Jeff Walling False Teachings

http://www.pineycom.com/Jeff.Walling.2.worship11.html

http://www.pineycom.com/Jeff.Walling.1995.Youth.html

http://www.pineycom.com/NACC.Transitioning.Jeff.Walling.to.Instrumental.html

http://www.pineycom.com/Jeff.Walling.and.The.Christian.Church.Today.html

http://www.pineycom.com/Jeff.Walling.Dares.to.Dance.With.God.html

http://www.pineycom.com/Jeff.Walling.Instrumental.Music.html

http://www.pineycom.com/Jeff.Walling.Let.the.Walls.Fall.html

http://www.pineycom.com/Jeff.Walling.Pepperdine.University.New.Cohort.html

http://www.pineycom.com/Jeff.Walling.Theater.html

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ALL singing or playing instruments claiming Scriptural Authority is defined as Sorcery, Witchcraft, Enchantments. Even Jeff Walling was bewitched to Blaspheme the Holy Spirit OF God.  Scripture makes it clear that Jesus and His STUDENTS-ONLY are from ABOVE and those OF the World are from Beneath or Tartarus.  God is The Word in the same Category with Life, Light, Love or Spirit.  Scripture ALWAYS uses SPIRIT words as figurative of God putting His WORD directly into the MOUTH of A Moses, the Prophets and LASTLY into the mouth of Jesus.  Jesus then SPEAKS the Spirit-Word without measure, metron or musical meter.  God leaves musical sounds as a SIGN that evil profiteers are using WITCHCRAFT or SORCERY to fool the simple minds OF the World.

God's WRATH is an ORGY meaning that God "makes ANTILogos agents BUFFOONS."

Rick.Atchley.Advanced.Homilectics.And.Devil.Worship.html

To Tempt God, David refuses to SPEAK "that which is written for our LEARNING" he promises that the HIRED MUSIC MINISTER SINGER IS a really pitiful DOGMA meaning Self-authored song PROMISING the people that the SPIRIT will come into them.

Isa 8:19And when they shall say unto you,
        Seek unto them that have familiar spirits,
        and unto wizards that peep, and that mutter:
                should not a people seek unto their God?
                for the living to the dead? 

kēl-eō ,

A. charm, BEWITCH , beguile, esp. by MUSIC, “korēn humnoisi” E.Alc.359; “ōdais” Pl.Ly.206b; “kēlōn tē phōnē hōsper Orpheus” Id.Prt.315a, cf.Luc.Ind.12; houtōs ekēlei, of Pericles as an ORATOR, Eup.94.6; epadōn k. charm by INCANTATION , Pl.Phdr.267d; tō me kēlēseis tropō; Achae.17.2; of BRIBERY, Theopomp.Com.30:—Pass., “kēleitai aoidais” Archil. ap. Phld.Mus. p.20 K., cf. Pi.Dith.2.22; “hupo sou hōsper ophis kēlēthēnai” Pl.R.358b; “hupo dōrōn kēloumenos” Id.Lg.885d; “huph' hēdonēs kēlētheis” Id.R.413c; “eph' hois katorthōsantes euphranthēsontai, toutois kekēlēntai” Aeschin.1.191; “para tais Seirēsin” Arist.EE1230b35: rarely in good sense, “paideia ton noun kēlētheis” Pl.Ep.333c.

[19] et cum dixerint ad vos quaerite a pythonibus et a divinis qui stridunt in incantationibus suis numquid non populus a Deo suo requirit pro vivis a mortuis

-strīdō    to make a shrill noise, sound harshly, creak, hiss, grate, whiz, whistle, rattle, buzz: stridentia tinguunt Aera lacu, V.: cruor stridit, hisses, O.: belua Lernae Horrendum stridens, V.: horrendā nocte (striges), O.: mare refluentibus undis, V.: aquilone rudentes, O.: videres Stridere secretā aure susurros, buzz, H.
H7442 rânan raw-nan' A primitive root; properly to creak (or emit a stridulous sound), 2. tremulous sound of a mast or pole "Shaken by the wind" also the sound of a torrent. Vibrate the voice TRILL which is the WOMEN'S sound of Halal above.

-cantus , ūs, m. id., 2. With instruments, a playing, music: “in nervorum vocumque cantibus,” Cic. Tusc. 1, 2, 4; id. Rosc. Am. 46, 134: “citharae,” Hor. C. 3, 1, 20: “horribili stridebat tibia cantu,” Cat. 64, 264: “querulae tibiae,” Hor. C. 3, 7, 30:
B. An incantation, charm, magic song, etc.: cantusque artesque magorum. Ov. M. 7, 195; 7, 201: “at cantu commotae Erebi de sedibus imis Umbrae ibant,” Verg. G. 4, 471: “magici,”

The Wizzard is one who thinks that they can hear the Word of God "beyond the sacred page."  John called them sorcerers because they used rhetoric, singers and instrumentalists to STEAL the Word and money from othersYiddeoniy (h3049) yid-deh-o-nee'; from 3045; prop. a knowing one; spec. a conjurer; (by impl.) a ghost: - wizard.

"In Isa 8:19 the 'obhoth and yidh'onim are spoken of those who 'chirp and mutter." These terms refer to the necromancers themselves who practiced ventriloquism in connection with their magical rites. In Isa 29:4 it is said 'Thy voice shall be as an 'obh, out of the ground.'... They are stamped in these passages, as in the Witch of Endor narrative, as deceivers practising a fraudulent art. By implication their power to evoke spirits with whom they were in familiar intercourse is denied." (Int Std Bible Ency., ency, p. 690)

Pȳthon ,,I. the serpent slain, according to the myth, near Delphi by Apollon, who was fabled to have been called Pythius in commemoration of this victory, Ov. M. 1, 438;  1. Pȳthĭa , ae, f., = hē Puthia,the priestess who uttered the responses of the Delphic Apollon, the Pythoness, Pythia, Cic. Div. 1, 19, 38; Nep. Milt. 1, 3. —

God also sends DECEIVING spirits into those who do not love and SPEAK the Word.

Cic. Div. 1.19
These were foretold by the Father of Gods, in earth and in heaven,
Through unmistakable SIGNS that he gave and often repeated.
Now, of those prophecies made when Torquatus and Cotta
¹ were consuls,— Made by a Lydian diviner,² by one of Etruscan extraction—

Jove or Jupiter TRICKED them:  For high-thundering Jove, as he stood on starry Olympus,
Hurled forth his blows at the temples and monuments raised in his honour,
And on the Capitol's site he unloosed the bolts of his lightning.
Then fell the brazen image of Natta, ancient and honoured:
Vanished the tablets of laws long ago divinely enacted;
Wholly destroyed were the statues of gods by the heat of the lightning.

Oracle: A. In gen., a prophetic declaration, a prophecy:
To the law and to the testimony:
        if they SPEAK not according to this WORD,
        it is because there is no light in them. Isa 8:20

"In pagan traditions, musical instruments are invented by gods or demi-gods, such as TITIANS. In the Bible, credit is assigned to antediluvian patriarchs, for example, the descendants of Cain in Genesis 4:21. There is no other biblical tradition about the invention of musical instruments." (Freedman, David Noel, Bible Review, Summer 1985, p. 51). (Proof Here).

We have noted that Adam was made of DUST: The Latin means that mankind had long been on the earth and Adam was a ABORIGINE. That defines everyone including the Jews whom God had not BREATHED Spirit into them:

Is. 28:15 Because ye have said, We have made a covenant with death,
        and with hell are we at agreement; when the overflowing scourge shall pass through,
        it shall not come unto us: for we have made lies our refuge,
        and under falsehood have we hid ourselves:
Is. 28:18 And your covenant with death shall be disannulled,
        and your agreement with hell shall not stand;
        when the overflowing scourge shall pass through,
         then ye shall be trodden down by it.

Khthonios , a, on, also os, on S.OC1727 (lyr.), E.Hipp.1201, Hel.345 (lyr.): (khthōn):— A.in, under, or beneath the earth, theos, daimōn  Zeus kh., of Hades or Pluto,  kh. Hermēs, as conductor of the dead,  kharis hē kh. grace with the gods below II.sprung from the earth,“Titēnes” Hes.Th.697;

Gēgen-ēs , es, Dor. ga_genēs Hdn.Gr. 2.419:—

A.earthborn, “bolbos” Xenarch.1.5; of a potter's vessel, Antiph.182.3; indigenous, “boubalis” S.Fr.792.

2.earthborn, of primeval men,

They had been DRIVEN FROM HEAVEN. Hes. Th. 822 long ago.
 
Jesus said that He and Those who heard and obeyed His Word were FROM ABOVE.  However, of the Jew and all unbelievers that : YOU are from Beneath or Tartarus.  Jesus came for a tiny flock of Lost Spirits.  The WORLD in which they were pilgrims and sojourners are the Kosmos or the ECUMENICAL as the Kingdom of the Devil who are witnesses and cheerleaders for the Devil

Tarta^r-os , ho, also hēPi.P.1.15, Nic.Th.203: heterocl. pl. Tartara, ta, Hes.Th.119,841, etc. (sg. Tartaron, to, St.Byz., Sch.Il.1.312):—Tartarus, Il.8.13,481, Hes.Th.807, h.Ap.336, h.Merc.256,374, etc. (never in Od.); later,

A. the nether world generally, Hes.Sc.255; aperantos, kelainos, A.Pr.154 (lyr.), 1051 (anap.); Tartarou melambathēs keuthmōn ib.221; “skoton nemontai Tartaron th' hupo khthonos” Id.Eu. 72, cf. LXXJb.40.15, 41.23.

II  personified as husband of Gaia and father of Typhoeus, Hes.Th.822; ō Gas pai kai Tartarou, of Cerberus, S.OC1574 (lyr.).

Many will say to me in that day, Lord, Lord, have we not prophesied in thy name? and in thy name have cast out devils? and in thy name done many wonderful works? Matthew 7:22

Prophēt-euō  one who speaks for a god and interprets his wil
A. to be a prophētēs or interpreter of the gods, “manteueo, Moisa, prophateusō d' egō” Pi. l.c.; tis prophēteuei theou; who is his interpreter?E.Ion 413
IV. to be a quack doctor, hē mania . . prophēteusasawith oracular power, Pl.Phdr.244d:

-Prophêtês interpreter, expounder of the will of Zeus, of Tiresias, Pi.N.1.60; Bakkhou p., perh. of Orpheus, E.Rh.972; [Dionusou p., of the Bacchae, Id.Ba.551
Delphic Apollo, “Dios p. esti Loxias patros” A.Eu.19; of the minister [female] and interpreter at Delphi, Hdt.8.36,37  Mousôn prophêtai interpreters of the Muses, Plat.

