Jeff Walling Transistioned Providence to Instrumental Idolatry. Transition or REpurposing a congregation is called Robbing Templ2sSean Algaier Worship Minister Providence Road
http://www.pineycom.com/Jeff.Walling.and.The.Christian.Church.Today.html
Sean did not respond to my Scriptural and Historical fact that the sudden New Style Music defines the BEAST. The spirit or god who puts musical talent and speaking into the mouth of enemies of Christ is Apollo, Apollyon, Abaddon, Beast, 666, leader of the Locusts or his musical worship team. All religious OPERATIONS of such talent is called Lying Wonders by those God Strongly Deluded
Anyone who has a fair view of God the Almighty has only one way to literally worship him:
Josh. 5:14 And he said, Nay; but as captain of the host of the LORD am I now come. And Joshua
FELL ON HIS FACE to the earth,
and did WORSHIP, and said unto him, What saith my lord unto his servant?
Dan. 2:46 Then the king Nebuchadnezzar FELL ON HIS FACE, and WORSHIPED Daniel,
and commanded that they should offer an oblation and sweet odours unto him.
2Chr. 20:18 And Jehoshaphat bowed his head with his face to the ground:
and all Judah and the inhabitants of Jerusalem
FELL BEFORE THE LORD
WORSHIPING THE LORD.
1Cor. 14:25 And thus are the secrets of his heart made manifest;
and so FALLING DOWN ON HIS FACE
will WORSHIP God, and report that God is in you of a truth.
Rev. 7:11 And all the angels stood round about the throne,
and about the elders and the four beasts,
and FELL before the throne on their faces,
and WORSHIPPED God,
Rev. 11:16 And the four and twenty elders, which sat before God on their seats,
FELL UPON THEIR FACES and WORSHIPPED God,
John 8:29 And he that sent me is with me:
the Father hath not left me alone;
for I DO always those things that PLEASE him.
John 8:30 As he spake these WORDS, many believed on him.
John 8:31 Then said Jesus to those Jews which believed on him,
IF ye continue in my WORD, THEN are ye my disciples indeed
Hebrews warns about the Mount Sinai Instrumental-Trinitarian-Perverted "play" and Mount and warned:
Heb. 12:24 And to Jesus the mediator of the new COVENANT,
and to the blood of sprinkling, that speaketh better things than that of Abel.
The New Covenant or the Last Will and Testament has been given to the HEIRS and no decent person would attempt to alter or use musical sorcery to cheat the heirs.
Heb. 12:25 See that ye refuse not him that speaketh.
For if they escaped not who refused him that spake on earth,
much more shall not we escape, if we turn away from him that speaketh from heaven:
Heb. 12:26 Whose voice then shook the earth:
but now he hath promised, saying,
Yet once more I SHAKE not the earth only, but also heaven.
Heb. 12:27 And this word, Yet once more,
signifieth the REMOVING of those things that are SHAKEN,
as of things that are made, [poieo: poetry, music, works of the hands of men]
that those things which cannot be SHAKEN may remain.
NACC.Transitioning.Jeff.Walling.to.Instrumental.Worship.html
Jeff Walling Boastful Remover: ...two fantastically gifted praise teams have reminded me how much things have changed in the last few years. I mean, I remember coming to Campus Ministries' Seminar when we thought it was cool one song leader used overheads. Whooa, whew, cutting edge man, look out! And now, Lordy, I walked in the back door late, and thought I'm in the wrong building here. I mean, you know? I have to admit though, the last group had something, you guys were fantastic, but the last group had something you guys don't have, and that is one of the best looking Christian sister singers that I have seen anywhere.
Jeff Walling Quoted: Of course, we always feel like this is the Golden Age.
I don't feel like this is the Golden Age.
I do feel like this is the virtual age of, of some kind of virtual reality in churches of Christ,where things are happening so quickly around us.
Where the tension level [Laded Burden] is zooming, as those who would call themselves part of the cutting edge,...
you know there's like lots of people out in our brotherhood who would like to take a cutting edge to the cutting edge.Do you understand what I'm talkin about here?
Am I gettin to you yet? Have I offended you yet?
Hab. 2:3 For the vision is yet for an appointed time, but at the end it shall speak, and not lie: though it tarry, wait for it; because it will surely come, it will not tarry.
Hab. 2:4 Behold, his soul which is lifted up is not upright in him: but the just shall live by his faith.
Hab. 2:5 ¶ Yea also, because he transgresseth by wine, he is a proud man, neither keepeth at home, who enlargeth his desire as hell, and is as death, and cannot be satisfied, but gathereth unto him all nations, and heapeth unto him all people:
Hab. 2:6 Shall not all these take up a parable against him, and a taunting proverb against him, and say, Woe to him that increaseth that which is not his! how long? and to him that ladeth himself with thick clay!
Hab. 2:7 Shall they not rise up suddenly that shall bite thee, and awake that shall vex thee, and thou shalt be for booties unto them?
Hab. 2:8 Because thou hast spoiled many nations, all the remnant of the people shall spoil thee; because of men’s blood, and for the violence of the land, of the city, and of all that dwell therein.
Hab. 2:9 Woe to him that coveteth an evil covetousness to his house, that he may set his nest on high, that he may be delivered from the power of evil!
Hab. 2:10 Thou hast consulted shame to thy house by cutting off many people, and hast sinned against thy soul.
Hab. 2:11 For the stone shall cry out of the WALLing, and the BEAM out of the timber shall answer it.
