational or
spiritual (of the LOGOS) can take place.
Featured at LU a Preacher as Poster Child of the FALSE
ACCUSATIONS for almost exactly 100 years by the NACC and a few
of their dupes speaking ONLY for the Denominational
Organization.
Dave
Clayton FEATURED at ACU, LU and Pepperdine as the
pattern for a Kairos-Ethos Church which repudiates all
of the Historic Church of Christ from the Wilderness where
Christ (The Rock) excluded vocal or instrumental rejoicing as
well as self-speak of any kind. The command was to PREACH the
Word (Logos) by READING the Word for comfort and
doctrine. The ACCUSER has had a field day at the
relaunch of the NACC (beginning 1927) now using
ANTI-instrumental music to demand CONFIRMING or CONFORMING to
the use of INSTRUMENTS.
The MARK: singing enchanting songs to make the lambs
dumb before the slaughter.
The BEAST: a new form of music and Satyric Drama (that
gender-variant priesthood thingy)
The IMAGE: is REpresenting the Text in song and
claiming that it TEACHES .
David
Young Minister North Boulevard Church of Christ.
Plans for 60,000 Seed Planting: Certainly beating
GOING out to command what JESUS commanded to be
taught UNTIL the end of the World. The LOGOS is the
Regulative Principle and the whole RACE of
progressives mark themselves as Knowing that to obey
Jesus is to suffer and die and never get rich and
infamous. TIME IS SHORT: Kairos-Ethos-Renovare
wants to REPLACE the LOGOS.
HIS Elders promoting
Unity in Diversity in CONFLICT with Ephesians 4
2.07.14
Kairos-Ethos
Church Planting Daimon has come down to you
WOE:
for the devil is come down
unto you, having great wrath, because he
knoweth that he hath but a short TIME [kairon ekhei ETHOS.’] Rev. 12:12
"Just
remember: when you're reading your Greek Testament and
come upon kairos: stop, look and listen, because the Holy
Spirit is flashing a caution light, warning of a coming
crisis, an eminent judgment. That's why Jesus used the
word more than once to predict his own crucifixion."
Quote
KAIROS
(or Caerus) was the spirit
(daimon) of opportunity,
the youngest divine son of Zeus. He was
depicted as a youth with a long lock of hair hanging down from
his forehead, which indicated that Opportunity could only be
grasped as he approached.
daimôn , A. “daimōn” S.OC1480
(lyr.), “daimon” Theoc.2.11, ho, hē, god, goddess,
of individual gods or goddesses
p. 59.1 :—but more freq. of the
Divine power (while theos denotes a God in person), the
Deity, cf. Od.3.27;
genomenō mustagōgos tou biou” Manes spiritual
or semi-divine being inferior to the God evil
spirit, demon, Ev.Matt.8.31,
"In pagan traditions,
musical instruments are invented by gods or demi-gods, such as titans. In the Bible, credit is
assigned to antediluvian patriarchs, for example, the
descendants of Cain in Genesis 4:21. There is no other biblical
tradition
about the invention of musical instruments." (Freedman,
David Noel, Bible Review, Summer 1985, p. 51).
Jubal
"handled" musical instruments WITHOUT AUTHORITY in a
sexual sense to STEAL other people's property. Jubal
descended from Cain who is said to be the SEED (sperm) of the Serpent. Paul said that
Eve was wholly seduced as a young bride is seduced
away from the Truth.
"Plutarch implicitly
contrasts a serious dinner featuring a sage as the after-dinner speaker with the
other sorts of dinners--where sexual play with the girl flute-players or hetairae was common." (Witherington,
Ben, Why Not Idol Meat, Bible Review, June 1994, p.
41-42).
ēthos
Not ethical but tactful. TRADITIONAL related to ETHNIC or of
the Gentiles TRAMPLING
2. disposition, character, moral
character, OPPOSITE dianoia,
Arist.EN1139a1;
as the result of habit, “to pan ē. dia ethos”
Pl.Lg.792e,
d. dramatis persona, eisagei
andra
ē gunaika
ē allo
ti ē.
Arist.Po.1460a11,
al.of departed souls,
Aristot. Eud. Eth. 2.1220b
[1] as even its name implies that it has its growth from
habit, and by our often moving in a certain way a
habit not innate in us is finally trained to be
operative in that way (which we do not observe in inanimate
objects, for not even if you throw a stone upwards ten
thousand times will it ever rise upward unless under the
operation of force)—
let moral character then be
defined as a quality of the spirit in
accordance with governing reason [logō] that is
capable of following the reason. We have then to
say what is the part of the spirit in respect of which our
moral characters are of a certain quality.
And it will be in respect of our
faculties for emotions according to which people are termed
liable to some emotion, and also of the states of character
according to which people receive certain designations in
respect of the emotions, because of their experiencing or
being exempt from some form of emotion.
States of character are the
states that cause the emotions to be present either
rationally [logo or the opposite: [20] for
example courage, sobriety [sōphrosunē] of mind,
cowardice, profligacy.
|
2.
appropriate to certain times or seasons,
seasonable, “ anthē”
b.
Astrol., belonging to the kairos
or chronocratory,
planetary hours or chronocratories,
probably of Egyptian origin “ k.
Khronoi
Aphroditēs”
Aphroditē [i_, hē, （aphros)
II. as Appellat., sexual love,
pleasure, Od.22.444;
“hup' Apollōni [ABADDON] psauein Aphroditas” Pi.O.6.35;
“erga Aphroditēs” h.Ven.1,9,
etc.; ma tēn A., nē tēn A., a woman's
form of oath, Ar.Lys.208,
Ec.189,
etc.
III. ho tas Aphroditas astēr] the planet
Venus [Zoe, Lucifer], cf.
Pl.Epin.987b,
Arist.Metaph.1073b31,
[of the wandering stars or planets, planes or
deceivers.
Plat.
Epin. 987b For indeed they have
received titles of gods: thus, that Lucifer,
or Hesperus（which is the same, should
almost belong to Aphrodite, is reasonable,
and quite befitting a Syrian lawgiver;
and that that which follows the same course as the
sun and this together should almost belong
to Hermes.
I.
(“ kairos”
11)
in Hom. always of
Place, in or at the right place, hence
of parts of the body,
kairion
a vital part, Il.8.84, 326;
“ en
kairiō”
4.185;
“ ho
aukhēn
esti
tōn
kairiōn”
X.Eq.12.2,
cf. 8
(Sup.);
of wounds, mortal, kairiē
(sc. plēgē）“ tetuphthai”
Hdt.3.64;
“ peplēgmai
kairian
plēgēn”
A.Ag.1343;
kairias
plēgēs tukhein
ib. 1292,
cf. X.Cyr.5.4.5;
kairias
(v.l. -ious） “ sphagas” E.Ph.1431;
Slaughter, sacrifices, cut
throat (heresy)
ekhein
tēn
kataphoran k.
Plb.2.33.3;
Downward Sword, tirade, Fall,
butalso, grave, serious,
nousēmata,
trōmata,
Trauma, wound, hurt, intent to
murder
generally, “ kairiōtatēs
teteukhenai
Khōras”
Theol.Ar.44.
II.
of Time, in season, timely, “ heuriske
tauta
kairiōtata
einai”
Hdt.1.125,
Khrē
legein
ta
k.
A.Th.1,
cf. Ch.582;
kairioi
sumphorai
ib. 1064;
[ 3. rarely in good sense, good
luck, happy issue,
“ ei
ti
k.
legei” S.Ant.724;
dran,
phronein
ta
k.,
Id.Aj.120,
El.228
(lyr.);
“ kairios
spoudē”
Id.Ph.637;
“ Making Haste, zeal for the
conflicting arguments
-ōtera
boulē”
E.Heracl.471;
[Killing children: Heirs]
“ k.
enthumēma”
Reasoning, Device, syllogism, inference X. HG4.5.4;
to
aei
k.
Id.Cyr.4.2.12,
etc.; pros
to
k.,
= kairiōs,
S.Ph. 525;
critical, auta
ta
k.
ekhōn
hekkaideka
(sc. etē)
kairian
d'
hēmin
horō
steikhousan
Iokastēn
coming at the right
time, S.OT631;
The city is mine too, not yours alone. Time
to settle the feud.
“ kairios
ēluthes”
E.El.598;
time " to avenge myself on my father's murderer"
kairia
(Dind. for kai
doria） ptōsimos
falling at the exact or fatal
moment, A. Ag.1122
(lyr.);
ta
k.
timely circumstances, opportunities to
fight battles, Th.4.10;
emergencies,
2.
lasting but for a season, AP12.224 (Strato).
IV.Adv. -riōs
in season, seasonably, “k.
eirēmenon”
A.Ag.1372;“
time for eirēmena
muthologeuein”
skopein”
E.Rh.339:
His mere appearance would cause a panic among the
foe.
Comp. “-ōterōs”
X.Cyr.4.5.49.
And if it seems that we are of more use to you by
fighting with you on horseback,
2. mortally, “outasmenos”
A.Ag.1344,
Silence! Who is this that cries out, wounded
[plēgēn] by a mortal
blow?
cf. Plb.2.69.2.
fight with trauma, intent to murder
PersEnc.
isocrates A degree of relativism
underlies his belief that rhetoric should concern
itself with what is appropriate (prepon) and comes
at the right time ( kairos).
But like Plato Isocrates attacks “sophists” (whom he
sees as rivals) for having no moral values
He comes at critical or
dangerous moment Like Hermes [Who makes the
thief, protector of thieves] , he has wings
in his feet to fly with the wind. Caerus
is sometimes considered a daimon spirit
rather than a God due to his aggressive
nature towards humans. He sought to
drink their blood, killing many to do so. Kairos
or Caerus is the yougest son of Zeus: as the new
spawn pronounces Je-Zeus to foul you. But
once he has passed by, no one can grasp him, the
back of his head being bald. The Always "mother
goddess" name is Occasio. As a sign to men that I am sharper
than any sharp edge.
|
1.06.14
See
Randy Lowry
Lipscomb CELEBRATON: NOT using instruments causes
CONFLICTS. So he calls on Rick Atchely to help him
convice that we should COLLABORATE with what has
always been called sorcery or witchcraft.
Lowry
confesses a TRIATIC collaboration between ACU,
Pepperdine and LU. We, of course, add
the NACC repeating the hostile takeover a hundred years
later. They
want YOU to bow to Baal and then there
will be no CONFLICT. Alexander
Campbell said that there must be
Christians (baptized believers) in all
of the sects. If so, he said
that they should COME OUT OF
BABYLON. Denying any unity with
the Christian Church which began in
1927-1971, he said that the
"Christians" had shown only
how we might be divided.
These
links are at another page:
one of the few men who have
chosen to blaspheme so he can
take that new mega church for
Singing, Playing
instruments, clapping, hugging
and kissing. Because he uses
the documents of the Christian
Church such as the
Stark-Warlick debate using all
of the RACA words, he and they
OUT the universal persona that
I am not sure always fits.
Nevertheless, masses are
discorded and offended and
FLEE for their lives:
LINKS TO A FEW STEPS TO THE LAKE
OF FIRE; You may read the
whole review of David Young's marking without losing
this Fulfilment of Prophecy which began c. 4000 when
because of MUSICAL IDOLATRY Moses defined the 6 DAYS
until Abaddon (the name of the Levites service) or
Apollyon being unleashed along with the locusts or
muses. Apollyon is identified in the Classics
referenced by John as the MUSICAL WORSHIP LEADER
including FEMALE worship leaders.
John calls them
SORCERERS who HAD deceived the whole world once: that is
why Moses wrote: In the beginning the elohim cast down
or profaned the whole world. However, Christ in
Isaiah while defining the REST both inclusively and
exclusively to EXCLUDE all of the hypocriitic or
parasitic roles, said that JEHOVAH did not create the
world in that Mesopotamian-Institutionalized state but
HE (singular) created it to be inhabited with all of the
FREE resource for living WITHOUT a Fertility Prophet or
preacher to CONNECT them with God.
LINKS TO A FEW STEPS TO THE LAKE OF
FIRE; FIXED LINKS 12.30
"RELIGION"
REPLACING "SCHOOL OF CHRIST" AND: WORSHIP ANDROGYNY THE
PAGAN SEXUAL IDEAL [smile! that's why
up to half of a flock flees Babylon]
TRIBULATION
PROMISED FROM WITHIN: BUT, DAVID YOUNG AND THE ELDERS
SAY------
THE COMMAND IS TO
SPEAK: THERE IS NO COMMAND TO SING AS PERFORMANCE
HOW
RECORDED HISTORY NOTES THAT SINGING AS AN ACT WAS
IMPOSED AFTER CONSTANTINE AND WAS DIVISIVE
THE
COMMAND: SPEAK THAT WHICH IS WRITTEN. NOTHING
WRITTEN BY THE SPIRIT IS METRICAL OR TUNEFUL
ANATHEMA
is to be ACCURSED for preaching a GOSPEL of Rhetoric,
Singing, Playing Instruments, Acting or DECORATING a place
as a WORSHIP CENTER
ISAIAH 3 CHRIST'S PROPHETIC
TYPE: CLICK
BELOW FOR CHRIST'S WARNING ISAIAH 3:
RELIGION" REPLACING "SCHOOL OF CHRIST" AND: WORSHIP
ANDROGYNY THE PAGAN SEXUAL IDEA
ROMANS 15:
CLICK FOR PAUL'S REVEALING THE PROPHETIC MADE MORE
CERTAIN FOR OUR EXAMPLE
ISAIAH 8 WHEN
EMMANUEL COMES TO YOUR SCHOOL OF CHRIST YOU WILL
NOT--CANNOT--PEEP AND MUTTER
CHRIST'S PURPOSE DRIVEN
CHURCH DOES NOT BOAST ABOUT ITSELF.
ISAIAH 14 CHRIST'S WARNING OF THE
SINGING AND HARP-PLAYING PROSTIITUTES CAST
INTO "HELL"
A HUNDRED YEARS OF ATTACKS
AGAINST CHURCHES OF CHRIST WHICH WILL
NEVER IMPOSE INSTRUMENTAL IDOLATRY.
PROOF THAT ALL INSTRUMENTALISTS ATTACKS
ARE BASED ON LIES OR IGNORANCE.
NUMBERS 11 THE
REST OF THE STORY
ABOUT MUTTERING AND
MURMURING:
Violates Christ's outlawing
vocal or instrument
rejoicing or speaing your
own words in Numbers 10
DAVID
YOUNG STILL SAYS THAT ALL
THINGS ARE LAWFUL?
THE
"LEADERSHIP" IS PURPOSE-DRIVEN
TO SOW MASSIVE DISCORD WHICH
GOD HATES.
ELDERS
AND DEACONS ARE THE
ONLY VOCATIONAL
"STAFF" IN A CHURCH OF
CHRIST
The role
of PREACHER as SENT
Evangelist
ISAIAH 8: THOSE
WHO DON'T PREACH THAT WHICH HAS
BEEN PROVIDED ARE MARKED AS BEING
WITHOUT LIGHT.
THE
MARKS OF THE FINAL
SHAKING AND THE END-TIME
SHAKER.
The
MARKS of the BEASTS (Zoe) and
the INSECTS-PARASITES
(LOCUSTS or musical worship
teams)
THE FIREY
DESTINY OF THOSE WHO SOW
MUSICAL OR RHETORICAL
DISCORD
Do
you believe people who wrestle a
congregation out of the
hands to make it into an
INSTRUMENTAL church so that
WE can have unity? Of
course, not: they understand
that they will do two
things God hates: Music in the holy
places and those who sow
discord among brethren. They
want UNITY with the
NACC but know that
they sow disunity
beyond their
congregation with
those literate enough
to know that there is
no "musical" role in
what Christ and the
Campbells understood
to be A School of
Christ: Jesus defined
the CENI as to
"command them to teach
and observe what
He commanded them."
And they know that
the LOGOS is the
Regulative principle
which
OUTLAWS any
comment by the
teacher, singing,
playing
instruments,
acting and other
ACTS of body
worship which
history knows
as the
FOUNTAIN of
the always
Gender-Bent
priesthoods.
We
don't make
claims but the
evidence is
that this is
the PERSONA
when anyone
introduces Musical
Worship Clergy
claiming the
role of Jesus
Christ.
If up to half
of the
congregation
flees it is
not because
they are
legalistic,
sectarian
traditionalists.
It
is clear that
you get very
little
straight Bible
from
once-Christians
colleges of
the BIBLE now
diverted into
schools of
Theology.
John Mark
Hicks says
that he does
not ignore the
Bible
but bases his
teachings and
writing on
theology from
those who never
quote from
original
sources but
quotes from
other
theologians.
Point ONE: THE
BEGINNING CYCLE OF THE MOTHER OF HARLOTS
INDWELLING THE KING-QUEEN OF TYRE
"The trained
musicians which eventually appear around the time
of David and Solomon mark a distinctive change in the
history of Jewish music. Before this time much of the
music was made by women." (Zondervan Pict.,
Music p. 313).
"Before the
establishment of the kingdom under Saul, it was the women who, as in every young
civilization, played a major part in the performance
of music. Such figures as Miriam, Deborah, Jephtha's daughter, and
the women hailing the young hero David have become
almost archetypes of female musicians. Characteristic
of all these cases is the familiar picture of a female
chorus, dancing and singing, accompanied by frenzied
drum-beating. This is the scene known to the entire
Near East, and not even the severe rule of Islam could
wholly suppress this age-old practice." (Int Dict of
the Bible, Music, p. 457).
"Women and
girls from the different ranks of society were proud
to enter the service of the gods as
singers and musicians. The understanding of
this service was universal: these singers
constituted the 'harem of the gods'." (Quasten)
"Its (pipe = to love
passionately) was apparently a secular instrument
and is never
listed in the temple orchestra; only in Ps. 150:4 it is mentioned in a religious (but not ritual) function. Its ethos was not blameless at all, as we see from
Genesis
Rabbah 50:
'The
angels said to Lot: 'There are players
of the pipe (organ) in the
country, hence it ought to be destroyed'." Its rabbinical
identification with the aboda, the flute of the notorious Syrian bayaderes, emphasizes the
erotic element which already the Hebrew name
suggests." (Interpreter's Dictionary of the Bible,
p. 460, Abingdon).
Ezekiel 28:13 Thou hast been in Eden
the garden of God; every precious stone was thy
covering,
the sardius, topaz,
and the diamond, the beryl, the onyx, and the jasper, the
sapphire,
the emerald, and the
carbuncle, and gold: the workmanship of thy tabrets
and of thy pipes
was prepared in thee
in the day that thou wast created [cast as profane]
After both Jerusalem and Tyre returned from 70 years
of captivity:
Is. 23:15 And it shall come to pass in that day,
that Tyre shall
be forgotten seventy years, according to the days of one
king:
after the end of
seventy years shall Tyre sing as
an harlot.
HERE IS THE SONG OF THE PROSTITUTE! Note that it takes
three terms:
Is. 23:16 Take an [1]
harp, go about the city, thou harlot
that hast been forgotten;
make sweet [2] melody,
[3] sing
many songs, that thou mayest be remembered.
Is. 23:17 And it shall come to pass after the end of
seventy years, that the LORD will visit Tyre,
and she shall turn
to her hire, and shall commit fornication
with all the
kingdoms of the world upon the face of the earth.
The Testimony of Jesus is the Spirit OF prophecy: Christ
defined the REST DAY for the Godly Jews and the future
Christians both inclusively and exclusively:
Luke 11:49 Therefore also said the wisdom of God,
I will send them prophets
and apostles, and some of them they shall slay and
persecute:
1Peter 1:9 Receiving the end of your faith, even the
salvation of your souls.
1Peter 1:10 Of which salvation the prophets have
inquired and searched diligently,
who prophesied of the
grace that should come unto you:
1Peter 1:11 Searching what, or what manner of time the Spirit
of Christ which was in them did signify,
when it testified
beforehand the sufferings of Christ, and the glory that should
follow.
A Church of Christ is built upon or EDUCATED by the
Prophets and Apostles recording the confirmed prophets.
Education is the ONLY role of a Church of Christ defined by
Ekklesia or Synagogue. Neither of these originated any of the
resources for hearing.
Ephesians 2:20 And are built upon the foundation of
the apostles and prophets,
Jesus Christ himself
being the chief corner stone;
The Spirit OF God or the Spirit OF Christ is the BREATH of
God since the PATTERN of Jesus was never to speak on His own.
When God BREATHES (spirit) into the Son (without metron or
meter?), He SPEAKS or articulates the Mind of God. If a
person makes a profession using the psychological violence
that A spirit is guiding him, Christ in Isaiah 8:20 says THERE
IS NO LIGHT IN HIM.
There is nothing taught or practiced by the Later Day
Progressives which is not condemned by Christ in
the Prophets: Christ called the Civil-Military-Clergy complex
ABANDONED to worship the starry host (the same
Abaddon-Apollyon leader of the Muses) Robbers and Parasites.
In fact PARASITE defines any religious worker especially the
Levite Musicians whose prophesying means Soothsaying
or Sorcery.
Paul did not CORRUPT the Word which meaning selling
anything at retail: the same word means to be a prostitute.
That is why no person has anything to say which has not
already been said by God.
Acts 15:21 For Moses of old time
hath in every city
them that PREACH him,
being READ in
the synagogues every sabbath day
None of those not Jacob-cursed and God-abandoned people were
permitted to leave their local city. WORK outlawed
"sending OUT ministers of God." The local elder led the people
in READING AND REHEARSING the Word supplied by Moses.
God EXCLUDED vocal or instrumental rejoicing or any elevated
speaking beyond translating and explaining THAT WHICH WAS READ.
That pattern is repeated over and over in the New Testament.
PART TWO: ONE OF MANY MIDDLE PARTS
Exod 32:6 And they rose up early on
the morrow, and offered burnt offerings, and brought
peace offerings;
and the people
sat down to eat and to drink, and rose up to play
Ludo A. To
sport, play with any thing, to practise as a
pastime, amuse one's self with any thing, B. To
sport, dally, wantonly Esp., to play on
an instrument of music, to make or compose
music or song: “carmina pastorum,”
Empaizō , fut. To be
deluded 2.
euphem. in mal. part., LXXJd. 19.25.
Jdg 19:25 But the men would not hearken
to him: so the man took his concubine, and brought her
forth unto them; and they knew her, and abused her all
the night until the morning: and when the day began to
spring, they let her go.
II. sport in or
on, hôs nebros chloerais e. leimakos hędonais E.Ba. 866 (lyr.); tois choroisin e. to sport in the dance, Ar.Th.975; tôi Luc.Lex.5
Genesis 26:8 And it came to pass, when he had been there a
long time, that Abimelech king of the Philistines looked
out at a window, and saw, and, behold, Isaac was sporting
with Rebekah his wife
Paig-ma , atos, to,
Exodus 32:18 And he said, It is not the voice
of them that shout for mastery,
neither is it the
voice of them that cry for being overcome:
but the noise of
them that sing do I hear.
vox
, a voice, sound, tone, cry,
call.
“inclinata
ululantique
voce
canere,”
ŭlŭlo , B.
Transf., of places, to ring, resound,
re-echo with howling: “penitusque
cavae
plangoribus
aedes
Femineis
ululant,”
Verg. A. 2, 488:
“resonae
ripae,”
Sil. 6, 285: “Dindyma
sanguineis
Gallis,”
Gallus A.
Galli , ōrum, m.,
the priests of Cybele, so
called because of their raving, Ov. F. 4, 361 sq.;
Plin. 5, 32, 42, §
146; 11, 49, 109, § 261;
35, 12, 46, § 165;
Paul. ex Fest. p. 95
Müll.; Hor. S. 1, 2, 121.—In
sing.: Gallus , i, m., a
priest of Cybele, Mart. 3, 81;
11, 74;
cf. Quint. 7, 9, 2:
“resupinati
cessantia
tympana Galli,”
Juv. 8, 176.—And
satirically (on account of their emasculated
condition), in the fem.: Gallae , ārum, Cat. 63, 12,
and 34.—
[Says Paul in Galatians 5: Music and WITCHCRAFT]
A., of or belonging to the priests of Cybele; hence,
transf.) Of or belonging to the priests of
Isis, Gallic: “turma,”
the troop of the priests of Isis, [Re
APIS] Ov. Am. 2, 13, 18
canto
, āvi, ātum, 1, v. n. and
I.a.
[cano], freq. in form, but mostly agrees in
meaning with cano.
I. Neutr., to produce
melodious sounds (by the voice or an instrument), to
sound, sing, play
Less freq. of instrumental music, and only with abl. of
the instrument (cf. cano): “tibiis,”
Nep. Epam. 2, 1;
id. ib.
praef. § 1; Vulg. Luc. 7, 32:
“lituo,
tubă,”
Gell. 20, 2, 2:
“calamo,”
Sen. Ben. 4, 6, 5:
ad manum histrioni, in comedy, to sing and
play while the actor accompanies the song with gestures
or dancing, Liv. 7, 2, 10;
cf. Val. Max. 2, 4, 4.—
2. Of an actor, to
represent a part, to act
III. In the lang. of religion,
as v. n. or a., to use enchantments,
charms, incantations, to
enchant, to charm,
B. To call forth, produce
by charms: “et
chelydris
cantare
soporem,”
Sil. 8, 498: “cantata
umbra,”
Luc. 6, 767.
AND THE RECORDED RESULT OF RELIGIOUS MUSIC
PERFORMED WITH A DRIVEN PURPOSE
Wherefore
God also gave them
up to uncleanness,
through the lusts of their own hearts,
to
dishonour their own bodies between themselves: Rom
1:24
Who changed the truth of God into
a lie,
and
worshipped and served the creature more than the Creator,
who
is blessed for ever. Amen. Rom 1:25
For
this cause God gave
them up unto vile affections:
for
even their women did change the natural use into
that which is against nature: Rom 1:26
And likewise also the men, leaving
the natural use of the woman, burned in their lust one
toward another;
men with men
working that which is unseemly,
and receiving in
themselves that recompence of their error which was
meet. Rom 1:27
And even as they did not like
to retain God in their knowledge,
God gave them over to
a reprobate mind,
to do those things
which are not convenient; Rom 1:28
Point
THREE:
THE
ENDING CYCLE OF THE
MOTHER OF HARLOTS INDWELLING THE KING-QUEEN OF THE HARLOT CHURCHES
Revelation 17:3 So he carried me away in the
spirit into the wilderness:
and I saw a woman
sit upon a scarlet coloured beast,
full of names of
blasphemy, having seven heads and ten horns.
The
Goddess as Lady of Beasts was known to
the people of Sumer, Crete, and the Indus Valley (India).
Her name is largely unknown because worship of her
predated writing. She was also known as the Cosmic Creatrix,
the creative, fertile, life-giving force. Her special
animals were held sacred as manifestations of the deity
herself. She is depicted here pregnant,
surrounded by pregnant animals, which speaks
of her as a powerful fertility figure. She usually appears
enthroned with a lion at her side indicating
sovereignty and strength. Genesis
3:20 And Adam called his wife’s name Eve; because
she was the mother of all living.
Initially a Hunter Goddess and Lady
of the Beasts of Kolchis named Aeaea 'ululation,'
[HALAL]she became
the funerary Goddess of the island known by her name.
Kalypso 'concealer,' Argeia 'bright,' and often
Medea 'wise one' who was sometimes called her neice
instead. Klymene's daughters were the keepers of golden
horned cattle in the lands of the Dead, the Heliades or Merope 'eloquent' or 'bee eater,' Helia 'sun,' Phoebe [ABADDON,
APOLLYON]
'bright,' Aetheria 'heavenly one,' Dioxippe
'divine mare,' Lampetia 'beaming one,' Koronis 'crow or raven,' Aegile 'bright,' Lamethusa 'light being,' Phatusa 'bright being,' and Elektryone 'beaming on
Revelation 17:4 And the woman was arrayed in purple
and scarlet colour,
and decked with gold
and precious stones and pearls,
having a golden cup
in her hand full of abominations and filthiness of her
fornication:
Revelation 17:5 And upon her forehead was a name
written,
MYSTERY,
BABYLON THE GREAT, THE MOTHER OF HARLOTS AND
ABOMINATIONS OF THE EARTH.
Rev 18:20 Rejoice over her, thou heaven, and ye holy apostles and prophets; for God hath avenged you on her.
Rev 18:21 And a mighty angel took up a stone like a great millstone,
and cast it into
the sea, saying, Thus with violence shall that great
city Babylon be thrown down,
and shall be found
no more at all.
Rev 18:22 And the voice
of harpers, and musicians, and of pipers,
and trumpeters, shall be heard no more at all in thee;
and no craftsman, of whatsoever craft he be, shall be
found any more in thee; and the sound of a millstone shall be heard no more at all in thee;
Rev 18:23 And the light
of a candle shall shine no more at all in thee; and the voice of the bridegroom and of
the bride shall be heard no more at all in thee: for thy
merchants were the great men of the earth; for by thy
sorceries were all nations deceived.
Rev 18:24 And in her was found the blood of prophets, and of saints, and of all that were
slain upon the earth.
EVE APPEARS FROM BABYLON AFTER ISRAEL FELL INTO
INSTRUMENTAL IDOLATRY AND SENTENCED BACK TO BABYLON. Maybe
Paul knew something about Eve?
Theophilus
to Autolycus
This Eve, on account of her
having been in the beginning deceived by the serpent,
and become the author of sin, the wicked demon,
who also is called Satan, who then spoke to her
through the serpent, and who works even to this day in
those men that are possessed by him, invokes as Eve.58
And he is called "demon" and "dragon," on
account of his revolting from God. For at first he
was an angel. And concerning his history there is a great
deal to be said; wherefore I at present omit the relation
of it, for I have also given an account of him in another
place.
58 Referring to
the bacchanalian orgies in which " Eva " was
shouted, and which the Fathers professed to believe was
an unintentional invocation of Eve, the
authoress of all sin.
The word "abomination" is also key to understanding the
context. In Hebrew, the word "to 'evah,"
(abomination) is almost invariably linked to idolatry.
In the passages from which both verses are taken,
God tells Moses to tell the people not to follow the
idolatrous practices of the people around them,
people who sacrificed their children to Molech, or
who masturbated into
the fire to offer their semen to Molech, for example. Chapter 20 starts off
with the same warning.
"To 'evah" also means "something which is ritually unclean."
But
also, concerning music, some have fabled that Apollo
[Abaddon, Apollyon] was the inventor,
and others say that Orpheus discovered the art
of music from the sweet voices of the birds. Their story
is shown to be empty and vain, for these inventors lived
many years after the flood. And what relates to Noah,
who is called by some Deucalion, has been explained by
us in the book before mentioned, and which, if you wish
it, you are at liberty to read.
ZOE in the Latin
is called "The BEAST and Female instructing
principle." The Serpent was a MUSICAL
ENCHANTER(ESS)
AND THE PENALTY
Exod 32:34 Therefore now
go,
lead the
people unto the place of which I have spoken unto thee:
behold,
mine Angel shall go before thee:
nevertheless
in the day when I visit I will visit their sin upon
them.
Amos 5:26 But ye have borne
the tabernacle of your Moloch and Chiun your images,
the star of your
god,
which ye made
to yourselves.
Amos 5:27 Therefore will I cause you to go into captivity beyond
Damascus,
saith the LORD, whose
name is The God of hosts.
Acts 7:43 Yea, ye took up the tabernacle of Moloch,
and the star of your
god Remphan,
figures which ye made
to worship them:
and I will carry
you away beyond Babylon.
Revelation 21:8 But the fearful, and unbelieving, and
the abominable, and murderers,
and whoremongers, and
sorcerers, and idolaters, and all liars,
shall have their part
in the lake which burneth with fire and brimstone: which is
the second death.
Revelation 22:15 For without are dogs, and sorcerers,
and whoremongers,
and murderers, and
idolaters, and whosoever loveth and maketh a lie.
See Galatians 5 and the Music and
Witchcraft connection.
Catullus
63: Haste you together, she-priests,
to Cybele's dense woods, together haste, you vagrant
herd of the dame Dindymene, you who inclining
towards strange places as exiles, following in my
footsteps, led by me, comrades, you who have faced the
ravening sea and truculent main, and have castrated
your bodies in your utmost hate of Venus [ZOE],
make glad our mistress speedily with your minds' mad
wanderings.
Let dull
delay depart from your thoughts, together haste you,
follow to the Phrygian home of Cybele, to the Phrygian
woods of the Goddess, where sounds the cymbal's
voice, where the tambour resounds, where
the Phrygian flutist pipes deep notes on
the curved reed, where the ivy-clad Maenades furiously
toss their heads, where they enact their sacred orgies [wrath Paul outlawed] with
shrill-sounding
ululations, where that wandering band of the Goddess
flits about: there it is meet to hasten with
hurried mystic dance."
When Attis, spurious
woman, had thus chanted to her comity, the chorus
straightway shrills with trembling tongues, the light tambour booms, the concave cymbals clang, and the troop swiftly
hastes with rapid feet to verdurous Ida.
Then raging wildly,
breathless, wandering, with brain distraught, hurries Attis with her tambour,
their leader through dense woods, like an untamed heifer
shunning the burden of the yoke: and the swift Gallae press behind their
speedy-footed leader. So when the home of Cybele they
reach, wearied out with excess of toil and lack of food
they fall in slumber. Sluggish sleep shrouds their eyes
drooping with faintness, and raging fury
leaves their minds to quiet ease.
SO, DO YOU BELIEVE THAT THE
"SCHOLARS" AND UNIVERSITES AND PREACHERS ARE SIMPLY
IGNORANT?
WITH NO EXCEPTION IN BETWEEN [Romans 10],
THE MUSICAL INFILTRATORS WANT YOU TO BELIEVE THAT YOU ARE SONS
OF PERDITION FOR NOT JOINING THEM IN ALL OF THEIR PROPHESIED
GAMES.
Stark-Warlick
Debate: Lipscomb like the "man of sin,"
he sits in the temple of God, says: "Thou
shalt not." OR "rebellion
is as the sin of witchcraft and stubborness is as
iniquity and idolatry."
Robert
Ballard and the NACC: and to refuse to permit that
which God Himsef has (P93) SAID TO USE. To
forbid their use, where God has SAID TO
USE THEM, as in Eph. 5:19 and Col. 3:16 is flagrant sin (Rev
22:18:19)
WHY DO YOU THINK THERE WAS SUCH A SUDDEN AND HARSH
AGAINST CHURCHES OF CHRIST ALMOST TO THE DAY OF THE END OF THE
6,000 YEARS BASED ON MOSES USE OF BABYLONIAN THEOLOGY TO WARN
ISRAEL WHICH HAS JUST FALLEN INTO INSTRUMENTAL IDOLATRY?
The MARK (musical "worship"): The BEAST (A new style of music
or Satyric Drama): the IDOL (RE-presenting the Word in song
and sermon)
You will NEVER be able to BUY and SELL (books, CD.s, booking
a gig) at the Celebrations unless you take the MARK of
the BEAST and "turn the Word of God into rhetoric, singing,
playing (Definition of a Hypocrite and Sophist)
1.04.14 See
David Young Minister North Boulevard Church of
Christ in Murfreesboro, Tennessee
Consistent with the
hostile attack from
about 1890 to the present, David Young blasphemes
the Holy Spirit OF Christ who defined a Church of
Christ (the Rock)
and in the Prophets radically condemning musical
machines as having the power of sorcery or
soothsaying (Miriam and the Levites).
Just our Tradition or
Traditional 20 Times
Style or Styles 16 Times
Method or Methods 9 Times
Customs 2
A NEW Language 7 Times
Just our Heritage 2
Freedom 22 Times--is something WE give YOU.
Just our Opinions 11 Times
Pharisee 2
Continuity with the Past 2
Judgment 8
THIS PAPER WILL HELP
YOU FLEE BABYLON whose Mother of Harlots (Revelation 17) uses "lusted after
fruits" (Same as in Isaiah 8) as self-speakers, singers, instrument
players and ALL religious craftsmen who were called
PARASITES.
1.04.13 LINKS
TO A FEW STEPS TO THE LAKE OF FIRE; FIXED LINKS
12.30
ISAIAH 3
CHRIST'S PROPHETIC TYPE: CLICK BELOW FOR CHRIST'S
WARNING ISAIAH 3: RELIGION"
REPLACING "SCHOOL OF CHRIST" AND: WORSHIP
ANDROGYNY THE PAGAN SEXUAL IDEA
ROMANS 15: CLICK FOR PAUL'S REVEALING THE PROPHETIC
TYPE MADE MORE CERTAIN FOR OUR EXAMPLE
THE GOLDEN CALF AGAIN: PAUL EXCLUDED "DOGS" AND
"CONCISION" BY MAKING WORSHIP IN THE SPIRIT (A PLACE)
AND NOT IN THE FLESH
EPHESIANS 5:
COLOSSIAN 3: THE COMMAND IS TO SPEAK:
THERE IS NO COMMAND TO SING AS PERFORMANCE
REVELATION 17-18: PROPHETIC TYPE CLICK
FOR THE END-TIME BABYLON MOTHER OF HARLOTS
BUT, DAVID YOUNG AND THE ELDERS SAY------
THE COMMAND IS TO
SPEAK: THERE IS NO COMMAND TO SING AS PERFORMANCE
HOW RECORDED HISTORY NOTES THAT SINGING AS AN ACT
WAS IMPOSED AFTER CONSTANTINE AND WAS DIVISIVE
THE COMMAND: SPEAK THAT WHICH IS WRITTEN.
NOTHING WRITTEN BY THE SPIRIT IS METRICAL OR TUNEFUL
ISAIAH 8 WHEN
EMMANUEL COMES TO YOUR SCHOOL OF CHRIST YOU WILL
NOT--CANNOT--PEEP AND MUTTER
CHRIST'S PURPOSE DRIVEN
CHURCH DOES NOT BOAST ABOUT ITSELF.
ISAIAH 14 CHRIST'S WARNING OF THE
SINGING AND HARP-PLAYING PROSTIITUTES CAST
INTO "HELL"
A HUNDRED YEARS OF ATTACKS
AGAINST CHURCHES OF CHRIST WHICH WILL
NEVER IMPOSE INSTRUMENTAL IDOLATRY.
PROOF THAT ALL
INSTRUMENTALISTS ATTACKS ARE BASED ON LIES OR IGNORANCE.
NUMBERS 11 THE
REST OF THE STORY
ABOUT MUTTERING AND
MURMURING:
Violates Christ's
outlawing vocal or
instrument rejoicing or
speaing your own words in
Numbers 10
DAVID YOUNG
STILL SAYS THAT ALL THINGS
ARE LAWFUL?
THE
"LEADERSHIP" IS PURPOSE-DRIVEN
TO SOW MASSIVE DISCORD WHICH
GOD HATES.
ELDERS
AND DEACONS ARE THE
ONLY VOCATIONAL
"STAFF" IN A CHURCH OF
CHRIST
The role
of PREACHER as SENT
Evangelist
ISAIAH 8: THOSE
WHO DON'T PREACH THAT WHICH HAS
BEEN PROVIDED ARE MARKED AS BEING
WITHOUT LIGHT.
THE
MARKS OF THE FINAL
SHAKING AND THE END-TIME
SHAKER.
The MARKS of the
BEASTS (Zoe) and the INSECTS-PARASITES
(LOCUSTS or musical worship
teams)
THE FIREY
DESTINY OF THOSE WHO SOW
MUSICAL OR RHETORICAL
DISCORD
- If you say that God commanded Hezekiah and Rick Atchley to
impose Instrumental Praise--whatever that be.
- And the text said that David the King commanded the
instruments when sounded (noise).
- And God had abandoned Israel to worship the starry host
because of instrumental idolatry at Sinai.
- And God give them kings in His anger because the elders
rejected God.
- And Revelation proves that it is the Spirit of Abaddon or
Apollyon as Musical Worship Leaders.
- Then Rick Atchley has blasphemed the Holy Spirit OF Christ
who called the then and now Civil-Military-Clergy complex
Robbers and Parasites (all non-Word clergy STAFF).
Both Miriam and the Levites prophesied as Sorcerers
with instruments as the Primary Parasites of
Egyptian idolatry.
- Christ in Isaiah
30 and Revelation 19 after the singers,
instrument players and all craftsmen along with the lambs
are removed by Jesus Who has visited and gone (Amos8) and
will not pass by again are MARKED by the sounds of God
driving His enemies into "hell" or into the "Lake of fire."
- This fulfills the prophecy that even the ELECT (Christians
or Disciples or Students of the Word who don't go where the
kingdom is announced by the fallen angels) who will scarcely
be saved because Jesus will cut the time short.
- ACU, Pepperdine and the NACC are ReViving the same
hostile attack launched exactly a century earlier. This will
be the final attack and those with the Musical Worship Team
heresy are cuddling close to the MOTHER church and
her daughter campuses.
- The Babylon Mother of Harlots (Revelation 17) uses "lusted
after fruits" same as in Amos 8 as speakers, singers,
instrument players and all STAFF John called Sorcerers (same
as original Babylon Mother) who HAD once deceived the whole
world and would be-are-Cast Alive into the Lake of Fire.
To a question, he responds, "you are
going to find a lot of a cappella churches that are gonna'
start saying 'Sunday morning we are going to be a
cappella, but after that, we are going to let a lot of freedom
reign,' which is pretty much what we do at Richland Hills.
You walk into our youth center Sunday morning or Wednesday
night: and I'm telling you--Christian rock an' roll is just
blasting'" (p. 9).
CHRIST IN ISAIAH 3 SPELLED IT OUT CLEARLY AND THAT IS WHY THE
STRAIGHT PEOPLE ARE FLEEING BABYLON WITHOUT KNOWING EXACTLY
WHAT HAS HAPPENED TO THEIR OLD SCHOOL OF CHRIST
THE
PROPHETIC TYPE BY THE SPIRIT OF CHRIST
Isaiah 3:4 And I will give children to be
their princes, and babes shall rule
over them.
Isaiah
3:4 et dabo pueros principes eorum et effeminati dominabuntur eis
dominabuntur Ruler, MARK
Women or the Effeminate as oratio,
MARK Women or effeminate who
are consilium the
person who forms the purpose,
MARK Women or the effeminate who Teach Over
aedĭfĭco
in
a religious
sense, to build up, instruct, edify.
“doctum
hominem
cognovi,
idque
a
puero,”
Cic. Fam. 13, 16, 4;
1. A little son, a
son (poet.), Plaut. Am. 5, 1, 72:
“Ascanius
puer,”
Verg. A. 2, 598:
“tuque
(Venus)
puerque
tuus
(Cupido) ZOE
ars
, I. Skill in producing any material form,
handicraft, trade, occupation, employment
or artes illiberales or sordidae, the arts,
employments, of slaves or the lower classes.
musicam,
litterarum
cognitionem
et
poëtarum,
rhetorica,”
Quint. 2, 17, 4:
“musica,”
poetry, Ter. Hec. prol. 23:
“musica,”
music, Plin. 2, 25, 23, § 93:
With a gen. designating it: “ars
disserendi,”
dialectics, Cic. de Or. 2, 38, 157:
“ars
dicendi,”
the art of speaking, cunning, artifice,
fraud, stratagem:
Principes B. Esp., the first,
chief, principal, most distinguished
person: “quales
in
re
publicā
principes
essent,
talis
reliquos
solere
esse
civis,”
Cic. Fam. 1, 9, 12:
Mŭlĭer
as a term of reproach, a woman, i. e. a coward,
poltroon: arbĭtror
to make a decision, give judgment or sentence:
OR mŭlĭĕro,
to make womanish, render effeminate
dŏmĭnor
, ātus (ante-class. to be lord and
master, to have dominion, bear rule
domineer
Ēōs
domus
Aurorae,”
1. Like ēōos
(sc. astēr),
the morning-star, Verg. G. 1, 288;
id. A. 3, 588;
3. The name of one of the horses of the sun,
Ov. M. 2, 153.
Boys: -Effemino
II. Trop., to make womanish,
effeminate, to enervate: “fortitudinis
praecepta
“illa
elocutio
res
ipsas
effeminat,”
Quint. 8 prooëm. § 20.—
A. Womanish, effeminate (cf.: “mollis,
luxuriosus,
dissolutus):
ne
quid
effeminatum
aut
molle
sit,”
Cic. Off. 1, 35, 129;
cf. id. Tusc. 4, 30:
“intolerabile
est
servire
impuro,
impudico,
effeminato,
“furialis
illa
vox,
religiosis
altaribus
effeminata,”
Cic. Planc. 35, 86
—B. In mal. part., that submits to unnatural
lust: “pathicus,”
Suet. Aug. 68;
Cic.
Planc. 35.86 When no one knew what were the
feelings of those men who by means of their armies, and
their arms, and their riches, were the most powerful
men in the state, then that voice,
rendered insane
by its infamous debaucheries,
made
effeminate by its
attendance on holy altars,
kept
crying out [carmen]
in a most ferocious
manner
that both
these men
and the
consuls were acting
in concert with him.
Needy men were armed against
the rich, abandoned men against the good,
slaves against their masters.
--rĕlĭgĭōsus Eccl.
Lat., of or belonging to the clergy,
clerical (opp. saecularis)
religious rites,
--carmen , a tune,
song, air, lay, strain, note,
sound, both vocal and instrumental
cantus; cf. “also
versus,
numeri,
modi):
carmen
tuba
ista
peregit
( = sonus),”
Enn. Ann. 508 Vahl.: “carmine
vocali
clarus
citharāque
Philammon,
“per
me
(sc.
Apollinem)
concordant
carmina
nervis,”
ith allusion to playing on the cithara
Apollo, Abaddon or Apollyon Leader of the
Muses at Mount Sinai and the end-time Babylon
Mother of Harlots religion.
--per-sŏno
A. To sound through and through, to resound:
“cum
domus
cantu et
cymbalis personaret,”
Cic. Pis. 10, 22:
“ut
cotidiano
cantu vocum
et
nervorum
et
tibiarum nocturnisque
conviviis
tota
vicinitas
personet,”
A. To fill with sound
or noise, to make resound
B. To make a sound on a musical
instrument, to sound, play:
“citharā
Iopas
Personat,”
Verg. A. 1, 741:
“cymbalis,”
Vulg. 1 Par. 16, 5:
“buccinis,”
id. Jos. 6, 13.—
C.
To sound or blow
upon an instrument (post-class.): “personavit
classicum,”
gave the signal for attack,
Histrio, stage-player, actor,
mimus, II. Transf., a boaster:
“histrionis
est
parvam
rem
attollere,”
ragoediarum
histrionis, Hilarus
comoediarum
histrio,
Scaena, 1. Of a place
like a scene of a theatre Verg. A. 1, 164.—,
display of eloquence.
Isaiah 3:12 As for my people, children are their
oppressors, and women rule over them.
O my people, they
that lead thee cause thee to err, and destroy the way of
thy paths.