Prophêtis  [fem. of prophêtês] of the Pythia,  2. prophet's wife, LXXIs. 8.3.
(Puthia). The priestess of Apollo at Delphi who pronounced the oracles. See Delphi; Oraculum. 
   Puthios [u_; i_ metri gr. in h.Ap.373], a, on, ( [Pu_thô] ) Pythian, i.e. Delphian, epith. of Apollo, l.c., Pi.O.14.11, etc. (P. alone is f.l. in E. Ion 285); enPuthiou in

"Singing served as a means of inducing ecstatic prophecy (speaking in tongues). Thus the essential relationship between music and prophecy can be clearly seen. This relationship also explains why the expression for "making music" and "prophesying" was often identical in the ancient tongues. origen contra celsum 8.67.
      The Hebrew word Naba signifies not only "to prophesy" but also "to make music." (Quasten, Johannes, Music and Worship in Pagan and Christian Antiquity, p. 39)

MARK: SORCERY would be identified by a Preacher with no Biblical knowledge being able to CONVINCE "milling Masses or Beast" that ADDING the Mark of the Beast is by the direction of a SPIRIT.  They plan to REPURPOSE your church or confiscate it. HERESY is taking other people's property for their own use.  Their SPIRITUS is that of Apollo, Apollon or Abaddon who is the LEADER OF THE MUSES.  These female worship team were know as adulteresses: That includes "corrupting the Word or selling your learning at retail."

Plato, Euthydemus
[289e] For not only do these speech-writers themselves, when I am in their company,

epistēmē  With enough money you can get a degree in epistemology to Take in hand metakheir-izō 4. practise, pursue an art, study, etc., metakheirizesthai mousikēn, philosophian, paideian,

impress me as prodigiously clever, Cleinias,
but their ART itself seems so exalted as to be almost inspired.

thaumaston  Claiming that your song or sermon or anything is divine is a LYING WONDER “thaumaston ganoōnta” h.Cer.10; . Id.Smp.192b;

“thaumaston ganoōnta  hupo tēs ōdēs, under the glamour of song, geg. kai anthēros, of oratorical
  anthēros,  “khloē” E.Cyc.541; of music of music, a. kai malakē harmonia , etc., fresh, newal “theōria public spectacle at the theatre or games, Ar.V.1005, X.Hier.1.12; hē tou Dionusou th. the Dionysia, Pl.Lg.650a.
        melet-ē c. freq. of orators OR POETS, rehearsal, declamation

Plat. Sym. 192b they are boy-lovers, and have no natural interest in wiving and getting children, but only do these things under stress of custom; they are quite contented to live together unwedded all their days. A man of this sort is at any rate born to be a lover of boys or the willing mate of a man, eagerly greeting his own kind. Well, when one of them—whether he be a boy-lover [paiderastēs] or a lover of any other sort
        obviously the soul of each is wishing for something else that it cannot express,

Hdt. 9.122 Go ahead and do this,” he said; “but if you do so, be prepared no longer to be rulers but rather subjects. Soft lands breed soft men; wondrous fruits of the earth and valiant warriors grow not from the same soil

Matt. 7:15 Beware of false prophets, which come to you in sheep’s clothing, but inwardly they are ravening wolves.
John 10:12 But he that is an hireling, and not the shepherd, whose own the sheep are not, seeth the wolf coming, and leaveth the sheep, and fleeth: and the wolf catcheth them, and scattereth the sheep.
Acts 20:29 For I know this, that after my departing shall grievous wolves enter in among you, not sparing the flock.

Wolf   This now archaic term was used in New York's homosexual underworld early in the 20th Century to refer to an adult man who pursued boys as sexual partners. The wolf often identified as heterosexual, and his sexual behavior fit the pattern of Greco-Roman pederasty. This form of same-sex eroticism may have come to New York via Italian immigrants. In many regions of Italy at the time, pederasty was tolerated, or at least not as stigmatized as it is today.

-lukos  prin ken l. oin humenaioi  hōs lukoi arn' agapōsin, of treacherous or unnatural love, VI. nickname of paiderastai, AP12.250 (Strat.), cf. Pl.Phdr. 241d.

Q. Horatius Flaccus, Odes

1.17 The pleasures of Lucretilis

Tempt Faunus from his Grecian seat;

He keeps my little goats in bliss [capella=She Goats]

Apart from wind, and rain, and heat.

In safety rambling o'er the sward

For arbutes and for thyme they peer,

The ladies of the unfragrant lord,

Nor vipers, green with venom, fear,

Nor savage wolves, of Mars' own breed,

My Tyndaris, while Ustica's dell

Is vocal with the silvan reed,

And music thrills the limestone fell.

Heaven is my guardian; heaven approves

A blameless life, by song made sweet;

Come hither, and the fields and groves

Their horn shall empty at your feet.

Here, shelter'd by a friendiy tree,

In Teian measures you shall sing

Bright Circe and Penelope,

Love-smitten both by one sharp sting.

Here shall you quaff beneath the shade

Sweet Lesbian draughts that injure none,

Nor fear lest Mars the realm invade

Of Semele's Thyonian son,

Lest Cyrus on a foe too weak

Lay the rude hand of wild excess,

His passion on your chaplet wreak,

Or spoil your undeserving dress.

Pind. P. 3 [10] arrows of Artemis in her bedroom and descended to the house of Hades, by the skills of Apollon. The anger of the children of Zeus is not in vain. But she made light of Apollon, in the error of her mind, and consented to another marriage without her father's knowledge, although she had before lain with Phoebus [Apollon's female persona]  of the unshorn hair, [15] and was bearing within her the pure seed of the god. She did not wait for the marriage-feast to come, nor for the full-voiced cry of the hymenaeal chorus,    
        such things as unmarried girls her own age love to murmur in evening songs to their companion^.
If I had reached his shores bringing a double blessing, golden health and a victory-song [Nike,, Nicolatains]  to add brilliance to his garlands from the Pythian games, which once Pherenicus took when he was the best at Cirrha,

Pind. N. 9. Muses, we will go in victory procession from Apollo's shrine in Sicyon to newly-founded Aetna, where the doors flung open wide are overwhelmed by guests, at the prosperous home of Chromius. Make a sweet song of verses...For if, together with many possessions, a man wins renown and glory, there is no higher peak on which a mortal can set his feet. Peace loves the symposium, and new-flourishing victory is fostered by soft song, and the voice becomes bold beside the mixing-bowl. [50] Let someone mix the wine now, the sweet forerunner of victory-song, and dispense the powerful son of the vine in those silver goblets  

Plat. Euthyd. 290a  and only slightly inferior to that. The sorcerer's [epōdōn] art
is the charming of snakes and tarantulas and scorpions and other BEASTS and diseases,
        while the other is just the charming and
        soothing of juries, assemblies [ekklēsiastōn], crowds, and so forth. Or does it strike you differently?
                but to the most part of men cruel and extreme. [Savage]

CHARMING Kelesis

kēl-ēsis , eōs, hē, A.bewitching, charming, ekheōn, nosōn, Pl.Euthd. 290a: enchantment by eloquence, dikastōn k. te kai paramuthia ibid.; by music and sweet sounds, Id.R.601b, Stoic.3.97.

2. criticize in a pettifogging way, “tous poiētas  lay verbal traps for one, ton rhētora boulomenos dikaiōs

-epōdē , Ion. and poet. epa^oidē , hē, A.song sung to or over: hence, enchantment, spell, BURDEN
ou pros iatrou sophou thrēnein epōdas pros tomōnti pēmati
of the Magi, Hdt.1.132
   oute pharmaka..oud' au epōdai” Pl.R. 426b ; thusiai kai e. ib.364b ;
charm for or against.., “toutōn epōdas ouk epoiēsen patēr” A.Eu.649.

Rev. 18:22 And the voice of harpers, and musicians, and of pipers, and trumpeters,
        shall be heard no more at all in thee;
and no craftsman, of whatsoever craft he be,
        shall be found any more in thee;
and the sound of a millstone
        shall be heard no more at all in thee;
Rev. 18:23 And the light of a candle
        shall shine no more at all in thee;
and the voice of the bridegroom and of the bride
        shall be heard no more at all in thee:
for thy merchants were the great men of the earth;
        for by thy SORCERIES were all nations DECEIVED.
Rev. 18:24 And in her was found the blood of prophets, and of saints,
        and of all that were slain upon the earth.

-pharmaka.
3. enchanted potion, philtre: hence, charm, spell,
such charms have I, Hdt.3.85, cf. Apoc.9.21.
“paiōnia” A.Ag.848;

When God pours out his Wrath He sends BUFFOONS or Jesters as well as women musical and theatrical performers but rarely of a male. Contrary to Edward Fudge as a favorite instrumental promoter ALL of the use of instruments were to be deceptive or sorcerers are connected with being cast into hell to the sound of wind, string and percussion instruments or being CAST ALIVE INTO THE LAKE OF FIRE of the sorcerers who were craftsmen, singers and instrument players in Revelation 18. They were all lusted after fruits (same as in Amos 8).   Because they HAD once deceived the whole world that fits the pattern of them being unleashed from the smokey pit for one last just in KAIROS TIME to defeat the church while everyone is quiet and peaceful. As Scribes and Pharisees, hypocrites (speakers for hire, singers, instrument players in Ezekiel 33) God HID form the wise (sophists) and Jesus did not pray for them which in a predestined sense were part of the Elohim who cast down the heavens and earth which fits the Sumerian pettern of c. BC4000 and the Jubilee 2000 as a date agreed by many noted historians. Right on Time, in 1995 Jeff Walling was warming the water to boil the frogs. If you don't blush at stand-up comedians and "musical praise teams" you are of the MOST who are invited but FEW who are chosen meaning picked out as acceptable to be Washed water INTO the Word (logos) or the School of Christ.  If they do not speak that which is written CHRIST says THERE IS NO LIGHT IN THEM and if they seek your own pleasure and SPEAK THEIR OWN WORDS they do not grasp that LOGOS is defined by simple simon Greek kids as The Regulative Principle opposite of rhetoric, singing, playing instruments, acting, dancing or being a buffoon or a DRACO angel of light.