Hab. 2:12 Woe to him that buildeth a town with blood,
and stablisheth a city by iniquity! [perverseness]
-mŏvĕo, to move, affect, excite, inspire: charms, to stir up, excite, provokeHeb. 12:28 Wherefore we receiving a kingdom which CANNOT be moved,
to MOVE people FROM their place, to dance, gesticulating
“cantus vocis juvat sociatā nervorum concordiā,” Quint. 5, 10, 124: citharam cum voce,” id. ib. 5, 112: “tympana,” id. H. 4, 48; to disturb: “ d. ib. 5, 112: Kithera along with Voice.
tympana id. H. 4, 48; beaten by the priests of Cybele and Isis Mount Sinai Bacchantine females 1 Cor 13
Emasculated Galatians 5 of witchcraft to disturb: “novis Helicona cantibus,”THE KITHERA MYSTERIES: :The psaltery a triangular instrument similar to a harp, produced gentler sound and would be more suitable for somewhat restrained and low-key events, as would be the kithara, an instrument similar to the lyre.
Both were traditional instruments played in a variety of events, public and private, and were often accompanied by song, either by the performer him/herself or a singer. Aristotle attests that those musicians came from the lower social strata, and many of them, both men and women, were PROSTITUTES hired to entertain guests in private parties.
A play of Anaxandrides was entitled Kitharistria while the masculine Kitharistes wasIs. 23:15 And it shall come to pass in that day,
that Tyre [Lucifer-Apollyon] shall be forgotten seventy years,
according to the days of one king:
after the end of seventy years shall Tyre SING as an HARLOT.
According to the Holy Spirit of God Who put these WORDS into the MOUTH of Isaiah, a HARLOT sings--
Is. 23:16 Take an [1] HARP, go about the city,
thou HARLOT that hast been forgotten;
make sweet [2] MELODY, sing many [3] SONGS,
that thou mayest be remembered.
h5059 player on instruments, sing to the stringed instruments, melody, ministrel,
Amos 5:23 Take thou away from me the noise of thy [3] SONGS; for I will not hear the[2] MELODY of thy [1] VIOLS.
h2172 a musical piece or song to be accompanied by an instrument:—melody
God is not IGNORANT as Apostates claim: When singing
Eph. 5:19 SPEAKING [audible] to yourselves
in psalms and hymns and spiritual songs,
SINGING and making MELODY IN your heart to the Lord;
No one in the Assembly or School of Christ can SING or SPEAK a single WORD unless it is the WILL (last will and Testament of Jesus Christ) or is THEN REVEALED by anyone who was INSPIRED and able to put that REVELATION into understandable words.
1Cor. 14:27 If any man SPEAK in an unknown tongue,
let it be by two, or at the MOST by THREE,
and that by course; and let ONE INTERPRET
1Cor. 14:28 But if there be no interpreter,
let him keep silence in the church; and let him speak to himself, and to God.
1Cor. 14:28 But if there be no interpreter,
let him keep silence in the church;
and let him speak to himself, and to God
1Cor. 14:29 Let the prophets speak two or three, and let the other judge.
1Cor. 14:30 If any thing be REVEALED to another that sitteth by, let the first hold his peace.
the title of plays by Antiphanes and Menander,
which might also refer to male sex workers.
Antiphanes, Klearchos, Alexis, Nikon, Anaxippos, Diphilos and Sophilos wrote plays entitled Kitheraist (kithara player and singer), where the gender could be either masculine or feminine. Moreover there are numerous specific references to psaltery and kithara players employed as prostitute entertainers. Aeschines, for example, attests that Misgolas, one of the alleged lovers of Timarchos, had a reputation for being very fond of kithara boys, while Antiphanes and Alexis confirm this with jokes about Misgolas and his kithara boys.
2Cor. 2:17 For we are not as many, which CORRUPT the WORD of God:http://www.pineycom.com/Heredotus1.html
but as of sincerity, but as of God, in the sight of God speak we IN Christ. adulterantes verbum Dei
Adultero to commit adultery Also of brutes: o falsify, adulterate, or give a foreign nature to a thing, to counterfeit: “
“jus civile pecuniā,
pĕcūnĭa , g2585. kapeleuo, kap-ale-yoo´-o; from κάπηλος kapelos (a huckster); to retail, i.e. (by implication) to adulterate (figuratively): — corrupt. “DIES PECVNIAE,” the day of payment, IVerbum or Logos: God's Regulative Principle outlawing Rhetoric, singing, playing instruments, acting or PAY TO PLAY.
Hdt. 1.105 From there they marched against Egypt: and when they were in the part of Syria called Palestine, Psammetichus king of Egypt met them and persuaded them with gifts and prayers to come no further. [2] So they turned back, and when they came on their way to the city of Ascalon in Syria, most of the Scythians passed by and did no harm, but a few remained behind and plundered the temple of Heavenly Aphrodite.1 [3] This temple, I discover from making inquiry, is the oldest of all the temples of the goddess, for the temple in Cyprus was founded from it, as the Cyprians themselves say; and the temple on Cythera was founded by Phoenicians from this same land of Syria. [
4] But the Scythians who pillaged the temple, and all their descendants after them,
were afflicted by the goddess with the “female” sickness:
and so the Scythians say that they are afflicted as a consequence of this
and also that those who visit Scythian territory
see among them the condition of those whom t
the Scythians call “Hermaphrodites”
1 The great goddess (Mother of Heaven and Earth) worshipped by Eastern nations under various names—Mylitta in Assyria, Astarte in Phoenicia: called Heavenly Aphrodite, or simply the Heavenly One, by the Greeks.
2 The derivation of this word is uncertain; it is agreed that the disease was a loss of virility. In Hdt. 4.67 enarēs = androgonos.
Worship.Androgyny.The.Pagan.Sexual.Ideal.html
andro-gonos , on, A.begetting men, hēmera a. a day favourable for begetting (or for the birth of) male children, Hes. Op.783,788.