Isaiah
3.12 populum meum exactores sui spoliaverunt et mulieres dominatae sunt eius popule meus qui beatum te dicunt ipsi te decipiunt et viam gressuum tuorum dissipant
Those who DOMINATE always have to DRIVE OUT the owners in
order to ATTRACT those so MARKED.
exactor
, ōris, m. id.; cf. also exactio. * I. A driver-out,
expeller
A. In gen.: operis, i. e. an overseer,
superintendent, enforcer of any kind of
labor, Col. 3, 13, 10;
cf. Liv. 45, 37;
so, “assiduus
studiorum,”
Quint. 1, 3, 14;
cf.: “asper
recte
loquendi,”
id. 1, 7, 34:
“molestissimus
sermonis
Latini,”
an executioner
B. In partic., a collector of taxes, a
tax gatherer,
IF PEOPLE FEEL MOLESTED BY MUSIC OR
SERMON THEY WILL FLEE
mŏlestus
, a, um, adj. moles, I.troublesome, irksome,
grievous, annoying (class.; cf. “importunus):
abscede
hinc,
molestus
ne
sis!”
B. In partic., of speech, labored, affected: “simplex
in
agendo
veritas
non
molesta,”
Cic. Brut. 30, 116:
“verba,”
Ov. A. A. 1, 464:
“pronuntiatio
gesticulationibus,”
Quint. 11, 3, 183:
“dialectos,”
Suet. Tib. 56.—
ŏpĕrōsus
I. Taking great pains, painstaking,
active, busy, industrious, laborious
“carmina,”
elaborate, Hor. C. 4, 2, 31.—
“divitiae
operosiores,”
Hor. C. 3, 1, 48
Cic. Leg. 2, 26, 64:
“divitiae
operosiores,”
Hor. C. 3, 1, 48;
Cic.
Leg. 2.26
Adfert enim haec opinio religionem utilem ciuitatibus, si quidem et illud bene dictum est a Pythagora doctissimo uiro, 'tum maxume et pietatem et religionem uersari in animis
Jesus said that the Kingdom DOES NOT come with
OBSERVATION meaning RELIGIOUS operations in houses built by
human hands or by the works of human hands. Worship is IN
THE SPIRIT only when we GIVE ATTENTION to that which is
written for our learning. All other religious STAFF or
CRAFTSMEN are called SORCERERS and PARASITES.
The Pythagoreans were one of the SECTS outlawed by
Paul in Romans 14. He is OF the WORLD or KOSMOS
for which Jesus does not Pray. “somnia,”
identifies Spiritual Formation or the "monkish" Ignatian
retreats. To dream of or see in a dream,
to dream, i. e. to think idly or vainly,
to talk foolishly
Pȳthăgŏras , ae, m., = Puthagoras,
“somnia,”
Hor. Ep. 2, 1, 52:
dogma, Lab. ap. Prisc. p. 679:
“pavo,”
into which, according to the Pythagorean doctrine
of metempsychosis, the soul of Euphorbus
had passed before it reached Pythagoras, Pers. 6, 11:
“brassica,”
spŏlĭo
, āvi, ātum, 1, v. a. spolium,
I.to strip,
to
deprive of covering,
rob of clothing.
also means (g).
In a Greek construction: “
hiems
spoliata
capillos,”
stripped of his locks [PSALLO],
Ov. M. 15, 213.
Ov.
Met. 15.213
And other names of vanitie, which are but Poets
tricks?
And perrills of another world, all false surmysed geere?
For whether fyre or length of tyme consume the bodyes
heere,
The Morning, Pallants daughter fayre, the
messenger of lyght
Delivereth into Phebus [Abaddon] handes
the world of cleerer hew.
SORRY TO REPORT BUT
HISTORY KNOWS NO EXCEPTION TO THE RULE
INCLUDING THE JACOB-CURSED LEVITES WHO WORE FEMALE
GARMENTS, SANG FALSETTO WHICH JOSEPHUS SAYS MADE THEM GUILTY OF THE
FALL OF THE NATION
PAUL'S REVEALING THE PROPHETIC TYPE MADE MORE
CERTAIN FOR OUR EXAMPLE
Romans 15:1 We then that are
strong ought to bear the infirmities of the weak,
and not to please [PLACEO
Scaena,] ourselves.
Romans 15:2 Let every one
of us please his neighbour for his good to edification.
THE WEAK GREEK; -Asthen-ēs
, es,
weak in the mind 5. Insignificant,
“ouk
asthenestatos
sophistēs
Hellēnōn”
Hdt.4.95;
paltry, “a.
sophisma”
A.Pr.1011;
Plat.
Rep. 493d that it is wisdom
to have learned to know the moods and the pleasures
of the motley multitude in their assembly,
whether about painting or music or, for that
matter, politics?
For if a man associates with these and offers
and exhibits to them his poetry
or any other product
of his craft or any political. service,
and grants
the mob authority over himself
more than is unavoidable,
the proverbial
necessity of Diomede
will compel him to
give the public what it likes,
but that what it
likes is really good and honorable,
have you ever heard an attempted proof of
this that is not simply ridiculous?
Suneimi
(eimi
3. attend, associate with,
a teacher, X.Mem.1.2.8,24, etc.;
also of the teacher, Id.Cyr.3.1.14,
Pl.Tht.151a,
etc.; of a fellowpupil, “emoi
sunōn
pote
peri
mathēmata”
hoi
sunontes
followers, partisans,
associates, disciples, Antipho 5.68,
Pl.Ap.25e,
Tht.168a,
THOSE WHO ARE WEAK:--Sophis-tēs
, ou,
ho,
A. master of one's craft, adept, expert,
of diviners, Hdt.2.49;
of poets, “meletan
sophistais
prosbalon”
Pi.I.5(4).28,
cf. Cratin.2; of musicians,
“sophistēs
. parapaiōn
khelun”
[PLAYING THE LYRE] with modal words
added, Prietly person Making Melody in the Assembly “hoi
s.
tōn
hierōn
melōn”
Ael.NA11.1
Apollōnos [Apollo, Abaddon,
Apollyon] poiētai, humnous idekaisuggrapheis, compose
a speech
Plat. Laws 936c There
shall
be no beggar in our State; and if anyone attempts
to beg, and to collect a livelihood by
ceaseless [making Poieo meter, hymns]
prayers, the market-stewards
shall expel him from the market, and the Board of
city-stewards from the city, and from any other district
he shall be driven across the border by
the country-stewards, to the end that the land may be
wholly purged of such a creature. If a
slave, male or female, do any injury to another man's
goods,
All religious musicians were called PARASITES.
-Plato.
Republic [398a]
“True,” he said. “If a man, then, it seems, who was
capable by his cunning of assuming every kind of shape
and imitating all things should arrive in our city, bringing
with himself the poems which he wished to exhibit,
we should fall down and worship him as a holy and wondrous
and delightful creature, but should say to him that there
is no man of that kind among us in our city, nor is it lawful
for such a man to arise among us, and we should send him
away to another city, after pouring myrrh down
over his head and crowning him with fillets of wool
The WEAK Latin in-firmus less
nourishing, Of things, of no
weight or consequence, weak, trivial,
inconclusive: II. Trop., weak
in mind or character, superstitious,
pusillanimous, inconstant, light-minded:
“tenuis
atque
infirmi
haec
animi
videri,”
Caes. B. C. 1, 32:
“quippe
minuti
Semper
et
infirmi
est
animi
voluptas
ultio,”
[passonate] Juv. 13, 190:
Voluptas,
satisfaction, enjoyment, pleasure,
delight an
officer in the imperial household,” master
of the revels, Suet. Tib. 42 fin.—
A. Of persons, as a term of endearment: “mea
voluptas,”
my joy, my charmer,
B. Voluptates, sports, shows,
spectacles, given to the people, Cic. Mur. 35, 74:
"Are you asking employment as a pimp
from a band of luxurious youths" minimo
quidem
temporis
voluptates
intermissae,”
Tac. H. 3, 83;
C. The desire for pleasure,
bent, passion: “suam
voluptatem
explere,
[WRATH, ORGE]” Ter. Hec. 1, 1, 12;
cf. Plaut. Am. prol. 19;
STOP everything other
than 'using one mind and one mouth speaking that which is
written for our learning and comfort.
Romans 14:19 Let us therefore follow after the things
which make for peace, and things
wherewith one may edify another.
1Corinthians 14:19
Yet in the church I had rather speak five words with
my understanding, that by my voice I might teach
others also, than ten thousand words in an unknown tongue.
Ephesians 4:11 And he gave
some, apostles; and some, prophets;
and some, evangelists; and
some, pastors and teachers;
We don't FIRE the vocational
Deacons and HIRE deaconesses or STAFF to do the work
including musical performance "to make the lambs
dumb before the
slaughter" so they do not know that a PARASITE
is a religious musician. A HERETIC is the priest who lifted the
lambs up
to CUT THEIR THROATS.
Ephesians 4:12 For the perfecting of the saints,
for the work of the ministry,
for the edifying of
the body of Christ:
Ephesians 4:13 Till we all come in the unity of the faith,
and of the knowledge of the
Son of God, unto a perfect man,
unto the measure of the
stature of the fulness of Christ:
Ephesians 4:14 That we henceforth be no more children,
tossed to and fro, and
carried [NAVIGATED] about with every wind of
doctrine,
by the sleight of men, and cunning
craftiness [SOPHISTS], whereby they lie in
wait to deceive;
Ephesians 4:15 But speaking the truth in love,
may grow up into him in all
things, which is the head, even Christ:
John 17:16 They are
not OF the
world, even as I am not of the world.
John 17:17 Sanctify them through thy truth: thy WORD [logos] is truth.
John 17:18 As thou hast SENT MEinto the world, even so have I
also SENT THEM
into the world.
LOGOS is the
Regulative Principle: it is OPPOSITE self-speaking (mark of the
sons of the Devil), singing, playing instruments,
drama, dancing, acting and any of the EFFEMINATE
marks.
Isaiah 8:19 And when they
shall say unto you,
Seek unto them that have
familiar spirits,
and unto wizards that
peep, and that mutter:
should not a people seek
unto their God? for the living to the dead?
Murmur , ŭris,
n. (m.: murmur fit verus, Varr. ap. Non. 214, 14) [Sanscr.
marmara, susurrus, murmur, and the Greek mormurō [roar and
boil] and murmurō],
I. a
murmur, murmuring; a humming, roaring, growling,
grumbling; a rushing, crashing,
Of inanimate things, a
murmur, roar, rushing, crashing, crash, rumbling:
—Of wind-instruments: “cornuum,”
the sound, Hor. C. 2, 1, 17:
inflati buxi, of the tibia, Ov. M. 14, 537:
“aurium,” a singing
in the ears, Plin. 28, 7, 21, §
75 (Jahn, animalia).—Trop.: “contemnere murmura famae,” Prop. 2, 5, 29;
of a muttering, rebellious murmur:
“contra Dominum,” Vulg. Exod. 16, 7;
id. Act. 6, 1.
Added note of impiety
Isaiah 8:20 To the law and to the testimony:
if they speak not
according to this word,
it
is because there is no light in them.
Romans 15:4 For whatsoever things were written
aforetime were written for our learning,
that we through patience and comfort
of the scriptures might have hope.
Romans 15:6 That ye may with one mind and one mouth glorify God,
even the Father of our Lord Jesus Christ.
Congratulations:
you always wanted to be part of something of BIBLICAL
PROPORTION. And YES everyone gets to decide whether
they will weep in silence or MUSICALLY MOCK Jesus up
to the foot of the old rugged cross while the
Levite-based TEAM performs the music: always SORCERY
as we will show in posts below.
THE GOLDEN
CALF AGAIN: PAUL EXCLUDED "DOGS" AND "CONCISION"
BY MAKING WORSHIP IN THE SPIRIT (A PLACE) AND NOT IN THE
FLESH
|
Galatians 5:12
I would they were even cut off which
trouble you.
Galatians
5:12NET I wish those agitators18 would go so far
as to19 castrate themselves!20
A. Based
on the words Paul uses pointed to the
emasculated priests of the mother goddess, Paul
intends to CUT OFF the musical performers in the
same way the priests were made eunuchs:
First:
Apo-koptō , a.ta gennētika, of eunuchs,
Ph.1.89: abs., “apokekommenos” eunuch,
LXXDe.23.1,
cf.Luc.Eun.8:—Med.,
make oneself a eunuch, Ep.Gal.5.12, cf. Arr.Epict.2.20.19.
This would apply to the musical fall from grace at Mount
Sinai: the worship of the Mother Goddess allowed
males to "perform the role of women." David's stola was
worn by the office of prostitute and the Ephod was a
phallic symbol which David cast off and went naked.
The folly of Israel
was common throughout history. An emasculated priest
served as the DOGS of Cybele the Mother of the
Gods. The Babylon mother of harlots in
Revelation 17 used these "lusted after FRUITS" as
speakers, singers and instrument players (Rev
18). Paul called the SORCERERS who HAD deceived
the whole world.
Deuteronomy
23.1He who is wounded in the stones, or has his
privy member cut off, shall not enter into the
assembly of Yahweh.
Galatians 5:21 Envyings, murders, drunkenness, revellings,
and such like:
of the
which I tell you before, as I have also told you in
time past,
that
they which do such things shall not inherit the
kingdom of God.
Second:
3. esp. of voice or breath, cut short,
“ton tou pneumatos tonon” D.H.Comp.14, cf. 22:—Pass., “apokekoptai tini hē phōnē” Plu.Dem.25,
cf. Dsc.Eup.1.85.
Ton-os , o(, (teinō) 2. of
sounds, raising of the voice,
Aeschin.3.209,210, D.18.280,
Phld.Lib.p.19
O., etc.: hence, a. pitch of the
voice, Pl.R. 617b,
Arist.Phgn.807a17,
etc.; including volume, “tonoi phōnēs: oxu, baru, mikron, mega” X.Cyn.6.20;
of a musical instrument, Plu.2.827b,
etc.; diatonic scale,
3. esp. of voice or breath, cut
short, “ton tou pneumatos tonon” D.H.Comp.14, cf. 22:—Pass., “apokekoptai tini hē phōnē” Plu.Dem.25,
cf. Dsc.Eup.1.85.
phōn-ē
, 4. of sounds made by
inanimate objects, mostly Poet., “kerkidos ph.” S.Fr.595;
“suriggōn” (pipe)
E.Tr.127
(lyr.); “aulōn”(flute)
Mnesim.4.56
(anap.); rare in early Prose, “organōn phōnai” Pl.R.397a;
freq. in LXX, “hē ph. tēs salpiggos” (harp)
LXX Ex.20.18;
ph. brontēs ib. Ps.103(104).7;
“hē ph. autou hōs ph. hudatōn pollōn” Apoc.1.15.
Plat. Rep. 397a [397a]
“the other kind speaker, the more debased he is
the less will he shrink from imitating anything
and everything. He will think nothing unworthy of
himself, so that he will attempt, seriously and in
the presence of many, to imitate all things,
including those we just now mentioned—claps of
thunder, and the noise of wind and
hail and axles and pulleys, and
the notes of trumpets and flutes
and pan-pipes, and the sounds of all instruments,
and the cries of dogs, sheep, and birds;
and so his style will depend wholly on imitation
Cut off the Organs of sound:
Organon ,
to/, (ergon, erdō) A. instrument,
implement, tool, for making or doing
a thing,
“polemika (war) hopla te kai organa” Pl.R.374d,
cf. Lg.
956a
3. musical instrument, Simon.31, f.l. in A.Fr.57.1 ; ho men di' organōn ekēlei anthrōpous,Pl.Smp.215c
; aneu organōn psilois logois ibid., cf.
Plt.268b
; “o. polukhorda” Id.R.399c,
al.; “met' ōdēs kai tinōn organōn”
Phld.Mus.p.98K.;
of the pipe, Melanipp.2,
Telest.1.2.
Ergon , 1.
in Il. mostly
of works or deeds of war,
“polemēia e.” Il.2.338,
al., Od.12.116
; “ergon makhēs” Il.6.522
of Marsyas,
B. John
Chrysostom understood Paul's message.
Chrysostom's Commentary on
Galatians:
Galatians 5:1.-"With freedom did Christ set us
free; stand fast therefore.115 ."
Ver.
12.
"I would that they which unsettle you would
even cut themselves
off." And he says well
"that unsettle you."
"A man that is heretical after the first and
second admonition refuse." (Tit. iii: 10) If they
will,
let them not only be circumcised, but
mutilated.
Where
then are those who dare to mutilate
themselves; seeing that they draw down the Apostolic
curse, and accuse the
workmanship of God, and take part with the Manichees? ...
But if you will not allow this,
why do you not
mutilate the tongue for
blasphemy, the hands for
rapine, the feet for their evil courses, in short,
the whole body?
For the ear enchanted
by the sound of a flute
hath often enervated the soul;
and the perception of a sweet perfume by the
nostrils hath bewitched the mind, and made it
frantic for pleasure .
Catullus,Carmina 63
Notes
Thy timbrel, Mother Cybele, the
firstings of thy rite,
And as her tender finger-tips on bull-back hollow rang
She rose a-grieving and her song to listening comrades
sang.
"Up Gallae, hie together, haste for Cybele's
deep grove,
Hie to the Dindymnean dame, ye flocks that
love to rove;
The which affecting stranger steads as bound in
exile's brunt
My sect pursuing led by me have nerved you to confront
The raging surge of salty sea and ocean's
tyrant hand
As your hate of Venus' [ZOE] hest your
manly forms unmann'd,
Gladden your souls, ye mistresses, with sense of error
bann'd.
Drive from your spirits dull delay, together follow ye
To hold of Phrygian goddess, home of Phrygian
Cybebe,
Where loud the cymbal's voice resounds with timbrel-echoes
blending,
And where the Phrygian piper drones grave bass
from reed a-bending,
Where toss their ivy-circled heads with might the
Maenades
Where ply mid shrilly lullilooes the holiest
mysteries,
Where to fly here and there be wont the she-god's
vaguing train,
Thither behoves us lead the dance in
quick-step hasty strain."
David's HALAL or
"praise" meaning "making self vile" threatening the
enemy that they would be robbed, rapped and
"raptured" if they did not turn coward. You
WILL NOT QUESTION 'the Leadership' as a real threat.
-ŭlŭlo ,
A.
[select] Lit.: “ canis ululat acute, Enn. ap. Fest. s. v. nictare, p. 177 Müll. (Ann. v. 346 Vahl. : canes,” Verg. A. 6, 257;
Ov. M. 15, 797
lupi, Verg. G. 1, 486;
cf. id. A. 7, 18:
simulacra ferarum. Ov. M. 4, 404:
“ summoque ulularunt vertice Nymphae,” Verg. A. 4, 168;
Cat. 63, 28;
Hor. S. 1, 8, 25:
“ Tisiphone thalamis ululavit in illis,” Ov. H. 2, 117:
“ per vias ululasse animas,” id. F. 2, 553; id. M. 3, 725;
9, 642; Luc. 6, 261 al.;
cf.: “ ululanti voce canere,” Cic. Or. 8, 27.—
B.
[select] Transf., of places, to
ring, resound, re-echo with
howling: “ penitusque cavae plangoribus aedes Femineis ululant,” Verg. A. 2, 488:
“ resonae ripae,” Sil. 6, 285: “ Dindyma sanguineis Gallis,” Claud. Rapt. Pros. 2, 269.—
-ŭlŭlātŭs , ūs,
m. id.,
I. a
howling, wailing, shrieking,
as a sound of mourning or lamentation, Verg. A. 4, 667;
Ov. M. 3, 179;
5, 153; 8, 447; Plin. 8, 40, 61,
§ 145: “ lugubris,” Curt. 4, 15, 29; 5, 12, 12; Stat. Th. 9, 178 al.— The
wild yells or warwhoops of the Gauls,
Caes. B. G. 5, 37;
7, 80.— The wild
cries and shouts of the Bacchanals, Cat. 63, 24;
Ov. M. 3, 528;
3, 706.
-Fēmĭnĕus I.
Transf., with an accessory notion of
contempt, womanish, effeminate, unmanly:
vox, Quint, 1, 11, 1; cf. Ov. A. A. 3, 286:
“pectus,” Ov. M. 13, 693:
“amor praedae,” Verg. A. 11, 782:
“lunae femineum et molle sidus,” Plin. 2, 101, 104, §
223.
“clamor,” id. ib. 12, 226;
cf. “vox,” id. ib. 3, 536;
-Gallus A.
Galli , ōrum, m., the
priests of Cybele, so called because of their
raving, Ov. F. 4, 361 sq.;
Plin. 5, 32, 42, §
146; 11, 49, 109, § 261;
35, 12, 46, § 165;
Paul. ex Fest. p. 95
Müll.; Hor. S. 1, 2, 121.—In
sing.: Gallus , i, m., a
priest of Cybele, Mart. 3, 81;
11, 74; cf. Quint. 7, 9, 2:
“resupinati cessantia tympana Galli,” Juv. 8, 176.—And
satirically (on account of their emasculated condition),
in the fem.: Gallae , ārum, Cat. 63, 12,
and 34.—
2. (Acc. to II. A., of or belonging to
the priests of Cybele; hence, transf.) Of or belonging
to the priests of Isis, Gallic: “turma,” the troop of
the priests of Isis, Ov. Am. 2, 13, 18.
Ovid
Amor 2, 13, 18
With cruel
art Corinna
would destroy
The ripening fruit of our repeated joy.
While on herself she practises her skill,
She's like the mother, not the child, to kill.
Who Memphis
visit'st, and the Pharian tower,
Assist Corinna
with thy friendly powers.
Thee by thy silver Sistra I conjure,
[Miriam's instrument]
A life so precious by thy aid secure;
So mayst thou with Osiris
still find grace:
By Anubis's venerable face,
I pray thee, so may still thy rights divine
Flourish, and serpents round thy offerings twine
May Apis with his horns the pomp
attend,
And be to thee, as thou'rt to
her, a friend.
Look down, oh Isis! on the teeming fair,
And make at once her life and mine thy care:
Have pity on her pains; the help you give
To her, her lover saves, in her I live.
From thee this favour she deserves; she pays
Her vows to thee on all thy solemn days;
And when the Galli
at thy altars wait, [emasculated priests of
cybele-Isis, dogs, concision]
She's present at the feast they celebrate.
Golden
Calf 2: The Egyptian PATTERN of the golden calf or
DEMON WORSHIP
Golden
Calf 2: The Egyptian PATTERN of the golden calf or
DEMON WORSHIP
This
describes the Israelite Fall from Grace by
perverted musical worship at Mount Sinai
The
Spirit OF Christ defined the same MARK of
Instrumental noise and a fall from Grace
Gallĭcus III.
Of the priests of Cybele; v. 3.
Gallus, II. B. 2.
-rĕ-sŭpīno
, Prop. 4 (5), 8, 51.
resupinati cessantia tympana Galli, i. e. prostrate
from drunkenness, Juv. 8, 176
et saep.— In mal. part., to stretch out: “aviam amici,” Juv. 3, 112.—
Pass.
tympănum , i
(collat. form typă-num , Cat. 63, 8 sq.),
n., = tumpanon,
I. a drum, timbrel,
tambour, tambourine.
A. Esp., as beaten
by the priests of Cybele, Lucr. 2, 618;
Cat. 63, 8 sq.;
Verg. A. 9, 619;
Ov. M. 3, 537;
4, 29; 4, 391; id. F. 4, 213; Plaut. Poen. 5,
5, 38; Caes. B. C. 3,
105; Curt. 8, 11, 20;
8, 14, 10; Tac. H. 5, 5,
—Also by the Bacchantine females, Ov. M. 11, 17.—Beaten
by the Parthians as a signal in battle in place
of the tuba, Just. 41,
2, 8.—
B. Trop.,
a timbrel, etc., as a figure of something effeminate,
enervating: “tympana eloquentiae,” Quint. 5, 12,
21: “in manu tympanum est,” Sen. Vit. Beat.
13, 3.—
elŏquentĭa
, ae, f. eloquor,
I. a
being eloquent, eloquence,
Cic. Part. 23, 79;
id. de Or.
1, 5, 19; 1, 32, 146; Quint. 9,
17, 2; 2, 16, 7;
Tac. Or. 8, 30
et saep.
Tumpa^non ,
to/, also in the form tupanon
(q.v.): (tuptō):—
A.
kettledrum, such as was used
esp. in the worship of the Mother Goddess
and Dionysus, Hdt.4.76,
E.HF892;
tumpanōn alalagmoi, aragmata, Id.Cyc.65
(lyr.), 205;
tumpana, Rheas te mētros ema th' heurēmata, says
Dionysus, Id.Ba.59,
cf. 156
(lyr.), IG42(1).131.9,
10 (Epid.); in Corybantic
rites, Ar.V.119;
t. arassein, rhēssein, AP6.217 (Simon.), 7.485Diosc.); “kataulēsei khrētai kai tumpanois” Sor.2.29. (
2.
metaph., tumpanon phusan, of inflated
eloquence, AP13.21
(Theodori
kat-auleō
,
A. charm
by flute-playing, tinos Pl.Lg.790e,
cf. R.411a;
tina Alciphr.2.1:
metaph., se . . -ēsō phobō I will flute
to E.HF871
(troch.):—Pass., of persons, methuōn kai katauloumenos
drinking wine to the strains of the
flute, Pl.R.561c;
k. pros khelōnidos pso to
be played to on the flute
with lyre accompaniment, Posidon.10 J., cf. Call.Fr.10.3
P., Phld.Mus.p.49
K. you on a ghastly flute,
2. c.
gen. loci, make a place sound
with flute-playing, Thphr.Fr.87:—
Pass., resound with flute-playing, “nēsos katēuleito” Plu.Ant.56.
|
THE
COMMAND IS TO SPEAK: THERE IS NO
COMMAND TO SING AS PERFORMANCE
Basic Reading of the text without the definition of words
proves that from the Church in the Wilderness onward there is
no musical content in what is defined as A School OF Christ
where the command is to teach what HE commanded to be taught:
We are very fortunate
that Paul commanded that we
SPEAK that which is written for our learning
[adults do not sing their lessons]
Both the ODE and PSALLO
SILENT.
THE
ALWAYS-PAGAN THESIS OF
CEREMONIAL LEGALISM
1. COMMAND:
Speak or the LOGOS Words is opposite to rhetoric,
singing, playing, acting which Jesus quoting Ezekiel 33
names as HYPOCRITES.
2. ODE and PSALLO in the place of the
heart, spirit or mind. In 1 Corinthians 14 this
means Keep It Silent Silly.
The command is to SPEAK
-lexis ,
eōs, h(, (legō B) A. speech,
OPPOSITE.
ōdē, Pl.Lg.816d;
l. ē praxis speech or
action, Id.R.396c;
ho tropos tēs l. ib.400d; ta lexei dēloumena orders given by
word of mouth,
ōdē is the OPPOSITE
of the LOGOS words
The Psallo based words (ie SOP) were used in the Septuagint
because Psalms were warrior chants or taunt songs.
Psalmos can be and is the Son of the DRUNKARD. Psallo
speaks of Apollyon twitching his bow-string to make it twang
to shoot forth a literal arrow into hiis enemy's heart.
He always had his Lyre by which He shot forth HYMNS to enable
him to shoot love arrows into male or female. Apollyon is the
Leader of the Muses or Locusts and John calls them Sorcerers.
ALL of the psallo proof texts used by Tom Burgess and the NACC
identify older males twanging his harp in order to seduce a
young male whose hairs had been plucked. They even did
some sex reassignment so that those paul warns about could
function as the priests of the mother goddesses.
The DRIVING PURPOSE is to Teach and Comfort WITH the Word of
Christ in the Prophets and Apostles.We adults know that there
can be NO LEARNING if the children clap and play and mock the
teacher.
SCRIPTURE ALWAYS DEFINES THE PAGAN
THESIS BEFORE OUTLAWING IT.
Plutarch
Marcus Antonius easily
fell again to his old licentious life. For straight, one
Anaxenor, a player of the cithern, Xoutus, a player
of the flute, Metrodorus a tumbler, and such
a rabble of minstrels and fit ministers for the
pleasures of Asia (who in fineness and flattery passed all
the other plagues he brought with him out of
Italy), all these flocked in his court, and bare the
whole sway: and after that all went awry. For every
one gave themselves to riot and excess, when they
saw he delighted in it: and all Asia was like to the
city Sophocles speaketh of in one of his tragedies:
Was full of sweet perfumes and pleasant
songs,
With woeful
weeping mingled there-amongs.
For in the city of
Ephesus, women, attired as they go in the feasts
and sacrifice of Bacchus, came out to meet him with
such solemnities and ceremonies as are then used: with men
and children disguised like fauns and satyrs.
Moreover, the city was full of ivy, and darts
wreathed about with ivy, psalterion,
flutes, and howboye [hautboys] and
in their songs they called him Bacchus,
father of mirth, courteous and gentle: and so was he unto
some, but to the most part of men cruel and extreme.
For he robbed noblemen
and gentlemen of their goods, to give it unto vile
flatterers:
who oftentimes begged living men's
goods, as though they had been dead, and
would enter their houses by force.
PAUL COMMANDED THE ANTITHESIS:
Ephesians 5:17 Wherefore be ye not unwise, but understanding
what the will of the Lord is.
Ephesians 5:18 And be not drunk with wine, wherein is excess;
The words Paul used are fully explained by his
SILENCING both the ODE and PSALLO.
Never used or ALLOWED in the Bible
among godly people
kat-auleô A. charm by
flute-playing, tinos Pl.Lg.790e, cf. R.411a; tina
Alciphr.2.1: metaph., se . . -ęsô phobôi I will flute to you on a ghastly flute, E.HF871 (troch.):--Pass., of persons, methuôn kai
Pass., of persons, methuōn
kai
katauloumenos
drinking wine to the strains of the flute,
Pl.R.561c;
k.
pros
khelōnidos
psophon
to be played to on the flute with lyre
accompaniment,
2. c. gen. loci, make a place sound with flute-playing, Thphr.Fr.87:-- Pass., resound with
flute-playing, nęsos katęuleito Plu.Ant.56
to be piped down, ridiculed,
“gelōmenoi
kai
-oumenoi”
Plutarcy Antony.
56 [4] For just
as all the kings, dynasts, tetrarchs, nations, and
cities between Syria, the Maeotic Lake, Armenia, and
Illyria had been ordered to send or bring their
equipment for the war, so all the dramatic artists were
compelled to put in an appearance at Samos; and while
almost all the world around was filled with groans and
lamentations, a single island for many days resounded
with flutes and stringed instruments; theatres there
were filled, and choral bands were competing with one
another. [5] Every city
also sent an ox for the general sacrifice, and kings
vied with one another in their mutual entertainments and
gifts. And so men everywhere began to ask: ‘How will the
conquerors celebrate their victories if their
preparations for the war are marked by festivals so
costly?’
Never used or ALLOWED in the
Bible among godly people
katapsallō
A.play stringed instruments to, [“sumposion
kataulein
kai
k.”
Plu.2.713e:—usu. in
Pass., have music played to one, enjoy music,
ib.785e; of places, resound
with music, Id.Ant.56.
2. Pass., to be buried to the sound of
music, Procop.Pers.2.23.
3. metaph., katapsalletai
. . ho
dēmiourgos
is drummed out,
RICK ATCHLEY:
To a question, he responds,
"you are going to find a lot of a cappella
churches that are gonna' start saying 'Sunday
morning we are going to be a cappella, but after
that, we are going to let a lot of freedom reign,'
which is pretty much what we do at Richland Hills.
You walk into our youth center Sunday morning or
Wednesday night: and I'm telling you--Christian rock an' roll is
just blasting'" (p. 9).
RICK ATCHLEY: When
WE made the
decision, we knew we would have to explain why WE were making the decision, so I led the church
through some teaching on why WE were
making the change WE
made.
And "We used christian bands
to teach your youth to leave your movement."
So we BURIED them with the sound of music: 2.
Pass., to be buried to the sound of music,
Procop.Pers.2.23.
3. metaph., katapsalletai
. . ho
dēmiourgos
is drummed out,
BUT: THE CHRISTIAN
ANTITHESIS
but be filled with
the Spirit [WORD, LOGOS]
Col 3:16 "The WORD of Christ."
Romans 15. "That which is written for our LEARNING" or
"Scripture for our comfort."
Ephesians 5:19 SPEAKING to yourselves in psalms and
hymns and spiritual songs,
BUT: singing and
making melody in your heart to the Lord;
Ephesians 5:20 Giving thanks always for all things unto God
and the Father in the name of our Lord Jesus Christ;
Ephesians 5:21 Submitting yourselves one to another in the
fear of God.
Ephesians 5:22 Wives, submit yourselves unto
your own husbands, as unto the Lord.
Because the PAGAN rebellion was: For in the city of Ephesus, women,
attired as they go in the feasts and sacrifice
of Bacchus
Plutarch
Marcus Antonius and
the STAFF PARASITES: As he gave a citizen's
house of Magnesia unto a cook, because (as it
is reported) he dressed him a fine supper. In the
end he doubled the taxation, and imposed a second
upon Asia. But then Hybraeas the orator, sent from the
estates of Asia, to tell him the state of their country,
boldly said unto him, "If thou [p.
173] wilt have power to lay two tributes in one
year upon us, thou shouldest also have power to give
us two summers, two autumns, and two harvests." This
was gallantly and pleasantly spoken unto Antonius by the orator,
and it pleased him well to hear it: but afterwards, amplifying
his speech, he spake more boldly, and to better purpose:
"Asia hath paid thee two hundred thousand talents. If all
this money be not come to thy coffers, then ask account
of them that levied it: but if thou have received it, and
nothing be left of it, then are we utterly undone."
When the Elders who were not APT fired God and demanded a king
like the nations it was so that they could WORSHIP like the
nations. This is the PATTERN of a Senior Preacher Person
intimidating elders and others to let him be the KING. God
will abandoned him. See
1 Samuel 8
And Samuel told
all the words of the Lord unto the people that asked of
him a king. 1 Samuel 8:10
And he said, This
will be the manner of the king that shall reign
over you: He will take your sons, and appoint them for himself,
for his chariots, and to be his
horsemen; and some shall run before his chariots. 1 Samuel 8:11
And he will appoint
him captains over thousands, and captains over fifties;
and will set them to ear his ground, and to reap his
harvest, and to make his instruments of war, and instruments of his chariots. 1 Samuel 8:12
And he will take your
daughters to be confectionaries, and to be cooks, and to
be bakers. 1 Samuel 8:13
And he will take your fields, and your vineyards, and your oliveyards,
even the best of them, and give them to his servants.
1 Samuel 8:14 And he
will take the tenth of
your seed, and of your vineyards,
and give to his
officers, and to his servants. 1 Samuel 8:15 [STAFF
or PARASITES]
And ye shall
cry out in that day because of your king which ye
shall have chosen you;
and the Lord will not
hear you in that day. 1 Samuel 8:18
TELL THE KINGS SET OVER YOU THAT
THERE IS NO LAW OF TITHING OR OF LAYING BY IN STORE AT THE
PREACHER'S BOX.
Of the
instruments used only by women or by effeminate or worse
males which Paul would
not permit points to the absolute connection between
religious music as ceremonial legalism proof that the
women and BOYS are ruling over you and you must love to
have it so to inhabit the "venue" made possible only by
driving out the widows and honest working people.
Ps 150:3 Praise
him with the sound of the trumpet:
praise him with the psaltery and harp
"The
name of psaltery entered
Christian literature in the 3rd century B.C.
translation of the Old Testament called the Septuagint where, in
the Psalms, nebel was
translated psalterion. Thus, Nebuchadnezzar's
idolatrous ensemble included the Aramic
psantria. Notice,
also, that the book of Psalms has also become known as
the Psalter (or psalterium), from the hymns
sung with this harp.
NEBUCHADNEZZAR the king
made an image of gold, whose
height was threescore cubits (60), and the
breadth thereof six (6) cubits: he
set it up in the plain of Dura (circle), in the
province of Babylon. Dan 3:1
That at
what time ye hear the sound of the (1) cornet, (2)
flute, (3) harp, (4) sackbut, (5) psaltery, (6)
dulcimer, and all kinds of musick, ye fall down and
worship the golden image that Nebuchadnezzar the king
hath set up: Dan 3:5
"Its (pipe = to love passionately) was
apparently a secular instrument and is never listed in the temple
orchestra;
only in Ps. 150:4 it is mentioned in a religious (but not ritual) function. Its ethos was not blameless at all, as we see from Genesis Rabbah 50:
'The angels said to
Lot:
'There are players of the pipe (organ) in the country, hence it ought to be
destroyed'." Its rabbinical identification with the
aboda, the flute of the notorious Syrian bayaderes, emphasizes the erotic
element which already the Hebrew name suggests."
(Interpreter's Dictionary of the Bible, p. 460,
Abingdon).
The
PRESERVED or predestinated out of Israel was a tiny
remnant who had NOT bowed to Baal which could happen in
Jerusalem.
The Psaltery and Nebel or harp have the same evil ROOTS:
Nebel (h5035) neh'-bel; or nebel
nay'-bel; from 5034; a skin- bag for liquids (from collapsing when empty); hence a vase (as similar in
shape when full); also a lyre (as having a body of like form): - bottle,
pitcher, psaltery, vessel, viol
Nabel (h5034) naw-bale'; a prim.
root; to wilt; gen. to fall away, fail, faint; fig. to be
foolish or (mor.) wicked; causat. to despise,
disgrace: - disgrace, dishonour, lightly esteem, fade
(away, - ing), fall (down, -ling, off), do foolishly, come
to nought, * surely, make vile, wither..
Nabal (h5036) naw-bawl'; from
5034; stupid; wicked (espec. impious): - fool
(-ish, -ish man, -ish woman), vile person.
Because the "god" of the Jews WAS Dionysus or Bacchus imposed
because of musical idolatry at Mount Sinai, you should know
that PSALLO is never translated in the Greek world as melody.
Melpô
Verb, celebrate with
song and dance, melpontes
hekaergon
Il.l.c.; Phoibon
Hes.l.c., cf. Pi.Fr.75.11;
m.
tina
kata
khelun
E.l.c.; “tina
kōmois”
Ar. Th.989
(lyr.); “m.
ōdais
Spartēn”
Anaxandr.41.19 (anap.); “m.
ton
posin”
E.Tr.339
(lyr.).
; “tina
kōmois”
Ar.
—sing to the lyre
or harp, “meta
de
sphin
emelpeto
theios
aoidos,
phormizōn”
[APOLLO'S INSTRUMENT]
Od.4.17, cf. 13.27; “melpeo
kai
kitharize”
h.Merc. 476;
Melpomenos,
epith. of Dionysus at Athens, Paus.1.2.5; dance
and sing, as a chorus,
Th.989
(lyr.); “m.
ōdais
Spartēn”
Anaxandr.41.19 (anap.); “m.
ton
posin”
E.Tr.339
(lyr.).
phoibos
, A.pure, bright, radiant, “hudōr”
Hes.Fr.274, Lyc.1009; “hēliou
phoibē
phlogi”
A.Pr.22;
“aigla”
II. as pr. n., Phoibos,
ho,
Phoebus, i.e. the Bright or Pure, an
old epith. of Apollo, “Ph.
Apollōn”
Il.1.43,
al.; rarely inverted, “Apollōn
phoibos”
20.68,
kōmos
, ho,
A.revel, carousal, merry-making, deipna
kai
sun
aulētrisi
kōmoi”
Pl.Tht.173d;
2. concrete, band of revellers, “k.
euiou
theou”
Id.Ba.1167
(lyr.); esp. of the procession which celebrated a
victor in games, Pi.P.5.22,
etc.: generally, rout, band,
II. the ode sung at one of these festive
processions, Pi.P.8.20,
70, O.4.10,
B.8.103; “meligaruōn
tektones
kōmōn”
Pi.N.3.5,
cf. Ar.Th.104,
988 (both
lyr.).
Sing or
celebrate a song and dance Melos 2.
music to which a song is set, tune, Arist.Po.1450a14;
opp. rhuthmos,
metron,
Pl.Grg. 502c;
opp. rhuthmos,
rhēma,
3.
melody of an instrument, “phormigx
d'
au
phtheggoith'
hieron
m.
ēde
kai
aulos”
Thgn.761; “aulōn
pamphōnon
m.”
2.music to which a song is set, tune 3. melody of an
instrument, Mouso-polos, on, A.serving the Muses,
poetic II. Subst., bard, minstrel, AS
THE: Aoidos (aeidō)
A.singer,
minstrel, bard, Il.24.720,
Od.3.270,
al., Hes.Th.95,
Op.26,
III. = eunoukhos,
Hsch.; cf. doidos.
eunoukhos
, ho,
(eunē,
ekhō)
REVELATION 18: PROPHETIC TYPE FULFILLED: THE
END-TIME BABYLON MOTHER OF HARLOTS
The Mark of the Beast
|
thērion , to (in form Dim. of thēr), A. wild animal, esp.
of such as are hunted, mala gar mega thērion ēen, of a stag, Od.10.171,
180
(never in Il.); in
Trag. only in Satyric drama
Sikinnis
sikinn-i^s si^,
or siki_nis (E.Cyc.37),
idos,
A. “Sikinnin”
D.H.7.72:—Sicinnis,
a dance of Satyrs used in the Satyric
drama, S.Fr.772,
E. l.c., D.H. l.c., Luc.Salt.22: named
from its inventor Sicinnus, Ath.1.20e, cf. Scamon 1; or from Sicinnis,
a nymph of Cybele, although originally danced
in honour of Sabazios,
[David's naked dance]— Also written Sikinnon , to/, Suid.; Sikinna ,
The Jewish Worship
promoted by the MUSICAL discorders
Sa^bazios , ho, (Sabos) a Phrygian
deity, whose mysteries resembled the teletai of Dionysus,
Thphr.Char.27.8
(but Sabadion [acc.] ib.16.4,
cf. Dessau Inscr.Lat.Sel.2189),
Nymphis 11; hence
afterwards taken as a name of Dionysus
himself, Ar.V.9,
Av.875,
Lys.388;
A.“theō Sabaziō pagkoiranō” CIG3791 (Bithynia),
cf. IG12(5).27
(Sicinus); “Di Sabaziō”
Cybele or Kubebes: CII.
Kubębęs.
The ‘Great Mother’ goddess of the Phrygians worshipped at Pessinus, the mętęr Dindumęnę of i. 80.
1. For the Anatolian ‘Great Mother’ cf. App. I. 2, Frazer, G.
B. iv, Bk. II, Attis, &c.; Ramsay, in Hastings'
Bible Dictionary, extra vol., p. 120 f. The Atys myth which involved her cult is
connected with Sardis by H.'s story of the son of Croesus (i. 34. 2 n.). The Great Mother was worshipped at Athens in the days of Sophocles (Phil. 391), and identified by the Greeks with Rhea, mother of the gods (cf.
iv. 76; Strabo 469), with Aphrodite, with Demeter, and with Artemis as the lady of the wild woods.
But here she is regarded as a foreign goddess.
She is the facilitator or organon a musical
instrument of Rhea (Eve, Zoe)
Deilos cowardly, vile,
worthless, lowborn, mean
Plat.
Phaedrus 240b has mingled with most of
them some temporary pleasure; so,
for instance, a flatterer is a horrid creature and
does great harm, yet Nature has combined with him a
kind of pleasure that is not without
charm, and one might find fault with a courtesan
as an injurious thing, and there are many other such
creatures and practices which are yet for the time
being very pleasant; but a lover is not only
harmful to his beloved.
hēdonē , Dor.
hadona to
speak so as to please another, “dēmēgorein” D.4.38;
“ou pros hē. hoi ēn ta aggellomena” Hdt.3.126;
3. Pl., desires
after pleasure, pleasant lusts,
X.Mem.1.2.23,
Ep.Tit.3.3,
al.
Kolax ,
[Philippians 3 Dogs or Catamites] A. flatterer, fawner,
Ar.Pax756,
Lys.28.4,
Pl.Phdr.
240b, etc.; “tukhēs kolakes” ; parasite, D.L.6.4.
2. Att.
goēs, Moer. p.113 P.
II. lisping pronunciation
of korax,
Ar.V.45.
NEVER
amous-os , on, A. without
song, of fishes, Emp.
74; but usu. without
the Muses, i.e. without taste or refinement,
rude, E.Ion526,
Ar.V.1074;
“ a. kai aphilosophos” Pl.Sph.259e;
a. hēdonē, hamartēmata, gross
pleasure, faults, Pl.Phdr.240b,
Lg.863c;
a. esti, c. inf., it
is incongruous, Ar.Th.159;
tōn Leibēthriōn amousoteros,
PROVERB. for lowest degree of mental
cultivation, Zen.1.79:
Sup., “ glōtta -otatē” Agath.2.28. Adv. “ -ōs” Pl.Hp.Ma.292c.
Goēs , ētos, ho, A. sorcerer,
wizard epōdos Ludias apo khthonos” E.Ba.234
2. juggler, cheat,
“deinos g. kai pharmakeus kai sophistēs”
Pl.Smp.203d;
“deinon kai g. kai sophistēn . . onomazōn” D.18.276;
“apistos g. ponēros” Id.19.109;
“magos kai g
Sophis-tēs , ou, ho, A. master
of one's craft, adept, expert, of diviners, with
modal words added, “hoi s. tōn hierōnmelōn ”
[MELODY IN THE HOLY PLACE]
3. later of the rhētores, Professors
of Rhetoric, and prose writers of the
Empire, such as Philostratus and Libanius, Suid.; “Apollōnidē sophistē” [Abaddon, Apollyon]
PHARMAKIA identifies the speakers, singers and
instrument players in Revelation 18:
John called them sorcerers and says they will
be (are) cast alive into the lake of fire.
“hē mousikē aei ti kainon thērion tiktei”
mousikę aei ti kainon
thęrion tiktei
A. Mousikos, musical, agônes m. kai
gumnikoi choroi te kai agônes ta mousika music,
II. of persons, skilled in music,
kuknos [minstrel] kai alla zôia;
peri aulous - professional
musicians, mousikos
kai melôn poętęs, use with singing,
skilled in speaking before a mob. Melody,
B.
aei always
C. kainos , esp.
of new dramas, the representation of the new
tragedies, (Aphrodisias dedicated to Aphrodite
(ZOE); comedy, sexual love, pleasure, a
woman's form of oath, Aster or
Venus or ZOE Lucifer
D. Therion
E. Tikto mostly of
the
mother
of Rhea
one of the zoogonic or vivific principles
sunestiōmenon,
of woman
Sunesti^-aō , A.
help to entertain, AP4.3.24 (Agath.):—Pass., live
or feast along with or together, Lys.Fr.53.2, Is.3.70,
D.19.190,
etc.; [theois]
Plu.2.121f; “meta
tinōn”
IG22.1214
2 Peter 2:12 But
these, as natural brute beasts, [Zoon, Zao, Zoe căprīlis , e, of
or pertaining to the goat: “semen, i. e. capellae,”
made
to be taken and destroyed,
speak
evil of the things that they understand not;
and
shall utterly perish in their own corruption;
|
|
Rev 18:1 And after these
things I saw another angel come down from heaven,
having great power; and the earth was lightened with
his glory. 2 And he cried mightily with a strong
voice, saying, Babylon the great is fallen, is fallen, and is
become the habitation of devils, and the hold of every foul spirit, and a cage of every unclean and hateful bird. [seed pickers]
And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no
more at all in thee; and no craftsman, of
whatsoever craft he be, shall be found any more in
thee; and the sound of a millstone shall be heard no more at all in
thee; Rev 18:22
Rev 18:23 And the
light of
a candle shall shine no more at all in thee; and the voice of the
bridegroom and of the bride shall be heard no more
at all in thee: for thy merchants were the great men of
the earth; for by thy sorceries were all
nations deceived.
pharmakos (on the accent v.