The ACU Agenda: the NACC may USE these men but one doubts that the godly church members would tolerate them for a moment. When you say that Churches of Christ who founded ACU were SECTARIAN because they refused to have their INDIVIDUAL congregations confiscated by the Christian Standard and the "Organ and Society party" you fall into the list of those God will CAST ALIVE INTO THE LAKE OF FIRE: they are cunning craftsmen or sophists (speakers, singers, players, staff) John called sorcerers who HAD deceived the whole world once. In Revelation they are UNDER the Babylon Mother of Harlots; in Revelation 18 they are "lusted after fruits" (same as Amos 8) and are called SORCERS.

He Missed the CENI of Jesus who commanded men to GO and teach DOCTRINE which is contained in the Prophets and Apostles. Osburn 'DOCTRINATES' and fleeces yount people by substituting HIS Commands, examples and inferences.  If you deny the Word or Logos or Regulative Principle Jesus said THERE IS NO LIGHT IN YOU.  Paul said that God sends STRONG DELUSIONS and the LYING WONDERS are the hypocritic arts of "preaching other than the TEXT, singing, playing instruments, dancing, acting.  If you CONTINUE to "sell learning at retail" Paul said that you are CORRUPTING or PROSTITUTING the Word.  If you continue to sell RELIGION trumped by the school of Christ then all recorded history calls you a PARASITE.

Carroll D. Osburn: p. 14-15 An outdated curriculum from a sectarian past that placed emphasis upon transmitting doctrinaire positions will not suffice if we would engage convincingly the larger arenas of current religious thought. 

Our graduate programs must train students how to think, to investigate the biblical text afresh, to feel the pulse of the world around them, to sense where things ought to go, and provide the kind of experiences that will enable servants to go out into churches and communities and provide direction. Hall

With so many questions flying around and so much uncertainty being expressed in various quarters [universities], what an opportunity [KAIROS time]  for the various faculties of our Christian colleges and universities to help shape the future! These are the best of TIMES to be involved in Christian education! [Jesus said doctors of the law take away the key to knowledge]

If we are to have a truly significant impact upon the national and international scene, faculties of religion must play leading prophetic roles in channeling and facilitating whatever changes loom ahead.

"The Bible is not so much a 'heaven-sent answer book' as a historical book produced within and for a historical community-- yet it serves as Scripture today because people find themselves accountable to it. That is what make its Scripture"

Miriam and the Jacob-Cursed and God-abandoned Levites "prophesied with instruments." That is they were the Primary Parasites brought over from Egypt where the Levites wer and old infant burning sect.

"Higher Self is the term given to that divine part of each human being which knows ultimate Truth. Ascended Master is the name given to a great teacher such as Jesus, Buddha, Saint Germain, etc. by New Age devotees. Great White Brotherhood is a name for the collective group of Ascended Masters.

"Simply stated, Channeling is the process whereby a human host claims to enter into an altered state of consciousness thereby allowing a spirit entity or alien being from some distent physical or spiritual realm to take possession of their body and give instructions to New Age believers.

This is called Spiritual Formation through Centering Prayers and Ignatian Retreats where daily exercises prays to the MOTHER OF GODS.

John Mark Hicks Women in the Assembly: Prophesying
Doug.Hurley.Your.Sons.and.Daughters.Shall.Prophesy.ACU.html
Charles Daily Women Prophets

1Sa 19:23 And he went thither to Naioth in Ramah:
        and the Spirit of God was upon him also, and he went on,
    and prophesied, until he came to Naioth in Ramah.

1Sa 19:24 And he stripped off his clothes also,
        and prophesied before Samuel in like manner,
        and lay down naked all that day and all that night.
        Wherefore they say, Is Saul also among the prophets?

"We find demon-possessed Saul 'acting like a prophet' by becoming semi-conscious and immobile when attempting to apprehend David at Ramah. The context of this passage makes it clear that Saul's behavior was not the ordinary behavior of the true prophets of God." (Christianity Today, March 12,

"'Played the prophet,' viz., by gestures and demeanor."--Driver. "Rather, he raved."--Keil. "The word 'prophesy' describes an ecstatic condition due to supernatural influence, good or evil; the result in the one case being prophetic inspiration or religious enthusiasm, in the other raving madness."--Cambridge Bible. 1971, p. 541)

LEGALISM is defined in the Latin and Greek almost exclusively as the talent, learning, practicing, performing, being judged or honored and being PAID for rhetoric, singing, playing instruments, acting, dancing, joking: Paul defined SELLING anything you have to sell as corrupting the Word meaning PROSTITUTE.  All such actors produced nothing and were called PARASITES.

Why is there such panic because the "Time (Kairos) is Short: the actors, like Judas, may not know that they are Purpose Drive.

Isaiah 57:20 But the wicked are like the troubled sea,
        when it cannot rest, whose waters cast up mire and dirt.

They DO it because they ARE impious impĭus without reverence or respect for God, one's parents, or one's country; irreverent, ungodly, undutiful, unpatriotic; abandoned, wicked, impious

Tītan  g). Diana, as sister of Sol, Ov. M. 3, 173.—

(d). Circe, [CHURCH] as daughter of Sol. Ov. M. 14, 382; 14, 438. — thunderbolts of his son Jupiter, precipitated into Tartarus:

B. Tītānĭăcus , a, um, adj., of or belonging to Titan or the Titans, Titanic: dracones, sprung from the Titans' blood, Ov. M. 7, 398. —
C. Tītānis , ĭdis or ĭdos, adj. f., Titanic: “pugna,” of the Titans, Juv. 8, 132: “Circe, as daughter of Sol, [church]

Quĭesco ,  “quiērunt Aequora,” the waves are at rest, do not rise, standing waters,
2.  Act., to cause to cease, render quiet, stop, etc.: “laudes,” Sen. Herc. Oet. 1584.—Hence, quĭētus , a, um, P. a., at rest, calm, quiet
4. To make a pause in speaking: quiescere, id est, hēsukhazein, “ludendi est quidem modus

Silence: lūdo , B. To play, sport, frisk, frolic: “dum se exornat, nos volo Ludere inter nos,” have some fun, dance,
Silence:  A. go sport, play with any thing, to practise as a pastime, amuse one's self with any thing “carmina pastorum,
Silence: B.  to sport, dally, wanton (cf. "amorous play," Milton, P. L. 9, 1045): “scis solere illam aetatem tali ludo ludere,” Plaut. Most. 5,
Silence: C. Ludere aliquem or aliquid, to play, mock, imitate, mimic a person or thing imitate work, make believe work, 

Mŏdus 2. The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode: “vocum,” Cic. Div. 2, 3, 9: “musici,” Quint. 1, 10, 14: “lyrici,” Ov. H. 15, 6: “fidibus Latinis Thebanos aptare modos,” Hor. Ep. 1, 3, 12: Bacchico exsultas (i. e. exsultans) modo, Enn. ap. Charis [grace]. p. 214 P. (Trag. v. 152 Vahl.): “flebilibus modis concinere,” Cic. Tusc. 1, 44, 106: saltare [dance] ad tibicinis modos, to the music or sound of the flute, Liv. 7, 2: “nectere canoris Eloquium vocale modis,” Juv. 7, 19.—Fig.: “verae 

Isaiah 57:21 There is no peace, saith my God, to the wicked.

Genesis 3:13 And the LORD God said unto the woman, What is this that thou hast done? And the woman said, The serpent beguiled me, and I did eat

Serpo   B.Transf., of things, to move slowly or imperceptibly, to creep along, proceed gradually,
II.Trop., to creep, crawl; to extend gradually or imperceptibly; to spread abroad, increase, prevail
“per agmina murmur,” (bestias)  canam,

căno , cĕcĭni, cantum (ancient I.imp. cante = canite,
“once canituri,” Vulg. Apoc. 8, 13  to utter melodious notes, to sing, sound, play.
tibicen  “cithara,” crowing of a cock: “galli victi silere solent, canere victores,” to crow,
to practice magic, to charm, Galli is a word for a Catamite: priest of the Mother Godesses.

Drak-izō ,  A.play the buffoon, Gloss.

dra^keis , drakēnai , drakon , A.v. derkomai:—but draken: [WORK] energei, prassei, is prob. f. l. for dedraken, Hsch.
geloi-astēs , ou, ho, A. jester, buffoon,  LXX Jb.31.5, Poll.5.128, prob. in Luc.Merc.Cond. 4.

Job 31.5
vānĭtas , emptiness, nothingness, nullity, want of reality: orationis vanitatem adhibuerunt, “opinionum vanitas,
măgĭcus , magici, that were invoked by incantations “cantus,” Juv. 6, 610: “magicae resonant ubi Memnone chordae,”

draken A.dragon, serpent, Il.11.39, al.; interchangeable with ophis, 12.202, 208, cf. Hes. Th.322, 825, Pi.N.1.40, A.Th.292 (lyr.); “aetos kai d. polemia”

Rev. 12:17 And the dragon was wroth with the woman,
        and went to make war with the remnant of her seed,
        which keep the commandments of God,
        and have the testimony of Jesus Christ.

Rev. 19:10 And I fell at his feet to worship him. And he said unto me, See thou do it not: I am thy fellowservant, and of thy brethren that have the testimony of Jesus: worship God: for the testimony of Jesus is the spirit of prophecy.

Rev. 13:11 And I beheld another beast coming up out of the earth;
        and he had two horns like a lamb, and he spake as a dragon.

The Beast is not likely to deceive anyone by having two literal horns on his head. The horn for making Worship Wars is connected to Abaddon or Apollyon who is unleased as the LEADER OF THE MUSES or LOCUSTS.

cornū ,b. A bugle-horn, a horn, trumpet. Connected with tubae, In a sarcastic double sense with a.: dum tendit citharam noster, dum cornua Parthus, Poët. ap. Suet. Ner. 39
c. The sides of the lyre, originally consisting of two horns, giving resonance to the strings,
Emblem of Power: Hence Bacchus, as a giver of courage, is represented with horns, Tib. 2, 1, 3; Hor. C. 2, 19, 30

Suet. Nero 39
To save himself, took off his loving mother.
” “Dum tendit citharam noster, dum cornua Parthus,
Noster erit Peean, ille hekatēbeletēs
” “His lyre to harmony our Nero strings;
His arrows o'er the plain the Parthiah wings:
Ours call the tuneful Paean, famed in war,
The other Phoebus name, the god who shoots afar.⁴
” “Roma domus fiet: Vejos migrate, Quirites,
  Si non et Vejos occupat ista domus.