Hes. WD 783 785] Nor is the first sixth a fit day for a girl to be born, but a kindly for gelding kids and sheep and for fencing in a sheep cote. It is favorable for the birth of a boy, but such will be fond of sharp speech, lies, cunning words, and stealthy conversation.
Cic. Planc. 35.86 When no one knew what were the feelings of those men who by means of their armies, and their arms, and their riches, were the most powerful men in the state, then that voice,
rendered insane by its infamous debaucheries,
made effeminate by its attendance on holy altars,
kept crying out [carmen] in a most ferocious manner
that both these men
and the consuls were acting in concert with him.
Needy men were armed against the rich, abandoned men against the good, slaves against their masters.
--rĕlĭgĭōsus Eccl. Lat., of or belonging to the clergy, clerical (opp. saecularis)
let us have grace, whereby we may serve God acceptably with REVERENCE and godly FEAR:
Heb. 12:29 For our God is a consuming fire.
Jude says that Jeff Walling was FOREORDAINED. The REAPERS are Angels of Light in their own eyes:
Matt. 13:38 The field is the world;
the good SEED are the children of the KINGDOM;
but the tares are the children of the wicked one;
Matt. 13:39 The enemy that sowed [dna] them is the DEVIL;
the harvest is the end of the world; [Aion messianic Age]
and the REAPERS are the ANGELS
Aggelos Arabios a., of a loquacious person, 2. generally, one that announces or tells, e.g. of birds of augury, Il.24.292,296; Mousōn aggelos,a. kai arkhaggeloi
Mousōn Dios aigiokhoio thugateres” Daughters whatever the sex led by Apollyon.
“kanakhan . .gnashing of teeth, clanging brass, k. aulōn sound of flutes, of the lyre
HH 3 185 To Pythian Apollo, Apollyon: Leto's all-glorious son goes to rocky Pytho, playing upon his hollow lyre, clad in divine, perfumed garments;Mousōn [Locusts]
and his lyre, [185] at the TOUCH of the golden key, sings sweet.
Thence, swift as thought, he speeds from earth to Olympus, to the house of Zeus,
to join the gathering of the other gods:
then straightway the undying gods think only of the lyre and song, and all the Muses together,
voice sweetly answering voice, [190] hymn the unending gifts the
all that they endure at the hands of the deathless gods,
and how they live witless and helpless
and cannot find healing for death or defence against old age.
Meanwhile the rich-tressed GRACES and cheerful Seasons dance with [195] Harmonia and Hebe and Aphrodite, daughter of Zeus, holding each other by the wrist.
And among them SINGS ONE, not mean nor puny, but tall to look upon and enviable in mien, Artemis who delights in arrows, sister of APOLLYON. [200] Among them sport Ares and the keen-eyed Slayer of Argus, while Apollo plays his lyre stepping high and featly and a radiance shines around him, the gleaming of his feet and close-woven vest.
ka^na^kh-eō k. melos to let a song ring loud, A.R.4.907. There is no musical melos or melody in Scripture.
Od.6.82; odontōn men k. pele GNASHING OF TEETH, k. aulōn sound of flutes, Pi.P.10.39 (pl.), B.2.12, cf. S.Tr.642 (lyr.); ofthelyre, h.Ap.185.
THE KITHERA MYSTERIES: suddenly organised and pianists lost their role and the GUITAR PICKER AND FAT GIRLS invaded;
"The psaltery a triangular instrument similar to a harp, produced gentler sound and would be more suitable for somewhat restrained and low-key events, as would be the kithara, an instrument similar to the lyre.
Both were traditional instruments played in a variety of events, public and private, and were often accompanied by song, either by the performer him/herself or a singer. Aristotle attests that those musicians came from the lower social strata, and many of them, both men and women, were prostitutes hired to entertain guests in private parties.6
Aeschines, for example, attests that Misgolas, one of the alleged lovers of Timarchos, had a reputation for being very fond of kithara boys, while Antiphanes and Alexis confirm this with jokes about Misgolas and his kithara boys. In Xenophon’s Symposion the beautiful boy who could play the kithara and dance aroused enthusiasm among the guests and made his master a lot of money.
Xenophon.Symposium.Lying.Wonders.Music.html
theias antiluron mousas” S.Tr.643 (lyr.); “
A.to be inspired, frenzied, [WRATH] frenzy obtained inspiration through ritual,Mousōn [Locusts]
II. worship as divine, Id.59.27; “Puthagoran kai Platōna”
Aiakō moisan pherein” Pi.N.3.28 [LADED BURDEN]“adein adokimon m.” Pl.Lg. 829d: i
The MUSES are adokimon 3. DISREPUTABLE “lakismat' adokim' olbiois ekhein” E.Tr.497; “mousa” Ep.Rom.1.28. 4. of persons, Pl.R.618b; discredited, reprobate, X.Lac.3.3, 2 Ep.Tim.3.8, etc.Mousōn [Locusts]
adein aeidō crow as cocks, Pl.Smp..223c; hoot as owls, Arat.1000; croak as frogs, a. pros aulon ē luran
sing to .sing of, chant, “mēnin aeide” Il.1.1; “paiēona” . A Song to 2. title of APOLLON (later as epith.,
“Apollōni Paiani” OPPOSITE . logos
Mousikos kai melōn poētēs” 2. generally, votary of the Muses, The Muses were the LOCUSTS unleashed with Apollon their "musical worship leaders." The Greek and Latin literature identifies them as dirty adulteresses
http://www.pineycom.com/DocHesTheog.html
[25] the Muses of Olympus, daughters of Zeus who holds the aegis: “Shepherds of the wilderness,
wretched things of SHAME, mere bellies,
we know how to speak many false things as though they were true;
but we know, when we will, to utter true things.”