Hdn.Gr.1.150), ho, hę,
A. poisoner,
sorcerer, magician, LXXEx.7.11 (masc.),
Ma.3.5 (fem.), Apoc.21.8, 22.15.
-pharmak-eus , eôs, ho,
-gnęsi-os mētēr tōn erōtikōn logōn, MOTHER of
Aphrodite, ,
Luc.Am.19; g. aretai real, unfeigned virtues,
Pi.O.2.11; g. humnoi inspired song, B.8.83; e. melos a love
song Pi.O.2.11;
g. humnoi inspired
song, B.8.83;
of
mętęr tôn erôtikôn logôn Mother of erôt-ikos A. of or caused by
love, orgę [wrath], or Aphrodite:
-Thucydides,
The
Peloponnesian War Thuc. 6.57.3, they rushed, as
they were, within the gates, and meeting with
Hipparchus by the Leocorium recklessly fell upon
him at once, infuriated, Aristogiton by love
[orgēs
ho men erōtikēs], and Harmodius by
insult, and smote him and slew him.
[4] Aristogiton escaped
the guards at the moment, through the crowd
running up, but was afterwards taken and
dispatched in no merciful way: Harmodius was
killed on the spot.
Note:
The story was that the three daughters of King
Leos were sacrificed to avert famine from
Athens. The chapel is connected with the worship
of A pollo as god of purification.
ou rhaidiôs
dietethę : was handled not softly, i.e.
cruelly killed (ou rhaidiôs, kakôs Hesych. and
Phot.).
sophis-tēs , ou, ho,
A. master of one's craft,
adept, expert, of diviners, Hdt.2.49;
of poets, “meletan sophistais prosbalon” Pi.I.5(4).28,
cf. Cratin.2; of
musicians, “sophistēs . . parapaiōn khelun” with modal
words added, “hoi s. tōn hierōn melōn” Ael.NA11.1;
Musical melodi is MELOS and never
Psallo: A Sophist or WISE guy from whom God
HIDES is one who makes melody in a holy place.
II. from late v B.C., a Sophist, i.e.
one who gave lessons in grammar, rhetoric,
politics, mathematics, for money [a disgrace],
such as Prodicus, Gorgias, Protagoras
3. later of the rhētores, Professors
of Rhetoric, and prose writers of the
Empire
Apollōnidē sophistē”
Morning Star, Lucifer, ZOE
-phôsphoros,
hęlios , ho, . as pr. n.,
Helios, the sun-god, Od.8.271,
etc.; nē ton Hē. Men.Sam. 108; hupo Dia Gēn Hēlion,
2. Hēliou astēr, of
the planet Saturn, v.l. in Pl.Epin.987c,
cf. D.S.2.30,
T
-Lampō , Il.13.474,
2. of sound, ring loud and clear, “paian de lampei” S.OT186
(lyr.), cf. 473
(lyr.); cf. “lampros” 1.4.
II. trans., cause to shine, illumine,
“dolion aktais astera lampsas” E.Hel.
1131 (ly
-lampas (B),
ados, poet. Adj.,
-lampas in Bacchic ceremonies,
Id.Ra.340
(lyr.); used in festal processions, phainete toutō (sc. tō Aiskhulō） lampadas hieras ib.1525
(anap.), cf. Th.102
(lyr.). 2. faggot, Plb.3.93.4;
any light, lamp, “lampades argurai” LXX Ju.10.22;
2. metaph., of life, “lampada gar zōas me dramein . . ēthele daimōn” Epigr.Gr. 231
(Chios); “kathaper lampada ton bion paradidontas allois ex allōn” Pl.Lg.776b.
-zoe living,
i.e. one's substance, property,
To get one's living
by . . , Hdt.8.105,
cf. 2.36,
II. zōē,= “graus” 11, the
scum on milk
-zôos zôon helein
tina to take
prisoner
phthiô , cause to PINE away. let not thy
life be wasted, b. of the moon, wane
zôoô , impregnate,
Venus Also know as Matrimonium also
Nuptiae (gamos). Marriage.
The worship
of Venus was
promoted by Caesar, who traced his descent from
Aeneas, who was supposed to be the son of Mars and Venus. (See Aeneas.) The month of April, as
the beginning of spring, was thought to be
peculiarly sacred to the goddess of love, and
recalled also the early Italian conception of her
functions. Both ideas are beautifully blended in the
magnificent apostrophe to Venus Genetrix with which Lucretius commences his
poem De Rerum Natura, in which she is regarded as
the creative, vivifying force of Nature, the source
of life and strength in all things. Respecting the
Greek goddess see Aphrodité.
-Aphrodité
-Aphroditę [II.
[select] as Appellat., sexual love,
pleasure, Od.22.444;
“hup'
Apollōni
psauein
Aphroditas”
Pi.O.6.35
III
ho
tas
Aphroditas
astēr]
the planet Venus, Ti.Locr.97a,
cf. Pl.Epin.987b,
Arist.Metaph.1073b31,
etc.
-Apollôn , ho, Apollo:
gen. ōnos (also ō An.Ox.3.222):
acc.
A.“ Apollō” IG1.9, al., A.Supp.214,
S.OC1091,
Tr.209
(lyr.) (mostly in adjurations, nēton Apollō, etc.), “ Apollōna” Pl.Lg.624a,
freq. later, Agatharch.7,
etc.: voc. “ Apollon” Alc.1, A.Th.159(lyr.),
Cratin.186,
etc.; “ Apollōn” A.Ch.559;
cf. Apellōn, Aploun.
II. Pythag. name
of a number, Porph.Abst.2.36.
|
12.22.13 Lucifer
is Venus or ZOE and among the matriarchal "mother of
harlots" she-he is EVE or EVAH meaning an Abomination.
Lucifer is well documented in the Greek literature.
Christ said that when Lucifer was Cast as Profane (Chalal or
Halal the "praise" word) into the Garden of Eden She-He was
the "singing and harp-playing prostitute."
The Beginning Mother of Beasts and the End-Time Babylon
Mother of Harlots are identical. Paul said that Eve was wholly
SEDUCED as a new bride is SEDUCED just before her husband.
That is why Cain (from a musical note or mark) was OF that
Wicked one.
Eve is mentioned only twice in the New Testament and
because Jesus spoke in parables to HIDE the truth
from the WISE (sophists=rhetoricians, singers, musicians,
actors). Moses was writing an INVERTED version
of Babylon Myths AFTER the nation fell from
grace BECAUSE of instrumental idolatry at Mount Sinai.
Therefore, those who mock Paul do not understand that Paul
knew all about Eve and scholars know nothing. While not
necessarily true, Paul understood that women especially looked
to EVE (Zoe, Mary) as THEIR Mediatrix.
The serpents, however, of the magicians-(that is,) the
gods of destruction-withstood the power of Moses in Egypt,
but the rod of Moses reduced them all to subjection and
slew them. This
universal serpent is, he says, the wise discourse of Eve. This, he says, is the mystery of Edem, this the river of Edem;
this the mark that was set upon Cain,
that any one who findeth
him might not kill him.
This, he says, is Cain, [Gen. iv. 15] whose sacrifice
[Gen. iv. 5. ] the god of this world did not accept.
Theophilus
to Autolycus
This Eve, on account of her
having been in the beginning deceived by the serpent,
and become the author of sin, the wicked demon,
who also is called Satan, who then spoke to her
through the serpent, and who works even to this day in
those men that are possessed by him, invokes as Eve.58
And he is called "demon" and "dragon," on
account of his revolting from God. For at first he
was an angel. And concerning his history there is a great
deal to be said; wherefore I at present omit the relation
of it, for I have also given an account of him in another
place.
58 Referring to
the bacchanalian orgies in which " Eva " was
shouted, and which the Fathers professed to believe was
an unintentional invocation of Eve, the
authoress of all sin.
The word "abomination" is also key to understanding the
context. In Hebrew, the word "to 'evah,"
(abomination) is almost invariably linked to idolatry.
In the passages from which both verses are taken,
God tells Moses to tell the people not to follow the
idolatrous practices of the people around them,
people who sacrificed their children to Molech, or
who masturbated into
the fire to offer their semen to Molech, for example. Chapter 20 starts off
with the same warning.
"To 'evah" also means "something which is ritually unclean."
But also, concerning music, some have fabled
that Apollo [Abaddon, Apollyon]
was the inventor, and others say that Orpheus
discovered the art of music from the sweet voices of the
birds. Their story is shown to be empty and vain, for
these inventors lived many years after the flood. And
what relates to Noah, who is called by some Deucalion,
has been explained by us in the book before mentioned,
and which, if you wish it, you are at liberty to read.
Genesis 1 is exactly parallel to John 1: after Israel
fell into instrumental idolatry of their Egyptian gods, God
abandoned the later Civil-Military-Clergy complex to worship
the same "gods" that appear as Abaddon or Apollyon in
Revelation. The LOCUSTS or MUSES are unleashed from
"hell" and Abaddon is the Musical Worship leader. This
happened exactly 4000 years after Moses defined the same
conflict between LIGHT and DARK. That was launched by
the most virulent, hostile attack against the
ANTI-instrumental Churches of Christ mounted exactly 100 years
after the first brutal attack. This convinced Churches
of Christ that even friendly fellowship meant that their flock
would be Purpose Driven by the boast of "Infiltrating and
diverting the church homes of widows and honest workers into
A Theater for Holy Entertainment."
Armageddon is not a war of the
world but a war of words: a polemic war with shock
and awe as the meaning of mechanical Organon used by
Jubal's family to bring on the first destruction.
Great tribulation flaunting "the holiness of sin"
has accompanied the loss of faith at the end of each
DAY period.
Matthew 24:21 For then shall be great tribulation,
such as was not since
the beginning of the world to this time, no, nor ever shall
be.
Matthew 24:22 And except those days should be shortened, there
should no flesh be saved:
but for the elect’s
sake those days shall be shortened.
Matthew 24:23 Then if any man shall say unto you, Lo, here is
Christ, or there; believe it not.
Matthew 24:24 For there shall arise false Christs, and
false prophets,
and shall shew great
signs and wonders;
insomuch that, if it
were possible, they shall deceive the very elect.
sēmeion
, 3. sign or signal to do a
thing, made by flags, anedexe
sēmēion
toisi
alloisi
anagesthai
he made signal for the rest to put to sea, Hdt.7.128; signal
for battle, ta
s.
ērthē,
katespasthē,
Th.1.49,63, etc.; kathairein
to
s.
to take it down, strike the flag, as a sign
of dissolving an assembly, And.1.36; to
tēs
ekklēsias
s.
Ar.Th.278;
8. watchword, war-cry, Plb.5.69.8; “apo
s.
henos
epistrephein
tas
naus”
Th.2.90, cf.X.HG6.2.28.
Lying Wonders teras
III. in colloquial language, “teras
legeis
kai
thaumaston”
Pl.Hp.Ma.283c,
cf. Tht.163d; “teras
legeis,
ei
. . ” Id.Men.91d
A million Jews were cast into Tophet (tabret,
tambourine) at the first fulfilment. Not one DISCIPLE of Christ
was "burned" and the Jews are still looking for their Levites
and the tens of thousands of HARPS which according to
the Babylonian Prophetic type were "cast alive with their
harps along with the king"
The Spirit OF (preposition) Christ defines the Church in the
Wilderness and the future REST after the Jew's Covenant with
Death and Hell had been annulled with only a tiny remnant of
faithful Jews:
Isaiah 14:9 Hell from beneath is moved for
thee to meet thee at thy coming:
it stirreth up
the dead for thee, even all the chief ones of the
earth;
it hath raised up from
their thrones all the kings of the nations.
Isaiah 14:10 All they shall speak and say unto thee, Art thou
also become weak as we? art thou become like unto us?
Isaiah 14:11 Thy pomp is brought down to
the grave, and the noise of thy viols:
the worm is spread under
thee, and the worms [Maggots] cover thee.
-Sublīmis , B.
In partic., of language, lofty, elevated,
sublime (freq. in Quint.): “sublimia carmina,” Juv. 7, 28:
“verbum,” Quint. 8, 3, 18:
“oratio,
of orators, poets, etc.: “natura
sublimis
et
acer,”
Hor. Ep. 2, 1, 165: “sublimis
et
gravis
et
grandiloquus
(Aeschylus),
carmen , ĭnis, n. (old
form cas-men , Varr. L. L. p. 86 Bip.) [Sanscr.
çasto declaim, praise; cf.: camilla, censeo],
I. a tune,
song; poem,
verse; an oracular response,
a prophecy; a form of incantation (cf.: cano,
cantus, and canto).
5. A magic formula,
an incantation:
6. On account of the very ancient practice of
composing forms of religion and law in Saturnian verse,
also
a formula in religion or
law,
a
form:
“
barbaricum,”
id. M. 11, 163.—With
allusion
to playing on the cithara:
Apollinem) concordant carmina nervis,
APOLLO
and since he communicated oracles in verse, god of
poetry and music,
presiding over the Muses
Opposite
to: sum-mitto
”
to moderate his efforts,
restrain
himself ,
accommodating his instructions to
the capacity, speak humbly,
grandĭlŏquus , i,
m. grandis-loquor,
I. speaking
grandly or loftily:
“
et grandiloqui, ut ita dicam, fuerunt cum ampla et sententiarum gravitate et majestate verborum,”
Cic. Or. 5, 20;
cf.
Quint. 10, 1, 66:
grandiloquent: “
isti grandiloqui (i. e. Stoici),”
boasters,
Cic. Tusc. 5, 31,
89.
Lucifer is Venus or ZOE and among the
matriarchal "mother of harlots" she-he is EVE or EVAH
meaning an Abomination. Lucifer is well documented in
the Greek literature. Christ said that when
Lucifer was Cast as Profane (Chalal or Halal the
"praise" word) into the Garden of Eden She-He was the
"singing and harp-playing prostitute."
Isaiah 14:12 How art thou fallen from heaven, O Lucifer,
son of the morning!
how art thou cut
down to the ground, which didst weaken the
nations!
-infernus
, a, um, adj. infer,
I. lower, that which lies beneath
IN THE LXX FROM WHICH JESUS QUOTED:
Thy glory has come
down to Hades, and thy great mirth: under thee they shall
spread corruption and the worm shall be thy
covering. Isaiah 14:11 LXX
[11] detracta est ad
inferos superbia tua concidit cadaver tuum
subter te sternetur tinea et operimentum tuum erunt
vermes
-Superbĭa
I. In a bad sense, loftiness, haughtiness,
pride, arrogance
Dan 3:5 That at what time ye hear the sound of the
cornet, flute, harp, sackbut, psaltery, dulcimer,
and all kinds of
music, ye fall down and worship the golden
image that Nebuchadnezzar the king hath set up:
Dan 3:6And whoso falleth not down and worshippeth shall
the same hour be cast into the midst of a burning fiery
furnace.
-ludībrĭum
I. a mockery, derision, wantonness.
. A laughing-stock, butt, jest, sport
B. A scoff, jest, sport: to reproach jestingly, scoff,
such a drunkard as to be a standing jest, C. Abuse,
violence done to a woman: in corporum ludibria deflere,
Ex-tollo
II. Trop., to raise, elevate,
exalt: “orationem amplificationibus,” Quint. 12, 10, 62;
cf.
ōrātĭo , ōnis, f.
oro, E. A prayer, an address to
the Deity (eccl. Lat.): “respice ad orationem servi tui,” Vulg. 3 Reg. 8, 28:
“per orationes Dominum rogantes,” id. 2 Macc. 10, 16:
“pernoctans in oratione Dei,” id. Luc. 6, 12.—Also
absol., prayer, the habit or practice
of prayer: “perseverantes in oratione,” Vulg. Act. 1, 14:
“orationi instate,” id.
Col. 4, 2; cf. Gell. 13, 22, 1.
Most Jews of the "viper race" replaced most godly Jews who
would not let their boys "wear the hat of Hermes" and serve as
singers, dancers and prostitutes in Herod's Temple.
See Second Maccabees and notes from the Pink
Swastika.
2 Maccabees 1
1 -
The Jewish brethren in Jerusalem and those in the land
of Judea, To their Jewish brethren in Egypt,
Greeting, and good peace.
2 - May God do good to
you, and may he remember his covenant with
Abraham and Isaac and Jacob, his faithful
servants.
3 - May he give you all
a heart to worship him and to do his will
with a strong heart and a willing spirit
Madison as the result of the "Jubilee" intending to
restructure ALL Churches of Christ was attacked by the
Purpose Driven Cult and it appears that the godly elect were
"raptured." This is the end of the road for the Vision
20/20s in most of the assaulted churches of
Christ. Before the Jubilee "frog-boiling" process began
Madison boasted that they had over 5000 members and lost only
"50": These numbers did and may include 300 members in jail.
THE KINGDOM OF GOD DOES NOT COME WITH RELIGIOUS
"OBSERVATIONS" AND THE WARNING IS STILL IN EFFECT
Matthew 24:25 Behold, I have told you before.
Matthew 24:26 Wherefore if they shall say unto you,
Behold, he is in the
desert; go not forth:
behold,
he is in the secret chambers; believe it not.
Matthew 24:27 For as the lightning cometh out of the east,
and shineth even unto the west;
so shall also
the coming of the Son of man be.
Matthew 24:28 For wheresoever the carcase is, there
will the eagles be gathered together.
Matthew 24:29 Immediately after the tribulation of
those days
shall the sun be
darkened,
and the moon shall not
give her light, [Bible replaced by Theology fit for
OUR CHANGED CULTURE.]
and the stars
shall fall from heaven, [The lucifer or
ZOE types]
and the powers
of the heavens shall be shaken:
Matthew 24:30 And then shall appear the sign of the Son of
man in heaven:
and then shall all the
tribes of the earth mourn,
and they shall see the
Son of man coming in the clouds of heaven with power and
great glory.
Matthew 24:31 And he shall send his angels with a great
sound of a trumpet,
and they shall gather
together his elect from the four winds, from one end of
heaven to the other.
ALL of the SOUNDS-LIKE INSTRUMENT PASSAGES war of JUDGMENT and
commands the godly--be they ever so scare--to GO and preach
the gospel to ALL nations.
The Purpose Driven Locusts or MUSES are to COLLECT all of
those with the MARK into large Mega-Groups and the GODLY will
evaporate as if by magic. Rick Atchleys boasted of 6400 shrank
to about 3500 counting both the MOTHER church and the DAUGHTER
churches. They have collected back up to about 4500 by
SOUNDING THE TRUMPETS AND THE LOCUSTS-MUSES as Abaddon the
Musical Worship Leader.
11.17.13 From Genesis to
Revelation and more extreme in these end times (we pray) the
Worship Wars have been between:
- The Civil-Military-Clergy Complex to which God abandoned
the Jacob-Cursed Levites as Sorcerers because of INSTRUMENTAL
IDOLATRY of the Egyptian triad under Apis (bull, demon
1 Cor 10).
--As
opposed to godly people who listened to and obeyed The Book
of The Covenant of Grace which was the Abrahamic Covenant
made by God in Christ. Neither in The Book of The
Covenant nor The Book of The Law are instrumental sounds
permitted to intimidate people NOT to listen to that
Covenant. Christ in Numbers forbids it.
- Paul leapfrogs all of the "drunk on wine" or being piped
or fluted down with wine and identified the tiny few
who cannot be intimidated by the Jewish Civil-Military-Clergy.
Jesus warned that those who speak the Word (Logos or
Regulative Principle) as He articulated the Breath (Spirit)
of the One Almighty, would be hated, despised,
rejected and subject to attack.
- BEASTSS are a Massed Multitude or "A New Style of Music or
Drama" which suddenly ATTACKS the songs and sermons already
delivered "for our learning" and COMFORT. The Purpose
Driven Restoration defined by Christ from the wilderness
onward was restored for a moment as:
CHURCH is A
School of Christ
WORSHIP is
Reading and Musing the Word
The WORD is the LOGOS which defines the Regulative
Principle: it is OPPOSITE of self-preaching, singing,
playing instruments or drama. LOGOS OUTLAWS all of the
Rhetorical WIND UP making the speaker or his
experiences REPLACE the Resurrection. Only the
resurrection Proves that Jesus speaks for God, and He
commanded that we teach and observe what HE
commanded to be taught. Those who GO BEYOND do not have
Christ and are therefore ANTI-Cross and ANTI-Logos delivered
by Jesus of Nazareth and left for our "memory."
- If they boast about using MUSIC to teach our youth to
leave our movement they are violating the direct
command NOT to use the TRIUMPH OVER meaning "vocal or
instrumental rejoicing or any self-speak." This was reserved
to identify Judas as the Son of Perdition. Psalm 41
prophesied that the familiar friend (Judas) would try to
TRIUMPH OVER Jesus. Twp MARKS are:
The Judas
Bag was for carrying the mouthpieces of a wind
instrument into which the thieves put their earnings.
The SOP
Jesus fed Judas caused Satan to enter in and destroy him as
a failure: even Satan knew that SOP AND PSALLO have the same
root meaning.
Rick
Atchley: What are you going to wind up with
if you follow Jesus? You are going to wind up with a cross
on your back, aren’t you? Let me just imagine—I don’t think
anybody with a cross on their back, about to die, fussed
about a piano (much laughter). Did they? That’s not
what you talk about when you are on your way to be
crucified. When you and I die to self, we can be of the same
mind, even when we are not of the same opinion. I
think it is a crucial matter we need to get across. Be
of the same mind with one another.
Disciples
or Students of Christ ARE of one mind: they
speak what Jesus spoke and commanded to be spoken. They
obey Romans 15 and SILENCE all of the performers and "use
one mind and one mouth to speak that which is written for
our learning." They follow the CENI from Christ in the
wilderness onward: they PREACH the WORD by READING the
Word for Comfort and Doctrine. "Arousing spiritual
anxiety is defined as RECRUCIFYING Christ to ourselves by
removing the COOLING of passions resquested by
baptism.
|
Jeremiah
11:15 What hath my beloved to do in mine house, seeing
she hath wrought lewdness with many, and the
holy flesh is passed from thee? when thou doest evil,
then thou rejoicest.
dēlectus or dīlectus cujus (euphōnias)
in eo dilectus est, ut, etc., Quint. 1, 5, 4
sapiente delectus, or SOPHOS speaking,
singing, playing, acting in the holy places
euphōn-ia , hē,
2. excellence
of tone, of horns, Arist. Aud.802b2.
glōrĭor ,.v.
dep. a. and n. id., to glory, boast,
vaunt, to brag of any thing, pride
one's self
Jeremiah 11:16 The LORD called thy name, A green olive
tree, fair, and of goodly fruit:
with the noise of a great tumult he hath
kindled fire upon it, and the branches
of it are broken.
ignis of the
flame of love, love: raving, inspiration,
Stat. Ach. 1, 509:
“quae
simul
aethereos
animo
conceperat
ignes, ore
dabat
pleno
carmina
vera
dei,”
Ov. F. 1, 473:
“(Dido)
caeco
carpitur
igni,”
the secret fire of love, Verg. A. 4, 2
Abaddon or Apollyon is the LEADER of the MUSES
incentor , ōris,
m. id.,
I.one who
sets the tune or begins to sing, a
precentor, singer (post-class.).
II. Trop., an inciter, exciter:
“igneus turbarum,”
Amm. 15, 1, 2: “civilis belli,” Oros. 5, 19: “rebellionis totius,
THE BAPTISM OF SPIRIT (WIND) AND FIRE WAS TO THRESH
JERUSALEM AND A CHURCH NEAR YOU.
19. [+of iniquity+] (16) Wash and make yourselves clean and turn away the evil of your habitual practices from before
my eyes, stop
doing evil. (17) Learn
Rachac (h7364) raw-khats'; a prim. root;
to lave (the whole or a part of a thing): - bathe
(self), wash (self).
Is.4:4 When the Lord shall
have washed away
the filth of
the daughters of Zion, and shall have purged the blood of
Jerusalem from the midst thereof by the spirit of judgment, and by the spirit of burning.
YOU HAVE BEEN TOLD ABOUT THE
MARK OF THE BEAST--A NEW STYLE OF MUSIC AND DRAMA
Jeremiah 11:17 For the LORD of hosts, that planted thee,
hath pronounced evil against thee, for the evil of the
house of Israel and of the house of Judah, which they
have done against themselves to provoke me to anger
in offering incense unto Baal.
Jeremiah 11:18 And the LORD hath given me knowledge of
it, and I know it: then thou shewedst me their
doings.
Jeremiah 11:19 But I was
like a lamb or an ox that is brought to the
slaughter;
and I
knew not that they had devised devices
against me, saying,
Let us destroy the
tree with the fruit thereof, and let us cut him off from
the land of the living,
that
his name may be no more remembered.
Those who get a vision to MOCK JESUS in fulfillment of
prophecy ALSO rush to remove CHRIST from their public
confession.
mansŭesco ,
I. Act., to tame, to
make tame B.
Trop., to render mild, gentle, or
peaceable:
“nam me jam ab orationibus
dijungo fere, referoque ad mansuetiores Musas,”
Cic. Fam.
1, 9, 23: “ira,” Ov. Tr.
3, 6, 23.—
dēlūbrum , i,
n. de-luo, the place of expiation, cella [holy
place as a house only for a god]
“noctu audita ex delubro vox est, etc.,” Liv. 29, 18:
“so coupled with templa,” id. 30, 20:
Isaiah 65.4 who sit among the graves, and lodge in
the secret places; who eat pig's flesh, and broth of
abominable things is in their vessels;
wickedly, profanely illūdo o
play at or with any thing, to
sport with, amuse one's self with
(syn. colludo; cf. ludificor). 1. To
make sport or game of, to jest,
mock, or jeer at, to ridicule
(class.).
1. To scoff or mock at, to
make a laughing-stock of, to ridicule
ipsa praecepta (rhetorum),” Cic. de Or. 1,
19, 87: “voces Neronis, quoties caneret,” Tac. A. 14, 52:
verbis virtutem superbis, Verg. A. 9, 634.—
Mūsa , ae, f.,
= Mousa, I.a
muse, one of the goddesses of poetry, music,
“Musarum delubra,” Cic. Arch. 11, 27:
“hic Musarum parens domusque Pieria, Mela, 2, 3, 2: crassiore Musā,
A. A song, a poem: “musa procax,” Hor. C. 2, 1, 37
Dumb
means the
inability to MEDITATE on what is going on.
cōgĭto The command
is to SPEAK the Word and MEDITATE in the heart: not to
make music.
Cogitation in a rational sense can be stopped by
(d). With de:
“cogitavit
etiam
de
Homeri
carminibus
abolendis,”
|
The WORD or LOGOS is the REGULATIVE
PRINCIPLE: opposite to personal experiences, rhetoric,
singing, playing instruments or Drama. Those who MOCK the
Regulative Principle defined in the Prophets and Apostles both
by the Spirit OF Christ, repudiate the Cross as the mark of a
SON who speaks only the words of the FATHER who breaths
(spirit) without metron most often meaning without
meter. This is another of Gods Rat Traps to sort out
those OF the World lusting to perform COSMIC WORSHIP.
Unfortunate for them, Jesus does not PRAY for them nor does He
let them read BLACK text on BROWN
paper. To be ANTI-God's Regulative Principle is to be
ANTI-Christ who died on the cross to prove that the massed
multitudes (beasts) will praise the Lord and stab Him while on
the cross.
|
Acts
8:32 The place of the scripture which he read was
this, He was led as a sheep to the
slaughter; and like a lamb dumb before his shearer,
so opened he not his mouth:
The clergy certainly silenced the Man Jesus of
Nazareth but they could not silence Jesus Who returned
as Holy Spirit and poured out what you see and hear in
the upper room: the wind or BREATH of Christ breathed
on the Apostles to give them His WORD or double edged
sword. The tongues of fire would be burning up the
chaff when the wind separated the grain from the
chaff. John says that the VIPER RACE would be
consume.
Acts 8:33 In his humiliation
his judgment was taken away: and who shall
declare his generation? for his life is taken from
the earth.
Self-Pleasure Paul outlawed in Romans 15 identifies
a HERETIC: he was the priest who lifted up the lambs
to cut their throat while the Levites made
instrumental noise and is called a Parasite. The
word means to SILENCE anything that prevents the
PATTERN to "use one mind and one mouth to speak that
which is written for our learning" Paul defined as
Scripture, the Holy Scriptures involve the Prophets
and apostles.
Matthew 27:29 And when they had
platted a crown of thorns, they put it upon his
head,
and a reed in his right hand: and
they bowed the knee before him,
and mocked him, saying,
Hail, King of the Jews!
Matthew 27:28 And they stripped
him, and put on him a scarlet robe.
Matthew 27:31 And after that they had
mocked him, they took the robe off from
him,
and
put his own raiment on him, and led him away
to crucify him.
Empaizō , fut.
to be deluded II. sport in
or on, “hōs nebros khloerais e. leimakos hēdonais” E.Ba. 866
(lyr.); tois khoroisin e. to sport in
the dance, Ar.Th.975;
“tō gumnasiō” Luc.Lex.5.
-Prospaizô , 2.
abs., sport, jest, 3. laugh at, make fun or sport of, sing
to the gods, sing
in their praise or honour, 2. banter, tous rhętoras
2
Peter 3 Marks of the End Time Mockers
2 Peter 3:2 That ye may
be mindful
of the words which were spoken before by the
holy prophets,
and of the
commandment of us the apostles of the Lord and
Saviour:
That is the CURRICULUM for DISCIPLES
who attend the School of the Word
and not pagan ceremonial legalism
2 Peter 3:3 Knowing this first,
that there
shall come in the last days scoffers,
walking
after their own lusts,
LEADER OF
THE CHORUS
-Aristoph. Thes.[947]
Let us now devote ourselves to the sports
which the women are accustomed to celebrate
here, when time has again brought round the
mighty Mysteries of the great goddesses,
the sacred days which Pauson himself honours by
fasting and would wish feast to succeed feast,
that he might keep them all holy. Spring
forward with a light step, whirling in mazy
circles; let your hands interlace, let the
eager and rapid dancers sway to the music
and glance on every side as they move. -
Great Goddesses:
Paizo dance, play a
game, 4. play on
a musical instrument, h.Ap.206:
c. acc., Pan ho kalamo phthongapaizôn [played on a
reed]Ar.Ra.230
; dance and sing, Pi.
O.1.16.5. play
amorously, prosallęlous X.Smp.9.2
; metatinosLXX
Ge.26.8 ; of mares, Arist.HA572a30.
-Orgia sacrifices to
Aphrodite A.secret rites, secret worship,
practised by the initiated, of the Cabeiri and
Demeter Achaia, most freq. of the rites of
Dionysus, Cogn erdō, rhezō, cf. ergon, orgeōn.）
Kukleo whirl round
and round, encompass [959] Chorus Let the chorus sing
likewise and praise the Olympian gods in their
pious transport. It's wrong to suppose that,
because I am a woman and in this temple, I am
going to speak ill of men; [966] but
since we want something fresh, we are going
through the rhythmic steps of
the round dance for the first time.
This
is prophesied in great Detail in Psalm 41 and
especially the Dead Sea Version.
This is the prophecy of Judas whose Judas Bag was "for
carrying the mouthpieces of wind instruments."
Augustine's
Version of Psalm 41 Augustine
also warned about the sexual feelings aroused by
music: that's the universal meaning.
illūdo (inl-
I
Neutr., to play at or with
any thing, to sport with, amuse
one's self with (syn. colludo;
cf. ludificor).
1. To scoff or mock at,
to make a laughing-stock of, to
ridicule (so most freq.): “ satis superbe illuditis me,
“feminarum illustrium capitibus,” :
illusa pictae vestis inania, rhetorum),
How
to use PSALLO to
turn captives into WOMEN
Grant, then,
forgiveness to the Lydians, and to make sure of their
never rebelling against thee, or alarming thee more, send
and forbid
them to keep any weapons of war, command them to wear tunics under their cloaks,
and to put buskins upon their legs,
..........and make them bring up their sons to cithern-playing (Kitharizein), singing (psallein),
..........and shop-keeping (Hucksterism).
So wilt thou soon
see them become women instead of men,
and there will
be no more fear of their revolting from thee."
- -Kitharizô 1 [kitharis] to
play the cithara, phormingi [Apollo]
kitharize Il., Hes.; luręi eraton
kitharizôn Hhymn. (so that there can have been
no great difference between the kithara, lura,
and phorminx ); kitharizein ouk epistatai, of
an uneducated person,
-
-Kithar-isis , eôs, hę,
playing on the cithara, Pl.Prt.325e;
k. psilę, i.e. without the
voice, Id.Lg.669e, cf. Pae.Delph.15;
aulęsis kai k. Phld.Mus.p.23 K.
-Arassô,of any violent impact, with collat. notion
of rattling, clanging, as of horses, hoplais, pound in a mortar,
strike
with a shower of stones.
a). kitharēn strike the lyre,
Orph.A.382; humnon, melos, etc., Nonn.D.1.15,440,
etc.
2. c. dat. modi,
arassein tina oneidesi, kakois, assail with reproaches or threats,
II. Pass.,
to be
dashed against, dash one against the other
Pound in a mortar,
“holmō a.” Nic. Th.508
|
The Cross was a STAKE or PALING as a Phallic Symbol of
defeated enemies. Jesus nor Paul PREACHED the
Cross: they KNEW only the Cross which means
that as speaker for Christ he pledged himself to go
forth and preach what Christ commanded and to suffer
and die.
John 11:25 Jesus said unto
her, I am the resurrection, and the life:
he that believeth in
me, though he were dead, yet shall he live:
Acts 2:31 He seeing this before spake of the resurrection
of Christ,
that his soul was not
left in hell, neither his flesh did see corruption.
1Peter 1:3 Blessed be the God [Theos] and Father
of our Lord
[Kurios] Jesus Christ, which according to his abundant
mercy
hath begotten us again
unto a lively hope by the resurrection of Jesus Christ
from the dead,
The TUPOS means a "Pattern
intended to be imitated."
The figure or ANTITUPOS means Instead of. We can
be baptized to "wash away our since" INSTEAD of dying for
our own sins. THAT is the meaning of GRACE.
1Peter 3:21 The like figure whereunto even baptism doth
also now save us
(not the putting away
of the filth of the flesh,
but the answer of a
good conscience toward God,) by the resurrection of Jesus
Christ:
A DISCIPLE or STUDENT of Christ who is EXCUSED from the laded
burden of religious observations with the "arousal songs and
music" Satan uses to MAKE THE LAMBS DUMB BEFORE THE SLAUGHTER.
Only a Disciple is Washed with Water INTO the WORD or into the
School of Christ. Anyone PERFORMING any other ACTS is
legalistic DENYING the Cross and the WASHING which means to
COOL the passions of pride of any human talent.
At Baptism we REQUEST A holy spirit which is A good
conscience, consciousness or a Co-Perception of the
WORD. In 2 Corinthians 3 Paul said that without
conversion or baptism people cannot READ BLACK text on
BROWN paper or HEAR it
when the direct command is obeyed to PREACH the Word
(only) by READING the Word for Comfort and Doctrine.
Paul gave Timothy the ONE PIECE PATTERN for "Worship."
1Timothy 4:13 Till I come, give attendance to [public]
reading, to exhortation, to doctrine.
11.05.13 If you
would like to challenge any of the absolute marking of
instrumental idolatry from the garden of Eden to a church
hear you you can e-mail
me in confidence or you may post
here without using your name.
The Second Advent will be like the First Advent where the
clergy did not know that Messiah had come until He arranged
for the destruction of their "covenant with death" and their
"mega-church building" and was gone. ALL of those who
boast about using "christian bands to teach your youth to
leave your movement" also claim that there is NO command,
examples or inferences for what THEY are allowed to do
because "a" spirit told them to sow discord have
never--at any level of scholarship--has ever grasped that the
Spirit OF (a preposition) defines the Church of Christ (the
Rock) then and in prophecy both inclusively and exclusively:
it excludes anything you do as the works of your hands
as a merchandiser of the free water of the WORD (Logos or
Regulative Principle). The Prophecy of the Sword of the Spirit
as the ONLY weapon to defeat the Lifeless Instruments or
Carnal Weapons against the principalities and powers in high
places: the podium or pulpit in a visible-audible attack.
11.13.13 Praise Singing did and does CLAIM to lead people
into the presence of God. And that is called the Abomination
which makes Desolate. On another forum David's PRAISE is
the changelings PATTERNISM for sowing massive discord where
music always meant "to make the lambs dumb before the
slaughter."
We
sent them to youth
rallies and Church of Christ
events
with some of the finest
Christian bands in the
world.
We discipled our
children to leave our Movement!
On another forum
the Psalm 150 argument is FOUNDATIONAL. They miss that
David was King and the Jacob-cursed and God-abandoned
Levites were commanded to STAND IN RANKS to execute any
"praise singer" who came near or into what they called a
"holy place". Praise singing derived from Egypt
threatened the enemy (congregation) if they didn't turn
coward they would be Robbed, Raped and Raptured.
Having missed the PATTERN PIECE that God abandoned
Israel--especially the Civil-Military-Clergy complex over
to Worship the STARRY HOST including Abaddon or Apollyon
who, in the texts, is always leader of the MUSES whom John
calls sorcerers and contemns the to be cast alive into the
Lake of Fire. Being pretoasted or CONSUMED by the
breath (spirit) of their own lips.
11.12.13 Johnny Miles
education minister and elder at Heritage follows in the steps
of the Abilene Kingdom by authority from Rick Atchley that
"the HOLY spirit" gave the elders to fill in the blanks the
Spirit OF Christ failed to include.
Johnny
Miles where they get AUTHORITY to sow discord and
offend many:
Johnny Miles: Silence,
led into a trajectory which spoke where
the the Bible does not speak To Illustrate: they watch
and belittle Rick Atchley's video and this shows
how ridiculous their principle
That's not a fact: if
the Bible SPEAKS then we can find it somewhere
in the Bible. Johnny and band agree that God does not COMMAND
the use of musical instruments--machines for doing hard
work mostly in making war--in the only called assembly
of Disciples of Christ. Therefore, the Bible does not
speak which would demand something like "thou shalt use
mechanical instruments in the qahal, ekklesia, synagogue
or Church of Christ (the Rock, Water, Pillar)" It
is a fact that Christ OUTLAWED "vocal or instrumental
rejoicing" which includes any self-speak other than the
WORD which is Dabar or Logos which is God's Regulative
Principle which is the OPPOSITE of rhetoric, singing,
playing or acting.
No, it is a FALSEHOOD to say that in 2 Chronicles 29 God
"commanded musical instruments as worship". It is
probably the SIGN Jesus warned about when men say that
now God COMMANDS that to which He Abandoned the
Israelites specificially the civil-military-clergy. In
the prophets Christ calls them robbers and parasites.
Neither is there a command, example or
remote inference that God called the godly into assembly
for congregational singing with or without
instruments. However, the major discord over
introducing singing as a ACT in the year 373 has cooled
off and people make Paul's command to SPEAK that
which is written for our learning into SING that
which is NOT written for our learning. If
God commands SPEK in the LOGOS sense then any Greek
scholar would know that self-speaking, singing, playing
an instrument or acting is EXCLUDED by the definition of
the Word. Any Bible scholar would know that psallo
never means more than pull or smite a string with your
FINGERS but NEVER with a plectrum or guitar pick.
Therefore, a minimal understanding of language knows
that a word to act doing something can never be
liberated to mean doing something else. By
definition you cannot SING the commanded Scriptures when
the command is to SPEAK them. And further common sense
understands that the Purpose Driving Speaking is to
teach and admonish one another: READ the Scriptures
publically and mutually confess them for comfort and
doctrine.
If I found myself captivated in a pseudo
Christian assembly and the Senior Pastor said that he
was not bound by the rules for mixing KoolAid I believe
or hope that I would try to get out before the Towers
Fall. Unfortunately, all recorded history identifies
instrumental noise as witchcraft or sorcery making it
impossible for most people to move. Music from
mystery means "to make the lambs dumb before the
slaughter.
I take it all back that Back, Rick Atchley etal
banding with the Christian Church and reading off their
supplied "white paper" says that Hezekiah's
Plague-stopping animal slaughter is their
spirit-led command to IMPOSE what they call
"musical worship." From Psalm 150 we know that only
those WITH BREATH can praise God and we don't
use Lifeless Instruments or Carnal Weapons always
associated with making war or making unnatural love.
God
commanded that the Levites Stand In Ranks during the
slaughter of innocent animals which Christ says God did
NOT command.
When they made a great crashing noise it was by the
COMMAND OF DAVID. The noise was called EXORCISM in
the plague-stopping slaughter and it warned
godly Jew (including the Levites) that if they came near or
into any of the closed spaces their "brethren" were
commanded to execute them.
Stephen: because of their musical idolatry
at Mount Sinai God abandoned the Israelites to Worship the
Starry host. We know that Apollo, Abaddon or Apollyon was a
sun god who HAS been unleashed is the LEADER of the MUSES or
LOCUSTS in John's understanding.
The Abilene Band: No, God commanded US to impose
musical idolatry. In Revelation the musical performancers
called SORCERY is the mark of God in Christ REMOVING them
from His assembly along with the Lamps (7 spirits of Christ
Isaiah 1) and has abandoned them to be cast alive into the
lake of fire.
Christ in Amos 8 defined the Prophetic Pattern that
the songs in the temple have become howling (praise singers)
and God said He would not pass by there again.
If I held a debate with three empty
chairs and getting affirmation, and jumped around and misstated the
universal understanding of LOGOS and worked really hard
trying to convince myself that God was REALLY silent, I
would be put into a safe place. A Disciple
of Christ is the only Christian and a Christian gladly
receive the teachings of Christ in the prophets and
apostles. A person who becomes a Professional
Provider of the presumed LAPSES of God cannot be a
Disciple. The small band of merry men out of Texas
INVENTED the idea that the Scriptures had run their
course and if God had KNOWN how our culture has changed
HE would agree with THEM.
Rick Atchley made
himself look ridiculous. Rick and followers simply
cannot grasp that the LOGOS which is God's REGULATIVE
principle. Everyone before the Batch Hatched out
of Abilene understood that a Church of Christ is a School
of the Word and must be APOSTOLIC. If the
Apostles and prophets did not teach it then it has no
role to play in the Assembly: both ekklesia and
synagogue EXCLUDED anything but the WORD. Rick
Atchley will not "give a reason" for any hope for false
teachers and deliberate sowers of discord. Maybe if he
would find some better authority for sowing discord
people might be kinder.
Isaiah 8:20 To the
law and to the testimony:
if they SPEAK not according
to this word, [Dabar-Logos]
it is because there is no light in them.
Christ revealed ALL of the light in the Prophets and
Apostles and a disciple would not try to use SILENCE as
a legalistic end rune.
See
Rick Atchley who is the FOUNDATION upon whom Heritage is building
which proves that they do NOT accept Scripture as having
authority above the preacher who has no Bible role and
no Dole.
Luke 11:49 Therefore also said the wisdom of God,
I will send them
prophets and apostles, and some of them they shall slay and
persecute:
Ephesians 2:19 Now therefore ye are no more strangers and
foreigners,
but fellowcitizens
with the saints, and of the household of God;
Ephesians 2:20 And are built upon the foundation of the
apostles and prophets,
Jesus Christ himself
being the chief corner stone;
Ephesians 2:21 In whom all the building fitly framed
together groweth unto an holy temple in the Lord:
Ephesians 2:22 In whom ye also are builded together for an habitation
of God through the Spirit.
This
is CENI that A Church of Christ IS educated by the
Prophets and Apostles. Christ inspired the Prophets to
exclude they hypocritic arts and crafts and declared that
people who do not teach the WORD have no light within
them. We collectively become a holy temple in the Lord. He
is the king, priests and only master teacher. In the
Carnal Temple built by human hands where god DID NOT
DWELL, If a Jacob-cursed and God-abandoned Levite who
performed SORCERY with instrument went NEAR or INTO any of
the presumed-sacred spaces was to be EXECUTED by his
brethren.
|
1Corinthians
3:11 For other foundation can no man lay than that is
laid, which is Jesus Christ.
1Corinthians 3:16 Know ye not that ye are the temple
of God,
and
that the Spirit of God dwelleth in you? [My WORD is
Spirit and Life John 6:63]
1Corinthians 3:17 If any man defile the temple
of God,
him shall
God destroy; for the temple of God is holy,
which temple ye are.
DEFILING phtheirō ,b.
with a Prep., phtheiresthai pros tous plousious, of hangers-on
and flatterers, [parasites] “akouō se lurōdou gunaikos
Jesus cast out the musical minstrels who
wanted to assist Him in healing the young girl: He
cast them out "more or less violently" in the say
way one ejects dung. In Athens the same man
regulated the flute or harp-girls (prostitutes) as
well as the dung heap. Christ in Isaiah 30
warns that the DUNG will be washed away from
Jerusalem.
-vĭŏlo With
places as objects, to invade, violate,
profane:
With the senses as objects, to
outrage, shock: rĕlĭgĭōsus
-rĕlĭgĭōsus reverencing
or fearing God (the gods), pious,
devout, religious: A.
Subject., religiously considerate, careful,
anxious, scrupulous: B.
Of the objects of religious veneration (temples,
statues, utensils, etc.), holy, sacred
DEFILING
THE TEMPLE IS: “sophistēs .A. master of one's craft,
adept, expert, of diviners, Hdt.2.49;
of poets . parapaiōn khelun” with
modal words added, “hoi s. tōn hierōn melōn” a Sophist,
i.e. one who gave lessons in grammar,
rhētores, , politics,
mathematics, for money,
A Levite singer or instrument player who went near
or into any presumed holy place was to be executed
by his brethren. How much more defiling than to CLAIM
to do that in a Spiritual Temple.
DEFILING THE CHURCH LISTENING TO THE WOMEN
AND WANNABES SINGING TO A MUSICAL INSTRUMENT IS
Akouō
: 3.
abs., hearken, give ear, esp. in proclamations,
II. listen to, give ear
to, c.
gen.lu^r-a^oidos
or rather luraoidos
lu^r-a^oidos A.one
who sings to the lyre, AP7.
lu^rōdos
, Plu.Sull.33:
Adj. -“ōdos harmonia”
Callistr.Stat.7.
Plut.
Sull. 33 Sulla proclaimed
himself dictator (senior pastor, king) He
took other people's property and.
[As a form of demanding tithes and
offerings] He
conducted the sales of confiscated
estates in such arrogant and
imperious fashion that his gifts
excited more odium than his robberies.
He bestowed on handsome women, musicians,
comic actors, and the lowest
of freedmen, the territories of
nations and the revenues of cities,
We call that the top loading of
unauthorized Ministry Leaders
to help him manage his new plantation.
The vocational deacons are fired and the
female special servants or deaconess take
their place: that fulfils Christ in Isaiah
3 that women and BOYS would rule over
you. If you read Isaiah 3 Christ
predicted that boy lovers would rule over
you. History knows of no exception for
especially men singing and playing: they
are said to be "drunk, effeminate or just
mocking."
Harmonia
, hē, (harmozō)
2. generally, music, “autō de tō rhuthmō mimountai khōris ha.”
PAUL SAID NOTHING ABOUT HARMONY: Melody
in our sense would be a "series of single
notes." Harmony in Greek could include TWO
voices singing or "wailing" in UNISON. The
boys and women singing one octave up was
called magadizing.