4 The epithet applied to Apollo, as the god of music, was Pman; as the god of war, hekatēboletēs.

Hor. Od. 2.19
Bacchum in remotis carmina rupibus
vidi docentem, credite posteri,
Nymphasque discentis et auris
capripedum Satyrorum acutas

The Nymps and Satyric drama defines the BEAST in revelation

euhoe, recenti mens trepidat metu,
plenoque Bacchi pectore turbidum
laetatur. euhoe, parce Liber,
parce gravi metuende thyrso.

Whatever the character of Eve whom Paul said was wholly seduced so that Cain was OF that wicked one, Eve has always been worshipped specificially by women.

Theophilus.Autolycus.II.html This Eve, on account of her having been in the beginning deceived by the serpent, and become the author of sin, the wicked demon, who also is called Satan, who then spoke to her through the serpent, and who works even to this day in those men that are possessed by him, invokes as Eve.⁵⁸ And he is called "demon" and "dragon," on account of his revolting from God. For at first he was an angel. And concerning his history there is a great deal to be said; wherefore I at present omit the relation of it, for I have also given an account of him in another place.

The word "abomination" is also key to understanding the context. In Hebrew, the word "to 'evah," (abomination) is almost invariably linked to idolatry. In the passages from which both verses are taken, God tells Moses to tell the people not to follow the idolatrous practices of the people around them, people who sacrificed their children to Molech, or who masturbated into the fire to offer their semen to Molech, for example. Chapter 20 starts off with the same warning.

"To 'evah" also means "something which is ritually unclean," not something evil in itself, like rape or theft. Eating pork or having sex during menstruation are ritually unclean.

Rev. 20:2 And he laid hold on the dragon, that old serpent,
        which is the Devil, and Satan, and bound him a thousand years,

la^l-eō , A.talk, chat, prattle, “hepou kai mē lalei” Ar.Ec.1058, cf. V.1135; “hē men khelidōn to theros . . lalei”

II. chatter, opp. articulate speech, as of locusts, chirp, Theoc.5.34; mesēmbrias lalein tettix (sc. eimi), a very grasshopper to chirp at midday, Aristopho 10.6; “anthrōpinōs 
al.; kheirsin hapanta lalēsas, of a pantomime, SPEAKS WITH HIS HANDS

III. of musical sounds, “aulō laleō” Theoc.20.29; of trees, v.supr.1.2; “di'aulou ē salpiggos l.” Arist. Aud.801a29; of Echo, D.C.74.14: also c.acc. cogn., magadin lalein sound the magadis, Anaxandr.35.

Matthew 9:[33] When the demon was cast out, the mute man SPOKE. [Lŏquor tone of conversation]
        The multitudes marveled, saying, "Nothing like this has ever been seen in Israel!"

Apollon, ephē, daimonias huperbolēs ! Id.R.509c.
“daimonios tēn sophian”  sophia , Ion. -iē, hē, prop. A.cleverness or skill in handicraft and art in music and singing, in divination dēmēgorikos   also, cunning, shrewdness, craft

Plat. Rep. 509c And Glaucon very ludicrously said, “Heaven save us, hyperbole can no further go.” “The fault is yours,” I said, “for compelling me to utter my thoughts about it.” The banter here relieves the strain

kai ho Glaukōn mala geloiōs, Apollon, ephē, daimonias huperbolēs.

geloios or geloiss , a, on, A. mirth-provoking, amusing, jests,
ludicrous, absurd, caricature

MOCKING is the easiest way to fool the foolish.

But as Theophrastus used to call the barbers' shops wineless entertainments; so there is a kind of an uncouth wineless drunkenness always excited either by anger, malice, emulation, or clownishness in the souls of the unlearned. Now wine, blunting rather than sharpening many of these passions, doth not make them sots and foolish, but simple and ingenuous; not negligent of what is profitable, but desirous of what is good and honest.

The BEAST is defined as "A new style of music or Satyric Drama" identifying the half goat PAN at the Gates of Hell.

Job 31.5 "If I have walked with falsehood, And my foot has hurried to deceit

kopr-ias , ou, ho, (kopros) in pl., A.buffoons, a word first used under the Roman emperors, D.C.50.28, 73.6: Lat. copreae, Suet. Tib.61. (Perh. so called because ek koprias anairethentes, or because of their obscenity.)

Christ in Isaiah 30 and Jesus casting out the musical minstrels LIKE DUNG is based on the fact that the same official regulated the flute-player prostitutes as well as the dunghill
kopr-ia , hē, (cf. koperra) A.dunghill anaireō , A.take up, anelontes apo khthonos having raised the victim from the ground, so as to cut its throat. 2. take up and carry off, bear away, II. make away with, destroy, of men, kill, 2. of things, abrogate, annul laws.  blasphēmias
III. appoint, ordain, of oracle's answer to inquiry, [the musician]
take up for oneself, take up, pick up INFILTRATE AND STEAL THE PROPERTY AND FLOCK OF OTHERS
2. take up and carry off, snatch,

The Heretic or Sectarian was the slaughter priest who lifted up the lambs to cut their throats. This is the same Areskos or Placeo as self pleasure Paul condemned as "creating mental excitement" to enable the ONE PIECE PATTERN of "using one mind and one mouth to speak that which is written for our learning." Is that hard to read? No, of the sophists in Expesians 4 as speakers for hire, singers and instrument players THEY ARE LYING IN WAIT TO DECEIVE.

Jer. 6:13 For from the least of them even unto the greatest of them every one is given to covetousness;
        and from the prophet even unto the priest every one dealeth falsely.

IF YOU MAKE IT OR COMPOSE IT OR ACT IT OUT GOD WILL BURN IT:
făcĭo ,Cic. Verr. 2, 1, 17, § 45: “poëma,” to compose, id. Pis. 29, 70: “carmina,” Juv. 7, 28: “versus,” id. 7, 38: “sermonem,” Cic. Fam. 9, 8, 1; cf. “litteram,” id. Ac. 2, 2, 6: ludos, to celebrate, exhibit = edere, id. Rep. 2, 20; id. Att. 15, 10; “also i. q. ludificari,” Plaut. Capt. 3, 4, 47: “opinionem alicui,” id. Div. in Caecil. 14, 45: “orationem,

THE JACOB-CURSED AND GOD-ABANDONED LEVITES AS JEFF'S PATTERN WERE CALLED PARASITES AND MADE THE LAMBS DUMB BEFORE THE SLAUGHTER.

părăsītus , i, m., = parasitos, lit. one who eats with another; hence, I. In gen., a guest (pure Lat. conviva): parasiti Jovis, the gods,
one who, by flattery and buffoonery, manages to live at another's expense, a sponger, toad-eater, parasite (syn. scurra):
“parasitorum in comoediis assentatio,” Cic. Lael. 26, 98: “edaces parasiti,” “
The tutelar deity of parasites was Hercules, Plaut

Athenaeus: the Deipnosophist
'That the parasites of the Acharnians shall sacrifice to Apollo.'
"And the word parasite is now used in a disreputable sense; but formerly those people were called parasites who were selected to collect the sacred corn, and there was a regular Hall of the parasites; on which account the following expressions occur in the law of the king -
And that the parasites of the Acharnians shall give a sixth part of a medimnus from their collection of barley to the guild of priests of Apollo. And that there was a regular Hall for the parasites

cōmoedĭa , lifted up on a buskin, which he called tragoedia, Plin. Ep. 9, 7, 3.
assentātĭo (ads- ), ōnis, f. assentor. I. A flattering assent, flattery, adulation

Cyrus was told how to NEUTER the captives so they could not resist: history knows of no exception to the PERSONA:

Grant, then, forgiveness to the Lydians, and to make sure of their never rebelling against thee, or alarming thee more,
send and forbid them to keep any weapons of war,
         command them to wear tunics under their cloaks,
         and to put buskins upon their legs,
.........and make them bring up their sons to cithern-playing (Kitharizein),
          and singing (psallein),
.........and shop-keeping (Hucksterism). [Corrupting the Word, prostitution]

So wilt thou soon see them become WOMEN instead of men,
and there will be no more fear of their revolting from thee."

ALL smiting or plucking of an instrument point to people wanting to SMITE you spiritually dead to steal your property and flock.

The PSALLO word used to GRASP POWER is an Abaddon word from plucking the Bow String to kill you or plucking the Lyre to mollest you.

-Arassô ,of any violent impact, with collat. notion of rattling, clanging, as of horses, hoplais, pound in a mortar, strike with a shower of stones.
a). kitharēn strike the lyre, Orph.A.382; humnon, melos, etc., Nonn.D.1.15,440, etc.
2. c. dat. modi, arassein tina oneidesi, kakois, assail with reproaches or threats,
II. Pass., to be dashed against, dash one against the other
Pound in a mortar, “holmō a.” Nic. Th.508

Psallo has never in recorded history can never mean MUSICAL MELODY: that is why Paul said to keep it in your heart or mine menaing Keep It Silent Silly.

So, any Disciples of the Word would grasp that PSALLO has never and can never mean to PLAY THE GUITAR. Related to PLUCKING Alexander the Great plucked his harp so skillfully that it shamed his father but he was grooming a young boy whose pubic hairs had been PLUCKED.  ALL of the plucking used by the NACC to justify their SECTARIANISM and LEGALISM points to older men grooming a young boy.  Apollo or Apollyon used his lyre to shoot LOVE arrows into his male of female friends.

Jeff's fellow comic says that "a" spirit told HIM that this is what he should command at HIS church.  I doubt it not because the SPIRITUS is defined as the spirit of Apollo, Abaddon or Apollyon. For Bible readers the unleased LOCUSTS are the MUSES as Apollyon's musical worship team: they were know as dirty prostitutes which word defines Corrupting the Word or selling learning at retail.

Jeff Walling, Mike Cope, Pepperdine and the Christian Church

The Christian Church Today This past week, the North American Christian Convention, Pepperdine University, and Mike Baker, senior pastor at Eastview Christian Church in Normal, IL and 2015 NACC president, debuted the website for its "Next Gen Preacher Search." High school and college students interested in preaching are invited to submit a five-minute video of their preaching for review, feedback, and coaching. 40 submissions will be chosen as semi-finalists and the selected students will be assigned a "mentor preacher" who will work with them for six months.