...and they bade me SING of the race of the blessed gods that are eternally,
but ever to SING OF THEMSELVES both first and last.
1Cor. 14:34 Let your women keep silence in the churches:la^l-eō I. chatter, OPPOSITE articulate speech, as of locusts, chirp, Theoc.5.34; mesēmbrias lalein tettix (sc. eimi), a very grasshopper to chirp at midday, Aristopho 10.6; “anthrōpinōs
for it is not permitted unto them to speak;
but they are commanded to be under obedience,
as also saith the law.
1Cor. 14:35 And if they will LEARN any thing, let them ask their husbands at home:
for it is a SHAME for women to SPEAK in the church.
1Cor. 14:36 WHAT? came the WORD of God out from you? or came it unto you only?
III. of MUSICAL sounds, “aulō laleō” Theoc.20.29; of trees, v.supr.1.2; “di'aulou ē salpiggos l.” D.C.74.14: also c.acc. cogn., magadin lalein sound the magadis,When a preacher, singer, instrument player or any hired "staff" claims a role required to enhance or enable a "worship institution" they are anathematized by God. They are DEgenerated into a separate being. Jesus didn't pray for the World, Kosmos, Ecumenical, Kingdom of Satan WORKING against the Kingdom of Christ. Christ's kingdom or "church" does not come with observation meaning religious observations claiming His authority. To MARK those anathemized they will CALL you to their Worshiping Institution but Jesus said "don't go" the kingdom is within you. That is why
PROOF ONE: JESUS SAID THAT SEAN ALGAIER AND MATT HAYNES AND THE POST-BIBLICAL THEOLOGIANS CANNOT BE CHRISTIANS.Jesus in His present STATE of Holy Spirit certified the Prophets who defined the future REST both inclusively and exclusively:
Isaiah 55:2 Wherefore do ye spend money for that which is NOT bread? and your labor for that which satisfieth not?
hearken diligently unto me, and eat ye that which is good,
and let your soul delight itself in fatness.
Isaiah 55:3 Incline your ear, and come unto me; hear, and your soul shall live:
and I will make an everlasting covenant with you, even the sure mercies of David.
Any one who dedicated themselves to enhance WORSHIP RITUALS is Anathemitized and are defined as PARASITES. That is why they can never PREACH or tolerate LISTENING to "Teaching that which has been taught." Jesus, as a young boy, could fulfill the PATTERN by standing up to READ and then sitting down.Synonyms for anathematize
John 8:28 Then said Jesus unto them,
When ye have lifted up the Son of man,
[Jesus says that Jeff Walling blasphemes saying that Jesus was God
or made Himself God.]
then shall ye know that I am he,
and that I DO NOTHING of myself;
but as my FATHER hath TAUGHT me,
I SPEAK these things.
SPIRIT WITHOUT MEASURE OR "METRON" CAUSES JESUS AND ALL STRAIGHT DISCIPLES TO SPEAK AND NEVER SING.
As taught in the Prophets Jesus was MOCKED with instrumental sounds known to induce KOMA and was therefore SORCERY.
John 8:29 And he that sent me is with me:
the Father hath not left me alone;
for I do always those things that PLEASE him.
Replacing the SPIRIT which is the WORD made audible by Jesus with DISPLEASES God who TESTIFIED to the Teachings of Jesus by Signs and Wonders and by MAKING MORE CERTAIN the reign of Christ both inclusively and exclusively.
God put His WORD into the MOUTH of Jesus by whom he "created" meaning PURCHASED the Church and Jesus never SANG what He defined as Holy Scripture.
John 8:30 As he SPAKE these WORDS, many believed on him.
John 8:31 Then said Jesus to those Jews which believed on him,
IF ye continue in my WORD, THEN are ye my disciples indeed;
pist-euō 2. COMPLY, hōs oukh hupeixōn oude pisteusōn legeis; S.OT625, cf. 646 ; opp. apisteō, Id.Tr.1228.PROOF THAT ONE IS NOT A DISCIPLE OF JESUS BUT OF APOLLYON:
hupeik-ō , Ep. hupoeikō , with impf. hupoeikon, Il.16.305: WITHDRAW, let Jesus get the first word
yield, give way, comply, ib.211; “theoisin hupeixeai athanatoisi
athanatoisi undying, immortal, Hom., etc.; a. prosōpon, of a. ho thanatos 'death that cannot die'
Thuiē: daughter of Cephisus (or according to Delphic legend of Castalius; cf. Paus. x. 6. 4) and mother by Apollon of Delphus. She was believed to have been the first to sacrifice to Dionysus, hence the Attic and Delphic women who served that god with orgiastic rites were called Thuiai or Thuiades
1Tim. 2:8 I will therefore that men pray every where, lifting up holy hands, without wrath [orgiastic rites] and doubting.
thuias, [Paul's Mad Women of Corinth. Anyone who thinks that God likes their "music" is CERTAINLY MADE made so as Strong Delusions[
A.i nspired, possessed woman, esp. Bacchante, ll. cc., cf. A.Th. 836, Supp.564
Aesch. Seven 833 Chorus
O black curse on the family, Oedipus' curse, now brought to fulfillment! A chill of horror falls about my HEART. [835] In frenzy like a maenad I make my song for the grave as I hear of their corpses dripping with blood, how they died through the workings of cruel fate. This song of the spear, sung to the flute, is indeed born of an ill omen.1
1 This passage has also been taken to deprecate as inauspicious the previous ode (720 ff.) because it was sung during the combat of the brothers: “It was for a tomb I framed my song when, inspired by frenzy, I heard (prophetically) . . . Ill-omened, indeed, the contest of the spear to such an accompaniment.”