DEFILING is LISTENING
TO A KOLAX
A.flatterer, fawner, parasite,
II. lisping pronunciation of korax, Ar.V.45.
goēs , ētos, ho,
ALL of history associates religious musicians
with gender-bent and calls them PARASITES.
Decent Greek society recommended a kinder way
of Tarring and Feathering them and casting
them out of their territory
"Philodemus
considered it paradoxical that music
should be regarded as veneration of
the gods while
musicians were paid
for performing this
so-called veneration. Again,
Philodemus held as self deceptive the
view that music mediated religious ecstasy. He saw
the entire condition induced by the
noise of cymbals and tambourines as a
disturbance of the spirit.
He
found it significant that, on the whole,
only women and effeminate men fell
into this folly. Accordingly, nothing
of value could be attributed to music; it was no
more than a slave of the sensation of
pleasure, which satisfied much in the
same way that food and drink did.
"Awed by the
mysteries of his
own spirit no less than by those
of nature, primitive man was likely
to attribute to divine influence
any
abnormal emotional
state, whether above or
below the usual level. Medicine
men customarily went into states of trance in which they were believed to be in
communication with the gods,
and
many tribes supposed lunatics and sexual deviants to be divinely
possessed.
'Certain
members of a tribe, marked out either
by unusual skills or by some emotional
abnormality, ususally became
particularly adept at these
operations, and gradually assumed
specialized functions. Released from
the duty of hunting, and
concentrating on the practice of
magic, the shaman, sorcerer, or
medicine man was the world's first
professional." (H. Bamfort Parkes,
Of Gods and Men, p. 29).
Goēs , ētos, ho, A.sorcerer,
wizard, Phoronis g. epōdos Ludias apo khthonos” E.Ba.234,
2. juggler, cheat,
“ deinos g. kai pharmakeus kai sophistēs” Pl.Smp.203d
'incantare'.) goēs kai pharmakeus kai sophistēs: kai
Plat. Laws 936c There
shall
be no beggar in our State; and
if anyone attempts to beg, and to collect a
livelihood by ceaseless [making Poieo
meter, hymns] prayers,
the market-stewards shall expel
him from the market, and
the Board of city-stewards from the
city, and from any other district he
shall be driven across the border
by the country-stewards, to the end that
the land may be wholly purged of
such a creature. If a slave, male or
female, do any injury to another
man's goods,
Epi
thurais
ktl.
For the thurauliai
of erastai,
thēreutēs deinos.
“A mighty hunter,” a very Nimrod.
For the notion of the chase in erotics,
cp. the use of helein and diōkein in 182 E,
etc.,“The sharpestsighted hunter in the
world is Love, for finding what he seeks and
only that.”
In revelation 18 the "lusted after fruits" as
speakers, singers and instrument players [ sophistēs] were
called sorcerers or [ pharmakeus] a term used
of the original Babylon mother of harlots.
Sophis-tēs
, ou, ho, A.master
of one's craft, adept, expert, of
diviners, Hdt.2.49;
of poets, “meletan sophistais prosbalon” Pi.I.5(4).28,
cf. Cratin.2;
of musicians, “sophistēs . . parapaiōn khelun”
IN THE TEMPLE OF GOD: with modal
words added, “hoi s. tōn hierōn melōn” Ael.NA11.1;
panu thaumaston legeis LYING WONDERS
quibbler, cheat,
Sophist, i.e. one
who gave lessons in grammar,
rhetoric, politics, mathematics, for
money,
3. later of the rhētores, Professors
of Rhetoric, and prose writers
“Apollōnidē sophistē”
ABADDON, APOLLYON LEADER
OF THE MUSICIANS.
A MAGOS enchanter, wizard, imposter,
charlatan.
OPPOSITE TO LISTENING TO AND 2.
obey, basilēos, theou Believeth or Apistis
means to COMPLY. Believeth Not or Apistos
says "I will NOT COMPLY."
1Corinthians 3:18 Let no man deceive himself.
If any man among
you seemeth to be wise in this world,
let him become
a fool, that he may be wise.
Sophos , ē, on, A.skilled
in any handicraft or art, clever, Margites Fr.2;
but in this sense mostly of poets and musicians, Pi.O.1.9,
P.1.42,
3.113;
en kithara s. E.IT1238
(lyr.), cf. Ar.Ra.896
better than all craft,
II. of things, cleverly
devised, wise, “nomos” [New Laws such
as: Thou shall be forced to be offended by silly
singers being USED for gain]
God
will send them STRONG delusions that they
believe their own lies.
mōros , A.“mōran” Herod.5.17 (s. v.l.):—dull,
sluggish, of the nerves 2.
[select] of persons, dull, stupid,
“mōrou
b. On a religious sense, laos m. kai akardios LXXJe.5.21,al.
1Corinthians 3:19 For the wisdom of this WORLD
is foolishness with God.
For it is
written, He taketh the wise in their own
craftiness.
1Corinthians 3:20 And again, The Lord knoweth
the thoughts of the wise, that they are vain
Jesus does not pray for the world or KOSMOS
OR COSMIC WORSHIP WITH THE NACC which
the false teachers support and use all of the RACA
words against those who FEED them. The NACC and the
Christian Standard publishes these men's PATTERN for
how they "transistioned THEIR congregation into
being and INSTRUMENTAL congregatio..
kosmos , ho, II. ornament,
decoration, esp. of women, metaph., of ornaments
of speech, such as epithets, Id.9.9
(pl.), Arist.Rh.1408a14,
Po.1457b2,
1458a33;
hadumelē k. keladein to sing
sweet songs of praise, Pi.O.11
(10).13
(s.v.l.).
Poetry or anything you make or compose: Pythagorei
one of the sects in Rome paul silenced in Romans 14
5. houtos ho k. this present world,
i.e. earth, opp. heaven, Ev.Jo.13.1;
regarded as the kingdom of evil, ho arkhōn tou k. toutou ib.12.31.
|
Johnny
Miles: Where
do we the elders get our authority to IMPOSE
something Christ did not teach? Why, WE got
it from God. God empowerd men to make decisions
by the indwelling Spirit. God empowers
those who imbibe the Holy Spirit to
to engage culture.
THE BIBLE AND ALL
RELIGIOUS TRADITIONS SAYS THAT 'THE DEVIL MADE THEM DO IT."
After all, Abaddon or Apollyon is the Leader of the Muses.
"In pagan traditions,
musical instruments are invented by gods or demi-gods, such as titans. In the Bible, credit is
assigned to antediluvian patriarchs, for example, the
descendants of Cain in Genesis 4:21. There is no other biblical
tradition
about the invention of musical instruments." (Freedman,
David Noel, Bible Review, Summer 1985, p. 51). Jubal HANDLED all of those
instruments meaning WITHOUT AUTHORITY or in a sexual
sense.
The Marzeah in Amos 5
"The marzeah had an
extremely long history extending at least from the 14th
century B.C. through the Roman period. In the 14th
century B.C., it was prominently associated with the
ancient Canaanite city of Ugarit (modern Ras Shamra), on
the coast of Syria...
The marzeah was a pagan ritual that took the form
of a social and religious association... Some scholars
regard the funerary
marzeah
as a feast for--and with--deceased ancestors (or Rephaim, a proper name in the
Bible for the inhabitants of Sheol)." (King, Biblical
Archaeological Review, Aug, 1988, p. 35, 35)
"These five elements
are:
........(1) reclining or relaxing,
........(2) eating a meat meal,
........(3) singing with harp or
other musical accompaniment,
........(4) drinking wine and
........(5) anointing oneself with
oil." (King, p. 37).
The word lelein is fundamentally an
onomatopoetic one, meaning, as Thayer's Lexicon puts it, to go
'la-la'. The Greeks shouted 'alala' both in worship and
in war, and personified Alala as a deity (Pindar, Fr. 208 [78];
Plutarch 2.3496). It was this same repetitive and
meaningless syllabification in pagan prayers which Jesus
described: 'for they think they shall be heard for their
much speaking' (Matthew 6:7)
New patterns of
Christian worship appear to have been more difficult for
women to adopt than men, as they had not known the dignified rite of
Apollo or Zeus. For the most part, their religious
expression had been accompanied by extravagances of every
sort. We may quote Iamblichus again:
We affirm, accordingly,
not only that the shoutings and choric songs are sacred to the gods, each and all of
them, as being peculiarly their own, but likewise that
there is a kindred relationship between them in their
proper order . . . and the peculiar usages of Sabazian worship make ready for the Bacchic enthusiasm, the purifying of
souls, and deliverances from old incriminations, their respective
inspirations are, accordingly, different in every
important particular.
Thou seemest to think
that those who are enrapt by the Mother of the gods are males, for thou callest them,
accordingly, 'Metrizontes' yet that is not true, for
the 'Metrizontesae' are chiefly women (op cit., pp.
121-123
Such women must learn
that they were purified not through shouting but through the blood of Christ and through
the washing of the water of the Word.
"Long before Israel's
existence, we find in Akkadian tablets the word halhallatu for 'double clarinet,'
and we have many ancient representations of this
instruments... Extremely popular for SECULAR purposes, the clarinet was
played at WEDDINGS, BANQUETS, and FUNERAL. At funerals it served as accompaniment
to the customary WAILING women; this is the meaning of Matt. 9:23. The chief characteristics
of the clarinet were: popularity, juxtaposition with hand
drum and lyre, expression
of extreme
emotionalism, and symbolic meaning of FERTILITY and RESURRECTION." (Int. Std. Bible Dict., p.
472).
NOT EVEN JESUS HAD A HOLY SPIRIT PERSON DWELLING INSIDE OF
HIM. He SPOKE what god BREATHED (Spirit) into Him
without METRON which often means "Without Meter." Jesus spoke
the WORD or LOGOS or REGULATIVE PRINCIPLE and that excludes
rhetoric, poetry or music. That is why you find nothing in God's
word related to musical performance: only those abandoned by God
made instrumental NOISE.
A personal UNholy spirit is made into A holy spirit when their
"sins are washed away only by obedience in baptism.
Walter Scott, Alexander Campbell and reading 101a affirms
that those who are baptized into the name (singular) of
Jesus Christ are given A holy spirit when THEIR unholy
spirit has its "sins washed away." The same Peter says
that BAPTISM SAVES US because that is the only
Christ-ordained way to REQUEST A good conscience or
consciousness meaning a CO-perception. In 2
Corinthians 3 being converted gives us the ability to HEAR
the Word (Logos only) when it is PREACHED by being READ
or to read BLACK text on BROWN
paper when reading the text. John says that the NAME
(singular) of the Paraklete or Comforter is Jesus Christ.
And Jesus said that Father-Son abides with or in those who
KEEP THE COMMANDMENTS. In the same frigurative way (to fool
the merchants says Jesus) WE abide or dwell IN the
Father-Son when we keep the WORD or LOGOS or Regulative
principle. IN obviously does not mean INSIDE OF. Jesus
said MY WORDS ARE SPIRIT AND LIFE. The only access to
the Spirit OF (a preposition) of Christ is in what He
delivered in the Prophets and Apostles. The Spirit OF
Christ left no holes in the donut and defined the church
inclusively and exclusively: He radically repudiates all of
the musical performances as Sorcery or Witchcraft. A
Church of Christ is built upon or EDUCATED solely on the
Prophets and Apostle. The For Hire Changelings do NOT
have a holy spirit person inside of them telling them to
despise the Word of Christ which is blasphemy.
It is a lie for any
human who has not seen and heard the risen Christ to say
that the Spirit OF Christ which He defined as HIS WORDS
(John 6:63) tell them something which cannot be HEARD by the
congregation who gets to follow that elder who is faithful
and obeys his only authority. Johnny relies on Rick
Atchley and his debate with three empty chairs
In Ephesians 4 Paul
absolutely demands that the role of the elders is to EXCISE
the Cunning Craftsmen or Sophists: they are self-speakers,
singers, instrument players, actors or anyone who goes
beyond being a faithful Teacher of that which is written for
our LEARNING. Scripture was not written for instrumental
patternists to build up their own little kingdom making
serfs of the 'audience.' That defines a CULT.
Ephesians 4:21 If so be that ye have heard him,
and have been taught
by him, as the truth is in Jesus:
Colossians 2:7 Rooted and built up in him,
and stablished in
THE FAITH as ye have BEEN TAUGHT,
abounding therein with
thanksgiving.
THE PAGAN (INSTRUMENTAL) THESIS
2Thessalonians 2:7 For the mystery of iniquity doth
already work:
only he who now letteth
will let, until he be taken out of the way.
2Thessalonians 2:8 And then shall that Wicked be revealed,
whom the Lord shall
consume with the spirit of his mouth,
and shall destroy with
the brightness of his coming:
2Thessalonians 2:9 Even him, whose coming is after the working
of Satan
with all power and signs
and lying wonders,
2Thessalonians 2:10 And with all deceivableness of
unrighteousness in them that perish;
because they
received not the love of the truth, that they might be
saved.
2Thessalonians 2:11 And for this cause God shall send them strong
delusion, that they should believe a lie:
PROOF THAT THE ABILENE WRECKING CREW IS STRONGLY DELUDED
The Greek: Teratourg-eô
, A. WORK wonders, pseudôsti Sch.Pi.I.7(6).13.
Pindar Odes:
[1] In which of the local glories of the
past, divinely blessed Thebe, did you most delight
your spirit? Was it when you raised to eminence
the one seated beside Demeter of the clashing
bronze cymbals, flowing-haired [5] Dionysus?
Or when you received, as a snow-shower of gold
in the middle of the night, the greatest of the
gods[20] then begin the victory
[Nike: TRIUMPH OVER] procession
with a sweet-singing hymn for
Strepsiades; for he is the victor in the
pancratium at the Isthmus, both awesome
in his strength and handsome to look at;
and he treats excellence as no worse a
possession than beauty. [23] He is made radiant
by the violet-haired Muses, and he has
given a share in his flowering garland to his
uncle and namesake
Spectācŭlum
I.
a show, sight, spectacle, A. Lit., in
the theatre, circus, etc., a public
sight or show, a stageplay, spectacle,
Scaena ,
[outlawed as SELF-pleasure in Romans 15 to ENABLE teaching
that which is WRITTEN.
2. (Post-Aug.) Of the schools of rhetoric,
as scenes for the display of eloquence
in scaenas scholasticorum, qui rhetores
[meaning of hypocrite] vocantur,
The-ama
, A. sight, spectacle, ei tis
orchoit' eu, theam' ęn Pl.Com.130 ; Opposite mathęma,
of a sight which gives pleasure,X.Smp.2.2
, ; orchęseis kai theamata
Math-ęma
, atos, to, ( [mathein] )
A. that which is learnt, lesson 2. learning,
knowledge
Romans 15:4 For whatsoever things were written
aforetime were written for our learning
[didaskalia], that we through patience and comfort
[paraclete] of the scriptures might have hope.
2Timothy 3:7 Ever learning
[Mathema], and never able to come to the knowledge
of the truth.
X.Smp.2.2 Xenophon,
Symposium
II. When the tables had been removed and the
guests had poured a libation and
sung a hymn,
there entered a man from Syracuse, to give them an
evening's merriment. He had with him a fine
flute-girl,
a
dancing-girl--one of those skilled in
acrobatic tricks,--and a very
handsome boy, who
was expert at playing the
cither and at
dancing;
the Syracusan made money by exhibiting their
performances as a
spectacle. [2] They now played
for the assemblage, the
flute-girl on the flute, the
boy on the
cither; and it was agreed that both
furnished
capital amusement.
THE MARK OF ONE UNITED ON THE BASIS
OF THE WORDS OF CHRIST.
2Thessalonians 2:14 Whereunto he called you by our gospel, to
the obtaining of the glory of our Lord Jesus Christ.
2Thessalonians 2:15 Therefore, brethren, stand fast,
and hold the traditions
which ye have been taught,
whether by word,
or our epistle.
para-dosis
, eōs,
hē,
A.handing down, bequeathing, transmission, 2.
transmission of legends, doctrines, etc., tradition,
“didaskalia
kai
p
3. that which is handed down or bequeathed,
tradition, doctrine, teaching, “hē
p.
tōn
presbuterōn”
Ev.Matt.15.2,
Ev.Marc.7.3,
etc.; “hai
p.
tōn
theōn
kai
tōn
theiōn
andrōn”
Titus 1:9 Holding fast the faithful word as he hath
been taught,
that he may be able by sound
doctrine both to exhort and to convince the
gainsayers.
Titus 1:10 For there are many unruly and vain
talkers and deceivers, specially they of the circumcision:
Titus 1:11 Whose mouths must be stopped,
who subvert whole
houses, [churches] teaching things which they ought
not, for filthy lucre’s sake.
Titus 1:12 One of themselves, even a prophet of their own,
said,
The Cretians are
alway liars, evil beasts, slow bellies.
Titus 1:13 This witness is true. Wherefore rebuke them
sharply, that they may be sound in the faith;
Titus 1:14 Not giving heed to Jewish fables, and
commandments of men, that turn from the truth.
2Timothy 4:4 And they shall turn away their ears from the
truth,
and shall be turned unto fables.
FABLES TO FOOL: Fābŭla , ae, f.
fari,
B. Of
particular kinds of poetry.
1. Most freq., a dramatic
poem, drama, play
(syn.: “ludus, cantus, actio, etc.): in full, fabula scaenica,” “or, theatralis,” id. 14, 6, 20: “fabula ad actum scenarum composita, ”fabulam,
quae versatur in tragoediis atque carminibus
non a veritate modo [melod]
FABLES TO FOOL:
Cantus , ūs, m. id.,
I. the production of melodious sound,
a musical utterance or expression,
either with voice or instrument; hence, song,
singing, playing,
1. With the voice, a singing, song;
in full, cantus vocum, Cic. Rosc. Am. 46, 134:
“fit etiam saepe vocum gravitate et cantibus ut pellantur animi, etc.,
2. With instruments, a playing,
music: “citharae,” “horribili stridebat tibia cantu,” Cat. 64, 264:
“querulae tibiae, “lyrae,” Plin. 34, 8, 19, § 72:
“tibicine
FABLES
TO FOOL:
Scaenĭcus (scen- ), a, um, adj.,
= skēnikos, I. of
or belonging to the stage, scenic,
dramatic, theatrical (class.)
stage-plays, theatrical representations,
“fabula,” a drama,
Amm. 28, 1, 4: “organa,” Suet. Ner. 44:
“coronae,” id. ib. 53: “habitus,” id. ib. 38: “gestus,” Cic. de Or. 3, 59, 220:
“modulatio,” Quint. 11, 3, 57:
Gestures of an ōrātōrĭus , a, um,
adj. orator. . Of or belonging to an
orator, oratorical II. Of
or belonging to praying; hence, subst.:
ōrātōrĭum , ii. n.
(sc. templum), a place of prayer, an oratory
1. scaē-nĭcus , i, m., a
player, actor, Cic. Off. 1, 31, 114:
“orator plurimum aberit a scaenico 2. scaenĭca , ae, f., a
female player, an actress,
THE MOST
POWERFUL WEAPON TO FOOL:
Orgănum , i, n., =
organon,Of musical
instruments, a pipe, Quint. 11, 3, 20;
9, 4, 10;
Juv. 6, 3, 80;
Vulg. Gen. 4, 21;
id. 2 Par. 34, 12
et saep. an organ, water-organ: “organa hydraulica,” Suet. Ner. 41:
aquatica, Mythogr. Lat. 3, 12.—Of a church-organ,
Cass. Expos. in Psa. 150; Aug.
Enarr. in Psa. 150, n. 7.— B.
Transf.: organum oris, the tongue
of a man, Prud. steph
IF THIS SUNDAY IF THE PREACHER "SCRIBES" HIS OWN SERMON
AND THE SINGERS SING THEIR OWN NON-BIBLICAL COMPOSITIONS
THIS IS A SUPERNATURAL SIGN CHRIST LEFT IN PROPHETIC
CERTAINTY OF THOSE WORKING PROFESSIONALLY TO "TAKE AWAY THE
KEY TO KNOWLEDGE." If you don't believe it that's ok:
Jesus spelled it out that MANY or most are called or invited
but FEW are chosen meaning tested as by fire.
The LOGOS (Regulative Principle) SPEAKING words are
the OPPOSITE of
self-speak, poetry, singing, playing instruments or drama.
ALL of the assembly words command SPEAKING as the logical
(logos) method of Teaching and Admonishing: Doctrine and
Comfort.
The ODE is OPPOSITE to LEXIS; LEXIS is
OPPOSITE to ODE. Ode and Psallo are SILENT (to God). In
the Heart (mind, spirit) is Jesus insistence that worship is
in the PLACE of the sanctified human spirit as it gives
attendance (the only worship word) to THE TRUTH: the LOGOS of
God through Jesus is the ONLY truth.
Is the sinful woman at the well the only person who grasped that
when Messias comes He will tell us ALL THINGS.
John 4:21 Jesus saith unto her, Woman, believe me, the hour
cometh,
when ye shall neither in
THIS MOUNTAIN, nor yet at JERUSALEM, worship the Father.
John 4:22 Ye worship ye know not what: we know what we worship:
for salvation is of the Jews. [A Jew: Out of Jūdaea
Prosku^n-eō
2. esp. of the Oriental
fashion of prostrating oneself before kings and
superiors, reverence.
FALSE WORSHIP LYING WONDERS: Plat.
Rep. 398a
[398a] “True,” he said. “If a
man, then, it seems, who was capable
by his cunning [sophias] of assuming every
kind of shape and imitating all things should
arrive in our city,
bringing with himself
the poems which he wished to exhibit,
we should fall down and
worship him as a holy and wondrous and delightful creature,
but should say to him
that there is no man of that kind among us in our city,
nor is it lawful
for such a man to arise among us,
and we should send him
away to another city,
after pouring myrrh
down over his head and crowning him with fillets of wool,
sweet oil on lentils, i.e. 'a jewel of
gold in a swine's snout'
Sophia
, Ion. -iē,
hē,
prop. A.cleverness or skill in
handicraft and art,
in music and singing, tekhnē
kai
s.
h.Merc.483,
cf. 511; in
poetry, in divination,
cunning, shrewdness, craft, HH
4 483
Sophos
Margites Fr.2; but in this sense
mostly of poets and musicians, Pi.O.1.9,
P.1.42,
3.113; en
kithara
s.
E.IT1238
(lyr.),
HH
4 483 What skill is this? What song for
desperate cares? What way of song? For verily here are
three things to hand all at once from which to choose,
—mirth, and love, and sweet sleep. [450] And though I am a
follower of the Olympian Muses who love dances and the
bright path of song —the full-toned chant and ravishing
thrill of flutes —yet I never cared for any of those feats
of skill at young men's revels, as I do now for this:
[455] I am filled with wonder, O son of Zeus, at your
sweet playing.
Hebrews 11:6 But without faith it is impossible to please
him:
for
he that cometh to God must believe that he
is,
and
that he is a rewarder of them that diligently seek him.
Hebrews 11:7 By faith Noah, being warned of God of things
not seen as yet,
moved with
fear,
prepared an
ark to the saving of his house;
by the which he condemned the world,
and became heir of the righteousness
which is by faith.
John 4:23 But the hour cometh, and now is,
when the true worshippers
shall worship the Father IN SPIRIT (place) and in TRUTH (thy
Word or LOGOS is the only truth):
for the Father seeketh
such to worship him.
John 4:24 God is a Spirit: and they that worship him must
worship him IN spirit and in truth.
That is why Jesus warned NOT to attend those
Religious Services or observations to which the Kingdom DOES
NOT COME and worship IN THE PLACE of the human Spirir when it
gives attendance (the unique worship word) to the reading of
the Word for Comfort and Doctrine
Alēth-eia
1. in Hom.
only opp. a lie, reality, opp. appearance,
II. of persons, truthfulness, sincerity, Hdt. 1.55; “alatheia
phrenōn”
Opposite Mim-ēma
, atos,
to,
A.anything imitated, counterfeit, copy
autophues
m.
luras,
of the akris,
Self Grown mimic of the akris with the luras. Imitating
the LOCUSTS [large group of men] playing the...
lura
[u^,
hē,
A.lyre, a stringed instrument with a
sounding-board formed of the shell of a tortoise
“kelados
heptatonou
luras”
Repeating the attempt on Jesus to make him lament while they
piped
ton
aneu
luras
thrēnon
(since the dirge was accompanied by the flute) lyre.
kai
kithara
(
II. lyric poetry and music, Pl.Lg.809c,
809e.
III. the constellation Lyra, Anacr.99, Arat. 269; Mousōn
“anthrōpos
m.
theou”
MAN imitating GOD.
It is despising the Spirit OF Christ to claim that He was not
as smart as the simple simons who knew that you need COMPOUND
WORDS to describe playing and instrument AND singing at the
same time which was always the mark of gender bleed says
Plato.
Plat.
Laws 669de whereas human poets, by
their senselessness in mixing such things and jumbling
them up together, would furnish a theme for laughter to all
the men who, in Orpheus' phrase, “have attained the full
flower of joyousness.” For they behold all these things
jumbled together, and how, also, the poets rudely sunder
rhythm and gesture from tune, putting tuneless
words into meter, [There is NO
metrical Scripture] or leaving time and rhythm
without words, and using the bare sound of harp or flute,
wherein it is almost impossible to understand what is
intended by this wordless rhythm and harmony, or what
noteworthy original it represents. Such methods, as
one ought to realize, are clownish in the extreme in
so far as they exhibit an excessive craving for speed,
mechanical accuracy, and the imitation of
animals' [Beasts] sounds, and consequently employ the pipe and
the harp without the accompaniment of dance and song;
SO, we know that the LOCUSTS are the MUSES unleashed
with Abaddon or Apollo who is the Leader of the Musicians.
That is always defined as SPEAK that which is
written for our learning which happens ONLY in the sanctified
spirit or mind.
ODE and PSALLO are in the heart meaning SILENT because Ode and
Speak are OPPOSITE and antithetical.
John 4:25 The woman saith unto him, I know that Messias cometh,
which is called Christ:
when he is come, he
will tell us all things. [The EVANGELISTS tells only what
Jesus Told]
John 4:26 Jesus saith unto her, I that speak unto thee
am he.
Jesus being masculine gender SPOKE and never
taught by SINGING: He SPOKE (dicto) ONE
Hymn.,
legō
2. recount, tell over, III.
Say, speak
6. ti
say something, i.e. speak to the point
or purpose, boulē
legein
ti,
kai
legōn
mēden
kluein;
S.Ant. 757;
legō
ti;
boulē
will, determination, esp. of the
gods, The Will of God is thelēma
: We are to learn the
Will of God BEFORE we SPEAK that which is written for our
learning. glossed by hēsukhos,
meaning EVERYONE be SILENT without self-teaching.
However, speaking for the Singing Teams and musical
instruments and those who DENY that women (and men) should
be silent:
Bacchyl.
Dith. 16 since Ourania on her lovely
throne has sent me from Pieria
a golden freighter loaded with glorious songs
[5] ... by the flowery Hebrus
he takes delight in ... , or in a long-necked swan ...
delighting his mind ... you come to seek the flowers
of paeans, [10] Pythian Apollo [Abaddon, Apollyon] ,
all those which choruses of Delphians loudly
sing at your glorious temple. Meanwhile we sing of how the
son of Amphitryon, a bold-minded man, left Oechalia
devoured by fire, [15] and arrived at the headland with
waves all around it; there he was going to sacrifice from
his booty nine loud-bellowing bulls for Cenaean Zeus,
lord of the wide-spread clouds
THIS IS THE PROPHECY OF THE FIRST ADVENT
AND IS BEING REPEATED FOR THE SECOND ADVENT: Soon, we pray.
Isa 59:13 In transgressing and lying against the Lord,
and departing away from our God,
speaking
oppression and revolt,
conceiving and uttering from the heart words of falsehood.
And they that shall be
of thee shall build the old waste places:
thou shalt raise up the foundations of many generations;
and thou shalt be called, The repairer of the breach, The restorer of paths to dwell in. Isa 58:12
If thou turn away thy foot from the sabbath,
from doing
thy pleasure on my holy day; and call the sabbath a
delight, the holy of the Lord, honourable; and
shalt honour him,
- not
doing thine own ways,
- nor
finding thine own pleasure,
- nor
speaking thine own words: Isa 58:13
Then
shalt thou delight thyself in the Lord; and I will
cause thee to ride upon the high places of the earth,
and feed thee with the
heritage of Jacob thy father:
for the mouth of the Lord
hath spoken it. Isa 58:14
Isa 59:14 And judgment is
turned away backward,
and justice
standeth afar off:
for truth
is fallen in the street,
and equity cannot enter.]
Isaiah
59.14 et conversum est retrorsum iudicium et iustitia longe stetit quia corruit in platea veritas et aequitas non potuit ingredi
Aequĭtas B.
A quiet, tranquil state of mind, evenness
of temper, moderation, calmness,
tranquillity, repose, equanimity;
Pax
α).
of men, Vulg. Deut. 9, 5;
ib. Mal. 2, 6.—
Tac.
Ann. 12.65 It was charged on Lepida that she
had made attempts on the emperor's consort by magical
incantations [carmen,”
Sen. Herc. Oet. 467],
and was disturbing the peace of Italy by an imperfect control of
her troops of slaves in Calabria.
She was for this sentenced to death, notwithstanding the
vehement opposition of Narcissus
Malachi
2.6 The law of truth was in his mouth,
and unrighteousness
was not found in his lips.
He walked with me in
peace and uprightness, and turned many away from
iniquity.
Inventor 1.one
that finds out, a contriver, author,
discoverer, inventor, disputationum,
“inventor
legis
Volero,”
proposer, “artes
inventoribus
afferunt
laudem,”
Quint. 3, 7, 18;
8, 6, 23
“omnium
artium,”
Caes. B. G. 6, 16:
Liv. 2 56
OUTLAWED: ars ,
artis skill is applied to morals, designating
character, manner of thinking, so far as it is made
known by external actions (syn.: doctrina I. Skill
in producing any material form, handicraft,
trade, occupation, employment
1. With the idea extended, any physical
or mental activity, so far as it is
practically exhibited; a profession, art
(music, poetry, medicine,
etc.);
eloquence, Liv. 9, 42:
“ars
grammatica,”
grammar,
musicam, litterarum cognitionem et poëtarum,
“ars
Apollinea,”
id. Tr. 3, 3, 10:
“magica,”
Verg. A. 4, 493,
and Vulg. Sap. 17, 7;
so, “maleficis
artibus
inserviebat,”
he used witchcraft, ib. 2 Par. 33, 6
al.—rhetoricā)
scaenofactoriae,
4. Artes (personified), the Muses: “artium
chorus,”
Phaedr. 3, prol. 19.—Pro
psaltriā
periere,”
Ter. Ad. 4, 7, 24
“rhetorica,” Quint. 2, 17, 4:
“musica,” poetry,
Ter. Hec. prol. 23:
“musica,” music,
Plin. 2, 25, 23, §
93:
Before WE can impose instruments over YOUR the Hir-ER,
we have to reorganize and demote the elders but select
special-servants (Deaconesses) and deprive YOU of any
right to oppose "god's annointeds."
Liv.
2 56 [3] It
was no trivial matter which he proposed under this
form, which at [p. 409]
first sight appeared so harmless, but one
that completely deprived the patricians of the power
of using their clients' votes to select what
tribunes they liked.
Musical Worship Ministers and the new "leaders"
INTEND to silence the elders as the only
Christ-ordained Pastor-Teacher
Malachi 2:7 For the priest’s lips should keep knowledge,
and they should seek the law at his mouth:
for he is the
messenger of the LORD of hosts.
Malachi 2:8 But ye are departed out of the way; ye have
caused many to stumble at the law;
ye have corrupted
the covenant of Levi, saith the LORD of hosts.
Malachi 2:9 Therefore have I also made you contemptible
and base before all the people,
according as ye have
not kept my ways, but have been partial in the law.
For your information, God did not
hint of any kind of instrumental "worship" in the law: the law
was added because of instrumental idolatry at
Mount Sinai.
The
Law PROHIBITED
instruments such as the trumpet which was
reserved to warn, alert or pronounce
judgment. He ordained TWO SILVER
trumpets of one piece which would eleminate
an complexisty. The
Law did NOT command king, kingdom,
temple or priests.
God commanded that the levite Noise
makers stand
guard and execute any of the
NOT-ABANDONED people who came near
or into any 'holy place.'
By definition of the
Greeks rhetoric, poetry or music is LYING because they
were not permitted to write TRUE HISTORY
A Philosopher was prevented by Athenian
Law from ever being SENT as a
Kerusso (preacher) or Presbyter (elder)
Jas 5:6 YE have condemned and killed
the just; and he doth not resist you.
Isaiah 59:15 Yea, truth faileth; and he
that departeth from evil maketh himself a prey:
and the LORD saw it,
and it displeased him that there was no judgment.
Isaiah 59:16 And he saw that there was NO MAN, and
wondered that there was no intercessor:
therefore his ARM
brought salvation unto him; and his righteousness,
it sustained him.
Isa 59:17 For he put on righteousness as
a breastplate,
and a helmet of salvation upon his head;
and he
put on the garments
of vengeance for clothing,
and was
clad with zeal as a cloak.
Isa 59:18 According
to their deeds,
accordingly
he will repay, fury to his adversaries,
recompense
to his
enemies;
to the
islands he will repay recompense.
Isa 59:19 So shall they fear the name of the Lord from the west,
and his
glory from the rising of the sun.
When the
enemy shall come in like a flood,
the Spirit of the Lord shall lift up a
standard against him.
And the Redeemer shall
come to Zion, and
unto
them that turn
from transgression in Jacob, saith the Lord. Isa 59:20
The word RETURN or
CONVERT is done ONLY at the time and place of baptism in
the New Testament.
Isa 59:21 As for me, this is my
covenant with them, saith the Lord;
My
spirit
that is upon thee,
and my words which I have put in thy
mouth,
shall
not depart out of thy mouth,
nor out
of the mouth of thy seed,
nor out
of the mouth of thy seeds seed,
saith
the Lord, from
henceforth and for ever.
This is a parallelism: both SPIRIT or
WORDS are in our MOUTH for ever. Isaiah does not have to
say that the sirit will never depart from us.
The Word HAS departed
when we SPEAK our own words rather than teach "that which
is written" meaning Scripture.
The Jews are still looking for their tens of thousands of
musical instruments [from Egypt] so they can RESTART the
slaughter of the innocents. In the prophetic type of the
king (queen) of Babylon the Levites and probably their
instruments were cast into the garbage pit to burn up on a bed
of maggots. This will be the mark of the second
advent where the speakers, singers, players and all religious
teknocrats who perform sorcery will be cast alive into the
Lake of Fire. Music derived from mystery intends to
"make the lambs dumb before the slaughter" and the goal is
working to make people dumb and dumber and they are lulled by
the locusts or muses with Abaddon, Apollyon being the Musical
Worship Leader. The word ZOE is LUCIFER well documented
in the Greek literature. About 25% of the property and a
huge percentage of the GNP is held by "religionists."
Amos warned then and now, the singing in the temple will be
turned into howling (we call that praise singing). This was
the mark of the clergy having starved the people for lack of
the WORD (Dabar-Logos) and the message that "God would not
pass by there again."
WILL ONE OF THEM GIVE AN ANSWER TO WHY THEY ARE LYING TO
GOD, ABOUT GOD AND TO THEIR TAKEN-CAPTIVE FLOCKS?
The Hireling-Changelings will NOT give an answer for their
folly: they don't have to since you can fool most of the
people most of the time and paraphrasing Paul, "fools love to
be fooled" because they are OF the World and not even Jesus
prays for them.
I. A False Teacher is one who does not know that A
Church of Christ is a School of the Word.
The Word or LOGOS is the Regulative Principle or Governing
Principle and is the opposite of self-references, poetry,
music, playing instruments, drama or dancing (all of that
gyrating by the "team")
Thomas
Campbell: Worship IN Spirit and IN Truth
Spirit is a PLACE in contrast to Gerizim and
Zion. They WORD is Truth: the Spirit OF TRUTH
uniquely
Thomas
Campbell: Worship IN Spirit and IN Truth Number Two
That was the Purpose Driving the Campbells but not the
Stoneites.
A. Christ's CENI
is defined inclusively and exclusively in the Prophets by
the Spirit OF Christ.
B. He taught and commanded
the Apostles to teach what He commanded to be taught:
a disciple cannot say
"BUT, He did not say....."
C. The apostles as eye
and ear witnesses left their "part" in a written memory.
They defined the REST of Christ
exactly as Christ defined it for the godly people
who lived during the
Monarchy but were quarantined FROM the not-commanded
sacrificial system.
Those who read the whole thought pattern and
define words understand that Paul and Peter
affirm that Christ
ordained the elders as Pastor-Teachers as the sole teachers
of the Word.
They silence the cunning
craftsmen-sophists or rhetoricians, singers and instrument
players
So
that the Word (only) can be Preached by being Read.
II. A False Teacher and self-Judged professional does not
know or will not TELL you that in Scripture and
contemporaneous literature the invention of string and
metallic tones were the INSTRUMENTS-WEAPONS of the world's
oldest professionals. Cain is derived from a Musical
Note or Mark and Jubal "handled" instruments meaning
"without authority." He could sell you your own lambs or the
"Free water of the Word" where the command is NOT to pay for
it.
They discovered--without knowing about the string
theory--that human flesh can be manipulated into
paying Priests-Sorcerers for conducting "worship services"
claiming that, for instance, Nimrod's
female music team could "regenerate morals
through external means." That ancient fraud was
practiced at Jerusalem by Jacob-cursed and God-abandoned
Levites.
III. A False Teacher and self-judged (and the people said,
Amen) probably do not know nor care that all of the
"instrumental passages" Including the Serpent or Lucifer as
the "singing and harp playing prostitute" are all connected
to the sounds or MARKS of God driving His enemies into
"Hell" or the Lake of fire.
IV. A False Teacher and corrupter of the Word meaning
"selling learning at retail or prostitution" does not know
or WILL NOT TELL that there is no command, example or remote
hint that the godly Jews ever attended "worship services" at
the temple with singing and instrumental "music." God had
abandoned the Civil-Military-Clergy class and in the
Prophets God calls them robbers and parasites. Christ
said that God DID NOT COMMAND that to which God abandoned
people and sold to you as a new "pattern."
IV. A False Teacher and does not know or CANNOT tell in the
interest of career path that:
The direct commandS,
approved examples and necessarily inferred to anyone wanting
to hear FROM Jesus
as the Only Teacher
only when:
A. The self-governed assembly "uses
one mind and one mouth to speak
that which is written for out learning.
Paul says that this is how we receive COMFORT
from the Paraklete through Scripture.
B. ANY Godly elder will as commanded
"Teach that which has been taught" and rebuke or
excise anyone
who opposes "that which is written for our learning.
Disciples of Christ attend the School
(ekklesia-synagogue) of Christ: others attend neo-pagan
"worship services" or WORK services where people are
PAID for WORK but Jesus said the Kingdom
does not come to such observations.
V. A False Teacher does not know or will NOT tell that
there is NO metrical "that which is written for our
learning" and you cannot sing it tunefully and no one did so
until post-Reformation radical rewriting some Psalms (only).
Jesus SPOKE what Father (Theos) BREATHED (Spirit)
without METRON. Metron is most often used of
"measure" or meter. That would seem to be proven because God
provided NOTHING which could be sung or performed by
SOPHISTS: rhetoricians, singers, instrument players.
In one sense, if God BREATHED (and so pneuma means) the
WORD without limitation and Jesus SPOKE everything that
mankind needed for life and godliness the, as stated many
times, no human has the right to violate the direct command
and NO-COST PATTERN to preach the Word by reading the
Word for comfort and doctrine.
Equally as damning, if God BREATHES His Word without METER
then we know why no scholar can find anything God supplied
which CAN BE set to musical performance: good for the tiny
remnant because they do not get abraded (psallo, sop) by
silly "praise singers" bringing effeminancy or worse into
the "holy place." Under the cursed monarchy that would cause
even a Levite to be executed by the "brethren."
metron
, to,
II. metre, Ar.Nu.638,
641, etc.;
opp. melos
(music) and rhuthmos
(time), Pl.Grg.502c,
etc.; logous
psilous
eis
metra
tithentes
putting into verse, Id.Lg.669d;
“ta
en
metrō
pepoiēmena
epē”
X.Mem. 1.2.21.
VI. False Teachers and "scholars" do not know or will not
tell because they believe that you have no right to know
what the "leaders" are deciding for you, is that no
Church of Christ (in all ages) could even hallucinate
singing as an ACT (that legalistic thingy) until it was
imposed by a Syriac Bishop in the year 373 long
after Constantine allowed unwashed religious workers to be
paid a salary. This SPLIT the east from the west. The
Greek churches never sang but cantillated where the "notes"
are for emphasis during READING as commanded.
VII. False teachers hate the epistles because they utterly
condemn what is defined as the circa 2000 ad
"institution" with a huge staff which must be fed from
widow's purse or that of honest workers. Paul said
that giving EVEN for the destitute was NOT a command and any
special emphasis even by his presence would be EXTORTION and
that is grouped with SORCERY by the SOPHISTS meaning
rhetoricians, singers, instrument players and ALL craftsmen
which is equated to the sophists in Ephesians 4. This
is the confession:
We
sent them to youth
rallies and Church of Christ
events
with some of the finest
Christian bands in the
world.
We discipled our
children to leave our Movement!
And YOU feed their face and are co-conspirators in the NACC
plot using a few dupes.
VIII Hirelings have learned how to use intimidation to
cower the elders and members into submitting to a pathetic
plot saying that God commanded them to command "instrumental
praise" and it would be a sin to "oppose god's annointed
ones." Bunko: Jesus cast them out of the Temple
COURT yard along with the musical minstrels He cast out
"more or less violently as one ejects dung" out of His
presence when He is doing His Work.
I can go on and on and one--and I probably will. However, those
willing to sow massive discord to take away your property so
they can make it--at a huge cost--into a theater for holy
entertainment can not find a jot or tittle of any musical
connection to the assembly of the godly people from Genesis to
Revelation or most historic scholarship. If this is not
the fulfillment
of Revelation 17-18 then we missed a perfect example.
Revised 11.O3.13 A
Church of Christ is built upon or EDUCATED by the Prophets
and Apostles: The prophets spoke by the Spirit OF
Christ to define the godly people Whom He quarantined FROM the
Jewish and other pagan sacrificial systems. The strong
deluders do not know or care to know that it was because of
the PLAY or musical idolatry playing loud instruments and
playing with one another says Paul in Romans1.
That God "turned them
over to worship the starry host" and sentenced them to "beyond
Babylon" which is understood to be without redemption: Acts 7:43 Yea, ye took up the tabernacle of
Moloch, and the star of your god Remphan, figures which ye
made to worship them: and I will carry you away beyond
Babylon.
The Spirit OF (the spirit or mind OF Christ) defined the REST
both inclusively and exclusively in the PROPHETS but the
Patternist Plotters are led by "a spirit" to lead THEIR church
into the "beyond Babylon" curse.
The Spirit OF Christ defined the Qahal, synagogue, ekklesia
or Church of Christ (the Rock) both inclusively beginning in
the Wildernes. All of the hypocritic or
self-speak was excluded. [fixed link] See the
Synagogue which never changed in being A School
of the Word OF God which excluded vocal or
instrumental rejoicing or self-speak. See John
Calvin' description of the Church in the
wilderness: this prompted him to call for a Restoration
of the Church of Christ
The Spirit OF Christ warned against the Jacob-cursed and
God-abandoned Levites who performed as instrumental SORCERERS
during the not-commanded sacrificial system. Any
godly person who came near or into any 'holy place' was to be
executed by the instrumentalists Levites Even a Levite
singer or instrumental noise maker who went into the Holy
Place of the King's Temple or Shrine was to be executed by the
"brethren." In 2 Chronicles 29 which is used by Rick
Atckley and the others to be THEIR command to impose
"instrumental praise"--whatever that is, the Levites were NOT
permitted to enter either the claimed "holy place" or "most
holy place" even to clean out garbage. No! God's command
to the Levite noise makers was to stand in ranks to execute
any presumptious person who came inside the gates. Only when
the burnt offering of the Goats began did the Levites make a
great crashing noise BY THE COMMAND OF DAVID.
Christ spoke spiritual truth only through the Prophets
and Jesus made them more certain. The Apostles as eye-and
ear-witnesses taught and WROTE a "memory" for us. That is why
A church of Christ is built upon the Prophets and Apostles and
even elders are restricted to "teaching that which has been
taught."
If people use the cursed-Monarchy as their PATTERN
and say that God COMMANDED instrumental music in the
collected assembly then Christ in Jeremiah 23 says that the
DESPISE or BLASPHEME the Holy Spirit OF
Christ.
If the Spirit OF Christ in the prophets MARKS musical
instruments as proof that the hypocrites (speakers, singers,
instrument players) are PREVENTING the godly people from
hearing the Word of God which would be The Book of The
Covenant of Grace for the spiritual people.
And the band of Purpose Driven preachers suddenly launch an
effort to say that (1) God never said anything bad about
instruments FOR wordhip. And furthermore, being handled by the
NACC say that GOD COMMANDED instruments and now the
implication that it is SINFUL
to fight their movement. That was the thesis of all of the
debaters.
Robert Ballard and the
NACC: and to
refuse to permit that which God Himse;f has
(P93) SAID TO USE. To forbid their use, where God
has SAID TO USE THEM, as in Eph.
5:19 and Col. 3:16 is flagrant
sin (Rev 22:18:19)
- Then you have to side with those who say that The Holy
Spirit OF Christ just flat lied along with the
Christ-inspired Epistles. This CONFLICT between
Instruments and the Word fill the Bible but Jesus said that
the role of "doctors of the law was to take away the key to
knowledge."
- Or you have agreed to be COMMUNED (Community
Church) and Taken Captive by those who claim that THEY see
visions and hear voices and "we want the property we let you
invest in.
The FOUNDATION laid by Rubel Shelly is that "Individuals no
longer have the right to read, interpret or speak the Word
outside of the community interpretation. That means
that the New Senior Pulpit Pastor persons take away your
money (with no Biblical authority) and take away your right
to speak to the leadership AND the elders unless it is a
Salvation Issue.
Rubel
Shelly
and John York: While we still have access to reading as individuals, we stop asking, "What does
this mean to me?"--as though there is such an isolated
meaning.Instead
we have a GROUP
MENTALITY that asks, "What does this
mean to US?"
It would not be possible for casual Bible Readers to
claim "a" spirit guided them into violating all that the
Spirit has left for our example. That is why we are
warned that elders turn into wolves and open the
gates. Angels of Blight are dangerous. It matters not
to them: they boast about how we were Purpose Driven to sow
massive discord so that they could take you property
and happy church family and turn it over to those spending
fortunes to Turn It into a Theater for Holy Entertainment.
Here is just one of the HOST of direct association
between WITCHCRAFT and refusing to Teach that which Has been
written. See Isaiah
8 inspired by the Spirit OF Christ for the
spiritual people then and now.
Isa 8:17 And I will wait upon the Lord,
that hideth
his face from the house of Jacob,
and I will look for him.
Isa 8:18 Behold,
I
and the children whom
the Lord hath given
me
are for signs and for wonders in Israel from the Lord of hosts,
which dwelleth in mount
Zion.