Next February the semi-finalists will attend a training event with Jeff Walling, Trevor DeVage, and other leaders, and from these forty students, four will be chosen to preach at gatherings like the NACC, the Pepperdine Bible Lectureship, and the Winterfest conferences.

Jeff Walling: A new wave of Antiism has reared its ugly head opposed to the Word rather than opposed to human invention.
9.25.13

Plat. Sym. 202e  “‘Well what?’
“‘As I previously suggested, between a mortal and an immortal.’

“‘And what is that, Diotima?’
“‘A great spirit, Socrates: for the whole of the spiritual is between divine and mortal.’
“‘Possessing what power?’ I asked.
“‘Interpreting and transporting human things to the gods and divine things to men;
        entreaties and sacrifices from below,
        and ordinances and requitals from above:
        being midway between, it makes each to supplement the other,
        so that the whole is combined in one.
Through it are conveyed all divination [mantikē] and priestcraft concerning sacrifice and ritual

Epōdē , A. song sung to or over: hence, enchantment, spell, oute pharmaka..oud' au epōdai” Pl.R. 426b
Epōd-os , on, （epadō） A. [select] singing to or over, using songs or charms to heal wounds, b. Subst., enchanter, “e. kai goēs” A goes is A. sorcerer, wizard 2. juggler, cheat, “deinos g. kai pharmakeus kai sophistēs”

Mantikē   prophetic inspiration, 2.tekhnē m. faculty of divination, prophecy, Poets, “mantikēn Apollōn [Abaddon, Apollyon] anēuren” Smp.197a entheos
 m. mukhoi,[a soul that sees in darkness, i.e. is full of deceit] thronoi,
entheos full of the god, inspired, possessed, e. gunaikes, of the Bacchantes
II. of divine frenzy, inspired by the god,  frenzied rites

Thronos , ho, 3. oracular seat of Apollo, “Dios [Zeus, Baalam, Beelbosoros] Zeus Beelbosoros   the lord of the mansion Lord of the flies at sacrifices. Dung god.
thronoi   Apollōni th. exelein [Heresy, sectarian]  2. Med., take out for oneself, [III. remove people from their country

Daimones and to daimonion represent the mysterious agencies and influences by which the gods communicate with mortals.

Matthew 7:23 And then will I profess unto them, I never knew you: depart from me, ye that work iniquity.

Phrissō ,
3. of the rippling surface of smooth water (cf. “phrix” 1), “ph. thalassai . . pnoiēsi” D.P.112,

3. feel a holy thrill or awe at, “en hierō ph. hapanta kai proskunein” Plu.2.26b; “tous theous pephrika” Jul.Or.7.212b, 

4. thrill with passionate joy, “ephrix' erōti” S.Aj.693,. in the sense of shuddering, fearing, Pl.R.387c, Phdr.251a, 

Erōs , love, mostly of the sexual passion, II. pr. n., the god of love,
IV. name of the klēros Aphroditēs,= third klēros,  topoi,
     Topos , ho (fem. by attraction III. metaph., opening, occasion, opportunity, “en t. tini aphanei” Th.6.54 (but tropō is prob. cj.); “orgē didonai t.” Plu.2.462b; “mē didote t. tō diabolō” Ep.Eph.4.27; dote t. tē orgē leave room for the wrath (of God), i.e. let God punish,

1Timothy 2:8 I will therefore that men pray every where, lifting up holy hands, without wrath and doubting.

Women likewise were to be SILENT so that the KNOWLEDGE OF GOD could be taught.

Boulomai oun proseukhesthai tous andras en panti topō, epairontas hosious kheiras khōris orgēs kai dialogismōn.

org-aō,  fruit, swell as it ripens, “ho karpos pepainetai kai orga
swell with lust, wax wanton, be rampant, explains it epithumētikōs ekhō) ; “ho ep' aphrodisiois mainomenos . . orgōn”, orgōntes krinein judge under the influence of passion, Id.8.2

Soph. Aj. 693
Chorus
I shiver with rapture; I soar on the wings of sudden joy! [695] O Pan, O Pan, appear to us, sea-rover, from the stony ridge of snow-beaten Cyllene. King, dancemaker for the gods, come, so that joining with us you may set on the Nysian and the Cnosian steps, [700] your self-taught dances. Now I want to dance. And may Apollo [Abaddon, Apollyon], lord of Delos, step over the Icarian sea [705] and join me in his divine form, in eternal benevolence!

[At Megalopolis, Arkadia] is an enclosure sacred to the Great Goddesses [Demeter and Persephone] ... Before it stands a table, on which are carved two Horai (Seasons), Pan with pipes, and Apollon playing the harp. There is also an inscription saying they are among the first gods." - Pausanias, Guide to Greece 8.31.1

Plat. Rep. 3.387c  but we are in fear for our guardians lest the habit of such thrills make them more sensitive and SOFT than we would have them.”
phrittein and phrikē are often used of the thrill or terror of tragedy
Some say, to frighten the wicked, but more probably for their aesthetic effect. Cf. 390 Aei de tina allēn hēdonēn parekhetai, Laws 886 C.

Revised 5.31.13

SEE how Jeff Walling told the NACC how he TRANSISTIONED HIS church to instrumental "worship" after the NACC transistioned Jeff Walling

Thou has Turned My Mourning into Dancing. Perhaps by God's design, they didn't read enough to understand that this is the GENDER mark well documented by Christ in Isaiah 3.

Jeff Walling Daring to Dance with God One
Jeff Walling Daring to Dance with God Two
Jeff Walling Daring to Dance with God Three

Jeff Walling Instrumental Music in Worship.  The problem with preachers getting their information from other preachers intent on converting them is that they never get around to reading the story line and defining words. Jesus said that parables had hidden the truth from the Scribes and Pharisees from the foundation of the world. He called them hypocrites (actors) by referring to the Ezekiel version byChrist who named slick speakers, singers and instrument players.

Being lovingly stroked by the NACC makes Jeff and others think that the Lord LED them to sow discord even though it takes the "spirit' several decades to boil the frogs.

   Jeff Walling Winterfest 2013 Denies that Scripture replaces BEING LED BY THE LORD.  The leaders of this effort claim that they expose YOUR youth to lots of musical bands TO TEACH THEM TO LEAVE YOUR MOVEMENT.

  Jeff Walling and Women in Ministry.  Paul claims to be led by Jesus into all truth. Paul denies BOTH the women and Jeff Walling etal ANY role in a Biblical School of Christ. Since Jeff is LEAD without the Scriptures and any other source of material he does NOT know "all about Eve" as did Paul and any reader of the Word. The command is to PREACH the Word by READING the Word for Comfort and Doctrine.

  David Skidmore on Ephesians two the NEAR and FAR. David is one of the band at Winterfest. His sermon on the NEAR and FAR fails to read the whole chapter to see that those FAR AWAY are exactly those involved in the pagan musical festivals.  Grace through Faith is to save us FROM that crooked race.

  Mike Cope will be teaching your youth to LEAVE YOUR MOVEMENT. He has been hired by Pepperdine.

Rick Gibson speaking for Pepperdine University.

As we prepare the future of Bible Lectures and Church Relations at Pepperdine, Mike Cope and I are committed to doing all we can to build a network around and supportive programs for these young preachers. Though they have freed themselves from sectarian constrains, many have chosen to stay with their churches. At least  for now. In the coming years, churches of Christ will need to respond, demonstrably, to the Restoration cry coming from this young generation and in so doing may restore their full role of influence in the unfolding Christian story.

He means that Churches of Christ REFUSED to have instruments imposed when there is not a jot or tittle of evidence from Genesis up to the Campbells of substituting instrumental noise for what Christ and the Campbells called A School of Christ.

The first Abomination of Desolation in Jerusalem involved the worship of Zeus, Dionysus and others with wine, women (and men) and music. It may be happening in the end-times.

Note the connection between the Vineyard, Dionysus and effeminate worship.

In another fragment, we noted that Willow Creek churches such as Woodmont Hills under Rubel Shelly have hired a "worship facilitation minister" who must be trained in music and dramatic performance to help "bring the worshiper into the presence of God." Because this is one of the methods of the change agentry efforts it is interesting that Dionysus is the god of NEW WINE IN NEW WINESKINS and the THEATER:

Quoted Source: The 1995 Campus Minister's Conference Don Blackwell. His Notes in BLACK

This reviewer's comments in blue.

"I have in my hand a copy of a tape of Jeff Walling's presentation at the 1995 Youth Minister's Conference held in Memphis, Tennessee. I must admit that the first time I heard the tape it nearly brought tears to my eyes. Without a doubt, it was the most blatant and outright attack on the Lord's church that I had ever heard.

Although Walling's "talk" was totally devoid of dignity,
I believe it is the most honest and comprehensive outline of the Change Movement that I have ever heard.

"I have set out to review this tape. I believe the best way to expose Walling and his error is to do so with his own words. For this reason, I have listed various headings indicative of the Change Movement, and then typed quotations from Walling's presentation. I have also added some words of review.
The bad thing about an article of this type is that you can not hear the laughter in the auditorium and the various silly voices that Walling does during his presentation. I assure you that even after reading the article, you will not have gotten the full effect until you hear the tape. It is not my intention to misrepresent Jeff Walling, and lest anyone think I have, I would be willing to send you a copy of the tape so you can hear it first hand.

---

THE NON-IMPORTANCE OF DOCTRINE
One very obvious area that is attacked by the Change Movement is Doctrine. If it is going to be changed without opposition, it must first be relegated to a position of non-importance. Notice the way Walling does this through the use of humor. He says...

Jeff Walling Quoted: And then somebody says, "Will you come and speak to the, you know,
        the ministerial conference, with the senior ministers?" We don't call em that, but, you know, the preachin' guys.
        And that always gives you a headache cause they want to ask you all these questions
        about stuff that nobody else cares about,
........... you know what I mean?

"What's your position on this?" and I feel like saying, "When was the last time a lost person asked you that question,
........... you know?"

Nietzsche (in The Birth of Tragedy) treats Dionysus as a dynamic of time that destroys old forms and brings forth the new (one reason for his role in the Mysteries) with 'an indifference to the differences'.

If someone is going to pay you to do a job not on the Church Organization Chart--one not funded at that--why isn't it mocking your employers to deny them the right to know what you know or believe--if anything?