Romans.12.This.Is.Your.Spiritual.Act.of.Worship.html
Romans 12:1I beseech you therefore, brethren, by the mercies of God, that
YE present your bodies a living SACRIFIICE, [thusian]
holy, acceptable unto God,
which is your reasonable service.
ēn logikēn latreian humōn:That is worship IN SPIRIT as a PLACE opposite to the PLACE of Gerizim or JERUSALEM. Jesus said that "worship" had always been IN the Spirit devoted to TRUTH or the Word, Logos, Regulative Principle, opposite of rhetoric, singing, playing instruments, acting or PAY FOR PLAY.
Sean Algaier and other "worship leaders" REBUKE Romans 12 and insist that the BODY ALIVE AND ON DISPLAY is their way to WORSHIP.
A CHRISTIAN WILL [thusian] Male and female commanded to be SILENT to let Jesus speak through the WORD
burnt-offering, sacrifice thusian poieisthai, thuein
OUTLAWED: poieisthai anything you make compose or present 4. after Hom., of Poets, compose, write, p. dithurambon, epea, Hdt.1.23, 4.14; “p. theogoniēn Hellēsi” Id.2.53; p. Phaidran, Saturous, [BEAST] write poetry, write as a poet
thuias, [Paul's Mad Women of Corinth. Anyone who thinks that God likes their "music" is CERTAINLY MADE made so as Strong Delusions[
A.i nspired, possessed woman, esp. Bacchante, ll. cc., cf. A.Th. 836, Supp.564SORCERERS WILL BE CAST ALIVE INTO THE LAKE OF FIRE: THUSIA WHICH OUTLAWS ANYTHING PERFORMED WILL BE USED BELOW.
Plat. Rep. 364b and disregard those who are in any way weak or poor, even while admitting that they are better men than the others. But the strangest of all these speeches are the things they say about the gods1 and virtue, how so it is that the gods themselves assign to many good men misfortunes and an evil life
but to their opposites a contrary lot; and begging priests2 and soothsayersEVERYONE WHO TAMPERS WITH THE PSALLO WORD CALLS GOD, HIS SPIRIT, JESUS, PAUL AND ALL HISTORIANS LIARS. GOD UNDERSTOOD THAT IF "MUSICAL" MELODY WAS INTENTED IT WOULD NEVER BE PSALLO WHICH PAUL KEEPS SILENT.
go to rich men's doors and make them believe that
they by means of sacrifices and INCANTATIONS have accumulated a treasure of POWER from the gods3
that can expiate and cure with pleasurable festivals
1 The gnomic poets complain that bad men prosper for a time, but they have faith in the late punishment of the wicked and the final triumph of justice.
2 There is a striking analogy between Plato's language here and the description by Protestant historians of the sale of indulgences by Tetzel in Germany. Rich men's doors is proverbial. Cf. 489 B.
3 Cf. Mill, “Utility of Religion,”Three Essays on Religion, p. 90: “All positive religions aid this self-delusion. Bad religions teach that divine vengeance may be bought off by offerings or personal abasement.
MELOS (kata melos is corrupt for kata meros in h.Merc.419PROOF TWO That Providence Road is NOT Christian but ANTI-CHRISTIAN:
musical member, phrase: hence, song, strain, first in h.Hom.19.16 (pl.)
[NEVER IN HOLY SCRIPTURE] en melei poieein to write in lyric strain, Hdt.5.95
lyric poetry, choral songs,
2. music to which a song is set, tune, Arist.Po.1450a14; OPPOSITE. rhuthmos, metron, Pl.Grg. 502c;
limb by limb, like meleisti, Pi.O.1.49, Hdt.1.119; . rhuthmos, rhēma,
3. melody of an instrument, “phormigx [APOLLONS LYRE] d' au phtheggoith' hieron m. ēde kai aulos”
limb by limb, like meleisti, Pi.O.1.49, Hdt.1.119;
EVERYONE INCLUDING THE JEWS BROKE THE TEXT IN SYLLABLES so that Cantillation which is SPEAKING and never MUSICAL.
Acts.17.25.God.Not.Worshipped.Mens.Hands.html
Acts 17:23 For as I passed by, and beheld your devotions, I found an altar with this inscription,
TO THE UNKNOWN GOD. Whom therefore ye ignorantly worship, him declare I unto you.
Acts 17:24 God that made the world and all things therein,
seeing that he is Lord of heaven and earth,
dwelleth not in temples made with hands;
The god and SPIRIT indwelling any self-exhibition of talent--rhetoric, music, scenic--is Apollyon. Revelation 18 calls the ministers of the Babylonian mother of harlots, "lusted after fruits" the same invaders of the temple in Amos Chapter 8.
Rhetorical, musical or scenic performers claiming authority from God are lying wonders and the collapse into effeminate whimpering because Universities have produced what Paul warned against.
Acts 17:25 Neither is WORSHIPPED with MEN'S HANDS hands,
as though he NEEDED any thing, seeing he giveth to all life, and breath, and all things;
g2323. THERAPEUO, ther-ap-yoo´-o; from the same as 2324; to wait upon menially, i.e. (figuratively) to adore (God), or (specially) to relieve (of disease): — cure, heal, worship.Any one who actively works to introduce "musical worship teams with or without instruments" have NO Scriptural bases and therefore are called SORCERERS. Here are the practices which use ANY kind of metrical or musical MEASURE cannot speak from the Holy Spirit OF God which is not another God..