Isa 8:19 And when they shall say unto you,
Seek unto them that have familiar spirits,
and unto wizards
that peep, and that mutter:
should not a people seek unto
their God?
for the living
to the dead?
Paul CAST OUT the Phythian spirit from the
young girl so the frauds could not make a profit out
of her musical soothsaying.
"In Isa 8:19 the 'obhoth and yidh'onim are spoken of those who 'chirp
and mutter." These terms refer to the necromancers
themselves who practiced ventriloquism in connection with their magical rites. In Isa 29:4 it is said
'Thy voice shall be as an 'obh, out of the ground.'... They
are stamped in
these passages, as in the Witch of Endor narrative, as deceivers practising a fraudulent art. By implication their power to
evoke spirits with
whom they were in familiar
intercourse is
denied." (Int Std Bible Ency., ency, p. 690)
In
Amos: "The marzeah had an extremely long
history extending at least from the 14th century B.C.
through the Roman period. In the 14th century B.C., it
was prominently associated with the ancient Canaanite
city of Ugarit (modern Ras Shamra), on the coast of
Syria...
The marzeah was a pagan ritual that took the form
of a social and religious association... Some scholars
regard the funerary
marzeah
as a feast for--and with--deceased ancestors (or Rephaim, a proper name in the
Bible for the inhabitants of Sheol)." (King, Biblical
Archaeological Review, Aug, 1988, p. 35, 35)
"These five elements
are:
........(1) reclining or relaxing,
........(2) eating a meat meal,
........(3) singing with harp or
other musical accompaniment,
........(4) drinking wine and
........(5) anointing oneself with
oil." (King, p. 37).
Jude 16 These are murmurers,
complainers [blaming Fate], walking after their
own lusts; and their mouth speaketh great swelling
words, having mens persons in admiration because of
advantage.
-Goęs Phoronis
2, Hdt.2.33,4.105, Pl.R. 380d,
Phld.Ir.p.29 W.; “g. epōdos Ludias apo khthonos” E.Ba.234,
cf. Hipp.1038;
prob. f.l. for boēsi Hdt.7.191.
2. juggler, cheat, “deinos g. kai pharmakeus kai sophistēs” Pl.Smp.203d;
“deinon kai g. kai sophistēn . . onomazōn” D.18.276;
“apistos g. ponēros” Id.19.109;
“magos kai g.” Aeschin.3.137:
Comp. “goētoteros”
-Sophis-tēs , ou, o(, A. master
of one's craft, adept, expert, of diviners, Hdt.2.49;
of poets, “meletan sophistais prosbalon” Pi.I.5(4).28,
cf. Cratin.2; of
musicians, “sophistēs . . parapaiōn khelun”
with modal words added, “hoi s. tōn hierōn melōn”
panu thaumaston legeis s. Pl.R.596d
boęisi [.loud
cry, shout, in Hom. mostly battle-cry,
shout, murmur of a croud, song of joy, roar of the sea,
sounds of musical instruments
[19] et cum dixerint ad vos quaerite a pythonibus et a divinis qui stridunt in incantationibus suis numquid non populus a Deo suo requirit pro vivis a mortuis
dīvīnus
, A. Divinely inspired, prophetic: “divini
pectoris
carmina,”
Lucr. 1, 731.
dīvīnus
, i, m., a soothsayer, prophet fem.:
dīvīna
, ae, a prophetess
1. (Acc. to I.) In a godlike manner, through
godlike power
Miriam and the Jacob-Cursed and God-Abandoned Levites were
SOOTHSAYERS used much the same as SORCERY: the
speakers, singers and instrument players in Revelation are
called fruty SORCERERS: John says they will be cas alive into
the Lake of Fire because all religious music INTENDS to make
the lambs dumb before the slaughter.
Plat. Euthyd. 289d On
what proof do you rely? I asked.I see, he said, certain
speech-writers who do not know how to use the special
arguments composed by themselves, just as lyre-makers in
regard to their lyres: in the former case also there are
other persons able to use what the makers produced, while
being themselves unable to make the written speech. Hence
it is clear that in speech likewise there are two distinct
arts, one of making and one of using
Plat.
Euthyd. 289e For not only do these speech-writers
themselves, when I am in their company, impress me as
prodigiously clever, Cleinias, but their art itself seems
so exalted [thaumaston: lying wonders] as
to be almost inspired. However, this is not
surprising; for it is a part
of the sorcerer's art,
A Singer is always a
SORCERY because he wants you to believe the
unbelieevable.
Epōdē
, Ion. and poet. epa^oidē
, hē,
A.song sung to or over: hence, enchantment,
spell, “ou
pros
iatrou
sopho
charm for or against (sorcery)
The command is to SPEAK: Speak is the Opposite of Epode.
Therefore, reading 101aa, Paul commands that we
outwardly SPEAK the Word but let the psallo and ode be
silent as Paul also commanded such songs in 1
Corinthians 14.
Tekne is ANY human talent you sell in the name
of God as rhetoric, singing, playing, acting.
The Sorcerers in Revelation 18 were Singing Technicians.
Plat.
Euthyd. 290a and only slightly inferior to
that. The sorcerer's [epōdōn] art is the
charming of snakes [sukophantēs]
and tarantulas and scorpions and other beasts and
diseases, while the other is just the charming and
soothing of juries, assemblies [ekklēsi-astēs],
crowds, and so forth. Or does it strike you differently? I
asked.
Su_kophant-ēs
, common informer, voluntary denouncer,
professional swindler or confidential
agent, dēmagōgeō
of figs which had been stolen from the
sacred fig-trees during a famine and had become
cheap, the famine having passed, blackmailers
kolax , a^kos,
ho,
A.flatterer, fawner,
2. in later
Gr., = Att.
goēs,
Moer. p.113 P.
dēmagōgeō from
dēmagōgos
1.to lead the people, in bad
sense demagogue
2.c. acc. pers. to win by popular
arts, Xen.a leader of
the mob,
Lucr.
1.731
Nor aught more holy, wonderful, and dear
Than this true man. Nay, ever so far and pure
The lofty music of his breast divine
Lifts up its voice and tells of glories found,
That scarce he seems of human stock create
The "Musical Worship Team" CLAIMS to be able to
lead you into the presence of God: that usurps the role of
Jesus as the only mediator and intercessor. And they DO
stand in what they claim to be a "holy place" off-limits
except
to the STAFF and insiders.
-strīdō
to make a shrill noise, sound harshly, creak,
hiss, grate, whiz, whistle, rattle,
buzz: stridentia tinguunt Aera lacu, V.: cruor stridit, hisses, O.: belua Lernae Horrendum stridens, V.:
horrendā nocte (striges), O.: mare refluentibus undis, V.: aquilone rudentes, O.: videres Stridere secretā aure susurros, buzz, H.
H7442 rânan raw-nan' A
primitive root; properly to creak (or emit a
stridulous sound), 2. tremulous sound of a
mast or pole "Shaken by the wind" also the
sound of a torrent. Vibrate the voice TRILL
which is the WOMEN'S sound of Halal above.
-cantus , ūs, m.
id., 2. With instruments, a
playing, music: “in nervorum vocumque cantibus,” Cic. Tusc. 1, 2, 4;
id. Rosc. Am. 46,
134: “citharae,” Hor. C. 3, 1, 20:
“horribili stridebat tibia cantu,” Cat. 64, 264:
“querulae tibiae,” Hor. C. 3, 7, 30:
B. An incantation, charm,
magic song, etc.: cantusque artesque
magorum. Ov. M. 7, 195;
7, 201: “at cantu commotae Erebi de sedibus imis Umbrae ibant,” Verg. G. 4, 471:
“magici,”
-măgĭcus , a,
um, adj., = magikos,
I.of
or belonging to magic, magic, magical (poet.
and in post-Aug. prose): “artes,” Verg. A. 4, 493:
“magicis auxiliis uti,” Tib. 1, 8, 24: “arma movere,” Ov. M. 5, 197:
“superstitiones,” Tac. A. 12, 59:
“vanitates,” Plin. 30, 1, 1,
§ 1: “herbae,” id. 24, 17, 99,
§ 156: “aquae,” Prop. 4, 1, 102
(5, 1, 106): di magici, that were invoked by
incantations (as Pluto, Hecate, Proserpine),
Tib. 1, 2, 62; Luc. 6, 577:
“linguae,” i. e. hieroglyphics,
id. 3, 222;
“but lingua,” skilled
in incantations, Ov. M. 7, 330;
Luc. 3, 224:
“cantus,” Juv. 6, 610:
“magicae resonant ubi Memnone chordae,” mysterious,
id. 15, 5.
-rĕ-sŏno
“qui (cornus) ad nervos resonant in cantibus, carmina
resonantia chordis Romanis, to the
strings, “in vocibus nostrorum oratorum
Isaiah 8:20 To the law and
to the testimony:
if they SPEAK not according to
this word, [Dabar-Logos]
it is because there is no light in them.
Speak in Latin is dīco
[Truth] Jesus
and the Apostles SPOKE a hymn.
Opposite ficta
which includes apis Matinae more modoque
[melody] operosa parvus carmina Something YOU
arrange (like the Gr. plattō),
make, compose, Hor. C. 4, 2, 32:
“carmina,”
id. A. P. 331;
240: “versus,”
id. ib. 382: “poëmata,”
Suet. Tit. 3:
play a part
b. Pregn., with the access. notion of creating by
thinking, to contrive, devise, invent,
feign something “fabula,
Jewish Fables includes all of the performance or
hypocritic arts and crafts.
Plattō plēssō, TO STRIKE:
fiction or rhetoric intends to SMITE you to take you
captive
4. of musical sounds, “houtōsi
plēgenta
houtōs
ephthegxato
ta
phōnēenta”
2. to be smitten
emotionally, THE MARK 3.
strike or stamp as one does a coin, Kuprios
kharaktēr
Even those who wrote on clay tablets knew that the invention
of metallic or other sounds made into an instrument Abraded
(the Psallo or Sop) the human spirit.
The drug high was sold by "prophets and priests" as the gods
speaking to them.
Jesus Christ is the ONLY light of the World: His Word
is the only TRUTH.
The Abilene Dogma
is correct: Christ never said "thou shalt not be a
witch or sorcery where any complex noise
including instrumental sounds are the MOST POWERFUL of
causing Wrath or Orgy facilitated most
often by dominant females
If you sell ANYTHING you fabricate or compose Jesus
wants you to know that the "doctors of the law take away the key
to knowledge." The Scribes or self-writers are defined by Jesus
as hypocrites in Ezekiel 33 meaning slick speakers, singers or
instrument players. The Spirit OF Christ says that this is the
MARK of both clergy and audience who have no motive other
than being entertained for PAY with no intention of obeying it.
This does not CAUSE you to fall from Grace but Scripture
including Isaiah 30 and Revelation parallel to Amos 8 is proof
that "Jesus has been there and will not pass by again."
Revelation 1:2 Who bare record
of the WORD of God,
and of the testimony
of Jesus Christ,
and of all things that
he saw.
The LOGOS defines the Regulative
Principle and is the opposite of rhetoric, singing,
playing or acting. It is the OPPOSITE of Pathos or
whatever happened to the preacher or any of his jokes and
buffonery while claiming to be in the presence of God.
Revelation 1:9 I John, who also am your brother, and
companion in tribulation,
and in the kingdom
and patience of Jesus Christ,
Jesus never preached "Jesus or the
Cross": He and others preached the Gospel of the Kingdom.
The Kingdom of God is the Church of Christ (mostly
invisible) and Jesus is still King and ONLY teacher when
the APT elders teach that which has been taught.
was in the isle that is
called Patmos, for the WORD
of God,
and for the testimony
of Jesus Christ.
Perhaps it is whistling in the
cemetary just before the Lake of fire to try to silence
the WORD and TESTIMONY.
Revelation 6:9 And when he
had opened the fifth seal,
I saw under the
altar the souls of them
that were slain for the word of
God,
and for the testimony which
they held:
And those who murder the Prophets and Apostles are
those who make a PROFESSION out of standing in their 'holy
places' claiming that THEY are the latter day Prophets and
Apstles called the MISSIONAL CHURCH for which you can get a
Doctor of the Law.
Revelation 12:17 And the dragon
was wroth with the woman,
and went to make war
[worship wars they claim with violence]
with the remnant
of her seed,
which keep the commandments of God,
and have the testimony of Jesus
Christ.
Is there trouble in Abilene City with
reading BLACK TEXT on BROWN
PAPER: Paul in Romans 3 makes the PATTERN READING the Word
or HEARING the Word when it is READ: Remember that the
PATTERN from the wilderness onward was to PREACH
the Word (only) by READING the Word for Comfort
and Doctrine while everyone RESTED from the Laded Burden
(that arousal music) and the Burden Laders known as PARASITES
in all sacrificial or ceremonial religion: it's called
Ceremonial Legalism.
In John 6 the BREAD and LIFE and
SPIRIT which came down from God is defined by Jesus to
those with A NEED TO KNOW and who are given A holy spirit
when they are washed with water INTO the Word or School of
Christ.
Revelation 19:10 And I fell at his feet to worship him. And
he said unto me, See thou do it not: I am thy fellowservant,
and of thy brethren
that have the testimony of Jesus: worship God:
for the testimony
of Jesus is the SPIRIT
of prophecy.
IF YOU PREACH JUST JESUS RATHER THAN "KNOW" OR SUFFER LIKE
JESUS HE DEFINED THE ONLY BREAD FROM GOD THAT BRINGS SPIRIT
AND LIFE. If you don't teach that which has been taught then
you CANNOT be a Christian which is a DISCIPLE of what Jesus
commanded to be taught and observed.
John 6:62 What and if ye shall see the
Son of man ascend up where he was before?
John 6:63 It is the SPIRIT that quickeneth; the
flesh profiteth nothing:
the WORDS that
I SPEAK unto you, they are SPIRIT, and they are
LIFE.
John 6:64 But there are some of you that believe not.
For Jesus knew from
the beginning who they were that believed not, and who
should betray him.
The Judas Bag or box was for carrying
the mouthpieces of wind instruments ALWAYS attached to a
flute case and well represented on Greek Vases:
John 6:65 And he said, Therefore said I unto you, that
no man can come unto me,
except it were given
unto him of my Father.
John 6:66 From that time many of his disciples went back,
and walked no more with him.
John 6:67 Then said Jesus unto the twelve, Will ye also go
away?
John 6:68 Then Simon Peter answered him, Lord, to whom shall
we go? thou hast the words of eternal life.
Rhema
that which is SAID or spoken, word, saying SPEAK the
WORD is opposite to:
muthos
, ho,
A.word, speech, 2. public speech,
the submission of a plea, skilled in speech, 7.
talk of men, rumour, “aggelian
II. tale, story, narrative,
either of a story which never comes to an end, or of
one told to those who do not listen, without distinction of
true or false,
2. fiction (opp. logos,
historic truth), ALL SERMONS
3. generally, fiction, “m.
idioi”
Phld.Po.5.5; legend,
myth
John 6:45 It is written in the prophets,
And they shall be
all taught of God. (the ONE PIECE PATTERN)
Every man therefore
that hath heard,
and hath learned of
the Father, cometh unto me.
LUKE AFFIRMS: Acts 2:41 Then they that gladly received
HIS WORD were baptized:
and the same day there
were added unto them about three thousand souls.
LUCADO ETAL DENIES: No one has their sins remitted or
"washed away" but those who "call upon the name of the Lord"
which in 1 Peter 3:21 means to REQUEST A good
conscience which is A holy spirit without which
Christ will NOT add you to HIS Church nor will HE
translate that now-holy spirit into a Heavenly Kingdom. If you
can see it, hear it, smell it or FEEL it when the team rushes
like WILD HORSES because His Kingdom or His Church does not
come where there is OBSERVABLES performed by people who just
KNOW that their songs and sermons are superior to those of the
Spirit OF Christ.
IF TOMORROW YOU HEAR THE WIND-INSTRUMENTS SOUNDS OR ANY
RHETORIC OR MUSICAL PERFORMANCE YOU ARE SUPPOSED TO BE ABLE TO
READ AND HEAR THE SIGNS: In Isaiah 30 the Spirit OF
Christ said that the wind, string and percussion instruments
are the SOUNDS of God driving His ENEMIES into "hell" where
harps and harpists are burried alive.
These are the SAME instruments that Christ warns was brought
into the Garden of Eden as the singing and harp playing
prostitute. The Babylon Mother of harlots (Revelation
17) again uses "lusted after fruits" (same as in Amos 8) as
speakers, singers and instrument players: all of the Techne or
crafts Ministry Staff are called sorcerers and will be or have
been Cast Alive into the Lake of fire. The consuming begins
with your own lips.
The Marks or degraded character is
defined as musical performance
The Beast is defined as "a sudden new style of music
or drama."
Plato warned that when this happens the CHANGERS are
changing the Laws so you should be on your guard because at
first they introduce it only as entertainment so they can boil
the other frogs called "quack spirits.
You don't need to believe that or you would follow the reason
for the Gifts of Christ in Ephesians to CAST OUT those
who boast about stealing your synagogue or in the words of the
Christian Standard "How YOU transistioned YOUR church without
getting fired.
Rick
Atchley with Christian Standard: how you
transistioned over the past few years to include
instrumental worship (an oxymoron) in MOST services.
When WE made the
decision, we knew we would have to explain why WE were making the decision, so I led the church
through some teaching on why WE were making
the change WE
made.
And "We used christian bands to
teach your youth to leave your movement."
The
NACC which also USES Jeff Walling and How HE
transistioned HIS church. Jeff Walling is asked
"what does it take to make this change." Jeff
notes that after 15 syears the "leaders" reached
this Descision to change Syle and Purpose
with lots of difficulty "but do you
think I am going to tell these people" meaning HOW we subverted the
church.
WHEN THEY WHISPER UNITY YOU KNOW THAT THEY INTEND TO INFILTRATE
AND CONFISCATE YOUR "INVESTMENT WITH THE LOURDEE."
They say "a spirit" told them to do it and I agree: it's all
spelled out in the book they do not want you to hear in the
morning from either sermons or songs.
The Thesis of the Abilene Kingdom of the world is that they
will preach only "Christ and Him crucified" and ignore the
epistles of the apostles which the father of the
Stone-Campbell Movement Fallacy says were the divisive
writings of divisive writers. Note the Lucado Pattern
below. Paul and Peter always SILENCES the
cunning craftiness or sophistry meaning self-speaking,
singing, playing instruments and ACTING as the necessary
prelude to SPEAKING that which is written for our
learning. The only way to GUARD against lying prophets
spelled Profits Christ warned against is to outlaw seekingn
your own pleasure and speaking your own words. God said
that man's imagination is only evil continually and popularity
would be a MARK or sign against Jesus said who SPEAK the word
which He spoke when the Father "breathed" into him would
absolutely get you despised and rejected of men: people who
would steal the church house of widows are restrained only by
fear.
GRACE THROUGH FAITH WOULD SAVE YOU FROM THE
INSTRUMENTAL BANDITOS.
Salvation (continuous) by Grace through faith is salvation FROM
the ugliness in the FIRST part of the chapter.
Ephesians 2:2 Wherein in
time past ye walked according to the course of this
world,
according to the prince
of the power of the air,
the spirit
that now worketh in the children of disobedience:
Kosmos , ho, natgural, II.
ornament, decoration, esp. of women; “hieros k.”metaph., of ornaments of speech,
such as epithetsto sing sweet songs of praise,
THIS IS WHAT SATAN HAD THE RIGHT TO
OFFER JESUS
Hēdu^-melēs , A. sweet-singing,
“khelidoi” Anacr.67,
cf. Sapph.122（Comp.), Pi.N.2.25;
sweet-sounding, “xoana” S.Fr.238,
etc.: poet. fem., “hēdumeleia surigx” Nonn.D.29.287.
Nonnus,
Dionysiaca 18. 93 ff : The BEAST is "an
new style of music or drama" or Satyric Dramas.
"[Dionysos in the court of the Assyrian king Staphylos:]
The king [Staphylos] harried his servants and stirred up his serfs, to slaughters a
herd of fine fat bulls and flocks of sheep for the Saytroi
(Satyrs) of bullhorn Dionysos. . . There was
dancing too; fragrant air was wafted through a house
full of harping,
the streets of the city were filled with sweet steamy
odours, ample streams of wine made the whole house
carouse. Cymbals
clanged, panspipes whiffled
about the melodious table, double hoboys were droning,
the round of the loud-thrumming
drum made the hall ring again with its double bangs,
there were castanets
rattling over that supper!
And there in the
midst came Maron, heavy with wine, staggering on unsteady feet and
moving to and fro as frenzy
drove him. He threw his arms over the shoulders
of two Satyroi and supported himself between them, then
climbed right up from the ground twisting his legs about
them. So he was lifted by the dancing feet of the
others, with red skin, his whole face emitting ruddy
rays and shining between."
Strabo,
Geography 10. 3. 13 :
”mentions the hymns sung in honor of
Dionysus, both the ancient and the later ones,
and then, passing on from these, says,“To perform the prelude
in thy honor, great Mother, the whirling
of cymbals is at hand, and among them, also, the
clanging of castanets, and the torch that blazeth
beneath the tawny pine-trees,
”he
bears witness to the common relationship between the
rites exhibited
in the worship of
Dionysus among the Greeks
and those in the
worship of the Mother of the gods among the
Phrygians,
for he makes these rites closely akin to one another.
And Euripides does likewise, in his Bacchae,
citing the Lydian usages at the same time with those of
Phrygia, because of their similarity:“
But ye who left
Mt. Tmolus, fortress of Lydia, revel-band of mine,
women whom
I brought from the land of barbarians as my
assistants
and travelling companions,
uplift the
tambourines native to Phrygian cities, inventions of
mine and mother Rhea.
”And again,“happy he who, blest man, initiated in
the mystic rites, is pure in his life, . . . who,
preserving the righteous orgies [wrath] of
the great mother Cybele, and brandishing the
thyrsus [shaken reed] on high, and wreathed with ivy,
doth worship Dionysus. Come, ye Bacchae, come,
ye Bacchae, bringing down Bromius, god the child
of god, out of the Phrygian mountains into the broad
highways of Greece.
And again, in the following verses he connects the Cretan
usages also with the Phrygian:“O thou hiding-bower of
the Curetes, and sacred haunts of Crete that
gave birth to Zeus, where for me the
triple-crested Corybantes in their caverns invented
this hide-stretched circlet, and blent its Bacchic
revelry with the high-pitched, sweet-sounding breath
of Phrygian flutes, and in Rhea's hands placed
its resounding noise, to accompany the shouts
of the Bacchae, and from Mother Rhea frenzied
Satyrs obtained it and joined it to the choral
dances of the Trieterides, in whom Dionysus
takes delight.
Diagoras was an Athenian, but you
punished him for divulging
the Athenian mysteries;
yet you who read his Phrygian discourses hate us. You
possess the commentaries of Leo, and are displeased
with our refutations of them; and having in your hands
the opinions of Apion concerning the Egyptian gods, you denounce us as most impious.
The tomb
of Olympian Zeus is
shown among you, (in Crete) though some one says that
the Cretans are liars.
Surigx , iggos, hē, A. shepherd's
pipe, Panspipe, 2.
cat-call, whistle, hiss,
as in theatres, Id.Lg.700c;
cf. “surizō” 11.2, surigmos:—the last part of the
nomos Puthikos was called surigges, prob. because it
imitated the dying hisses of the serpent
Pytho, Str.9.3.10.
3. mouthpiece of the aulos,
Apollo is Abaddon or Apollyon and He has been unleashed
Revelation 9:11 And they had a king over them,
which is the angel of the bottomless pit, whose name
in the Hebrew tongue is Abaddon, but in the Greek
tongue hath his name Apollyon.
The LOCUSTS were the MUSES who had been sentenced into the
netherworld for upsetting the MOTHER GODDESS. Now,
they HAVE BEEN unleashed and Apollo is the LEADER OF THE
MUSES.
THE SPIRIT OF THE POWER OF THE AIR
spīrĭtus
A haughty spirit, haughtiness,
pride, arrogance;
spiritum Phoebus mihi, Phoebus artem Carminis
dedit, poetic spirit or inspiration,
Hor. C. 4, 6, 29;
Phoebus is APOLLO who was part of the worship of the starry
host to which God abandoned Israel BECAUSE of musical
idolatry.
Hor.
Od. 4.6
But, won by Venus' [Lucifer, ZOE] voice
and thine,
Relenting Jove Aeneas will'd
With other omens more benign
New walls to build.
Sweet tuner of the Grecian lyre,
Whose locks are laved in Xanthus'
dews,
Blooming Agyieus! help, inspire
My Daunian Muse!
'Tis Phoebus, Phoebus gifts my tongue
With minstrel art and minstrel fires:
Come, noble youths and maidens sprung
From noble sires,
spiritum Phoebus, mihi Phoebus artem
carminis nomenque dedit poetae.
virginum primae puerique claris
patribus orti,
LOGOS or Regulative Principle is OPPOSITE
to speaking, singing, playing instruments
puerile
is a word used by John
Calvin repudiating music
Blest in your Dian's guardian smile,
Whose shafts the flying silvans stay,
Come, foot the Lesbian measure, while
The lyre I play:
Sing of Latona's
glorious boy,
Sing of night's queen with crescent horn,
Who wings the fleeting months with joy,
And swells the corn.
And happy brides shall say, “'Twas mine,
When years the cyclic season brought,
To chant the festal hymn divine
By Horace taught.”
Phoebus
I.a poetical appellation of Apollo as
the god of light:
son of Phśbus, Val. Fl. 1, 228:
“Circe,”[CHURCH]
daughter of Sol,
“Rhodos,”
where the worship of Apollo prevailed, id. M. 7, 365:
“lyra,”
id. H. 16, 180:
C. Phoebas
, ădis, f., a priestess of Apollo; hence the
inspired one, the prophetess, Ov. Am. 2, 8, 12;
id. Tr. 2, 400;
Luc. 5, 128;
165.
Lucr.
2.504 Lucifer the singing and harp playing
prostitute
And now for thee barbaric robes, and gleam
Of Meliboean purple, touched with dye
Of the Thessalian shell...
The peacock's golden generations, stained
With spotted gaieties, would lie
o'erthrown
By some new colour of new things more bright;
The odour of myrrh and savours of honey
despised;
The swan's old lyric, and Apollo's hymns,
Once modulated on the many chords,
Would likewise sink o'ermastered and be mute:
carmen
Incantantation or sorcery
I. In gen., a tune, song, air,
lay, strain, note, sound,
both vocal and instrumenta
tuba, kithara, lyra, 5. A magic formula,
an incantation: MALVM, Fragm. XII. Tab. ap. Plin. 28, 2, 4, § 17;
c
linguae:
a big tongue is Greek for boastful tongue.
WORKETH is operatur:
The Kingdom does not come with observation meaning religious
services or operations.
2Th. 2:9 Even him, whose coming is
after the working of Satan with all power and
signs and lying wonders,
2Th. 2:10 And with all deceivableness of unrighteousness
in them that perish; because they received not the love
of the truth, that they might be saved.
2Th. 2:11 And for this cause God shall send them strong
delusion, that they should believe a lie:
ŏpĕrātĭo
, ōnis, f. operor, working, work, labor,
operation A religious performance,
service, or solemnity, a bringing of
offerings: operationes denicales, offering
HOW ARE WE SAVED FROM THAT CROOKED RACE?
Pistos
(B), ē,
on,
(peithō
let us comply ):
2. obedient, loyal,
3. faithful, believing, Act.Ap.16.1, IG3.3435.
AS THE ANTITHESIS
Ephesians 2:20 And are built upon the foundation of
the apostles and prophets,
Jesus Christ himself
being the chief corner stone;
If you get waged to try to build upon self-speak songs and
sermons then you are not a Disciple of Christ commanded to
TEACH what He commanded to be taught.
PAUL, a servant of Jesus
Christ, called to be an apostle, separated unto the gospel
of God, Rom 1:1
(Which he had promised
afore by his prophets in the holy scriptures,)
Rom 1:2
Concerning his Son
Jesus Christ our Lord, which was
MADE of the
seed of David according to the flesh; Rom 1:3
Holy Scripture does not include
the Patternist's Platform from the God-abandoned Levites who performed as
soothsayers or sorcerers with loud instruments
continued to be used against Jesus "to make the lambs
dumb before the slaughter.
And DECLARED to be the Son of God with
power,
according to the spirit of holiness,
by the resurrection from the
dead: Rom 1:4
Contrary to those who BURN THE LETTERS, Paul
to whom Christ as Holy Spirit appeared to and let Himself be
heard:
Now to him that is of power to stablish you
according to my gospel,
and the preaching of Jesus Christ,
according to the
revelation of the mystery,
which was kept secret
since the world began, 1 Cor 16:25
If you want to MOCK those defined as inspired and upon which
historic Apostolic churches have a reason to exist, that's
ok: Jesus said He doesn't pray for the WORLD or COSMOS
and the Harris-NACC
performing og COSMIC WORSHIP.
Then in the name of missed Ethics101aaa why GANG UP in the
attempt to exercise "Prophetic Roles to train advanced
degrees (about 212o) to be CHANELLERS to go
out and FACILITATE (manipulate) the demise of the old
Conservative Churches of Christ. It is a provable fact
that NO ONE can find any rational for the MUSIC word in the
Qahal, synagogue, ekklesia or Church of Christ (the Rock) in
the wilderness. Therefore, the lifted list of mere
mentions of an instrument to mean that GOD COMMANDED
them to add Instrumental Praise (whatever that be) are lying
ABOUT God and TO God. If they obeyed the
command to teach that which has been taught they would not
have to "boil the frogs" for more than a decade before that
"spirit" made you leap. Furthermore, in most cases the
"spirit" doesn't mention INSTRUMENTS until the NEW PROPERTY
has been secured and usually RENAMED to take Christ off the
confession.
The Spirit OF (of is a preposition) Christ in the prophets
warns about the LYING PEN OF THE SCRIBES and Jesus in person
called the SCRIBES and Pharisees, hypocrites. The quote
from Ezekiel 33 names speakers, singers, instrument players
and any "audience" to pay their ungodly wage.
If you SELF-SPEAK claiming to speak for a god the civil Greeks
named you a Prostitute. Selling any body part in the name of
God is prostitution. Paul called it CORRUPTING the Word
which is "selling learning at retail" which word also means
ADULTERY. The texts speak of rhetoricians wandering
around selling their own doctrines to keep from having to
work. They were often the left-over sacrificial
musicians which were always called PARASITES because Christ
said that God did not command any of the Patternist's
Platform.
Heb. 1:1 God, who at sundry times and in
divers manners
spake in time past
unto the fathers by the prophets,
Heb. 1:2 Hath in these last days spoken unto us
by his Son,
whom he hath appointed
heir of all things,
by whom also he made
the worlds; ageS
Heb. 1:3 Who being the brightness of his glory,
and the express image
of his person,
and upholding
all things by the WORD of his power,
when he had by himself
purged our sins,
sat down on the right
hand of the Majesty on high;
The
LOGOS is the Regulative Principle or Governing
Principle. The Patternist's Platform
ridicules the notion that God gets the right to Command,
example or remotely infer for any godly person who is a
DISCIPLE and not a CEREMONIAL LEGALISTS.
logos
Word or Wisdom
of God, personified as his agent in creation and
world-government, reason, law exhibited in the
world-proces. of regulative and formative forces,
derived from the intelligible and operative in the sensible
universe. generative principle in
organisms, inward debate of
the soul, regulative and formative forces,
derived from the intelligible and operative in the
sensible universe,
Here is a list
of all of the uses of LOGOS and any kind of
self-speak, poetry, music or drama is EXCLUDED.
The one-piece
pattern Christ ordained in the wilderness was to REST
(from religionists) READ and REHEARSE the Word
(only). That means SPEAK or READ that which is
written and MEDITATE in the heart since Psallo has never
and can never mean "musical melody" which belongs to the
19th century. The Lord's Supper in utter silence to
preach the death of Jesus and EXAMINE SELF, had the same
TEACHING role of A Church of Christ. A Church is a
School of Christ agreed the Campbells and worship is
reading and musing the Word: that's the pattern Paul
commanded to Timothy. The School of Christ has a top-down
flow of information. If your institution does more
than that it has been taken captive by people who PEDDLE
THE WORD which by Paul and civli Greeks is called
prostitution.
Max
Lucado explaining how to write "beyond the sacred pages."
"Yet, Paul wrote, not because of heavenly
action, but because of congregational angst.
Titus needed direction, the Ephesians needed
assurance. Timothy struggled, the Corinthians squabbled
and the Galatians waffled. So Paul wrote to
them.
Paul
reported that Jesus of Nazareth as Holy Spirit both
appeared to him and let him hear His voice. Jesus promised
to APPEAR to Paul to guide him into all truth. If you
don't believe it then save your souls and stop
trafficking.
Since one must be a witness of the resurrected Jesus to be
an apostle we assume that Max has had such a vision which
told him to impose instrumental idolatry and remove Christ
from his public confession. Peter identified Paul's
writings as SCRIPTURE. If one gets rich and famous
as a preacher Paul would want him to GO by the command of
Jesus and teach what Jesus commanded too be taught.
The Texas wrecking crew denies that the epistles are more than
the divisive writings to divided churches.
Max Lucado: "How
he made music with his words. He turned
epistles into concert hall sheet music.
“Though I speak with the tongues of men and angels, but
have not love, I have become as sounding brass or clanging
cymbal.” (1 Cor. 13:1) It’s as if he dipped his pen
in honey. He could sound like a poet
in the seventh heaven.
Scripture
and the Classics would MARK Paul as gender-confused:
when you move from SPEAK or SAY to SING or Play
recorded history marks that as both effeminancy and
the CAUSE of rampant Effeminance. A deceased preacher
for the Christian Church spelled it out clearly. And
the Praise Team was the sign form young and old to
decide NOT to pay for the Free Water of the Word. See the
Spirit OF Christ command us NOT to pay for the
Word and equate His Word to SPIRIT.
Christ
also defined those who Smite and Pluck Him
which parses to making MUSIC which
recorded history knows "creates spiritual anxiety
through religious rituals" says Jesus.
No, this was not music but ANTI-music: real men
didn't do music unless they were drunk or gender confused says
recorded history. See below which is a clear statement
of PROSE.
To the law and to the testimony:
if they speak not according
to this word,
it is because there is no
light in them. Isa
8:20
Aristototle
Rh. 3.6: Melody Deceives: "Poets also make use of this in inventing
words, as a melody "without
strings" or "without the lyre"; for they employ epithets from negations, a
course which is approved in proportional metaphors..
- The form
of
diction should be
neither metrical nor without
rhythm.
- If it is metrical,
it lacks persuasiveness, for it appears
artificial, and at the
same time it distracts the
hearer's attention,
since it sets him on the watch for the recurrence
of such and such a cadence..
"Philodemos considered it paradoxical that music should
be regarded as veneration of the gods while musicians were
paid for performing this so-called veneration. Again, Philodemus
held as self-deceptive the view that music
mediated
religious ecstasy. He saw
the entire condition induced by the noise of
cymbals and tambourines as a disturbance
of the spirit. (Paul called it mad or insane)
He found it significant that,
on the whole, only women and effeminate
men fell into this folly."
According to Philo, the gods
of the pagans exploit this weakness of men. For
the sake of a better effect, and with the intention of more easily cheating
their devotes, that
they have set their lies to melodies, rhythms and
meters.." Click for more.
Abaddon or
Apollyon is the Leader of the Muses!
Max
Lucado: "He could also sound like a pastor
on Monday morning. Tired, frustrated.
Beginning sentences and not finishing them. Starting a
second thought before he finished the first.
Throwing out ideas in lumps instead of lyrics.
[real men don't do lyrics reports
history] But that was ok. He
wasn’t writing the Bible. He was writing to
Philemon. He wasn’t crafting epistles;
he was solving problems. Paul didn’t write for
the ages; he wrote for the churches. He wrote
for souls.
Paul always
used IRONY to fool the foolish and to ridicule
them. Peter called Paul's writings SCRIPTURE and
Paul wrote circular letters. Consistent with the
command to PREACH the Word by READING the Word Paul
commanded that the letters be READ in all of the
churches. If that is what preachers believe then they
may not have any choice when Jesus visits to remove the
LAMPS (Revelation 18) but to remove CHRIST from their
public confession
Max Lucado: And
we’ve written: articles,
blogs, books, stories. Not like Luke, Paul,
and John. But not unlike them, either.
Luke
recorded the accounts of eye-witnesses and travelled
with Paul. Luke's history stands up against TRUE HISTORY
and he probably never broke a sweat when recording the
facts.
The
difference is that he REPUDIATED all of the witchcraft
defined by ALL of the "music" terms and names of
instruments. I am quite certain that he followed the
example and command of Paul that "if he will not work
neither shall he eate." A am quite certain that being a
Christian he understood that "nothing Christian is for
sale and nothing for sale is Christian."
Max
Lucado: We’ve had
our moments of inspiration. Sandwiched
between hours of perspiration, for sure. But we’ve
had our moments—mystical moments of
pounding heart and pounding keyboard. We’ve felt the wind
behind our backs and sensed a holy hand guiding ours.
We, like our Creator, have beheld our
creations and declared, “It’s good.” (Or, at least,
“It’s not so bad.”) And we have asked: Is this
our call? Our
assignment? To use words to shape
souls?
AND RICK
ATCHLEY FOLLOWED THE LEADER
The VISION for
imposing instruments were not inspired since they were
from the WHITE PAPER Farmer's branch also sent to
me. Chris Seidman is not a prophet and it is clear
that the White Paper was supplied by the NACC using the
ploy of "unity" but stalking out a few who could be duped.
Inspiration is
God Breathed: the Spirit OF God is the
BREATH of God (to fool the clergy): when God BREATHED then
men ARTICULATED that breath Without Metron or meter.
Jesus had no words on His own so we suppose that the
Abilene Kingdom presumes to be a Greater-Than Moses or
Jesus for THEIR generation (Blackaby, Shelly)
The Beastia
(Latin) or Serpo in the garden of Eden is defined as
speaking by the spirit of Abaddon (the God-abandoned)
Levites sorcery with instruments. So, be careful
whose "spirit" you are trusting. If NONE of the Epistles
are to be trusted the we recommend that you CUT OFF the
unlawful and ungodly funds they are extorting from you and
sleep in. Jim Hackney is setting up a late nite
instrumental service so you can SLEEP IN.
The Spirit OF
Christ called that the Lucifer Pride: as
the king (queen) of Tyre Christ called him "the singing
and harp playing prostitute in the garden of Eden." As
king (queen) of Babylon the Lucifer Patternist would be
cast into hell with his still-living harpists and harps
buried alive. The Serpent is a "musical
enchanter(ess) and as Serpent-Beast he deceives through
crooked (skolions) songs while drunk on pride or ignorance
history notes.
IT WOULD NOT BE IN CHARACTER FOR PAUL TO WAX LYRICAL
This was not Paul waxing Lyrical but Paul's stiff-armed irony
DENOUNCING those who denounce the LOGOS (Regulative
Principle) and distill dew with an agenda:
1Corinthians 13:1 Though I speak with the tongues
of men and of
angels,
(condemned)
and have not
charity, (Grace) (condemned)
I am become as
sounding brass, or a tinkling cymbal.
La^l-eō, Mark of the
LOCUSTS (Muses with Abaddon the Leader of the
Locusts) II. chatter,
Opposite. articulate speech, as of locusts,
chirp, Theoc.5.34; mesēmbrias lalein tettix (sc. eimi), a very grasshopper
to chirp at midday, III.
of musical sounds, “aulō [flute] laleō” Theoc.20.29; “di'aulou [flute] ē salpiggos l.”[trumpet] of Echo, magadin lalein sound the magadis, [double
flute]
"It may help us to understand that
the Greek word lelein refers primarily to
utterance rather than to meaningful
conversation. The term is used repeatedly in
chapter 14 to describe speaking in tongues.
Phrynichus, the ancient dictionarian,
defined the term as 'to talk nonsense'.
The word is used of
gossip, prattling, babbling, animal
sounds, and musical instruments.
During the classical period, it usually was
employed in a contemptuous sense.
Debrunner, writing in the Kittle-Friedrich
Theological Dictionary of the New Testament,
states 'Lalein can also be used quite objectively
of speech when there is reference to sound
rather than than meaning. 'To what kind of
utterance can St. Paul refer? There were many
types of vocalization in ecstatic rites.
[strong delusions to those
who say that Paul lied but they
are inspired]
They have been heard
to utter (different voices of equal strength, or
with great diversity and inequality) in tones that
alternated with silence; and again in other cases
harmonious crescendo or dimenuendo of tone, and in
still other cases other kinds of utterance. (Iamblichus,
On the Mysteries, III, 4-6)
Outlawed
by LOGOS: Modulatio. In partic., a rhythmical measure, modulation; hence, singing
and playing, melody, in poetry and music,
Quint. 9, 4, 139: modulatione produci aut corripi
(verba), id. 9, 4, 89 : modulatio pedum, id. 1, 6, 2
: scenica, id. 11, 3, 57:
vocis, melody, id. 11, 3, 59 : musica,
Aus. Ep. 25, 13 .
Clement of Alexandria:
"After having paid reverence to the discourse about
God, they leave within [at church] what they
have heard. And outside they foolishly amuse
themselves with impious playing, and amatory quavering
(feminine vibrato), occupied with flute-playing,
and dancing, and intoxication, and all kinds
of trash.
Paul said don't get
fluted down with wine but SPEAK. In Reading 101 and the Greek
world SPEAK (logos type) is the OPPOSITE of rhetoric, singing,
playing, acting or dancing which INHERES in
the music concept.
IT MAY BE BLASPHEMY TO CLAIM THAT THE SPIRIT OF
CHRIST AND PAUL WERE TOO
IGNORANT TO KNOW THAT WHEN YOU WANT TO (1) PLAY
AND (2) AND INSTRUMENT YOU SAY SO OR LIKE SIMPLE
SIMON USE DEDICATED COMPOUND
WORDS.
-kat-auleô , A. charm by flute-playing, metaphor
I will flute to you on a
ghastly flute, E.HF871 (troch.):--Pass., of persons, methuôn
kai katauloumenos drinking
wine to the strains of the
flute, Pl.R.561c; k.
pros chelônidos psophon to be played to on the flute with lyre accompaniment,
II. in Pass., [ton monochordon kanona]
parechein tais aisthęsesi . . katauloumenon subdued by a flute accompaniment, to be piped
down, ridiculed, gelômenoi
2. make
a place sound with flute-playing, resound with flute-playing, nęsos
katęuleito Plu.Ant.56
YOU HAVE SOME OF
THESE ANGELS WITH YOU SINCE ALL RELIGIOUS MUSIC MARKS SORCERY OR WITCHCRAFT.
Aggelos
, ho,
hē,
A. messenger, envoy, Il.2.26, etc.; “di'
aggelōn
homileein
tini”
Hdt.5.92.z,
cf. SIG229.25
(Erythrae):— prov., Arabios
a.,
of a loquacious person, Men.32.
2. generally, one that announces or tells,
e.g. of birds of augury, Il.24.292,296; Mousōn
aggelos,
of a poet,“aggelon
glōssan
logōn”
E.Supp.203;
“aisthēsis
hēmin
a.”
Plot.5.3.3; neut. pl., “aggela
nikēs”
Nonn.D.34.226.
4. In later philos., semi-divine being,
“hēliakoi
a.”
Jul.Or.4.141b,
“a.
kai
arkhaggeloi”
also in mystical and magical writings, “aggela
nikēs”
Nik-ēi_,
hē,
II. pr. n., Nike, the goddess of
victory, Hes.Th.384,
cf. Pi.I.2.26,
etc.; “Nikē
Athana
Polias”
S.Ph.134,
cf. E. Ion457
(lyr.), 1529.
SOUNDING BRASS AND TINKLING CYMBALS (like the babbling of the
priestess of Dodona. The DOVE parable to fool the foolish.
Eur.
Ba. 120 hoi korubantiôntes: here a species of madness seems to be indicated,
- under the
influence of which men
- imagined that
they heard the flutes
- that were used in
Corybantian revels.
- and the song of
the bacchanals in Eur. Bacch. 123-127,
- Corybantes,
wearing helms three-rimmed,
- Stretched
skins
to make my drum's full round;
- Then they, in
hollowed
caves, lithe-limbed,
- With drums, and, with the
flute's shrill sound
- Full
Phrygian, bacchic ditties hymned.
- OR-[120]
O hallowed haunts in Crete, that saw Zeus
born, where Corybantes with crested helms devised for me in their grotto
the rounded
timbrel of
ox-hide (lifeless
instrument), mingling Bacchic minstrelsy with the shrill sweet accents of the Phrygian flute, a gift bestowed by them on mother Rhea, [EVE, ZOE] to add
its crash of
music to the Bacchantes' shouts of joy;
Auleô, of tunes, to be played on the
flute, ho Bakcheios
rhuthmos ęuleito X. Smp.9.3 KERAS Horn, bow, musical instrument, horn
for
blowing.
Rev 17:3 So he
carried me away in the spirit into the wilderness: and
I saw a woman sit
upon a scarlet coloured beast, full of names of blasphemy,
having seven heads and ten horns.
kat-auleô
A. charm by flute-playing, tinos Pl.Lg.790e, cf.
R.411a; tina Alciphr.2.1: metaph., se . . -ęsô phobôi I
will flute
to you on a ghastly flute, E.HF871 (troch.):--Pass., of
persons, methuôn kai katauloumenos drinking wine to
the strains of the flute, Pl.R.561c; k. pros chelônidos psophon to be played to on the
flute with lyre accompaniment,
but frantic satyrs
(EMASCULATED priests) won it from
the mother-goddess for their own, and added it to
their dances in festivals, which gladden the heart of Dionysus,
each third recurrent year.
Of the MAD WOMEN of Corinth which Paul
GUARDED AGAINST happening:
mainas , ados, hę, ( [mainomai] )
A.raving, frantic, lussa v. l. in S.Fr.941.4;
bakchęE.Ba.915
.
luss-a, Att.
lutta, hę,
A. rage, fury, in Hom. always of
martial rage, kraterę de he [A spirit OF madness.]
2. after Hom., raging
madness, frenzy, such as was CAUSED BY the gods,
as that of 10, lussęs pneumati
margôi A.Pr.883 (anap.); of Orestes, Id.Ch.287,
E.Or.254, etc.; of the Proetides, B.10.102; of Bacchic
(Dionysus, wineskin) frenzy, elaphra l. E.
Ba.851 ; thoai Lussas kunes, of the Furies,
ib.977 (lyr.); lussęi parakopos Ar.Th.680 :
strengthd., l. manias S.Fr.941.4 ; lutta EROTIKE
3. personified, Lussa the goddess of madness,
E.HF823.
Pneuma
I. a blowing, pneumata anemôn Hdt., Aesch.: alone,
a wind, blast, Methieme
letting loose. 2.
metaph., thalerôterôi pn. with more genial breeze
or influence,
Aesch.; lussęs pn. margôi
Margos:
raging mad, A.mad, margemadman, of
the Furies,
DIONYSUS [God of the New
Wineskins]
Women!
our
prize
is nearly in the net.
Soon shall he reach the Bacchanals,
and
there pay forfeit with his life.