A believer is interested in every word which comes from the mouth of God! He knows that doctrine just means "the teachings of Jesus." Who can one not be interested in every view which came from the Mind of God (the Spirit) and the pen of the apostles moved by Christ the Spirit.
Lost people don't normally ask too many things: they may not know that the are lost. That is whay Jesus doesn't permit us to wait for the seeker but to go out seeking the lost. They may know enough to ask: "What is your position on ridiculing and judgmentally condemning sincere believers who believe that the teachings (doctrines) are not to be mocked without mocking the Incarnate God of the universe?

That is why "doctrine" or the "teachings of, by and about Jesus" is fundamental teaching. The "gospel?" Sure. But what if they don't know a position about the existence of God? Or what if someone has told them if they don't use instrumental music they are sectarian, racists, legalists and are attending a cult? But if they know a position about God they may still ask: "So what?" Isn't your position about God, the temporary nature of the natural world, the need of a Redeemer, Who is the Redeemer, How dows He redeem?

Or, "Everyone says that baptism is a supernatural sign that you have been predestinated for salvation and if they don't get the supernatural sign they can't be baptized?" Don't we have positions about the role of the church, professional non-evangelists, pyramidal structures of the Israelites, or 'do I have to tithe?'

---

ATTACK ON MUSIC

It is hard to plumb the profound depth of the ignorance of people who present themselves as "apostles of a post-modern religion" and don't know anything about the sad history of substiting sense stimulation for spiritual awareness of the Spirit God.

It is a motive which only God can grasp to either preach in total ignorance or to deliberately grasp the fact that "David danced" without grasping that he also danced naked. And that this was a result of ignorance of the Law and the presumption that as king of a "like the nations" city-state he was the designated agent of Yahweh.

Or how astounding that one does not grasp that this was a recapitulation of the "rising up to play" practiced by Israel at the foot of Mount Sinai as the separated themselves from God.

Or how utterly beyond the pale not to know the universal association of music "as" worship throughout the Old Testament and all of church history. And yet:

A second prominent area that is being attacked by Walling and others with the same agenda is music.
........... The trend is to make our worship in song more modern and contemporary.
........... One way in which this is being done is through the use of "praise teams."
........... Praise Teams are nothing more than a group of men and women who are talented singers
........... who stand before the congregation and "lead" the song service.

Notice Walling's comments on the "praise teams" at this function.

Jeff Walling Quoted: ...two fantastically gifted praise teams have reminded me how much things have changed in the last few years.

I mean,

I remember coming to Campus Ministries' Seminar when we thought it was cool one song leader used overheads. Whooa, whew, cutting edge man, look out! And now, Lordy, I walked in the back door late, and thought I'm in the wrong building here.

I mean, you know?

I have to admit though, the last group had something, you guys were fantastic, but the last group had something you guys don't have,

and that is one of the best looking Christian sister singers that I have seen anywhere.

We cannot know the minds of people who carelessly use phrases. However, the almost universal opinion is that the original CHANGE AGENTS used by Satan were devoted to the ARTS AND CRAFTS. These were the Cabiri or Kabiri. Music and the CUTTING EDGE was what allowed them to subjugate others into the ritual of the GAY BROTHERHOO

Well, it is common knowledge that you cannot "praise the Lord" and look at sweet singer sister Sue at the same time. Females should grasp that according to history they are being used as bait to attract customers. Then, they bait and switch. In the ancient worship of Corinth you "went all the way" and the final "act" of worship was in the back room.

THE LEVITES ARE THE PATTERNISM FOR THOSE IMPOSING MUSICAL INSTRUMENTS.

Jacob says I have waited for thy salvation, O Lord!" Of Simeon and Levi the patriarch remarks that they
Gen. 49:5 Simeon and Levi are brethren; instruments [Sword or Musical]
         of cruelty are in their habitations.
Gen. 49:6 O my soul, come not thou into their secret;
        unto their assembly, mine honour, be not thou united:
        for in their anger they slew a man, and in their selfwill they digged down a wall.

Habitations means "stabbing" from "a cooking range" or boiler, a pot or furnace. God knew that they had a lust for blood and flesh and that was the only rationale for the national or pagan sacrificial systems.

The Levites would be warriors and the latin is bellor To understand such words, the Greek and Latin literature must be read.

In Vergil Aeneit 11 the word Bello is used of the triumph over using music.

With such, return'd triumphant from the war,
Her maids with cries attend the lofty car;
They clash with manly force their moony shields;
With female shouts resound the Phrygian fields.

Pulso To strike or punish, military machines, of musical instruments.

Tŭmultus , 1. In milit. lang., a sudden or impending war, civil war, insurrection, tumult, sedition, rebellion 2. tremendo Juppiter ipse ruens tumultu, i. e. the roar of thunder, storm, etc.:

The sounds are the Halal praise sounds which means "to make self vile" as a threat more often than worship.

Ululu See Hillel, below.  This is the "lord, lord" form of prophesying Jesus does not hear.
B.Transf., of places, to ring, resound, re-echo with howling: căno  I. Neutr., to utter melodious notes, to sing, sound, play.

Gen. 49:7 Cursed be their anger, for it was fierce; and their wrath, for it was cruel:
        I will divide them in Jacob, and scatter them in Israel.

"Dan," he says, "shall be a serpent by the way, an adder in the path, that biteth the horse-heels, so that his rider shall fall backwards (i.e., he will teach candidates black magic) . 
Gen 49:17 Dan shall be a serpent by the way,
        an adder in the path, that biteth the horse heels,
        so that his rider shall fall backward.

The Testament of Levi repeats the common understanding of what God warned Israel about when the elders demanded: "Set a king over us."

"And now I have learnt that for seventy weeks ye shall go astray, and profane the priesthood, and pollute the sacrifices. And ye shall
........... make void the law, and
........... set at nought the words of the prophets

by evil perverseness. And ye shall persecute righteous men, and hate the godly; the words of the faithful shall ye abhor."

And in the seventh (Jubilee) there shall be such pollution as I am not able to express, before the Lord and men, for they shall know it who do these things.

Therefore shall they be in captivity and for a prey, and their land and their substance shall be destroyed. And in the fifth week they shall return into their desolate country, and shall renew the house of the Lord.

"And in the seventh week shall become priests, who are idolaters, adulterers, lovers of money, proud, lawless, lascivious, abusers of children and beasts. And after their punishment shall have come from the Lord, the priesthood shall fail"

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THE ROLE OF WOMEN

A third area that is attacked by the Change Movement is the role of women. The change is toward women having a more prominent role in the leadership of the church. See if you notice this tendency in Walling's remarks below.

Jeff Walling Quoted: It is exciting to be here at a place where the ability and the gift of a number of Christian ladies is recognized, and their contribution to what's happening to the brotherhood worldwide.

The ACU Agenda Carrol D. Osburn: Train as Prophetic roles to prepare Channelers and Facilitators to facilitate the changes.

The end-time subversion is the beginninng-time version which is "Feminist hermeneutics stands over against patriarchal hermeneutics" its goal achieved "by small, often unnoticed acts of SUBVERSION. Numerous such incremental changes, like EROSION, will eventually bring down the FORTRESS " ( WOMEN IN THE CHURCH: Reclaiming the Ideal p. 32).

Now, I'm happy to say that specifically coming from California, cause right up the road from me, I know that you see Scott Lambert up here, and the one you didn't see up here is the one that makes Scott look so good, and that's my good sister and friend, and one of the

"ministers" of the Malibu church of Christ, Luoana Gill, and I know she's not alone.

know there are a number of other ladies, who whether they call you "minister," or call you "women's counselor," or call you, "oh that gal that helps," whatever title they give to you, praise God for the fact that we are able to tap into the wonderful gifts that God has given, the ladies that He's placed all around us. Amen? Amen! And we need to, let's praise God for that. That's 'propriate to do. (Round of applause goes up.)

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WALLING'S VIEW OF THE CHANGE MOVEMENT

Very little needs to be said about this section. It seems quite evident that Jeff Walling is well aware of his role as a leader in changing the church of our Lord. The fact, however, is that on the Divine side, the Lord's church is perfect. Those who are a part of "the cutting edge of change" will tell you they are seeking to change those imperfections on the human side.

The problem with that is that many of the areas being changed are areas that are unchangeable -- areas on the Divine side.

Walling said,

Jeff Walling Quoted: But I need to tell you, I really believe this is an awfully exciting and important time to be where you are. It's an exciting time to be involved in church of Christ ministry.

Wonder how one could be excited in a ministery whose major beliefs are discarded and ridiculed? Is the excitement caused by the sense of success in goats leading the sheep into another "fold?"

Jeff Walling Quoted: Of course, we always feel like this is the Golden Age.
I don't feel like this is the Golden Age.
I do feel like this is the virtual age of, of some kind of virtual reality in churches of Christ,

where things are happening so quickly around us.
Where the tension level is zooming, as those who would call themselves part of the cutting edge,...

See how this TENSION is connected to MUSICAL HERESY: a picture of a new WINE SKINNER.

Diatasis , eôs, hê, tension, dilatation, stretching across, vaginal obstruction, ension, exertion, pneumatos, contention, quarrel, Ektasis, mental tension, impulse

Jesus died to fire the TENSION CREATORS and to give us REST from "anxiety created by religious rituals."

The Greek word Heresy from Liddell and Scott: Haireô means "to take with the hand, grasp, hair. To take by force, to take a city, Il., etc.; to overpower, kill, often of passions, to take, catch, as in hunting, hairein tina kleptonta to convict of theft. To take for oneself. Another form means: take with the hand, grasp, seize as in the Komo or naked dance. Having taken up [the song].
Hide me from the secret counsel of the wicked; from the insurrection of the workers of iniquity: Psa 64:2

Who whet their tongue like a sword, and bend their bows
to shoot their arrows,
even bitter words: Psa 64:3

Homer To the Pythian Apollo (Abaddon, Apollon who USES the MUSES of Revelation 18:22) about the destruction of Charismatic music

182-206 - Leto"s (mother of Apollo) - all-glorious son goes to rocky Pytho, playing upon his hollow lyre, clad in divine, perfumed garments; and at the touch of the golden key his lyre sings sweet.

Thence, swift as thought, he speeds from earth to Olympus, to the house of Zeus, to join the gathering of the other gods:
then straightway the undying gods think only of the lyre and song,
and all the Muses together, voice sweetly answering voice,

hymn the unending gifts the gods enjoy and the sufferings of men, all that they endure at the hands of the deathless gods,
and how they live witless and helpless and cannot find healing for death or defence against old age.