-therap-ōn henchman, attendant “Mousaōn therapontes” music, song stu^ger-os , Muses (Rev 18) as Apollon's Worshiip Team were known as hated prostitutes, 2. gen. hadou [ein' Aidao domoisi in the nether world, with nouns in adjectival sense, devilish, “thuousan ha. mēter'” Erōs Aphroditēs th
thera^p-euō to be an attendant, do service, Dionuson, Mousas, E.Ba.82 “daimona , etc.; “daimona” Pi.P.3.109; , IT1105(lyr.); th. Phoibou naous serve them, Id.Ion111 (anap.): abs., worship,
Mousa II. mousa, as Appellat., music, song, “m. stugera” A.Eu.308 (anap.); “euphamos” Id.Supp.695 (lyr.); “kanakhan . . theias antiluron mousas2. service done to gain favour, paying court, worshipper, “Apollōnos” Pi.O. 3.16, cf. Pl.Phd.85a
Dios aigiokhoio thugateres [Daughters of Zeus whatever the sex]
“Mousaōn “kanakhan [clanging brass, gnashing of teeth, . . theias antiluron mousas” aulōn sound of flutes, of the lyre,
theias etheiazon obtained inspiration through ritual A.to be inspired, frenzied
Apollō, Apollon was the god of MELODY: he carried the LYRE to seduce male or female. He carried the Bow to make the strings TWANG to send a SINGING arrow into male or female who did not submit. He is the only personified SPIRITUS and He was, from Egypt onward, the Leader of the Muses. His musical worship team were known as LOCUSTS and dirty adulteresses
Abomination, Witchcraft, the BEASTS, Demon worship, Viper worship, Sorcery, Charming, Soothsaying, enchantment, harlots, beguilers, serpents, vipers, Serpo, Herpo, inducing wine-drinking, Cunning Craftsmen or Sophists, Rhetoricians, Dogs or Catamites, magic, Voodoo in primitive America, Melodies to deceive, Deceiver, Techne. religious craftsmen, Lucifer, Locusts, Apollyon, Levi-Leviathan
The Judas Bag was for carrying the mouthpieces of wind instruments. That is how Judas would try the UNIVERSAL object of KOMA or SORCERY to disable Jesus.
What happened at the First Advent by the Viper Race
Instrumental-Trinitarian-Perverted beyond-redemption at Mount Sinai
http://www.pineycom.com/Mark.10.They.Shall.Mock.Him.With.Music.html
Mark 10:34 And they shall mock him,
Latin Illudo as a female: Applied as a term of reproach, effeminate men, eloquence, rhētor but with idea of contempt, caneret,”
A. Of men: “si absurde canat, of the crooked race, a reed pipe, a guitar, crowing of a hen tibiae, tubae, Gallus , i, m., = Gallos Strab., A. Galli , the priests of Cybele, on account of their emasculated condition) Gallic: “turma,” the troop of the priests of Isis, Ov. Am. 2, 13, 18. “resupinati cessantia tympana Galli,”
Gallos , ho, A. priest of Cybele, gallazō , A. practise cult of Cybele, Galli. Eunuch priests of Cybele or the great mother: begun under the reign of Erichthonius, king of Attica, B.C. 1506;
SORRY ABOUT THAT BUT THIS IS THE PERSONA OF ALL SELF-SPEAKERS OR "MUSICAL WORSHIPERS" AND WHY THE AUDIENCE FLEES FROM BABYLON.
Worship.Androgyny.The.Pagan.Sexual.Ideal.htmlJude.There.Should.Be.Mockers.in.the.Last.Time.html
Jude 3 Beloved, when I gave all diligence to write unto you of the common salvation, it was needful for me to write unto you, and exhort you that ye should earnestly contend for the faith which was once delivered unto the saints.
Jude 4 For there are certain men crept in unawares, who were before of old ordained to this condemnation, ungodly men, turning the grace of our God into lasciviousness, and denying the only Lord God, and our Lord Jesus Christ.
prospaizô 3. laugh at, make fun or sport of II. c. acc., theous p. sing to the gods, sing in their praise or honour, Pl.Epin.980b: c. dupl. acc., humnon prosepaisamen . . ton . . Erôta sang a hymn in praise of Eros, Id.Phdr.265c.
-[265c] plausible discourse, we chanted a sportive [prospaizô] and mythic [Muthikos opposite Alethos] hymn in meet and pious strain to the honor of your lord and mine, Phaedrus, Love, the guardian of beautiful boys.
DEUTERONOMY 18 THE ABOMINATION OF THOSE NATIONS
Deut. 18:10 There shall not be found among you any one that maketh his son or his daughter to pass through the fire, or that useth divination, or an observer of times, or an enchanter, or a witch,
hărĭŏlus soothsayer, prophet, prophetessDeut. 18:11 Or a charmer, or a consulter with familiar spirits, or a wizard, or a necromancer
somnĭo , to dream; to dream of or see in a dream, to dream, i. e. to think idly or vainly, to talk foolishly:
psaltrĭa , ae, f., = psaltria, . a female player on the cithara, a lutist, “ineptias,” Col. 1, 8, 2: “ah stulte! tu de Psaltriā me somnias Agere,” Ter. Ad. 4, 7, 6; Plaut. Pers. 2, 3, 5.—Absol.: “vigilans somniat
“portenta non disserentium philosophorum sed somniantium,” Cic. N. D. 1, 8, 18.