O Dionysus! now 'tis
thine to act, for thou art not far away; let us
take vengeance on him.
First drive him MAD by fixing in his soul a wayward frenzy;
for never, whilst his senses
are
his own,
will he consent to don a woman's
dress;
but when his mind is
gone astray he will
put it on.
And fain would I
make him a laughing-stock to Thebes as he is led in woman's dress through the city, after those threats with which he
menaced me before.
But I will go to
array Pentheus in those robes which he shall wear when
he sets out for Hades'
halls, a victim to his
own mother's fury;
so shall he
recognize Dionysus, the son of Zeus, who proves
himself at last a god
most terrible, for
all his gentleness to man.
Bakchę , hę,
A.Bacchante,A.Eu.25,
S.Ant.1122
(lyr.), Ar.Nu.605,
Pl.
Ion534a, etc.: generally, Bakchę Haidou
frantic handmaid of Hades, E.Hec.1077;
b. nekuônId.Ph.1489
2. as Subst., mad woman,
esp. Bacchante, [1 Corinthians 14:23]
3. = pornę,
porn-ę , hę, A.harlot,
prostitute, Archil.142, Ar.Ach.527,
because Greek prostitutes were commonly bought
slaves.)
2Corinthians 2:17 For we are not as
many, which corrupt the word [LOGOS]
of God: but as of sincerity, but as of God, in the sight
of God speak we in Christ
ădultĕro
II. Fig., to falsify, adulterate,
or give a foreign nature to a thing, to
counterfeit For MONEY “adulterantes
verbum,”
Vulg. 2 Cor. 2, 17.
Haidęs I.Hades or Pluto (cf. Ploutôn), the god of
the nether world,
YOU CAN TRUST
THE WORD AND ALL RECORDED HISTORY OR TRUST THOSE PURPOSE
DRIVEN TO CONFISCATE YOUR PROPERTY, SOW MASSIVE DISCORD
AND CLAIM THAT THEY AND NOT THE EPISTLES ARE INSPIRED.
Jonathan Storment Tradition: Guards or
Gardening Jonathan Storment parrots
Douglas A. Foster who claims that starving and ignorant Church
of Christ members (existed before either Campbell or Stone in
Tennessee) rejected Instrumental noise ONLY because they were
upset over the spendthrifts in the North (So was Christ in
Amos). They had NO other reason but tradition. After the
civil war they forgot WHY they rejected instruments along with
the Bible and recorded history and are now just divisive and
evil. This is all fabricated and twists both Scripture,
Recorded History and the Bible Literacy of Churches of
Christ. It also proves that you can get to be a Phd
without having read the Bible for content. Calling NOT
going along with having your property infiltrated and diverted
into a "theater for holy entertainment" just a bad TRADITION
which THEY intend to stop is, because it intends to hurt and sow
massive discord, a Lie: and liars are grouped with DOGS and
SORCERERS (speakers, singers, instrument players) in Revelation
which WILL BE or are Cast alive into the Lake of Fire.
Christ gave us the PROPHETIC TYPE in Isaiah 30 along with HIS
pattern for the future REST (from religion) both exclusively and
inclusively.
THE ABILENE BAND PROMOTES ALL CLAIMANTS TO BEING CHRISTIAN AND
THEREFORE CAN HAVE NO STANDARDS. Jonathan Storment's
credo may be based on a reading problem:
STORMENT AFFIRMS:
"Storment is a flag bearer
against the former idea of faith practiced within the
boundaries of one’s own body and denomination. He
derives this belief from John 17, Jesus’ last words to
his disciples and Storment’s go-to verse in answering
how church bodies should
interact with each other.
Jonathan Storment and several
other Abilene preachers make up a board called One Kingdom,
where the ministers congregate, collaborate and brainstorm
how to better thread their congregations to
partner with each other.
Pastor Storment
is holy-employed to a career extending
well past the 8-5, making his mission as Highland’s head
preaching honcho to break denomination binds and
instead demonstrate faith.
Backing his belief, Storment quotes
David McQueen, a fellow Abilene minister
at Beltway Park Church, whom he considers a ‘close
friend.’
“David has done a really great job at
Beltway, constantly saying, ‘How many churches are there
in Abilene? One church.’”
That's what Churches of Christ have warned about for several
decades. People trained as rhetoricians, singers,
instrument players (hypocrites says Jesus and universal
history), actors, buffoons and with ANTI-Church of Christ
mindset do as boasted "infiltrate and divert your school of the
word and happy church family into A Theater for Holy
Entertainment." People trained in theology with
ANTI-Church of Christ agendas missed out on Bible 101aaa.
The Bible is a
BLUEPRINT FOR A SCHOOL OF THE WORD.
The
Synagogue or Church of Christ in the Wilderness
Thomas
Campbell and the meaning of Church and Worship
Thomas
Campbell and the meaning of Church and Worship
The people
assemble themselves and the Elders PREACH the Word
(Logos) by READING the Word. That pattern was
defined to Moses in Exodus 18 before the nation fell into
instrumental idolatry at Mount Sinai: that was Demon
worship (1 Corinthians 10) and the demon was identified by
a BULL. Rick Atchley wants his BLUEPRINT for a Religious
Institution with a pyramid of power leadership. He wants
it to manage all of the surplus time and money of the
paying "audience." He wants to keep control of
Religious Observations or Services (hard bondage). As the
Promised Shiloh when Jacob told the godly people NOT to
attend the assemblies or enter into covenant with the
Levites (Genesis 49), Jesus said DON'T GO THERE: the
Kingdom is within and worship is WITHIN devoted to THE
TRUTH. Jesus
said that the kingdom does NOT come to the patternists
ceremonially legalistic OBSERVATIONS.
So, you can
follow Christ's "preliminary drawing" or you can attend
Works-Intensive Ceremonies for which there is no ROLE
and no DOLE. No! There
is no Law of Giving into the hands of a
preacher giving him the authority to divert it.
However, neither
one SEES the Bible: we disciples know to
READ the text for our EDUCATION. Jesus added the
Lord's Supper to the Church of Christ in the wilderness:
therefore, it is still a ONE PIECE PATTERN because the
Lord's Supper is a time to EXAMINE OURSELVES as at
Passover-unleaved bread, they searched thee "house" with a
candle and silence: the LEAVEN of the Pharisees is defined
by Jesus who called them hypocrites: in Ezekiel 33 the
Spirit OF (a preposition) Christ named names:
self-speakers, lovely singers and instrument players. The
mark was that they REFUSED to listen and obey. It is
a fact: "Christ never said 'thou shalt not be a
hypocrite.'" The LOGOS or REGULATIVE PRINCIPLE outlaws
acting or using self-references, poetry, music or drama.
Well, man Dare to be a Hypocrite cause a spirit told them
so.
It is certain
that both got their license and stack of sermon outlines--
- Without
being able to define Qahal, synagogue, ekklesia or
Church of Christ (the Rock) in the wilderness
- Without
being able to define worship.
- And ignoring
the command of Jesus to teach what HE commanded to be
taught.
- Because
Christians are Disciples and Disciples are Students
"washed in water INTO the Word" or into the School of
Christ.
- Purpose Driven
to be ANTI-logos
which through the mouth of Christ only is defined as the
REGULATIVE PRINCIPLE.
Churches of Christ did not invent Commands, Examples and
Inferences: that began in the garden of Eden and Eve
(Zoe, Mediatrix) played theologian and added to God's
Word.
- See Commands,
Examples, Necessary Inference for the DETAILED
PATTERN for PREACHING the Word (Regulative Principle)
by READING the prophets and apostles FOR OUR
LEARNING.
- If Rick hears
spirits, minimal ethics would force him to go buy his
own property because God HATES instruments in the holy
places (Amos 8) and God HATES men who sow discord.
- Or that a
church is built upon or educated or LEARNED by the
Prophets and Apostles.
- Or that Peter
outlawed private interpretation or further expounding
because that would REPUDIATE the Spirit OF Christ and mark
one as a False Teacher.
- Or that from
Genesis to Revelation Rick's "preliminary drawing" marks
instrumental noise as sorcery brought into the
garden of Eden by the singing and harp-playing
prostitute.
Ezekiel 28:13 Thou hast been in
Eden the garden of God; every precious stone was thy
covering, the sardius, topaz, and the diamond, the
beryl, the onyx, and the jasper, the sapphire, the
emerald, and the carbuncle, and gold: the workmanship
of thy tabrets and of thy pipes was
prepared in thee in the day that thou wast created.
[OR cast down as profane out of heaven: the praise
word.]
Isaiah 23:15 And it shall come to pass in that day,
that Tyre [and Judah] shall be forgotten seventy
years, according to the days of one king:
after the
end of seventy years shall Tyre sing as an harlot.
Which is: Isaiah
23:16 Take an [1] harp,
go about the city, thou harlot that hast been
forgotten;
make sweet [2] melody,
sing many [3]
songs, that
thou mayest be remembered. [as a Male]
- Or that Christ
EXCLUDED vocal or instrumental
rejoicing for the assembly in the wilderness
which word excludes self-speaking. Jesus said that
the self-speakers were sons of the Devil. Where did Rick
Atchley get the claimed spirit-led authority to call
Christ in the prophets and apostles and church history
before the instrumental sectarians liars. John
Calvin Understood that the ONLY Assembly to
which Godly people were called quarantined people FROM
the instrumentalists PATTERNISTS under the cursed
monarchy. While Christ defined the RESTORATION
of the old paths in Isaiah 58, Calvin
called for a Restoration of the Church of Christ.
For
where can I exert myself to better purpose or more
honestly, where, too, in a matter at this time more
necessary, than in attempting, according to my ability, to
aid the Church of Christ, whose claims it is
unlawful in any instance to deny, and which is now in
grievous distress, and in extreme danger?
But there is no
occasion for a long preface concerning myself. Receive what I say as you would do if it
were pronounced by the united voice
of all those who
either have already taken care to restore the
Church,
or are desirous that it should be restored to
true order.
- All church
scholars claims to be Apostolic: that is a Christian
Assembly is patterned to be based on the recorded
Scriptures. If the Spirit OF Christ was able only
to make a sketch knowing that Doctors of the Law whom He
said "take away the key to knowledge" would be able to
finalize the PATTERN which, like the olden patternists
adds three or four more PIECES to the same old pattern.
- But not to
worry: Apollo, Abaddon or Apollyon has been
unleashed with the Muses (Locusts) and HE is the leader
of the muses defined as sorcerers and consigned
to the Lake of Fire.
- Hope that
Building upon later-day apostles patternists will give
them confidence in everyone who DELIBERATELY refuses to
build or educate upon the apostles and prophets with
Christ being the Spirit in both.
- When Abaddon
as the leader of the unleashed locusts of muses uses
"lusted after fruits" (same as in Amos 8) the SOUNDS, as
in Isaiah 30 by Christ, is Jesus visiting to remove the
lamps or seven spirits of God (Isaiah 11)
- That is the
sudden RUSH to minimize or remove CHRIST from their
public confession: they have no choice. The Prophetic
type in Amos 8 says that "God will not pass by again."
- I just learned
that the Mother Goddess can also be MALE and the BEASTS
(Serpent) is defined as a sudden NEW STYLE OF MUSIC OR
DRAMA along with Satyric Dramas. The Serpo or
Beast in Genesis includes the idea of WINDING in a
crooked path to deceived and includes the Latin Word
CARMEN. That fits the definition of the Serpent as
a Musical Enchanter(ess) and Christ defining Lucifer as
the singing and haro-playing prostitute in the garden of
Eden.
Never follow
people selling themselves as authorized to sow massive
Discord and offend thousands and thousands of widows and
honest working people.
Romans 15:4 For whatsoever
things were written aforetime were written
for our learning, that we through patience
and comfort of the scriptures might have hope.
The Holy Scriptures includes the Prophets and Apostles and
Christ in the prophets radically condemns selling the free
water of the Word or seeking your own pleasure or SPEAKING
YOUR OWN WORDS.
The Ekklesia did not change the Christ-given ONE PIECE PATTERN
in the wilderness to quarantine the godly people from the
Jacob-cursed and God-abandoned Levites performing SOOTHSAYING
or SORCERY with instruments as the "dumb-making" machines:
Acts 15:21 For Moses of old time hath in
every city
them that PREACH
him,
being READ in
the synagogues every sabbath day.
There is no
command, example or remote inference of people being
called into assembly to sing congregationally with or
without instruments. I take that back, the PLAY at Mount
Sinai was musical idolatry of the pagan trinity. Romans 1
as well as the Old Testament proves that this led to
PLAYING with one another.
From the Musical
Enchanter(ess) in the Garden of Eden which Christ
identified as a Singing and Harp-Playing prostitute
to the end-time.
See
John T. Willis for Brandon Scott Thomas at Grace
and Communion
"Last night was just
incredible. The energy and excitement
in the room were palpable. It almost felt like a herd
of wild horses waiting behind a gate and
then being released. Once the music kicked in
and the first song began, the singing was almost deafening...
thank you for all the HARD WORK " Thank you to
the band--Amy, Nathan Sheasby, Matt Roberson, and
Claire Warlick. You all lead us with grace, skill
and heart!"
This defines
the LOCUSTS or MUSES where Apollo, Abaddon or Apollyon
IS the leader of the muses.
|
The
ORPHIC (Rome; Romans 14 silenced) THEOGONY
THE MUSIC
AT THE ARCANE RITES. Iamblichus III
In
addition to these things you remark as follows: "So
also certain others of these ecstatics become entheast or inspired when they
hear cymbals, drums, or some choral chant, 21 as, for example, those
who are engaged in the Korybantic Rites, 22
those who are possessed at the Sabazian festival and those who
are celebrating the Rites of the Divine Mother."23
Hence [Paul] he counsels
that only two or three should SPEAK
in turn, and one interpret; but if nobody present
is capable of this, they should keep
silence, and speak only to themselves and to
God:
"for
not of tumult is he a god, but of tranquillity."
(Ovid; Fasti IV,
"The attendants beat the brass, and the hoarse-sounding hides. Cymbals they strike in place
of helmets, tambourines for the shields; the
pipe
yielded its Phrygian notes.")
Paul commanded SPEAK "that
which is written for our LEARNING" (Eph 5; Romans
15)
ODE and PSALLO is to be
IN the hear or SILENT
Because ODE is the
opposite of SPEAK
and SPEAK is the opposite of ODE.
22. The
Korybantes are variously described. Their cult
was identified or closely allied to that of the
Kabeirian divinities, and
that of the Great Mother. It was celebrated
in the islands of the Aegean Sea and in Phygia.
Music, dancing, processions, and ecstatic
frenzy were
characteristics.
GOD ABANDONED THE
CIVIL-MILITARY-CLERGY: the Jacob-Cursed and God-abandoned
Levites to the worship of the starry HOST
(Missed Acts 7?). This
WAS and IS Sabazianism
OUTED first on the Babylonian WORSHIP day and
God's REST day.
23. Sabazios, Sabaoth, or
Sabbat, the god of the Planet Saturn, was better known
as Bacchus or Dionysos, and was also
styled in Semitic countries, Iao or Yava. His worship was
more or less associated and identified with that
of the Great
Mother,
under various designations, and it was
characterized by phallephoric
[carrying
the penis] processions, dances, mourning for the
slain divinity, and the Watch Night. It came
from Assyria as its peculiar symbols, the ivy or
kissos, the spotted robe or Nimr, and the Thyrso,
indicate.
The name
Zagreus the Kissos and nimr remind us
of Kissaia or Asiatic Ethiopia, and the Zagros
mountains occupied by the Nimr. Assyria was
called "the land of Nimrod." -Amos VIII.
It
is proper, accordingly, to tell the causes of these
things, how they came into existence, and what
explanation there is for the performing of the
Rites.
These
allusions which you make, namely, that the music at these festivals is
exciting and passionate;
that the sound of
the flutes causes or heals
conditions of aberration; that the music
changes the temperaments
or dispositions of the body;
that by some
of the choral songs the Bacchic
frenzy is excited,
but by others the Bacchic orgies [wrath] are made to cease;
how the
peculiar differences of these accord with the
various dispositions of the soul, and also that
the peculiar wavering and variable choric
chants, such as those of
Olympus, and others of the same kind., are
adapted to the producing of ecstasies 24 -- all of them
seem to me to be stated in a manner unfavorable
to the entheast condition; for they are both
physical and human in their quality and
performances, according to our technic, but nothing
essentially divine appears in them.
24. Proclus
declared that the choral songs of Olympus were
adapted to produce ecstasy. Plato describes
an audience in Ion, comparing it to a series of
iron rings connected by a chain and moved by the
lodestone: "Some hand from one Muse and some
from another," he remarks, "some, for example,
from Orpheus, others from Mussios, but the greater part are
inspired by Homer and are held fast by him."
26.
With the Korghantians, this represented a
guard about the Demiurgos or Creator; with the Kuretes, it denoted a protecting of
the divine maid Kora.
26. Servius
remarks that the Sacred observances of Father Liber, the Roman Bacchus, related to the
purification of souls. This cleansing, as here
declared, was considered to be not only from
contamination acquired by coming into the
conditions of physical existence, but also
from guilt actually incurred.
Thou seemest
to think that those who are enrapt by the Mother of the gods are males, for thou callest them, accordingly,
"Metrizontes";
yet that is
not true, for the "Metrizontesć" are chiefly
women. A very few, however,
are
males, and such
as may be more
delicate. [that always
meant homosexuals]
This enthusiasm has a power that
is both life-engendering and perfective, in which
respect it differs from every other form of frenzy.
|
In Romans 14
Paul silenced the sects in Rome which were well
documented: that included the Pythagorians from the
WORLD or KOSMOS or COSMIC worship.
And sometimes by means
of melodies without words they cured certain affections
and diseases, and this they said was the real means of "charming".
And it is most probable that the word "charm" (epode) came into general use from them. It was
thus, then,
that Pythagoras
established a most salutary system of regenerating
the morals by means of "music" [Mantravidyâ].'
(Op. cit. Kiessling's text, pp. 245, 246; see also
Taylor, Iamblichus on the Mysteries, 2nd ed., pp. 130,
131, n.)
Music and Mantras,
therefore, were used by the Orphics (A
roman sect in Romans 14)
to attract, or call down,
the influence of the
Mother of the Gods, who at the same time was the 'Store-house of Life', of Divine Nature. Thus Proclus in his
Commentary on Euclid (ii) tells us that 'the Pole of the
World is called by the Pythagoreans the Seal of Rhea'
(Myst. Hymns, p. 63).
Now the pole is the
conductor of the vital and magnetic forces of the
earth-envelope, and is, therefore, appropriately called by
this name, as being the seal and signature of the vital
forces of Divine Nature, whereby all diseases can be
healed and all states of the soul vitalized.
Rhea [EVE-ZOE] was also
called Brimô by the Phrygians, and her son (Zeus) was
called Brimos.
Revelation 17
speaks of the beginning time Mother of the gods:
she uses "lusted after fruits" (See the Prophetic
Type in Amos 8) as speakers, singers and
instrument players. John calls them SORCERERS using
the identical Mother Goddess in Babylon's "ministry"
title.
Whatever
"rationale" they use God says that the imagination of man
is only evil continually. That is why they HATE the
concept of the Regulative Principle because the LOGOS
defines Christ speaking for God as the ONLY resource which
you should LISTEN TO and certainly PAY FOR since there is
no DOLE for self-speakers.
They burn
witches, don't you know, and John called all the religious
teknokrats, singers, instrument players SORCERERS
who HAD deceived the whole world once. The SOUNDS in
the holy places, like Amos 8, proved that God had been
there and would not pass by again: never ever. The
sorcerer Ministry Staff was to be cast alive into the lake
of fire. That's wonderful because the ELECT are in
serious danger and maybe God will cut them short.
Lynn Anderson and
Family concocted a long list which was used to subvert the
Oak Hillls elders some of whom knew that they had fallen
and could never be corrected. Jesus said that all
that came before Him were liars and Christ in the prophets
identifies the Civil-Military-Clergy complex (coming to a
church near you) were robbers and parasites: that's
provable since all sacrificial instrument players were
called PARASITES.
Anyone who
suggests MUSICAL PERFORMANCE in what is defined as Qahal,
synagogue, Ekklesia or Church of Christ (the Rock) in the
wilderness calls all of the ugly references from Genesis
to Revelation and most church historians liars. If
you say that God COMMANDED instruments when God did the
opposite then Christ in Jeremiah 23 says that you Despise
or Blaspheme the Holy Spirit OF Christ (the only one).
David
Faust and all of the Sowers of Discord Denies
that Jesus had anything against what is clearly meant to
be "singing and instrumental music in the assembly."
ACU , Pepperdine and the NACC are on the same page this
year trying to restore COSMIC WORSHIP which they
did. Too bad that Jesus does not pray for the Kosmos
people and God hides from the wise or sophists
meaning "speakers, singers and instrument players"
10.05.13 Brandon
Scott Thomas Highland Church of Christ
The Zoe Group was used by the defected Workshops of Evil (re
Ezekiel) to help lead churches of Christ into the use of
'worship teams' (blasphemy) leading to instrumental
music. Zoe or Eve was known as the BEAST and female
instructing principle. Fittingly, the Babylon Mother of
Harlots (Rev 17) uses Lusted after FRUITS (Same as in
Amos}. In Revelation 18 John names speakers, singers,
Instrument players and TECHNE or craftsmen. The Millstone gave
a piping sound and always identified the location of
the prostitute or "grinders." The BEAST in
Revelation identifies the Satyric Dramas and "A new style of
music and drama." John says that they are being Cast
Alive into the Lake of Fire as the Spirit OF
Christ in Isaiah 30 says that the sounds of wind,
string and percussion instruments are MARKS to show that God
is driving His enemies into "Hell."
In
Remembrance of Me
Matthew 18:4 Whosoever therefore shall
humble himself as this little child,
the same is greatest
in the kingdom of heaven.
Recrucifying Christ to yourself is
Creating the Mental Excitement or Laded Burdne Jesus died
to remove along with the burden laders.
Isaiah 14:11 Thy pomp is brought down to
the grave, and the noise of thy viols: the worm is
spread under thee, and the maggots cover thee.
-sublīmis , B.
In partic., of language, lofty, elevated,
sublime (freq. in Quint.): “sublimia carmina,” Juv. 7, 28:
“verbum,” Quint. 8, 3, 18:
carmen , ĭnis, n. (old
form cas-men , Varr. L. L. p. 86 Bip.) [Sanscr.
çasto declaim, praise; cf.: camilla, censeo], I. a
tune, song; poem, verse; an oracular
response, a prophecy; a form of incantation
(cf.: cano, cantus, and canto).
5. A magic formula,
an incantation:
6. On account of the very ancient practice of
composing forms of religion and law in Saturnian verse, also
a formula in religion or law, a form:
“barbaricum,” id. M. 11, 163.—With
allusion
to playing on the cithara:
Apollinem) concordant carmina nervis,
APOLLO
and since he communicated oracles in verse, god of poetry
and music,
presiding over the Muses
Apollo is Abaddon or Apollyon leader of
the Muses or unleashed LOCUSTS in John's understanding of
the worship of Apollo.
Isaiah 14:12 How art thou fallen from
heaven, O Lucifer son of the morning!
how art thou cut
down to the ground, which didst weaken the nations!
Isaiah 14:13 For thou hast said in thine heart, I will
ascend into heaven,
I will exalt
my throne above the stars of God:
I will sit also upon
the mount of the congregation, in the sides of the
north:
Isaiah 14:14 I will ascend above the heights of the
clouds; I will be like the most High.
Isaiah 14:15 Yet thou shalt be brought down to hell, to
the sides of the pit.
All dedicated religious performers claiming
to enhance a religious place are called ANATHEMA: they
cannot be redeemed and MUST BE BURNED.
His Worship Team boasts of standing in the
holy place LEADING you into the presence of God.
Jesus taught "in remembrance of me."
The Passover-Unleavened Bread included searching the
dwelling in silence and a candle. We are to remove the
Leaven of the Scribes and Pharisees, hypocrites which Christ
defined in Ezekiel 33 as SELF-speakers, singers and
instrument players. Hypocrite meaning #1: anyone who
sells his body or talents claiming to speak for God. Showing
forth or PREACHING the Death of Jesus in the men and women
be SILENT so that "everyone come to a knowledge of the Truth
as the SOLE Role for A Church of Christ.
That DEbunks self-preachers or musicians
(always female or effeminate) as mediators able to "lead
you into the presence of God" which is a blasphemous claim
because:
1Timothy 2:5 For
there is one God,
and one mediator
between God and men,
the man Christ
Jesus;
Christ defined the Church inclusively and
exclusively in the wilderness and speaking through the
prophets warned:
Isaiah 8:20 To the
law and to the testimony:
if they speak not
according to this word,
it is because
there is no light in them.
Ephesians 2:20 And
are built upon [educated by] the foundation of
the apostles and prophets, Jesus Christ
himself being the chief corner stone;
2Peter 3:2 That ye
may be mindful of the words
which were spoken
before by the holy prophets,
and of the
commandment of us the apostles of the Lord and Saviour:
The elders as the only Pastor-Teachers
are commanded to teach that which has been taught.
Those who CORRUPT that Word (Logos=Regulative
Principle) sell learning at retail meaning adultery
or prostitution.
Highland
Church of Christ Instrumental Music. This is
the church Mike Cope began to apostasize in 1991: Frogs boil
slowly but surely.
X.Mem.1.6.13
Xen. Mem. 1.6.13
To this Socrates
replied: “Antiphon, it is common opinion among us
in regard to beauty
and wisdom
that there is an honourable
and a shameful way of bestowing
them.
For to offer
one's beauty for money to all comers is called prostitution;
But we think it virtuous
to become friendly with
a lover
who is known to be a man of honour.
So is it with wisdom. Those who
offer it to all comers for money
are
known as sophists, prostitutors of wisdom,
But we
think that he who makes a friend of one whom he knows to
be gifted
by
nature, and teaches him all the good he can,
fulfils the duty of a citizen and a gentleman.
Sophis-tēs , ou, o(, A. master
of one's craft, adept, expert, of diviners,
Hdt.2.49;
of poets, “meletan sophistais prosbalon” Pi.I.5(4).28,
cf. Cratin.2; of musicians,
“sophistēs . . parapaiōn khelun” A.Fr.314, cf. Eup.447, Pl.Com.
140; sophistē Thrēki (sc. Thamyris) E.Rh.924,
cf. Ath.14.632c: with
modal words added, “hoi s. tōn hierōn melōn” [melody in the
holy place--a death sentence for any Levite]
2 Cor. 2:17 For we are not as many,
which corrupt
the word of God:
but as of sincerity,
but as of God,
in the sight of God
speak we in Christ.
kapēl-euō, A. to
be a retail-dealer, drive a petty trade Hdt. 3.89 ta mathēmata sell
learning by retail, hawk it about, Pl. Prt.313d
, 2 Cor. 2:17, of prostitutes,
Plat. Prot. 313d For
among the provisions, you know, in which these men deal,
not only are they themselves ignorant what is good or bad
for the body, since in selling they commend them all, but
the people who buy from them are so too, unless one
happens to be a trainer or a doctor. And in the
same way, those who take their doctrines the round of
our cities, hawking them about to any odd purchaser
who desires them, commend everything that they sell, and
there may well be some of these too, my good sir, who are
ignorant which of their wares is
[313e]
good or bad for the soul;
and in just the same case are the people who buy from
them, unless one happens to have a doctor's knowledge here
also, but of the soul. So then, if you are well informed
as to what is good or bad among these wares, it will be
safe for you to buy doctrines from Protagoras or from
anyone else you please: but if not, take care, my dear
fellow, that you do not risk your greatest treasure on a
toss of the dice.
Congratulations: "Abilene" has some interest in history and
Jesus had John Write you UP throughout the Bible and finally in
Revelation 17-18.
Zephaniah 3:1 Woe to her that is filthy and polluted,
to the oppressing city!
Zephaniah 3:2 She obeyed not the voice; she received not
correction; she trusted not in the LORD; she drew not near to
her God.
Zephaniah 3:3 Her princes within her are roaring lions;
her judges are evening
wolves; they gnaw not the bones till the morrow.
lŭpus
Lupus observavit, dum dormitaret canes, of one who watches
his opportunity to be unobserved, Plaut. Trin. 1, 2, 133.
—（ē)
Ovīs ultro fugiat lupus, of a very improbable act, Verg. E. 8, 52.—
（th)
Tantum curamus frigora, quantum numerum (ovium)
lupus, i. e. do not care at all, as the wolf does
not care whether the number of the sheep is right or not,
Verg. E. 7, 51.—
Prov.: lupus in fabulā or sermone, said of
the appearance of a person when he is spoken of; as we say
in English, talk of the devil, and he appears:
lukos
; hōs
lukoi
arn'
agapōsin,
of treacherous or unnatural love, Poet. ap. Pl.Phdr.241d;
lukou
bion
zēn,
i. e. live by rapine,
VI. nickname of paiderastai,
AP12.250
(Strat.), cf.
Pl.Phdr. 241d.
This is the Prophecy by Christ in Isaiah 3 when WOMEN and BOYS
will rule over you. Recorded history knows nothing else.
"Philodemus
considered it paradoxical that music should be regarded
as veneration of the gods while musicians were paid for performing this so-called veneration.
Again, Philodemus held as self deceptive the view that
music mediated religious ecstasy. He saw the entire
condition induced by the noise of cymbals and
tambourines as a disturbance of the spirit.
He found it
significant that, on the whole, only women and
effeminate men fell into this folly.
Accordingly, nothing of value could be
attributed to music; it was no more than a slave of the sensation of pleasure, which
satisfied much in the same way that food and drink did.
"Dionysus is the wine-god, and thus should be a pleasant fellow, a
benefactor. But wine has both positive and negative aspects. It makes people
drunk, causes them to behave in strange ways. The Greeks
were well aware of the dual natures of wine, mirrored by
the dual
nature of its god.... He betrays a dual nature: being bright, joyous, and vital for life,
while also having a
side that is dark, mysterious and deadly.
"The adored wife of the
fallen Hector, is taken as a concubine by the authentes, who can command her domestic and
sexual services. The word also occurs in a homosexual sense in a speech by Theseus, king of Athens, where love
of young boys was considered a virtue rather than a vice."
(Charles Trombly, Who Said Women Can't Teach, p. 174)
"Michael Clycas, the
Byzantine historiographer, uses this verb to describe the woman, 'who make sexual advances to men and fornicate as
much as they please without arousing their husband's jealous.'" (Charles Trombly, Who Said Women Can't
Teach,
p. 176)
Ephesus was famous for its shrine
of Diana, where thousands of sacred prostitutes believed
fornication
brought
believers into contact with deity
in much the say way the
Gnostics used authentia to bind the flesh and the divine together. When these owm converted
to Christianity they had to unlearn these pagan practices.'
Trombley, p. 177)
But the Bible teaches
that to seduce
men in
such a manner was indeed to lead them to slaughter and
the halls of death (cf. Prov. 2:18; 5:5; 6:27; 9:18).
The verb authentein is thus peculiarly apt
to describe both the erotic and murderous." (Trombley, Who Says
Women Can't Teach, p. 177)
YOU make it or compose it and sell it and God will BURN it.
Revised 9.15.13 Rick
Atchley Musically Mocking Jesus at the Cross
Rick Atchley:
What are you going to wind up with if you follow
Jesus? You are going to wind up with a cross on your
back, aren’t you? Let me just imagine—I don’t think anybody
with a cross on their back, about to die, fussed
about a piano (much laughter). Did they? That’s not
what you talk about when you are on your way to be
crucified. When you and I die to self, we can be of the same
mind, even when we are not of the same opinion. I think it
is a crucial matter we need to get across. Be of the
same mind with one another.
Paul defined the
PATTERN to "use one mind and one mouth to speak that which
is written for our learning." But, then, that would leave
nothing for Ricky to MARKET at retail which is "corrupting
the Word" or prostitution.
Rick's Levite
Patternists MUSICALLY MOCKED Jesus up to the foot of the old rugged
cross. Music by the Parasites meant to make the lambs dumb
before the slaughter. It still works. Mocking
or play includes any giddy rhetoric, singing, playing
instruments or juggling which clearly intends to direct
the attention away from Christ and His Words to to antics
of the performer. Thinking that The Eternal God of
the universe can be called down, appeased, entertained or
otherwise affected is true MADNESS.
Revised 8.21.13
Rick Atchley The Deal about Baptism
Revised 8.18.13
Rick Atchley Hearing from God. Rick Atchley claims that the Holy Spirit
belatedly told him that He needed to out himself and tell
everyone about his hidden agenda. It was not hidden
from those who been following in the wreckage created by
the psychological weapon of claiming that God COMMANDED
instrumental praise and WE must not be disobedient.
In other words, if you don't quit disturbing everyone by
NOT using instruments because the Bible called it the way
to MAKE THE LAMBS DUMB BEFORE THE SLAUGHTER, you will be
VIOLATING a direct command of God. Never mind that
God ABANDONED Israel because of the musical idolatry of
the Egyptian trinity. This writer has had three
investments with the Lord suddenly confiscated by the
musical idolaters.
Matthew 27:29 And when they had platted a
crown of thorns, they put it upon his head, and a reed
in his right hand:
and they bowed the knee
before him,
and mocked him,
saying, Hail, King of the Jews!
Matthew 27:31 And after that they had mocked
him, they took the robe off from him,
and put
his own raiment on him, and led him away to crucify him.
This is
prophesied in great Detail in Psalm 41 and especially the
Dead Sea Version. This is the prophecy of
Judas whose Judas Bag was "for carrying the mouthpieces of
wind instruments."
Augustine's
Version of Psalm 41 Augustine also warned
about the sexual feelings aroused by music: that's the
universal meaning.
illūdo
(inl-
I Neutr.,
to play at or with any thing, to sport
with, amuse one's self with (syn.
colludo; cf. ludificor).
1. To scoff or mock at, to make
a laughing-stock of, to ridicule
(so most freq.): “satis
superbe
illuditis
me,
“feminarum
illustrium
capitibus,”
: illusa pictae vestis inania, rhetorum),
How
to use PSALLO to turn
captives into WOMEN
Grant, then, forgiveness to the Lydians, and to make sure of their never
rebelling against thee, or alarming thee more,
send and forbid
them to keep any weapons of war, command them to wear tunics under their cloaks, and to
put buskins upon their legs,
..........and make them bring up their sons to cithern-playing (Kitharizein), singing (psallein),
..........and shop-keeping (Hucksterism).
So wilt thou soon see
them become
women instead of men,
and there will be no
more fear of their revolting from thee."
-[4] Ludoisi de sungnômęn echôn tade autoisi epitaxon,
hôs męte aposteôsi męte deinoi toi eôsi: apeipe men sphi
pempsas hopla aręia mę ektęsthai, keleue de spheas
kithônas -[khiton
David's garment] te hupodunein toisi heimasi kai kothornous
hupodeesthai, proeipe d' autoisi -kitharizein te kai psallein kai kapęleuein [prostitutes, petty trade,
playing tricks, corrupting] paideuein tous paidas. kai
tacheôs spheas ô basileu gunaikas ant' andrôn opseai
gegonotas, hôste ouden deinoi toi esontai mę aposteôsi."
The word kitharizo
means to PLAY THE CITHARA and does not include
singing.
- -Kitharizô 1 [kitharis] to play the
cithara, phormingi [Apollo]
kitharize Il., Hes.; luręi eraton kitharizôn
Hhymn. (so that there can have been no great
difference between the kithara, lura, and phorminx );
kitharizein ouk epistatai, of an uneducated person,
-
-Kithar-isis , eôs, hę, playing on
the cithara, Pl.Prt.325e; k. psilę,
i.e. without the voice,
Id.Lg.669e, cf. Pae.Delph.15; aulęsis kai k.
Phld.Mus.p.23 K.
-Arassô ,of any violent impact, with collat. notion of rattling, clanging, as of horses, hoplais, pound in a mortar, strike with a shower of stones.
a). kitharēn strike the lyre,
Orph.A.382; humnon, melos, etc., Nonn.D.1.15,440,
etc.
2. c. dat. modi,
arassein tina oneidesi, kakois, assail with reproaches or threats,
II. Pass., to be dashed against, dash one against the other
Pound in a mortar, “holmō a.” Nic.
Th.508
When they MOCKED
Jesus the prophecy used the word Alarm or Triumph which is to
play loud wind instruments and make a loud rejoicing sound.
G1702 empaizō
emp-aheed'-zo From G1722 and G3815 ; to jeer at, that is,
deride:
Empaizō
, fut. A.“-xomai”
LXXHb.1.10:
pf. empepaikha
ib.Nu.22.29:—
mock at, mock, “tini”
Hdt.4.134;
3. Pass., to be deluded, Ev.Matt.2.16,
AP10.56.2 (Pall.), Vett.Val.16.14;
to be defrauded, of the revenues, Cod.Just.1.34.2.
II. sport in or on, “hōs
nebros
khloerais
e.
leimakos
hēdonais”
E.Ba. 866
(lyr.); tois
khoroisin
e.
to sport in the dance, Ar.Th.975;
“tō
gumnasiō”
Luc.Lex.5.
- E.Ba. 866 Euripides, Bacchae ........OnLine Text
-
- Chorus
- Shall I move my white
foot in the night-long dance, aroused to
a frenzy, [865] throwing my head to
the dewy air, like a fawn sporting in the green pleasures of
the meadow, when it has escaped a fearful chase beyond the
watchers [870] over the well-woven nets, and the hunter
hastens his dogs [Catamites] on their course with
his call, while she, with great exertion and a storm-swift
running, rushes along the plain by the river, rejoicing
[875] in the solitude apart from men and in the thickets
of the shady-foliaged woods.
- What is wisdom? Or what
greater honor do the gods give to mortals than to hold one's hand
[880] in strength over the head of enemies? What is good is always
dear.
- Empaiktęs , ou, ho,A. mocker, deceiver, LXXIs.3.4, 2 Ep.Pet.3.3,
Ep.Jud. 18.
2 Peter 2:13 And shall
receive the reward of unrighteousness, as they that count it pleasure to riot in the day time.
Spots they are and blemishes, sporting themselves with their own deceivings
while they feast with you;
Entrupo (g1792) en-troo-fah'-o;
from 1722 and 5171; to revel in: - sporting
selves.
Truphaô , ( [truphę]
2. part. truphōn
as Adj., effeminate, luxurious,
Ar.Nu.48,
etc.; “t.
kai
amelēs”
Pl.Lg.901a;
“to
truphōn”
effeminacy, Ar.V.1455
(lyr.); also of things, dainty, delicate,
“paison,
II. to be licentious, run riot, wax wanton,
Ar.Lys.405,
etc.; to be extravagant
Paison
paizô [pais]
2. esp. dance,
“paisate”
Od.8.251;
“dōma
peristenakhizeto
possin
andrōn
paizontōn”
23.147,
cf. Hes.Sc.277;
“p.
te
kai
khoreuein”
alla
pepaistai
metriōs
hēmin,
of the chorus,
4. play on a musical instrument,
h.Ap.206:
c. acc., “Pan
ho
kalamophthogga
paizōn”
Ar.Ra.230;
dance and sing, Pi. O.1.16.
5. play amorously,
IT'S TRUE: JESUS NEVER POSTED A LAW THAT SAID "THOU SHALT NOT
MUSICALLY MOCK ME"
Revised 5.17.13 Neither
ANTI-instrumental
hermeneuts nor the ANTI-anti-instrumentalists
deny the Biblical, historical and the Campbell teaching that
Qahal, synagogue, ekklesia or Church of Christ (the Rock) is A
School of Christ or A School of the Word of Christ.
Singing as an ACT (that legalism word) was first imposed in
the year 373: that split the east from the west
churches and history is filled with records of people imposing
musicj. Music derived from mystery meant in all paganism
including the sacrificial systems "making the lambs dumb
before the slaughter." Jesus identified the doctors of
the law as "taking away the key to knowledge." He called the
Scribes and Pharisees, hypocrites: in the Ezekiel 33 version
marked for avoidance "self-speakers, singers and talented
instrument players." The MARK in several Old Testament
versions is "we will NOT speak that for which we take away the
living of widows and honest workers:
The CENI is defined by the Spirit OF Christ in the Wilderness
and in the Prophets and prophecies made more certain by
Jesus. The Apostles were eye-- and ear--witnesses of the
risen Lord Who returned as The Holy Spirit (breath, wind) in
the upper room. They mark as false teachers anyone who does
not teach that PATTER of foundation:
Matthew 28:17 And when they saw him, they worshipped
him: but some doubted.
Matthew 28:18 And Jesus came and spake unto them, saying,
All power is
given unto me in heaven and in earth.
Matthew 28:19 Go ye therefore,
and teach all nations,
baptizing them in the
name of the Father, and of the Son, and of the Holy Ghost:
Teaching them to observe
all things whatsoever I have commanded you:
and, lo, I am with you
alway, even unto the end of the world. Amen. Matthew
28:20
Acts 15:21 For Moses
of old time hath
in every city them
that preach him,
being read in
the synagogues every sabbath day.
Paul commanded that we SPEAK that which is written for our
learning (Romans 15). He also commanded that we fill up
with SPIRIT (Word in Col 3:16) and Teach and Admonish with the
Biblical material which includes "teaching psalms." This is in
contrast to the drinking songs of the crooked race of the
symposia where the goal was to become "fluted down with wine."
Both singing in the pagan sense and beating on "instruments
of delusion" was worship IN THE FLESH which Paul rejects in
Philippians 3 because it permitted the "conscision or dogs" to
destroy the rest Jesus died to give us from the laded burdens
of the arousal songs by Jews or Gentiles.
In contrast, if you use one mind and one mouth to speak that
which is written for our learning you MUST keep the arousal
singing and beating on instruments quiet and permit melody (or
grace) to be IN the heart where grace means the divine
influence of the GRACE which hath appeared teaching us to DENY
the world's religions.
|
THE ONLY MEANING OF LITERAL
WORSHIP:
Matt. 28:17 And when they saw him, they worshipped
him: but somedoubted.
G4352 proskuneō pros-koo-neh'-o From G4314 and
probably a derivative of G2965 (meaning to kiss,
like a dog licking his master’s hand); to fawn or
crouch to, that is, (literally or figuratively)
prostrate oneself in homage (do reverence
to, adore):—worship.
Proskun-eō obeisance
to the gods or their images, fall down and
worship, c. acc., Hdt.2.121
2. esp. of the Oriental fashion of prostrating
oneself before kings and superiors, abs., Hdt.1.119,
8.118: c
Plat.
TRUTH: Rep.
398a 3. welcome respectfully,
respect, “prosekunēsa sou ta grammata” That which
is written ;
ta hiera g. the Holy Scriptures,
2 Ep.Ti.3.15,
J.Ap.1.10;
Ev.Jo.4.23,
But the hour cometh, and now is, when the true
worshippers shall worship the Father in spirit and in
TRUTH: for
the Father seeketh such to worship him
2 Timothy 3.15 From infancy, you
have known the sacred writings
which are able to make you wise for salvation
through faith, which is in Christ Jesus.
J. Ap. 1.10
There have been indeed some bad men, who have
attempted to calumniate my history, and took it to
be a kind of scholastic performance
for the exercise of young
men. for, as I said, I have translated
the Antiquities out of our sacred books;
WORSHIP IS ALSO IS USED FOR THE LYING WONDERS
OF PSEUDO PERFORMERS BELIEVING THAT THEY ARE A GOD.
IRONICALLY, proskunoimenanautonhōshieronkaithaumastonkaihēdun, Pl.R.398a:
of Lying Wonders
Thaum-astos ,
Ion. thōm- , ē, on, th. lokhos gunaikōn, “ thaumaston poieis, hos .II. admirable,
excellent,
of the Furies, A.Eu.46;
Aeschylus,
Eumenides 34
III. to be worshipped,
“ oudeis m' areskei nukti thaumastos theōn” E.Hipp.106.
Nux
3. in Comparisons, of anything dark
and direful, nukti eoikōs like night,
of Apollo[Abaddon, Apollyon]
in his wrath, Il.1.47,
cf. 12.463,
Od.11.606
III. Nux as pr. n., the
goddess of Night,Il.14.259,
Hes.Op.17, Th.123, 211
; N. oloē ib. 224.
Nux as pr. n., the
goddess of Night,Il.14.259,
Hes.Op.17, Th.123, 211
; N. oloē ib. 224.
You have no option: musical performers insist that
you worship or give attention to them
Plato.
Republic [398a]
who was capable by his cunning of assuming every
kind of shape and imitating all things should arrive
in our city, bringing with himself the poems
which he wished to exhibit, we should fall
down and worship him as a holy and wondrous and
delightful creature, but should say to him that
there is no man of that kind among us in our city,
nor is it lawful for such a man to arise among us,
and we should send him away to another city, after
pouring myrrh down over his head and crowning
him with fillets of wool,
The idea suggested by proskunoimen
and hieron,
that the poet
is a sort of theos or theios [god or goddess] anēr, is now
elaborated with ironical politeness. The
images of the gods were anointed, and
crowned with garlands, not only on great occasions
(cf. Cic. Verr. IV 77), but also at other
times, according to Proclus, who remarks on this
passage muron autēs (sc. tēs poiētikēs)
...Apropos of the present passage, Dio Chrysostom
and other ancient writers cited by Ast refer to
the anointing of swallows by Greek
women: kai keleuei mala eirōnikōs (so Ast:
MSS eirēnikōs) stepsantas auton eriō kai murō katakheantas aphienai par' allous: touto de hai gunaikes epi tōn khelidon ōn poiousi (Dio Chr. Or.
53 p. 276 ed. Reiske). To this custom Ast supposes
that Plato is alluding, the poets
being as it were faithless and garrulous
swallows (cf. khelidonōn mouseia), as
well as to the Pythagorean precept ‘not to
admit swallows into the house’
Mouseios , on, Aeol. Moisaios , a, on, (Mousa)
A. of or belonging
to the Muses, “hedra” E.Ba.410
(lyr.); Moisaion harma the car of
Poesy, Pi.I.8
(7).67;
lithos M. a monument
of song, Id.N.8.47.
II. musical,
“kelados” AP9.372.
Eur.
Ba. 410 Chorus
Would that I could go to Cyprus,
the island of Aphrodite, where the Loves, who
soothe [405] mortals' hearts, dwell, and to Paphos,
fertilized without rain by the streams of a
foreign river flowing with a hundred mouths. Lead
me there, Bromius, Bromius, god of joy who leads
the Bacchae, [410] to Pieria,
beautiful seat of the Muses, the holy slope of Olympus.
There are the Graces, there is Desire; there it is
[415] lawful for the Bacchae to celebrate their
rites.
Pind.
I. 8 Even when he was dead songs did
not forsake him; beside his pyre and tomb the
Muses of Helicon stood, and poured over him the
many-voiced dirge. It proved to be the will of the
immortals [60] to make a noble man, even when
dead, a theme for the hymns of goddesses; and even
now this brings up a subject for words, and the
Muses' chariot rushes forward to shout praises in
memory of Nicocles the boxer. Honor him, who won
the garland of wild Dorian celery in the Isthmian
valley; since [65] he too was once victorious over
all that lived around him, battering them with his
inescapable hands. He is not dishonored by the
offspring of his father's distinguished brother.