The Puthôn (cf. Puthô) the serpent Python, slain by Apollo, Ephor.31(b)J., Apollod.1.4.1, Plu.2.293c.
II. paidiskê echousa pneuma Puthôna a spirit of divination, Act.Ap.16.16.

paidiskê 1 [Dim. of pais] [h]
I. a young girl, maiden, Xen.
II. a young slave, courtesan, Hdt., Plut.

2. pl. Puthônes, ventriloquists, Plu.2.414e, cf. Hsch.

Notice that Haireô or heresy includes the word Anaireô which shows that the heretics may think that they have invented a NEW STYLE WORSHIP. Of their postmodernism it has been noted that when they lose connection with their "doctrine" and are no longer believers their new INVENTIONS revert to Satan and the cult of the dead.

Anaireô, anêirêka (aneir-dub. in Com.Adesp.18.6D.): (v. haireô): --take up, anelontes apo chthonos having raised the victim from the ground, so as to cut its throat (cf. aueruô), take up and carry off, bear away, esp. prizes. of oracle's answer to inquiry
II. make away with, destroy, of men, kill, Hdt.4.66; pollous anairôn A.Ch.990 ; se men hêmetera psphos a. E.Andr.517; thanatois a. Pl.Lg. 870d ; ek politeias toiauta thêria a. Din.3.19 , etc.

Saturn who in Chaldee is 666 will come again with his PRUNING HOOK (a musical instrument in Hebrew).

"As a king in Italy He was older and wiser, and when His Time came again, He knew it, and secretly left the land. It is said that to this day

"He lies in a magic sleep on a secret island near Britain, and at some future Time
"(perhaps in the Reign of the Virgin), He will return to inaugurate another Golden Age. De Saturno

"The Roman Saturnalia was later considered to be like a "temporary return to the golden age". The story is that Saturn is buried somewhere and is only asleep, and that in the future, he will awake and return, in order to launch a new "golden age". (Yes, the concept "new age" actually comes from that also, believe it or not.)

One can feel the "reality of self" rapidly slipping away. One denounces his "church family" and falls in love with the lady on the computer screen. She always says, "Yes, you are lovely to behold and I want to hold you in my arms and dance with you." The patterns and paradigms have been sucked away from Dr. Rubel Shelly and he "internets" all of the way back to the Exodus as the virtual pattern for Christian community (commune) and worship. But, don't you know that Israel lost that video game by rising up to play with sex, dancers, singers and musicians?

Jeff Walling Quoted: you know there's like lots of people out in our brotherhood who would like to take a cutting edge to the cutting edge.

Do you understand what I'm talkin about here?

Below, Jeff will ask:

Jeff Walling Quoted: Am I gettin to you yet?

Have I offended you yet?

Jeff Walling Quoted: It makes it an exciting time because things are changing, old habits are being questioned, old tradition,

I mean we've got the most sacred of cows being trodded through butcher shops all over this country in churches of Christ

where people are willing to ask questions that would have been heresy to even voice before.

And I'm not saying that we have lots of sacred cows that need to be slaughtered, but every now and then it's just good to check the herd to make sure you don't have a few goats in there,

if you know what I'm sayin.

Heard a known fact repeated today: when a man sees or confronts a beautiful person he literally goes out of his mind for a few minutes.  Paul outlawed AUTHENTIA authority which is both erotic and murderos.

Amos warns about the SACRED COWS OF BASHAN who were responsible for the religion of Israel.  History notes that religious musicians in paganism were always effeminate or worse.  While women were limited in "clergy" roles it was necessary for the males to act and perform as females.  When God abandoned Israel to the Monarchy the musicians prophesied with singing, dancing and playing instruments: that word means soothsaying or sorcery. Their dress, style of falsetto singing (Acappella is not congregational singing). That is becausse God had abaandoned them to worship the starry host.

A large percentage of the "owners" flee when the "musical worship team" claiming a mediating role:
"Of particular interest is the way that early modern playwrights, music theorists, and theater apologists addressed this conflated language of the "enemy," by echoing the same connections between sexuality and playing found in the most virulent antitheatrical tracts. As this paper will demonstrate, by "playing" with the conflated language, these writers defended their art,

justifying their existence in a society that was both seduced and repulsed by them. By claiming the polemical antitheatrical language, these players escaped from the ideological margins to which their opponents had tried to relegate them.

Using the artifices of mimesis and comedy they pointed out and defused their opponents' anxieties about music, theater, and sexuality,

creating a space for players in the cultural mainstream."

According to Greek tradition, the actor and playwright Thespis invented the drama when he augmented the chorus of the dithyramb with a single actor who wore masks to portray several different characters.

Comedy (from Greek komos, meaning "revel") was presented competitively in Athens from 486 BC at the Lenaea winter festival, though it fused much earlier traditions of popular entertainment, mime, phallic rites, and revelry in honour of Dionysus.

Sacred Cows: Supernatural Signs of the New Hermeneutic when one mark of the beast is "a new style of singing or drama."

Rubel Shelly suggested the HERMES was the LOGOS John knew about. As The Abomination of Desolation in the Temple we know that Hermes was a homosexual and most faithful Israelites fled rather than let the young men be "initiated" as homosexual priests. Of Hermes, Mercury or the Greek logos: Hermes, the herald of the Olympian gods, is son of Zeus and the nymph Maia, daughter of Atlas and one of the Pleiades. Hermes is also the god of shepherds, land travel, merchants, weights and measures, oratory, literature, athletics and thieves, and known for his cunning and shrewdness. He was also a minor patron of poetry. He was worshiped throughout Greece especially in Arcadia. Festivals in honor of Hermes were called Hermoea. Originally Hermes was a phallic god, being attached to fertility and good fortune, and also a patron of roads and boundaries. His name coming from herma, the plural being hermaiherm was a square or rectangular pillar in either stone or bronze, with the head of Hermes (usually with a beard), which adorned the top of the pillar, and male genitals near to the base of the pillar. The offspring of Hermes are believed to be Pan, Abderus and Hermaphroditus. Hermes as with the other gods had numerous affairs with goddesses, nymphs and mortals. In some legends even sheep and goats. Pan, the half man half goat, is believed to be the son of Hermes and Dryope, Pan was a little queer "god" who PLAYED all kinds of things including his pipes. The JUDAS BAG was for carrying the mouthpieces of wind instruments. They were also called TONGUES. The Greek word is made up of (1) speaking in tongues and (2) of the WORLD or devoted to Satan who indwelled Judas. The PIPING trying to get Jesus to sing and dance was the DIONYSUS or BACCHUS perverted song and dance of the GAY MINSTRELS (Yes, always homosexuals worshiping the GOD OF THE NEW WINESKINS). This was the worship of Zeus and Dionysus as the ABOMINATION OF DESOLATION in the Jerusalem Temple. See how the Branch of the terrible ones is connected to the Abominable branch which means "singing with instrumental accompaniment." The Judas Goat scheme, Jesus identified the "multitude" as sheep to whom He spoke only in parables because as sheep they had little interest in truth because they follow a few "black sheep" who are the apparent leaders. In the church, the "black sheep" are often the elders who are just as ignorant as the regular sheep but they have A MARK PUT ON THEM as focus leaders but not chosen by the sheep.   They get quite violent when you try to turn "church" from pagan worship center or slaughter pen back to "synagogue" or school. The Judas Goat is in charge because he knows where he is leading them A Judas goat is also able to get the sheep to follow him. He leads the sheep up to the slaughter pen but at the last moment slips out of the way after the sheep are already on the move and cannot be stopped. He has figured out that the shepherd will protect him as long as he leads the sheep to whereever the shepherd desires. He knows that hireling shepherds eat lambs In myth and real history he is the Pied Piper who can get the "mice people" to follow him. The Judas Goat offering was imposed as a result of Nadab and Abihu.   Comedy   "In the Comedies the high-and-mighty, whether God or mortal, will be lampooned. Comedy (Côm-ôidia = Cômos-song) echoes the less formal Revels (Cômoi), both of which celebrate the resurgence of Indestructible Life. The comic actors wear grotesque masks and over-stuffed body-suits with padded buttocks and stomach and a large leather phallus - even if the actor is playing a female character!   This is because Comedy harks back to our rural Phallic Processions to invoke the powers of Fertility and to drive off pestilence.   Again MUSICAL PERSONA: Illustraton below: the UNIVERSAL, Music, Wineskin, Phallic Worship. Note that the end of wineskin is claimed to be a phallus:   Though the performances are sacred and consecrated to the God, the audience makes their opinions known, either applauding or hissing and hooting. The plays are also a focus for political and social debate; the plays (especially the Comedies) are laced with allusions to contemporary issues and will be a stimulus for discussion following the festival. Later I thought of this clown of the flute as a grotesque modern form of the great god Pan of the forest whom the Greeks worshipped as the symbol of cosmic vitality--serene, goat-footed Pan who plays the sacred syrinx (pan pipes) in the sinking dusk and with its magic sound evokes an echo in all things:   leaves and fountains shiver, the stars begin to tremble, and the shaggy goats dance at the edge of the grove. ( Kinsley, David R. The Sword and the Flute: Kali & Krsna: Dark Visions of the Terrible and the Sublime in Hindu Mythology. Berkeley: U of California P, 33, n. 49)   See how Laughing and Mocking Jesus go together.   The little SINGING AND PLAYING animals rise again in the end times where the Babylon Whore has restored lots of commerce, false religion, homosexuality and musical instruments. The tongues of the false prophets are FROGS or "Quacks." THE SACRED COW AT MOUNT SINAI WAS A YOUNG BULL CALF: SYMBOL OF FERTILITY AND THE TRINITY The musical group building upon Exodus and pagan religion is raising more sacred cows than others can "trod" down or slaughter. Here, for instance, is the sacred cow (Hathor) or bull (Apis) who was placated with music in Egypt and who was reincarnated as the golden calf as Israel rose up to play: sing, dance and play instrumental music. * Biblical Cyclopedia, vol. i. p. 368. The flagellum or lash -- the emblem of the great Egyptian god -- suspended to the yoke about the neck of the calf, shows that this calf represented that god in one of his different forms. "As it is a universal principle in all idolatries that the high priest wears the insignia of the god he serves, this indicates the importance which the spotted skin must have had attached to it as a symbol of the god himself. The ordinary way in which the favourite Egyptian divinity Osiris was mystically represented was under the form of a young bull or calf--the calf Apis--from which the golden calf of the Israelites was borrowed. There was a reason why that calf should not commonly appear in the appropriate symbols of the god he represented, for that calf represented the divinity in the character of Saturn, "The HIDDEN one," "Apis" being only another name for Saturn. * * The name of Apis in Egyptian is Hepi or Hapi, which is evidently from the Chaldee "Hap," "to cover." In Egyptian Hap signifies "to conceal." (BUNSEN) Click to see some sun second incarnation. And don't forget that the female leaders in Amos' condemnation of music were called "cows of Bashan." In Rome the worship of the Egyptian divinities had been banished without the city walls. Upon the Campus Martius, however, Isis and Sarapis found a resting-place, and their temples were much frequented by the lower classes.   Courtesans especially flocked to Isis, and invalids to Sarapis,   whose priests were reputed to have wondrous powers of healing.   But Sarapis (incarnated in the Apis bull) may stand here for both divinities, and there is no need to suppose the girl was ill because of her professed destination or of her request for the use of a lectica (portable couch). Heredotus notes that: About the time when Cambyses arrived at Memphis, Apis appeared to the Egyptians. Now Apis is the god whom the Greeks call Epaphus. As soon as he appeared, straightway all the Egyptians arrayed themselves in their gayest garments, and fell to feasting and jollity: which when Cambyses saw,   making sure that these rejoicings were on account of his own ill success, he called before him the officers who had charge of Memphis, and demanded of them- "Why, when he was in Memphis before, the Egyptians had done nothing of this kind, but waited until now, when he had returned with the loss of so many of his troops?" The officers made answer,   "That one of their gods had appeared to them, a god who at long intervals of time had been accustomed to show himself in Egypt- and that   always on his appearance the whole of Egypt feasted and kept jubilee." [Rising up to play with musical idolatry was a Jubilee] When Cambyses heard this, he told them that they lied, and as liars he condemned them all to suffer death. When they were dead, he called the priests to his presence, and questioning them received the same answer; whereupon he observed, "That he would soon know whether a tame god had really come to dwell in Egypt"- and straightway, without another word, he bade them bring Apis to him. So they went out from his presence to fetch the god. Now this Apis, or Epaphus, is the calf of a cow which is never afterwards able to bear young. [A virgin birth celebrated under the name "Mary the Mother of the god."] The Egyptians say that fire comes down from heaven upon the cow, which thereupon conceives Apis. The calf which is so called has the following marks:- He is black, with a square spot of white upon his forehead, and on his back the figure of an eagle; the hairs in his tail are double, and there is a beetle upon his tongue.   Calling down Gods "holy" fire: Malachi knew about ACU, Ken Cukrowski, Mark Hamilton, and James Thompson when he asked: "who shall stand when he appeareth? for he is like a REFINER'S FIRE, and like FULLER'S SOAP: Malachi 3:2 (To Wash). The concept of HOLY FIRE has meaning ONLY in connection with CONSUMING those who refuse to approach God with reverence and Godly fear. Those who PEDDLE or "retail" the Word which they do not believe are enemies of Christ.   See also the Zoe Group calling down FIRE as they promote the worship of the MOUNTAIN GODS.   Hear Paul relate to Nadab and Abihu and warn those who do not approach God in reverence and godly fear that GOD IS STILL A CONSUMING FIRE. "When the priests returned bringing Apis with them, Cambyses, like the harebrained person that he was, drew his dagger, and aimed at the belly of the animal, but missed his mark, and stabbed him in the thigh. Then he laughed, and said thus to the priests:- "Oh! blockheads, and think ye that gods become like this, of flesh and blood, and sensible to steel? A fit god indeed for Egyptians, such an one! But it shall cost you dear that you have made me your laughing-stock." When he had so spoken, he ordered those whose business it was to scourge the priests, and if they found any of the Egyptians keeping festival to put them to death. Thus was the feast stopped throughout the land of Egypt, and the priests suffered punishment. Apis, wounded in the thigh, lay some time pining in the temple; at last he died of his wound, and the priests buried him secretly without the knowledge of Cambyses. Moses saw that the people were running wild and that Aaron had let them get out of control and so become a laughingstock to their enemies. Exodus 32:25   19. But when Moses came down, he saw their heathenism revelling in the wide plain with drums and cymbals. "The triumphal hymn of Moses had unquestionably a religious character about it; but the employment of music in religious services, though idolatrous, is more distinctly marked in the festivities which attended the erection of the golden calf." (Smith's Bible Dictionary, Music, p. 589). And now Cambyses, who even before had not been quite in his right mind, was forthwith, as the Egyptians say, smitten with madness for this crime.  The only Sacred Cows are worship by instrumental music which brings on a total rejection by God.   Know what I mean?