A Charmer is an AbominationIs. 66:4 I also will choose their delusions, and will bring their fears upon them;
incantātor , ōris, m. incanto, I. an enchanter, wizard (post-class.), Tert. Idol. 9; Isid. 8, 9, 15; Mos. et Rom. Leg. Coll. 15, 1, 2.
consŭlo (a). In the lang. of religion, to consult a deity, an oracle, omens, etc.: “Apollinem de re,” Cic. Leg. 2, 16, 40: “deum consuluit auguriis, quae suscipienda essent,” Liv. 1, 20, 7: “deos hominum fibris,” Tac. A. 14, 30 fin.: “Phoebi oracula,” Ov. M. 3, 9; Suet. Vesp. 5: “Tiresiam conjectorem,” Plaut. Am. 5, 1, 76:
B. An incantation, charm, magic song, etc.: cantusque artesque magorum.
“cantus e curru Lunam deducere tentat,”
2. With instruments, a playing, music: “in nervorum vocumque cantibus,” Cic. Tusc. 1, 2, 4; id. Rosc. Am. 46, 134: “citharae,” Hor. C. 3, 1, 20: “horribili stridebat tibia cantu,” Cat. 64, 264: “querulae tibiae,”
because when I called, none did answer; when I spake, they did not hear:
but they did evil before mine eyes, and chose that in which I delighted not.Plato, Euthydemus
[289d] On what proof do you rely? I asked.I see, he said, certain speech-writers who do not know how to use the special arguments composed by themselves, just as lyre-makers in regard to their lyres: in the former case also there are other persons able to use what the makers produced, while being themselves unable to make the written speech. Hence it is clear that in speech likewise there are two distinct arts, one of making and one of using.
I think you give sufficient proof, I said, that this art of the speech-writers cannot be that whose acquisition would make one happy. And yet I fancied that somewhere about this point would appear the knowledge which we have been seeking all this while.
[289e] For not only do these speech-writers themselves, when I am in their company, impress me as prodigiously clever, Cleinias, but their art itself seems so exalted as to be almost inspired. However, this is not surprising; for it is a part of the SORCERER'S art, epōdōn tekhnēs
Latin 289e:Plat. Euthyd. 290a and only slightly inferior to that. The sorcerer's art is the charming of snakes and tarantulas and scorpions and other beasts and diseases, while the other is just the charming and soothing of juries, assemblies [Ekklesia or church], crowds, and so forth. Or does it strike you differently? I asked.
kai mentoi ouden thaumaston: esti gar tēs tōn epōdōn tekhnēs morion mikrō te ekeinēs hupodeestera.
Thaumaston Is a Lying wonder which claims that your rituals are ordained by God.
-epōdē , Ion. and poet. epa^oidē , hē, A.song sung to or over: hence, enchantment, spell, LADEN BURDEN
ou pros iatrou sophou thrēnein epōdas pros tomōnti pēmati
of the Magi, Hdt.1.132
oute pharmaka..oud' au epōdai” Pl.R. 426b ; THUSIAI kai e. ib.364b ;
charm for or against.., “toutōn epōdas ouk epoiēsen patēr” A.Eu.649.
epōd-os , on, （epadō）A.singing to or over, using songs or charms to heal wounds, “epōdoi muthoi”
c. c. dat., assisting, profitable, 2. Pass., sung to music, “phōnai” Plu.2.622d ; fit for singing, “poiētikēn e. parekhein
b. Subst., enchanter, “e. kai goēs” E.Hipp. 1038 (but “goēs e.” Ba.234): c. gen., a charm for or against, “ethusen hautou paida epōdon Thrēkiōn aēmatōn” A.Ag.1418 ; e. tōn toioutōn one to charm away such fears, Pl.Phd.78a.
2. epōdos, ho, verse or passage returning at intervals, in Alcaics and Sapphics, D.H.Comp.19 ; chorus, BURDED, refrain,
Pl.Lg.903b Athenian
Let us persuade the young man by our discourse that all things are ordered systematically by Him who cares for the World—all with a view to the preservation and excellence of the Whole, whereof also each part, so far as it can, does and suffers what is proper to it. To each of these parts, down to the smallest fraction, rulers of their action and passion are appointed to bring about fulfillment even to the uttermost
No, it appears to me, he replied, to be as you say.
kēl-ēsis , eōs, hē, *A. bewitching, charming, ekheōn, nosōn, Pl.Euthd. 290a: enchantment by eloquence, dikastōn k. te kai paramuthia ibid.; by music and sweet sounds, Id.R.601b, Stoic.3.97.
Plat. Rep. 601b whether he speak in rhythm, meter [melos] and harmony [rhuthmon] about cobbling or generalship or anything whatever.
So mighty is the spell1 that these adornments naturally exercise;
though when they are stripped bare of their musical coloring [metron] and taken by themselves,2
I think you know what sort of a showing these sayings of the poets make.
For you, I believe, have observed them.” “I have,” he said.
“Do they not,” said I, “resemble the faces of adolescents,
young but not really beautiful, when the bloom of youth abandons them?3”
“By all means,” he said. “Come, then,” said I, “consider this point:
he creator of the phantom, the imitator, we say, knows nothing of the reality but only the appearance.
hōraios , fruits ripe for plucking or rippe for death.Jude 14 And Enoch also, the seventh from Adam, prophesied of these, saying, Behold, the Lord cometh with ten thousands of his saints, 15 To execute judgment upon all, and to convince all that are ungodly among them of all their ungodly deeds which they have ungodly committed, and of all their hard speeches which ungodly sinners have spoken against him
Jude 16 These are murmurers, complainers, walking after their own lusts; and their mouth speaketh great swelling words, having mens persons in admiration because of advantage.
-Epōd-os A. singing to or over, using songs or charms to heal wounds, “epōdoi muthoi” Pl.Lg.903b.
-Goēs , ētos, ho, A. SORCERER, wizard, Phoronis 2, Hdt.2.33,4.105, Pl.R. 380d, “g. epōdos Ludias apo khthonos” E.Ba.234, SPEAK is the OPPOSITE of SING or ODE.
b. Subst., ENCHANTER, “e. kai goēs” E.Hipp. 1038 (but “goēs e.” Ba.234): c. gen., a charm for or against, “ethusen hautou paida epōdon Thrēkiōn aēmatōn” A.Ag.1418 ; e. tōn toioutōn one to charm away such fears, Pl.Phd.78a.c. c. dat., assisting, profitable, “e. gignesthai neois pros aretēn” Id.Lg.671a ; “duspraxia lēphtheis e. esti tō peirōmenō” Trag.Adesp.364.4.2. Pass., sung to music, “phōnai” Plu.2.622d ; fit for singing, “poiētikēn e. parekhein” S.E.M.6.16.
It is doubted that any evidence exists for using the charismatic form of 'music' the churches have found to be effective in filling the pews and colletion plates.
Before posting some modern validation for using music in treating mental illness, we should note that it is based on ancient theory which is defined as sorcery when used in a religious sense. The opening basis for using music in certain cases is that::
"Painting, dancing and music have been used for healing since the beginning of humanity. The first documentation of organized use of creative arts therapies comes from the catharic tradition in antiquity. Catharsis was the cleansings of the emotions through poetry, dance, drama and painting."When we take a look at music in treating MENTAL ILLNESS mostly by and among women, we will prove my thesis that in each of these Hostile Takeovers there is a WOMEN acting as MOTHER facilitating the boylings. Therefore, I have to warn the "boys" that history is not going to treat them with respect:
The Here are some ways revivalists have always done this healing. June G. Beltzer, Ph.D., defines various methods used to bypass the rational mind while emplanting the will of the speaker into your emotional being. This is so powerful and is therefore considered mystical or spiritual. Some of these terms are:"It is no accident that a high proportion of those who suddenly show symptoms of being bewitched (such as fainting or going into a semi-trance) at 'squaw dances' or other large gatherings are women or men who are somewhat neglected or who occupy low social status." (Goldschmidt, Walter, Exploring the Ways of Mankind, p. 518, Holt, Rinehart and Winston)
With the progression through each phase, the degree of conversion becomes more effective and complete. The way to achieve conversion are many and varied, but the usual first step in religious or political brainwashing is to work on the emotions of an individual or group until they reach an abnormal level of anger, fear, excitement, or nervous tension.
The progressive result of this mental condition is to impair judgment and increase suggestibility. The more this condition can be maintained or intensified, the more it compounds. Once catharsis, or the first brain phase, is reached, the complete mental takeover becomes easier. Existing mental programming can be replaced with new patterns of thinking and behavior
Other often-used physiological weapons to modify normal brain functions are fasting, radical or high sugar diets, physical discomforts, regulation of breathing, mantra chanting in meditation, the disclosure of awesome mysteries, special lighting and sound effects, programmed response to incense, or intoxicating drugs.
You need to read Fred Peatross define the Emerging Church of Christ.
This is also the VERBAGE coming out of Tulsa and Wade Hodges. However, the paradigm shift is just the New Age Movement by left over hippies:
- Paradigm Shift;
- Change agent;
- Transformation;
- New time;
- New Order;
- Enlightenment;
- Personal development;
- Self-actualization;
- Synergy;
- Contemplative;
- Mystic;
- Transformed life;
- Meditation;
- Spiritual disciplines;;
- Assumptions of old and new paradigm
- Awakening;
- New consciousness
- Wholeness.
Socrates: "His name and nature are in harmony; Of Apollo Who is Abbadon or Apollyon:
Socrates: I will try to tell you what I think about it; Socrates: I will try to tell you what I think about it; for no single name could more aptly indicate the four functions of the god, touching upon them alland in a manner declaring his power in music, prophecy, medicine, and archery. [See our notes on the Twanging bow string as the background to Apollo's end time music]
Pharmakeåia (g5331) far-mak-i'-ah; from 5332; medication ("pharmacy"), i.e. (by extens.) magic (lit. or fig.): - sorcery, witchcraft.
And the fruits that thy soul lusted after are departed from thee, and all things which were dainty and goodly are departed from thee, and thou shalt find them no more at all. Rev 18:14
And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; Rev 18:22
And the light of a candle shall shine no more at all in thee; and the voice of the bridegroom and of the bride shall be heard no more at all in thee:
for thy merchants were the great men of the earth;
for by thy sorceries were all nations deceived. Re.18:23Hermogenes: Certainly.
Socrates: But this is the god who purifies and washes away (apaloouôn) and delivers (apoluôn) from such evils, is he not?
Hermogenes: Certainly.
Socrates: With reference, then, to his acts of delivering and his washings, as being the physician of such diseases, he might properly be called Apoluon (apalouôn, the washer), and with reference to soothsaying and truth and simplicity--for the two are identical--he might most properly be called by the name the Thessalians use; for all Thessalians call the god Aplun. And because he is always by his archery controller of darts (bolôn) he is ever darting (aei ballôn).
And with reference to music we have to understand that alpha often signifies "together," and here it denotes moving together in the heavens about the poles, as we call them, and harmony in song, which is called concord; for, as the ingenious musicians and astronomers tell us, all these things move together by a kind of harmony.
And this god directs the harmony, making them all move together, among both gods and men; and so, just as we call the homokeleuthon (him who accompanies), and homokoitin (bedfellow), by changing the homo to alpha, akolouthon and akoitin, so also we called him Apollo who was Homopolo, and the second lambda was inserted, because without it the name sounded of disaster (apolô, apolôla, etc.)."
This is not completed and I will add more to prove that what John called SORCERY is the approved PATTERNISM for the end time churches.
7.13.22 32
<a href="https://www.hitwebcounter.com" target="_blank">
<img src="https://hitwebcounter.com/counter/counter.php?page=7747789&style=0032&nbdigits=5&type=ip&initCount=0" title="Free Counter" Alt="web counter" border="0" /></a>