Therefore let another young man weave for
Cleandros a garland of tender myrtle in honor of
the pancratium, since the contest of Alcathous and
the young men of Epidaurus welcomed him before in
his success. A good man may praise him, [70] for
he did not restrain his youth, keeping it hidden
in his pocket1and
ignorant of fine deeds.
Mouseion ,
to/,
A. shrine of the
Muses, seat or haunt of the Muses,
Aeschin. 1.10:
hence,
2. home of music
or poetry, mouseia thrēnēmasi xunōda choirs chiming in
with dirges, E.Hel.174
(lyr.); aēdonōn m. choir of
nightingales, Id.Fr.88;
parodied “khelidonōn mouseia” Ar.Ra.
93; “to Numphōn nama te kai m. logōn” Pl.Phdr.278b
(but mouseia logōn, hoion diplasiologia ktl. gallery
of tropes, ib.267b):
generally, school of art or letters,
to tēs Hellados m., of Athens, Ath.5.187d, cf. Plu.2.736d; to tēs phuseōs m., a phrase of
Alcidamas censured by Arist. Rh.1406a25.
IV. Mouseia, ta , festival of the Muses, Paus.9.31.2:
sg., Ath.14.629a;
“ta M. thusai”
THE END OF THE ROAD
FOR MUSICAL DISCORDERS WITH OR WITHOUT MACHINES
Revelation 18:21 And a mighty
angel took up a stone like a great millstone, and
cast it into the sea, saying, Thus with violence
shall that great city Babylon be thrown down,
and shall be found no more at all.
Revelation 18:22 And the voice of harpers,
and musicians [Muses],
and of pipers, and trumpeters,
shall be heard no more at all in thee; and no craftsman,
of whatsoever craft he be, shall be found any more
in thee; and the sound of a millstone shall be
heard no more at all in thee;
Revelation 18:23 And the light of a candle
shall shine no more at all in thee; and the
voice of the bridegroom and of the bride shall be
heard no more at all in thee: for thy merchants
were the great men of the earth; for by thy sorceries
were all nations deceived.
Revelation 21:8 But
the fearful, and unbelieving, and the abominable,
and murderers, and whoremongers, and sorcerers,
and idolaters, and all liars, shall have their
part in the lake which burneth with fire and
brimstone: which is the second death.
Revelation
18:24 And in her was found the blood of prophets,
and of saints, and of all that were slain upon the
earth.
|
See
our look at Rick Atchley's Seven
Churches in Revelation. Rick does not
build on the foundation or the text and therefore
misses the point that sowing discord with musical
instruments--called sorcery in Revelation 18--is
exactly what John warned us to mark and avoid.
NACC
2013
Victorius Review. Part of the victory
celebration is that a very small number including
Rick Atchley was purpose driven to convert HIS
church to the use
of musical instruments.
http://www.pineycom.com/NACC.2013.Revelation.5.html
http://www.pineycom.com/NACC.2013.Revelation.4-5.html
http://www.pineycom.com/NACC.2013.Revelation.11.html
http://www.pineycom.com/NACC.2013.Revelation.19-20.html
http://www.pineycom.com/NACC.2013.Revelation.21.html
Rick
Atchley 2013 NACC on Revelation 19
Rick Atchley also working with Mike Cope and Pepperdine to
DEprograme young ministers of the Church of Christ on
Revelation 19 which defines what is happening as the BEASTS
making their MARKS.
RICK ATCHLEY Etal handled by David
Faust finally confesses
Rick
Atchley: The era of the progressive Church
of Christ is over.
Well, we discipled the children of those
progressive churches
for
a whole generation to grow past us Boomers.
They never heard the sermons we heard.
They never heard the rationale for a cappella
music.
We sent them to youth
rallies and Church of Christ events
with some of the finest Christian bands in the
world.
We discipled our children to
leave our Movement!
Rick
Atchley part of the PEPPERDINE effort to divert young
preachers on Revelation 21
On Friday morning, Rick Atchley of The
Hills Church of Christ in Fort Worth will bring us to the
story’s climactic moment in Revelation 19-20—the final
showdown between our adversaries and our Hero. The good
news: Christ will return, the dragon will be
defeated, and God’s eternal kingdom will be
established! That coming salvation prompts in Revelation
19 the only New Testament usage of “Hallelujah!”
Revelation 19:3NIV And again they shouted:
“Hallelujah!
The smoke from her goes up for
ever and ever.
The tiny godly remnant is the ones who can rejoice when
the Babylon Mother of Harlots (Revelation) and her "lusted
after fruits" (Revelation) as self-speakers, singers and
instrument players have their LAMPS removed and are cast ALIVE
into the Lake of fire.
The Sprit
OF Christ in Isaiah 30 says that the wind,
string and percussion instruments will be the MARK that God
is driving His enemies into Hell. Since those
commanded NOT to make noise when Christ speaks will never
HEAR those sounds can we agree that the ENEMY will identify
themselves with musical instruments.
Jesus said that Tyre with the spirit of LUCIFER (Zoe) was
cast as profane (that halal word meaning play the flute,
steal other's inheritance, pollute or prostitute. The
Serpent (Zoe) is called the singing and harp-playing
prostitute in the garden of Eden.
The Alpha and Omega called the fruits as priests of the
Babylon Mother of Harlots as speakers, singers and
instrument players SORCERERS and says that they will or ARE
cast alive into the lake of fire.
Rick Atchley and the
NACC Law of Silence
Rick Atchley of Richland
Hills Church of Christ claims Apostolic authority to sow
discord among familes just to impose instrumental music? It
has been in the works for years and navigating the winds of
change is easier than BLOWING false spirits. Read the
added lower notes that proves that this is rank paganism. Rick and
David Faust have Mark Henderson at Quail Springs doing
catch up with a lot of sowing of discord.
Rick Atchley and Chris Seidman
manifesting Strong Delusions
See
Mike Cope
on A Cappella Music defending his friend Rick
Atchley
See Mike Cope promoting
women worship leaders
See
Mike Cope using Rick Atchley at the Pepperdine
2012 lectureship A New Beginning in Revelation 21
LEAVES BEHIND the Abominable and Sorcerers
(speakers, singers, instrument players)
8.15.11 The "Stone" term
intends to say that what became The Churches of Christ sected
out of the Disciples/Christian churches. Of course, there was nothing in
common between the two groups at the time and the NACC
or Christian Churches sected out of the Disciples from
1927 until 1971 when they were de-listed. That was the
time the Christian Churches began "unity" efforts
intended to convert everyone to their musical apostasy.
Rick Atchley reading
off the NACC's "white" paper uses the Levites to
say that God COMMANDED that Instruments be used
in His church. However, Jacob
prophesied of Jesus and warned us NOT to attend the assemblies
of the Levites or join in an covenant with them: that
is because they employed "instruments" which word includes
swords as well as the psaltery.
JACOB
PROPHESIED OF THE HOSTILE LEVI TRIBE BEFORE THE COMING
OF CHRIST.
GOD WARNED ABOUT THE TRIBE OF LEVI IN PROPHEY.
God said DON'T use them as a patternism: the false
teachers INSIST that a "spirit" told them that God
COMMANDED him to impose the Levites.
Because the nation was a NATIONAL Civil-Military-Clergy
complex so common in all of the nations, this warning
would fit any time period even now.
Genesis 49.5 Symeon et Levi fratres vasa iniquitatis bellantia
Gen. 49:5 Simeon and Levi are brethren;
instruments (h3617
weapon, psaltery)
of cruelty are in their
habitations.
(stabbing, dig through furnace, for burning
Bellor fight, carry
on war,
h3617
a musical instrument, instruments of God's
Wrath. The devices of the evil used to carry out HIS
judgment.
Cruelty h2555 unjust gain
Habitations h4380 Stabbing, a sword a furnace,
boiling
Instruments: 7015. qiynah,
kee-naw´; from 6969; a dirge (as accompanied by beating
the breasts
or on instruments):—lamentation.
6969. quwn, koon; a
primitive root; to strike a musical note, i.e.
chant or wail (at a funeral):—
lament,
mourning woman [from CAIN]
Remember That
Cain was of the wicked one and Paul said that Eve
was totally deceived as a wife is taken before her
husband.
GOD GAVE ISRAEL THE
BOOK OF THE COVENANT OF GRACE: THE
ABRAHAMIC COVENANT
The people refused to hear it from God and demanded
Moses as mediator (preacher, pastor). They were made
deaf and dumb so they could not read the BLACK
text on BROWN paper
unto they converted to Christ. Moses promised
another Prophet like Him and He would be the final word
from God (2 Cor 3)
This proves that the Atchley etal pattern is the MARK of
people who are no longer able to read or hear the word
which was READ in the synagogues.
When
they refused to hear THE WORD OF GOD the sentence
was that they fell immediately into MUSICAL IDOLATRY
of the Egyptian trinity. God removed the Covenant of
Grace, abandoned them to worship the starry host (Acts
7; Amos). AGAIN, this is a pattern or motiff so that
when you HEAR the sounds of trumpets and other
instruments it is the MARK that God had made you blind
and deaf and turned you over to BURN GOATS which is Rick
Atchley's (NACC) PATTERN for the use of the cursed
Levites' instruments under the King and Commanders of
the Army and sent you on your path to return to Babylon,
captivity and death.
The
Jacob-Cursed Levites received their commission
or that which GOD COMMANDED in Rick
Atchley's proof text from 2 Chronicles 29: They, like
modern musical worship and rhetorical teams JUMPED at
the opportunity to slay the souls of innocent lambs.
Exodus 32:27 And he said unto them,
Thus saith the LORD God of Israel, Put every man his
sword by his side, and go in and out from
gate to gate throughout the camp, and slay every
man his brother, and every man his companion,
and every man his neighbour.
Exodus 32:28 And the children of Levi
did according to the word of Moses: and there fell
of the people that day about three thousand men.
The Levites
as the Soothsaying with Instrumental
accompanient with their weapons was God's commanto EXECUTE all
of those who fall into MUSICAL IDOLATRY. If a musical
worship team or praise team has invaded your congregation it
is proof that you have CONDONED ignoring the Word of God--as
it is written for our learning (Rom 15) and the team has been
sent to EXECUTE you spiritually: the godly WILL flee.
In Revelation 18 the Sorcerers with Instrumental
accompaniment are EXPELLED from the "holy place" or
Body of Christ at the same time Jesus comes
and removes his Lamps (18:13) which are the seven spirits
all related to Divine knowledge.
This is absolutely proven when God through Moses promised to
execute any Levite or other singer-players who can NEAR
any holy thing or INTO any holy place. The Holy
Place was an earthly pattern of the Tabernacle in
heaven: the only thing in there are the Menorah (Truth), the
Bread of fellowship and looking into the Most Holy place
tthe Incense altar which replaces both the prayers and the
harps OF God
When David became
king the Levites who had driven the enemy into cowardice
with instruments were SURPLUS and under the King
and Commanders of the army he commanded that they stand
guard on all of the future temple rituals: the
loud noise was a WARNING against any civillian
not to come INSIDE the gates or be executed.
That is why all sacrificial musicians (noise
makers) were called PARASITES and so they are.
Those who USE the
Levitical singers (Parasites) are the slaughter priests
known as HERETICS: they lift them up literally
or with music to cut their throats. This is
outlawed by the word for Self-pleasure in Romans 15 and
that includes all of the performing or hypocritic arts
and crafts.
The
godly people always attended synagogue or the Church
of Christ (the Rock) beginning in the wilderness where
vocal or instrumental rejoicing including any high
rhetoric was outlawed.
The
alarm or "triumph over" word means "vocal or
instrumental rejoicing or any high-sounding rhetoric.
This was a RESERVED word first used to MARK
Judas in Psalm 41: when the Levites
musically mocked Jesus up to the cross, this was a
SUPERNATURAL SIGN that the Violent Men
using Violent means took the kingdom
(Jesus) bur only for an instant: Then as with all of the
instrumental noise was the SIGNAL that the
Levites and their instruments woulld be tossed into the
garbage pit--a lake of fire--to be consumed by maggots
and fire.
Christians
could not even hallucinate making instrumental noise to
take the attention (worship) from Jesus and His Word.
Giving heed to the Words of Christ in the Prophets and
Apostles is the ONLY definition of "worship" in the
Bible in a spiritual sense. These
changeling-hirelings have restored IMPURE religion or
worship or Threskia derived from Orheus -- that
Thracian.
Those
under the influence of the NACC by using the Levites and the
sacrificial system as their pattern for worship, have detoured
to the worship of the starry host like all of those under the
Monarchy and the sacrificial system. They missed reading
Genesis 49 and took the wrong fork in the road and failed to
read beyond proof texts for the rest of the prophesied future:
Gen. 49:22 Joseph is a fruitful bough,
even a fruitful bough by a well;
whose branches [children]
run over the wall:
Gen. 49:23 The archers have sorely grieved him, and
shot at him, and hated him:
[23]
sed exasperaverunt eum et iurgati sunt invideruntque illi habentes iacula
ex-aspĕro
, āvi, II.
[select] Trop., to irritate,
provoke, exasperate: made
savage,
“canes,” i. e. to
incite, set on,
“apes,”
Āpis , is (abl.
Apide, Paul. Nol. 85),
m., = Apis, I. the ox
worshipped as a god by the Egyptians,
Apis, Plin. 8, 46, 71, §
184 Ov. Am. 2, 13, 1
Ad Isidem, ut parientem Corinnam iuvet
While rashly her wombes burthen she casts out,
Wearie Corinna hath her life in doubt.
She secretly with me such harme attempted,
Angry I was, but feare my wrath exempted.
But she conceiv'd of me, or I amsure
I oft have done, what might as much procure.
Thou that frequents Canopus pleasant
fields,
Memphis, and Pharos
that sweete date trees yeelds,
And where swift Nile in his large channell
slipping,
By seaven huge mouthes into the sea is skipping,
By fear'd Anubis visage I thee
pray,
So in thy Temples shall Osiris
stay,
And the dull snake about thy offrings creepe,
And in thy pompe hornd Apis
with thee keepe,
Cănis (cănes , Plaut. Men. 5, 1, 18;
id. Trin. 1, 2, 133;
1, 2, 135; Enn. ap. Varr. L. L. 7, § 32 Müll., or
Ann. v. 518 Vahl.; Lucil. ap. Varr. ib.; cf. Charis inritata canes, Lucil.
ap.
cănis (cănes , Plaut. Men. 5, 1, 18;
id. Trin. 1, 2, 133;
1, 2, 135; Enn. ap. Varr. L. L. 7, § 32 Müll., or
Ann. v. 518 Vahl.; Lucil. ap. Varr. ib.; cf. Charis inritata canes, Lucil.
ap. Charis. 1, p. 100
P.: “canem inritatam imitarier,” Plaut. Capt. 3, 1, 2
“canibus circumdare saltus,” Verg. E. 10, 57:
“hos non inmissis canibus agitant,” id. G. 3, 371:
“leporem canibus venari,”
a. A shameless, vile
person,
2. As the regular designation of the hangers-on
or parasites of an eminent or rich Roman; a follower,
dog, creature:
Echidnaea. Ov. M. 7, 409;
cf.: “infernae canes,” Hor. S. 1, 8, 35;
Verg. A. 6, 257;
Luc. 6, 733.
—
căno , cĕcĭni,
cantum (ancient canta pro cantata ponebant; “once canituri,” Vulg. Apoc. 8, 13),
3, v. n. and a. [cf. kanassō, kanakhē, konabos; Germ. Hahn;
Engl. chanticleer; kuknos,
C. Transf., of the instruments
by which, or (poet.) of the places in which,
the sounds are produced, to sound, resound:
“canentes tibiae,” Cic. N. D. 2, 8, 22:
“maestae cecinere tubae,” Prop. 4 (5), 11, 9.
“frondiferasque novis avibus canere undique silvas,”
Gen. 49:24 But his bow abode in strength, and the arms
of his hands were made strong by the hands of
the mighty God of Jacob; (from thence is the shepherd,
the stone of Israel:)
24]
sedit in forti arcus eius et dissoluta sunt vincula brachiorum et manuum illius per manus potentis Iacob inde pastor egressus est lapis Israhel
arcus , A.
[select] For shooting: intendit crinitus
Apollo Arcum auratum, Enn. ap. Cic.
Ac. 2, 28, 89 (Trag. v. 54 Müll.): “arcus intentus in aliquem,” Cic. Sest. 7:
“haec cernens arcum intendebat Apollo Desuper,” Verg. A. 8, 704;
9, 665; so Vulg. Psa. 10, 3;
36, 14: “arcum tendere,” ib. 3 Reg. 22, 34;
ib. 4 Reg. 9, 24:
“adductus,” Verg. A. 5, 507:
“remissus,” Hor. C. 3, 27, 67:
“arcum dirigere in aliquem,” Pers. 3, 60: “quom arcum et pharetram mi et sagittas sumpsero,” Plaut. Trin. 3, 2, 98;
so, “arcum suscitare,” Vulg. Hab. 3, 9
et saep. —
See
the Story of the Levites who assisted in burnt
offering of infants BEFORE Rick's authority and just
AFTER Rick's authority.
If you ignore Jacob
and attend their assemblies, remember that God has no
grace for the blind who follow the blind.
http://www.pineycom.com/Levites2.html
No one prior to 1878
ever though that the "psallo" word had any
connection to the use of instruments in what the
Churches of Christ
called A
School of Christ
where worship was
Reading and Musing the Word of God: that
began by Christ in the wilderness.
No scholar believed that God COMMANDED the use of
instruments (to make noise) in the worship of the
godly Israelites who attended synagogue and were
quarantined from the "worship of the starry host" at the
national Temple.
Not until the latest effort to dupe a few preachers and
pseudo-scholars has anyone ever said that God commanded
instrumental music in the worship of God and YOU had
better not disobey.
- If you say that God
commanded the Levite's instruments in the
worship of the Jews.
- And God has not
commanded anyone to use musical instruments at any
time or place.
- The Holy Spirit
of Christ speaking through Jeremiah 23 marks you as blaspheming the Holy
Spirit.
Preachers and
pseudo-scholars use Hezekiah's plague stopping contract
with God offering Burnt Goats to appease Israel (the
instrumental sect) say that God Commanded the Levites to
Play the Musical Instruments. Sure, you can be a scholar
without ever having read the whole plot.
Christ the Holy Spirit speaking through the Prophets (not
Scribes) said
For I spake NOT unto
your fathers, nor commanded them
in the day
that I brought them out of the land of Egypt,
concerning
burnt offerings or sacrifices: Jeremiah 7:22
But this thing commanded I them, saying,
Obey my voice, and
I will be your God, and ye shall be my people: (CENI)
and walk ye in all
the ways that I have commanded you, (CENI)
that it may be
well unto you. Jeremiah 7:23
Jer 23:17 They say still unto them that despise me,
The
Lord
hath said, Ye shall have peace;
and
they say unto every one that walketh
after
the imagination of his own heart,
No
evil shall come upon you.
"You can SOW discord and steal the church
houses of widows" much better than Pharisees.
Blasphēm-eō , pf.
2.
speak ill or to the prejudice of one,
slander, “peri tēs emēs diatribēs” Isoc.15.2,
cf. D.l.c., ib.82; “b. kata tinos” Isoc.12.65,
cf. Arist.Fr.44;
“hosa eis hēmas eblasphēmēsan” D.51.3;
“b. tina” Babr.71.6,
Ev.Luc.23.39,
etc.: abs., Phld.Lib.p.8
O.:—Pass., to have evil spoken of one, “beblasphēmēmenous” Id.Vit.p.12 J., cf. 1 Ep.Cor.10.30.
3. speak impiously or irreverently
of God, blaspheme, “eis ton Kurion” LXX Da.3.29(96);
“eis to pneuma to hagion” Ev.Marc.3.29;
eis ta theia Vett. Val.58.12; “tous theous” Id.67.20:
abs., LXX 2 Ma.10.34,
al., Ev.Matt.9.3.
7.12.11
Review
of Truitt Adair's review of Rick Atchley.
Preachers are shooting blanks and keeping their career path
safe as long as they agree that Amos (by the Spirit of Christ)
condemned only their "attitude." And as long as they say that
God commanded anything in the cursed king, kingdom, temple,
sacrificial system at which they made exorcism noises never
called music. The church is built upon the Prophets and
Apostles all who radically condemn the the
Civil-Military-Clergy complex as robbers, parasites and
hypocrites (defined as speakers, singer and instrument
players). There is NO historic scholar who did not agree
that Amos was condemning the use of instruments in Samaria.
When Ahaz took the sacrifices and noise (never music)
outside of Jerusalem he violated God's law which quarantined
the horrors behind closed doors . If
you become a Levite singer outside of the Temple in
Jerusalem the PATTERN is that God will send a plague
upon you.
See
how Rick Atchley and Chris Seidman tell you how they
diverted your children.
7.04.11 THIS IS THE DIRECT COMMAND
2Timothy 4:2 Preach
the word; be
instant in season,
out of season;
reprove, rebuke,
exhort with
all longsuffering and doctrine.
There is not a single command, example of inference of
congregational singing with or without instruments. This
SILENCE is used by the ANTI-church agents of the NACC while
they deliberately ignore the masses of information that the
Words of God are to be Spoken or Read: the elders in the
synagogue as overseers literally watched over the younger
readers to make certain that they did not add or subtract
from the written text.
Most of recorded history understood that the only command
was to preach or teach: the only resource
was the WORD unless you think you are superior to Jesus
Christ Who left us the Prophets and Apostles upon which to
build or educate the body of Christ.
Cantillation:
[The Sephardim have also melodies for the Books of Esther,
Ruth, Song of Solomon, and Lamentations of Jeremiah. Not
only the canonical books of Scripture, but the Mishna and
probably the Jemarah, were recited to cantillation; an
edition of the former as late as 1553 was printed with
musical accents. (De Sola, p. 12.)]
As the primary use
of accents is to point out the usual elevation of the
voice, as shown by the Greek accents, which were a
comparatively late addition to their written language,
But the very irregularity
of this sort of chant renders it singularly appropriate
for use to poems of a complicated or constantly changing
rhythm, such as the Psalms.
Jesus quoted Christ in Ezekiel 33 to identify hypocrites as
speakers, singers and instrument players: Christ also warned
about the Lying Pen of the Scribes in their record of the
temple--which God did not command.
O, I want to be a Scribe and write
And make my poems and songs
O, I want to be a Scribe and pen
Some scripture false but strong.
O, I want to be a Pharisee
Learn rhetoric tricks of slight
O, I want to be a Pharisee
And spread some plagues and blight.
Oh, I want to be a hypocrite
Strong and brave and true
O, I want to sing and clap and play
O, wont you join me too.
We all could join the mighty team
One or two or three
We all could twist and turn
Like serpents on the tree.
~ Kenneth Sublett
God ordained both the resources and method of
presentation:
"Hallel, in Jewish ritual,
selection from the Psalms, chanted as part of the liturgy
during certain festivals. The more frequently used
selection includes Psalms 113-118 and is known as the
Egyptian Hallel, presumably because Psalm 114 begins,
"When Israel went out of Egypt"
It is sung in synagogues on the first two days of Passover, on Shabuoth, on Sukkot, on each morning of the
eight days of Hanukkah, and at the close of the Seder.
"The Hallel through
the generations, on specific occasions: Pesachim 117a
"Hallel requires a full stomach and a satisfied spirit:
Taanis 25b-26a
The reading is beloved to the people,
and so they listen closely: Megillah 21b
"The Hallel as an
Institution of the Prophets, to use to pray for salvation from danger:
Pesachim 117a [2x] Saying the Hallel daily is blasphemous:
Shabbos 118b
SPEAKING IN RELATIONSHIP TO THE EKKLESIA,
SYNAGOGUE OR CHURCH must be stripped of everything
human talent can bring: that woud deny that Christ as the
personified WORD who spoke only what He heard from God the
Father was good enough.
Psa 60:1 (To the chief Musician upon
Shushaneduth, Michtam of David, to teach; when
he strove with Aram-naharaim and with Aram-zobah,
when Joab returned, and smote of Edom in the valley of
salt twelve thousand.)
LX. in finem in hymnis
David [2] exaudi Deus deprecationem meam intende orationi
meae [3] a finibus terrae ad te clamavi dum anxiaretur
cor meum in petra exaltasti me deduxisti me
Hymnus , i, m., = humnos, I. a song
of praise, a hymn: “hymnus cantus est cum laude Dei,” Aug.
Enarr. in Psa. 148, 17; Ambros.
Expos. Psa. 118, prol. § 3; Lucil. ap. Non. 330, 9; Prud.
Cath. 37 praef.; 4, 75:
“divinorum scriptor hymnorum,” Lact. 4, 8, 14; Vulg. Psa. 60
tit.; id. Matt. 26, 30.
-Oratio,
I. a speaking, speech, discourse, language
I. In gen., the connection of words to
express thought: non est autem in verbo modus hic, sed
in oratione, id est, in continuatione verborum, Cic. 3,
42, 167 .
E. A prayer, an address to
the Deity (eccl. Lat.): respice ad orationem
servi tui, Vulg. 3 Reg. 8, 28 : per orationes
Dominum rogantes, id. 2 Macc. 10, 16 : pernoctans in oratione
Dei, id. Luc. 6, 12 .--Also absol., prayer,
the habit or practice of prayer: perseverantes in oratione,
Logos,
verbal noun of lego
Opposite kata pathos
Opposite music, poetry or rhetoric
Opposite
human reasoning
Opposite
Epagoge bringint in to one's aid, introduction
Alurement,
enticement, incantation, spell
Opposite Pathos A. that
which happens to a person or thing, incident,
accident,
where this incident took place, unfortunate
accident,
2. what one has experienced, good
or bad, experience
II. of the soul, emotion, passion
(“legō de pathē . . holōs hois hepetai hēdonē ē lupē” Arist.EN1105b21),
“sophiē psukhēn pathōn aphaireitai”
Opposite Poiein to excite passion,
Arist.Rh.1418a12;
V. Rhet., emotional style or treatment,
to sphodron kai enthousiastikon p. Longin.8.1;
“pathos poiein” Arist.
Rh.1418a12;
“
See
the Logos (Word and masculine) versus Mythos (songs,
sermons effeminate)
2Timothy 4:3 For the time will come when they will not
endure sound doctrine;
but after their own lusts
shall they heap to themselves teachers,
having itching ears;
[eager for combat, pleasure, to be wanton]
hugi^-ainō Opposite. turbulent agitators, Plb.28.17.12
1
Timothy 1.10 for the sexually immoral, for
homosexuals, for slave-traders, for liars, for perjurers,
and for any other thing contrary to the sound doctrine;
1 Tim 1:11 According to the
glorious gospel of the blessed God,
............ which was committed to my trust.
2 Cor 2:17 For we are not as
many, which corrupt the word of God: but as of sincerity, but as of God, in the sight of God
speak we in Christ.
Kapeleuo (g2585) kap-ale-yoo'-o; from kapelos
, (a huckster); to retail, i.e. (by impl.) to
adulterate (fig.): - corrupt
kapęl-euô , to be a retail-dealer, drive
a petty trade Hdt. 1.155
mathēmata sell
learning by retail, hawk it about,
“k. ton logon tou theou” 2 Ep.Cor.2.17;
k. tēs hōras anthos or tēn hōran, of prostitutes,
Hdt. 1.155 But pardon the Lydians, and
give them this command so that they not revolt or pose a
danger to you: send and forbid them to possess weapons
of war, and order them to wear tunics under their cloaks
and knee-boots on their feet, and to teach their sons
lyre-playing [kitharizein] and
song [psallein] and
dance and shop-keeping. And quickly, O king, you
shall see them become women instead of men, so
that you need not fear them, that they might revolt.”
Like rotten lettuce
Plat.
Prot. 313d And in the same way, those who
take their doctrines the round of our cities, hawking
them about to any odd purchaser who desires
them,
commend everything
that they sell,
and there may well
be some of these too, my good sir,
who are
ignorant which of their wares is
Music to substitute for the Word of Christ in the Prophets and
Apostles is clearly promoted as something that "attracts"
people: Albert Barnes called it the lust of the eyes and ear.
Epithum-ętęs
, oi, ho,
A. one who longs for or desires, neôterôn ergôn
Hdt.7.6 ; [dogmatôn] And.4.6; ergôn Lys.12.90 ;
timęs, sophias, Pl.R.475b, etc.; phusei polemou
e. Arist.Pol.1253a6; kakôn 1 Ep.Cor.10.6 ; allotriôn BGU531
ii 22 (ii A.D.).
2. . abs., lover, follower, X.Mem.1.2.60.
b. . one who lusts, LXX Nu.11.34.
Lusting for NEW things: Neos
“en tois mousikois ta n. melē eudokimei” X.Cyr.1.6.38;
Xen.
Cyrop. 1.6.38 However, my son,” he
continued, “since you are desirous of learning all these
matters, you must not only utilize what you may learn
from others, but you must yourself also be an inventor
of stratagems against the enemy, just as
musicians render not only those compositions which they
have learned but try to compose others also that are
new. Now if in music that which is new and fresh
wins applause, new stratagems in warfare
also win far greater applause, for such can deceive the
enemy even more successfully.
Dogma , atos, to, (dokeō)
that which seems to one, opinion
or belief, philosophical doctrines
God HIDES Himself from the wise or sophists.
SOPHIA A.cleverness
or skill in handicraft and art, Hephaestus ,
in music and singing, in poetry
Sophistęs , ou, ho, master
of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, meletan sophistais
prosbalon Pi.I.5(4).28 , cf. Cratin.2; of musicians, sophistęs . . parapaiôn chelun A.Fr.314 , cf. Eup.447,
Pl.Com. 140; sophistęi Thręiki (sc. Thamyris) E.Rh.924, cf. Ath.14.632c:
with mod 2. sophist (in bad sense),
quibbler, cheat, goeta one who howls
out enchantments, a sorcerer, enchanter. Goes
ENCHANTMENTS
Epôid-os , on, epaidô b.
Subst., enchanter, e. kai goęs E.Hipp.
1038 (but goęs e. Ba.234):
c. gen., a charm for or against, 2.
Pass., sung to music, phônai Plu.2.622d ; fit for singing, poiętikęn e. parechein M.6.16 . 1. epôidos , hę , Sch.metr. Pi.O.4
( ho , Gal.UP17.3, dub. in
D.H.Comp.19), epode, part of a lyric
ode sung after the strophe and antistrophe, ib.26,
Gal. l.c., Sch.metr. Pi.l.c., etc. 2. epôidos , ho , verse or passage returning
at intervals, in Alcaics and Sapphics, D.H.Comp.19
; chorus, burden,
refrain, Ph. 1.312 : metaph., ho koinos hapasęs adoleschias e. the 'old story',
Thraix a Thracian; ionic Thręďx, ďkos,
pl. Thręďkes [i^], Il., Hdt., etc.; epic contr.
Thręix, Thręikos, Il., Trag., etc.
Orpheus the
Thracian was the originator of ritual worship called
Threskia
Sophos , ē, on, poets and musicians, Pi.O.1.9,
P.1.42,
3.113;
en kithara s. E.IT1238
(lyr.),
HERE IS PROOF THAT YOU WILL NOT
ENDURE SOUND DOCTRINE:
2Timothy 4:4 And they shall turn away their ears from the
truth,
and
shall be turned unto fables.
FABLES TO FOOL: Fābŭla , ae, f. fari,
B.
Of particular kinds of poetry.
1.
Most freq., a dramatic poem,
drama, play (syn.: “ludus, cantus, actio, etc.): in full, fabula scaenica,” Amm. 28, 1, 4; “or, theatralis,” id. 14, 6, 20: “fabula ad actum scenarum composita,”fabulam, quae
versatur in tragoediis atque carminibus non a
veritate modo
FABLES TO FOOL: Cantus , ūs, m. id.,
I. the production of melodious sound,
a musical utterance or expression,
either with voice or instrument; hence, song,
singing, playing,
1. With the voice, a singing, song;
in full, cantus vocum, Cic. Rosc. Am. 46, 134:
“fit etiam saepe vocum gravitate et cantibus ut pellantur animi, etc.,
2. With instruments, a playing,
music: “citharae,” “horribili stridebat tibia cantu,” Cat. 64, 264:
“querulae tibiae, “lyrae,” Plin. 34, 8, 19, § 72:
“tibicine
2Timothy 4:5 But watch thou in all things, endure
afflictions,
do the work of an evangelist,
make full proof of thy ministry.
Euangel-istęs
, A. bringer of good tidings:
hence, evangelist, preacher of the gospel,
Act.Ap.21.8. II.proclaimer of oracular
messages, 2.declare, tell, tout'ekęruchthępolei this news was spread
in
1Pet. 4:11 If any man speak,
let him speak as
the oracles of God;
if any man minister,
let him do it as of the ability which God giveth:
that God in all things may be
glorified through Jesus Christ,
to whom be praise and dominion
for ever and ever. Amen.
Acts 15:21 For Moses of old time hath in every city
them that preach
him,
being read
in the synagogues every sabbath day.
1Tim. 4:13 Till I come, give attendance to [public] reading,
to exhortation, to doctrine.
The Synagogue had no preaching as in "sermonizing"
and allegozing was outlawed. The Word was read
in a systematic sense as when the text was magically opened
when Jesus stood up to read and then sat down. They
explained or often translated and admonished everyone to
observe that "read portion." The object is not to preach but
to teach "that which has been taught" even as we are
commanded to "sing that which is written with one mouth and
one mind' as the only way to glorify God who wrote the songs
and sermons, to comfort WITH Scripture and keep the unity
always upset by human imaginings.
Homer, Odyssey 14. Then the
much-enduring, goodly Odysseus answered him: “Friend, since
thou dost utterly make denial, and declarest [150] that
he will never come again, and thy heart is ever unbelieving,
therefore will I tell thee, not at random but with an oath,
that Odysseus shall return. And let me have a reward for
bearing good tidings, as soon as he shall come, and
reach his home; clothe me in a cloak and tunic,
goodly raiment.
[155] But ere that, how sore soever my need, I
will accept naught;
for hateful in my eyes
as the gates of Hades is that man,
who, yielding to
stress of poverty, tells a deceitful tale.
A description of Hades or Tartarus
kęrussô , to be a herald,
officiate as herald, A herald never makes up news. 2.
declare, tell, tout' ekērukhthē polei this news was spread
in
Humn-eō , Ep. humneiō Hes.Op.2;
Ep.3pl. II. Tell over and over
again, harp upon, repeat, recite,; humnousi ; ton nomon humnein recite the form of
the law, Id.Lg.871a:
----------------------------------------------------------------------------------------
5.01.11 Well prophesied in Revelation
17-18
John
T. Willis 2. "Sing" is vocal; "make melody"
is instrumental. Psalms 33:2-3; 144:9; 149:1, 3 make
this crystal clear. Amos 5:23 further verifies this reality.
People forget that God turned Israel over to worship the
starry host because of musical idolatry at Mount Sinai. The
Levites were under the KING and the COMMANDERS of the army:
they made war and not worship. We will examine these passages
in context.
Church is
Ekklesia or Synagogue: both for instruction only: both exclusive
of any performing arts: you don't do music when God's Word
is taught. I submit that you cannot be a Christian
if you do not understand the meaning of "teach them what I
have commanded to be taught."
4.17.11. Rick
Atchley
etal use the Burnt offering of the goats to appease Israel
as the patternism which says that "God commanded instrumentl
praise and we must not be disobedient." God had turned
primarily the Jacob-cursed tribe of Levi over to worship the
starry host. This was based on the musical idolatry of the
Egyptian trinity at Mount Sinai. This was, and is in several
passages, a sin beyond redemption.
Acts
7 has Stephen murdered for daring to tell the
clergy that the Temple was NOT commanded because God does
not live in houses built by human hands nor is He worshipped
by the works of human hands--music being one of the most
works-intensive forms of legalism. Just as any disciple can
see that musical idolatry was what invited God to turn the
Levi tribe over to worship the starry host, Stephen quotes
Amos to prove the nature of the God-abandoned Jewish
worship. That is what the "scholars" all believe that God
commanded them to impose on you. Musica always meant to make
the lambs dumb before the slaughter.
Christ the Spirit does NOT speak through
abandoned king, priests or musicians. Christ inspired the
godly prophets ALL of whom call the restored Civil-Clergy
complex as robbers and parasites. You have to be
pretty slick to fool so many people into believing that God
commanded THEM to restore what Jesus died to put down.
Christ speaks through the prophets and the prophecies made
more perfect by Jesus speaking to the Apostles. The church
is built on the prophets and apostles: not on a huge staff.
Acts 7:41 And they made a calf in those
days,
and offered
sacrifice unto the idol,
and rejoiced
in the works of their own hands.
The
Egyptian Opis (Apis) and others which Israel
worshipped at Mount Sinal were worshipped throughout the
area. "In preference to all other hymns these choirs
generally sang the so-called epiphany hymns,which
were intended to invite the gods to appear.
Plutarch wrote:
Why do the
women of Elis call upon God in song to approach them with
the bull's foot? Their song is the following:
Come, Dionysus, Hero,
into the holy temple of Elis,
together with the Graces
come violently into the temple with the bull's foot!
Then they sang twice at the end: "Sacred Bull!" (Johannes
Quasten, Music & Worship i
n
Pagan and Christian Antiquity, p. 76)
"For nonliterate peoples,
music often serves purposes other than entertainment or
aesthetic enjoyment. Certain wind instrumentare closely
associated with the supernatural, and their sounds
connote powerful magic. Australian Aborigines, for
instance, identify the sound of a bull-roarer with
thevoices of supernatural beings; for the Plains
Indians, the same sound signifies an awesome natural
phenomenon, such as thunder. Wind instruments are often
among a group's most important ritual objects, and in
some cultures they are specially venerated. The Kamairua
Indians of the Amazon rain forest keep their giant
flutes (three to four feet long), wherein spirits are
believed to dwell, in a special shrine where they are
worshiped. The flutes and drums of New Guinea are
similarly housed and worshiped.
"Wind instruments in primitive
cultures also serve nonreligious functions. In New
Guinea, bamboo trumpets were once played
to frighten
an enemy during battle (David's Halal) and
to alert a
village that the victorious warriors were coming
home with the corpses of the foes.
Moses identified idolatry
as the alternative:
Exod 32:18 And he said,
1.
It
is not the voice of them that shout for
mastery,
2.
neither
is it the voice of them that cry for being
overcome;
but the noise of them that sing
do I hear.
"Conch-shell trumpets are used for
signaling in the Pacific coastal regions of Columbia and
in the Ecuadoran highlands.
Trumpets also
may be associated with the office of king or chief, as
in West Africa,
where their
use is strictly controlled by tribal law. "wind
instrument" Encyclopćdia Britannica Online.
Euphrainō , Ep.
euphr-, fut. Att.
155.12,
Pi.I.7(6).3
Pind.
I. 6 Just as we
mix the second bowl of wine when the men's
symposium is flourishing, here is the second
song of the Muses for Lampon's children and
their athletic victories: first in Nemea, Zeus, in your
honor they received the choicest of garlands,
This is the Crooked Race we are warned to
save ourselves FROM.
Pind.
I. 7 In which of the local
glories of the past, divinely blessed Thebe, did you most delight
your spirit? Was it when you raised to eminence the one
seated beside Demeter of the clashing bronze cymbals,
flowing-haired
[5] Dionysus? Or when you received, as a snow-shower of gold
in the middle of the night, the greatest of the gods, when
he stood in the doorway of Amphitryon, and then went in to
the wife to beget Heracles?
But since ancient grace
sleeps, and mortals are forgetful of whatever does not
reach the highest bloom of skillful song, joined
to glorious streams of words, [20] then begin the victory
procession with a sweet-singing hymn for Strepsiades;
2.20.11
Jay
Guin is a good lawyer: he has come up with a new
foundational authority for instrumental music. However,
his
premise that God commanded the king, kingdom, temple, animal
sacrifices and the associated instrumental noise is wrong:
there is no historic scholarship among the church fathers that
God commanded that which was the result of "firing" God and
demanding a human king.
1.04.11 When people speak
out of their own imagination instead of the Word as Spirit
by Christ in the Prophets and Apostles, Christ calls it
blasphemy. Of Hezekiah's Plague stopping exorcism
used to say that "God commanded instrumental praise and we
must not be disobedient" Christ calls them BLASPHEMERS.
See
Christ defining Blasphemy of The Holy Spirit
For I spake NOT unto your fathers,
nor commanded them
in the day that I brought them out
of the land of Egypt,
concerning burnt offerings
or sacrifices: Jeremiah 7:22
But this thing commanded I them, saying,
Obey my voice, and I will be
your God, and ye shall be my people: (CENI)
and walk ye in all the ways
that I have commanded you, (CENI)
that it may be well unto
you. Jeremiah 7:23
Jer 23:17 They say still unto them that despise me,
The
Lord
hath said, Ye shall have peace;
and
they say unto every one that walketh
after
the imagination of his own heart,
No
evil shall come upon you. "You can SOW discord
and steal from the owners"
Despise tthe Word of God of God and using your own
words is:
Blasphēm-eō , pf.
2.
speak ill or to the prejudice of one,
slander, “peri tēs emēs diatribēs” Isoc.15.2,
cf. D.l.c., ib.82; “b. kata tinos” Isoc.12.65,
cf. Arist.Fr.44;
“hosa eis hēmas eblasphēmēsan” D.51.3;
“b. tina” Babr.71.6,
Ev.Luc.23.39,
etc.: abs., Phld.Lib.p.8
O.:—Pass., to have evil spoken of one, “beblasphēmēmenous” Id.Vit.p.12 J., cf. 1 Ep.Cor.10.30.
3. speak impiously or irreverently
of God, blaspheme, “eis ton Kurion” LXX Da.3.29(96);
“eis to pneuma to hagion” Ev.Marc.3.29;
eis ta theia Vett. Val.58.12; “tous theous” Id.67.20:
abs., LXX 2 Ma.10.34,
al., Ev.Matt.9.3.
See
Jay
Guin
promoting the Progressive Church of Christ (with Christ
removed) by defending Rick Atchley and Chris Seidman
who explain how to make YOUR church fall from grace by
IMPOSING instrumental music: the MARK of bad people.
The FUTURE OF THE
PROGRESSIVE CHURCH OF CHRIST is defined by Christ in
Isaiah 30 and John in Revelation 18.
Click for the latest PLEADINGS looking
for some justification and discuss.
Lynn Anderson Psallo justifies
Instrumental Music and sowing of Discord.
This is just a small number of false teachings cused at
Oak Hills Church (Ex Church of Christ). The plan was for quiet
strings in an extra room: this has sowed massive discord and
now arrived it its planned destination of a full Rock and Roll
performance. The ex-congregation just stands in shock and awe.
Rick Atchley promised not to "have instrumental music on
Sunday until Jesus returned" but being post modern that meant
what he REALLY thought inside.
See Ronnie Norman First Colony Church:
The SHEPHERDING MOVEMENT from Promise Keepers etal.
The Fruits of THE BLUEPRINT TOUR
|
Christian Church
|
Virtual Christian Church
|
|
Bob Russell, Southeast Christian
Church
Ben Merold, Harvester Christian
Church
Allan Dunbar, North American
Christian Conv.
Barry McMurtrie, Crossroads Christian Church
Bob Russel
|
Rick Atchley, Richland Hills Church of Christ
Rubel Shelly, Family of God at Woodmont Hills
Mike Cope, Highland Church of Christ
Randy Harris, Abilene Christian University
Max Lucado
|
Wade
Hodges, Tulsa Soul Stealing Workout: Our theme is "For the Good of the World,
To the Glory of God." Our list of confirmed speakers
includes Rick Atchley, Chuck Booher, Mike Cope, Allan
Dunbar, Max Lucado, Marvin Phillips, Bob Russell, and Jeff
Walling.
A highlight
of this year's workshop will be special evening sessions
featuring tag-team keynotes by preachers
from Acapella Churches of Christ and Independent Christian
Churches. I'm especially looking forward to the Friday
night keynote when Max Lucado and Bob Russell will speak
together.
Max Lucado was picked off had a VISION which told him to
remove the name of CHRIST off the church. I cannot say
that there was a cause and effect but a Baptist Publisher told
him the same thing. The VISON also told him to add musical
instruments. Farmer's Branch dared us to refute their
WHITE PAPER and I would say that the VISION came from drinking
from Farmer's Branch. The Oracle of Delphi under Apollo
(Apollyon) got her vision from drinking from a spring and
sniffing gas. We have done a tedius review of Farmer's
Branch BLACK LIES and if you have a specific passage being used
as a spear to take you captive you can find it in these papers.
|
Experimenting with
Instrumental Music: The
fatal flaw in the garden of Eden and in every
FALL beyond redemption is EXPERIMENTING..
Farmer's Branch Church of Christ Part
One:
Farmer's Branch Church of Christ Part
Two
A look at the word NAGAN
10/08
Added: Isa 47
defines the end-time Babylon Whore religion of
Rev 18 now appearing at your local "church."
|
Aristotle: Melody Deceives: "Poets also make
use of this in inventing words, as a melody "without
strings" or "without the lyre"; for they employ
epithets from negations, a course which is
approved in proportional metaphors..
The form of
diction should be neither metrical nor without
rhythm.
If it is metrical, it lacks
persuasiveness, for it appears
artificial, and at the
same time it distracts the
hearer's attention, since it sets
him on the watch for the recurrence of such and such a
cadence..
According to
Philo, the gods of the pagans exploit this weakness of men. For the sake of
a better effect, and with the
intention of more easily cheating
their devotes, that they have
set their lies to melodies, rhythms and
meters.." Click for more.
No one can
doubt that Paul put the singing AND melody in
the HEART and not upon a harp! If it breaks
toward the MUSICAL side someone is trying to
deceive someone as the "serpent" musically
enchanted Eve while Adam went willingly.
|
The
Oak Hils repudiation No apology for the
pictures: all known evidence implicates a CROOKED
GENERATION which were males USING the flute-girls and boys
in the SYMPOSIUM implicated when Paul said that "an elder
must not go NEAR WINE."
You may not have a FULL DECK if you think the DECK is not
stacked: with minimal impact it seems as people catch on to the
infiltrate and divert BLUEPRINT.
We have discussed each of Rick's false
teachings on a forum where people get a chance to reply
This begins at the December 18 post Rick's First SET UP for MUSIC:
Spirit OF Christ repudiates Him!
David Faust has picked up the absurd
notion that God commanded instrumental praise when he
permitted or abandoned Israel to form their own nation.
We have done a quick summery of the FALL FROM GRACE because of
musical idolatry at Mount Sinai. All that the false
teachers us is derived from a FALLEN NATION doomed--even at
Sinai--to return to their old Babylonianism.
Click for a "comic book"
illustration to prove that the temple dedication
was not proof of God having an orgastic fit caused by the
music (really NOISE) but proof that God had SHUT OFF
access to the Word (once in the Ark) and His GRACE under the
MERCY seat. Until people are baptized into Christ they can
never come boldly before the throne of Grace.
This will link you to the review of David
Faust which is a review of Atchley. This
covers several fact-packed but not prosey rebuttal in
numerous papers.
These people deliberately lie TO God
and ABOUT God. This gives rise to the ANTI-instrumental term which
defines those who remained faithful for 2,000 years as
destructive and worthy of destruction.
Added notes
using Stephen to prove that Amos condemned music and that
the TEMPLE was not what God promised David.
Note: Thursday
10:52. I have just listened to Ricks SHOUTHING MATCH
with Scripture on his proof-text demanding that God not
only PERMITTED what he calls INSTRUMENTAL PRAISE but that
he COMMANDED it. He uses all of the usual proof text out
of context. He uses all of the isolated verses right out
of the handbook by any of the music defenders from the
CHRISTIAN CHURCH. He claims that he has read all of
the books by those he, like A Ralph Johnson, he tolerates
those who prefere "a capella" which is NOT the meaning of
Scripture but for the ANTI-instrumental heretics
he really gets violent.
By looking at the ancient
literature which defines the culture IN WHICH the Word of
God was revealed, we will understand what Jesus, Paul, Jude,
John and others understood which the FALSE TEACHERS do not
understand. Why, in the name of sanity would John
point to the serpent, to Apollyon, to the locusts, to the
muses, to the MOTHER OF HARLOTS, to musical performers as
SORCERIERS if God did not intend for those with EYES and
EARS to look where they pointed.
A
Ralph Johnson Review which pretty much covers the Tom
Burgess and Alfred Knowles ditto head stuf.
I can only conclude that,
like most "scholars" Rick does not have a remote clue about
the flow of the Old Testament. Nay, he does not
grasp that the serpent in the Garden of Eden was
really a Musical Enchanter. John
identifies the same SERPENT in the book of Revelation as
OPHIS (or Sophist) and calls all of the PERFORMERS
under the Mother of Harlots (Rev 17) Sorcerers (Rev 18).
He knows nothing of the
musical idolatry at Mount Sinai FOR WHICH God slapped them
with the LAW and later with kings, kingdom and pagan-like
temple because, says Stephen, God turned them over to
worship the starry host. I have never heard
anyone list so many passage having people PRAISE God with
instruments when he does not grasp that PRAISE or HALAL
means to "make a fool of self, or make self vile"
which was the way people PRAISED pagan gods or drove the
enemy into panic: remember that David was KING and not
"worship leader." Halal then is the ROOT meaning of
LUCIFER. He does not grasp that Lucifer is called the
"singing and harp playing prostitute' in the garden of Eden.
He has not read Isaiah and Ezekiel quoted by Jesus to
identify the HYPOCRITES as "enchanting" speakers, singers
and instrument players. In short, Rick has aligned himself
with the LAW which was a CURSE added because of MUSICAL
IDOLATRY.
THE PURPOSE DRIVING RICK:
Rick of Richland
Hills Church of Christ
confesses
to lying to himself for 10-12 years before he could OUT
his views. According to Lynn Anderson it takes bout 11
years to CONDITION the "frogs" to be able to tolerate
singing during the Lord's Supper. However, I
have recorded some Ricky views from 2002--4 years
ago--where he claims his AGENDA to unite with the
MUSICAL paganism: "
"The Unity Imperative," and he opened with the
declaration,
"I want
to see in my lifetime, our fellowship reunited,
and I intend to do
all that I can to see that that happens" (p. 1).
The Church of Christ was never
UNIONED with the Disciples and the Christian church did not
exist for a decade after The Church of Christ refused to be
"taken captive" in the Disciples false census. While
some churches met together in the same building after 1932,
Alexander Campbell noted the OBSTACLE to any kind of unity
in 1824 and about 1845.
Rick proves that
what he means is "I want to see the ANTI-instrumental
churches fold up and become Christian Churches."
Charles Spurgeon could not find a word low enough
to define a "pastor" who would preach with a congregation
whose views he did not support. Therefore, Rick has been at it
for a decade and has publically told you what he INTENDED TO
to. You may read here for Ricks AGENDA and links to most
of the "important" false teachers in the musical group.
The Disciples tried and failed to grasp the word PSALLO for
the first time in 1878. However, those who ignore earlier
discussions, like Tome Burgess and all his repeaters, dig up
quotes from the ancient texts to prove that psallo demands
"playing a harp." However, the texts all speak of males
PLUCKING the harp to seduce a "youth minister" for pederasty.
THERE IS NO OTHER MEANING IN HISTORY.
They could have seen that Paul
put the "melody" in the place of the human spirit which is
the only place God seeks our worship. Further, the
parallel word in Colossians 3 is GRACE. We might
assume that the word psallo never belonged in Ephesians 5
because it is never used to mean melody and Paul guided by
the Spirit OF Christ had words which DID include the
instrument:
meloid-ia A.singing,
chanting
lur-aoidos one
who sings to the lyre,
auloid-os A.one
who sings to the flute
psilociitharista
One who plays without singing
chorokithar-eus A.one
who
plays
the cithara to a chorus, (Aphrodisias ZOE)
psaltes a player on the cithara,
a musician, minstrel
Jesus cast out the musical minstrels 'like dung' and
consigned the pipers, singers and dancers to the
marketplace FROM WHICH the "psallo rope" drove the
slackers to the Ekklesia for verbal instruction
only. That is because all of the singers with
instruments were known as parasites.
parasitor, to play the parasite, to sponge: parasitarier, parasitando pascere ventres suos
Similar to kitharizein. See
Plautus, Persa
cĭthărīzo
, āre, kitharizô, to
play on or strike the cithara,
parasit-os , ho, A.one who eats at the
table of another, and repays him with flattery and
buffoonery, parasite, . trapezęs
[money changers table]
II. of priests who had their meals at
the public expense,
2.one who dines with a superior officer, Arist.Fr.551.
bômolochos [lochaô 1. properly one that
lurked about the altars for the scraps that could be got there, a
half-starved beggar, Luc.
2. metaph. one who
would do
any dirty work to get a meal, a lick-spittle, low jester,
buffoon, Ar.:--as adj., bômolochon ti exeurein to invent
some ribald trick, id=Ar.; of vulgar music,
id=Ar.
Now, tell us that the Spirit OF Christ or Paul was so
stupid that he did not know HOW to define singing AND
playing in the external sense. In the HEART is a place.
I have listened to Rick Atchley's first
DEFENSE of the secret decision to impose
instrumental music and Sabbath worship. It is
filled with many untruths and the usual changeling-hireling
psychological intimidation by making sure that if YOU object
then "we" will see you as a legalistic, sectarian, ANTI-instrumental church of
Christer. He and the "Governing Council" have decided
that the Holy Spirit wants them to
deliberately sow discord. The members must put
INSTRUMENTAL MUSIC and SABAZIANISM over family. Furthermore,
the "laity" must not question the NIKES who have clearly
taken the church capive.
USING THE
JERUSALEM CONFERENCE TO PROVE THAT HIS AND THE ELDERS
"GUIDANCE" BY THE HOLY SPIRIT TO TWIST ALL KNOWN
SCRIPTURE AND DELIBERATELY SOW DISCORD.
Appealing to the Apostolic right to make
decisions but who listened to the Spirit spoken by Jesus
Christ and the prophets, is proof that the twisting of all
known evidence is a smoke screen to try to defend what they
had decided and planned for for a decade. This really goes
back to the pseudo Stone-Campbell Movement and the complicity
of once-Christian colleges enabling the 'unity meetings' where
they preached the same false doctrine and the "scholars" in
the universities had no Biblical, historical or linguistic
power to refute them.
I have listened to his first "sermon" with pain at the
stabbing form of rhetoric and listed some of the ALWAYS lies
and distortions of the Bible and Restoration Movement history
which along with all of church history repudiated instrumental
performers in the FACE of a Holy God is sinful, perverted and
promoting effeminacy. I will discuss all of the first
SET-EM-UP sermon but not necessarily in order. Because all
of the EVIDENCE was hatched from viper eggs I want to
look at the one instance where Rick stoops to appeal to the
Bible.
This is the Jerusalem conference
which he, Joe Beam and others claim gives them the authority
to hear from the 'holy spirit person' and get authority to
CAST OFF Jewish legalism and, at Richland Hills, cast OUT
those who are still Bible literate and ethically matured.
This "apostolic authority" claim makes a mockery of
perverting the Bible to justify their treachery. He might
find that the Jerusalem got its authority from the Word of
God and direct commandments from Jesus Christ in a
face-to-face revelation. They should grasp that Miriam
is a patternism for anyone who claims revelation from God.
The Jerusalem Conference, in fact,
identifies RicK and his team as the LEGALISTS and
TRADITIONALISTS who are opposing well-known prophetic
revelation by the Spirit OF Christ, the direct teaching of
Jesus, the direct command to go to the Nations, His failure
to demand circumcision for salvation, Peter's not checking
penises before baptism, Peter's revelation and Paul's
full-field-press preaching to the Gentiles who were declared
NOT ceremonially impure just because they were
Gentiles. All were acceptable to God who "feared God
and worked righteousness."
Rick Atchley forces the Levitical
Warrior Musicians into the anti-type of the Holy Place when
in Jerusalem they would be executed. These NOISE makers were
under the KING and COMMANDERS OF THE ARMY. They
served--meaning hard bondage--the priests as they sacrificed
tens of thousands of types of Jesus Christ and gainingNO
assurance. Because the Law of Moses and the Monarch
was God turning Israel over to WORSHIP THE STARRY HOST
(Stephen, Acts 7, etc., etc.). God warned that the
kings would DESTROY THEM and one of the curses would be the
GOVERING COUNCIL like Ricks, taking the tithe and taking the
young boys to make instruments of chariots (musical) to run
before the "oriental potentate's" chariot.
Simeon defines the Qahal, synagogue or church in the
wildernes where Moses was preached each Sabbath--even among
the Gentiles--by READING the Word of God as the Holy
Convocation for many first days and all sevent days to REST,
read and rehearse the Word of God. Rick Atchley
DISOBEYS that direct approval which is in his PROOF TEXT for
that which Simeon has just proven OUTLAWED if anyone need to
be made aware.
Circumcision was a NATIONAL sign of for the Israelites
ONLY. The direct command to SPEAK which excludes music
was for everyone until Jesus returns because church is
NOTHING LIKE what Rick has fabricated. Church as all of the
Bible, history and the demands of the Restoration Movement A
School of the Bible. Literates don't need to be told
to sit down and shut up when Jesus followed the only
PATTERNISM by standing up to READ and then decently sitting
down.
There were no new DECISION MADE which gives Rick and the
Governing Council authority to radicaly violate the BIBLE,
all known church history and the ABSOLUTE LAW against sowing
discord and offending people JUST to prove power.
Not even the Jerusalem council had more
power than Richland's SECRET meetings. They just had this
here impulse, checked their "bible" and sure enough, nothing to contradict
their impulse:
There are several LEGALISTIC PATTERNISM
the false teachers love to use: one of them is the Jerusalem
conference to give the PREACHER (the apostle in the
missional church) and the ELDERS the SAME authority the ONLY
Apostles and SENIOR MALES all of whom had been chosen
by Jesus or Elders qualified. They were not DECIDING
to change old ANTI-instrumental traditionalism but to INFORM
those who brought up the DISCORD that Paul (chosen by
Christ) was CORRECT.
They knew that because the literates knew
that
1. Prophecy showed that Messiah
was for ALL NATIONS.
2. The personal DIRECT COMMAND of Jesus
proved it.
3. The example of Peter and Paul
confirmed that they had been informed.
4. Finally, Jesus did not COMMAND
circumcision which was ONLY to the Israelites</font>
Peter laid out the conditions for
salvation at Pentecost and it did not include a penis
inspection.
Therefore, Atchley is using the examples
of the TROUBLERS IN ZION to justify His OWN troubling in
Texas. Assuredly, God is good in that He always MARKS FALSE
TEACHERS.
When he slanders with the use of ANTI-instrumental churches
of Christ is a PLANNED PLOY of the change agents. By
identifying any objectors as ANTI-instrumentalists he uses
the old INTIMIDATION which they ALL use with no shame.
Rick's association between ANTI-instrumentalists and
legalistic BACKWARD BLACKS is NOT pretty. Jack Evans
speaks of the new Coonskins movement. I love it.
The churches of Christ along with ALL
CHURCH history for most of the time are doing what they are
COMMANDED TO do.
Ricky and the elders are the RUMP
DISCORDERS.
Rick is using the same mantra I have read
many times and I betcha it was COPIED because no honest
Bible student could get AUTHORITY to tromp on the members of
the church by simply READING. And I am not sure how He
gets by with blaspheming the Spirit of Christ.
I DID hear some outburst but Ricky wants
everyone CIVIL and bend over like they tried on Jesus.
He got his Biblical lies from Farmer's Branch and his
PSYCHOLOGICAL SET UP from Joe Beam and others:
Joe Beam Etal: "Now James says, 'Let's compare what's happening to the Bible. Let's see if this that's
happening is in contradiction to the word or in harmony to the word.' Now, when they look at it they find that what is
happening is not in contradiction to the word but is in harmony to the word and they're now
trying to make a decision what they should do....
'It is my judgment therefore that we should not make it difficult
for the Gentiles who are turning to God.... Then the
apostles and elders with the whole church decided to
choose some of their own men and send them back to Antioch
with Paul and Barnabas. Now, they write a letter ... and
in verse 28 they say this in the letter: 'It seemed good
to the Holy
Spirit and to us not to burden you with
anything beyond the following requirements ...
This is our judgment.' And when they came together in
that judgment, they say it is good to the Holy Spirit.
Now, if you read that, they just ascribed their decision to the Holy Spirit. They gave him the credit
for what they decided. (Joe Beam, The Holy
Spirit, Nashville Jubilee, 1996, Tape 2).
Now,
THAT is what Rick and the Elders have done: they have
DECIDED contrary to the Holy Spirit's direct command and
CLAIMED that the Holy Spirit GUIDED them into violating
DIRECT COMMANDS and going TERMINAL by somewhat boasting
about BUSTING UP FAMILES and hurting OLD PEOPLE who know
the BIBLE. I believe that is the REVERS of the
BLASPHEM OF THE HOLY SPIRIT and I say that it is.
There you have it: you get an impulse
to write a book or SOW DISCORD. You check and find that there
is no legalistic command which
says, "Thou shalt not DELIVERATELY SOW DISCORD and violate
DIRECT COMMANDS and ADD."
Therefore, "it seems good to me, the SENIOR PASTOR to
the Holy Spirit that I can
claim direct inspiration to
say as as others have said, less SUBTILLY: ''Get OVER it or
get OUT."
I think that the Holy Spirit spoke
to them (since they were literate) through Leviticus
17 and 18 for Gentiles living among the Israelites.
Remember that the prophets were guided by God:
But, we know that the
Spirit was not a little fella small enough to fit into
Ricky's head: it was the SPIRIT of Christ which HAS SPOKEN
in the Old and New Testament: to need a LATTER DAY
REVELATION is to blaspheme the Holy Spirit by declaring that
Jesus Christ was NOT COMPETENT to ordain the EKKLESIA
(school of the Bible) able to be TRANSMORGAFIED into a
"theater for unholy entertainment" for the Mother of Harlots
in Revelation 18 which defines the speakers, singers and
musicians as SORCERERS.
Of which
salvation the prophets have enquired and searched
diligently, who PROPHESIED of the grace that should come
unto you: 1 Pet 1:10
Searching what, or what manner of time the Spirit of Christ which was in them did signify,
when it testified beforehand the sufferings of Christ, and
the glory that should follow. 1 Pet 1:11
There
is NO decision between ANTI-instrumentalism and MUSICAL
SORCERY. There is NO TRADITIONALISM: the Jews ONLY
were commanded to be circumcised and THEREFORE the
LEGALISTIC PATTERNISM is a big fat lie. It is a case
of RICK as the TROUBLER and LEGALIST (music IS so defined
as WORK) who wants to REVERSE the role.
Simeon hath declared how
God at
the first did visit the Gentiles, to take out of them a
people for his name. Acts 15:14
And to this agree the words of the prophets; as it is written, Acts 15: 15
After this I will return, and will build again
the tabernacle of David, which is fallen
down; and I will build again the ruins thereof, and I will
set it up: Acts 15: 16
That the residue of men might seek after the Lord, and all
the Gentiles, upon whom my name is called, saith the Lord,
who doeth all these things. Acts 15: 17
Known unto God are all his works from the beginning of the
world. Acts 15: 18
Now,
even Solomon grasped that "God is not worshipped in housed
built for human hands." Therefore, the temple was not for
worship: in fact the Temple dedication 'music" marked God
"going into exile" and removing access to God, the Word
and Grace under the Mercy Seat.
Stephen
got
killed in part for teaching:
God promised David a TABERNACLE or
TENT.
But, Solomon built God a HOUSE
But, God does not dwell in houses built by human
hands.
What God rebuilt
is the Tabernacle of the "spiritual" David
which is the church which has no central sanctuary,
not sacrifices and by definition no sacrificial
noise which is never called music. If you use the
sacrificial system as an approach to God you must
return to Jerusalem and all of the singers and
priests must be out of Levi. But, the Church
of Christ was not founded by one out of Levi and you
cannot restore the cursed system of slaughtering
innocent "types" of your god.
As
for as the Conference is concerned, does any LITERATE
person see ANY reason for the Circumcision to NEED a
supernatural ACT of the Spirit Person to make decisions
the Spirit OF Christ had
already made? No. There is NO decision to be made: all we
have to do is to tell Ricky and the WORLD that HE and the
elders are trying to impose Levitical Warrior Musicians
and SACRIFICIAL NOISE which had ratonale ONLY in Canaan,
ONLY in Jerusalem, ONLY outside the TEMPLE. And not in the
vilest pagan temple could singers and musicians enter into
the Holy Places of which the temple was a TYPE of the body
or church of Christ.
Simon being Biblically
literate got his message from the SPIRIT OF CHRIST when He
read and KNEW the prophets and he had heard it directly from
Jesus Christ. The NAME of the "another Comforter" says
John is "Jesus Christ the Righteous." How DARE those
John Calvin calls FANATICS claim that they have been GUIDED
into FURTHER TRUTH. This again is PSYCHOLOGICAL
INTIMITATION: If you question the elders (meaning the
PASTOR) then you are questioning the Holy Spirit and YOU
DARE NOT TOUCH GOD'S ANNOINTEDS. Rick has thrown enough LAND
MINES in the first PSYCHOLOGICAL SET UP to make it necessary
for TRULY BRAVE MEN to TEACH him some bible 101a.
Simeon
speaks
what GOD had ALREADY revealed and He dare not quesiton the
ESTABLISHED FACT:
Wherefore my
sentence [judgment] is,
that we trouble not them, which from among the
Gentiles are turned to God: Acts 15: 19
However,
Rick
Atchley has decided or PASSED JUDGMENT against those who pay
his wage. He had decided that he SHOULD trouble the
members EVEN if it breaks up families because THEY must put
Rick's decision (wholly) AHEAD of their family. I
think his IRrationale is that the ANTI-instrumentalists
are
TROUBLING othere by NOT providing an instrumental CHURCH for
them to use at the widow's expense. You do remember
that God promises to send STRONG DELUSIONS and that will be
through STRONG DELUDERS.
Simeon's JUDGMENT is:
But that we write
unto them, that they abstain from pollutions of idols,
and from fornication, and from things strangled,
and from blood. Acts 15:20
Now, if Rick can TROUBLE his
enablers by adding INSTRUMENTS which are clearly marks of "the
idolatry of talent" and troubling to most spirits, why is it
that he cannot IMPOSE the worship of idols, defend fornication
and drink blood at the Lord's Supper? What kind of Holy
Spirit revelation does Rick think they need to advise the
Gentiles against immorality and offending the Jews and most
others?
Simeon was an APOSTLE:
Rick is not. NO decision about CIRCUMCISION was made by
the Apostles and Elders OF WHICH Rick and the Richland
apostles are NOT. The ACT was to PREACH the Word as it had
been delivered to them otherwise any ELDER is a WOLF and that
is bad.
Those imposed CUSTOMS
which were common to most NON-pagans and the Gentiles and
especially the Greek World had lived up to much of the Mosaic
Moral Law forever. Why would not this TROUBLE the
Gentiles.
Now, HERE is where
Ricky has had a hand grenade blow up in his face because Peter
calls CORRUPTERS of the Word "those who sell learning at
Retail."
Now, HERE is where we
have a RESTATEMENT of the DIRECT COMMAND for the Qahal,
synagogue or "church in the Wilderness" where blowing
instruments and 'making a joyful noise before the Lord' was
OUTLAWED. This were reserved for SPIRITUAL WARFARE to
panic the enemy.
For Moses
of old time hath in every
city them that PREACH him,
being READ in the synagogues every sabbath day.
Acts 15: 21
Tertullian repudiating the
trinity of THREE GODS shows why the Israelites and
Egyptians knew the same texts:
Now in ancient times the
people we call Jews bare the name of Hebrews, and so both their writings
and their speech were Hebrew. But that the understanding
of their books might not be wanting, this also the Jews
supplied to Ptolemy; for they gave him seventy-two
interpreters-men whom the philosopher Menedemus, the well-known asserter of
a Providence, regarded with respect as sharing in his
views.
The same account is
given by Aristus. So the king left these
works unlocked to all, in the Greek language. [Kaye, p.
291. See Elucidation I. Also Vol. II., p. 334.]
To this day, at the temple
of Serapis, the libraries of Ptolemy are
to be seen, with the identical Hebrew originals in them.
..........The Jews, too, read them publicly.
..........Under a tribute-liberty, they
are in the habit of going to hear them every Sabbath.
..........Whoever gives ear will find God in them;
..........whoever takes pains to understand, will be compelled to
believe.
The Greeks would understand that the
Sabazianism or 'Dionysus' worship imposed on them at Mount
Sinai because of musical idolatry, were the same as those at
the temple of SerAPIS where Apis is the golden calf
representing the Egyptian trinity.
TO BAD THAT RICHLAND DOES NOT HAVE AN
ELDER WHO COULD FIND OUT WHAT IS DRIVING OUT THE
YOUTH:
Let no man despise thy
youth; but be thou an example of the believers, in WORD in
conversation, in charity, in spirit, in faith,
in purity. 1 Tim 4:12Till I come, give attendance to
[public] READING to exhortation, to doctrine1
Tim 4:13
Students could READ in the
synagogue with the elder as OVERSEER meaning that he made sure
that the text was read AS revealed. Because sermonizing was
OUTLAWED for the synagogue, there was no need for theological
training: in fact Jesus fired the "doctors of the Law who took
away the key to knowledge.
RICK has just heard the REAL Apostles tell him and
others that churches are FAILING because of PERFORMANCE
PREACHERS whom Acts 15 has JUST FIRED as Jesus fired the
"doctors of the Law because they take away the key to
knowledge. I suggest that if they get a faithful preacher who
does EXPOSITORY TEACHING by reading the Word and like Jesus
have the UNCOMMON DECENCY TO SIT DOWN, the faithful members
will return and pay off the UNLAWFUL and UNGODLY debt.
Now, here is another
decision ELDERS can make: they can obey Jesus and refuse to
pay anyone who does not GO OUT and deliver the message. Rick
missed that one too. Nothing here about having a grand
meeting to deliver the message. Huh?
Then pleased it
the apostles and elders, with the whole church, to send chosen men of their own company to
Antioch with Paul and Barnabas; namely, Judas surnamed
Barsabas, and Silas, chief men among the brethren: Acts 15:
22
WHY did the ELDERS not get up
and defend there decisions?
And they wrote letters
by them after this manner; The apostles and elders and
brethren send greeting unto the brethren which are of the
Gentiles in Antioch and Syria and Cilicia: Acts 15: 23
For it seemed good to the
Holy Ghost, and to us, to lay upon you no greater
burden than these necessary things; Acts 15: 28
The Holy Ghost as the Spirit OF Christ
even in the Old Testament (1 Pet 1:11; Rev 19:10) was the
source: the Spirit who identified Himself as "Jesus of
Nazareth" to Paul did not need to do further revealing.
Even so, Rick is not an apostle although we understand the
term 13th apostle and the "missional ministry" heresy
assumes people to be apostles.
That ye abstain from meats offered to idols, and from
blood, and from things strangled, and from fornication: from
which if ye keep yourselves, ye shall do well. Fare
ye well. Acts 15: 29
Jesus promised the APOSTLES
ONLY to "guide them into all truth." He did not promise this
to RICK or the ELDERS in Texas. The Gentiles are to do GOOD
and observe the dietary practices of those in their
midst. Now WHICH ones of these would RICK like to
OBSOLETE along with CIRCUMCISON in order to ATTRACT more
miscellaneous crowd looking for entertainment.
By learning the INSPIRED TEXT every Sabbath in synagogues,
they were GUIDED by the Holy Spirit. This was in contrast to
the Pharisees whom Rick seems DETERMINED to lump himself with
along with adulterating the Word by "selling ignorance at
Retail." Here is exactly what Rick is preaching without
caring whom it offends and defining the PHARISEES:
"They interpreted
the Law according
to its spirit;
when in the course of time a law had been outgrown or superseded by changing
conditions,
they gave it a new and more acceptable meaning,
seeking
scriptural support for their actions through a ramified
system of hermeneutics.
It was due to this
progressive
tendency of the Pharisees that their interpretation of
the Torah
continued
to develop and has remained a living force in Judaism.
Catholic Encyclopedia Pharisees
By quoting Isaiah
and Ezekiel Jesus identified the Scribes and Pharisees
as hypocrites as "performance speakers, singers and
instrument players." As well, all arousal singing
and musical terms include the idea of enchantment and
that is why John in Revelation 18 called them sorcerers.
No Jew
was so ignorant or evil that he tried to INTRUDE an
organ in a synagogue until the year 1815.
Even then, they hired a Gentile organist because PLAYING
INSTRUMENTS on the Sabbath was considered WORD and therefore
VIOLATED the Sabbath.
The word SPEAK in fuller
resources OUTLAWS poetry or METRICAL language. The language
of Cantillation used accent marks for emphasis but was NOT
metrical. It was considered dishonorable to speak to a "god"
in metrical language and the Jews never did. It
further outlaws music: even POETRY was spoken:
2.
poięsis ps. mere poetry, without music,
i. e. Epic poetry, opposite Lyric.
The
word is ANTI-organon
orgănum
an implement, instrument, engine of
any kind, Of military or architectonic engines, Of hydraulic
engines, an organ, water-organ: organa
hydraulica, Of a church-organ.
It includes the word ERGON pointing to "a hard piece of
work" or the "shock and awe" of religious rituals called
orge which were orgies. Or the instruments do the work
of warfare which defines David's use and the meaning of the
instrumental Psalms.
This ORGAN was handled by Jubal who is
defined fully in The Book of Enoch and others as SEDUCED by
Satan to use Choirs, musical instruments,
sexually-attractive clothing and jewelry. This is said
to be the CAUSE of all of the FALLS from Grace from which
one could not recover.
I. Trop.,
an implement, instrument,
Gen 4:21 And his
brother's name was Jubal: he was the
father of all such as handle the
harp and organ.
H8610 manipulate,
figuratively to use unwarrantably:--catch, handle, (lay, take)
hold (on, over), stop, surely, surprise, take.
H8609 tâphar taw-far' A primitive root; to sew: (women
that) sew (together).
This was the practice of the
women prophetesses who sewed pillows as symbols of
availability [like waving hands and clapping] and they
were also known as sorceresses. They "took souls
captive" by making them THINK that they were flying. Ezekiel would be a good study when you
fire the unlawful preacher. I will tell some YOUTH where
to read.
This is also a KEY to the concept that the women
prophetessed SEWED or STITCHED words together to make
songs.
H8608 tâphaph
taw-faf' A primitive root; to drum, that is, play
(as) on the tambourine: taber, play with timbrels.
Any of the old widows from
the ANTI-instrumental group could probably tell the hireling
that if JUBAL sued musical INSTRUMENTS meaning WITHOUT
AUTHORITY then Ricky has to TRUMP Moses and the Spirit OF
Christ.
This gave rise to the Tabret
and to Topheth which became the NAME of HELL where
God beats people and burns them to the beat of Lucifer's
wind, string and percussion instruments.
2 Chr
34:[10] They delivered it into the hand of the workmen
who had the oversight of the house of Yahweh; and the workmen
who labored in the house of Yahweh gave it to mend and
repair the house; [11] even
to the carpenters and to the builders gave they it, to buy
hewn stone, and timber for couplings, and to make beams for
the houses which the kings of Judah had destroyed. [12]
The
men
did
the work faithfully: and the overseers of them were
Jahath and Obadiah, the Levites, of the sons of Merari;
and Zechariah and Meshullam, of the sons of the Kohathites,
to set it forward; and [others of] the Levites, all
who were skillful [scio]
with instruments of music. [13]
Also they were over the bearers of burdens, and set
forward all who did the work in every manner of service: and
of the Levites there were scribes, and officers, and
porters.
SOME MARKS OF THE
BEASTS: DOGS OR WOLVES (hidden as elders) or GOATS from
the Capella
Rick Atchley is IMPOSING a BURDEN Jesus died to REMOVE and the
musicians have always been the TOOLS by which the DEMAGOGUE
sets forth HIS WORK. A demagogue is defined as "appeasing the
people using the popular arts." The word heresy, singing and
kleptomai are included in the texts.
Organon , to, ( [ergon, erdô] ) I.
an implement, instrument, engine of
any kind (mostly post-Aug.), Col. 3, 13, 12.--Of military or
architectonic engines (whereas machina denotes one of a
larger size and more complicated construction)
Ergon [Ergô] I.work,
1. in Il. mostly of deeds of war, polemęďa erga, 3.a
hard piece of work, a hard task, Il.: also,
a shocking deed or act,
A.
instrument, implement, tool, for making or
doing a thing
3. musical instrument,
It is
prophesied that ALL of the religious teknokrats would be
removed along with the counters of towers (pulpits) and
takers of shekels (tithes and offerings). Anyone who
missed First Corinthians 1 and then appeals to chapter 14
for WORSHIP has a seriosu blind spot which can only be
removed by conversion (2 Cor 3)
Paul ALWAYS preambles the favorite
worship or music passages with a repudiation:
Click for
First Corinthians chapter one and the PROPHETIC
background.
1 Cor. 1:20 Where is the wise? where is the scribe?
............ where is the disputer of this world?
............ hath not God made foolish the wisdom of this world?
OUTLAWED: Tektonos
3.
master in any art, as in gymnastics, Pi.N.5.49; of poets, tektones sophoi
(sc. epeôn) Id.P.3.113; tektones eupalamôn humnôn Cratin.70 (ap.Ar.Eq.530);
tektones kômôn, i.e. the choreutai [Choral
dancer], Pi.N. 3.4; t. nôdunias, i.e. a physician, Id.P.3.6; dexias cheros
ergon, dikaias tektonos a true workman, A.Ag.1406.
Thalmon: inner
rooms or shrines. IV. used of certain mystic shrines or
chapels, sacred to Apis,
Pindar,
Nemean 3[1] Queenly Muse, our mother!
I entreat you, come in the sacred month of Nemea to the
much-visited Dorian island of Aegina. For beside the
waters of the Asopus young men are waiting, craftsmen
of honey-voiced [5] victory-songs, seeking
your voice. Various deeds thirst for various things; but
victory in the games loves song most of all, the most
auspicious attendant of garlands and of excellence. [9]
Send an abundance of it, from my wisdom; [10] begin, divine
daughter, an acceptable hymn to the ruler of the
cloud-filled sky, and I will communicate it by the voices
of those singers and by the lyre. The hymn will
have a pleasant toil, to be the glory of the land
where the ancient Myrmidons lived, whose marketplace,
famous long ago, [15] Aristocleides, through your
ordinance, did not stain with dishonor by proving himself
too weak in the strenuous [17] course of the pancratium
OUTLAWED: Sophos
A. skilled in any handicraft
or art, clever, mantis [musical prophesiers] this sense mostly of poets
and musicians, en kitharai, Pindar as a soothsayer
Mantikę ,Mania [mainomai] ) madness, sphodra hędonę katechousa
II. enthusiasm, inspired frenzy, m. Dionusou para
E.Ba.305 ; apo Mousôn katokôchę te
kai m. Pl.Phdr. 245a ; theia m.,
OPPOSITE
sôphrosunę
anthrôpinę meaning having control over the
sensual desires, temperate, self-controlled, moderate,
chaste, sober,
Logos. The ACT of speaking is logik-os
, ę, on, ( [logos]
) the organs of speech
A. of or for speaking or speech, logikę, hę, speech,
OPPOSITE
to mousikę
IMPLICATED: MUSICAL
PARASITES WHO WERE SODOMITES (Dogs or Wolves or
Goats). These same people
piped hoping that Jesus was their anticipated Dionysus
and would sing (lament, ouch) and dance the perverted
initiation. Remember the Masculine Journey people?
They have just changed skins.
Pindar
Olympian 1 For Hieron of Syracuse Single
Horse Race 476 B. C.
[1] Water is best, and gold, like a blazing fire in the
night, stands out supreme of all lordly wealth. But if,
my heart, you wish to sing of contests, [5] look no
further for any star warmer than the sun, shining by day
through the lonely sky, and let us not proclaim any
contest greater than Olympia. From there glorious
song enfolds the wisdom [sophos] of poets,1
so that they loudly sing [10] the son of Cronus,
when they arrive at the rich and blessed hearth of
Hieron, [12] who wields the scepter of law in Sicily of
many flocks, reaping every excellence at its
peak, and is glorified [15] by the choicest
music, which we men often play around his hospitable
table [As parasites].
Come, take the Dorian lyre down from its peg, if
the splendor of Pisa and of Pherenicus placed your mind
under the influence of sweetest thoughts
Remembering that Jesus cast out the musical minstrels
meaning 'like dung' and He consigned the pipers, singers
and dancers to the marketplace:
STRABO'S
GEOGRAPHY. Book One notes
(61) Aristobulus says,
that he saw at Taxila two sOPHISts (Ophis
the serpent, wise men), both Brachmanes, the
elder had his head shaved, but the younger wore his
hair; both were attended by disciples.
When not otherwise
engaged, they spent their time in the market-place. They are honoured as public
counsellors,
and have the liberty of taking away, without
payment, whatever article they like which is exposed for sale;
when any one accosts them, he pours over them oil
of jessamine, in such profusion that it
runs down from their eyes.
Of honey and sesamum,
which is exposed for sale in large quantity, they take enough to make cakes, and are
fed without expense
No role for
them in the church.
Kitharai or guitarist ELEMINATED. The kithara is the
instrument of Apollo or Apollyon.
No Techne or any RELIGIOUS operative: a Soothsayer.
No GlosseI: As the organ of speech GLOSSECHARIN
through the love of talking. Speak with restraint.
No MAD or MANTAS prophesier Paul identified in
Corinth.
Aristotle Politics 1341b and all the instruments
that require manual skill.
[hard work, legalism] And indeed there is a
reasonable
foundation for the story that was told by the ancients about the flute. The tale goes that Athena found a flute and
threw it away. Now it is not a bad point in the story that
the goddess
did this out of annoyance because of the ugly distortion of her
features;
but as a matter of fact it is more
likely that it
was because
education in flute-playing
has no
effect on the intelligence,
whereas we attribute science and art
to Athena
And since we reject
professional education in the instruments and in performance (and we count performance
in competitions as professional, for the performer does not
take part in it
for his own
improvement, but for his hearers' pleasure, and that a vulgar
pleasure, owing
to which we do
not consider performing to be proper for free men, but somewhat menial; and indeed performers do
become vulgar, since the object
at which they aim is a low one, as vulgarity in the audience usually
influences the
music, so
that it imparts to the artists who
practise it with a view to suit the audience a
special kind of personality, and also of bodily frame
because of the movements required)--we must therefore give some consideration to tunes
and rhythms, and to the question whether for educational purposes we must employ
all the tunes and all the rhythms or make distinctions; and
next, whether
for those who are working at music for education we shall lay
down the same
regulation, or ought we to establish some other third one (inasmuch as we see that
the factors in
music are melody and rhythm, and it is important to notice
what influence each of these has upon education), and whether
we are to
prefer music with a good melody or
music with a good rhythm.
Strabo Geography 10.3.7
In [10.3.7] Strabo continues, "The
accounts which are more remotely related, however, to
the present subject, but are wrongly, on account of the
identity of the names, brought into the same connection
by the historians--I mean those accounts which, although
they are called "Curetan History" and "History of the
Curetes," just as if they were the history of those
Curetes who lived in Aetolia and Acarnania, not only are
different from that history, but are more like the
accounts of the Satyri, Sileni, Bacchae, and Tityri;
for the Curetes (clergy or priests), like
these,
are called genii or ministers of gods by those who have
handed down to us the Cretan and the Phrygian traditions,
which are interwoven with certain sacred rites,
some mystical, the others connected in part
with the rearing of the child Zeus in Crete and
inpart with the orgies in honor of the mother of the gods
which are celebrated in Phrygia and in the region of
the Trojan Ida.
When Paul demanded that
the SENIOR MALES lead the assembly he said
and WITHOUT WRATH. Paul to those with eyes
and ears was EXCLUDING ORGE or ORGY as
WRATH. John assigns this to the Mother of
Harlots (Rev 17) and calls the singers and
instrument players SORCERERS (Rev 18) who
HAD deceived the whole world.
In the Babylonian
Tablets and Biblical Commentary parallel to The Book of
Enoch, GENUN
or GENII is the composite of Jubal (who
handled instruments without authority), Jabal, Tubal- Cain
and Naamah the enchantress. Because it is said that
Cain (from a musical note and a lance) was OF that wicked
one, scholars understood that SATAN taught the Cainites
the skills to seduce people away from the Living Word and
caused the FALLS
Sileni:
Greek
woodland
gods
or spirits, closely connected to the satyrs. They were occasionally
referred to as being half-man half-horse, in stead of half-man half-goat. The Sileni were portrayed
as lechers and drunkards [new
winskinners], bald-headed and pot-bellied, with thick lips
and stub noses, and with the tails and ears of a horse.
The flute and lyre are
their attributes. [MARKS of the
beast: the word beast used by John includes
PAN]
The Sileni can often be found in the company of Dionysus. Later mentioned as only one
Silenus, the tutor and companion of Dionysus.
THE
SATYROI were rustic
fertility Daimones (Spirits) of the wilderness and countryside.
They were usually associated with the gods Dionysos, Rheia
[Zoe], Gaia, Hermes
and Hephaistos [Lucifer]; and were said to mate
with the Nymphai in the mountains.Satyroi were depicted as
animal-like men with the tail of a horse, the ears
of an ass, upturned pug noses, reclining hair-lines, and erect members.
As
companions of Dionysos, they were depicted draped in
animal skins, drinking, dancing, playing tambourines and flutes (the instruments of the Dionysian orgy)
and sporting with the
Nymphai Bakkhai. They
were also frequently shown in vase paintings, dancing
around the goddess Gaia (Earth), rising up from the
fertile earth. Other closely related Daimones included: the Panes (goat-legged satyroi), and
the Seilenoi (elderly satyroi). Child
satyrs were known as Satyriskoi.
Dionysus was in fact from
Egypt and the rising up to PLAY or SPORT in musical
idolatry at Mount Sinai lost them GRACE and they were
turned over or abandoned to worship the starry host.
OUTLAWED: Musical
performance as Works-Focused LEGALISM.
Strabo Geography 10.3.16
Of the rites of Dionysus
condemned by Paul in First Corinthians and the wine
drinking musical worship in Ephesus proving that
INSTRUMENTS are MACHINES for doing hard work to worship
the demons. Remembering that Zeus and Dionysus were
part of the Abomination of Desolation in the Temple and
that the clergy were more attracted to Dionysus than
Jehovah because they were mostly KENITES or CAINITES and
not Israelites.
Also resembling these
rites are the Cotytian and the
Bendideian rites practiced among the Thracians, among whom the Orphic
rites had their beginning. Now the Cotys who is
worshipped among the Edonians, and also the instruments used in her rites,
are mentioned by Aeschylus; for he says,
O adorable Cotys
among the Edonians, and ye who hold mountain-ranging
instruments;
And he mentions
immediately afterwards the attendants of Dionysus: one, holding in
his hands the bombyces (reed flute),toilsome work of the turner's chisel, fills full the
fingered melody, the call that brings on frenzy, while another causes to resound the bronze-bound cotylae. (cupped cymbals or vases)
"and again, stringed
instruments raise their shrill cry, and frightful mimickers from some place
unseen bellow
like bulls,and the semblance of drums, as of subterranean thunder,
rolls along, a terrifying sound.
Note:In connection
with this bold use of "semblance" (eikôn) by Aeschylus, note
Strabo's studied use of "resembles" (eoike, twice in
this paragraph) and "unlikely" (apeikos). Others either
translate eikôn "echo," or omit the thought.
The sounding brass (echoing) in First
Corinthians thirteen was a Greek military instrument or
hollow vase. It is directly related to the Chaldean which
is a synonymn for astrologer. It was used like the
familiar spirit or "old wineskin" of the witch of Endor to call up a ghost from the
subterranean world. By whispering and murmuring into the
skin the client heard mysterous sounds which were
interpreted as from the gods. At the same time, it was
used as a musical instrument or weapon to try to panic the
enmy with the noise.
OUTLAWED: by the Bible and most historical scholars
and founders of denominations. SPEAK where the Bible
speaks and be silent when the Bible NEVER sings.
Eph 5:
[19]WEB loquentes vobismet ipsis in psalmis et hymnis et
canticis spiritalibus cantantes et psallentes in cordibus
vestris Domino
Loquor
[Sanscr.
lap-, to talk, whisper; to speak, talk,
say (in the lang. of common life, in the tone
of conversation; cf. Quint. 9, 4, 10; 11, 3, 45). indicate or express clearly: By definition that
EXCLUDES singing.
Logos.
The ACT of speaking is logik-os , ę, on, ( [logos]
) the organs of speech
A. of or for speaking or speech, logikę, hę,
speech,
opposite to
mousikę,
Reprobate
or CAST away is Adokim-os disreputable, mousa
OUTLAWED: Musica mousika, the art of music, music; acc. to the
notions of the ancients, comic and dramatic poetry, temporibus tantum
Same as: Magice- , e-s, f., = magika (sc. techna), the magic art, magic, sorcery medicinam [dico magicenque, magices factio
ALL SPEAK words specificially EXCLUDE poetry and music--the
Bible was not metrical or tuneful--just as literacy 101aa
might suspect:
Psilos IV.
logos
ps.
bare language, i. e. prose, Opposite to poetry which is
clothed in the garb of metre, Pl.Mx.239c,
Phld.Mus.p.97K.; more
freq. in pl., “ps.
logoi”
Pl.Lg.669d;
Opposite ta
metra,
2. poiēsis
ps.
mere poetry, without music, i. e. Epic
poetry, Opposite Lyric
(hē
en
ōdē),
Pl.Phdr.278c;
so “aneu
organōn
ps.
logoi”
Id.Smp.215c,
; hē
ps.
phōnē
the ordinary sound of the voice, Opposite singing (hē
ōdikē),
D.H. Comp.11.
If you PLAY an instrument--NEVER COMMANDED--it is
unaccompanied by the voice, Opposite
hē
meta
melōdias,
psilos
aulētēs
one who plays unaccompanied on the flute (cf. psilokitharistēs),
If you PLAY an instrument SPEAKING something important was
excluded. Not even david banged on his harp used more as a
tuned percussion instrument WHILE he was singing. Singing
TO a harp meant to pluck the string and match your voice to the
sound: SINGING in a tuneful sense never happened until after the
invention of the organ still not used to ACCOMPANY the reading
or chanting the commanded text.
Therefore, as all pagan
music and PRAISE SINGING makes absolute THE definition of LEGALISTIC.
The word NOMOS or feed the LAW was the practice of
the MUSES who worshipped Apollo or Apollyon who has
landed in Texas.
OUTLAWED: Hypocrites (Jesus marks
rhetoricians, singers, instrumentalists)
Sectarians or Heretics.
John Locke defines sectarianism and heresy this:
Nor does it
signify anything for them to say that their confessions
and symbols
are agreeable to Scripture and to the analogy
of faith;
for if they be conceived in the express words of
Scripture,
there
can
be no question about them, because those things are
acknowledged by all Christians to be
of divine
inspiration and therefore fundamental.
The spirit OF Christ warned against the
Lying Pen of the Scribes who defined the
God-abandoned Monarchy to make it God
approved: and that's good enough to fool ALL of the doctors of the law or fiction writing like "lyrics."
All historical scholars defend the concept
of Commands, Examples and Inferences. The church as school
of the Bible is defined simply by Paul in Romans 15. To that
Jesus instituted, Paul defined and the church practiced the
Lord's Supper on the FIRST DAY of the Week. As the
SABBATH was a MARK between the pagan worshipers and the
Israelites who RESTED in their homes or local gatherings,
the LORD'S DAY is a mark between those who enjoy the REST of
Jesus Christ without imposing the WORKS of music which were
OUTLAWED even under the Law of Moses.
Well, perhaps the Holy Spirit gave them credit for what He decided. There wasn't a "wee, little person" sitting on their shoulders. Rather, they had
the mind of Christ in their mind which Jesus promised to them as His
Spiritual presence (Jn 14:18 which you will not find quoted
on any book on the Holy Spirit person.)
It SEEMS like the ANTI-instrumentalists
have LITERACY on their side after all. However, once
you decide to destroy friendships and families I am certain
that the DRIVEN PURPOSE is not a HOLY spirit.
This firest SERMON is
filled with many lies and what I see as PSYCHOLOGICALLY
VIOLENT warnes that NO ONE should tamper with God's
ANNOINTEDS. Fact is, elders have the authority to
"teach that which has been taught" and people OBEY by
listening to what THEY (and not preachers) READ and exhort
for the BIBLE and 'watch the outcome of their lives.'
This warning has all of the earmarks of a cult and I suspect
that MOST are too timid to object. This is YOUR test:
We already KNOW that Jesus ejected the "doctors of the Law"
and CAST OUT the musical minstrels LIKE DUNG.
Text changed 12.14.06 870
Rev ck # 2.24.07 1813 Rev 7.14.07 3142 8.18.07 3426 8.24.08
Musical
worship Index
Home Page
2.10.09 5521 12.21.10 7287 1.04.11 7292 4.17.11 7620
8.08.12 8562 11.03.12 8888
8.18.13 9012 9.15.13 9062 10.05.13 9084 10.20.13 91028
11.18.13 9389 12.31.13 9484 1.06.14 9533
2.07.14 9647
2.25.14 9717 3.22. 9795 11.05.14
10420 5.12.16 11106 6.07.16 11124
7.22.19. 11639. 3.03.20 11733
Rick Atchley Sermons
Rick.Atchley.Yes.The.Bible.Is.The.Blueprint.html
Rick.Atchley.Anathema.and.Musical.Worship.html
Christian.Standard.Interview.With.Rich.Atchley.html
Rick.Atchley.Acts.17.25.God.Not.Worshipped.Mens.Hand.html
Rick.Atchley.Denies.Christ.html
--Rick.Atchley.2013.Revelation.19.html
Rick.Atchley.and.The.Fifth.Trumpet.html
Rick.Atchley.Apostate.Teachings.html
Acts.8.Preaching.for.Pay.and.Simony.html
Rick.Atchley.Law.of.Silence.html
Christian.Standard.Interview.With.Rick.Atchley.html
Rick-Atchley-Music.html
DeaconessElders.html
Rick Atchley Defends Instrumental
--http://www.pineycom.com/Rick-Atchley-Old.html
1.22.22 74
11.11.22 208 12.21.22 238
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