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PROGRESSIVE CHANGE

It is clear from the following excerpt that brother Walling understands that change must be progressive. He understands that all of the "desired" changes can't be made overnight. People will see through that and rebel against it.

If one is going to change a congregation, it must be done slowly. No doubt, this is why they are often very successful. Walling sympathizes with these youth ministers,

Jeff Walling Quoted: ...and you are struggling with how do I meet the needs of these young people? How do I help them to understand? How do I be cutting edge, and new WAVE avant garde (vanguard), and progressive,

without losing my job? and making everyone else in the congregation really irritated with me...
I have to wonder if you're at a place in your ministry where you don't have to go to the church of Christ either.

NEW WAVE: from WHENCE?

"After she (Carol Wimber) had a dream in 1976 of standing preaching to a large crowd a seven-point sermon on the gifts of the Spirit, at the final point,  'a sensation like hot electricity' hit her head, travelled down her body, then up and out of her mouth. She awakened speaking in tongues. The sensation of heat and electricity is typical of that experienced in the current revival.  She said 'Soon God stopped showing me what he had wanted to do in the past and began to show me what he was going to do in the future. I had a strong sense of God's desire for his bride, for the whole Church - Protestant, Catholic, Orthodox.' (Riding the Third Wave - 1987)

In the article "Worship: Intimacy With God the philosophy behind the 'praise and worship' found in the Vineyard churches it is explained that there is a 'well-thought out philosophy' guiding how God is worshipped through music and movement in order to achieve the goal through "Worship: Intimacy With God" .

"To understand how we worship God, it is helpful to learn about our fellowship's history, which goes back to 1977. At that time my wife, Carol, was leading a small group of people in a home meeting that evolved into the Anaheim Vineyard. I'll let her describe what happened during that time.

"After we started to meet in our home gathering, I noticed times during the meeting -- usually when we sang -- in which I experienced God deeply... occasionally we sang a song personally and intimately to Jesus, with lyrics like 'Jesus, I love you.'

Those types of songs both stirred and fed the hunger for God within me... Thus we began to see a difference between songs ABOUT Jesus and songs TO Jesus. "About that time we realised our worship blessed God, that it was for God alone and not just a vehicle of preparation for the pastor's sermon. This was an exciting revelation. After learning about the central place of worship in our meetings, there were many instances in which all we did was worship God for an hour or two.

"At this time we also discovered that singing was not the only way to worship God. Because the word worship means literally to bow down, it is important that our bodies are involved in what our spirits are saying. In scripture this is accomplished through bowing heads, lifting hands, kneeling, and even lying prostrate before God. ... we are blessed as we worship him.

He visits his people with manifestations of the Holy Spirit. "Thus worship has a two-fold aspect: communication with God through the basic means of singing and praying, and communication from God though teaching and preaching the word, prophecy, exhortation, etc.

We lift him up and exalt him, and as a result are drawn into his presence where he speaks to us."

"In the Vineyard we see five basic phases of worship, phases through which leaders attempt to lead the congregation.... as we pass through these phases we are headed toward one goal:

intimacy with God."....

The fourth phase is described as "God Visits His People when "Expression then moves to a zenith, a climactic point, not unlike physical lovemaking... We have expressed what is in our hearts and minds and bodies, and now it is time to wait for God to respond.

Stop talking and wait for Him to speak, to move. I call this, the fourth phase, visitation:"

The fifth phase is called "Generosity "The fifth phase of worship is the giving of substance. The church knows so little about giving, yet the Bible exhorts us to give to God. it is pathetic to see people preparing for ministry who don't know how to give. That is like an athlete entering a race, yet he doesn't know how to run. If we haven't learned to give money, we haven't learned anything... " From Source
See how "churchy" music is a product of spiritual prostitutes and Voodoo.

AVANT GARDE: from WHOM?

I am sure that people ignorantly use CODE WORDS without knowing what they mean. For instance, if the guys want to make church into "A venue for Rock and Roll" they may truly not know that this is one of the "F" words which define almost all forms of VOODOO based music:

Avant Garde is most commonly used in relationship to music and the arts. And the language of the arts are clearly gender bent. Click for the THEATRICAL meaning of Avant Garde.

"Camp preceded Pop in sensibility and acceptance. Camp is decidedly avant-garde, and Pop, a sort of aprés-garde sensibility, is merely its reformation into a commodity. Camp is defined in terms of the aesthetic; Pop is defined in terms of the commercial. Herein lies the insidiousness of the Pop sensibility.

It has successfully positioned itself so well within capitalism that its sphere of influence is at once incredibly vast and incredibly effective.

Pop is marketed as Camp, as the obligatory thing for homosexuals to do and to like, and thus produces the new wave of homosexuals, the aprés-garde."

IN ART:
"By just about any measure, Hartley led a troubled, conflicted life. He was a gay man in a society that frowned on homosexuality, an artist drawn to abstraction when such work was largely shunned by the public,

a man susceptible to powerful swings of mood and capable of ever-changing artistic styles. "Like a true Modernist," says curator McDonnell, Hartley "ran through the full gamut of options then open to avant-garde painters."

PROGRESSIVE: What?

The ABOMINATION OF DESOLATION was the worship of Zeus and Bacchus or Dionysus in the Holy Places of the Jerusalem Temple. This was something the Jewish WARRIOR musicians nor the most VILE PAGAN temple would allow.

The Jewish Clergy were identified by Jesus as the PIPING musicians of Dionysus who PIPED hoping or even demanding that Jesus join in the perverted Dionysus song and dance.

Here is a picture of religion so PROGRESSIVE that it began in the garden of Eden with the serpent or NACHASH as Musical Enchanter WHOLLY SEDUCING Eve while Adam bowed willingly. It was also so PROGRESSIVE that it was used by Nimrod at the Towers of Babylon. So progressive that it is the PROPHECIED holy whore, Kirke, who seduces with music and enchantments. One of the naked singers and dancers carried a new WINESKIN: